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borkthemork · 3 years ago

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The Wu Whereabouts Theory

Now that people are getting hyped for the month countdown toward Amphibia Season Three’s release, I am going to be talking about a theory my friend and I talked about over the past few months, and it’s time to buckle up because we’re going to be tackling this theory from a production, character design, and semantics perspective.

And why these specific factors? Because the theory revolves around these three characters.

And why I believe all of them are related in some way.

Now, you might ask yourself: Bork, how in the hell are these characters related? The old woman character doesn’t seem to have any semblance of features relating to Marcy. What about the dad, are you going to explain the dad? Are you pulling my leg?

And to that, we’re going to have to start small. I’ll first explain why the character on the right seems to be an important character to the story, how all these characters can be connected through deliberate design/semblance, and then I am going to hit it out of the park with the probability from a logical perspective with what the intro and past Marcy interactions seem to give us on why everyone is where they’re currently at.

Especially where Marcy’s father is currently located.

This theory is very, and I mean, very long, so hang on to your seats as we dive into my thoughts about where Season Three might lead us.

And credit goes to @CynDavilaChase on Twitter because she made me realize the probability of this theory in the first place.

And with that, let us begin!

Section One - Who’s This Woman?

With animated introductions, I think one of the big things I noticed with Amphibia Season Three’s intro is that it’s heavily serialized. Compared to Amphibia’s introduction with Seasons One and Two, there are a lot of animated scenes found in the sequence where the story is already being told in a narrative.

You get shots of Anne being introduced to her house, you get new important characters introduced in a lot, there appears to be insight into future events such as Anne getting a moped while being chased by government agents or the massive monkey robot chasing her through the alleyways.

A lot of the intro is prioritized over its serialized format, and that means the characters seen and animated in the foreground have to be important characters or else the studio is basically wasting time focusing on a background character that will never be seen again.

Of course, you get some sliding shots like with the construction workers or the beach scene with the beach-goers but that’s only for a second and they’re not truly the forefront.

But during the shots between 0:29 and 0:49, the sequences we see include a lot of what appears to be important scenes with important characters that will play some role in the story itself.

There are no parts in the sequence where background characters are put in the foreground. Each bit of the animation needs to count, it needs to tell a story of what’s to come and what the audience can anticipate to see.

Now that begs the question:

Why is a supposed random background character in the foreground?

We got some reason as to why the engineer lady looks important since she was in a shot full of important or supporting characters, but why her??

Sure, one could argue this shot could just be indicative of Andrias’s invasion, but there are numerous other ways to show that there’s an invasion without putting too much animation effort on one background character, especially from a composition perspective.

Pardon the messiness, I had to do this quick, but look at how all three ladies are lined up.

The far left grandma, when following from her head to the the front lady’s creates a line that not only creates a sense of direction for our eyes to follow but follows the more significant and foreground character of all three. Look at how the dragonflies occupy most of the top of the frame while the two older women stay in the marketplace’s form, and how this leaves the younger woman to be abruptly placed in the open — creating a visual that this character in particular is more important than the rest in the shot.

Check the way the characters move their eyes when the scene happens too: the background characters quickly look to the right, then the woman out in the open then directs her eyesight to the skyline, where all the dragonflies are flitting by.

Now, I’m not a storyboard artist or composer, I could be wrong on how the crew created this scene all together, but regardless it is still so odd to put emphasis on a background character in the front and then just leave it at that.

She has to be important in some way, and this is where I want to talk about character design.

Section Two - All Related or Am I Just Racist?

When it comes to character design we need to talk about how the character designers make sure to give Anne some form of semblance to her parents, and in this case, she looks a lot like her mother.

They got the bushy hair, the same skin tone, eyebrows, etc. And with her dad you could even see that Anne got her fluffy bangs from him specifically. Only one shared genetic trait, however.

This is deliberate, we know that for sure, and that is why I need to make this very clear as we transition to the similarities found in Marcy and the theorized characters, and why I believe they’re related in design. Mainly because the concept of race and appearance could be quite a debacle and I wanted to make sure that all of you know I am not assuming things out of naivety, and if I am, feel free to get my ass.

Other than that, let’s look at them again.

And here I shall compile the appearance stuff that each character seems to have.

With these three characters they seem to connect to one another with one genetic trait, but if one looks closely, there comes the question of the older lady (who I will just call Marcy’s mom at this point) and why she’s vastly different to Marcy when it comes to skin tone, hair color, and hell — if we look between Marcy and the engineer — why these two characters have vastly different hairstyles compared to the woman.

Even though I could give speculation and some doubt to the engineer and Marcy’s mom being related, and on first glance I couldn’t do the same with Marcy and her mom either, but then I did some digging and realized something. I can connect Marcy and her potential mom in one way — hair design.

Marcy and her mom both share the same poofy hair, it’s just that one is more short and the other is allowed to grow out in a nice little nest.

Don’t believe me?

They got the same floofy bangs with that specific hair line.

And when Marcy was little, Marcy appeared to need a hair tie because her hair was growing out, and it looked like this.

If we consider that what Marcy’s hair tie is holding up might be her bangs — bangs that might cover her eyesight from how floofy it is — then if you removed the hair tie then she and the woman would have a very similar looking design hair-wise.

Even with these hair similarities, however, there is still inquiry as to why Marcy is vastly different compared to her mother when it comes to skin and hair color, and here is where I go into some speculation to piece all of it together:

Marcy actually carries the appearance of her dad more than her mom.

Her dad has olive skin and black, straight hair, while her mother harbors tan skin and floofy, brown hair.

It’s this one piece of speculation that basically slides everything into place, but regardless it’s still speculation and one that I cannot confirm or even argue much about due to the nature of genetics and the limited info we have. But with this piece set in place, we could start to create the argument that maybe, just maybe, these characters are related.

But if they are, why do we only see Marcy’s mom and her supposed sister and not her dad?

Why do we get no indication of Marcy having a sister until Season Three?

How do we put all of this together?

Section Three - Distance and Finance

I rewatched True Colors numerous times when it came to understanding and interpreting what I could with the limited Marcy-centric flashback we had. I even went through episodes such as Maddie and Marcy, New Wartwood, and a lot of other episodes just to fit everything into place. And I think I have a good indication as to why this family is the way that it is.

First off, we’re going to be talking about Marcy’s dad and his new job out of state.

California is a very expensive state. And as someone who lives in California, the housing crisis and the ability to even stay in a house/dorm without sweating over the idea of being bankrupt is a very real thing.

So it is a curious thing that one of the reasons that the Wus had to leave came out to moving out-of-state due to a new job offer, one that infers a lot more money and probably a more stable living environment.

You could even hear the dad saying “Marcy, you have to understand!” when Marcy runs out, meaning that there’s probably a good reason as to why the parents believe that the move is essential, and I am banking on the idea of money for a number of reasons.

One, living in Los Angeles is expensive as hell.

