#I so want another season of this show I loved it so much!

[power-handmaiden]

Chuck Tingle interview

OK, here is the FINAL 2024 Tingles My Butt post, which I've been pretty hyped for. I still kind of can't believe this. While I was figuring out how I'd move on from 2024, @drchucktingle generously offered to answer some questions of mine to commemorate the end of my tingler project! Here they are!

-Considering that your process for tinglers is just to write it out and not stress about proofreading and editing, was it weird for you to see someone decide to go back, examine, and contemplate every single tingler published in the past decade?

the whole dang project was really wonderful for me, for exactly the reason you have just said. tinglers are very STREAM OF CONSCIOUS and only edited with one quick pass so while i think this adds to their honesty and rawness it also means that my time with them is limited. really watching someone go back through them at this depth was like reading a diary that i have not opened for many years, and it jumps around through time in a very beautiful way. it was very moving

-I love tingler character names. I personally admire how many great ones you come up with. (I never know what to name my ttrpg characters.) You just come up with all these great names that seemingly spring from nowhere, how do you do it?

DANG great question cant believe i have not been asked this before but yes there is a type of name that shows up in the tingleverse that is unusual and has a certain feeling and cadence that is very specific. if i am trotting along with sweet barbara and there is a name of a product or a place or something that has this tone we will say ‘oh thats a tingleverse name.’ the reason i wanted to do this in the books was as a very subtle way of saying these stories exist on a timeline that is RIGHT next to ours, so in some ways it is exactly the same as our world but there are these little cultural differences with things like chocolate milk and spaghetti and then with the names. you will have buckaroos like justin and sarah trotting along next to buckaroos named corb torbins-quill or borto lart.

-So, as a reader, reading from 2014 to now, old tinglers and new tinglers feel different to me. I believe you when you say tinglers have always been sincere, but they feel MORE sincere than they used to be. Like, I feel like there was some self-consciousness and irony in some of the early tinglers that you've since let go of and embraced the Chuck Tingle voice more. I don't know, am I imagining this, or does this square with your tingler writing journey? If it does, what has that process been like for you?

i think you are absolutely correct. the intention with tinglers was always to be a place for me to express myself with complete sincerity, but the practical way of HOW to trot like this took a bit of an evolution to arrive at. in other words i knew the basics, but actually refining the best way to express yourself and perform your art takes time. maybe in the same way goin back and watching season one of a tv show can feel very different from season three, even though they are part of the same expression. 

similar thing happened with in my chuck PRESENTATION as well, where my main focus was to stay anonymous so the metaphors i used to talk about my life were still true but laid on much thicker. even my attire was a large gi so that you would not even be able to see my shape, which has obviously changed now because i wear suits these days. all of this was a process of starting in a place i knew was important to me and then peeling off the parts that were not helping the message or expression over time

-Is there anything you could tell us about the significance of Borson Reems? I feel like he's more than just another Buck Trungle/Chuck Tangle/etc but I'm not sure what exactly...

yes borson reems is god. not that i believe in GOD in the way that most buckaroos talk about god (i am agnostic) but within the tingleverse, borson reems is an avatar for the creator of that world. technically i am borson reems, because i am writing the books. the question is: are we all the gods of our own little worlds that we create? i do not know, but when i look around at my buds and the joy and love they bring to various timelines they sure seem like gods to me

-A lot of no-sex tinglers (especially ones that aren't romance-focused) vary in terms of plot and structure a lot more than erotic tinglers. Is your writing process for these stories any different?

same process actually, but the sex scenes in tinglers are about 1500 to 2000 words long, and total tingler length is 4000 words which means if you are not including that portion you are going to have to come up with some creative way to fill that space in the story and a new axis for story to turn on. so the variety comes from me getting creative and trying out different axis points

-In "Not Pounded By My Book "Pounded In The Butt By My Non-Fungible Tingler That Is Literally This NFT" Because Of The Current Catastrophic Environmental And Ethical Impact" there are references to an earlier draft of the story that was never released because you ended up disagreeing with the message. Are there any other tinglers that never got finished and/or published, if you'd be willing to talk about any of them?

oh this is a VERY good question. the story of the NFT tingler is that when buckaroos were first talkin on nfts online and nobody really knew what they were, my first thoughts were just ‘oh this is interesting what the heck is this?’ this is my way with most CURRENT EVENTS. and i thought ‘this would be an interesting tingler, i suppose maybe i should make the tingler an ACTUAL nft’. this was in VERY early days so i did not really even understand what an nft was (neither did 99 percent of buckaroos yet honestly). so i looked into it just enough to actually MAKE a nft tingler that was a real nft and put it out. lasted for about thirty seconds before buckaroos were messaging saying ‘oh this is bad chuck you should look into what this is’ and i DID look into it and thought’ oh yeah this is terrible nevermind’. i took down the original and thought ‘well THIS is what art is all about. this is where i thrive in a world of moving living art that is in communication with itself’. so i dove into the research and actually started to understand NFTS and then i repurposed the story into a strongly anti-nft tingler and put that on out instead.

as far as OTHER tinglers that kind of move and breathe and live like this, in communication with the audience, GAY T-REX LAW FIRM is another very good example. that one i wrote early on and i think it was kind of in the model of something like fifty shade of grey, where issues of kink and consent and communication are not really handled well. i think at the time it came out the story was okay, but as time went on it always kind of bothered me and finally i thought ‘i love art that exists in the REAL WORLD and changes and evolves, so lets rewrite that story and fix some of these mistakes.’ honestly it is something i wish more artists would be open to. its okay to let something hold strong against a changing timeline, but it is also okay to explore what its like to take the notes that time gives us

-This one is about Chuck Tingle that exists in deeper layers of the Tingleverse that operate on tingler logic: what does the location inside his/your butt look like?

probably a nice mid-century modern home up in laurel canyon neighborhood of los angeles. kind of quiet and small like a cabin but also very cozy, like the kind of place where you would put on a crosby stills nash and young record on vinyl and gaze out into the woods for a while then walk down the hill for dinner at a little cafe where you spot some actor from a 60s tv show also having dinner in the corner booth. this basically sounds like the start of a tingler and in that tingler i will say the actor would be a bigfoot.

-OK this one is very self-indulgent but if you could help settle this frequent point of discussion I have with my wife- where do the following fit in the Tingleverse bigfoot/dinosaur/unicorn/living object(/human/does not apply?) taxonomy?

