#I see this characterisation all the time and it is not my thing!

[umbrellalavender]

[floorpancakes]

smth kinda fucked up about watching doumeki go from whole assedly making life or death decisions for watanuki as a desperate but firm love language every other tuesday to fucking sitting in quiet anguish with a pained look on his face with his eyebrows fucking tweaking out, still able to make life or death protective decisions sometimes but being fucking paralysed with indecision most times that don't involve immediate physical actions to the point it's clearly ripping his head and heart in two even if he still retains that refusal to give up

[pynkhues]

So I know you’ve discussed this a little before and not sure if you’ve seen this (or care that much lol) but recently Jesse Armstrong confirmed that Logan treated all the boys the same when it comes to physical abuse. Link here to the clip if interested [just remove the parentheses https://twitter(.)com/princekendalll/status/1696683862976336042?s=20]. This aligns with my own read of the show too which is nice but if you listen to the clip Jesse further clarifies that the reason it (the physical abuse) stays with Roman in the present is because he feels like a victim or like he was bullied whereas Kendall and Connor have found a way to like…slot this into their worldview, I guess. I found this interesting because I tend to read Roman as having something of a victim complex but I also think this brings up a few other interesting ideas I’d love to hear your views on if interested.

If we think of Roman as understanding himself to be a victim or bullied within the family unit, do you think Roman is aware that his brothers have had similar experiences with Logan’s physical abuse, or does he think of himself that way because he think’s he’s had a unique experience? Further, how do you think Connor and Kendall were able to move past it. I tend to read Kendall as just…not thinking he was abused. But Connor’s the one that I find kind of fascinating in this context because his past is kind of a black box – narratively we have no one to give us little nuggets of his childhood the way the Trio are able to recount childhood stories of each other to shed light for the audience.

Thank you so much for sending that, anon! I hadn't seen it / heard it, and as someone who's always felt Logan was physical with all of the kids, but especially the boys, it's pretty vindicating.

Which is - - y'know, a weird thing to say about a topic like this ,I guess, but it's always nice to think your read of something is what was intended.

I'm pretty fascinated by victim complexes in general. This is a bit of a personal aside, but I'm really close with my uncle, who's my mum's baby brother, and he's bright and funny and has lived such an interesting life, but he's definitely got a victim complex. For him, he knows it, and he's trying to work through it, and it probably comes from a not dissimilar place to Roman now that I think about it - my uncle never felt like he was enough of a man to his father, and when his father died when he was just 17, he joined the army reserves to 'prove' himself, which went.

Not Well.

That kind of snowballed into a very complex relationship with his own masculinity, especially as my uncle was pretty heavily engaged in counter culture and queer and punk scenes in his twenties after being in the reserves only to get into rural journalism which - - y'know. Certainly didn't help his sense of being targeted and bullied, particularly as the organisational culture in rural newspapers as he was coming up were aggressive to say the least.

My point though is that his sense of victimisation is really tied pretty deeply to his sense of not feeling like enough of a man, which was a sentiment established by his father, reinforced by the army and further abused in male-dominated rural towns that he was reporting in.

While Roman, of course, doesn't have the latter, it's an interesting thing to think about in the sense of the first two with Roman clearly feeling his masculinity under threat by his father, and there is an argument to be made about that being reinforced by St. Andrews, but funnily enough, I kind of feel the opposite about that particular point.

Probably because I disagree with St. Andrews being a military school at all.

So let's talk about St. Andrew's

It's pretty widely accepted, I think, that when the show named St. Andrew's they were referring to the St. Andrew's-Sewanee School in Tennessee, in no small part because there were no other St. Andrew's it feels like it could've been. This is a wealthy school (in fact their school fees, with boarding, are almost exactly the same as Buckley without boarding where Kendall canonically went), and the show's attention to details like this feels too deliberate.

And I think it works in no small part because St. Andrew's had stopped being a military school in 1971, about a decade before Roman could've been born (in my timeline I will one day post, haha, probably when nobody will even want it, I think we can pretty cleanly put Kendall as being born in 1979/1980, so Roman at the earliest would be born in '81). It was also during the 1970s, long before Roman would've gone, that St. Andrew's became co-ed.

Of course, this is an area ripe for speculation, but I think it rings true of the show for the kids to treat St Andrew's like it was a military school when that was a fragment of a past (and not even technically a part of St. Andrew's past - it had merged with the Sewanee School, which was the military school). What St. Andrew's became was not the school that Roman actually went to, but a symbol of this sense of being victimised and ostracised. Cast out, in a punishing system, which - - looking at this particular school, while bougie is also co-ed, outdoorsy, freer than Buckley, but that doesn't matter.

Roman's not fixated on the conditions of it, he's fixated on the othering of it. He sees Kendall and presumably Shiv too going to school near Logan (although I doubt Logan was there all that much) in Manhattan, while he's out in the midwest. I kinda think you could argue he played up the military history of the school to perform a strength and masculinity for his brothers and sister he felt he lacked, which could also be a part of why the narrative stuck.

