#I should start watching this show again

[wevelocityteampresents-blog]

Ace sure has great tastes in women...

[peteytheparrot]

Ok but only A Series of Unfortunate Events could open with such a good quote every episode like ‘Darling, Dearest, Dead’ goes SO hard wtf…

[francy-sketches]

Hiiiii guess who finished her pmv. finally. um enjoy :3

[moonkhao]

hi.

[5t4r5and5uch01]

USAGI DOODLE DUMP BC HES THE SILLIEST‼️

I’ll post the rest of the doodles later (maybe never) cuz they arent Usagi d:

[deus-ex-mona]

scrolled a little too far back on mogetwt and found pure gold:

[kingcunny]

@/RobertRhodes160 on twitter

@/FaceEquality twitter faceequality website

[shokupanda]

me when time moves forward at a steady pace: how the fuck is it more than halfway through july already. this fuckers rapidly sprinting when im not looking huh

[pup-pee]

ur bartkon art legendary

TYSMM!!!!! IM GLAD U LIKE ITT!!!!! <33

heres a silly sketch i prolly wont color :3

[wren-writes-things]

You know what the fact that Anne designed a functional pressure activated trap will never stop being fascinating to me. Because it doesn’t seem like something she would have ever learned in LA.

Currently my theory is that she learned it Suspicion Island and I appreciate the idea. Either that or possibly a Marcy infodump. But it’s just so cool to me that she was able to develop as functional of a trap as she did no matter how she learned how to do it.

[utilitycaster]

Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.

I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.

I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.

It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.

[strawberryicemoon]

Why I can't watch the Ducktales Finale

I'm not the kind of person who struggles to watch the last episode of something. I love to finish a show, and let it sit in my brain. I'm the kind of person who often enjoys spoilers because it adds to my understanding of the media. I love to view the media in their entirety just as much as I love a journey to get there.

But I can't get past the first few minutes of Ducktales 2017, The Last Adventure. And it's because of spoilers that I couldn't deal with. I don't like them, and even years later after I've had time to digest, and have seen so many finale clips, that I still can't just sit down and watch it. And I've made attempts. I've looked through the summary of the episode to prepare. But I can't.

And there's... a couple of things that rub me the wrong way about the Finale that keep me from being able to just watch it.

1. Webby is Scrooge's Clone Daughter

2. Webby is April, of April May and June

3. Donald and Daisy are going on vacation.

Now, I don't actually hate any of these... conceptually. And I'm well aware that Frank Angones has stated the Webby twist was planned from very early on. And usually I am completely down for whatever a finale is, as long as I can tell that this was something the creator really believed in.

I'm a fan of such "controversial" endings as, Amphibia and Digimon Adventure 02, because I know exactly why they ended like that. It's written in the themes. Even if it took me time to understand Adventure's ending, I've grown to understand it and love it once I learned more about the original Japanese version and the shows production (and also grew up myself). Amphibia ended exactly as I expected based on one of the very earliest things I heard about the show from Matt Braly: "an ode to past friendships". Even if I think there are things they messed up I GET IT. I wouldn't want them ending any other way.

So I understand WHY the decision is made. Conceptually it does make sense. Webby exists as a composite character of April May and June, and I believe shares the same name as April in one language. Webby being Scrooge's clone daughter is an effective way of full-circling her relationship with him. Strangers in each other's home to father and daughter. She's family not BECAUSE of Blood, but because of Love. She still loves her Granny, it's just the non blood relationship wasn't the one she thought it was. And Donald deserves a vacation, and to have the more down to earth life experiences he wanted, especially after raising his sisters kids alone for 10 years.

But they still twist me up inside.

And I think it comes down to three reasons: 1. Lack of Continuity between episodes 2. An over-focusing on Scrooge 3. Handling of Word of God

1. Lack of Continuity between episodes Part of what got me to fall in love with Ducktales was S1 and the continuity of the Spear of Selene subplot. We got hints at a semi-regular pace, but it successfully overhung the entire series. It was what separated Scrooge and Donald. It was why Della was gone. The subject matter was of course not something that needed to be overstated, as most of it was being kept hush hush. Sure it was a mystery, but not an urgent one. Dewey had never had his mom, so it wasn't like he couldn't focus on anything else for a while

But in S2 I started noticing that the show stopped explaining or foreshadowing things. Maybe it always did, I haven't re watched it properly. But I definitely noticed something off about the storytelling then. But it was definitely a problem throughout the show.

Webby never brought up Lena after her sacrifice until the relevant episode.