-a ghost of a regular human

-a regular human vampire

-a human/fish mermaid

-a sentient winged horse

-a sentient centipede large enough to wrap around a mountain several times (she is handsome)

alright lets trot through these. a GHOST is not one of the four tingle types so you can have a ghost racecar or a ghost unicorn or a ghost bigfoot. ghosts are outside of the four types and do not have a classification

a VAMPIRE is also outside of the four types. so you can have a vampire bigfoot or, of course, a vampire night bus. does not strictly fall into any of the four main categories

MERMAIDS are technically a long lost species of unicorn I DONT MAKE THE RULES I JUST EXPLAIN THEM. this makes the MERMOPED tingler a little confusing but i had to pick a category and that one went into living object. now that i mention it possibly the only tingler that is technically a double category of unicorn/living object.

WINGED HORSE is easy, thats a pegasus which is a species of unicorn just like a mermaid

a SENTIENT CENTIPEDE LARGE ENOUGH TO WRAP AROUND A MOUNTAIN is an ancient creature, therefore dinosaur tingler

-My other self-indulgent question: do you have a favorite bug? (Or second-favorite if you count Mothman as a bug)

i love finding spiders in the house and giving them a pet because they are doing a good job livin their lives doin their thing. close second would be a pretty ladybug

-Any thoughts on what tinglers will be like in 2025? Do you expect to be writing a lot of political tinglers again, like post-2016?

honestly i really do not like writing specifically political tinglers anymore, and the amount that i write has gradually dropped over time (i think ALL tinglers are political but in a different way). so honestly i think i will write a few political tinglers but not many. my hypothesis on this is that my HORROR NOVELS are very very political and so maybe i get a lot of these ideas out of my system that way now. when it comes to tinglers i just wanna explore my OWN mind and heart and butt more

THANK YOU for these wonderful questions and thank you for your tingler-a-day project it was so moving and powerful. what a treat it was an honor to be a part of something so beautiful. THIS PROVES LOVE IS REAL

[kari-sims]

Tomiko Moriyama (she/they) as my entry for the Total Drama Sims season 3 by @jonquilyst!! (thanks for letting me participate <3)

also huge wall of slightly amusing text below the cut (you've been warned!) cause i was caffeinated and ended up having some fun with this ৻( •̀ ᗜ •́ ৻)

👩 Age: 14 🪐 Lives in: Strangerville 🐛 Goals in life: to open a bug museum 💖 Orientation: thinks girls are cute, but doesn't want to waste their short teen years chasing them around (that's what the 20's are for!) 🎶 Hidden talent: encyclopedic knowledge of kpop girl group's songs and dances 🥇 Honorable titles: -> 'Mighty Collector of the Fun Hats' -> 'Prestigious Ambassador' at the ''International Bug Diplomacy Federation'' (only actual human member, but it'll grow, just wait!) 👍Likes: iridescent beetles / cut rock hard candy / slippery mud you can draw on / putting googly eyes on random things 👎 Dislikes: homework / cleaning things that'll get dirty again / humans evil bug killing inventions (unless it's a laser shooting death ray gun for mosquitoes, cause yeah, even a bug loving girl hates those bastards!)

[RECORD 434, another sunny day in strange Strangerville]

🔴 ▶ •၊၊||၊|။||||။‌‌‌‌‌၊|•

(sound of someone clearing their throat, followed by what's obviously a kid trying to speak in an exaggerated deep voice)

Tomiko: "Tomiko is a girl who didn't need a home with walls or windows - the roof to her 'home' has always been the sky above." (pauses, mutters to themselves) Ooh that's a good one! Wait, people will think i live in the woods, no? Wouldn't that be the dream…

(moment of silence as Tomiko daydreams, then remembers she just started recording)

"Tomiko doesn't have many friends, because she was destined to be a free-spirited loner. With the exception of Clarisse, a girl who dreams ofbecoming a marine biologist. Clarisse was made fun of by strangers on a dumb internet show she went to one day, all because she wanted to win the money and go on a trip to Sulani. Now everyone calls her the 'Dolphin Girl'. After Tomiko decided to console her at lunch in school, both of them ended up bonding over their crazy obssession with nature. They've been inseparable friends ever since."

(another pause, followed by an audible sigh)

"Well, they were inseparable, until Tomiko moved away. Now Clarisse is being weird for no reason... anyways, where was i?

(forgets why they went on a Clarisse tangent and starts to fumble with their unorganized notes)

"Oh yes, destined to be a free-spirited loner, ya-da ya-da. Unfortunately, Tomiko was forced to live in a boring house made of bricks, with white furniture, and a mom who was always mad about her muddy boots on the carpet."

(voice shifts to mimic the mom's screech)

- I'm not gonna raise a savage wild child! Since you love dirt so much, go live with your bum of a father in that Strangerplace world, or whatever it's called.

"Best thing to ever happen to me!" (voice switches to normal accidentally, then goes back to the fake deep one) - I mean - best thing to ever happen to Tomiko! Even though her dad looks kinda weird lately, walking around aimlessly at night in search of his mother. Classic dad, being a weirdo. No idea how this man got married..."

- Dad, I told you grandma still lives in Willow Creek. Why do you think she's in the middle of the desert? Also, she wouldn't be caught dead wasting away her fabulous heels in this god-forsaken place.

"Tomiko pretends she doesn't see it, because now she can do whatever she wants, why complicate things? The only problem is, there isn't much to do in Strangerville with the infection rumors going on, and all the damn sus soldiers. Also, the taste of travelling for the first time has left her wanting to see more. Imagine all the bugs she could find?! But you need money for that, sooo… what to do, what to do…"

(voice returns to normal, a bit defensive)

"Okay, fine, I'm the one recording this… (sighs) I know what you're thinking - "just steal from your dad!". Seriously, who do you think I am? Anyways, I did something else instead. I heard there's this competition with other teens where you get to travel the world, and guess what? I signed up for it! Without my parents knowing, of course, but that is irrelevant. They won't even notice I'm gone, I fear. I just hope the organizers don't ask for their permission, because Clarisse was the one who knew how to fake signatures, but now she's hanging out with other kids at school, and thinks she's better than me."

(inhales, then proceeds to speak loudly at a wall, probably)

"Like... Nina? The enemy? Be so for real right now Clarisse! My life is just grand without you! I'll get to travel the world and educate people on how bugs are friends, and definitely NOT disgusting or too dangerous! Well, most times. I'll also prove that even if you're a weird bug loving kid like me, you can still have a chance at a game that requires you to make friends. It'll be eaaasy! In a few weeks I'll be like, Clarisse who? Hahah!"

