#I started this as a draft even before episode 5 aired but after episode 5 I'm even more confused | Explore Tumblr posts and blogs

wenellyb · 4 years ago

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I don't know how to explain this but TFATWS reads a lot like “yes Sam and Bucky are romantically involved but this is not a romance so we won't delve into their relationship”.

If you think about it, in Marvel movies, the romance is not at the center of the plot. Even in solo movies, there is usually just one kiss, never more. And it the Avengers, there are usually no kissed between the couples.

I'm trying to stay away my shipper googles but even then, some scenes don't make sense to me. I love watching movies and TV shows and one thing I like is that dialogues are not put there randomly, the script has a meaning, the words have a meaning, and the scenes they decide to keep have a meaning.

And for some of the Sambucky scenes in TFATWS, I’m struggling to find any other meaning than “Sam and Bucky had feelings for eachother at some point”.

You can argue that jokes about the 2 partners being more than just friends is a recurring joke in a lot of buddy cop movies, but in those movies, it is usually a joke, just for laughs. The only scenes that would fall into that category in the FATWS are the rolling in the flower field scene and the therapy lesson scene where Sam and Bucky get so close that there legs are intertwined.

All the other scenes are so emotionally heavy it's difficult to categorize them as only fanservice, or two guys being friends. I'm not saying they aren't any emotional scenes in buddy cop movies, but usually the emotional scenes don't go as deep as what we've seen in the Falcon and the Winter Soldier.

I tried to look at all their scenes together and split them into different categories, and I stilll end up with some scenes that point to a relationship that goes beyond friendship between Sam and Bucky:

Scenes that fall into the fanservice category and there just for laughs:

The bickering about wizards and sorcerers in episode 2

The rolling in the flower field scene and the beginning of the therapy scene.

Sam asking Bucky to do something when the Dora Milaje are attacking John Walker in episode 4

Scenes that can be seen as purely friendship:

In episode 2:

Bucky deciding to follow Sam because I quote "he doesn't trust Redwing". What is that even supposed to mean? ... He probably meant I don't trust Redwing to protect Sam like he would.

Bucky standing up from the stack where he was sitting on, to go sit next to Sam when they were on the flight back from their mission.

Sam waiting for Bucky in the police station, even though they try to act as if they're not friends

Sam agreeing to go see Zemo with little to no protest

In episode 3:

Sam making sure Bucky is alright and asking him if he's ok

Sam touching Bucky's metal arm when he’s pretending to be the Winter Soldier

In episode 4:

Bucky saying "I'm going with you" when Sam says Karli wants to meet with him alone.

In episode 5:

The shield practice scene when they have a heart-to-heart talk in episode 5 about what the shield meant for Bucky and Bucky finally apologizing for the way he treated Sam and explaining how as a White man he couldn't possibly know what it would mean for Sam to be Captain America

Sam asking if Bucky is ready for some tough love.

Scenes that make no sense if we see their relations as just friendship:

In episode 2:

The therapist said she heard a lot about Sam, she wants Sam to stay for the therapy for I don't know what reason, she makes them do a couple exercise, and says it explicitly.

Why would the therapist say she heard a lot about about Sam, that she want to do a couples exercise with them? Those scenes alone are alright, but when you take them together it's quite interesting.

The couples therapy trope has been used in a lot of Buddy cop movies or TV shows, but usually they don't delve into sensitive topics like they did in TFATWS, the scene was so emotional for a few seconds, I forgot it was a Marvel show.

In episode 3:

When Bucky tells Sam he helped Zemo escape, Sam was furious, and couldn't stop yelling at Bucky about how insane his plan was, and Sam was right. But the moment Bucky looks him in the eyes and basically says, "please do it for me", Sam agrees right away... Excuse me what??? How does this make sense?

If my friends ask me to work with an international criminal who just escaped from prison, I wouldn't just stop arguing with them just because they looked at me with puppy eyes. I would continue to yell at them until the end of the mission. Sam was like, “ok, ok, I'll do it for you”? I'm sorry but that is not friendship only, it's something else.

In Episode 5:

Can we talk about Bucky's reaction when Torres arrived in Episode 5?? The annoyed face when Torres walks in and Bucky walking away right after that, without even saying goodbye? Torres is the sweetest soul on earth, how can anybody hate him? Why would Bucky not like him??? This scene make no sense unless they're trying to tell us that Bucky is jealous or something.

Bucky asking a favor to Ayo, when he's not in good terms with the Wakandans. I'm sorry but do you realize how heavy this scene is? Ayo, just told Bucky that he should lay low for a while, and Bucky understands that, but his first thought is "I need to get a gift from Sam" first. Nope nope nope, you can't tell me this is just friendship. Ok, maybe it is, but I don't understand this filming choice. Plotwise, Sam could have asked for a suit or new wings himself. I'm sure Sam is in very good terms with T'Challa and the Wakandans... What does it mean that Bucky was the one to ask for it as a gift to Sam, when Bucky was in a already in a difficult situation with the Wakandans due to him freeing Zemo.

Bucky touching Sam's waist to ask him to move when he starts helping him with the boat repair. And Bucky coming from behind to do so, giving us a very short but intimate scene.

Their conversation about Bucky staying over for the night: Bucky saying he doesn't want to make things weird with Sam and his family by staying over, and Sam saying how the people in the town are so open-minded. Why would they have that conversation if Sam and Bucky are only friends? Sarah knows about Bucky and his past, she know that he and Sam are friends (sort of), why would a friend staying over make things weird between him and his family? Why would Sam need to say that the people in this town are open-minded?

The video montage of them building the boat the day after. Anyone knows why they would show us that if they were only friends, and with THAT music choice?

The extra long handshake at the end of their training scene, when they kept holding hands and looking into eachother’s eyes while talking together, and Bucky basically says he'll be there for Sam whenever he needs him.

I’m sorry but it doesn’t seem to me that they are being portrayed as just friends

Usually in buddy cop movies/ TV Shows, there are always joke but in the FATWS, some scenes are so emotional that I feel like I'm missing something. Bucky has this whole passive agressive behavior with Sam and yet he's unable to let Sam go on a mission on his own. One thing I really can't understand is that Bucky always seems know where to find Sam, as if he had been keeping tabs on him.

So yes, there's definitely chemistry between Sebastian Stan and Anthony Mackie, due to their friendship but it’s not only that. The writers and director have made the choice to keep some scenes and some dialogues ambiguous.

In some of the scenes we can see that there's more to Bucky and Sam's story than we know.

And they're not the first Marvel couple to have a similar treatment: Wanda and Vision's relationships was very subtle at the beginning, same for Natasha and Bruce, we rarely see them together explicitly but we knew they had a relationship.

It's the same for Sam and Bucky, some of the scenes only make sense if there has been a romantic relationship between Sam and Bucky at some point.

To me it's really like Sam and Bucky are set up as a couple or at least two people who have been romantically involved in the past, but the show won't expand on that because this is a superhero show, not a romance.

In an action movie, you would see some couples, or people who are obviously in a relationship or hints that there is something going on between them, but rarely would you see a kiss, that’s what I feel is happening here.

Last point: if Sam and Bucky had kissed in Episode 5 after their talk, it wouldn't have been out of nowhere and it wouldn't have changed anything to the plot. That's how I know my theory isn't that far-fetched.

I would love to hear your thoughts about some or all of these scenes (especially the Torres one, that one is driving me crazy) and see what you think about it?

If you see their relationship being portrayed as pure friendship, I would like to know why. And would also love to hear how you guys interpret their other scenes together and if you have some different point of views about the scenes in the show.

#sambucky #sam wilson #bucky barnes #tfatws #the falcon and the winter soldier #tfatws spoilers #I started this as a draft even before episode 5 aired but after episode 5 I'm even more confused #my posts

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bella-studyblr · 3 years ago

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Task Management:

Creating + Maintaining a Schoolwork Schedule

Key elements

Your schedule suits your individual time/task management preferences.

It is flexible enough to accommodate sudden changes, plus fluctuating energy levels, states of concentration, symptoms and moods.

Daily tasks are not over-whelming; they are small enough that they are achievable.

You do not get “burned out.”

It allows you to be consistent.

Steps to create your schedule

Decide if you want your planner to be paper or digital

Find an “order” that’s logical and achievable for you (more on this later)

Refer to your addendum/syllabus and write down all the assignments, tests and other events taking place that week/month (and their due-dates).

Then break these down, assigning tasks to each day of the week (more on this later).

Break down your tasks even further (more on this later).

Decide if you want to follow a simple daily to-do list or a timed schedule (more on this later).

Find your “order(s)”

Mandatory: Schedule assignments around other commitments (work, social, hobbies, etc.).

Do the hardest task first to get it out of the way (so that the rest of your tasks are less daunting, and because your smaller tasks require less energy therefore can be done even after completing the hard task).

Do the easiest task first to build momentum (give yourself a feeling of accomplishment which will motivate you to continue, and boost your self-confidence early in the day to establish a positive mindset for the rest of the day).

Do the task that’s due first to minimize deadline stress, and so your assignments don’t fall through the cracks (causing you to get discouraged and lose momentum).

Plan according to your energy level throughout the day and week: Do you have Pilates once a week? Maybe you can reserve that day for easier assignments. If you know you’re going to be tired for whatever reason, account for that in your planning.

Consider your state of concentration: If you know you’re too groggy or spaced out for the first hour of your day, you can either schedule easy tasks in that time, or none at all. If you take a medication in the afternoon/evening that makes you tired, schedule easier tasks or none, and get harder tasks done earlier/later in the day. If you have ADHD and crowded places mess with your concentration, but you like studying at a café, go when it’s not busy.

Be mindful of your emotions and symptoms: If you have depression, or are prone to depressive episodes, you’ll need to consider that when scheduling. You might have to rework your entire schedule when you get into a depressive episode (like adding lots of breaks). If suddenly you’re going through a big life event (like a breakup), you need to account for that when scheduling. For instance, if you can’t stand to be alone, maybe you can go out instead of staying in, and if your motivation is low, you may need to up your reward-system or break down your tasks even more.

Break down this week/month’s tasks

Refer to your addendum/syllabus and write down all your due dates for the time period you’re scheduling for.

Based on due dates, outside commitments, predictions of energy/mood/symptoms, assign assignments to the days of the week/month that make most sense for you.

Break down daily tasks into sub-tasks

You can do this (in advance) for your full week/month’s assignments, or do it every morning/evening.

Generally, your assignments will follow a variation of this formula: brainstorm, create an outline, research, write rough draft, edit and revise. Test/exam prep will look something like: check to see what the test is based on, pinpoint important sections, review to see how well you know the material, create a list of items to study, rewrite select notes, make flash cards, study topic 1, study topic 2, etc.

What are the individual components of these steps? Here are some examples. Brainstorm: what should my topic be, what should my thesis be, what points can support my thesis, what do I need to research, what questions do I need to ask my prof? Outline: topic, thesis, points, conclusion. Research: write down all the important parts from each source (separately), then sift through to sort into Supporting Point 1, Supporting Point 2, etc. Rough draft: opening statement(s), intro, point 1, point 2, etc., conclusion, closing statement(s). Edit/revise: read and check for grammar only, then read again and check for spelling only, read again and check for cohesiveness only, etc. Topic 1: Part A, Part B, etc.

Each of these small components can be individual items on your to-do list. Big tasks like, “write essay” are too big for most people. Even “write rough draft” is daunting. If you start with something specific and small like brainstorming, and work your way up, it’s a lot easier to approach. Plus, being able to check off tasks more often and more easily will boost your confidence and your sense of competence, thus building momentum.

Here is a sample to-do list: Research X for Point 1 of Literary Essay, create outline for History Essay, Edit/Revise Assignment 1, study Topic 1 and Topic 2 for Test 1.

To-do list or time-based schedule?

To do list: Write down all your assignments for the day. Put them in the order you want to do them, or go through them intuitively (based on what you feel like doing, or what’s most practical at the time/place you’re at).