But yes, that's not your question, haha.

Do I think he's aware that his brothers have experienced similar abuse? Yeah, actually, but I think it probably has its ebbs and flows and takes on different meanings depending on the moment or the circumstances, right?

An Aside

So my best friend's grandmother's was in an extremely violent and abusive marriage (I promise this is relevant), and every now and then, he would hit their two daughters too. He died young and unexpectedly, when the girls were still teenagers, a blessing to everyone, but the elder of the two girls - my bf's aunt - has developed a very complex and sometimes hostile relationship with her sister and their mother.

She feels their mother should've protected them better, that she should've left their father years before he died, and she deeply resents her sister for forgiving their mother so easily.

That's warped over the years - both daughters are in their 50s now, their mother close to 80, they're genuinely all pretty close - but it's gotten to the point where the elder daughter feels she was The Most Abused.

I know them all pretty well - me and my bf have known each other for almost 16 years - I've vacationed with them, gotten drunk with them, been involved in multiple weddings, not just my bf's but other members of her family's too.

One night, I was chatting to her mum after she and her sister had had a fight at a party - my best friend and her brothers had gone inside looking after their grandmother - and she just said her sister couldn't move past it. That they all knew what their mother experienced was unimaginable, that he hit them every now and then, but what he did to their mother was so much worse, and that she just didn't see what the point was with holding onto any of that pain when they can just push forwards.

More than that, when you can move on.

My bf's mum became a neonatal nurse, and she thinks she can see it sometimes. Men like her father, absent usually from delivery and controlling or too physical in the ward after, and she feels it too. The way she can throw lifelines to women who are ready for them, or just let women who aren't know where the lighthouses are. It's not a perfect system, but she loves her job, and this part of it - - I think she finds it healing too.

My bf's aunt was a receptionist to a guy who works high up in a bank, and she married him.

She hasn't worked since they had kids 25 years ago.

But back to your question

I think one of the interesting things about the show is that it's showed Roman as typically fairly directionless. He's out of the company at the start of the series, and doesn't seem to have any other thing he's driving towards. Shiv has politics, Kendall has the company, but even Connor has Austerlitz and his water planning before he jumps on his presidential campaign.

I do think a lack of purpose probably can become a bit of a feedback loop psychologically which has caused him to stew in resentment and has probably rationalised his abuse as 'worse', because if it wasn't, then why's he the fuck up? Even just of the Golden Trio.

Probably helped by - as you mention - Kendall's unwillingness to acknowledge it, and the fact that none of them take Connor seriously.

With Kendall and Connor - - yeah, I think Kendall is, in many ways, a caged animal constantly trying to claw his way out of his own head. I think he distracts himself with projects, or people, or drugs, and leans into the whatever, it happened, hey, but right now... of his own circumstances. He knows what happened to him, but he can never talk about it, not to a friend at a funeral or to his own father on his death bed. Kendall's stutter exists I think in his own thinking too, a record scratch that lets him start the song where he has to instead of where he wants or needs to.

He's not quite disassociated, but he's not quite connected either.

And with Connor - - gosh.

I mean, it's interesting to talk about him in this sort of context, because as you said, his history is so much more of a black box. I do think him having a period of absence from Logan plays into his acceptance of it. More and more, I tend to think that the three years he talks about in 3.09 was before Kendall was born, and so I think he's stepping back into formal 'Roy' life at 15 with a lot of complexity that shapes his experience very differently.

Not only is there that tangible anxiety of being rejected again if you don't fall in line, but there's also these new and complicated feelings of being replaced / in competition with a new child (always fascinated that Connor so rarely expresses that in the series, but whenever he does it's with Kendall), but also I think naturally feeling immediately doting and protective of this scrap of family offered to you after a period without.

I think in that context that Connor probably long ago reconciled himself with the fact that if he wanted his father in his life, that was what it was going to be like, and that he was prepared to be the failure if it kept him out of the bloodsport between their father and his siblings. I think he does occasionally wish for a higher position, and wonder what it could've been if Dad had ever thought of him in that context, but I also think he, at some point, made the choice that none of the rest of them have been able to make, which is that he can always go home.

[transgendercastiel]

it’s so hard out here as an abedison disliker

[saifahname]

Just wait till I write a call me by your name inspired fanfic that's actually a romance

[arolesbianism]

If I ever do get properly into dst character modding I like have to make an oni character mod at some point, but the issue is Id want it to be an Olivia mod so bad but also Nails is as far as I'm aware the only legal character name wise and as such it feels like it has to be them, y'know for the bit. But also I have already written too much Olivia dst dialogue and I need an excuse to use it damnit

[castelled-away]

@adhd-merlin i had some thoughts & just word-vomited everything into the tags (& I know you like Gwen so)

otp meme | [3/7] quotes

[microwaving-tesilid-argente]

thinking about hestio/ephael and the "if we had a decent tank or healer, i wouldnt even have to talk to him" "does that mean you'll keep hanging out with me? :D" "oh, forget it". the "hey. take your arm off my head. take it off?" i love ephael being annoying to hestio without a care in the world + hestio telling him off + hestio is still always seen by his side + they're still stuck together like a set pair after 10+ years

[sttoru]

‘the king of curses doesn’t like sharing. especially not when it comes to his partner.’