(brief pause on their flex-rant, which is totally NOT a defense mechanism because she's hurt by them growing apart. They return, slightly worried)

"Do you think I can die in there? Cause gosh, let's hope not! Imagine going on an adventure of a lifetime and not being able to tell people about your heroic deeds... that'd be so lame! Anyways, I'll see you when I see you, whoever is listening to this… Tomi out!"

🟥 ▶ •ııııııııııııııııı•

[RECORD ENDS]

wow if you're still here, thanks for reading, you wonderful bean! here, have a cute snail

(´・ᴗ・)>~🐌

[losrin]

s7 etho is my favourite etho hermitcraft era so far because of all the antics he pulled and all the noteblock music. it was definitely his experimental era and it seemed he had quite a bit of fun with everything, but i imagine having to do all the music he used with noteblocks must get tiring the further into the season

(i do agree that s10 etho feels much more comfortable doing things as he wants, and i love that for him)

before i went into his content i knew him as primarily a redstone guy and when grian visited his base in s7 i was so puzzled by the style he built in. <how does one build only an interior?> imagine the surprise when i watched him pick the ugliest colour combos and actually make them look good?? and when he actually only built his interior, never even got to do an exterior for his base before the season ended

his build style is most different from bdubs in that it leans into the more unrealistic nature of minecraft. he incorporates the quirkiness of minecraft physics (how different it is from real life) and its aesthetic into both his builds, whereas, bdubs in general goes for a more realistic approach and builds like he's painting a realism painting (shadows, colours, composition, etc)

i love both styles. the things about etho's builds that really impress me are

how he makes the colour palettes work

they're not over the top, feel like something the average player can do, yet the rooms flow so well into one another and look great

how much he leans into logic and theories that helps him deduce how someone would look at his base and thus how he can make it look better (it really shows how methodical he is with his designs; i mean don't get me wrong i do think he has an artistic eye, but he does rely more on logic to make sense of how different designs affect the perception of the perceivers, what with sightlines and colour theory)

the incorporation of redstone and other mechanical bits into his builds

his builds just feel uniquely his, which is something that i don't think the other hermits did as well as early as s7. but bless all of them they're always improving

we also see (variarions of) the same monstrosity build style in his LP series, modded mc s2 and in later seasons of hermitcraft. my favourite of his builds so far in his LP series is the dragon egg vault. even just the room with all the skulk, shriekers, warped logs and fire look awesome. his principles of building are also carried over into his s9 base. it feels like his s7 base but with a twist (a soul speed-depth strider-dolphin grace floor)

•

i love how he may give the illusion that he's lowkey and laidback, and he is, in some ways, and that helps him get away with being a menace. being etho helps too i suppose

•

i really do wish he would do more noteblock music in later seasons. his noteblock era peaked in s7 and it's a shame. he still does noteblock music that might arguably be even better (tschaikowsky's 1812 overture?!!?!?! for s9 zedvancement perilous percussion, music for ravager rush), but i do miss when he used noteblock music as background track

•

finally: i was disappointed that we didn't get to see hermits playing hurtin hermits, so i'm kinda hoping he revisits that someday

(sorry this is so all over the place)

I've finished Etho's s7 hermitcraft so guess who's back with a slightly updated/slightly consolidated list of things about ethoslab I have noticed! or just enjoy!

(the previous list)

I have no idea when he learned to noteblock. I don't know if he knows. he knows how to noteblock tho. he's really good at it.

on that note, did you know that there is not a single piece of non-noteblock music in etho's s7 after the first episode? there might not even be any in the first episode. every single timelapse or montage is set to noteblock music

(he sang along to parts of his paper planes noteblock cover too. he was going shopping. I was entirely too delighted)

(also, there is some like...sitcom music theme that I don't know what show it's from. it's bothering me that I don't know. what you need to know is that throughout his s7 etho uses said sitcom theme as the transition before Shenanigans With Fellow Hermits clips play. his life is a sitcom. yes it is the noteblock version.)

I think that etho desperately needs minigames for enrichment. if he's not playing one he's working on one. he needs them and he will let them completely consume his life

the etho decked out 1 runs are hilarious, partially because it's funny to see him play it and realize how absolutely insane decked out 2 is, and how much of a madlad tango is. etho is still the same menace with great luck and skills. I had forgotten about the hole to the void in the middle out decked out 1 tho, that was a fun reminder

etho could make a career out of translating classic type games into minecraft. he kind of has, but it's a pattern.

he also keeps coming up with new games that are minecraft only and is good at figuring out how to balance them well.

again, king of minigames. he will in fact analyze them as much as possible. he caught on to the pattern of impulse's whack a mole game in like...2 rounds? maybe 3? he's good at pattern recognition and will put it to good use no matter the minigame

etho, I cannot stress this enough, is a little shit and enjoys being such. free glass is obviously an iconic moment, but I had forgotten about him scamming scar out of diamonds for "information" about the resistance, or about sneak-e-e's business model (you can't tax what you can't find!), or about how he kept being extremely ridiculous with beef in regards to record shop payments...the list goes on

etho is also very competitive. I mentioned this in the last list, but man...he joins like every single competition he can. he wants to win. he's not like, a sore loser, but he likes to win, and he'll get a little upset if he doesn't.

etho and beef have clearly known each other a long time and ngl I miss their interactions a bit. let them bother each other a bit more please. I want to see them trying to kill each other in ridiculous ways again please. or doing minigames together. they're so silly.

kind of similar, but etho loves getting a rise out of people and it is the best thing ever actually. it's fun watching him use dirty tricks to beat bdubs to sleeping for a prize. it's perfect actually.

that being said, I still really like when etho is just on his own working on stuff too. s7 has a lot of moments where etho will go "I'm gonna use this block palette!" and I will think "bro that's ugly" and then he will make an extremely cohesive build that I want to live in out of it. I think a good way to describe it is that for example bdubs is really good at detailed builds with texture and not much color, and a very realistic twist to them. etho is not afraid to use color at all, and embraces how the colors can work together or contrast. it's fascinating to watch and I love it.

he is also a redstone genius. I feel I am starting to understand how some things with redstone work. could I design something myself? absolutely not but I could work from a tutorial and not feel completely lost on why I have to use a dispenser and not a dropper now.

I think s7 etho is really experimenting a lot with style and how he wants to do things. he does a few more elaborate intros, for example, that are very planned out, but he also does a lot of the classic "hello everybody this is etho and welcome back to hermitcraft!" it's fun and it works, but I honestly feel he might be more confident in some ways now in s10, which is nice to see.