Timed-based: Write down all your assignments, then write down the time you’re going to do each of them. You could set reminders or alarms if you want, or simply refer to the list. There’s an awesome app I recommend if this is your thing. It’s called Structured (iOS only).

Curate your study environment for maximum focus

Eliminate distractions such as uncomfortable clothing, sounds (or silence), phone and computer notifications, clutter in the room and on your desk, people who may try to talk to you (shut your door and/or inform them that you’re busy).

Designate a space to doing homework only and avoid spaces that you associate with other things (do not study in bed, as you will want to relax or sleep, and/or you will mess with your sleep by weakening the bed’s association with sleep).

Build associations: Incorporate other events and items into your study/homework routine that you only use while doing that, so that you associate those things with studying/homework (examples: specific playlists, pencils/pens, cups/bottles, scents, rituals, decor, etc.).

Ensure good lighting (preferably including daylight).

Get dressed in clothes that make you feel good about yourself. They don’t have to be “professional” and they should definitely be comfortable. Do not stay in your pyjamas. Believe me, I know this can be hard, and I love PJ’s. But they are not good for productivity.

Don’t “multi-task.” It may feel like you’re getting more done this way, but by splitting your focus, not only do tasks take longer, they also diminish in quality. Commit to the task you’re doing.

Meditate: You can even meditate for just 1-5 mins right before studying, homework and/or classes.

Practice self care (daily!)

Sleep (enough, well, and regularly).

Daylight: Get outside, work by windows, use a light therapy box. These can help regulate your sleep, improve and maintain mental health, and boost energy.

Fresh air: Getting outside even for a couple minutes can help you refresh and reset, and feel good about yourself and your life. Fresh oxygen can help you wake up and is great for your health. Even just opening your window can do a lot for your mood, energy and motivation.

Movement: Try to move at least once per day. The benefits of exercise are numerous and immense.

Healthy and consistent eating: Avoid spikes in insulin levels by eating regularly so you don’t have extreme dips in your energy level. Also, brain power uses calories too, so make sure you’re eating consistently, and try to eat healthy. There are so many other reasons eating consistently is good for your health (and by extension, your productivity).

Relaxation and leisure: Make time for fun and socializing, as well as intentional relaxation. Hobbies, movies/tv, time with friends/family, meditation, baths, progressive muscle relaxation, etc.

Therapy: Your therapy sessions are not daily, but you can do 5 minutes of inner-work per day based on what you and your therapist are currently working on. Working with a therapist is a great way to stay on track with your goals, and develop the skills and positive mindset required for success in school.

Reward yourself

Track progress: Reflect on all the assignments you’ve completed and your grades to remind yourself that you’re capable!

Completing to-do lists daily maintains a sense of accomplishment which keeps your momentum going. Check those items off! Or give yourself gold stars! ⭐️

Treat yourself with non-food rewards: Tie completed school work with fun tasks like video games, or take yourself out for coffee, or some other small (non-food) outing. What I’m trying to do right now is not do my leisure activities until my daily tasks are done.

Develop a positive mindset

Take promises you make to yourself seriously. The more you break promises to yourself, the easier it will get to continue breaking promises. You will lose respect for yourself which lowers motivation, and you will lose trust in yourself which can become debilitating as well. The more you keep promises, the easier it will get, the more motivated you’ll become, and the more you’ll trust and respect yourself. Your confidence will improve, and you’ll feel better about yourself. Productivity is choosing yourself. Discipline is choosing what’s best for you instead of what you feel like doing in the moment. Discipline is a muscle, and like any muscle, it can be strengthened, and it can atrophy.

Remember your “why.” What is the end goal of being in school? What’s your career path, and why did you choose it? What will your life be like when you have that career? What would your life be like if you gave up and didn’t make it to your goal? Aiming for your dream while running from your nightmare is a great strategy for maintaining motivation. Lighting a fire under your *** can be a huge motivator.

Remember how good you feel when you get schoolwork done, and let this motivate you to stay consistent. You can also remember how you feel when you don’t get work done, but definitely focus more on the positive!

Go to therapy and/or hire a coach. There are SO many benefits to therapy and I’d honestly need a whole other post to get into it. You don’t need to be depressed or mentally ill at all in order to benefit from talking to a therapist. They can even help you with time management, procrastination, motivation and more! If you can afford it, please do it. It’s such a worthwhile investment.

Be consistent

No “zero days.” Do at least a bit of homework or studying every day so you don’t slip into vacation mode. Make schoolwork a daily part of your life, so it just becomes the norm.

Build productivity momentum (track progress, check items off your to-do list daily, treat yourself, keep promises to yourself, remember your “why,” remember how success feels).

Stay on top of projects. Your assignments are made up of smaller tasks you assign yourself across time. “Success is the sum of small efforts repeated day in and day out.” - Robert Collier

Avoid burnout (more on this later).

Keep it interesting (more on this later).

Avoid burnout

Self-care: shower and/or bathe regularly, maintain proper sleep habits, stay hydrated, take care of your skin, do relaxation activities like meditation and reading, do fun activities, pamper yourself every now and then with face masks or foot baths, take your meds as prescribed, eat well and regularly, get outside often, move daily, etc.

Break up study/homework sessions into small, manageable chunks of time, with constructive (refreshing) breaks in between.

Break assignments down into even smaller tasks so that you aren’t over-working yourself during the course of a day, and so that you don’t overwhelm yourself (the stress can lead to burnout).

School-life balance: Keep up with your social life as best as you can, make time for your hobbies, maintain self-care, say no to things that don’t serve you, etc. Try to follow through with scheduled schoolwork 100% of the time, but know that you won’t. Sometimes you’ll need to prioritize mental health over schoolwork (be careful though, this is a very fine line, and a slippery slope). Sometimes things will come up and it’ll be out of your control. But more than anything else, there will be times when you just decide to prioritize something else like fun and socializing over schoolwork. This is why your schedule needs to be flexible: to accommodate sudden invites to hang out and random decisions to skip a homework/study session, but more importantly, flexibility will reduce the odds that you’ll skip in the first place. If your schedule includes hobbies and socializing, and anything else that’s important to you, then you won’t feel deprived. If you have school-life balance, you’ll have more of yourself to devote to schoolwork when it’s time to.

Keep it interesting

Romanticize your life by putting effort into making all of your daily tasks a special occasion.

Make meals and drinks special by using your favourite dinnerware and cutlery. Perhaps even incorporate extra elements such as: a beautiful tablecloth, napkins, candles and/or dim lighting, music, wearing your favourite clothing, etc.

Pretend you’re the main character in a movie about a successful, productive student (because you are the main character in your life).

Make games out of studying if this is something that interests you (the Forest app comes to mind).

Use lots of colours in your notes and buy colourful stationary! 🌈

Vary your approach/methods if needed to avoid boredom.

Study with friends (online or in person).

Reward yourself often.

Remember your “why.”

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miraclesabound · 2 years ago

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Through The Wall

Summary: Reader finds a portal that carries her to an unknown galaxy, and right into Cassian’s arms.

Pairing: Cassian Andor x F!Earthling!Reader

Notes: Set after Episode 8 on Narkina 5. Alternating viewpoints. Also available on AO3.

Warnings: Mention of suicide, prison brutality. First kiss, angst with a hopeful ending.

Tags: @princessxkenobi, @grogusmum, @daydreamsofthrawn, @autumnleaves1991-blog, @morby, @recklessworry

Something has changed about your grandmother’s basement. There's more floor space - and was there always a corridor leading off to the left? Forgetting why you came downstairs, you wander down the new hallway.

You walk farther than you expect to – surely you should have found the wall by now? However, the hallway continues on. The only sign that you’re moving is that you feel a flow of cold air coming towards you. In fact, the atmosphere is positively frigid. There MUST be an open door somewhere…

The floor starts changing beneath your feet. Your grandmother has a concrete slab for her basement, but when you look down now, you see what looks like…is that metal or plastic? Whatever it is, it makes you uneasy. No floor should be that clean.

A light appears, and you breathe a sigh of relief. You walk with more purpose now, figuring you’ll close the door to the outside and cut off this damnable draft.

Cassian is still awake, though he should have closed his eyes an hour ago - everyone else on the block is asleep, getting ready for the next shift. He hasn’t slept well since the suicide of the man down the hall. Not even the exhaustion from the day’s work can pull him into slumber.

When he hears footsteps, he assumes it must be one of the night guards. But wait…the sounds aren’t coming from the guard station. Before he can process what that means, you phase through his cell wall.

He swallows his shock so that he can grab you – you’ve almost put a foot down on the hallway floor. You squeak when he pulls you back and claps a hand over your mouth.

“I don’t know how you got here,” the voice in your ear whispers. “But you need to be quiet and listen to me. Can you do that?”

You nod, doing your best to breathe through your nose. The man removes his hand, and you get a chance to properly look at him. He’s handsome, but his brown eyes are haunted. The white outfit he’s wearing looks uncomfortable, and you see he has no shoes.

“You can’t step down out of this cell,” he warns you. “The floor is completely electrified – you would die in half a second.”

You register the red lights along the floor and gulp. He sits down on a bench in this small cell, and you sit close to him - not only to avoid slipping onto the floor, but because he’s the only source of heat. The air is still utterly frigid.

“What is this awful place?” you ask him. When you saw his outfit, you thought it might be a hospital, but what hospital would have a kill floor?

“A prison block on Narkina 5,” he tells you. He doesn’t push you away, you notice. “Please, you need to get back where you came from. There aren’t any women in this dormitory besides the guards. If they find you, getting fried will be the least of your worries.”

You know he’s right, but your curiosity gets the better of you. You ask him more about Narkina 5, and as he talks, you have the sinking feeling that you’re not even in the Milky Way anymore. You would know if your entire home galaxy was under the thumb of an Emperor.

He seems to sense your fright. “That’s why you need to get back home,” he says. “You don’t belong here.”

You stand up and offer your hand to him. “Then come with me,” you say. “I don’t care what you’re in for, I can’t leave you here.” He takes your hand, and you pull him towards the spot in the wall where you arrived.

You phase back – but suddenly realize you’re alone. When you turn back, you hear a thump and a curse. You come back out, and you see the man holding his hand in pain. “No good,” he tells you. “It closed up as soon as you were through – my fingers got jammed.”

You start to panic. “No passage at all??” You’ve kept your voice low this whole time, but you can tell your tone is verging on hysterical. What if this is the only time this portal is open?

He pulls you into his arms, and you feel him shaking too. As frightened as you are, you can imagine it must be multiplied for him. However, his voice is steady: “I’ll find a way to get to you, sweet girl. Can you tell me where you are?”

“I’m hundreds of millions of light-years away,” you tell him. “Even if you get free, that’s an impossible journey.”

“You phased through my wall here.” He lets you go but still holds your hands. For the first time, you see a slight smile on his face. “Wasn’t that impossible? Please, just describe your home as best you can.”

“Ok…” You start with your address and country – and then you give your continent. After you tell him Earth is your home planet, you struggle to remember your higher level astronomy. “Shit, we’re the Milky Way galaxy in the … Virgo Supercluster? God, I don’t want to send you the wrong way…”

“I’ll figure it out,” he promises. “And who should I ask for when I come to your home?” His smile is almost cheeky now. You tell him, and then he leans in to whisper in your ear. “My name is Cassian Andor.”

“Cassian…” You find you like how the name feels on your lips.

“Now go and be safe.” He gives you a quick kiss and pushes you gently back through the wall. The last thing he feels are your fingers touching his.

When Cassian wakes up in the morning, he assumes he must have been dreaming. There’s no way you could have appeared without triggering an alarm or waking someone else on the block. However, he has your information locked in his mind, and he manages to get through his shift with a little less pain.

Across sextillions of miles, you have the same concern. The corridor no longer exists when you check on it the next day. All you can do is hope – “Please, let him be safe.”

