#I simply don’t ship it

[sunfyrisms]

of course the show that is fundamentally centered around two sisters and their tragedies becomes centered around men and said sisters are sidelined and their arcs are pushed to the sidelines and all the phenomenal care that went into their characters went down the drain. ​one’s arc is literally “the traumatized / mentally unwell character’s happy ending is committing suicide because they are simply too broken to heal and be happy” trope, and her mental instability is forgotten. the other is reduced to a mere plot device, has no agency of her own, and her trauma and anger is treated like a complete and utter joke for the sake of a shitty ship, and because the writers literally, point blank, were bored with her. it’s so sad because the tragedy of these sisters is so utterly devastating, so encompassing and so intricately woven into the narrative. but make it about two men i suppose?

[haliaiii]

expanding I guess? some more redesigns

I think for this au, nobody knows each others identities so it would make for some interesting character dynamics

[whump-is-love-whump-is-life]

Ngl this is one of my favorite scenes

These two interacting>>>

[giddlygoat]

mario + peach is such a good ship istg they’re so good. straight ship so good it feels gay

[dragodoodlez]

Is there a canon reason why people think Kabru sleeps around? Like it’s a very wildly agreed upon headcanon - at least, that he has the reputation for it - like in fanfiction/art that I’ve seen

[sundayinthcpark]

actual life goal is forcing spirkers to acknowledge bones at all

[steamedlotusroot]

as a native chinese, i feel like some of yall are taking the gods in lego monkie kid a bit too seriously. i understand why it feels iffy to ship / make silly content of deities that people worship irl (eg. nezha, sun wukong) but it’s a phenomenon on chinese social media too. c-netizens ship the fictionalized versions of these gods, which the gods of lego monkie kid are. they aren’t the actual gods people worship; they’re slightly tweaked versions of the book characters, just like any other chinese adaptation or retelling of jttw (and such stories like fsyy) also, no, nezha isn’t a child, in lmk or jttw or sometimes irl. just because he’s often depicted in child form doesn’t make him an immortal child. eros / cupid is often depicted as a winged baby, and he has a wife and kids. it’s basically the same thing here. nothing in lmk suggests that nezha is a child (his voice, his appearance, his personality etc. all imply he is an adult), and while he’s described as youthful in jttw, he’s already 1700+ years old by then and gods can shapeshift. people only think he’s an immortal baby because that’s a popular depiction of him, since one of his prominent myths is set during his childhood. but as long as you’re talking about the god nezha (fictionalized or the religious figure) and not the human child nezha, then that’s an adult [edit: the last sentence couldve been worded better. i would summarize it as “immortal youth nezha is a valid depiction and is popularized by mythology, but adult god nezha exists too and they are NOT mutually exclusive”]

[aroacespacerock]

mhm yeah nice ship dude but what if, and hear me out on this, they were both girls

[valewritessss]

We got five books of Percy’s pov where we could directly read how percabeth is a well-developed and good ship and some of y’all still have to go and say the opposite

[jitters-art]

[lueddegen]

Two very unfortunate (or hilarious) things about the german version of the murderbot diaries is that not only did they manage to translate the title All Systems Red as Systemausfall (eng. system failure) when one future installation turned out to be named System Collapse, they also managed to turn Rogue Protocol into Exit Szenario (no need to translate) right before Exit Strategy came out.

[dekusleftsock]

I’m making a longer post about this chapter, but I thought these cheeky little parallels were silly. I know what you are Horikoshi.

Like ignore the togachako gay ass part of this… it’s the fact that Izuku is the one looking at her now and she isn’t looking back. Their friendship is so interesting y’all omg (not in a shipping way. Like in an unrequited love/unrequited friendship way. Like they do make me a little ill to think about bc wym by that this gayass can’t get it through his thick skull that this girl liked him for the longest time and doesn’t understand why she isn’t treating him in the not-platonic care way anymore. Like that’s crazy. Izuku bbg you are so interesting and so so silly)

[certainlyathrill]

look at these losers they look like they stink

[yuripira4e]

i already posted this in some tags but I want to be more insane acryally. This is kind of just my opinion on Edwin and The Cat Kings relationship n why I don’t think fans should try and push their relationship.

Their relationship is starts off and is mostly the cat kings own narcissism and predatory (not age wise; I mean literally) behavior towards Edwin and Edwin's need for someone to push him into understanding that his queerness doesn't have to be torture and can be something giddy (even if he doesn't return those feelings). This is super important to Edwin but his rejection of TCK is also as he immediately recognizes his lack of feelings and actual literal discomfort at the moves placed on him. TCK is good about boundaries and consent sexually wise but that doesn’t stop their relationship from progressing from there.

At first, the cat king does like Edwin but he doesn’t know anything about him. He sees their relationship as a game and Edwin simply as someone he wants to have simply because he can’t. He continues to torment Edwin (showing up as people he does like, propositioning him still, being threatening when his control is questioned) through out the show but starts to feel that “romanticism” towards him because hes infatuated by the kindness he's shown despite the cruelty he's presented to Edwin. Queerness and performance always go hand in hand and Edwin’s lack of it entices the Cat King.