(side note—I think etho has some trouble with tone sometimes, where he really wants to make sure everyone's having a good time, but also he really wants to tease people. this works well with like Beef, who he's known a while, but especially in people he's known less he's quick to catch on if they take what he's saying too seriously, and clarify that he is teasing. it's nice to see tbh, just the clarity even with his audience)

speaking of llamas, I had not realized how recent some really big updates were. bamboo and pandas were new at the start of s7. the nether update came like halfway through?? I was more in the casual build side of mcyt at the time but man...I didn't realize how crazy that is to think about.

just...the way that etho visualizes builds is great. not just like, leaving space for farms, but filling in the spaces with a lot of details that make sense but also work with the space to cover anything it needs to AND to connect with the rest of the base. the sightlines thing is something I see a lot of other builders using but etho really uses them a lot in the Monstrosity in order to keep it from being Too Much as you walk through.

really just...he wants to have fun, and he wants to learn, and he wants to experiment and figure things out. if he can mess with some friends when he does it, that's a great bonus, yknow?

man. what a guy.

[dollzites]

⏦ﾟ♡︎ “YOU’RE INSANELY ADORABLE LIKE THIS”

୨ৎ pairing: boyfriend!seunghyun x fem reader

୨ৎ genre: fluff! slight suggestiveness

୨ৎ from myeong: ahhhh!! my first ever love. I’m so happy to be writing for him. thank you for requesting and I hope you can enjoy x

a soft sigh left your lips when you turned to look towards the smaller clock that was neatly placed on the wall, something that seunghyun just had to have for some odd reason. something about ‘it makes the room pop!’ which you never understood his artistic ways. all that mattered to you was him coming home soon from his long hours of shooting for squid game season 2. although you were insanely excited about this opportunity he had to come back into the spotlight and show off his acting skills, you missed him dearly. finding yourself going through your camera roll of all the pictures you’d taken of him mostly off guard doing whatever it was that he enjoyed doing and some of them he took of himself on your phone just so you could have them—which was your favorite. a smile tugging at your lips when you heard the familiar sound of the passcode being punched in and you knew it was him. quickly turning off your phone and tossing it to the side you lifted your body and ran towards the door where he would be coming in at, slightly jumping up and down from the excitement that was running through your veins. getting a glimpse of his tired eyes your lips formed a frown but was quickly turned upside down when he smiled at you, shyness coming over you.

“well? is my girl gonna come hug me or not?” and without another word spoken you ran into his arms and wrapped your legs around his waist knowing that he would catch you and keep you safe within those strong arms you adored so much. what seunghyun loved the most about you was your caring, affectionate, and shy personality. although you two had been together for almost a year now it was something new with him every single day and that’s what kept the relationship alive and well. you both learned something new about each other and so far? his favorite? was your shyness. you kept your face hidden in the warmth of his neck while his hands stayed put on your waist. feeling him take off his shoes and walk into the living room where you just were moments before. he took a seat on the couch and leaned back against the soft cushion with a sigh, gently pulling on you to look at him.

“you know I like it when I can see your face, hm? you’re being so shy right now.. missed me?” all you did was nod but kept your arms wrapped around his neck, wanting to keep close to him as much as you could. taking in your favorite scent of his cologne and shampoo. “I missed you so much. I know you’ve been busy shooting but I can’t help but to miss you and need you here with me.” you softly whispered not even wanting to say such a thing in the first place. his deep chuckle filled the room and you whined in response knowing he was about to tease you for being such a needy girl. slowly but surely you finally lifted your head to look at him which was a mistake because once your eyes found his beautiful large ones it felt like you were stuck. couldn’t move but it was the greatest feeling. every single time you were like this and all you could feel was shyness and embarrassment come over you. seunghyun knew it and lifted a large hand to cradle your face keeping you right where he wanted you to be, “you’re insanely adorable like this.” is all he said before leaning in to press his lips against your own in a sweet but passionate kiss. your smaller hands found his warm wrists and held onto them tightly as if he would disappear once you let go. once he pulled away you went to hide your face in his neck again but he quickly stopped you from doing so and that’s when you felt his warm soft lips against your neck. you squirmed from the feeling and he kept you in place on his lap.

“stop squirming silly, you’re so cute did you know that? such a cute girl. you’re my girl. all mine and only I can make you like this.” he said in between kisses that he continued to place against your neck, which was correct—only seunghyun could make you feel this shyness. “seunghyun..” is all you could say not wanting to embarrass yourself any further and that’s all he needed to hear to stop and stare at you for a few moments wanting to take in the cuteness that he was seeing. it only made you feel more flustered and shy and he knew that, that’s why he did such a thing. looking away from him he quickly grabbed ahold of your jaw and forced you to look at him again his head shaking with a slight ‘tsk’ leaving his lips. “want to see my cute girls face. especially when you’re so flustered like this.” is all he said before pulling you into another kiss, lifting you and himself off of the couch and heading into your shared bedroom.

[alpaca-clouds]

A Rant about Engaging with Themes

When the actual trailer for Castlevania Nocturne S2 was released a few weeks back, a few people were surprised about Drolta being back. And those who have been in contact with me during the last year know, that I have been harping on about it: “Drolta is actually not dead. Drolta will come back in some way.”

And at least two people have asked me so far: “Why were you so sure?” And the answer is relatively simple: “Themes. And the whole thing about Chekov’s Gun.”

But you know, this is a topic that I saw in a lot of fandoms. Because in those fandoms people were surprised – and angry – about endings, while I saw those endings coming several seasons away. And I think it is worth talking about it. So, yes, this is going to be a little essay about engaging with themes in media.

The thing is, that I do not want to go harping on the “media literacy crisis”. Because I do not think the issue is that people cannot understand this – it is just that they often do not really engage with themes and the fact that creative people behind media are trying to say something with the media. Partly, maybe, because a lot of media does not get to. I mean, a lot of the Marvel movies recently do not have a whole lot to say. I doubt because the writers all had nothing to say, but because the brand does not want them to say anything about it.

But let’s get back to Drolta. Because here is the thing: Castlevania Nocturne does has something to say. I kinda hoped for it before we had more information on the show – but yes, Nocturne is very much about society, hierarchies and colonialism.

Here is the thing: I love the original four seasons Castlevania, but in terms of theming they are all over the place. There are absolutely some themes about forgiveness, about personhood, about questioning narratives, and about healing and coming to terms with abuse. But it is really all over the place and not quite as concise about that – not in the same way as Nocturne is. Nocturne is quite pointed about it.

Nocturne is about how colonialism and colonial exploitation, but also class exploitation are like vampirism. Colonialism is vampiric – not the vampires are.

And the big difference to the first four seasons of Castlevania are mainly not as succinct in terms of themes, because the different stories kinda have different themes. The different characters are connected to different themes. While in Nocturne all characters are connected to this main theme in one way or another.