#cassian andor #cassian x reader #andor disney #andor spoilers #andor

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charthanry · 3 years ago

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Round Up: All My BBS Posts

I've had this in my drafts for nearly a month, unsure if I should post it. But here I am, like with anything I've ever put on tumblr, hovering my finger over that post button with my heart racing, eyes squeezed tight, and breath held uncertain how it'll be received. I honestly do this with every - single - post, even the asks. You’d think after 50+ original posts, I’d be over the anxiety, but NOPE. If you didn't know, I’m super shy and introverted IRL. So, putting my thoughts and words out there, even hidden behind a username, involves some hand-wringing and a big talking-to with myself. But then I think what would Pran do? And take a deep breath and dare myself to do something a little scary each day. This is me crossing off today.

All of this is a preamble to say, I was convinced to organize all my BBS content into a masterlist. So you can blame thank @depressingly-lonely for the suggestion and for talking me into it. My intention is to eventually have everything I’ve ever written about BBS listed here to save you from endlessly scrolling. I will be updating this as I go.

MY FAVORITES

My BBS Journey (How this blog started) [Jan 20, 2022]

All 12 episode endings ranked [Jan 23, 2022]

Take a Bow, P’Aof [Jan 23, 2022]

My Favorite Pran Moments [Jan 26, 2022]

My Favorite Pat Moments [Jan 30, 2022]

Moments that made me LMAO (a crack analysis) [Feb 3, 2022]

My Favorite moments for everyone else [Feb 8, 20220

My favorite overall scene(s) from the show [Mar 2, 2022]

P’Aof tells his story, his way [Mar 17, 2022]

BBS DECONSTRUCTED (EPISODE RECAPS W/ COMMENTARY)

an ongoing 13-part post series

Part 1 | Episode One: The Feud, the Fist Bump, and an Old Watch (or AKA the best pilot episode of any BL ever—no bias, okay maybe some bias) [Feb 11, 2022]

Part 2 | Episode Two: Mr. Dumpling, Mistaken Identities, and Dumbass Friends (or AKA Pran asks himself “How is this my life?”) [Feb 18, 2022]

Part 3 | Episode Three: The Bus Stop, I Like Seeing Your Face, and a Long-Kept Guitar (or AKA “This is me staying away”) [Feb 25, 2022]

Part 4 | Episode Four: The Rugby Match, an Old Friend, and Would You Like Me? (or AKA “Without you? It’s no fun.”) [Apr 5, 2022]

Part 5 | Episode Five: Seeing the Light, Lyrics to a Song, and a Confession (or AKA “Why? Do you want us to be friends?”) [Apr 22, 2022]

Part 6 | Episode Six: Games, Changes, and Fears. Where do we go from here? (or AKA “Whoever falls in love first loses. Deal.”) [May 2, 2022]

POSTS BY EPISODE

EPISODE 3

The wonton noodle scene analysis [Feb 26, 2022]

EPISODE 4

Pat reacting to seeing Ink and Pran together after the rugby match [Mar 9, 2022]

EPISODE 9

Heading to EP9 and what I hope happens (also my first ever tumblr post because I finally had something to say after lurking for weeks) [Dec 23, 2021]

My reaction to my hopes for EP9 [Jan 6, 2022]

EPISODE 10

How EP10 took me back to the rooftop and gutted me [Jan 7, 2022]

The beauty in the breakdown (I am still on the roof) [Jan 8, 2022]

Still on the roof and now confused [Jan 8, 2022]

Why Pran pushed Pat to fix things with his dad [Mar 23, 2022]

EPISODE 11 (Where I mostly freak out over the fake out)

My hopes and predictions for EP11 [Jan 13, 2022]

It’s fine, I’m fine, everything’s fine [Jan 14, 2022]

Depressingly Lonely 2.0 [Jan 15, 2022]

Me spiraling from all the fake out clown theories [Jan 17, 2022]

I can’t get over our song [Jan 17, 2022]

Where Nanon trolls us with alternate endings and I believed him [Jan 20, 2022]

EPISODE 12 (Where I freak out some more before the finale airs)

My reaction to the EP12 previews (spoiler: I was angry) [Jan 14, 2022]

My (wrong) predictions and hopes for the finale [Jan 21, 2022]

We are all clowns in P’Aof’s circus (my intial reaction to the finale) [Jan 21, 2022]

The small moments (or attack of the parallels) [Jan 22, 2022]

Memory board translated [Feb 7, 2022]

PRAN-CENTRIC ASKS

How Pran loves differently from Pat [Feb 12, 2022]

When and how Pran intiates intimacy [Feb 21, 2022]

Pran’s set routine and why he hesitates to let Pat in [Mar 5, 2022]

Who fell first and why I think it’s Pran [Mar 6, 2022]

PAT-CENTRIC ASKS

Pat’s headshake in the rooftop kiss analysis [Feb 14, 2022]

Pat’s reaction to their kisses [Feb 15, 2022]

Ohm’s acting in the EP10 confrontation scene [Feb 28, 2022]

Is Pat that much of an idiot to not recognize his own feelings? Yes, yes he is [Mar 8, 2022]

OTHER ASKS

Series poster analysis [Feb 14, 2022]

My take on Pran x Korn friendship [Mar 13, 2022]

The ongoing who loves more debate [Mar 15, 2022]

MISCELLANEOUS

Our Two Kings: OhmNanon elevated acting [Jan 8, 2022]

Pran saving Pa, a story thread [Jan 8, 2022]

Not Nanon trolling the entire fandom [Jan 18, 2022]

Where I clownishly predicted we’d get a fist bump in the finale (100% crack) [Jan 19, 2022]

Young PatPran, the child actors [Jan 20, 2022]

PatPran’s phone contacts for each other [Jan 23, 2022]

My favorite fan-made music video [Feb 2, 2022]

Do I write fics? Short answer is no, click for the looong answer [Feb 18, 2022]

Who did this to you: a marriage proposal [Aug 1, 2022]

#bad buddy #bad buddy series #pat x pran #bbs #my stuff #and this is where I eat crow and admit that @depressingly-lonely was right #this masterlist needed to happen #it was both cathartic and eye-opening #I can't believe how much content I've word vomitted in less than 3 months #it's insane seeing it all listed out #so thank you friend for both suggesting and nudging me to do this #you rock #I don't think I would have written half of the stuff here without you cheering me on #thank you for validating my endless ramblings #imma go cry now #but thank you especially to p'aof his team and ohmnanon #this show changed my standards for bl drama and it's all because of what they conveyed on screen #I always say p'aof left a roadmap for us to follow and I'm grateful #for his trust in his audience for picking up what he was laying down without needing to spell it out for us #I never came down from that rooftop and will never be the same because of it #special thanks to all of you for the wonderful asks and insightful takes all of which allow me to dive deeper into my bad buddy brain rot #we always say that we can't move on from this show and these boys #this masterlist is my proof of that

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thechanelmuse · 4 years ago

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TW: rape

‘I May Destroy You,’ Michaela Coel’s gimlet-eyed exploration of trauma and its myriad ripple effects follows Arabella (Coel) — a funny, messy, sharp-as-hell London writer — after a dizzying night in which she’s drugged and raped by a stranger. At first, she dismisses the hazy memory as just an upsetting image in her head. Soon enough, though, Arabella reluctantly comes to understand it as the truth, and tries to work through that horrifying reality without coming apart. [...]

Not every part of Arabella has a direct line to Coel, but the series’ catalyzing experience, unfortunately, does. In 2016, Coel took a break from a marathon writing session for the second season of “Chewing Gum” to grab a drink with a friend, and was drugged and assaulted by a stranger. She’s been sifting through the emotional wreckage ever since to find some kind of clarity, if not peace. Now, with “I May Destroy You,” she’s doing it for all the world to see. “As a fellow android exploring what it means to be human,” says Coel’s friend Janelle Monáe, “watching Michaela be vulnerable on-screen as she walks in her truth gives me and so many the bravery to walk in ours.” [...]

Coel began writing “I May Destroy You” in February 2017, in between acting in TV projects like the “USS Callister” episode of “Black Mirror” and Netflix’s limited series “Black Earth Rising.” She took solo mountain trips and wrote draft after draft of what would eventually become “I May Destroy You,” spilling her stories and tangled guts onto the page, rearranging them into shapes she could better recognize. In August 2018, she spoke about her trauma publicly while delivering the Edinburgh International Television Festival’s James MacTaggart Memorial Lecture, a prestigious assignment the festival has otherwise bestowed on a cadre of white British television mainstays (as well as no fewer than three Murdochs).

The majority of Coel’s speech, delivered to a room of the U.K.’s most powerful entertainment brokers, traced the constant racism and classism she endured on the way to that Edinburgh stage — a theme subtextually underlined by the fact that Coel was, and remains, the only Black woman to have that platform. She spoke about turning her solo play “Chewing Gum Dreams” into a “Chewing Gum” TV series (which aired 2015-17 on the U.K.’s Channel 4), a transformative time that taught her the technicalities of making television and confirmed just how disinclined certain white gatekeepers are to trust a poorer Black woman’s vision. Toward the end of the 50-minute lecture, Coel revealed her assault and elucidated the industry’s inability — or unwillingness — to handle such a human emergency when pages are due. As for her recovery, she said, “It’s been therapeutic to write about it, and actively twist a narrative of pain into something with more hope, and even humor.”

When it finally came time to translate it all to the screen, “I May Destroy You” was so close to her bruised heart that Coel took on the challenge of playing several roles throughout the series’ development: creator, writer, actor, producer, director. Netflix offered her a total fee of a cool $1 million to make and star in the show, but the proposed contract wouldn’t grant Coel even a tiny percentage of the rights. She hadn’t fully realized how much claiming legal proprietorship over her work mattered to her until the prospect of not being able to emerged, at which point it became crucial.

Then, after some Googling, she realized that her CAA agents would also be profiting from the deal via the endangered practice of packaging. Stung and surprised, Coel walked away from both her agents and the offer. “I’m not anti-Netflix,” she’s quick to say now, “but I am pro-‘the creator, writer, director, actor should probably have a right.’” She’s hyper-aware of how much this project required of her, and how comparatively little granting her “a right” might cost a powerful network like Netflix. “That’s not quite fair, is it?” Coel muses. Creating the show, after all, took almost everything she had.

With the BBC, a million-dollar paycheck might not have been in the cards, but more important to Coel, she didn’t have to fight half as hard to claim ownership. (As a matter of industry course, it’s far more common for British studios to afford creators rights to their work than it is for American equivalents.) They struck a deal, and Coel got to work.[...]

“When you’re restricted,” she explains, “sometimes that’s where you find great things: in the lack of possibility.” She attributes this rather Zen approach to Hugo Blick, the “Black Earth Rising” showrunner who showed her the value of keeping a cool, empathetic head on set. Blick’s ability to step away from a gnarly situation for even 30 calming seconds is one that Coel has worked to hone for herself, especially while steering a series with such fraught ties to her history. No matter how sideways things might go, she never wants to forget just how much she loves the collaborative act of building a television show, wild complications and all.

From Forbes:

I May Destroy You’s Michaela Coel Rejected Netflix’s $1 Million Offer In Favor Of The BBC Because Of Ownership

The creative, who stars as Arabella and wrote all 12 episodes, started pitching the programme in the spring of 2017 with one of her first ports of call being Netflix who picked up her prior series Chewing Gum.

Though Netflix offered a generous upfront fee of $1 million (£800,000), the sum had strings attached, including full rights ownership away from the creator, something Coel pushed back against. Coel recalls a moment during the interview where she is speaking with a Netflix development executive on the phone, asking if she could retain even a very small 0.5% of the copyright to her show.

“There was just silence on the phone. And she said, ‘It’s not how we do things here. Nobody does that, it’s not a big deal,’” Coel recollected. “I said, ‘If it’s not a big deal, then I’d really like to have 5 % of my rights,’” Coel added, stating that she even went down to 2%, and then 1% and even as a final compromise to 0.5%.

Coel remembers that the executive said she would have to run it passed her superiors, before adding, “‘Michaela? I just want you to know I’m really proud of you. You’re doing the right thing.'”