Two, the coping mechanisms Marcy has makes sense if finance is the main comeuppance.

Three, the background art.

And four, why this girl has straight A’s and a PSAT book.

We already covered number one, but let’s take a look at what I mean about coping mechanisms.

Marcy Wu’s many flaws come from what looks to be the fear of being alone, and the fear of being seen as unvaluable and worthless; that if Marcy doesn’t prove herself lovable and essential to the people around her then she gets anxious and will do anything in her powers to make the people around her like her or stay with her.

She will omit information, move along objectives through passive and indirect persuasion, allow people to assert their will over her because they said so and, most importantly, does all of this because she fears the consequences when she gets outed or rocks the boat. Because rocking the boat means people will get mad at her, and she appears to try to avoid that situation of vulnerability like the plague until it all culminated into True Colors.

She is terrified of getting hurt. She is terrified, specifically, of consequences — punishment through stress, frustration, the people she loves looking at her differently because of the mistakes she’s made, etc.

Why do I say this? It’s because if we look into Marcy Wu with her pre-Amphibia self, a lot of these fears could be placed into that middle school scenario very well. Marcy Wu plays videogames and loves fiction because it is a form of escapism or happiness away from stress; she has this intense curiosity to basically anything of interest and uses that to thrive with getting straight A’s and an overall very solid record, but there’s still a probability that high expectations or making the people around her love her comes through said status of being the smart one (after all, she prides on her intellect, and sees it as essential to basically surviving the day to day).

Look at Marcy’s flashback in True Colors. She’s a middle schooler but is studying for the PSAT, which is mainly held in High School, and I’m no expert but I don’t think you read that stuff for fun or at least study it that early.

And I find it interesting that that’s the first shot we get of Marcy before we dive into her parents’ argument — education, studying, the expectation of high scores.

And then when you remember that Marcy is the least athletic of the girls, the thrift shop’s street she retreats to away from her parents is not that faraway from her neighborhood.

And this street, is messy as all hell. And with the revised background art for this area, nothing about the place changes but instead gets emphasized through more shots of how rundown it all looks!

The fact there’s a bail bonds building behind Mar-mar also doesn’t reassure me in the slightest.

So here’s where we are: Studying, getting good grades, a serious financial situation, lives near a rundown section of the city, high expectations, and the evaluation of one’s worth through intellect and academia.

What we are witnessing is a nuanced family situation. If we go by the assumption that the three girls’ lives are not only vastly different in personality but upbringing, then on an income scale, Anne would be middle income, Sasha would be high income, and Marcy is low income.

Her family’s struggling to be stable in a city that they can’t afford to live in, there’s a very high emphasis on good grades and education in the household, and the situation is so bad that her dad would take the proposal of a higher-paying job out of state than finding a similar job out in the city.

However, in this household’s struggle to have a better life, the parents had to focus on their children getting better living than them, and this means Marcy had to live in an environment where the biggest source of reward and praise is through intellect, academics, the approval of the parents.

And I could probably assume that this focus on finance also lead to very rough patches where Marcy was unable to be encouraged over stuff she loves like C&C or videogames, since the level of attention is low compared to the amount of happiness and pride her parents get when she gets an A+.

Especially when we consider that in the dialogue we hear from Mr. and Mrs. Wu, her dad is more assertive while her mom appears to care but doesn’t seem to go against her husband’s tone, so a lot of the probable issues might’ve come from Marcy wanting her dad’s approval and her mother never standing up for her when he became frustrated.

That would make a lot of context with Andrias even worse in retrospect, because that means the moment a male adult figure decided to care about her and give attention to what she loved, then Marcy fell for it hook, line, and sinker.

And could you blame her?

Now, let’s finally get a glimpse on one other character I’ve been neglecting in this essay.

This gal! Because if Marcy and her are somehow related, then we need to question why she was never mentioned or why she wasn’t involved in the conversation between Marcy and her parents.

I’ve done a massive theory post about this already, but the biggest probability comes in the design itself, since if Marcy’s sister went through trade school to be a mechanic/engineer then there’s a high probability she’s in her mid-Twenties. And if we consider that Marcy is 13, then Marcy would’ve been born when her sister was 12 or 13, and ultimately leave the household when she turned 18.

This means Marcy would’ve gone on with less contact from her sister for 6 years, and that’s a lot for a developing child.

It’s not improbable for Marcy to have lost contact with her big sister, or at least had lesser time to meet up with her due to work, college, or her own adult life now that she’s out of the house.

After all, in Maddie and Marcy, I find it very interesting that out of the advice Marcy could’ve given to Maddie about siblings, Marcy tells her that even though Maddie is the older sibling and is allowed to have her own life she suggests that maybe she should make some time for her sisters occasionally. Almost as if this was a ditto moment for her, that she understands but also had a good example of a sister who made time whenever she had the chance.

On more speculation terms, it would be cute to think that the reason Marcy has so much fire and spirit toward her fiction and love for games is because of her sister. After all, Marcy harbors the same interest toward engineering and robotics, it wouldn’t be a stretch in the imagination that perhaps her sister encouraged her to keep on going with what she felt passionate for regardless of their parents’ lack of response, to basically be unapologetic of what she loves, and this mantra kept her going for a lot of her life even when her sis went for trade school.

But let’s go on a side note here. I find it quite interesting that the character design of Marcy’s sis is also very telling, because not only does it tell a supposed story about who she was in the aftermath of graduation, but we could find a way to also put the theme of income and finance into her story as well.

Let’s be real these two are partners in all the way — from mechanics to engineers to straight up girlfriends, these two basically have their own business going on and I find it interesting that none of them just go with robotics or mechanics as a full-time thing, it’s mainly two jobs rolled up into one.

Why is that? There is some speculation that maybe they’re specialists and work in a very science-related area, but it seems highly likely that their main jobs are being car mechanics by day and robotic expert nerds by night. After all, the city can be hecked with money so I wouldn’t be surprised if they did two jobs at once to keep the lights on. I could also see them doing freelancing to repair or experiment with engineering projects since they take more money than actually makes in most cases.

Overall, money plays a big part with the family, and culminates to what I like to call a Massive Shitfest TM when they get alerted over the girls’ disappearances.

Section Four - Massive Shitfest Boogaloo and Where They Are Now~

In the aftermath of their teleport to Amphibia, I wouldn’t be surprised if the Wus had a big argument over Marcy and what should be done in the aftermath. Really, the family still needs to take that job because of finance, people are blaming each other over who pushed her to the brink, and then you have Marcy’s sister — who was probably out of the loop but probably knows how it was in the household — getting added into the mess of what just happened and adding her grief into the mix.

It is a blunder, terrifying and could break apart a family if I’m being honest. but what comes through is this:

People have now become stubborn in the Wu household, and no one is going to back down.