It is of course most noticeable in terms of the characters directly affected by colonialism: Annette, Edouard, Olrox. It is also quite clear in regards of some of the bad guys. Erszebeth is a colonizer. So are the vampires actually killed in season 1.

But Drolta is interesting in this regard. Because inherent to her is a contradiction in terms of this theme. She aligns herself with Erszebeth – the colonizer – while her skin color aligns her with the colonized. In fact, the little we know about her does imply a lot in that regard. Because Drolta says herself she was a priestess of Sekmet. And Erszebeth has drunken from Sekmet, which in this regard can easily be read as a colonizer using the colonized religion against them.

However: This conflict inherent to Drolta’s character has not played out in one way or another. It is basically a sort of Chekov’s Gun – and it has not yet gone off. One way or another, Drolta needs to fall into the place in terms of how she relates to the main theme of the show, and because she did not really engage in that metaphorical dialogue, I was fairly certain that she was not dead.

Because here is the thing: Katie Silva is a darn good character designer, who is really good telling you a lot about the characters by the design. And she would not just make her Black just because it makes for an amazing design (though it does). And from the perspective of the writers there is just so much unused storytelling potential in Drolta.

I am not sure on what side Drolta is ultimately landing on. But I am fairly certain that before Drolta is killed for good, we will learn how she was involved in getting Erszebeth Sekmet’s blood, and how exactly Drolta herself relates to colonialism.

I am not saying it is impossible for her to be the sort of character who tries to align herself with the colonizer in the hope to get power for themselves. Because those people have existed in real history. However, she definitely needs to relate herself to the theme before she can be killed for good. Because otherwise her narrative potential has not been used – and I do trust the writers here enough to know they will at least try to use all the narrative potential. I am not sure whether or not Netflix will get in the way of that (for example by not ordering more seasons or similar bullshit), but I am fairly certain that at least the writers have a clear idea where they want Drolta to fall in terms of the theme.

So, this is the point where I pivot and talk about the two other fandoms, where this lack of engaging with the themes really annoyed the living heck out of me. One fandom I interacted with a lot at the time the show aired – while the other fandom I just watched from outside, but went later to confirm that the anger about the ending was really about a lack of the fandom at large not engaging with the themes. And fun fact: Both shows have a central theme about colonialism, just like Nocturne. Just coming at the theme from very different angles.

The shows are Steven Universe and Star vs the Forces of Evil. Steven Universe is the fandom I interacted with a good bit while the show was airing, while SvsFoE was a fandom where I mainly enjoyed the show and just saw the entire anger happen in the end with a lot of confusion.

But let me talk Steven Universe first.

Spoilers for both shows, obviously.

Because I was one of the first “Rose is Pink Diamond” Truthers in that fandom. Literally, the first time we heard about the Diamonds I instantly went: “Rose was a Diamond”. Before we even knew for sure there was a Pink Diamond. And when we saw the reliefs of the Diamonds – but not the one of Pink Diamond – it became even more clear to me.

And yet, big parts of the fandom at the time were calling the Truthers crazy.

Of course, it is now a few years since the show ended. And we all know that the Truthers were right about it.

However, I do remember during the last season. The further it went ahead without confirming that the theory was true, the more certain the Nay-Sayers became in their Nay-Saying, while I became even more certain about the theory being true.

Why was that?

Well, the Nay-Sayers obviously could not imagine how to pull off that twist in a satisfying way and resolve the plot within the fairly few episodes left. Meanwhile I saw the plot and realized, that the only way to resolve the plot while sticking to the themes of the show would be by having Rose – and hence Steven – be Pink Diamond.

To this day, a certain part of that fandom is still very angry about the Diamonds being redeemed. And to that part of the fandom I can only say: “Have you watched the show?” Because the show was very unsubtle about the fact that its main theme was forgiveness and redemption. It was about giving people second chances and talking about issues, rather than using violence. That was always the mission statement. It was about empathy.

And this was why I was so certain that Rose and Steven had to be Pink Diamond. Because I knew from the very beginning that they would not kill the Diamonds. But I also knew that the chance of them resolving that plot within the themes in a satisfying way would not be possible, if Steven was not to gain a certain privilege – like being a Diamond – to put him into a situation where the Diamonds would even so much as listen to him. Hence: Rose had to be Pink Diamond. Because otherwise the plot could not be ended in a way that fit with the themes.

(And yes, I was so fucking smug about it when the episode aired, that confirmed it.)

So, now let me talk about the fandom with the ending that is even more controversial than the ending of Steven Universe: Star vs the Forces of Evil.

Or how I call it: “Yeah, no shit are they gonna destroy magic. Magic in this was a metaphor for systemic privilege and the point of the show was that you can not brute force civil rights without giving up your own god damn privilege! Holy hell, this show was not even subtle about it!” (Yes, I do have some anger about this. Because… I have seen and read too many bad takes about the ending.)

Now, mind you. One thing you need to know about me: One of the historic topics I am kinda hyperfixating on is colonialism. So, when I loved the first season of this show and came to my friend group saying: “I think this is about colonialism.” They went: “With you everything is about colonialism.”

But then season 2 came and made it quite obvious. Indeed, this show is about colonialism and racism, and about how colonialism gives the colonial people privilege.

Now, let me at this point say it clearly: It is absolutely fine to have mixed feelings on how this was executed. Specifically with the show making indigenous people “monsters”. Good monsters, yes, but monsters never the less. I get what the makers were getting at – saying something about how a big part of colonialism was also the dehumanization of people – but I absolutely can agree that it could have probably been handled a bit better.

And yes, I also think that the last season – like so many last seasons in this modern day and age – was very rushed at parts, making some plot points not hit as well was they might have gotten to hit with a different pacing.

However, I did appreciate a lot of the things this show had to say about colonialism. Both with relating colonialism to the entire sexuality/gender thing, and also with being very clear on one thing: Just because you change the laws, does make discrimination go away. That is something I so rarely see being brought up in media – let alone media made by white people. But this show was spot on. We see in the later part of this show a lot of Star and Eclipsa try to brute force discrimination and racism to go away. And it just does not work. Because no law can make the perception of people that they are better than the “monsters” go away. All it does is create unrest among the people, as they do not understand the law changes, despise the new rulers for the privilege they hold over them. “Those up there, they don’t get it,” they say. And of course, yeah, people are pissed if you throw them out of their homes, even if it absolutely is the right thing to do, because they literally stole that home from someone else. But that does not change the fact that now they are homeless. And rather than make the racism go away, it just digs deeper trenches and it is a fucking complicated situation. And I loved that the show decided to actually go to that place.