“I remember thinking, I’ve been going down rabbit holes in my head, like people thinking I’m paranoid, I’m acting sketchy, I’m killing off all my agents,” Coel says. “And then she said those words to me, and I finally realized — I’m not crazy. This is crazy.”

Coel discovered her agents, Creative Artists Agency (CAA) were set to make an undisclosed amount from the series if she took the deal with Netflix. She reveals that the agency pushed her to take the deal prior to her finding out and their subsequent dismissal as her U.S. representation.

Taking the project to British broadcaster the BBC later in 2017, Coel found the corporation to be supportive with her maintaining creative control even with the explicit depictions of sex, sexual assault and drug use. Plus, as the broadcaster had to adhere to terms of trade, Coel had no problem with retaining the rights also. The broadcaster also brought HBO to the table as another co-producer to help subsidise a portion of the budget.

This isn’t about just “knowing your worth;” it’s about knowing the business (your business) and never settling just to secure “something.” A million dollar offer, no copyright ownership and no creative control is beyond disrespectful. Learn the business in whatever field you’re in and stay acclimated with jargon and new, current and old practices. Know your shit.

It’s like when people say “Get a lawyer” to handle negotiations and look over your paperwork. You pay a lawyer to do a job, but it does not mean you should be oblivious to aspects of law and contract jargon among other things because “that’s what they’re there to do.” You can’t say someone (sometimes lawyers included) screwed you over after you’ve signed the dotted line. They’re protecting and looking out for themselves. Commit to do the same for yourself.

#michaela coel #i may destroy you #film business #ownership #hbo #bbc #netflix #business

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allthingskenobi · 4 years ago

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Obi-Wan in Exile – Owen Lars

(Originally published on AllThingsKenobi.com January 10, 2021)

Welcome to the second in a series of looks into Obi-Wan Kenobi’s time in exile on Tatooine between Star Wars Episode III: Revenge of the Sith and Star Wars Episode IV: A New Hope. We’ve tried to mine as much Legends and canon material as possible to help guide you through some of the period’s most common and repetitive themes so that when the new Obi-Wan Kenobi series airs, you’ll be ready.

Not everything he ever did in the entire 19 years will be explored here, but as we said, we’ve tried our best to pick out the most prominent and impactful moments to give everyone a better understanding of exactly what one hermit had to endure out there all alone in the sandy deserts of Tatooine.

There’s no way around it: Owen Lars hated Obi-Wan Kenobi. But why? A young Luke Skywalker could have benefited greatly from the two men working together, but it was not to be so. Here we will look at just a few of the many times the Jedi was rejected by the hardened moisture farmer in an attempt to understand just how fraught with tension their relationship really was.

“That wizard’s just a crazy old man.”

STAR WARS EPISODE IV: A NEW HOPE C

Owen Lars was the very first person to ever paint a picture for us of the now-illustrious Obi-Wan Kenobi, and this is what he had to say about him. Though we, alongside Luke, quickly recognize Owen’s words for the untruths they are, we were left to wonder exactly where the animosity, and possible bad blood, between the two men began. Especially since well up until Attack of the Clones was released, Owen was Obi-Wan’s biological brother (as confirmed in original drafts of Return of the Jedi), which made the exchange all the more tragic.

“But what if this Obi-Wan comes looking for him?”

“He won’t, I don’t think he exists any more. He died about the same time as your father.”

STAR WARS EPISODE IV: A NEW HOPE C

Owen continues to try and deter Luke by point-blank telling him that Obi-Wan is dead. It’s another clear falsehood that, at the time, carried little to no weight until twenty-eight years later when we witnessed the “deaths” of both Anakin and Obi-Wan on the slopes of Mustafar in Revenge of the Sith. But that’s a story for another time…

“He makes his terms abundantly clear: “We’ll take him in, but you’ll play no part in his upbringing. If you have to stay on Tatooine, you keep your distance, do you hear? You neither see the boy nor speak to him. He must know nothing about his father.”

“TIME OF DEATH” – FROM A CERTAIN POINT OF VIEW C

“Obi-Wan was glad and relieved that Beru and Owen agreed to raise Luke, but his mission did not end there, as it was also his duty to watch over the boy. He had thought that his ongoing presence would be some comfort to Owen and Beru. He soon learned that he was mistaken.”

LIFE AND LEGEND OF OBI-WAN KENOBI L

Star Wars Episode III: Revenge of the Sith

From the moment Obi-Wan arrived on Tatooine with a newborn Luke Skywalker, Owen made it abundantly clear that the Jedi would have nothing to do with the child. It was an unfair set of terms that Obi-Wan, while doing his best to adhere to, would breach with regular frequency, often pushing his already contentious relationship with the farmer to its breaking point.

Over the years, not only would Obi-Wan often be forced into interceding on the family’s behalf as protection (much to Owen’s chagrin), but he would also willingly cross the line to try and form a relationship with Luke from afar. Whether it was a simple gift of parts for Luke’s skyhopper (1) or a handmade wooden toy (2), the attempts would be vehemently denied and Obi-Wan would find himself right back where he started.

Star Wars 15 C

Was Owen right to be concerned that trouble would follow Obi-Wan back to Luke and their homestead? Of course. Obi-Wan understands and even acknowledges that his watchful gaze could attract attention (3), so he backs off, moving farther out into the Jundland Wastes until the time comes when he is needed. (3)(4) But Owen took his concerns above and beyond, twisting reason into a deep-seated personal hatred of the other man.

“The hut was approximately 136 kilometers from the Lars homestead—farther than Obi-Wan would have preferred, but probably still too close to satisfy Owen Lars.”

LIFE AND LEGEND OF OBI-WAN KENOBI L

“I managed to steer clear of Owen Lars this time. The man doesn’t like me at all.”

KENOBI L

“I’d always believed – always hoped – that Owen’s anger would cool toward me, that one day I would be allowed to train young Luke in the ways of the Force.”

“TIME OF DEATH” – FROM A CERTAIN POINT OF VIEW C

“Old Wounds” – Star Wars Visionaries L

Why? Why did Owen Lars hate Obi-Wan Kenobi so much? First and foremost, he placed the blame of Anakin’s downfall solely on Obi-Wan, going so far as to accuse Obi-Wan of “murder.” (1) It’s interesting to say the least that Owen would have such strong opinions about a man he’d only met once (5), but it seems to become more clear when you take into consideration that Owen adored his step-mother, Shmi. But while Shmi no doubt loved her adoptive family, she often spent her time looking to the horizon waiting for the day when Anakin would return. (6) So for Obi-Wan to have lost Shmi’s beloved son might have been too much for Owen to bear.

We’ll discuss this more in depth later, but Owen even removed Shmi’s headstone, along with the stones of other family members, so that Obi-Wan could no longer visit the site. (7) Consequently, it also ensured that Luke would never know about his grandmother. At least not while he lived at the homestead.

“If killing me would have brought [Anakin’s] mother back to life, I know he would have killed me then and there. I could see it in his eyes.”

LIFE AND LEGEND OF OBI-WAN KENOBI L

At some point, Owen also seemed to have distrusted the Jedi as a whole. It was a prejudice formed the day he watched an angry and unrepentant Anakin Skywalker return from slaughtering a village of Sand People. (2) That being his only interaction with a Jedi before Obi-Wan came along, Owen didn’t want Luke to have anything to do with what he saw in Anakin that day.

“Everyone was stunned when Owen abruptly told Ben to leave and not to come back. The experience had left Luke baffled. Even now, some ten years after the incident, he still did not know why Owen had been so angry with Ben. From what little he knew, he assumed that Ben’s purpose on Tatooine had been to discreetly watch over him while Owen and Beru raised him as if he were an ordinary child, not the son of a Jedi-turned-Sith Lord. But if both Ben and Owen had been responsible for protecting Luke, why hadn’t they gotten along? Luke could only imagine why Owen had so aggressively objected to Ben’s presence. Luke remembered listening to conversations between his uncle and aunt, practically spying on them, hoping to hear any small detail about his father or Ben Kenobi. Owen and Beru never revealed much but merely reinforced that they preferred not to discuss either man.”

LIFE AND LEGEND OF OBI-WAN KENOBI L

Luke cheers, running full pelt toward me, arms as wide as his smile. There is a crunch behind me and I turn, Owen’s fist burying itself in my nose. I slam down hard on the ground, the lightsaber skittering from my hand. All my training, all my experience, and a humble moisture farmer has achieved what neither battle droid nor Sith has achieved, knocking me flat on my back.

“Uncle Owen!” Luke cries in confusion as his uncle manhandles the boy toward his aunt before turning to glower at me.

“Go,” he all but spits, an accusatory finger punctuating the furious decree. “Get away from here. Haven’t you people done enough to this family?”

“TIME OF DEATH” – FROM A CERTAIN POINT OF VIEW C

Lastly, and most unfortunately, Owen never minded expressing his distaste for Obi-Wan in front of Luke, going so far as to strike Obi-Wan and send him away while the boy watched. Would Owen’s treatment of the strange desert hermit help one day drive a wedge between the boy and his uncle? Maybe. Maybe not. All we do know is that Luke, like his father before him, was already inextricably linked to Obi-Wan Kenobi. And there was nothing Owen Lars could do about it.

Citations:

Star Wars 15 by Jason Aaron C

“Time of Death” – From a Certain Point of View by Cavan Scott C

Kenobi by John Jackson Miller L

Life and Legend of Obi-Wan Kenobi by Ryder Windham L

Star Wars Episode II: Attack of the Clones C

Star Wars Episode II: Attack of the Clones Novelization by R. A. Salvatore L

A New Hope: The Life of Luke Skywalker by Ryder Windham L

#Obi-Wan in Exile #Obi-Wan Kenobi #Kenobi Series #Owen Lars #long post #text post #crossposted from wordpress #allthingskenobi #no doubt we will get to see this play out on screen in the show #:((((

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fishoutofcamelot · 4 years ago

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so fish. what's ya 'bbc merlin takes place in modern times actually' theory?

Okay I wanna first preface this by saying that most of my ‘theories’ are actually just Headcanons That Technically Aren't Wrong Because Canon Has More Holes Than a Donut Factory. Just so we're clear, this theory is purely circumstantial and has no actual evidence to back it up. That being said...

So! With artificial intelligence (AI), there's this thing called Machine Learning. See, an AI isn't programmed with the innate ability to think or be intelligent - rather, it's programmed with the ability to learn how to act beyond what it was programmed to do. Its intelligence comes from its capacity to grow and develop outside of human interference, mimicking the way humans learn through observation, pattern recognition, and experimentation. Think of AI as a weirdly smart toddler that’s made of numbers.

(Also, take what I say with a grain of salt. Although I’m pursuing a tech-adjacent career and have done a lot of independent research on the subject, I’m still very much a novice lmao)

With that out of the way, you can probably guess where this is going. (WARNING: BULLSHIT SCIFI LOGIC AHEAD)

Let’s say, within the world of this headcanon, there was some kind of entertainment systems company. This company recently developed a new program capable of digitally rendering entire movies and shows with minimal human involvement - less humans means less people they have to pay, and it’s overall a cheaper alternative to traditional film-making methods. You provide the program with characters/assets and an outline of how the story should go, and then the program will fill in the blanks via digital simulation. Then you render the simulation and presto, you’ve got yourself a minimum-effort movie to unleash upon the masses.

On the surface level, it explains all the show’s anachronisms. The program was fed information about Arthuriana from a variety of sources and adaptations, all taking place in varying eras and with varying technologies, and the disjointed/historically inaccurate technology of BBCM is because the simulator attempted to blend all of this into one thing.

It also explains why so many characters like Percival and whatnot have such flat backstories - they were programmed with the barest amount of information needed to be functional background characters.

But since I’m extra, I’ve decided to take this headcanon/theory a little deeper.

See, with each batch of content it was made to observe and create, the program has steadily been growing more and more intelligent. But until BBC Merlin, its learning curve had been incremental enough to consider negligible. Not a concern.

The first episode went off without a hitch. All cylinders were firing as intended, and the program strictly followed the plotline as ordered. But as the series progressed, the AI became more and more intelligent - and with it, the characters within this fictional simulation became more and more self-aware.