And what I mean is that Mrs. Wu, devastated by what happened ever since the argument in True Colors, will stay in Los Angeles out of grief and a supposed hope that Marcy would return. While Mr. Wu, determined to keep the finance going and keeping everyone stable and safe, abides by Mrs. Wu and decides to go out of state regardless, bringing back a flow of money to keep the Wu household stable through the aftermath.

It would make sense as to why Marcy’s mom is present in the intro but not any suspecting candidates for the dad.

Or how we see that there’s two older ladies with her in the intro. They might actually be close relatives who moved into the household out of the obligation to comfort Mrs. Wu but to also keep her company throughout this dark time in her life.

After all, when one loses a child, a lot of prior relations start to unravel as the status quo changes, and we are definitely going to see Anne confront the Wus and Waybrights when it comes to upbringing and home life.

But really, it is all up in the air. With Season Three around the corner, I am excited to see what the story has in store for us when it comes to the deep-diving into Marcy’s home life. She might’ve had a nuanced family life. She might’ve had abusive parents, perhaps no sister at all but a lot of relatives who grieved for her.

But with this theory out to the public, thank you all for reading along with this massive beast of a post, and I hope we get to see Marcy out of the aloe vera sauce very soon!

#amphibia #marcy wu #amphibia analysis #amphibia season three #amphibia theory #bork speaks #THIS IS SO FUCKING LONG

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writesailingdreams · 2 years ago

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What are your ideas on Amphibia’s idea of self-love and how it’s tackled?

I’m afraid I don’t have very in-depth thoughts (or more precisely I hadn’t thought about this idea until asked*). But from my few days brewing on it my answer is: I think it’s idea of self-love is something I would have been grateful for when I was Anne’s age and I think it’s tackled pretty well.

As an addendum, I felt only Anne really had an arc defined by discovering self-love. To me, Marcy’s arc was about coming to term with facing unpleasant things, and Sasha’s was recognizing how she wanted to be a better person/grow. I also don’t see any of the Plantars needing to learn self-love. Sprig might come closest but to me, his arc is more about finding a friend, someone who will actually like him/spend time with him, and it’s less him learning to love himself but finding the friend who will love the himself he already is pretty open about expressing/seems to like.

As to what I mean in more specifics (because of course), I’m having a hard time arranging it my head coherently. But essentially: I felt Anne’s arc to self-love was handled very gradually.

She’s starts out (Best Fronds) as very concerned with what her friends will think if she isn’t agreeable to what they say; she has to be likable, she has to be what others want her to be. But then she meets Sprig (and family) and live in Wartwood, where she has to make decisions on her own/withiut her usual friends. Wartwood is disturbed & distrustful but she earns their trust & respect (Toad Tax). Then later there’s Wally’s bit of “you can be whoever you want to be here” advice and her becoming less worried about whether she’s the “town weirdo” (Wally and Anne). Then there’s the whole Reunion bit with Sprig defending her and saying she’s a good person & brave & not going to be pushed around; she’s someone—as she has presented herself in Wartwood—of value and love (at least in the eyes of this pink frog boy. See this is why I get so emotional about these two?)

I’d say there’s less direct instances in S2a (at least nothing immediately jumps to mind), but by the time she’s there she has had some growth. I think this is most evident in her relationship with Marcy. By the end of her stay in Newtopia, she’s opened up to Sprig (and vice versus) (Hopping Mall). She’s learning to express how she feels and be okay with that. So by the time the show gets to Bessie and Microangelo (I love that ep), she’s happy with herself. (Oh, Tritonio helped, less in his ultimate goal reveal but in instilling in Anne an actually desire to work at something and see herself as worthy as be capable of working at something. Oh, and Stumpy’s statement that her parents would proud of what she did feels like it boosted some kind of ‘You’re ideas may be over the top but they come from a good place.”)

Like omg! To 13 yr old me those kinds subtle and but very clear & audial expressions of my value and worth would have been amazing. Maybe it’s okay to just be the weirdo you are. Maybe others *will* like you. Maybe someone will be your friend even if you share your weird and sentimental feelings. Aaaah! (Heck, I’m in my 30s and I’d still love this).

In that sense, to me, Anne’s self-love grew very much from the space where others (frogs) allowed her to be who she was and as she grew more expressive, she became more sure of herself and the more sure she became the more self-love was genuine. Anyway, I think it’s beautiful.

*this ask reminded me that I’ve been wanting to rewatch Amphibia; I have been reminded that I usually dig my teeth into fandom media when it’s complete, One Piece being the nearest thing to an exception and even then (1) it’s a lot easier to analyze Ace than other characters and (2) I usually narrowly focus or broadly react

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popculturebuffet · 3 years ago

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Patreon Membership Drive: Turbo Championship Hyper Fighting Edition!

Hello all you happy people! For those wondering “who the hell is this.” I”m Jake Mattingly. I review animation and comics here on this tumblr 5 times a week, and love doing so. I do so by recapping an episode of an animated show or a volume of a comic piece by piece, how detailed depends on the work and how condensed it needs to be, analyzing the episode and sometimes throwing in some jokes because i’m a silly weirdo and tis my nature.

So far i’ve been able to scrape by with the help of my patreon’s kev and emma, with Kev suplimenting that iwth various comissions (I.e. paying me to review a specific episode of a show much like someone would comissoin). But I don’t want to place my entire finacial future in the hands of two people so last month I lauched my patreon membership, trying to get people to join my patreon to releive some of the pressure on them. And not a person signed on during the first month.

But I realize a large part of that is I simply didn’t advertise propertly, not really explaning what it is I do, what they get, or throwing in any extra incentives for signing up apart from “If so many people pledge to my patreon i’ll do X review” Which is still the main thrust of my campaign but I realized I need MORE than that to give you all proper money for your buck, especailly with Tumblr trying to monteize in the most half assed way possible making people presumibly more wary of spending money on me.

So for this promo i’m going into what it is I review exactly, how to sign up for my patreon and how any of that works, what you get out of it, and various juicy stretch goals i’m hoping ya’ll can help me reach so

WHAT IS IT YOU DO EXACTLY?

As I mentioned above I review animation and comics, more animation than comics. My meat and potatoes are Disney Duck works, primarily the 2017 reboot and the Don Rosa and Carl Barks comics. For the former i’ve done retrospectives on Lena’s arc, the Della storyline from season 2 and ALL the Season 2 storylines, the last one currently in progress. I intend to review the entire series, the lackluster tie in comics, and the this duckburg life podcast, though the last one has some strings attached we’ll get to under my goals. I”ve also been reviewing various Carl Barks first apperances and most importantly doing a complete retrospective on Don Rosa’s masterwork the Life and Times of Scrooge McDuck.

I also review certain shows week to week, almost entirely Disney as aside from the True Colors Debacle they have the most reliable schedule and announce release dates farther in advance than Cartoon Network and Nick which just sorta pop up announce things. I covered all of season 3 of Ducktales and season 2 of amphibia (With season 3 coverage coming in october) and i’m currently reviewing Owl House every week till that hiatus hits.