And this is where magic comes in.

Because here is the thing: This show telegraphed early on that in fact magic is not a good thing. Magic in general was here a shorthand for power that could easily corrupt – and very specifically for a certain type of privilege. And yes, I read a few blogs and saw two or three videos about people also complaining of how stupid the way was, that magic got actually explained in this. Because it felt random.

But that is the thing: That was the point. It is random. Power is random. Privilege is very random. Like, sure, I can tell you from an anthropological and historical perspective, why the people that hold privilege in modern society hold privilege. But in the end it boils down to: it is completely random. History could have gone different in so many places and things would have gone different. There is no actual logical reason for most of it. And especially racism is just a completely stupid ideology, because it assigns value to people based on completely superficial points.

And that is why magic in this show had this very silly, random origin story.

And it is also why in the end magic had to be destroyed. Because magic is the power. Magic is the privilege. And you cannot use privilege to destroy the same privilege top-down. Because for that you have to use it – and the only way you can get rid of it is give it up.

Yes, mind you, you do not have to agree with this thesis. Among the “XY studies” this topic about destroying privilege top-down or bottom-up is something that gets discussed a lot. And not everyone is on the same page. But the thesis this show has is a valid one to have – and the ending all in all was about giving up privilege.

And that, in short, is, why I am very frustrated with people hating on the ending. I am sorry, people found it not narratively fulfilling. But I can tell you: Thematically it was spot-on.

And look, I know at times I sound like a broken record: “Engage with the themes. Please engage with the themes.” Those of you, who read any of my blogs about the punkpunk genre, have read me complain about this a thousand times over. But it is really something that to me is very important, even if it makes me sound like some English literature class teacher. Still, themes are important. Or they should be.

No, not every story out there has a heavy focus on themes. I mean, as I said at the start of this rather long blog post: The original Castlevania show had themes, yes, but it was not fully constructed around them. And again, most of the movies in the MCU for example do not have a lot going on in terms of themes. Some try to have. The Guardians movies and the Black Panther movies somewhat have. So had Eternals. But a lot of the other stuff did not have a lot of thematic layering going on. And that is fine. At times a blue curtain indeed is just a blue curtain because the author liked the color blue, or in case of a movie, because the set decorators had still some blue fabric lying around. That is fine.

But there is quite a lot of media, that does have themes and is trying to say something. No, not all of it is successful in saying the thing it is trying to say, but a lot of stuff is at least trying to say something.

If you have been following this blog at least a few weeks you will know, that I am currently very in love with what James Gunn is doing with the DCU. But times I am wondering: “Is he maybe to heavy handed about the message?” But then I am looking over to how some people misinterpreted The Boys on Amazon Prime – a show that was really not subtle about those themes – and I am thinking to myself: “Yeah, actually, they should probably make more episodes about how fun it is to kill Nazis. Just to make sure everyone has gotten at least that message. You know. The one of us not liking Nazis.”

[wannabanauthor]

Some BuckTommy thoughts while my county is on fire

Irony that I watch a firefighter show that takes place in my actual county. I am fine and safe, but one of my friends lost power and another friend lost her home and her entire neighborhood.

Anyway, bad segue:

I just saw a gifset of Tommy, and it reminds me of something I've noticed about him since season 7.

He is very reserved, but also warm and open once he gets comfortable with someone.

My first time watching 7x05, I was actually surprised when he said "you already know I'm interested" and my first thoughts were, "we do?"

Yes, he was all cute during the date, but I was also surprised when he said, "Evan, I think you're adorable." And he was so genuine, but then his mask slipped back on and he said he didn't think Buck was ready and that he'd see him around.

Being an older gay man who was in the army, I can see why he is reserved at first glance. Remember I've mentioned that he has butch lesbian energy, and he does. All tough on the outside, but once you get to know them, they're teddy bears who can be so affectionate and sweet.

I think he knew from the start that Buck was going to ruin him. He was charmed by the golden retriever hunky firefighter who was so determined to get to know him.

Buck was the one for him, and he couldn't help but lean heavily into that. Tommy romanced the hell out of Buck, he was an eager and dedicated boyfriend, and you could tell that he genuinely loved being in a relationship with Buck.

I think he got a little "too" comfortable and fell hard and fast for Buck. Once Buck asked him to move in, his walls went back up, and he was back to being kind of stoic and reserved. Maybe it's a panic response to past trauma, I don't know, but that's what it looked like.

Maybe he realized that someone had finally gently taken down his walls and repurposed the bricks for something else or the bricks were just set aside. He made a point to mention that Buck was impulsive which probably fueled his fear of Buck breaking his heart. Maybe Tommy hated himself for falling for Buck and opening himself to future hurt/harm or heartbreak.

Tommy was scared of finally having what he truly wanted because that meant he'd have to be more vulnerable and open. So it was better to retreat to what he had done in the past and just walk away before someone gets hurt, but he ended up hurting them both in the process. Being cool, calm, and collected was much easier than putting his heart on the line.

Just look at his expression after their first kiss. He didn't even smile until Buck said "yeah, that works". He was ready for rejection. Then he softened and asked Buck if kissing him was okay. Then Buck made him laugh, and then Tommy was back to being cool and suave, asked him out, and then reminded Buck to call Eddie.

Maybe throughout their relationship he kept waiting for the other shoe to drop. Maybe he doesn't believe that he can truly ever be happy.

[incesthemes]

yes, exactly. i don't consider anything beyond swan song canon so the whole "cain and abel's descendants" thing is like 🤨 to me, but regarding everything else, it does indeed go much deeper than this too.

the story of cain and abel is the story of god's love, and their fatal vying for it. from the beginning of the show sam and dean are paralleled with this myth—sam is the shepherd whose violent sacrifice pleases god; dean is the farmer who struggles to gain god's approval. azazel and john are parallels, or rather they are one and the same. as sam follows his path of revenge, he is fashioning himself in the image of his father, and he is simultaneously pursuing the destiny laid out for him. he gains john's approval at the same rate he gains azazel's. and azazel, for seasons 1 and 2, is god, just as john is god—the omnipresent force that guides and strangles his children crawling upon the earth. azazel favors sam, and so the narrative conclusion is also that john also favors sam. at least, this is the belief dean holds, which is the important part. dean believes that john doesn't love him, doesn't trust him, and that sam is more important to john than dean is. dean is cain; john is god. there is animosity bred between the brothers because of john's (god's) favor.