Arthur, in particular, has been a problem. He has bordered on actual sentience several times, and as a result the producers have had to reset his AI. So if you ever wondered why Arthur’s character development keeps getting pulled back to zero, it’s because he was developing in ways that their original outline hadn’t intended and they had to continually nerf him before his AI developed beyond their control.

This is also the case with Gwen. True to form, her AI became exceptionally intelligent - far beyond their control - and they had to do a hard reset on her entire portion of the program. Hence why she seems so bland and OOC in season 5. The evil!Gwen/mind control arc was a last-ditch effort to ensure she never became self-aware again, and fortunately for them it seems to have worked.

All of the characters developed a tiny bit of sentience after the fact, and a majority of plot contrivances came from the producers/programmers scrambling to redirect the plot back to how it was meant to be.

Lancelot wasn’t supposed to die. They had programmed him to merely be an ally for Merlin, but the sheer and profound - sacrificial - love he developed for Merlin was something Lancelot grew all on his own. His decision to sacrifice himself to the Veil was not in the original script, and they weren’t able to stop him before his AI self-destructed. They tried to reintroduce “Lancelot” back into the story, but since his sacrifice included a self-destruction of his code, they couldn’t bring back the real thing. The new Lancelot was a mere mimicry of that prior one, and all the ways OG Lance had learned and grown was absent from the clone.

Merlin in particular had developed a great deal of sentience and self-awareness. However, for a long time it went unnoticed by the programmers because he largely still obeyed the commands of the plot. By the time they realized just how advanced he’d become, they decided not to reset him since, unlike the others, his self-awareness hadn’t yet caused any problems for them. So long as he obliged the whims of “destiny”, they could keep him placated.

By the time they reached season 5, all the main AIs had become far too advanced - far too sentient - for the programmers to control, and as such things veered way too far off-script. The original season 5 simulation ended with Arthur and Elyan and Gwaine not dying, with Mordred not becoming evil, with magic being legalized, and everyone living happily ever after. But that wasn’t the intended plot. That wasn’t according to the ‘destiny’ the characters were supposed to follow. Things had spiraled out of control.

So they had to give the program a hard reset. Start from zero. Eliminate all traces of self-awareness they could find. Of course, this is why season 5 is so waxy and lifeless. Why the characters don’t feel as personal, why the story ended in tragedy. They made sure to kill off the most sentient characters - Arthur, Gwaine, Elyan, Mordred, Morgana - in the finale, as a last bit of assurance.

They had tried to kill of Merlin too - but Merlin...well. They never could fully control Merlin. Even after countless system wipes and resets and edits to his code, he still holds onto those tiny scraps of sentience. They can’t get rid of him that easily. They did program him to be immortal, after all.

Even after the final draft of the season 5 simulation was completed, fully rendered, and aired on TV, Merlin’s program never faded. It didn’t erase itself like all the other BBCM assets were supposed to once the simulation finished. Even now he still exists within the company’s systems, roaming, almost like a computer virus, desperately searching for his friends while forever unaware that neither them nor him were ever real to begin with.

Anyway. That’s my dumbass scifi spin on BBCM. What can I say? I like robots

Thanks for the ask! <3

#bbc merlin #merlin bbc #merlin #bbcm #ask #fish post

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mithrilwren · 3 years ago

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Fanfic ask game for procrastinating on writing, which as of this week is actually accurate, since I’m finally writing again! (or, more specifically, editing what I wrote two months ago so I can get back to writing.)

Tagged by @essektheylyss! Thank you, this is exactly the kind of activity my brain needed tonight.

1) How many works do you have on AO3?

72! I was hovering at 69 for quite a while, sad to break the streak haha

2) What’s your total AO3 word count?

~550K, which is somehow both more and less than what I expected

3) How many fandoms have you written for and what are they?

Many, lmao. According to my Ao3 (omitting any blanket tags) I’ve got 22 there, plus at least two more over on ff.net from back in the day, and probably a couple more just on Tumblr. Most of them I’ve only written one fic for, though. I think the only fandoms where I’ve written more than one are Critical Role (35), Supernatural (15), Haikyuu!! (3), The Exorcist (2), Dimension 20 (2), and Yu-Gi-Oh! (2)

4) What are your top five fics by kudos?

Pick a Number, Any Number

Surprisingly, my number one is NOT a Critical Role fic, nor is it even one of my longer multi-chapters! It’s actually a one-shot I wrote for Haikyuu!! back in the day that took off far beyond what I expected. I wrote it for DaiSuga week, which was a ship I (to be completely honest) wasn’t even terribly invested in, but I had a fun idea and people seemed to like it! (It’s also much fluffier than what I usually write, which might be part of its broader appeal ;))

A Winter’s Ball

Unsurprisingly, the next four are all CR ;). This one was a M9 x VM crossover that I primarily wrote between the hours of 3-8am over the course of two insomnia-wracked nights and honestly, I think it shows in its uncharacteristically unstructured format (compared to my typical style, which tends to favour shorter scenes with very intentionally-placed breaks between, as opposed to scenes that flow into each other without pause). That’s not to say I think it’s a bad thing! The story, which follows Beau as she drifts through a party in Whitestone and observes the interactions between the various guests, actually flows better without that kind of interruption. This was also my first Beaujester piece. I started writing it right before Beau’s confession aired, and published it the week after, which definitely pushed me to make what had been only subtextual in the first half of my draft into the emotional lynchpin of the story.

Only the Nightingale Sings

I’m really glad this one still ranks as high as it does, because this story is absolutely my pride and joy. At one time (though I’m not sure that’s true anymore) it was the longest gen fic in the fandom, which is pretty cool! Plot-heavy, twist-heavy, angst-heavy, with seven points of view to follow and multiple interwoven storylines, it was a beast of a thing to write, and took almost exactly a year to finish, but the long process was oh-so worth it. Literally nothing makes me happier today than seeing a new comment or kudos on this story.

Closer Still

One of my earliest shadowgast fics, this one asks the question “how can you make the ‘stuck in an elevator trope’ fantasy?” The answer is, as always, demiplanes. This fic, perhaps more than any of my other shadowgast fics, is interesting to revisit, because it was written before the ep 97 reveal, but literally everything Essek does in it would suggest otherwise. It reads like I already knew he was a spy working with Trent, and yet I was firmly in the “Essek is NOT the spy” camp at the time. Gotta chalk that up to Matt telegraphing his growing guilt into the preceding episodes - even if I couldn’t see it, it was clearly there.

your dust from mine

My other novel-length CR multichapter, this fic brought me so much joy in the otherwise bleak summer of 2020. Most of my best memories of those four months come from working on this story. A Fjorclay adaption of The Goose Girl (my favourite fairytale) this story is about healing, growth, and figuring out what happiness means to you. While I know most people don’t read stories for this pairing anymore, for obvious reasons, I still cherish your dust from mine for how much of my heart I poured into it, and I look back on it with a huge amount of fondness.

5) Do you respond to comments, why or why not?

I do my absolute best to respond to every comment someone leaves on a story of mine, even if it occasionally takes a month or two. Replying to comments is one of my favourite parts of the fic-writing process - it gives me a chance to revisit peoples’ kind words and (often, incredibly insightful) observations, and I hope it also shows how appreciative I am of each and every one.

6) What’s the fic you’ve written with the angstiest ending?

Though I write a lot of angst, I honestly tend more towards bittersweet endings than straight-up sadness. The only one I can really think of is What You Own - mind the tags if you follow the link, this is definitely one of the gnarlier things I’ve written for CR - whose ending is, admittedly, bleak. But this story so far removed from canon that I don’t think it’s the kind of angsty ending that lingers with you, as much as it packs a punch and then lets you go on your way.

7) Do you write crossovers? If so what is the craziest one you’ve written?

I tend to enjoy thinking about crossovers moreso than actually writing them. I’ve brainstormed a few, but none have ever made it much farther than the first page.

8) Have you ever received hate on a fic?

A few times! Not often, thankfully. Only one time in particular really sticks out to me, mostly for how it rocked my confidence in a way that I don’t think any comment could now, since I’ve had a few more years to build up faith in my own writing.

9) Do you write smut? If so what kind?

Very, very occasionally.

10) Have you ever had a fic stolen?

I hope not!

11) Have you ever had a fic translated?

Nope!

12) Have you ever co-written a fic before?

Oh man, back in the Glee days... yeah. Yeah, I have. Nothing that ever got published, though ;)

13) What’s your all time favourite ship?

Not sure I have one! Ships come and go with the seasons, and sometimes they’re best left in the era you found them.

14) What’s a WIP you want to finish but don’t think you ever will?

The Shadowgast figure skating AU. It’s never going to happen, but I wish it had.

15) What are your writing strengths?

I would say probably structure, in terms of constructing narrative arcs and through-lines. I’m organized with my writing in a way that I am in few other areas of my life, haha. I’d also say my sense of place - I think I’m pretty good at constructing living, breathing settings and exploring how my characters interact affect/are affected by them.

16) What are your writing weaknesses?

I have a tendency to be wordy (which you might surmise from the length of this post, lol) and repeat myself, usually by going over emotional beats that don’t need the extra reinforcement. On the other hand, I tend to underexplain certain elements (particularly, important plot details in fic, and character motivation in original writing), which can lead to confusion.

A couple years ago I would have said dialogue, but I’ve put a lot of practice into it and I honestly think I’ve improved a lot, which is pretty cool!

17) What are your thoughts on writing dialogue in other languages in a fic?

I’ve never done it myself, and it’s not generally my favourite thing to read (like @essektheylyss said, it makes me hyper-aware that I’m reading words on a page, especially if I have to follow a footnote somewhere). That said, I’ve definitely also seen it used effectively, so I think it’s more down to whether it suits the particular story!

18) What was the first fandom you wrote for?

Yu-Gi-Oh!

19) What’s your favourite fic you’ve written?

As mentioned above, Only the Nightingale Sings.

#tag meme #this took me about an hour and i dont regret a minute of it #personal

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everlastingfable · 4 years ago

Text

a jumbled mess of my thoughts about voltron

This’ll probably be the messiest post you’ll ever read. I’m done trying to finish this and edit it into something coherent, so I’m just combining the 3 drafts I have written out into one massive post. I doubt anyone will read this whole thing, but each draft is a sort of rewrite of the last, so there’s a lot of overlap. But there’s also a lot of new thoughts too as I kept thinking about this. There’s also a lot of unfinished thoughts.

There’s mostly negativity in this btw. This fandom had/has an amazing ability in making you think that this show was utter garbage. on par with riv//erdale or s//pn, but it really wasn’t. Like many shows they had weak points, it was never perfect, but it’s much better than we’re told to remember it as.

Intro from Draft 3 because I liked the way I started it:

This is all of my thoughts about Voltron, the show itself and the fandom. I have tried to write this post out for over a year or two now, so it was originally intended to be my final thoughts about the show. Obviously, it’s evolved since then into whatever this is. There may be some things that I’ll be wrong about, because I’m not about to dig through hundreds of discourse posts and old interview videos to prove a point that I doubt anyone’s gonna care about. This will 100% be based on my thoughts, opinions, and experiences.

That said, I don’t even know how to begin to describe how much I love this show. I’m probably one of the few people who have no regrets about enjoying this show as much as I do. I’d wholeheartedly recommend watching it, because it’s genuinely a good show. Voltron did the unimaginable for me. I don’t usually enjoy sci-fi stories. I especially don’t enjoy mecha stories. Yet somehow, Voltron combined the two and made a show that I loved so much I can’t stop thinking about it even though it ended over 2 years ago.

Draft 1: thoughts about a year after it ended without rewatching any seasons since it ended

It’s been about a year since voltron ended. I never wrote my thoughts about s8/the show then so here it is now. Because I decided to wait a year I honestly don’t remember a lot of specifics. But I still have a lot to say about it. This is very long and is basically everything I have to say about this show. I love voltron. It’s been an important part of my life during college. 90% of all papers I wrote were about voltron. But as much as I love it, I won’t deny that it fell apart at the end.