☀︎｜tags. heian era!sukuna x female reader. sfw/fluff ? ig. set in the heian era, duh. jealousy & possessive themes. size difference (reader gets referred to as small!). tried to be realistic w/ sukuna’s characterisation so. . . don’t be surprised to read about him killing somebody. therefore, mentions of blood. reader is implied to have a fear of blood (dw sukuna takes care of it teehee). reader gets called 'brat'. not beta read; this sucks ass.

you were taking a stroll outside of the estate, the hem of the floral kimono you’re wearing lightly dragging along behind you. the weather was perfect with not a single cloud in sight.

a pair of silent footsteps follow yours and you sigh. even though it was an usual occurrence, you still aren’t used to having one of sukuna’s servants at your side at all times. your over protective lover insisted that it was for your own ‘safety’. as if anything or anyone could harm you whilst you stay within the four walls of the estate far up in the mountains.

sukuna is continuously busy and thus decided to assign you a personal maid that accompanies you and takes care of your every need when he isn’t able to. well - looking at the bright side of things - at least she tries her best to hide her presence from you. she tags along silently and only speaks when spoken to.

you stop near a sakura tree and tilt your head back to admire its beauty. after a few minutes pass, you hear a different pair of footsteps walking up your way. you turn your head and see a familiar male servant approaching you with his head held low.

his hands were holding onto a platter with a cup of warm tea and a few of your favorite delicacies. the brown-haired man greets you politely. maybe a bit too politely as his voice carries a bright smile, “good afternoon, my lady.”

you return the greeting with a smile of your own. it was like you to treat the servants around the estate with kindness and care — a total opposite of the king of curses. you take a pastry from the platter and look back up at the man, “thank you for bringing me these. i appreciate it greatly.”

the way you treat the ones of lower status has always been an admirable trait of yours. it might have stirred some forbidden feelings for you in the heart of the male servant. he knows that it was impossible - he’d seen how easily sukuna gets rid of those who get too close to you.

but, he isn’t here. the king of curses isn’t present in the current moment. the brown-haired male shifts in his place a little, fingernails digging into the material of the plate he was holding. he was going to do it — no one could hold him back. not even the maid who stood a couple steps away.

“y-you look very beautiful, my lady.” the servant stutters and bows his head at you. you are surprised to hear such a flattering sentence leave the lips of the man in front of you. none of the men around you had dared to be this straightforward in ages. they all knew the possible consequences that such actions could bring after all.

perhaps it was due to the absent intimidating presence of your lover. still, you can’t help but feel grateful. you giggle softly, covering your mouth with your free hand, “thank you so much.”

the male servant gulps at the sound of your laughter. ‘oh, how lucky the king of curses is - to have such a beautiful woman at his side,’ the man thought to himself. he was sure that he could treat you better than the indifferent sukuna himself.

he hesitates to continue the conversation for a second. there was an urge deep within him; to ask if you’d like to have some tea with him in the dining area. it would be extremely bold and maybe way out of line considering that you’re taken.

but, the way you reacted to his earlier compliment gave him a huge confidence boost. one that would sooner or later send him to his grave.

“would you perhaps be interested in joining me for a drink, my lady?” the servant asks and anything that happens after that instant, is all but a blur.

you can’t process the next few moments as everything happens way too fast. the last thing you remember seeing, was the servant before you. a sudden gust of wind passes by and the sounds of quick slashes fill your ears. you couldn’t figure out anything else as your vision gets blocked by something. or rather - someone.

a familiar and large hand covers the back of your head. the scent of the person holding you is also oddly familiar—a certain scent that made a shiver run down your spine from both excitement and light fear.

“sukuna?” you guess and guess correctly. your voice was muffled due to your face being smushed against his torso. you didn’t yet understand what happened, so you try to pull your body away from the king of curses, only for his grip on you to tighten.

sukuna’s face was as emotionless as ever. his eyes look down at the pile of blood near your feet — what was once a human being had now turned into nothing but a pure crimson liquid.

“foolish. absolutely foolish.” the king of curses grumbles, his tone filled with disgust. he doesn’t soften the grip on your body for even a moment. one of his four arms holds you captive against him, his hand firmly yet somehow tenderly cradling your head just above his midriff, “it seems that i cannot leave this place for a single second.”

sukuna glances at your personal maid who had been bowing to him the moment he appeared out of thin air. she could feel his piercing gaze on her and knew exactly what to do without being told: to clean up the mess that stained the garden’s pavement.