sam's fate is bloody and murderous. dean's fate, by contrast, is to kill his brother. as the representative of cain, he has been forced into the unique situation where he is "his brother's keeper" (as cain himself says in genesis). their destinies are to clash fatally, and for sam to die. dean is cursed to live (see: swan song) and carry the burden of sam's death with him into eternity. sam fills the shepherd role again by azazel's original plan to lead the demon army come to earth. sam the shepherd abel, offering bloody sacrifice to john the god; dean the gardener cain, who kills his brother to gain god's favor. important, too, is it that john is the one who imparts this destiny upon dean, because enacting it, killing sam, is therefore the direct attempt to fill his role as john's, god's, son. to curry favor. to do his bidding. it is an act of complete submission and devotion to god. that dean could not fulfill that role is defiance of god and therefore coincides with dean's loss of faith in john as his father.

john and mary are adam and eve. they lived in the garden of eden, an ignorant bliss, until mary contracted with the serpent azazel (who is, in episode one, portrayed by none other than JDM) and poisoned them both. she dragged her husband from eden and thrust him into a world of evils. together they begat two sons, dean and sam, cain and abel. they have been genesis all along, and they would always fall. childbirth would always be painful.

the invention of the apocalypse from season 3 to 5 is just another reflection of this. in east of eden by john steinbeck, samuel calls cain and abel the "oldest story." lee says it "i the best-known story in the world" and he says this is because "it is everybody's story. [...] it is the symbol story of the human soul." cain and abel is a story about rejection: "and with rejection comes anger, and with anger some kind of crime in revenge for the rejection, and with the crime guilt—and there is the story of mankind."

in this sense, cain and abel is the only story in the world. at least, in supernatural's world. michael and lucifer are as much cain and abel as dean and sam are. dean and sam are as much michael and lucifer as they are cain and abel. there is only one story in supernatural, and it is the cycle of a father's rejection and the crimes that accompany them. john is god and god is the father. there is no difference between them. azazel, john, and the judeo-christian god are all the same entity (there are only four characters in supernatural). john is god because his children made him god. the father is the god of his sons, and his approval is the defining force in their lives. family is hell because we want to be loved. sam and dean wanted to be loved. michael and lucifer wanted to be loved. cain and abel wanted to be loved.

supernatural is the endless retelling of cain and abel, from pilot to swan song. it does not waver and it does not deviate from this cycle because this oldest story is the story of mankind itself. there is no other story to tell.

always so intrigued how sam's forgiveness and acceptance of john coincides with his loss of faith in the christian god, and dean's loss of faith in john coincides with his growing suspicion that god might be real. like it's fine guys you can just say your daddy is your religion

[gottagobackintime]

"Is he here?" "Who?" "Oh, don't give me that. I've seen the way you look at him. My husband, that's who." "Lomper?" "Oh, so you do know." "Mate, you just told me." The Full Monty Episode 4: Homing

[macdenlover]

we don’t acknowledge enough how dee used to be a pageant winner when she was a kid and how much damage it did to her. she worked her ass off and got recognition for being pretty and talented at a young age and it was the only source of self esteem she could garner in a family that constantly berated and talked down to her. she sought after that external approval because it was the only way she could prove everyone around her wrong. her dream of being a performer didn’t come from a self-aggrandizing delusion— she genuinely showed a lot of potential when she was younger. but she went through an unflattering puberty and her spinal condition got worse and that natural talent she had as a kid plateaued way too early. the “former gifted kid” dilemma. she slowly lost the thing that promised her that she was good, but she was so desperate to keep holding onto it that she tried anyway. again and again and again no matter how much people made fun of her because it was always about proving them wrong. but after a while she couldn’t jump anymore without anticipating the way it feels when she hits the ground face first. self-sabotage became her way out, choosing to rather live in the fantasy of her own unrealized potential and blaming those around her for her lack of success, than having tried and crashed again. she’d rather buy lottery tickets over and over and never scratch off the numbers than to see that she lost. that self-sabotaging behavior bled into other aspects of her life too, from friendships to relationships to therapy. her own short lived success is what made her grow into embodying the cycle of failure.

[skitskatdacat63]

2009 Abu Dhabi Grand Prix - Sebastian Vettel(ft. Mark Webber & Jenson Button)

[rey-jake-therapist]

I've been asked by @princessfantaghiro to answer a few questions, so here I go!

⏳ My first impression, honestly, was... not much lol The moment Halbrand appeared on screen, I knew he would be Galadriel's love interest. That's why it always amazes me when I see people who are still in denial that it was set up for a romance, while it was so obvious to me. I don't know, I guess I've seen those tropes so often in movies and tv shows I can recognize them in a blink? Anyway, I didn't care at all first. I was even slightly annoyed tbh: they had already an Elf/mortal romance with Arondir and Bronwyn, so I didn't see the point in setting up another one. So it took me Halbrand to reveal himself as Sauron to really peak my interest... But I didn't ship them until season 2, because I didn't expect the show to continue with the romantic innuendos after the revelations tbh. I didn't see the point in investing myself in a ship that, I thought, sank before it could sail.

My impression now, well... I WANT TO BE FREE OF THEM SOMEONE HELP ME!!

😁 Oh, so many things. I'm usually not a shipper, let alone an ETL shipper. I generally find these relationships too poorly developed for me to ship them. But what makes Saurondriel so good and so different from all the other ships of its nature, is that Galadriel and Sauron were first friends before being enemies. I mean, friends.... not in the "platonic" sense of the term, because there was nothing platonic about Galadriel and Halbrand's interactions, but my point is: they know each other, and I know they do not because "some mysterious force bonds them for some mysterious reason that no one can really explain", but because they actually spent time together. And this 'friendship' that they established before they parted as enemies adds another layer of complexity to this romance. It adds a lot of angst to the mix, and well... that makes me happy :D

❤��� No thank you, don't want it. I want Sauron to be eviiiiiiiiiil till the end. I could buy a post 3rd Age redemption arc in the context of Dagor Dagorath, but I want to see this b*tch struggle!

😭That all this chemistry that Morfydd and Charlie will be wasted because they'll never give us anything...

🤡 Galadriel slept with Halbrand in Eregion, even while she started suspecting him of being a villain. Gimme all that Catholic guilt!

Saurondriel Emoji Ask Meme

Send me an emoji and I'll tell you...

⏳: What was your first impression of them? What is your impression now?

🔥: Unpopular opinion

⚔️: Favorite canon moment

🤡: Favorite headcanon

💍: What do you think Sauron meant when he said "not all of it" ?

✍️: If you read fics, share your current favorite.

😁: What makes you happy about them

😭: What makes you sad about them

🍀: If you could change anything about them in canon, would you? If yes, what would you change?