Lena living with the Sabrewings was something never brought up until episodes later we saw her with them.

We had Della talking about the boys with their "Uncles" setting up the pain of not knowing how things fell apart after her departure, only to get no payoff.

We didn't get ANYTHING about Webby's parentage until the final episode, and barely a hint in 1 season 3 episode.

Almost every finale episode changes the status quo in some way. The question is how much. Lots of final episodes kind of have things going back to the way they were before plot kicked off but better (like with new friends or a new government). Sometimes someone dies.

Webby being Scrooge's clone is paradigm shifting. And that kind of thing needs to be set up. You CANNOT catch your audience off guard with something like that.

In Digimon Adventure 02 the series ends with everyone on earth with a digimon partner which is controversial but at least built up throughout the series at hints of other digidestined until an arc near the end showcased many international digidestined. Hilda ends with the reveal that Hilda's mother is half-fairy, and despite not being present throughout the first two seasons, it was hinted at through the third season, and contextualized some of the few things we did know before about Johanna's childhood. The Hollow's first season ends with you finding out it was all a game, but it had been hinted at before with the video game nature of the world. Sure Avatar didn't hint at Aang getting the power to take away bending, but we knew he was a pacifist who didn't want to kill so was looking for a solution, getting the power to remove bending (ie power over others) works thematically, in the same way Anne using the power of the stones and getting brought back to life by a god like being worked. Sure, Scratch turning out to be a wraith at the end of The Ghost and Molly McGee was rather sudden, but people had been theorizing that Todd was Scratch's body for a long time, so it wasn't like there weren't any hints, and while the show was cut short and had to rush to end, the build up of Scratch's memories at least gave some sort of foreshadowing link to what was going on.

There's a reason people rarely throw in new characters at the very end of a show. It can absolutely work. Amphibia and The Owl House threw in "God" at the end, but that gets a pass for being the kind of figure they meet once and then move on with their lives. On the other side, you can sometimes have secret big bads that were pulling the strings the whole time too. I can't speak for the finale of Ducktales (because again, can't bring myself to watch it), but adding two new characters on top of changing the entire dynamic of how the family is set up at the very end of the show does not sit well with me. We won't get to see how this change in status quo effects the characters. We saw how learning about their mom affected the boys relationship with Scrooge, her return and having to build a relationship with her and her presence conflicting with Launchpad's. But we don't get that with Scrooge and Webby? Basically too many status quo shifts in the finale all at once.

All we got was Beakley was a spy, was overprotective of Webby, and a few episodes before the end it was revealed Beakley was lying to her. Webby didn't seem to care about her parents. And this was a girl who was very dedicated to unraveling the secrets of clan mcduck. Couldn't they have had one hint at some point in the show where it was unclear if it was the boys or Webby who were recognized as a McDuck? Some offhand mention where the boys ask her about HER parents, because she helped them with her mom?

You couldn't tell what was or was not going be important in the way they dropped. It's very hard to set your expectations when you had no clue what to expect. And while there is something to be said for unexpected surprises and twists in a story, an audience really needs to know what is or is important or they're going to go on wild goose chases and get disappointed when they build up hype for something the show then refuses to address.

In HINDSIGHT, I find it extremely odd that Huey and Louie, prior to finding out about Dewey's investigations, did not pry at ALL into the fact that hey: if Donald was an adventurer with Scrooge, then he had to know their mom. Like that’s weird right?

2. An over-focusing on Scrooge Scrooge is the Center of the Universe.

I'm not a Disney Ducks fan. Aside from 2017, and pop culture osmosis, I know very little. But the thing is I am someone whose first inclination once I become a fan of something is to check out the wiki pages for information. Find about what longstanding fan mysteries there are. I understand the importance of cross continuity callbacks. I'm a fan of other longstanding series and have rubbed elbows with several others. I get really long franchises with several iterations.

Which is to say that I, despite not having a horse in this race, understand how this works and how it should work.

Now a bit of this is the fact Ducktales is ABOUT Scrooge. But Scrooge isn't the center of the Duck universe. Something I find pretty interesting is the fact that Donald has reasonably fleshed out family trees on both sides of his family. That's cool. That's how real people work, a meeting point of the stories of those who came before. But Ducktales doesn't care, the only adult the show cares about is him. I get that to a certain extent it was the show execs insisting on focusing on the kids. And again, he's kind of the main character. But you brought back Donald, and Della. There are other characters here with rich lives, he doesn't need to take over everything.