“sukuna,” you try to move your head again, but was still restricted. you let out a small whine in response. you just wanted to see your lover after spending an entire day without him. any thoughts about that servant from earlier had long vanished, “i want to see you. can i?”

the request is an innocent one. there isn’t a visible change in sukuna's expression, but the way you asked him that was quite. . . endearing, if he were to explain it. he would comply if it wasn’t for the literal bloodbath he created. which he doesn’t want you to witness.

“not yet.” he replies and effortlessly uses one of his arms to pick your small body up. your lover notices how you try to steal a glimpse at the scene behind you while he moves you around in his embrace. he grunts and gently smacks the back of your head, “no peeking, brat. do as told.”

sukuna knows how much you hate the sight of blood. he's being considerate towards you — even if you do not realise that just yet. however, he also does not have a single regret about murdering that servant. it was to be expected. anybody who dares to make a move on his woman should suffer his wrath.

plus, it's not like you don't know about sukuna's ruthless actions. you’ve come to get used to them; more and more male servants keep dissappearing without a trace after they’ve been ‘too friendly' with you. it's easy to guess who’s behind those disappearances.

it doesn’t bother you in the slightest. as long as you don't see it happening and as long as you get to stay under sukuna's care and protection - you don’t mind.

“can i look now?” you huff after sukuna has carried you away from the garden. the king of curses clicks his tongue at your impatience.

he sighs deeply before allowing you back on your own two feet, “i do not understand why you’re so adamant on looking at me, but fine.”

you waste no time and immediately open your eyes. your gaze doesn’t wander off towards your surroundings—it instantly settles on sukuna. he looked the same as usual; there was not a single change about his appearance and yet you find yourself smiling at the sight of him.

“i missed you.” you hug your lover and feel him returning the gesture a few seconds later. he looks the other way and may seem indifferent to your display of affection, though the man was secretly grateful for it. for you in general.

“mhm.” sukuna lets out a small noise of acknowledgment and that is all you get out of him. he doesn’t have to say much; his body automatically does the talking. he squeezes your body against his — your small frame disappearing behind his beefy arms.

the king of curses doesn’t understand why, but the way your eyes sparkle when looking at him, intrigues him. sukuna had never seen another human look at him like that before after all. they all cower in fear; except for you. you don’t show a single ounce of fear. thus why you are something - someone - he must keep for himself.

he has and will never have any intent on sharing you with anyone. you’re his, for as long as he exists.

[sophiamcdougall]

I am never going to complain about Greek Duolingo again

I mean, I am. But still.

So, as some of you know, my family has been coming to this tiny Greek seaside village for several years. Just over a week ago I came out here with my mum, under the impression that early September, after the height of the summer heat, would be a good time to have a holiday. ANYWAY Storm Daniel had other ideas about that. Locally things are improving (I'm actually really pissed off about the disaster-porn tone of most English-language media coverage, but that's another post). The power is back on, there's running water most of the time, and though the latter is not drinkable, a truck from the government came and handled out free bottled water yesterday. But we are currently kind of stuck. Can't do tourist things. Can't go home. There aren't any local flights out until Saturday and the road to Thessaloniki is still closed.

So this evening, feeling kind of aimless and depressed, I go down to the nearest beach with a couple of binbags and start cleaning up in an effort to at least do something positive. I always try to do this at least once out here and obviously, after the storm, there's a lot more plastic and rubbish than usual.

At some point I find this large, round bit of metal - some kind of machinery part, I think -- that's too big for the bag, so I take it to the bins on its own, leaving the rubbish bag on the beach. And when I come back for it, something among the stones beside it moves.

Specifically, it pulls its head sharply inside its shell

So, meanwhile I've been trying to learn some Greek with the help of Duolingo.

I currently have a 33-day streak and... I have questions. Shouldn't I be able to use the past or future tenses by now? Shouldn't I be able to say "x is like y"? I can't do those things. But one thing I absolutely can say all day long is έχω μια χελώνα : I have a turtle.

This is far from the limit of Duolingo Greek's turtle-related content. "An obsession with turtles" is my mother's characterisation. I can inform you that the turtle is not a bird, and, improbably, that the turtle is drinking milk. I can introduce you to a turtle in company with a horse and an elephant. As far as Duolingo is concerned, it really is turtles all the way down.

Now this, you may be able to see, is not a turtle. It has claws rather than flippers. It is a tortoise. I know there are wild tortoises in Greece: my aunt once rescued a pair of them shagging in the middle of the road -- but that was up in the mountains. I've even seen one myself, but it was also on a road and very dead.

I am 95% certain they don't belong on beaches. There's nothing for it to eat, except, unfortunately, a lot of plastic. Even if it gets off the beach it will immediately find itself on a road where it could get hit by a car. I'm pretty sure it must have been washed down by the floodwater and has been just sitting there, dazed, ever since.