The show runners and Lukas, the actor, have said themselves that the cat king is an older secretly insecure character. He’s jaded by heartbreak the the world’s condemnation of everything he is. Edwin is this younger, genuinely kind character that shows him that projecting his hurt on others and romanticizing it only hurts both people in that relationship. Their relationship is about the isolation of queerness and the walls put up to protect yourself and the coping mechanism used to not be hurt again; even at the risk of hurting those just like you- or those who used to be (cough cough the show runners saying that TCK represented the older men with bad intentions that every young gay man has met that welcomes them into the space and makes them feel loved to use them). The Cat King uses Edwin and Edwin knows this. That kiss from edwin was not a reciprocation of feelings; it was to say "I'm sorry your loneliness had caused you to think you have to use your power to control those weaker than you. (Naive, young, and someone he can literally trap) It's the easiest way to feel. And while I cannot and will not give you what you want or need, you deserve to feel happy and not like you have to gain attention of those uninterested to feel good enough.”

I just can't even explain all my thoughts about their dynamic it's just so much about the predation from older queers because of the trauma they've endured from their elders and the cycle of hurt and abuse that is passed down and the way we can break the cycle with kindness. The way we can protect our youths by healing those traumas.

Something the cat king learns and accepts because he can like Edwin. He can show Edwin the sweetness and beauty of being queer while also not being the one that should hold his hand through it. Edwin cannot be a romanticized replacement for the pain others have caused him and trying to force him to be so, continuing to treat him like prey to catch, will only continue the cycle.

tdlr: their relationship is super important for both of their relationships with queerness and trauma and becoming more aware of their identities but their relationship is not romantic- it’s simply an attempt to romanticize Edwin into someone he could love (hurt and control) in place of the people who’s actually hurt him and is supposed to be a parallel of real life predation in the queer community but the realization of this created an amazing acceptance and new bond I do hope they explore without TCK trying to force a non-platonic relationship

Off topic but I don't like people defending their age gap because, yes, Edwin is 86, but he died with a teenage boy brain and then spent 70 of those years in hell where he certainly was not getting his brain developed while TCK has possibly hundreds of years of sentience and experience. The power imbalance is not it y'all and that’s like super clear in the show

[crimsonscloud]

okay but who is going to write the johnshi fic where johnny still has his green glowy powers (yes, i know 1 took them out, shh) but only finds out about them when he sees kenshi in danger / hurt etc.

[shorthaltsjester]

if i ever have to see another thought piece on the description of the white picket fence outside of fjord and jester’s place in mighty nein reunited indicating jester’s unhappiness in the relationship i will burn the world to the ground.

a) heteronormativity doesn’t exist in exandria !

b) fjord isn’t your Typical Male Love Interest Guy. if i ever have to read someone say that shit again i’m gonna (correctly) assume they haven’t paid attention at all to campaign 2 and any of fjord’s character arc.

c) perhaps, jester lavorre, woman who was raised on the ideology of romance novels and sexuality as exchange, might just find it uh… not a terrible thing that the white picket fence is falling apart outside since… fjord explicitly does Not feel like those romance novels to her, instead he feels comfortable. the way that a brightly painted but rarely used house might, especially when the couple in question spends most of their time adventuring together… which is an essential part of jester’s motivations throughout the campaign.

d) the reason fjord and jester seem unhappy in the reunion might be because, well, uh, whereas everyone else was getting a “vacation”, jester and fjord’s life together (specifically the fact that Fjord Loves Jester Enough To Risk The World (Momentarily) To Save Her) was the inciting action for an apocalyptic demigod being released - they Were unhappy. who wouldn’t be given those circumstances. jester nearly died, and fjord felt like the god that once saved him had now abandoned him, i am so truly sorry that their romance was not satisfactory for your vision of atypical romance (which, by the way, is literally reinforcing the restrictive romantic tropes you think you’re criticizing, so good job i guess). i would be much, much more concerned if jester and fjord Weren’t clearly dismayed.

e) both fjord and jester are individuals whose entire lives and character are defined by the expectation (both external and internal) that they behave and emote a certain way. that they’re in a relationship with someone who they feel that they can show that they are frustrated with or disagree on the layout of their house with or have different ideas on how to deal with the looming threat of a demigod is incredible. jester and fjord are emblematic of a relationship in which the characters Aren’t meant to be, but they Want to be together and they want to understand and support the other person so they work at it. we wouldn’t have conversations like “you seem disheartened..” “i am very disheartened! you almost died!” if they didn’t take the time and care to communicate with one another.

f) if you want a honeymoon era joyful queer romance, yasha and beau are right there! they are explicitly horny and in love and bright about it! if queerness is your measure of “trope breaking” i am very sorry to tell you that queer people partake in white picket fences, and i’d actually argue that in terms of Lifestyle Metaphor, beauyasha are more adherent to the whitepicket fence, nuclear familyism. this isn’t a detriment to them, just, very literally, beau works a 9-5 where she comes back to her housewife who gardens and cooks dinner and their future includes explicit reference to children. comparatively, fjord wants to address some issues in his past, jester is an artist, and both of them are interested in adventure for the foreseeable future.

g) if you truly think that a single part of laura’s description of the part-time abode of fjord and jester overrides every interaction and choice that both laura and travis make towards fjord and jester caring for each other in a deep and meaningful way that goes beyond the weird fandom constructed Man/Woman characters being portrayed by a married couple i truly, Truly have no idea why you even watch the many hours of content that cr is when you could… play/write your own shit.