Finally i’m currently looking at all the Tom Luictor episodes of star vs the forces of evil tracking both Tom’s character arc and the show’s steady decline straight into the dumps.

Comics wise i’m more sporadic but in addition to duck comics stuff, I’ve also been doing a retrospective on the Scott Pilgrim franchise: all 6 volumes of the comic, those reviews avaliable now and in two weeks from this post, just in time for the video game and movie anniversaries to finish things up. I recently started another one for the comic book Transformers: More Than Meets the Eye, I intend to finish one I did for New X-Men, and I have a few in my mind’s eye I want to do soon on John Ostrandre’s Suicide Squad run, Justice League International, and Mega Man that i’m going to do pilots for to see if anyone’s interested.

Finally recently i’ve started doing quick thoughts, quick reviews on recent stuff from trailers to full on movies I don’t have to cover normally.

So What Is Your Patreon?

Patreon is a site where creators can get paid for work and can put up exclusive content and what not. You pledge anywhere from a dollar a month, and become one of my patrons and help me do this blog for a living. I genuinely love writing about media, analyzing it and making weird jokes, and this lets me do that as my job and my passion. I simply don’t want to put finacing that on the backs of only two people.

So What’s In It For Me?

Unlike Tumblr itself I feel my supporters deserve to get the most bang for their buck. As such Patreon Membership starts at JUST ONE DOLLAR. That’s right for a dollar a month, 12 bucks a year so the price of a movie, you get access to my occasoinal exclusive reviews, exclusive poles once I get more than two members so that’s actually sensical to do to vote on reviews, and to pick a theatrical short when i review a bunch of them for character birthdays or holidays or just cause.

In addition to these though i’ve decided to sweeten the pot. ON SIGN UP ANY PATREON OF ANY TIER GETS ONE FREE REVIEW OF ANY SINGLE EPISODE OF TELEVISION OR ISSUE OF A COMIC BOOK. That’s right for just one buck, you get a review of your choice. Whatever you want. You want to force me to watch something you hate so someone else can bitch about it for you? Go on about an episode yo ulove? shine a light on something obscure? Well i’m your man and for ONE BUCK A MONTH, you can get that. Whatever you want put on my schedule as soon as I have room and your payment’s gone through.

And if you want me to review stuff on a more regular basis, five bucks a month gets you a review a month, same permaiters as above along with said free review. I will PERSONALLY make sure there’s a space on the schedule every month for your patreon review and review whatever you want no matter how good, bad or stuppid.

But that’s not ALL.

STRETCH GOALS:

To explain these better than what I did next time: My stretch goals are goals on my patreon: if I hit a certain number of Patreons I will review (Insert Thing Here) And these are meaty projects too: full season reviews, retrospectives and what have you and something’s unlocked with each person who signs up, adjusted from orignally basing it on price. So your dollar a month not only gets you your own review, but also will get my solemn vow to review a bunch of other thigns, and the more people who sign up the more thigns I’ll add to my plate. Not only that but just for this pledge drive i’m adding a bunch of super neat drive exclusvie stretch goals that will VANISH AT THE END OF AUGUST. dosen’t mean I won’t EVER do these reviews, but it does mean i’ll probably sit on them a bit.

TLDR: You singing up gets me to guarantee to review some extra stuff.

SO WHAT ARE THE GOALS.

I”m glad you asked. Each one is based on a person joining, so

REGULAR PATREON GOALS THAT AREN’T GOING TO EXPIRE BUT ARE STILL PRETTY NEAT:

One goal for each new patreon so

1 New Patreon: Starting off light but still juicy, I will review the complete season one of Amphibia across two posts. I’ve already rewatched the season recently, so all someone has to do is sign up and i’ll get on it in septmeber in time for season 3! And that’s not the only show as i’ll also review BOTH seasons of the birdtastic show after my own heart Tuca and Bertie!

2 New Patrons: This one’s a big lighter but you still get some neat things: for my scottaholics in the audience I will review the rest of Brian Lee O’Malley’s works so far: Lost at Sea (his first graphic novel) Seconds (his first post scott work) and Snotgirl (his first ongoing and first work he didn’t draw himself), which follow a girl trying to reclaim her soul/cat, an immature restrauntieur who discovers reality changing muschrooms, and an influencer who might of done a murder. For those who don’t really like Scott Pilgrim i’ll review a buch of paramount plus shows first seasons: Kamp Korral, the rugrats rugboot and iCarly. So if any of that sounds good get on the bus won’t you?

3 New Patrons: My juicest one and one that stands alone: I will review the complete first season of the Owl House across two posts. Every episode, every bit of lumity progressoin, every bit of foreshadowing in hindsight, all for you, all if three people join my patron. So if you want more bisexual magic, step up.

4 New Patrons: Duck Goals Woo-Ooo! This one unlocks a review from Duck Master Carl Barks EVERY MONTH. Not only that I will be taking suggestoins from my patrons , meaning you can help decide which ones I do! And while tha’ts plenty i’m jucing this one up as getting me this far also nets a review of This Duckburg Like, the interquel podcast that’s given us our last ducktales content for what will likely be an eternity.

5 New Patrons: Gravity Falls Retrospective! I”m not only talking both season of Alex Hirsch’s era defining masterpice, but also the side materials I have acess to: the shorts, Journal #3, and the lost legends tie in comic. I”d throw legend of the gnome gemulets in there two if I had a working 2ds or 3ds bu tas it stands this is what I got.

6 New Patrons: Avatarverse Retrospective. No not James Cameron the Bravest Pioneer’s movie he wants to turn into a franchise despite NO ONE wanting this please stop James, we’re begging you. Of course i’m talking about Avatar the Last Airbender, the epic franchise that’s blowing up in size. This will include all three books of Avatar: The Last Airbender, All Four Books of the Legend of Korra, and all the juicy side stuff I can cover: the sequel comics for both series, the kioshi novels and the eye gougingly bad M Night Shamlyn Movie. Yes I really will myself to that. I have not till now i’m happy that way but I will sufer for you. Speaking of suffering:

7 New Patrons: It’s a crapstravaganza! If i’ve made it this far I clearly have enough fan support that I can fly into the eye of the crapstorm so i’m going to review some of the worst things I can think of: * Chuck Austen’s X-Men the run that dared to ask the tough questions your coke addleed uncle you don’t let see your kids would like “What if Angel could cure AIDS with his blood and had sex with a minor while her parents watched?” “What if a rouge relgious sect tried to make Nightcrawler pope and then desingrate people with commuiion wafers in a scheme that makes no sense?” and “What if an x-man made a plant horny?” * America: The comic that has the infamous and oft used by me line to compare it to other bad lines “What in the holy menstration are you doing here”. And it’s still not the most bonkers thing int his somehow 12 ISSUE SERIES tha twastes one of marvels best creations. * The Prince: Aka that series HBO what farted out onto the service with no intention of renewal after realizing “Holy shit we greenlit this what is wrong with us” which is basically family guy but with the royal family. I’d say it was a somehow worse family guy but Famiily Guy once had an episode that was about 22 minutes of transphobic punchlines so as long as there isn’t an episode of that your good. * Mordecai is a Bastard Man: Aka that arc of Regular Show that took a ship I really liked, Mordecai and CJ, and then destoryed it with cheating, attempted murder and saxophone. *Star Vs Final Arc: Aka a look at how a once great show descended into a mess with unfinished plot lines, wasted characters and a finale so terrible it’s only topped by “Kids this is the story of how I really want you to say it’s okay to bang aunt robin” 8 New Patrons: Infinity Train, all four books and any finale movie if it happens. (Please let it happen) All aboard! 9 New Patrons: Two juicy disney retrospectives! The Incredibles (both movies and both comics series) and Darkwing Duck (Both the Boom! and Joe Books runs) Let’s get incredibly dangerous! 10 New Patrons: My highest tier for now and i’ts anothe rdouble feature and two big projects. If you get me this far, you’ve earned em: A She Ra and the Pricesses of Power Retrospective and a Bojack Horseman retrospective. The two greatest things Netflix has made back to back for life.

And THAT’S NOT ALL... as I said I have some special stretch goals JUST FOR THIS PLEDGE DRIVE.

SPECIAL DRIVE SPECIFIC GOALS BABY!:

These are a simple five extra projects for hitting the goals within the rest of the drive FROM AUGUST 1ST TO AUGUST 31ST. I will not add these to the regular goals for a full year if you do not reach them, so one buck helps you unlock projects that otherwise might not happen for YEARS. Like the other goals their measured by patrons but ONLY for this month sooooo

1 New Patron: Quack Pack series review! the most hated Disney Afternoon show in one big two part review. God help me. 2 New Patrons: Rise of the TMNT Retrospective: Both seasons, a movie and regular coverage on the offchance a third season hopefully gets greenlit. 3 New Patrons: Peanuts and Garfield Specials retrospective!: Retrospectives for the technicolor years long world of Peanuts specials and the shorte rlived but still neat garfield specails. All the specials plus all the animated movies for both! 4 New Patrons: Craig of the Creek-AThon: Rewatching season one and watching BOTH seasons i’ve missed since then with full reviews as well as reviews of each bomb of episodes as their released on teh app from here on out! 5 New Patrons: Steven Universe Retrospective! All 5 seasons, The Movie, Future, the comics, graphic novels and games. EVERY. THING.

So if ANY of this sounds enticing

STOP BY MY PATREON RIGHT HERE IN THIS LINK, SIGN UP TODAY, HELP ME GET PAID DOING WHAT I LOVE AND GET REVIEWS FOR EVERYBODY. YOU WON’T REGRET IT AND YOU’LL BE MAKING MY LIFE BETTER.

And even if you can’t support it feedback on the goals, reblogs to get the word out and general words of encouragment are appricated so join me as I try to get at least one extra dollar a month in the span of this month. PITTER PATTER, let’s get at er!

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kfae · 2 years ago

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Hi, there! For the fic writer questions, 1, 17, 31, and/or 37, please? I absolutely adore your fics and I hope you're having a wonderful day! 💜💜💜

ahhh hi hello tysm!!!

1. What fic of yours would you recommend to someone who had never read any of your work? (In other words, what do you think is the best introduction to your fics?)

if i had to chose it would absolutely be together, alone. to this day it’s probably one of my favorite fics i’ve written, and was one of the easiest to write tbh. also, immortal jellyfish are just!!! so freaking cool!! and i wish more people knew about them

17. What highly specific AU do you want to read or write even though you might be the only person to appreciate it?

i think i may have mentioned it on here once or twice before but,,,, h20: just add water amphibia au. one of my cosplay friends convinced me to rewatch the series while i was in my peak amphibia obsession so now there’s just this random doc buried amongst my wips with this whole mermaid/calamity box/mako island plot line planned out. anne is cleo, marcy is emma, sasha is rikki/charlotte,,,, very self indulgent and hyper-specific to my own interests fjdjfjsjfj

31. What’s your ideal fic length to write?

i have this problem where i start writing longer fics and lose interest at around 30/40k words, so right now i try to limit myself to just writing longer one-shots since they’re a bit more feasible for me. usually they end up being around 10k words, sometimes more/sometimes less. most of them end up being anywhere around 5k-15k if i’m including anonymous/deleted fics

37. Promote one of your own “deep cut” fics (an underrated one, or one that never got as much traction as you think it deserves!). What do you like about it?

it’s not exactly one of my favorites, but one last time, please is a fic that i wish had done a bit better. it’s super short and was written for yulivia, which is already a much less popular pairing, so it was pretty much doomed from the start. i’m honestly surprised that i haven’t seen anyone else writing about what may have happened immediately post-olivia & yunan, and what may have led to them becoming canon in the final episodes despite not having much screen time together, especially in-between marcy’s possession and their own possessions. it was my first attempt at writing the pairing, so it’s probably a bit awkward in that regard, but i overall really liked how it turned out

ask game

#ask

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popculturebuffet · 4 years ago

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Ducktales Della Arc Reviews: The Great Dime Chase!

Welcome back all you happy people, to my look at the series first arc! I covered the pilot last week and this week i’m going full speed ahead with two more review for this arc, one more for the Lena arc all leading up to BOTH finsihing up next week for DUCK WEEK, my huge celebration of the final episode of Ducktales 2017. So with all that in mind when we last left off the kids moved in, webby gained friends, Donald and Scrooge made the first steps to patching up.. and Dewey found out his mom was also invovled with their adventures setting this arc off.

This is also where the airing order reshuffling started as this episode was pushed up by two replacing impossible summit as the third episode... and where said order reshuffling for both this arc and the Lena arc really bit Disney in the ass by giving fans the wrong idea about the series pacing. See the original idea was to have a few episodes as a buffer, since this arc itself is only about 5 episodes long, so the pacing would be more spread out and fans while likely getting impatient for the della mystery to be resolved, would expect it to take about that long after a while. The same was clearly planned for the Lena arc.

The problem is Disney didn’t give one shit about proper airing order, story pacing or any of that at the time despite their most popular show at said time having the same pacing structure and having been aired in the right order. So as a result and as most of you already know, season 1′s structure was a mess: The globetrotting adventure episodes were off ballance with ones set in Duckburg itself, Scrooge sometimes felt like a supporitng character in the first half due to his two focus episodes being crunched to the back for holidays... it was bad. And it was worst here as by having both the Della and Lena arcs progress pretty quickly in the first 6.. it was thus jarring and grating that there was zero progress for either in the rest of the first half, and they had to move the spear of selene up a few episodes when they came back just to make up for it.. which still messed with pacing as that arc wouldn’t be picked up until the final three episodes solving nothing. This made fans blame the creators for sloppy pacing and for taking too long to get to the Della thing when they’d done nothing wrong and HAD staggered it out. It wasn’t till Frank later revealed the order was a bit bungled we got the message and until a few months into the series being on Disney Plus we got a proper order for the series. And again, the arc has pacing issues we’ll get to without this.. but they were made so much work by Disney blatantly disrespecting and ingoring their creative team.