Now obviously the first thing I want to do on encountering this unusual animal is to go and tell my mummy, so I do. The tortoise immediately brightens her day. She agrees that the tortoise is not happy on the beach and needs to be taken somewhere safe. it gets surprisingly wriggly when picked up so we put it in a carrier bag with some grapes and cucumber and go looking for somewhere to rehome it.

We find a path leading up between the houses towards a likely-looking field, but before we get very far a dog in a yard goes berserk and a man's head pops over a fence and demands to know what we're doing. He does this in English, as evidently we're just that obviously tourists.

"I found a tortoise on the beach!" I explain. "We want to find somewhere to put it."

"A what," he asks.

"It's like a, you know," I begin and then to my astonishment I find myself saying... "μια χελώνα"

"Oh! A turtle!" he says.

"But from the land. δεν είναι χελώνα", [it is not a turtle,] I say, as I am worried he will tell me to put it back near the sea where I found it. As it turns out it actually IS a χελώνα, Greek does not distinguish between turtles and tortoises, but I don't know that; I can't even name the days of the week or identify any colours other than pink yet, give me a break.

The man's entire demeanour changes and thaws. He does not worry about my turtle-that-is-not-a-turtle conundrum. He knows where οι χελώνες come from and where η χελώνα μας belongs. He leads us through a gate into a courtyard area.

"[somethingsomething] μια χελώνα," he explains to the assembled onlookers, of whom there are, suddenly, a surprising number.

"ΜΙΑ ΧΕΛΩΝΑ!!!" crows the throng of delighted small children, who are, suddenly, everywhere.

"μια χελώνα!" I agree, accepting that at least for current purposes, that is what it is.

"Μπορούμε να δούμε τη χελώνα σας; [can we see your turtle?]" asks an adorable little girl, shyly, and I understand??

The children fucking love looking at the χελώνα and showing it to them is kind of magical?

I finally put the tortoise down on the grass of this wild area off to the side of the courtyard, and marvel aloud that it is weird that I barely know any Greek except how to say μια χελώνα.

"I think she will soon run off," a kind lady called Aspasia assures me, seeing I remain slightly anxious about its fate. "I don't know why I'm saying 'she'. I suppose because χελώνα is feminine in Greek."

"Yes! I know that!" I exclaim, thrilled.

"Well done!" she says. And also she asks if we are OK for drinking water after the storm and if we need any help with anything and is just generally incredibly lovely and now we know more of the neighbours!

So "μια χελώνα" has just become, by a long way, my most-used and most understood and all-around most conversationally successful phrase in Greek. So I guess I have to admit I was wrong to doubt Duolingo's wisdom: it is correct to be obsessed with turtles. And I concede that prior to learning how to count to ten or to distinguish right from left, the simple ability to yell the word TURTLE over and over again is, it turns out, a crucial element of the responsible traveller's social skills.

(I am pretty fluent in Italian and turtles haven't come up in conversation even once?)

[leefail]

This is just a mini info dump from an Arab batfamily fan because I find Damian calling his siblings Akhi... adorable (for me as a native speaker watching a writer use Arab words) and, not painful, just... itchy, it URGES me to make a pptx with 300 slides and just? Talk about Arabic?

So... أخي, Akhi, Brother.

It's not incorrect. The word is used in the right place and delivers its intended meaning. Other Arab speakers might not find a problem with it. They'd feel odd like I did but will likely go "eh" and carry on. But I'm an Arabic enthusiast, so...

Like with every language with geographically widespread users, the Arabic tongue kind of- deviated from its roots. The language has naturally branched out into so many dialects I myself can't keep track of.

Arabs from different regions can understand each other. They use the same words but for different purposes and with different pronunciations.

The original root language that holds them all (Quranic Arabic) was simplified into an easier, standard version that is used for formal speeches and as a communication bridge (seeing that you can't, say, translate something to Arabic and say it's for all Arabs if you use a certain dialect. Because an Arabic dialect is an identity at this point, tell me somebody is Syrian, and I know them already)

Now, with the fun part.

See, no Arab calls any sibling of theirs Akhi, I myself would burst laughing if mine did.

Yakhoi يَخوي (nonstandard, everyday Arabic for o, brother) , maybe, if I'm calling a stranger from the streets or an offender I'm going to give a piece of my mind.

Or, hold your breaths, my brother is crying, and the lights are out and I NEED to use the tenderest, most loving, most adoring, most revering tone I could muster so he just knows he is loved and family. Y'know? This specific situation.

And other Arabs might just say, no, I use it when, I use it when, I don't use it, etc.

The point is, nobody will mention Akhi. Because it's a Standard Arabic word, a formal word, and a word used in translated texts and stories when a foreign character we don't consider part of us call their brother. It's weird, it's devoid of emotions, and it's like watching a robot trying to be emotional, but it's a translated text. That's what translated texts use, and it's fine.

It is fine, Standard Arabic has been used for stories so much that nobody questions its influence on a character's characterisation.

I'm not saying Standard Arabic shouldn't be used for story writing, quite the opposite, in fact. I'm just saying that if Arabic is used to represent an Arab, its usage should also consider an everyday Arab experience and manners.