It's especially egregious ANY time the McDuck clan gets involved. Could Matilda be the youngest child now? Sure. But that's a really arbitrary change, that they don't use for anything. And even if that was purposeful, the fact is that the first thing they established is Donald's mom is still Scrooge's sister, so Donald is the grandson of Fergus and Downy McDuck. Not nephew? Surely they could recognize him? But where is Hortense and Quackmore? They brought them up in the first episode, and then they never made any appearances aside from references. Why were Donald and Della staying with Scrooge for Christmas? Never clarified. Fans (reasonably) assumed they were dead. Scrooge called Donald his ward (admittedly when he also called him Fergus and Downy’s nephew rather than grandson). I mean where else would they be when their DAUGHTER DISAPPEARED. Would they not want to meet their grandchildren? But that was never clarified. And I've seen some fans alternatively interpret them as bad parents, which I think is just really unfair. Scrooge gets to be the good parent? It's once again Scrooge to the rescue. The CAPITALIST? I mean it's also a little bit just a family issue in general: It's Uncle Gladstone and Cousin Fethry when they are theoretically the same: technically cousins but old enough to be honorary uncles. It's fair enough. But really that brings us to the Duck family in general.

Grandma Duck? What about Gladstone and Fethry's parents? Gus Goose? Are they all dead? Does Fethry have any siblings? Do the boys not know or not care about the Duck side of the family? They know Gladstone but no one else? I mean Scrooge's parents, who should be dead, were magically kept alive but nothing for the duck family. Speaking of which, they constantly bring up how old Scrooge and occasionally refer to the causes of his supernatural age, but that does not explain how young Donald and Della are compared to him. Overall, we get nothing on the Duck family except for its existence at least, so even removed from the context of Disney Ducks legacy its weird to introduce a side of the family and just gloss over it.

The one episode about the Duck family legacy is a Webby episode. Which, fine, she's not a Duck, but she's part of the family. Except wait. She's Scrooge's daughter/clone, and you gave her the focus on the one episode about the Duck family not the McDuck's? You couldn't leave Scrooge out of anything?

So for Webby's great twist in the finale, was taking not just one, but two characters NOT related to Scrooge (April and Webby), and tying them to Scrooge. I think I could deal with Webby being April, and (HUGE MAYBE) Webby being Scrooge’s clone or April being Scrooge’s clone but not both. Not to mention April, May and June are DAISY's nieces... not random three girls who are her boyfriends uncles clone and and boyfriends uncles clones clone? It doesn't sit right with me that a character who I thought was supposed to be learning that he was sometimes in the wrong, and not the center of morality (see how he made Glomgold a villain through his own ego), continue to be made the center of the universe in ways he simply shouldn't be.

He's literally an old rich guy. Like there is historical context for why this character is like this, but why does the world revolve around him in this show.

3. Word of God Word of God is useful. As are interviews and statements made by the creator. It helps to provide insight into the themes. I love seeing the person behind the art.

But here's the thing. Word of God is clarification, insight into how you should look at the work to set expectations. It's supplementary. It doesn't replace text.

This is a little bit difficult to really talk about now that I'm several years removed from the experience, so grain of salt and all, but I really think the way Word of God was handled did the show a disservice.

Back to Lena becoming a Sabrewing, we didn't get that in show. Lena just dropped off the face of the earth, not until S3’s premier we got a clarification on that in show.

We never got Della's reaction to learning that Donald and Scrooge were estranged, she just suddenly stopped speaking under that assumption.

So Word of God became an essential part of understanding the text, because a lot of necessary information was left unexplained by the canon its a huge problem. And Word of God is often fluid. It can be changed later if during the writing process something changes. (We should probably cover this topic in show and want to do it a bit differently, I have a great Idea of what we can do to turn that error into foreshadowing, I was lying to the fans to keep a secret).

But when word of god is necessary, word of god becomes essential for tempering expectations about the show.

This is probably going to be less of an issue for people who come and watch the show later. Sure, things are still unexplained, but when you can binge the show Lena's unexplained absence is less obvious, you're so busy moving on to other things that Della's change in understanding about the situation is clearly unimportant and you can move on.

But what ended up happening is that Frank Angones struggled to balance clarifications, keeping show secrets, and a sometimes changing story. Which sometimes left characters completely sure on where the story was sitting, only for it to be ripped out from under them. Also, tying back to the first point, of plot points being dropped until the episode where they where they were relevant made it VERY difficult to tell what was or wasn’t going to be relevant, and what emotional beats to get emotionally invested in.