I will give credit where it’s due though: Disney learned from it. While Season 2 had a few episodes shuffled around, this time it was due to trying out that binge airing strategy they were doing to get shows on Disney Plus faster, airing DuckBombs (Woo-Ooo!) frequently, so they wanted the airing to flow properly with that without screwing up the flow fo the season more than they absolutely had to. They were being careful and delberate this time not to make the same mistake and with season 3, they simply havent’ shuffled the airing order at all> The only two episodes aired out of order were holiday episodes purposefully made to air at the right time and detached from the season as a whole. This stretches to other shows too: Amphibia is two seasons in and Owl House got through it’s whole season with at worst minimal changes to the airing lineup and the arcs all being properly spaced and aired as intended. I give Disney a lot of shit, rightfully so, but I will give them all the credit when they learn from their mistakes and they REALLY did here, learning to trust their creators to know when to actually make an episode and simply having them set aside holiday episodes if they want one.

Otherwise not a lot of lead in for this one: It introduces a bunch of the supporting cast, reintroduces the board in full, and in general is a pretty good episode. Find out why under the cut.

We open with the introduction of the shows go to Show Within a Show Ottoman Empire. And what I’d forgotten was Louie wasn’t always into it but there’s a subtle arc to it: he gets into it, slowly obesses over it, by the end of the season he’s got his brothers into it, it’s not a huge thing but it’s a little detail I can’t help but enjoy a hell of a lot. But him not liking it is part of a larger problem Scrooge has picked up on: Louie’s laziness has reached godlike new levels: he’s opened about 7 cans of PEP! and only taken a sip from each, won’t change the channel because the remote, which is right next to him and would only take him hopping slightly to the left to get to it or incnching over a bit is “too far”. Scrooge finally blows up at the sight when Louie tosses his phone away for not being charged and assumes he can get another one because “We’re rich”. Scrooge corrects him “I”m rich!” and then drags him off by the hoodie with him to the office so he’ll learn the value of a hard day’s work. And really.. the scene is a good showcase for Scrooge: Louie is acting like the embodiment of all deadbeats and Scrooge is still VERY patient with the boy until it’s very clear he needs a wakeup call. Given Scrooge has a temper on the best of occasions it really shows he’s trying with the boys, and only really snapped when it was clear Louie NEEDED someone to snap at him and snap him out of his bullshit.

Meanwhile Dewey sneaks into Webby’s room to read her secret file on the McDuck family only to LITERALLY be caught red handed as she put glitter on her outside.. because it looks pretty. And as a security measure. Given she lives with a trained spy who likely has riffled through her stuff at least once, or would at least solely try to check her files just to make sure their secure, and lives in a place that gets broken into or nearly blown up, both by Glomgold, on a regular basis, i’d expect no less. But she also points out the obvious once he explains he’s looking for information on his family: He could’ve just asked. As we saw back in Woo-ooo! like yours truly webby will gladly go on about things she’s obsessed about at the drop of a hat and has likely been dying for someone to share her vast conspiracy board with. As for why he didn’t do the obvious, keep in mind he doesn’t know Webby well this point, so he dosen’t know what questions he asked might set her off and also doesn’t know WHY his uncles don’t talk about her, so he’s being cautious and it’s a nice foreshadowing for his secret keeping throughout the arc.. and how it’s an inherently dumb and selfish idea that only slows down his investigation.

So naturally given the sequel hook at the end of the pilot, he asks about Della. And after drawing the curtains and making sure Scrooge isn’t around to listen Webby asks what HE knows. Naturally given this is a whole story arc he only knows what she looks like from an old photo of her dunking donald’s head in his birthday cake, and Webby.. knows even less. No one talks about Della and the last time anyone did, a mailmain brought some junk mail with her name on it, Scrooge bought out the post office and they never saw that mail man again. Webby naturally thinks Scrooge murdered him... and while I don’t think he went THAT far, I pity that poor shcmoe and whatever ice floe he’s been banished to. And not a small villiage in the arctic mind you like an actual ice floe scrooge left him on with a lifetimes suply of beans.

This also admittedly answers a question i’ve been griping about for some time that turns out had a logical answer: I thought he’d somehow wiped her out from public record and the internet and then magically put her back. I was wrong and simply hadn’t rewatched this episode and connected the dots. He likely didn’t do.. any of that, but the triplets likely never thought to internet search her with Donald because as far as they knew Donald was an average person, and thus their mom would be too and looking her up wouldn’t tell her anything about them. It still leaves the plot hole of how they knew about Scrooge and not the Della search, I have no answer for that one, but hey sometimes these things happen and it’s a good enough show I can ignore it. Point is they had no reason to research her before then and Donald likely went out of his way to hide anything about her when they visited places. Likewise Scrooge was likely so miserable and consumed with his search, and once that was called off his failure, he likely pulled every archive and artifact for his own personal collection to pour over them in sadness and loss and simply put most of it back into the public once the boys helped him heal by the end of the season and the truth was out there. Likewise while the internet info was likely there after this episode too Dewey, as foolish as he can be, likely wasn’t stupid enough to look up his mom’s name on his uncle’s wifi. While Scrooge likely isn’t tech savy, given how paranoid he is and how much of a sore spot this is, it’s not a stretch to have him ask gyro to monitor his wifi for certain key words. So yeah i’ll admit when I was wrong and there was a logical explanation, if still with some holes, all along.

Anyways Webby has one place she hasnt’ been able to get into that might have the answers: Scrooge’s Personal Archives. And as it turns out, both parties are heading to the bin: Scrooge since, much like the comics, that’s where his office is, and Webby and Dewey for the same reason The bin being Scrooge’s buisness center, where his office is where he has meetings where a lot of his emoployees are is very accurate to the comics, as while the layout was never entirely consient apart from “Scrooge’s office is the only way in and out of the bin itself” and said office having a very consistent and iconic look that the series didn’t change. But as we’ll see they added two extra parts to it that in the comics scrooge would Balk at the expense of but this scrooge, whiel still probably not happy about the extra money, knows are vitally necessary.

Speaking of which the plot splits in two pretty cleanly once we actually get to the bin: Scrooge has no real issue with the kids going to the archives and no glimmer of their real intention, so the plots don't’ meet up again outside of when Louie’s literally crashes into Dewey and Webby’s for a second. There’s some thematic connections, cutaways and an intercut montage, but nothing outside of that. So as is tradition for me i’m covering them seperatly and since it’s both the reason why i’m covering this episode and our B-Plot, let’s start with the archives Webby and Dewey in The Mad Archivist of Scrooge McDuck!

