#I still keep coming back to this show

[aalghul]

once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.

and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I��ve literally connected the dots

[kindaasrikal]

Imagine Jay, or Rogue in this case, learns of a women named Libber.

He’s told he looks so much like her, that his precious element was once hers, that this woman who he can’t remember is his mother.

And after learning that small bit of his (supposed) past, he clings to it desperately, almost protective over the information like a child over their only toy.

And then he meets Ed and Edna. And Edna looks nothing like the woman he was told about. So her love and her care and her affection is not needed nor wanted. This woman is not his mother. He doesn’t need such lies and manipulation from a person who claims to know him again.

This woman, who once all those years ago raised him as her own, because he is her own, took him in and loved him as a mother should and cared for him like a parent does, is lost to him.

I wonder how Edna might break knowing her son, her baby, doesn’t remember her, and completely rejects her. I wonder how Ed would feel knowing he can’t do anything to stop it, a stranger to the situation and to his son, his child.

[judasalicent]

my prediction right now is that a conversation between alicent and mysaria will occur in late s3 and have a similar function in the story as elizabeth bennet and lady catherine's conversation at the end of pride and prejudice lol.

in early s3, the relationship between alicent and rhaenyra will be strained because rhaenyra will believe alicent lied about aegon. but, as we move through s3, alicent will face no consequences for her "betrayal" besides being (very comfortably) imprisoned. in other words, alicent will suspect (though probably not consciously acknowledge) that rhaenyra still cares for her enough not to torture/execute her despite the perceived betrayal.

i believe this will inevitably climax with a private conversation between alicent and mysaria, who rhaenyra will be closest to during the beginning of s3. even at the top of s3, mysaria will be suspicious of rhaenyra's relationship to alicent due to the sept meeting, rhaenyra trusting alicent's plan to take the city, rhaenyra refusing to torture/execute alicent, etc.

as s3 progresses, rhaenyra and mysaria will grow to be more at odds as the interests of the nobles (with rhaenyra as representative) and the smallfolk (with mysaria as representative) begin to clash. this will culiminate in rhaenyra rejecting mysaria (for alicent) in some capacity mid-season, inspiring mysaria to confront alicent herself. up to this point, alicent may suspect rhaneyra's feelings, but her conversation with mysaria will make them explicitly known. alicent will realize that rhaenyra's love has kept her alive and well during her imprisonment.

the major consequence of this conversation will be that alicent, even if given the opportunity to leave king's landing in late s3/early s4, likely will not take it. knowing that rhaenyra's love is still there, alicent will seek it out. so just like elizabeth bennet realizes that mr. darcy still loves her after lady catherine reveals he intended to propose, alicent will realize that rhaneyra still loves her after mysaria reveals that rhaenyra is actively protecting her.

and to go even further, rhaneyra and alicent will potentially be given the opportunity to acknowledge their love for one another at the end of s3/beginning of s4 after rhaenyra turns away from the smallfolk after first tumbleton. in the same way that elizabeth and mr. darcy could confront their love for one another after lady catherine visits longbourn.

[unhinged-prosody]

None of the Disco Elysium female characters are friends, or even supportive of each other much really, and that saddens me quite a bit, really.

[byfulcrums]

I know everyone likes to make fun of Ezra for believing Maul, but I honestly really liked that, because. Like. He's been working so hard to learn to trust people again. His new-found family is teaching him how to open up and how to let himself love others without being too afraid of losing them to connect

And he doesn't immediatly trust Maul, which shows that even if his trust issues are much better now, he's still not stupid and knows to be careful around strangers, especially if you found them inside a Sith Temple

But. Maul shows and tells him what he wants to see; he acts kind with him, reassures him when he's in doubt, and manipulates Ezra (who is a CHILD) into beliving in him so he could get what he wanted

Then he betrays him, and by blinding Kanan, he proves Ezra's 'little me' right

[mc-critical]

1.06 / 2.09 (33)

[mllenugget]

Hey remember when Baghera adopted Dapper like 8 months ago or did I make that up ? ────────────────────────────────────────── Support all the admins that spoke out (& do your daily click) ──────────────────────────────────────────

[kaidanalenkosprmanager]

"Did I ever tell you about my Omega casino run in with the Blue Suns, Eclipse, and the Blood Pack Vorcha mafia? Five thousand credits and a bottle of whiskey?"

Ft. Staff Cmdr. Kaidan Alenko, Operations Chief Ashley Williams, Zaeed Massani, & Seven. Dominik Shepard. Phoebus. MIRA'S MORE CANON ME1.5 "Are you Phoebus?" AKA: Pt. 1 of some of what happens between ME1 and ME2 with the Vorcha mafia storyline. :) Mass Effect: Legendary Edition (2021)

[s0fter-sin]

i need a fic of soap bringing ghost home to his family for the holidays. his family’s always disapproved of everything; being queer, being in the military, being with ghost and it’s all over not a great time but they’re trying to pretend for the sake of the holiday. they get into it after dinner one night though and for once soap isn’t backing down, not when it’s ghost they’re attacking, when the power suddenly goes out. soap moves just in time for a shot to come through the window and he orders his family to get down

graves and what’s left of shadow company followed them to glasgow; it’s the first time they’ve been away from the 141 and they think it’ll be their best chance to take them out. johnny and simon are left behind as they become soap and ghost and soap’s childhood home becomes a battleground, his hysterical family who still think he can’t be that good of a soldier now civilians that he has to protect and get out in one piece

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[seagreenstardust]

I know Iida gets a hard time for being such a stickler for rules but I actually love him a lot. So much. I love how much he cares about people. I love the way his nerdy rule-loving personality is portrayed as not only okay but useful in a way that isn’t common for his kind of character, and I especially love how his dialogue is used to bring in some levity. I don’t think I’ve ever seen him dragging Katsuki away from the war answering his demands to be set down with “I can’t, your organs have been impaled!!” without laughing out loud

And he’s so funny but also so wholesome and caring and when he catches up to Izuku after the vigilante arc? Crying and smiling and reaching out? Voice breaking as he pleads with Izuku to come back? Actual chills. I just love him a lot, what a great guy

[qprpbj]

oh thank god ppl aren’t crucifying me for saying i like it better that darry dropped out of school over just not going at all i feel so vindicated. i think it makes sm more sense for his character and—-

[jasontoddenthusiastt]

The New Titans #55 (1989)

Batman (2010-) #641

…

Red Hood and the Outlaws (2016-) #6

…

…

…

Batman and Red Hood (2011-) #20

…

Batman (2016-) #138

They sure do bAT&Tman. They sure as hell do.

Yet Jason never thought this way about you.

[1phakephan]

🗣️🗣️ pov dan and phil base their pizza selection in part 2 of their iconic mukbang video on their hatred for the detroit pizza company that almost ruined your life

[brionysea]

when max is depressed we know something's wrong because lucas says with his words that he knows something's wrong but when mike is depressed we don't think anything of it because will's right next to him rolling his eyes about how stupid straight people are

[ejzah]

I’ve started watching Succession (I like to wait until a show is past its prime) and I can see why it’s so popular. While the writing and acting is good and the storyline intriguing, it doesn’t leave me with any warmth or hope. Everyone is different pretty terrible. This is why I like my procedurals and predictable little shows. Maybe they’re not the very best or original always, but I know along with the struggles and angst, there’s usually some hope at the end of the day. Someone gets a happy ending eventually.