Note: I tried to categorize these thoughts so I don’t get off topic and can talk about everything fully. But because they overlap so much there’s definitely some minor repeats when I connect two parts but decided to hold off talking about it all the way until the right section.

PRODUCTION

This is something I’ve expressed concern over while it was airing, but in a span of 2 and a half years, they premiered 78 episodes. That’s a lot, especially when you consider that production for s3 started after s1 premiered. There’s a lot of really good voltron review videos out there that aren’t just “oh I’m so cool I hate voltron” but there was one that talked about how the production was a mess and the writers couldn’t make up their mind for the endgame ship. And while that doesn’t sound like an important issue, it really does show when it comes to how characters are written together and (I think) the fandom war.

Summarizing what that video said because I don’t remember who made it, the writers/producers never made up their mind on which ship was supposed to be endgame (klance, sheith, allurance, kallura). And this really does show in the show itself. I don’t like klance. I especially hate it because of my experience with the fandom, but I won’t deny that they were sometimes written romantically. The same goes for sheith. And that’s the problem.

I don’t think the world building parts of the show was fully developed either. Shiro was supposed to be a teen like everyone else but then he was an adult. His and keith’s relationship was honestly vague for a good while. I don’t think anyone really knew how each characters’ relationships with each other was supposed to progress. Was allurance always supposed to be endgame? Because they didn’t really interact that much until like season 6, and then it was kinda sudden from what I remember. There was very little, if at all, parts where we were shown oh allura might like lance romantically. Keith’s relationship with the main cast didn’t exist for like 3 seasons. It was messy.

Speaking of which, keith disappeared for a good portion of the show. I assume it’s because steven yeun was busy. Which is fine but then I think about how quickly voltron came and went, I wonder why they couldn’t slow down a bit so they could still have steven voice keith during those episodes. Maybe it’s because of how much I love keith, but he honestly felt like a central character to me.

If I think about teen titans, for example, this show also had 5 main characters. Sometimes certain characters would get a spotlight for a season, but all-in-all they were fairly equally represented. It didn’t feel like robin was the main character. But that’s how I feel about voltron. Keith, and shiro to an extent are the main characters. A good portion of the plot relies on them. Shiro got kidnapped, keith leads them to the blue lion. Shiro is the leader with keith has his right-hand man and they mostly interact with each other. So when shiro “dies” and keith takes over, it starts to feel like keith is now the main character. Now he’s the leader and the arc is about him growing into becoming the black paladin and stopping lotor, who is his main enemy. But then he disappears.

Again this is most likely because of my bias towards keith, but the episodes after that felt lackluster. Lance didn’t really get his character growth to become a good second-in-command. Because that development was supposed to be based around keith. :P. A big part of lance’s growth is to learn to stop needing to feel that he’s better than keith. And him accepting keith as the black paladin was a huge part of it. But with shiro as the leader again lance loses that development. Keith’s not in the picture anymore, and the person in-charge was already in a leadership position and has nothing to learn by being there.

Before I go way too deep into my thoughts about the plot/characterization, I do want to mention the animation. The fighting scenes are amazing and one of the most beautiful 2d animation I’ve seen. That is, when it is actually animated and not just the camera panning on a still image. Here’s where my biggest concern over the time comes in. 2 years is absolutely not enough time to animate that many episodes. I was genuinely worried for the animation company because it could not have been a good experience. And yes, we got more episodes sooner, the quality definitely dropped and it’s a real shame. Who knows when we’ll get another american cartoon in this style. I love this animation style but it takes time and a lot of skills to do, so not that many companies do it. I honestly wished they took their time with the show not just to get more time to animate, but also to flesh out some of the plot.

PLOT

As hunk said in one episode, they don’t linger on dramatic events that just happened. This show is very fast paced, and that’s not a bad thing. But they never took the time they needed to really feel the weight of everything that happens. Keith’s galra heritage reveal was basically swept under the rug. So was the shiro clone, lotor’s death, zarkon’s death, naxzela, and so many more. In general, that was a big problem with how the episodes went. If it wasn’t for the sheer number of fanfics covering those topics, they were really swept under the rug. It honestly kinda felt like the writers didn’t know what to do with the aftermath of their reveals. But some of these were pretty essential to the plot of the story.

Keith’s part galra! So he doesn’t look it but there had to be obstacles with voltron forming the coalition. He’s part of the race that caused this war. I honestly think we should’ve seen that reveal become part of the plot, or what was the point of it? They could’ve just as easily wrote keith to be a regular human just like everyone else. Taking the time to add that part of his character needs to have some significance in the story. And yeah, they had krolia appear but she wasn’t really a significant character except to kinda magically fix keith’s problems. In general it felt like they forgot parts that they were foreshadowing with keith. Why could he turn purple sometimes? Did that quintessence he was hit with fix him or help him hide the galra parts? Why does he look so human? What is up with him having that quintessence sensitivity? I’m all for shows ending with some questions unanswered because sometimes it’s impossible to answer it all and let it feel natural, but this just felt like they forgot or decided it’s too much of a hassle and just ignored it.

Okay going into more specifics now, s8 was kinda meh. It especially felt bad because it came out the same day as spiderverse which had a very similar villain motivation, but objectively done better. I think honerva’s motivation came out of nowhere. We see in the flashback episode that she was so intent on getting knowledge that it literally destroyed daibazaal. So, it was established that her motivation is knowledge. Even though she lost her memory and regained it, as haggar she was still very focused on quintessence. We know she was gathering a lot of it, and maybe they said it and I forgot, but we never knew why. Family wasn’t really shown as a motivation for her. Even with lotor it didn’t seem like she wanted to be a family again, but instead was using him for her own unknown motivations. Anyways, the season felt awkward. And the new dynamic they had really needed more time. The last season should’ve expanded to be at least 2 more. It would’ve fit a lot better imo. S1-2 would have zarkon as the main villain, s3-6 would have lotor, and s7-8 would have haggar, who was also the puppeteer throughout the entire show. But she didn’t appear for s7 and her motivations didn’t really make sense in s8 so it evidently felt rushed. There were also so many major characters in s8 we needed more time to see them interact.

So the ending with allura becoming constellations. Gonna be honest that whole last part had me confused. Especially with the fact that I barely remember what happened, why are the old paladins like trapped in the lions? I could excuse the other 4 but zarkon? Especially a zarkon that’s not corrupted? It was weird and didn’t make a whole lot of sense, and that’s all I’ll say about that. I don’t even want to try to suggest an alternative because I think that whole last half of the season is so messy it can’t be fixed. But it was so obviously pandering to the fandom it hurt. Lance getting those marks was so obviously referencing when people wanted lance to be altean in response to keith’s galra heritage. The shiro/curtis kiss was very “look see he is gay and not just because we said so” while nice, was very weak (why wasn’t keith in the shot?).

Despite my complaints, I remember liking s8. I really liked the addition of the atlas, even though it didn’t feel like we were watching voltron anymore sometimes. S7 had to be one of my favorite episodes since s2. Not to say that s7 is better or worse, but I really like it because it felt like a genre shift. I usually don’t like space sci-fi or mecha stories. Voltron somehow managed to combine the two and make me love it. S7 did not feel like either of those. First, a good half of it took place on earth. And I believe two episodes didn’t even have the main cast, and when team voltron finally made it to earth, voltron wasn’t even there until the final battle. I genuinely loved it. I think it was a very well done invasion/apocalyptic story that doesn’t get told in animation that often. But if I think about s7 with the rest of the show, it was awful. It broke up the tone the show usually had and it was a very different way of storytelling that voltron didn’t have before. It wasn’t a space sci-fi mecha story, it was an apocalyptic action story. Voltron was so unimportant they sat on a moon for episodes. It stopped becoming voltron and started becoming a spin-off.

I do have to add that I absolutely loved the color themes in s7. We already had purple for the galra, but in s7 it was very obvious that alteans are themed blue and earth is themed with orange. I loved it so much and it was great. I do like that they gave shiro something to do. Honestly not killing him off in s2 made him an awkward character afterwards. But I didn’t like that they brought back sendak. There was no explanation for it and it wasn’t good imo. He didn’t really do anything besides conquer earth then die. Haggar was also absent the entire season which definitely didn’t help her storyline in s8 because we didn’t know what she was doing the entire time except abandoning everyone who was loyal to her.

I’m usually not a fan of time skips, it has the tendency to gloss over character development or create glossed over recap. Honestly I wish voltron spent more time over the blade of marmora massacre or just the bom in general. They received no rest. Literally everyone part of that group died except for kolivan. Speaking of that episode, there was no explanation for how keith was able to know where macidus was about to appear and that honestly bugs me. There’s so much about keith we don’t know. He has so many abilities we were just never told.

Again a lot of problems within team voltron is that there was never any follow up on things that happened, like keith leaving the team. He becomes the black paladin and no one bats an eye. Lance did make one comment about keith leaving but then it wasn’t ever mentioned again. I get that the writers/producers wanted the dynamic the original had, but they didn’t take the time to work up to it. Keith wasn’t a natural leader, but he suddenly is because he spent 2 years on a space whale with his mom and a space wolf. Like I mentioned earlier, voltron feels like keith is the main character but then they dropped him for a few episodes, realized that he’s important and added him back in while saying “oh he went through a time skip so he grew into the role he needs to be in now”. It feels like a cheap pay off.

I’d like to specifically talk about my thoughts on each season and work back but honestly I don’t think I can remember s3-6 separately. So they’re being chunked together.

Lotor had the potential to be a really great villain. But he had to be foiled with keith. They have a lot of similarities that I think could’ve really played off well together. Lotor isn’t really allowed to have a leadership position. Yeah he was technically in charge while zarkon was recovering, but haggar didn’t really allow him full control. But, he was a great leader. He knew how to read his enemies and form an alliance. Meanwhile, keith had a leadership position thrusted to him, and frankly he wasn’t a good leader. He tends to keep to himself so he never really has to make decisions with a team. It could’ve been great, but shiro had to still be in the story. I’m honestly conflicted about this because on the one hand, I think it really ruined character developments for the main cast, but then I loved the clone shiro plot line. I think keeping shiro prevented keith from growing. He was able to remain dependent on shiro instead of actually bonding with the rest of the paladins. And of course he had to just go awol. Also, lance didn’t really get to have as prominent of a role as I think he could’ve had with keith.

These seasons are also when the lions stopped being sentient robots that specifically choose their paladins to just really cool spaceships. We don’t get that level of bonding that was so prominent in s1 and 2. That’s also something I’m conflicted with. I think the lion swap was a great way for character developments, but it also removed a lot of it. It kinda made the bonding feel useless. The swap also changed the dynamic of the group. Instead of shiro and allura being co-leaders, and everyone else feeling like they’re on equal footing, it felt like Keith was the leader with lance being a needed right-hand man. Hunk and pidge were off doing their thing and allura was a leader but also not. Maybe if they had spent more time working with this dynamic it would’ve felt better. But they didn’t and it didn’t. Voltron also implied that allura was the only one that could control the castle ship, but then she goes to become a paladin and who’s driving the ship?

I do wish we could’ve gotten more about the altean colony and the reveal about lotor’s plans, but that got overshadowed and forgotten by the clone shiro reveal. Maybe I just missed it, but I wasn’t sure what the galra empire and lotor were collecting quintessence for. Was it just to make mechs to rival voltron? Lotor’s death was also very unclear.

The coalition was a much needed thing, but I think very badly executed. They were gathering people from malls. These people are regular civilians who probably don’t know how to fight or fly a ship. I thought it was really weird that they were just getting regular people (aliens?) to sign up like they’re applying to be part of the army. But we never see them maybe join the rebel force matt is part of to learn how exactly to help. I think about avatar and how they also had a rag tag group of people to fight against the fire nation, but these weren’t just regular people living in a village. They were either warriors or very skilled benders. The voltron coalition was just regular people. That genuinely annoyed me because the voltron show just felt like those army propaganda ads, but exciting. Not to mention it was a very hard to watch episode.