Prior to the finale there was a bit of a community of Webby/Triplet shippers. Personally, I see that as a complete dismissal of the themes of the show and a bit heteronormative. I avoided all such content. But at the same time, shipping doesn't hurt anyone. At the end of the day, the boys and Webby were not related by blood, and hadn't even met until age 10. There wasn't... really a reason you couldn't ship them. There are TONS of shows out there with 10 year old characters and love interests. Just off the top of my head: Any Ship with Ash Ketchum, Sprigivy, Phinabella, Kenyako, Sorato. Even if they don't get together at 10, (or at all) the fact of the matter is 10 year olds getting shipped is old news. I'm still attached to Pokeshipping and Takari to this day, even if I tend to see them more as platonic relationships these days. So I avoided all shipping with them, but I understood why people (particularly younger people) were shipping them. Until the finale hit, and the ships that people thought never going to be canon, but were safe, weren't. To a certain extent, that's the game you play with shipping clearly noncanonical ships. But I feel that the way questions about shipping were answered didn't help, because iirc he tended to say the show wouldn't focus on that more than he explicitly stated the kids were family. He called Webby/Triplet shipping highly unlikely for example, giving it more legitimacy than a no, which leant to it being taken as a solid fact prior to the finale that Webby was definitely not related to the boys, because a lot of what else was said was solid fact.

4. (Bonus): of course, I do also feel it kind of isn't enough to justify breaking the found family. So much of Webby's arc was being accepted into the family. Becoming the 4th triplet. So for her to have been blood all along is a little cheap. Sure it doesn't break the becoming family despite blood before. But, having meta-knowledge of Launchpad probably finding family with Gosalyn and Drake Mallard, it's just Beakley whose left as not blood related (and she's technically the help...). And yeah, there's the Granny/Grandaughter adopted relationship. But....

Webby is one of four kids. Again, she became one of the kids. So yeah. I'm happy that she became one of the kids. Able to call him uncle scrooge. But it feels weird to me that she, the kid who already lived in the manor with Scrooge even if they kept their distance, displaced the triplets as Scrooge's natural heirs. The uncle relationships in this show being parental/grandparental was already good. Not all families look the same, some people parent their siblings' kids for one reason or another. Scrooge's presumed "heirs' ' was his sister's descendants, not his, but he loved them like his own. That's good. So to not only break the "not blood related at all" to "actually daughter", kind of ALSO meant a "my niblings are my legacy" got overtaken with "my daughter is my legacy".

And maybe I'd feel less sour about it if we had more time after the show. But on a fundamental level it didn't just alter Webby's place in the family, but her grandmother's, and the Duck Twins and Triplets. Again, especially with the triplets. I wanted the four of them to become functional equals. The 4th triplet. But for her to have a secret Scrooge connection that overtakes the one she was jealous of the triplets of having doesn't sit right to say the least.

I feel I could get over this one, especially maybe if they gave us more time. But it just didn't make it worth it to me.

5. (Bonus Bonus): Now I don't use the term Mary Sue lightly. But what I do think of canon Mary Sueism is a tendency to make female characters on predominately male casts "special" in some way to justify their presence. They have to be the level headed smart ones and the ones with . They have to be likable so they're robbed of character. I wouldn't say Webby is a particularly bad example of this, and it's not like Ducktales lacks other flawed female characters (Della my beloved).

But the way Webby is treated reminds me of April from TMNT 2012, and Allura from Voltron Legendary Defender (and kinda Larmina from Voltron Force). All are 80s characters in shows that had a predominately male cast of characters, and who were both an outsider, and defined by being a girl. And then the reboot both doubled down on making them special, integrating them into the group more, but also making them generally tougher the boys in some way, and also sometimes more in the know about things. Webby is aged up to match the boys age rather than aged down to match the boys age like April but the effect is still the same.

The girl is now a peer to the boys, 4th triplet, rather than a little sister. Webby is more capable and well-read than any of the boys. And at the start of the series she's socially awkward enough it feels like it will work. And I'm not saying Webby isn't flawed, she is. But when it comes to the things the family finds important: adventuring, she doesn't have any obvious shortcomings. Louie quits easily and isn't as coordinated, Dewey is reckless and generally uneducated, and Huey isn't flexible. And Webby... used to be socially awkward???

It’s kinda trading 1 sexist trope for another. And yeah, all shows do have OTHER female characters who kind of avert this. But it doesn’t change the fact the leading lady is more “special” than the boys. Like being a girl has to be special.

In short, at the end of the day Webby being Scrooge's daughter doesn't help her character, her grandmothers, or the rest of the family. It kinda helps Scrooge’s character, but while I haven’t seen the episode myself, I’m not sure there would be enough time for it to be meaningful. And again, I think a lot of the characterization and worldbuilding of other characters were already sacrificed for Scrooge’s sake in the show already.