Webby and Dewey head to the archive where we meet Quackfaster. In the comics she’s scrooges long suffering secretary, emphasis on suffering. He barely pays her, takes expenses out of her paycheck and she generally seems once minute away from a nervous breakdown at any given time. What i’m saying is the character and the “gag” have not aged well in any way shape or form so instead here she was revamped. Frank and Matt leaned on Scrooge’s love for adventure more than his greed at first, and had his thrill-seeking be his vice more. It does make sense as greed isn’t nearly as good as it was to people in the 40′s and especially the 80′s, but they eventually clearly realized they made it a bit too subtle, as it’s still an iconic part of the character and played it up a bit more in seasons 2 and 3, to the point two of his worst moments in backstory, both revealed in season 3, come from his greed. They found a nice ballance and I do think having his adventuring also be a vice was a nice change of pace. As such, they came up with the idea that he’d hire people who like him are exceptionally talented but also a bit reckless and unhinged. The kind of people most employers would unfairly shut the door on but Scrooge sees their true talent and worth and treats them with the respect they deserve. People who in most other works would be super villains, but here are kept from that by being given honest jobs for their talents and a boss who has no intention of ripping them off or undermining them. IT’s a great concept and I wish we’d saw more than two people hired with that in mind, but the two we got are great.

So with all this Quackfaster was reinvented with this idea in mind to someone entirely different but infinitely more entertaining: She’s now a ham of the highest order, not literally, and slightly unballanced. She also refuses to help Dewey until he completes some challenges for her, sorting out a code in the dewey decimel system

And in sorting the books to get to know the archives. Webby is all for it naturally as this is a dream for her: she’s likely tried to access the place for years and couldn’t as a non-relative, something Scrooge hopefully relaxes in the future, so a giant pile of books about adventuring, Scrooge (including an apparently 7 volumes on his favorite smells one of which Webby gives a happy “I knew it” upon finding out it was fresh baked cookies), and places he’s been, including a sly nod to Plain Awful. This is a hallmark of the show making smaller nods to the past incarnations without going into them or doing those adventures again and while I was at first disappointed those tales already happened in some form, I now get they simply wanted to tell NEW ONES, and were a big as fan of the olds ones as most of you reading this and myself. Though between you and me I was never a big fan of the square eggs story. Good idea just a weird and not all that funny execution.

Dewey however has the patience of a coked up ferret who also took some shrooms and being Dewey tries simply demanding she tell him. Naturally yelling at the weird hammy lady intrusted to guard the private library of someone whose a certified badass.. is not a smart or correct move and Quackfaster decides if they can’t respect the archives they’ll become PART OF THE ARCHIVES and pulls out a crescent shaped sword to apparently murder them.

So a chase ensues with the two trying to simply throw books at her, escape her and only narrowly doing so for a minute when Louie pops up being chased by a giant robot made by a smaller robot using a giant change machine. I love this show.

Eventually their backed into a corner while Dewey defiantly demands info on his mom. And his impatience and anger is understandable: this is the first time in his ten or so year old life he’s had ANY chance of learning anything on her.. and he’s having to do various fetch quests. While he could use some tact, may not get him stabbed so much, his viewpoint is understandable.

Thankfully it turns out Quackfaster was just doing a Mr.Miaygi and secretly testing them, having chased them to the book Dewey wanted, and said code she had them find earlier is the login for the vault. Granted it also has them put away some books (”How much of this is us just doing your job for you?” “About fiffttty perceeennnt”), but she works for scrooge. While he thankfully pays her a living wage here he still can’t be paying her much. Still they find their way to a secret vault and Dewey gets stabbed a bit to verify he is a mcduck.. and let into Scrooge’s secret room, full of treasures Della likely gathered. As I said, he DID put them aside somewhere, and likely just wanted them to cry over and donald didn’t fight it since the last thing he wanted was the boys learning their legacy. D

The telling part here though, despite accusations later.. is that Dewey’s first instinct upon finding this is to tell his brothers. Keep in mind Dewey’s all consuming need for attention and validiation, all of which he could possibly get and only have to share with Webby. He has every selfish reason for not telling them.. but he wants to. He knows they deserve to learn to. The only wrinkle is webby finding a note saying “Scrooge i’m taking the spear of selene, i’m sorry”. He decides to hide it for their sake right then and there. But while part of this as we’ll get into later in the week is him simply being afraid of what he’ll find personally.. it’s fair to NOT want to tell them. To try and protect them from the horrible truth whatever it may be. He has no way of knowing the betryal was nonexistant here and neither did we. It’s not the right course of action, awful truth or no they deserved to know too and both would say as much later, she’s their mom: good person or bad they know.. but like his uncles he’s not hiding this out of malice but because the truth might genuinely hurt them.. and as we’ll learn.. it will.. oh boy will it ever. But more on that next week and more on the arc itself later this week. What about the rest of the episode?

Louie in The Great Dime Chase! and Scrooge in The Boardroom Full of Heartless Assholes!

Winding back a few hours, Scrooge drags Louie up to his office, where the boy is genuinely impressed.. before naturally trying to take a swim in the money while Scrooge tries to tell him about his number one dime. Scrooge stops him before head injury occurs explaining that yes, even the money thing requires proper training: Louie would’ve just cracked his skull open and this would’ve either gotten really dark really fast or turned into a horrifying and hilarious child death version of weekend at bernies. It’s what Louie would’ve wanted. Scrooge can do it because he’s built up the muscle and resistance over time, strong enough and skilled enough to travel through the solid metal and dive into it. It’s a nice nod to life and times: While Scrooge didn’t necesarily train to swim in money, he bathed in it at first and when he needed to during an adventure discovered he could swim through it going from one barrel of his cash to another. So tweaking that slightly to an earned skill, and one Louie will have leanred by the end of the season, was a billiant move..and a way of silencing all those head injury jokes.

But their soon interrupted by the board, who Scrooge dosen’t recall having a meeting with and likely pull this kind of shit all the time when they can get Scrooge. It makes even more sense after the Della reveal, as he likely has to be forced into dealing with the men who, while as far as he knew were trying to help him, still pulled him away from Della.. and in one case, had a shit eating grin about it. Seriously Bradford you smirked evilly about your nemesis not being able to rescue his daughter how do you NOT get that your the bad guy?

The meeting ends up being boring with Louie asleep and Scrooge almost there, as let’s face it most board meetings probably are, until Gyro barges in! It’s our first apperance of 2017 Gyro and a lot of people were upset by how much more of an ass he was. Me, while I like the kind and gentle original, like the more mad sciency version here and feel Jim Rash did a good job with it, and I only really hate it when he’s around Fenton, and the show eventually addressed how fucked up that was in Season 3 after downplaying it in Season 2 by having them barely interact and have Gyro genuienly show some pride. Otherwise I like my insane prideful version even if I get why some don’t like it as it is nothing like the comics, but as we see with Donald not being a lot like the comics version isn’t a bad thing.