Now to Damian.

Akhi is robotic. Damian's personality does allow him to fall under that category. If for his well refined manners and polite, formal speech.

But even the King wouldn't call his brother Akhi.

He'd call him by his name. For my community (and most, I'm sure) siblings are called by their names, and if we look up historic Quranic (Root) Arabic speakers, they, too, call their siblings by their name. Yes, even the Sultan.

If not by actual name, then either endearing or demeaning names.

Arabs LOVE endearing names, but they're dipped in a pool of honey I don't think Damian would like to dive in.

Talia, on the other hand, would most certainly call Damian Mama. Arab parents call their kids by their own titles. It's the ultimate expression of parental love of all times, in my opinion.

(Don't make Batman call him Papa, though. Pretty sure Damian would malfunction)

-

Well, I said all that, but watching writers include Arabic words in his vocabulary is still sweet. Tt is not even a word, but it's such an Arab thing it's my favourite.

If only I could make subtitles of everyday Arab talk and show you, their speech is heavy with, excuse my English, word softeners, it's like they're talking in a TV drama and not the real world.

Watching Damian adopting it would be interesting :D

[obsidianbit]

Me everytime Erisenyo publishes a work with the most amazing political intrigue, compelling character arcs, and complicated relationships.

So excited to finally be sharing my @zukkabigbang2024 fic, betaed by the amazing @kartoonkrazy and with wonderful art from @lizardlicks (link incoming)!

Featuring culture sharing, culture confusion, gossip, a very sassy Kanna, a very over-it-already Katara, meeting the parents when you and the parent are both world leaders and also you have issues with parents, and Sokka's daddy issues.

[“Right,” Hakoda manages. “An honor.” “Once we will endeavor to meet with equal honor in return,” the Fire Lord says so quickly he starts almost before Hakoda gets out the last syllable. “Sure.” Hakoda has to forcibly unclench his teeth to grind out, “We’re happy to welcome the delegation.” As if they had any choice in it. Fuck, but it would have been a lot easier to say no if the Fire Lord weren’t dating his son.] Or, Zuko is nervous about making a good impression on his first visit South as Fire Lord, which certainly has nothing to do with meeting Sokka’s father. Sokka is excited to see his boyfriend after months apart, and is absolutely totally fine with not being involved in the week’s political negotiations. Totally. Hakoda already has a headache just thinking about how exactly he’s supposed to interact with a fellow world leader who is also a teenager, and also dating his son, and wait--Sokka’s old enough for dating now? When did that happen?

To all the people who on my other longfics kept going 'wow, I cannot wait for the conversation with Hakoda about this one!' to which I kept going '…about that.' -- this one's for you :)

[rimqueen]

SOFTER, SOFTEST !

ft. curly x fem!reader

tags. piv, body worship sort of, rimming, big dick, tit job for like 2 seconds, creampie, size kink, scent kink, balls…

note. hai.. will get back to leon soon and I think mw fandom is lacking noncon and incest fics severely.. so i will get on that with jimmy. don’t know how to characterise him yet so ooc .. just infatuated with his breasts tbh i don’t know anything works in this universe LMFAO like idk just take this with a grain of salt.. for miss @pupwashing please ignore typos !! unedited :3

You miss Curly.

You miss him more than you did yesterday, more than an idiot misses the point, like a dick misses a wet pussy–You just miss him.

It has been four months. Twenty-one weeks. One-hundred and forty days. Three-thousand, five-hundred and twenty hours. Too many minutes, a hell of a lot more seconds, the closer he gets the further he seems to be.

Big numbers make it feel like you’re getting nowhere so you cut those twenty-fours into one day. One day and he’ll be home. One day and you’ll be in bed with his stomach crushed against yours, the warmth of his flesh searing yours, fucking him into next year, until he loses his halo.

Videos aren’t enough, photos don’t do him justice, toys don’t live up to the feel of a real dick. You miss that face he makes when he cums - it’s a block away from his crying face. You miss him face down, ass up, punching holes into his dignity one thrust at a time. God, you miss that dick, how he goes red all over, him in nothing but that stupid fucking smile.

One day, you tell yourself in the mirror that morning. One day, you tell yourself when you take your lunch break. One day, one more microwaved meal for one, one more lonely night.

It used to be a big deal, you think. The whole going to space thing. Curly says it’s no big deal, but you’re pretty sure that in your great-grandpa’s heyday it was impressive. You’ve seen videos of hoards gathering to watch a ship take off, to greet crews when they landed. Today, it’s you and a plump, older woman in her bathrobe waiting in the cold.

You could spot him in any crowd, glowing like a ray of light, mostly because he’s tall, partly because everything fades into abstraction when you notice how tight his uniform is. Good god. Did he get bigger? You’re starting to sweat, it’s hard to focus when your boyfriend is making a long-sleeved jumpsuit look naughty.