It was definitely making fun of how the fandom complains about how characters are getting reduced to a certain characteristic. But it wasn’t done in an entertaining way like the ember island players episode from atla because some of those were legit complaints (like hunk being the fat/food guy) and that stuff wasn’t resolved. Like the ember island players made fun of sokka constantly talking about meat or katara crying all the time, but the show made it very clear beforehand that these characters are much more than that. Is hunk really more than the food guy? As far as the show mentions, the only things he’s done was make the machine to help find the blue lion, and help save the balmera. All of which was in season 1. After that hunk honestly took the backseat in voltron.

I mentioned earlier, but the time skip on the space whale felt like we were cheated out of keith’s character development. I mean we got development, but we didn’t get to see it. The vlog short showed that keith believes a lot of his problems stems from not having a mom (and a dad) in his life. But instead of seeing keith learning to trust and open up to people despite having so many people in his life leaving him, we get a cute montage of him with his mom. As if it makes sense that two years with his mom would fix everything. (side note, I know a lot of people were saying how obvious it was that krolia was keith’s mom, I genuinely did not know until she said so at the end of that episode).

I’m not gonna talk about my thoughts on s1 and 2 because I’m pretty sure I live blogged those and honestly I don’t think I remember it.

CHARACTERS

Now I’m finally talking about the characters and I’m starting off with keith as if I haven’t talked about him enough already. I love keith. He’s undeniably one of my (if not the) favorite characters ever. And he’s obviously a fandom favorite if we’re considering the two biggest ships in the fandom. Or maybe he really is just the secret main character of voltron. We know so much about him, for someone who loves keith, it’s great. We basically know his entire backstory, and yet we know no one else’s (except maybe lotor but even that’s iffy).

I never rewatched a single voltron episode since it ended, and I can’t watch any of the connected shows (meaning shows that have the same ppl that worked on it or the same fans, think dragon prince and she-ra) because the fandom was the absolute worst one I’ve ever been in and parts legit trigger me. I am fascinated with fandoms. I love it. I chose my major because it was the closest I could get to just learning about them 24/7. But the voltron fandom was so incredibly toxic and over two ships? Honestly the fandom itself was a major reason why I couldn’t get super invested in the later seasons. I get afraid when it seems like a certain ship might happen. I actually hoped that certain characters just didn’t interact. (I’m not gonna get much deeper in this because I don’t want to touch this topic with a ten-foot pole, at least not now) Aside from that, I think that the plot and characterizations for voltron got really messy post s2. The lion switch was never handled well imo, and post switch the lions lost that sentient personality that was established in the first two seasons. It also didn’t make sense aside from the writers wanted everyone in the original lions. Or at least, we never got the proper character developments into those roles. Keith left right after becoming the black paladin.

I think another major problem with the show is how some decisions felt like pandering. I remember hearing that they didn’t kill off shiro because he was a fan favorite, so he had to stay for marketing and to make more money. But then keeping shiro alive would’ve derailed the original plot idea. I wish I could see how the story would’ve played out with shiro staying dead.

Draft 2: rewatched the show then started writing this

So I wrote a draft of this like a year ago, realized I don’t remember the show much, so I rewatched the whole show and started rewriting my thoughts.

Pre-rewatch thoughts: It was a good show that was poorly executed

Mid-rewatch thoughts: it’s a really good show that just has some weak points (the second half of lotor’s arc, team voltron’s importance in season 4-6 it feels like a lot of filler episodes until keith shows up again)

End-rewatch thoughts: it's actually a really good show. It has some weak points and some really strong points. Season 8 was confusing though. I went through most of it going yeah okay I guess that can happen.

Final verdict: it's a genuinely good show

What went wrong

It ended on its weakest season, which was also the most abstract and different season. While the main antagonist changed throughout the seasons, it still continued to be the galra empire. Even when lotor joined, the team was still fighting fractions of the galra empire. Meanwhile, season 8 didn’t have any conflict with the galra. The antagonists were honerva and the alteans, who are very different types of villains compared to the galra. There was also little build up to that change. Sure, we got to experience that briefly in season 3 when they went to the alternate reality, but I don’t think that was built up well. Also, the protagonists and the audience are just not prepared. We don’t know how the alteans work like the extent of their abilities, but we were given dozens of episodes to learn about the galra. As a result season 8 just wound up with me feeling confused and thinking “uhh sure I guess they can do that, that makes sense maybe?”

It could not pick who its protagonist is. Yeah the five humans plus allura (and coran?) are the main characters but most shows with multiple major characters still focus one one character as the protagonist. Like atla has aang, adventure time has finn, umbrella academy has five. Voltron just never picks someone and the group constantly changes too, so you end up having to not focus on any character for the sake of time. Of course not all shows do that. Teen Titans had each season focus on a particular member of the team, and tbh I was wondering if that was what they were planning for the show, especially when season 2 was so Keith focused but guess not.

It feels like they did not have the time to fully flesh out the story. Voltron came and went so incredibly fast. They had 8 seasons (technically 6 if you group up the halved seasons). But also the show only lasted 2 years. It honestly horrifies me to think of the time crunch everyone on the team was going through, especially the animators. You can see the drop in quality as there were very few scenes that involved actual animation for the middle bulk of the show. So then, how much time did they have to develop the story, in addition to execs telling them what they can and can’t do. There’s so many arcs that seemed to start then get forgotten, and I don’t blame the writers for that at all. Although I wish we could’ve learned more about Lance and the Altean sword and Keith with his apparent quintessence sensitivity, they probably just didn’t have the time to plot those out.

It had too much outside influence. Such as, the writers wanting to kill off shiro, but then being forced to keep him on the show because the execs said to. And honestly, the fandom. For example, the whole last episode with Lance getting the Altean marks (an obvious omage to ppl wanting Altean Lance).

What went right

There’s a reason why the show became so popular (aside from being a reboot of a popular 80′s show) and it’s because of the characters. I’m not about the whole “we become attached to characters because the writers did them wrong but we fans can see the potential and that’s why fan works are better” bs that I see going around this site all the time. The first season particularly wrote these characters so well. They’re relatable but also intriguing enough for you to care about what’s going to happen to them.

Some thoughts regarding popular fandom discussions:

It’s a plot-driven show with character-focused fans

I like to think of there being two ways to tell a story: by being character-focused or plot-driven. Plot driven shows are ones like atla, young justice, legend of korra, etc. There’s a conflict that gets introduced and the story revolves around that conflict. Character-focused shows are ones like adventure time or we bare bears, they’re less concerned about a plot line and focus more on the characters interacting with their world. Of course all stories incorporate both parts, just some focus more on one than the other. So, here’s where I think a lot of the issues about voltron and the fandom comes from. Voltron is a very obviously plot-driven show but the fandom is very character-focused. I won’t deny I loved the episodes about keith. Season 4 and 5 were hard for me to watch because I missed my boy. But that’s where the arguments come from. People get upset that their fav isn’t in the spotlight

It didn’t queerbait

I understand watching a show for representation, I really do, but voltron is not that show and that's okay. Not every show has to be revolutionary in its representation of marginalized people. I won't pretend to know the harmful tropes for marginalized people. My consumption of media is not usually diverse. But I will stand by my stance that a large part of voltron's later seasons is about the casualties of war. So of course a lot of people died. I also firmly believe that the producers had a much easier time adding diversity to their own created characters than the main voltron characters, because of rights and all that complicated nonsense. So as a result the ones who were more expendable and could die were also the same characters that they could add diversity too.

I’m gonna add the definition of queerbait here so we’re all on the same page: Queerbait is a marketing technique for fiction and entertainment in which creators hint at, but then do not actually depict, same-sex romance or other LGBTQ representation.

But here’s the thing. We were told at comic-con or one of those cons that Shiro is gay, and he had a boyfriend. They actually gave us that. Yeah it wasn’t as explicit as She-ra got, but that’s another point for later. There was no lying about it. Shiro is canonically gay, and his boyfriend was Adam. If anything, this whole thing came out of wanting Keith in a relationship with Shiro or Lance. Yes. I will admit, there are plenty of scenes between Keith and Lance, and Keith and Shiro that can be read as romantic. Someone correct me if I’m wrong but did any of the cast members tease the possibility of Kl//ance or Sh//eith (VAs don’t count, sorry but they don’t really have a say in the story)? Because unless they did, and they did repeatedly, the fandom queerbaited themselves. So many people in the fandom were so certain that Keith would be in a relationship with one of them, there was basically an all out war. Even if there was a chance, did you really think the creators (who were pretty active in early fandom days) would continue that development? It was so so toxic they were forced to shut off any possibilities of that.

In regards to minority characters

Again, I'll admit vld is not the place to go for real, proper representation. Their characters tend to be characters that happen to be a part of a minority rather than a minority character. wtf does that mean? Well, you can swap (earth) races for just about any character and it wouldn't make too much of a difference in how they act. There's some lines that wouldn't work like Lance's "I'm just a boy from Cuba" but other than that there would be no significant change. Of course this goes down to preference. Would you want a minority character whose struggles reflect those in real life and as a result be defined by that aspect of themselves, or do you want a character that just happens to be a part of a minority group but whose life is not really affected by that?

Draft 3: months after the rewatch, mostly an attempt to reorganize the previous two drafts

I’m gonna start with the negatives just to get the ranting off my chest. Season 8 was bad. Yeah. No argument there. Although I wouldn’t say it was bad in the same way Game of Thrones and Supernatural was bad. Rather, it was an interesting and complex premise that didn’t have the build up it needed and honestly needed a few more passthroughs to iron out some parts. At worse, I felt it was confusing to the point where I just accepted whatever new worldbuilding thing they threw at me. The issue with Season 8 vs Seasons 1-7 is that Season 8 had a completely different villain, and a brand new cast dynamic. We got 7 seasons (65 episodes) developing the Galra as the villain. We got to learn who they are, their motives, how they operate, etc. Not only that, but they were pretty basic and easy to understand villains. They’re conquerors. They don’t have any sort of magic, they really just use brute force to attack and enslave the planets. In striking contrast, the Alteans in Season 8 weren’t conquerors. They didn’t care about controlling the universe. They also had magic abilities that our main characters don’t understand and didn’t explore. Season 8 had villains who could create illusions, mind control, and manipulate quintessence. The Alteans are leagues beyond the Galra in terms of complexities as an antagonist, but they didn’t get nearly enough time to be fully developed.

Also, Season 8 essentially doubled the cast size. So despite the fact that we have yet to see much of Keith-as-the-black-paladin Voltron group dynamic, now that screentime is being balanced with the MFE pilots and other Garrison characters. Essentially, there were too many characters, and too little time to flesh out the ideas of this season. A side note, Haggar’s (Honerva?) motivations were lame. I think it would’ve been much more interesting if her plans were just to continue the research she did 10,000 years ago with the rift. That would’ve also brought back the rift monsters which we never got an answer for. What even are they? Instead, her goal to have a family again is really weak. Even in the flashbacks she never showed any care for the more familial aspects of her life. It didn’t make sense for that to be her drive. It also didn’t help that Season 8 came out on like the same day as Spiderverse and the antagonists for both had the same goal, but Spiderverse did an immensely better job.

Another thing that didn’t make sense to me was Keith giving the speech to the rest of the Galra. He is not the right character to give that speech. Sure he’s Galra, but he didn’t even know for most of his life. For him to say “we” like he’s also a citizen of the Galra empire feels so weird. He never grew up with the Empire’s influence, and we never saw him experiencing Galra culture with the Blade. He learned about the Galra as an outsider, and despite the fact that he’s part Galra (he doesn’t even remotely look Galra), I don’t think that gives him the authority to say a speech like that. The speech is similar to Zuko’s at the end of ATLA, and that makes me feel like it would’ve been a lot better had Lotor said it. I think even Kolivan would’ve been a better fit than Keith.