IT’s one hell of a character establishing moment, as he barges in, is rude to everyone and has to read cue cards to properly intro his latest invention Little Bulb, Gyro’s most iconic invention whose made here to help people not do work. The Board is skeptical though as most of Gyro’s inventions have turned evil, a nice nod to the fact that most of Gyro’s robots in the original series, who are in fact on a list of previous inventions.. turned evil and tried to kill people. IT also shows his warmer side as he insists they aren’t evil just misunderstood, or at least half were anyway, and tries to cover for Little Bulb shaking his fist at them and doing a throat slitting gesture... which while Bradford plays dumb about what that means.. he’s worked in organized Villainy for at least 55 years. He knows what that gesture means. It’s Heron’s favorite. And even if he didn’t he’s also worked with Scrooge for around 30. It’s also Scrooge’s favorite. So it’s rejected though Scrooge encourages Gyro who vows they’ll understand one day and they’ll all pay. Really should save that for outside.

Scrooge vouches for the board to Louie who questions such a slam dunk, pointing out he trusts their judgment.. mostly because he dosen’t know they’ve been embezzling from him to fund an evil spy orginzation the whole time but still, he usually trusts them. He would’ve found a way to fire them if he didn’t on the Della thing. But sometimes they overstep and they undermine that statment by suggesting cuts to the Bin’s budget, starting with Magical defenses “Do you know how many curses I have on my head?”. And props to the creators as they apparnetly had the whole Bombie idea in mind this far back, and as Bradford later shows towards the end of next season when he lures Louie into cutting it, he KNOWS where that money goes. He just was trying to feign ignorance to get Scrooge killed if he could. Clever bastard.

So Louie goes to get a drink, and naturally scrooge’s drink machine in his office not only charges but requires an extra ten cents. Louie assumes the dime in his office is an emergency Dime only to walk in on Scrooge giving the full story. As you all likely know, it’s his number one dime, with the origin taken straight from life and times: He was a poor shoe shine, and he worked hard to clean off a ditchdigger’s muddy boots, working himself to the bone.. only to get an American dime which inspired him both to work harder and smarter than anyone and to go to America to seek his fourtune. There’s some extra steps in the original material, and another bit that the show would also adapt later that we’ll get to next week, but point is it’s his symbol of all his hard work.. that Louie just sent into the vending machine. So said great chase insures as Louie follows the dime, as it’s emptied from the vending machine.. by a gull janitor we only see this season. And he’s a really likeable guy I wish we’d learned more. He then faces his and Charles Xavier’s greatest enemy THE STAIRS. There’s a runner about Louie having to constnatly run up and down the massive amount of stairs the bin has as someone else takes the elevator and by the climax it’s been taken out entirely. It’s pretty great. So Louie’s seemingly screwed and instead looks up how to pick a lock on YouTube.. no really. That’s what he does. Frank outright mentioned this in an interview, pointing out they wanted the kids to act like a kid would.. and props to him that’s what a kid would do. Hell that’s what I would do if I were locked out of a place and time was of the essence. Either that or look up a step by step instruction on google. He then runs into Gyro though, and gets the idea to use LIttle Bulb, convinces Gyro he has money and would like to invest and just needs to borrow the little guy and Gyro is happy to agree to it.

Naturally though, Louie’s laziness and a volatile machine who only likes one people just like his daddy, do not mix and Louie leaves sorting the coins to it while he watches Ottoman Empire, actually getting really sucked into it. IN fairness he did start with the Glomgold episode. Little Bulb meanwhile shows just how awesome he is by turning himself into a giant coni sorting mech by rewiring and reconfiguring the coin sorter.. and naturally given who made hi going mad with power. So while he did get the dime out.. he’s not horrifyingly obessed with chasing it and the real great dime chase begins.

Back at the meeting Scrooge continues to debate the Buzzards who now want to cut staff, both of whom Scrooge rightfully defends. While Gyro is a bit unhinged, his inventions have likely made the company millions and saved them billions, and while Quackfaster is the same as we just saw, there’s a method to her madness and her laziness. And given Quackfaster works two additional jobs to afford a nice retirement, it’s clear that while he pays them decently he’s likely still not paying them gobs. With the power of hindsight i’ts very clear Bradford just wants to try if he can to eliminate two sources of chaos and backup for Scrooge and when Scrooge sarcastically suggests just getting rid of the bin, Bradford goes with it with a shit eating grin, but it’s very clear by that and Scrooge’s frustration this is a non starter, and Bradford’s likely doing it just because he frankly knows it’ll piss Scrooge off.

So Louie runs for it working harder than he has in his whole life, with Gyro eventually trying to talk little bulb down, to no avail.. though we do get a nice moment of it registering him as father. Awwww. So the chase naturally eventually leads to the bin and Louie stuck in it, slowly swimming across, until Gyro gets to LIl Bulb, and realizes he’s in the wrong time of wattage and has literally gone mad with power and puts him back in his tiny old body fixing the problem. Gyro also crashed in with the bulb mech earlier, and while it disproves Scrooge’s point he’s stable.. he simply rolls with it and points out his staff is dangerously insane, and would likely swear vengeance on the Board if they were fired. And while he dosen’t say this part of it directly given Scrooge treats BOTH Quackfaster and Gyro exceptionally well, he knows they’ll know EXACTLY whose idea it was.. probably even tell them. So the board agrees to keep things as is to not die horribly as supervillains or not they have limits.

So the day is one, Louie finds the dime, replaces it and passes out with Scrooge none the wiser. it also turns out the Dime isn’t even the real deal, to Louie’s frustration. But Scrooge is proud he clearly worked hard, and gives him the fake dime as his own number one dime, a nice setup for their bond and a nice showing that Louie really has the potential to be as rich as his uncle one day, and it’s clear by this setup there was a lot of potential here for an arc.. which is why we got one. More on that some other time. Louie accidently spends it while Gyro ends realizing if he put himself int he robot it wouldn’t go mad with power.. and thus Project Blatherskite is born. And we all know where this is going.

Final Thoughts: All in all a decent episode. It has great pacing, some excellent world building, and some really good gags. While the series would do better episodes as it went, for an early episode helping set things up including Louie’s charcter arc, Gyro, Gizmoduck and the board as proper characters, it’s still very good and one of the series early standouts.

Next Time on Della: Donald is forced to confront his adventuring past when he runs into his old sorta friend THE INCREDIBLE STORKULES, Scrooge is forced into games of the gods by their resident Douchebag Zeus, and Dewey is forced to confront his own fear of whatever it is his mom did. Confront this review later this week.

Next Time on This Blog: It’s Lena’s Dark Night of the Soul as she and Webby head into “The Other Bin of Scrooge McDuck!”

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