🔮: Your hopes for next season

💬: Favorite quote

✨: Describe them in 5 words or less

⚖️: Do you think they are opposites or similar?

🎶: A song that has their vibes/reminds you of them

🧝‍♂️: Favorite Sauron version

👗: Favorite Galadriel outfit

👫: What influence do you think they have on each other?

Bonus: Thoughts on..

😈: Galadriel corruption arc

❤️: Sauron redemption arc

👶: Half-Maia Celebrian

Reblog & have fun!

[plantsjustwannahavefun]

I used to think that the reason I wasn't satisfied with Izzy's death was because I was too attached to his perspective as a character and couldn't focus on the big picture of the season and the main Gentlebeard relationship enough. I mean, I was still convinced that his death and the way it was carried out was a shit writing decision, but everyone else outside the Izzy Canyon circles seemed fine with it, so I was starting to think that maybe they were right.

So I looked back on the rest of the season and rewatched the finale... And realised something that I'd been trying to ignore because it was too painful to admit. A huge part of why Izzy's death hit so hard (in a bad way, not that delicious masochistic pain of having a beloved character die a good, narratively satisfying death) was because throughout this season he was the only character who actually had a satisfying arc and development. Practically no one else did. I didn't actually care for Gentlebeard this season, not the way I cared in S1. From episode 1 to 8 and a half, Izzy's arc was crafted with more care, kindness, subtlety and narrative weight than the main Gentlebeard arc which, in comparison, felt like a string of choppy beads badly tied together in an approximate shape of an arc, but collapsed as soon as you looked at it too closely.

Yes, we all know this season suffered for being 2 episodes too short, but I don't think that's all there is to it. This is starting to feel like GoT season 8 all over again. Would it have been better if it wasn't so rushed? Maybe. Or maybe it would have been even worse because this season just didn't seem to know what to do with itself or the characters. The themes and symbolism are all over the place and completely inconsistent. Ed and Stede's characters are practically back at the same place they left in S1. All they did was bounce off the walls back and forth with no real growth. As soon as they took a step towards fixing their relationship or growing as people, they either tool three steps back or it just got dropped. Stede letting fame get to his head? Interesting and realistic development. And how was it resolved? It wasn't. Stede and Ed being whim prone? I'm glad they brought it up. And then they just fell for another whim and it was presented as a satisfying ending.

Ed went from the Kraken, to taking the first steps towards being Ed, then suddenly all the way to being Ed by way of a Night of Magical Healing Sex that he he didn't actually want to happen because he wasn't ready. And then all of a sudden he pivoted to abandoning Stede and piracy and becoming a fisherman... for 5 min. And then back to Blackbeard again because two fishermen were mean to him for 5 minutes. And then abandoning it again to open an inn. How was any of this even remotely coherent or satisfying? They didn't even have a single conversation about any of it. Ed had more proper closure and communication with Izzy during his dying scene than with Stede and the rest of the crew put together. Izzy's arc got sacrificed to do the heavy lifting for Ed's arc and became nothing more than a shortcut to speed run his character growth. Except it didn't even lead anywhere. "Ed, they're your family, they love you" no they don't, he didn't even have a single positive conversation with any of them except Fang. Of course this could have been the point, and Ed could have seen Izzy's death, his own discovery of found family and his dying words as a pretext to repair his relationship with the crew. But he just left them and stayed with Stede instead.

Sure, you could say this was only the second act of the story, and S3 will resolve everything. But the second act is still meant to move the story and the characters forward in some way. Yes, of course if we get S3, I imagine Stede and Ed's life as innkeepers won't exactly be idyllic. But the problem is that the conflicts they'd have will only be a rehash and repeat of the same conflicts they've already have, or were supposed to have, this season. Multiple times, even. We already know that Ed is simply unable to live with himself no matter what life he chooses. The title of S1 was literally "wherever you go, there you are". We already know Stede's love isn't enough to fix him. We already know their goals in life are completely opposite. Maybe they could have shown Stede realising, after his humiliating in S7, that piracy wasn't all it was cracked up to be or he isn't suited for it, and that's why he chose to leave it behind and open an inn, but that's not the explanation we were given. It was just another whim. They literally didn't learn anything this season. They had two baby conversations in E4 and E5 and didn't take anything from it, just kept doing the complete opposite of anything. "We're both prone to whims, let's take things slow" became "let's take things extremely fast by moving in together permanently and becoming entrepreneurs". They never talked about the actual, deepseated, longstanding trauma issues they needed to resolve before they could even begin to have a proper relationship. They literally got a heavy-handed glimpse in what their life would become if they just stuck together without addressing their own personal issues, and chose to do that very thing. It that's what S3 is going to address, then why were Anne and Mary part of this season instead of the next one?

I remember everyone saying they wanted Ed and Stede to reunite as quickly as possible in S2, and I get why. They have great chemistry together. The season is about them. But for it to work, spending more time apart is exactly what they needed. They needed to learn how to live with themselves and others, first. Romantic love alone can't fix you as a person. You have to fix yourself first. Community can help (as with Izzy's case), but you still have to put in the work. In retrospect, I'm glad that Izzy didn't get a love interest this season - because he wasn't ready yet, and had to learn how to have normal relationships and friendships with other people before attempting an intimate romantic relationship, lest he ended up falling head first unit another toxic mutually dependent relationship. That's what Stede and Ed should have tried too. Instead the show just ended up using Izzy's death as a quick surgical fix, robbing Ed of his agency and having to do the hard work repairing himself and his relationships with other people. There's a sad irony in getting exactly one character's arc just this, and then using it as a sacrificial lamb to patch over the main character's arc.

[blackhholes]

teen wolf meme: [3/6] creatures -> kitsune

There are thirteen kinds of Kitsune: celestial, wild, ocean, thunder... But there is one, a dark Kitsune. They call it void, or Nogitsune.

[fiendishartist2]

smth i think ppl get wrong when writing jon is that he has to be a bitch but he cant be cruel. if you take away his bitchyness its not jon anymore, he just becomes a fanon husk of himself. but if you make him too mean, then you're forgetting the awkward politeness and humanity of jonathan sims. remember: he may be a stubborn dickhead, but he let martin stay in the archives without having to be asked, even back in season 1

[possiblyawesometmblr]

"ooh i hope disney makes another season of gravity falls" you have a fundamental misunderstanding of the concept that where a story ends is just as important as where it begins

[chirpsythismorning]

What they're saying is s5 is going to have Hawkins High School as one of the locations for the plot. What I'm hearing is jealous Mike opportunities...