Curly’s hair is a little longer, blond curls licking the nape of his neck, falling onto his forehead, his eyes are so bright and his smile is white. He looks like a policeman’s emotional support dog. A really busty support dog. He scans the sad scattering of friends, family and drivers. You’re so taken off guard by the sight of his buttons popping you almost forget to wave at him.

He beams when you spot him, suitcase dragging behind him as he jogs over. Everything is in slow motion. Like that old movie - Baywatch. He’s so excited to see you, taking you into his big arms, shoving your face in his chest like he knows just where you’d like to be. You’re disappointed in your lungs when they beg for air, lifting your head and placing it on his shoulder instead. He smells like sweat, hotel shampoo and something metallic.

“Oh.” You open your eyes and spot Jimmy skulking behind him, an unlit cigarette between his lips. You narrow your eyes at him, and Jimmy does the same. Real shady guy, the type you’d cross the street to avoid. He’s always trailing after Curly like a bad omen. “He can’t come home with us, honey,” you tell him gently, not wanting to sound like a bitch.

Which you are.

You don’t want him smoking in your car, you don’t want Curly to invite him over for takeout because that means it’ll go on for hours and you won’t get your mouth on his big, stupid dick for another day.

“Hm? Why not?” Curly asks, pressing a kiss into your hairline, the tip of his nose bumping yours tenderly.

“I don’t have space in my car for both of you and the luggage, she’s small. What if she tips over? You’re heavy enough as it is.” You smile at him, cheekily, giving his newfound hips a squeeze. They’ve always been there, but now they’re like wow. It’s only been four months, is he on steroids? Did he get pregnant? He is glowing… God knows what’s up there in the atmosphere, some cosmic horror waiting to knock up your poor boyfriend.

Curly shrugs, offering an apologetic smile to his friend. “You heard the lady.”

Jimmy’s permanent scowl seems to deepen, cementing itself in his dermal layer. “Whatever, man.” He shoves his hands into his pockets, shoulders slumped as he makes a beeline for the phonebox.

He lifts his suitcase and loads it into your car and you watch his biceps flex. You see through his clothes, you remember every freckle on his back, mapping them out like stars, leading to those dimples low on his back, the perfect resting spot for your thumbs when you grab his ass. His body is so convenient. Like he was made to be fucked every which way.

“I missed you, I thought about you everyday,” he says against your lips, leaning in to kiss you over the gearshift. “I put your picture in the cockpit actually, Jim didn’t like it, but it kept me going.”

Always so earnest. You almost feel bad for missing his body more than him.

“Aww, Curly, honey,” you coo, pinching his cheek and cupping the other, “I missed you even more.” He nuzzles into your hand, eyes closed as you comb your fingers through his messy hair.

As much as you would like to indulge his sentimentality, you have no patience to spare. If you sit here any longer, you’re going to soak through your jeans and onto your leather seat.

You put the car in drive—

“Captain? Open up!” There’s a younger man knocking on the window, leaving his grubby handprints behind. “I wanted you to meet my mom!” His voice is muffled through the glass.

You lock the windows.

“Did you lock the windows?” Curly asks, lips downturned like he’s about to pout.

You unlock the windows.

“Of course not, baby.” You pat his head and grit your teeth.

They talk for fifteen whole minutes.

Thank you for taking care of him, he can be such a handful—Oh no, not at all, he was a joy to have—I’m glad he came back in one piece—He’s a good kid—Oh, I don’t know about that—Mooom—I’d be happy to have him back for our next long haul—Seriously, Captain?—

You squirm in place, shifting from side to side, thighs pressed together as your panties stick to your core. When Curly introduces you to his crew mate, you offer a strained smile and nothing more.

The window whirs shut. You make it home in record breaking time with four tickets and only a few points taken off your license. It doesn’t matter. You’re home, inside with the curtains drawn and Curly still has clothes on.

That’s not right.

“Take it off.”

“Huh?” Curly pushes his luggage into the corner, the top few buttons of his jumpsuit have come undone and you see the tuft of blond hair on his chest.

“Take it off, please?”

“My clothes?”

“No, your wig, baby.”

He laughs, good-natured, mild-mannered, and so fucking hot.

If he won’t do it then you will.

“I haven’t even showered—“ He starts, but you shush him with a kiss, murmuring a ‘good’ against his pink mouth.

When you part, spit keeps your lips connected, the string of fate or whatever. You go in for another, hands fisting the fabric of his collar, forcing him down towards you. Curly lets out a keening noise somewhere in the back of his throat like a dog scratching at the bathroom door.

“I know, my baby, I’ll give it to you.” You pout at him, thumbing his kiss-swollen lips and watching his eyes droop. “Oh no…” The buttons on his uniform when you try to open them.

“It’s okay,” he mumbles through a mouthful of his own spit, “cheap stuff.”

“I know, but you looked so good in it.” It’s a shame, but you need to see him bare, sweat as his only accessory.

“You think?” He near bats his lashes at you, stepping out of his uniform, and you swoon.