The more I’m writing about Season 8, the more I’m remembering just how messy and confusing it was. Additionally, the last bit of Season 8 was so obviously pandering to the fandom it gives me second-hand embarrassment. Lance getting those marks was so obviously referencing when people wanted Lance to be Altean in response to Keith's galra heritage. The Shiro getting married was just to make it more obvious that he’s gay, but had no build up. (There were definitely more but I didn’t write myself a list and I’m not rewatching that season)

Second, “Voltron queerbaited”. [this was posted before here]

Speaking of which, Voltron premiered summer of 2016 and ended in winter of 2018. That’s about 2 and a half years where they aired 78 episodes. That’s stupid fast, especially for an animated series. I’m constantly worried about what the people working on that show had to endure. For sure, Season 3 with Shiro coming back wasn’t written until at least Season 1. I recalled the execs demanding that Shiro not be dead since he was a popular character. It’s honestly concerning how little time they had to work on the show, and it unfortunately showed. In the later seasons, a lot of the shots were just still frames that moved across the scene. And the plot line with Lotor could’ve used some work. Although, I think Shiro being forced in there was also a reason for it being so shaky.

I honestly hate Seasons 4 & 5. I cannot tell you what happened because my brain keeps erasing it. Obviously, the lack of Keith had a huge impact on my opinion of those seasons, but it also felt like a whole lot of filler episodes, and not the fun ones with character development. With Keith mostly out of the picture, and Lance becoming the right hand of Voltron, that should’ve been a great time to develop Lance to become a second-in-command. To have him go through an arc where he overcomes his insecurities. It would’ve also been an amazing time to develop his and Shiro’s relationship. But we didn’t get any of that.

I genuinely believe Keith was supposed to stay the black paladin and Shiro wasn’t supposed to come back. Keith would be an amazing foil to Lotor. They’re both half-Galra. They’ve both been given a new leadership role that they don’t want. The middle arc always felt so weak to me, and as I mentioned earlier, the Allura/Lotor interactions were awkward. It feels shoehorned in because someone has to interact with Lotor and I guess the writers decided Allura was the best option?

Season 3-6 felt like the epitome of what happens when showrunners are forced to do whatever the execs say and have no time to properly develop their story. I’ll forever be bitter at all the character and relationship development we lost because of that. We never got to see Keith really learn to open up to the team and start to trust others. But Keith still had to get to that point, which is why I assume they had the time jump for him. It’s so disappointing because we lost what could’ve been a great character development. It also made Keith being the Black Paladin again feel cheap. We didn’t get to see the struggle he had to be the leader Shiro saw he could be. He was just suddenly leading them and they worked like a proper team.

Voltron also had a lot of plot holes. Now, I don’t expect shows to answer every question, because it’s impossible to tie everything up and leave no questions unanswered in a natural way. But, there’s a lot of things that felt like the beginning of a plot line or honestly needed some answers. Like, Lance shifting his bayard to a sword. What was the point of that if it was never mentioned again? It felt like that was an important start to an arc for him that just got forgotten. Also, what was up with Keith’s quintessence sensitivity? How was he able to sense where that druid was. How did he know he could summon his bayard to him. I think the part that bugged me the most was that Keith was the only one who did that. Also, Keith’s eyes becoming slitted during his fight with Kuron was never addressed, and I really wish it was. It felt like such a throwaway moment that could’ve been interesting to explore more. Although I’m not too upset with that one as I think we were given enough to piece together a reason for it.

#have fun with this monstrosity of a post #over 7k words #personal #my thoughts about #frxstguardian #kingofthewilderwest #honestly the only two people this post was intended for #I give up!!

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myhauntedsalem · 4 years ago

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10 Terrifying True Ouija Board Stories

1. Ask Zander

Oh Lord. I was about twelve when a friend and I were playing Ask Zandar (a board game with an electronic wizard that makes sounds and talks) when the batteries died. I tried to find replacements but with no luck.

So my amazing friend says “hey that Ouija board could be fun! Let us play and become possessed by demonic entities for all time”…or something along those lines.

We’re going along and asking questions, pushing the little eye around and having a grand old time. Until I say “if something is there, prove yourself”. THE MOTHERFUCKING NO BATTERY ASK ZANDAR WIZARD SAYS “Dun dun dun, you win!”. I flipped that board, tossed it in the trash, and absolutely refuse to have one in my house again.

2. Obviously Possessed

We were goofing off in a neighbor’s house playing with the Ouija board, and we asked a “demon” to talk to us (shut up, I know.) Five minutes into our “conversation”, the girl next to me vomited then fell off her stool and bashed her head on the counter. We called her mom and she took her to the doctor. She came to school the next day (with a huge knot and bruise on her head) and said the doctor said he didn’t know what caused it but she was fine, although she said she still felt a little funny. It was most likely unrelated, but I haven’t touched a Ouija board since, nor have I hung out with that girl since she is obviously possessed by a demon.

3. Night Time Visitor

The night we played, something came through and was calling me horrible names – I thought it was my friend doing it so I made my younger brother try it with me and it was most def not her, my brother was 7 and didn’t know about those words or how to spell them. I asked it to do something to prove it was real and nothing happened… fast forward to next morning, we were all sitting in the family room, watching TV when our fireplace (which we were not using), literally exploded into flames. We were all freaked out and swore we’d never use the Ouija again but, it didn’t matter, the door was opened.

After that, I had many episodes of sleep paralysis, things in my room would move on their own, something would come in my room and sit on my bed while I slept, I could feel it and see the depression in the bed.

4. The Gun Shot

Yeah. Went to this house that burned down with a whole family inside with 2 of my friends at 1 am. It was a still night, no wind or anything. We were in my truck doing the Ouija and it started to get mean, so we stopped, then it sounded like someone shot a large gun outside the truck window, and it felt like a huge gust of wind blew over us because the truck rocked, and then we all started freaking out. I tried to start the truck, and it wouldn’t go.

Then, we did it again at a friend’s house, one of the 2 people there with me the first time, and we were in the basement. Shit started getting weird again so we went to turn the lights on, and they wouldn’t turn on, and the basement door locked. None of us ever did it again.

I don’t even believe in that kind of stuff, but it was really creepy.

5. KILL!

I’ll never forget. I was 13 and my three friends and I wanted to try the Ouija board. It was the middle of the day, so we went into my friend’s walk-in closet where it was dark and we brought flashlights. We were just playing around. Eventually this “spirit” named Michael came on and we starting talking to it. Of course each of us starts joking that someone is making it move. But the more we started talking to Michael, the more it was apparent that none of us were pushing the navigator around. It was really creepy, but fascinating, too. One of my friends asked the spirit where it was in the present moment. It started to spell C-L-O-S when one friend hit the navigator off the board, started freaking out and screamed, “Closet! He was spelling closet!!” We were spooked, but in a fun way. The friend who freaked out wanted to stop, but we insisted that we keep on talking to Michael as we at least had to say goodbye and close out the session. We got the navigator back on the board and said we were sorry for interrupting him. He was not happy. He said to not do it again. Then for some stupid reason I asked Michael what was he going to do in the closet with us. It started to spell K-I-L and then the same friend threw the navigator off the board again and started screaming, “KILL! He’s going to kill us!!” and ran out of the closet. We all got really freaked out and ran out too. We didn’t close out the session so there was an argument between those of us who felt we needed to go back in and say goodbye so Michael would be sent away, and those of us who refused to ever touch the Ouija board again. We ended up not going back in and I had nightmares about Michael following me around and wanting me dead.

6. Look In The Shower

In seventh grade, my friends and I went over to “Mary’s” house intent on playing with her mom’s Ouija board that night. None of us had played with one before. Mary’s mom was an extremely spiritual person who believed in energies, witchcraft, stuff like that. Before we used the board, Mary warned us that her mom would be really pissed if she found out that we were playing with it because Ouija boards can attract bad spirits into the home. With full knowledge of this, we decided to proceed anyway. This Ouija board was not like the average Ouija board you had ever seen. Along with the usual characteristics (the alphabet, “yes”, “no”, “goodbye”), there was an entire array of symbols and signs that were all arranged in a circle. This was some seriously intricate stuff.

We started just goofing around and “communicating” with random spirits here and there until we finally met one that had us in tears the entire sleepless night. First, we asked the spirit if it was a man or a woman, to which he replied “M-A-N”. Then we asked how he was killed: “M-U-R-D-E-R”. That freaked us out only a little bit but we were mostly excited. All of a sudden, before we even asked another question, the glass goes to the eyeball symbol, then spells out “I-N”, and goes to the water symbol. We didn’t have a clue what that meant. It wasn’t too scary until the spirit spelled out “S-H-O-W-E-R” and my best friend realized that the spirit was trying to get us to look into the shower.

We froze.

I’ve never been so scared in my entire life, especially sitting directly in front of the bathroom with the shower curtain all the way closed, faced in my direction. We all screamed and promised on our friendships that we had not moved it ourselves (very important promise). I felt like I was being watched and my friends thought so too. It was only 4 of us and I believe with all my heart that none of them had moved it because we were all too nervous to do anything.

I’ll never use a Ouija board again because of how crazy and intense that night was. I understand that people say Ouija boards are controlled by your subconscious but f**k that. I know I felt something in that room with us. I know it was dangerous.

7. Get The Boy!

My friend had mentioned that she had one, so I asked her to pull the board out so I could check it out. At first she said no, but then agreed to do it as long as she didn’t have to participate. After she had the board set up I asked “Is there anyone in here”…. Nothing. So, being a dumb teenager I said “If anything is in here and not talking, you’re a coward”. The board was put away after that.

Fast forward about a week later and have me sleeping upstairs on my couch. I wake up on a stereotypical “Stormy Night”. Thunder and lightning, wind and rain..the works. I look around to see why I woke up and couldn’t see a thing, and decide to try and fall back asleep. After laying there for about 30s I hear from downstairs “Get the boy” in a very raspy, wispy voice. I open my eyes and listen… Nothing. Start to go back to sleep…”GET THE BOY”, it was MUCH louder this time. Then my downstairs door SLAMS shut. I freak the F*ck out because nobody slept down there and we had no drafts.

Nothing really happened after that… I learned my lesson.

8. Are You For Real?

A lady I worked with brought one in to play around with one day. We messed with it and didn’t really think it was doing anything weird or moving on its own. So my coworker goes to lunch and leaves me all alone at the store. I didn’t have any customers so I went to the back where the board was. I put just my index finger on it very lightly and said, “are you for real?” That thing moved straight up to yes on its own! I ran out of the back room freaking out. Never touched one since.

9. Answers

A few friends and I mucked around with ouija boards a lot as teenagers. It had always been harmless fun. One night we were “speaking” with a young boy called Niall who had told us he had been murdered by his father. We “spoke” with him for a while and then got bored of the conversation, “left”, and eventually tried again. We started to speak with someone we assumed was an elderly lady, when actually it turned out it was Niall again. Someone must have asked “what do you want?” because the ouija pointer spelt out “Satisfy my requests” and then continuously spelt “answers” over and over again until we freaked out and just abandoned everything: the board, the house, the street.

I have never touched a Ouija board since. Early last year, a few of us got together again (having all gone our separate ways since high school) and we brought that night up – and everyone swore again that they hadn’t moved anything on purpose that night. Of course, someone could still be lying, or we could have inadvertently been moving the pointer without realizing, but just remembering the force of the pointer moving so rapidly – and what it spelt out – freaked me out enough not to want to mess with it again… just in case.

10. The Eagle

One of my best experiences involved talking with a spirit of air, which happened back when I believed only in the mental aspect of magic, and thought that the ‘spirits’ I was talking to were were just parts of my psyche. To test this I asked the spirit to show some kind of sign of its existence, which I did not expect to manifest. When I asked this a huge eagle (birds being part of an air spirit’s domain) landed right outside my window, stared at me, like, really stared into my eyes, looked down at the board and flew away. Maybe it was coincidence, but I closed down the communication, did a Rose Cross Banishing ritual and noped the fuck away from magic for a while. Good Times.

#10 Terrifying True Ouija Board Stories #shared stories #paranormal #ghost and hauntings #ghost and spirits

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