Oh and the Donald/Daisy thing.

The reason Daisy/Donald's trip doesn't sit right with me is we barely got any Donald and Della having to coparent. Get used to each other again. We barely got any of them and we're heading back into separation. It doesn’t feel cathartic when we still have unanswered questions from this stage in their life. And even if the trip is well, a trip. It feels weird.

It feels kind of unexpectedly "conventional family", even if it's still really unconventional. Donald is going to go be happy with his love interest, away from the boys he raised who aren't actually his sons (and yes, I know he takes May and June with him but still, knowing that May and June are by default Daisy's nieces kind of has "new kids with new wife" implications to me but that's neither here nor there). Adding this to "Webby being Scrooge's daughter is a good plot point for him" and it's just really weird, and kind of feels like the final nail in the nontraditional family dynamics coffin. If feel only way they could have buried it more is if Beakley died or something.

I was already kinda uncomfortable with the “Daisy being the only one to understand him” thing because like. That’s sweet. His soulmate is the only one who really hears him. But also that’s a fucking speech impediment Donald has. Are you telling me that no one in his family cared enough to effectively communicate with him despite his disability? Like if it is REALLY that much a problem he should have an effective communication method. Sign-language for example?

The triplets he raised don’t always understand him. His twin sister doesn’t always understand him? But this random woman does? I am all for Daisy and Donald being basically soulmates. But uh? This feels both ableist and allonormative in a show that really wasn’t those things before. (well okay it was kinda ableist about Donald but it felt less weird to me when there wasn’t one person who could magically understand Donald). And Daisy understanding him still could be a big thing? The first person who understood him without getting to know him first/wasn’t literally raising him/raised with/raised by him?

I want to like Daisy so much, but she just feels a bit like Webby does: a legacy female character they are trying to make too cool, who gets some of their coolness incidentally defined by a male character, rather than a full-fledged character on their own. (For instance if we saw Daisy with anyone other than Donald, her overbearing boss and… whatever Storkules is). 

I feel some of these may have been resolved with more time. But some of these problems had their seeds planted as early as S1. That said I think if the quality of S1 was maintained they would have been fine. Overall, I think Ducktales is a good reboot, and a good show, but it really could have been better. Was so close to being better.

[moeblob]

oc doodle for @marshmelonii because this lad is a brick wall and one of his nicknames is Brick and how can I NOT love that

[untimelyambition]

inside you there are two wolves

[theaxolotlkween]

Sometimes I remember how fucking funny "Rampage" is as an episode. Like "Payback", the season one finale, has us all geared up for a big fight between Rex and Van Kleiss (I think the term Rex used was "nanite war", pretty hypey way to refer to it) and then we get "Rampage". On a side note, having ramifications for "Payback" in the form of Rex having to crash on his boyfriend's couch is cool. Sort of a neat little way to convey how bad that attack was.

Anyway, we're all geared up for a nanite war, we got some exposition and stuff, and then Van Kleiss just. Shows up. He's here to steal Providence's new power core. On any other day, this would be a bit out of character for him. He's usually pretty goal-focused. He has what he's trying to get to further his evil plans and if he gets to settle an old score? Even better! For him, at least.

The reason I say that this would normally be out of character is that he does not in any way shape or form NEED Providence's new power core. Whatever he does to get his money, he has it and he has a lot of it. Of course it seems like very little goes to the cause of not making his country terrible, because he's a dick, but the point is if he needed a power core he could ABSOLUTELY just buy one. He could probably buy a better one, in fact. He might have a better power core already that's still functioning. He is doing this because he is a petty bitch.

Dude was salty af about not getting to destroy Providence, found out that they had a new power core, and decided to take his salt and rub it in Providence's almost-getting-destroyed-wound by stealing it. And then he turned Rex's boyfriend into an EVO just for shits and giggles, and spent the entire episode just getting the shit kicked out of him (except for that one scene where he's fucking creepy) by getting hit by forklifts and trains and a super fun fight with Rex's new build and soon-to-be unEVO'd boyfriend. AND HE STILL WINS, even though Rex beat the shit out of him and cured Noah, BECAUSE HE GOT THE POWER CORE.

It dashes your expectations in the funniest way possible and the writing still makes it feel completely in character, even though VK has never pulled shit like this before and never will again. And it is my favourite episode, mostly because I get to watch Van Kleiss get hit by a train. He should do that more often.

[wool-string]