“God, yeah.” You push him down on the couch, Curly falls back with a soft grunt. It’s not very big, especially for a man of his size, but it’ll do for now.

His cock swells in his boxers, you feel it beneath you as you sit atop him, admiring the view below. The wide expanse of his chest, the sweat pooling in his collarbones, those tits. You don’t know what else they could be.

“Wow.” You take a handful of his chest, plucking his puffy pink nipple. “Look at these, I might have some competition.”

“Shut it,” he huffs out a laugh through his nose, and the tips of ears redden.

“I’m serious, baby, you’re, like, huge.” You can’t tear your eyes away from his soft flesh, moulding beneath your fingertips like dough, you could fuck them if you really wanted. “What happened out there?”

“Had a lot of spare time, I guess.” Curly smiles sheepishly, expression contorting when you bend your neck to suck his nipple into your mouth with a wet pop! His jaw slackens, and his cock jumps like it’s been given quite the fright.

You only have one complaint. His tan lines have faded. Floating through the galaxy for months on end can do that to you. You miss them, but you missed Curly more, so you’ll make do with what you have.

And you have more than enough. More than you can handle really. You can’t even get a grasp on his bicep, he’s stupidly big and your hand is on the smaller side.

You shift backwards, wet cunt dragging over his impossibly big bulge where only his underwear keeps you from him - you kind of admire your pussy for being able to take it. Your mouth moves on, hands still groping as much as you can of his chest as you lick the ridges of his stomach, it’s like he’s forged out of marble.

Softly, Curly rubs the back of your head, trying his very best to keep his eyes on you and not let them fall shut. You feel his stomach muscles rippling under your tongue. They contract when you trace around his navel, placing a sloppy kiss just below it, where a patch of curly hair leads to his wet cock.

His cock is drooling through the white fabric of his boxers, they’re soaked enough to be see-through, you spot the fat, pink head that has been missing your kisses. “You’re so wet, baby, is it all for me?”

With a pitiful noise, he tosses his head back and nods sadly. It’s funny to hear a man of his stature whine, but it suits Curly so well.

Your fingers hook in the waistband, tugging his underwear downwards until his fat cock springs out, it’s so fucking fat it weighs itself down. The leaky head twitches, pre dripping down his thick shaft, leaving a moonlit trail to his heavy balls. So full of seed they might burst.

“Oh… Poor baby.” You give them a gentle squeeze, and Curly’s eyes roll back into his skull, hips jolting upwards.

The urge to take it into your mouth right then and there is tempting, you hold back, you want to take your time with him. Make him feel special. You seat yourself between his thighs, one leg thrown over your shoulder so it’s easier to fit on the sofa. Your thumb runs along his pink slit, dribbling out pearly strands of pre that web between your fingers. Curly whimpers, biting down on his fist.

“These are cute.” You take note of his meaty thighs, how they’ve only gotten bigger, a comfier place to sit. The stretch marks don’t go unnoticed, streaking purple and pink along the milky flesh of his inner thighs like faded brushstrokes.

“Mmmph.” He blinks at you, pouty, lashes wet with impatient tears.

“Yeah, mmmph, I know, baby, be patient.” You’re a big, fat hypocrite.

His scent is stronger down here, clean and soapy, but the tang of sweat prospers, and the underlying smell of him. The smell of his pillow, the smell of his few-days old clothes, the smell of his towel after he works out.

A few more kisses here and there, using the flat of your tongue to lave over strips of his sinewy skin, leaving him spit-slicked and breathless and flushed. You hoist his other leg over your shoulder, he’s heavy, but you’re horny and it’s given you a sudden burst of vitality.

“Fuck,” he gasps out, gripping the top of the couch, one arm over his face as you lick up the seam of his balls, mouth latching to the swollen underside, where they feel heaviest.

Curly’s cock leaks into your hair, the weight brings it down to rest on your face, tip pressed into your hairline, dripping down the bridge of your nose like sweat while you make a mess of his balls. Stuffing them into your mouth one at a time, using your hand to give the lonelier one a squeeze when your lips are kissing up on another.

The kiss to his perineum is enough to make him moan. Curly knows what’s coming. You go lower, nose nestled into his balls, breathing him while your hands spread his ass cheeks apart to get to the spot you love most.

Curly’s hole is darker than the rest of him, not quite pink like his cock, ruddier. He’s tight and he smells good. So good. You’ve never minded the hair, you think it’s pretty cute. Curtains match the drapes.

Affectionately, you kiss his puffy rim, and it throbs.

He lets out a groan that is half mortified and half ready-to-blow-his-load.

“Sure,” Curly says, voice breaking as you circle his hole with the tip of your tongue. He tastes like him, musky and sweet and coppery. Curly is home and your tongue is in his ass where it belongs, wriggling its way past his pulsing rim, hopefully all the way up into his heart.

Your thumb and middle finger stretch to meet around the girth of his cock, stroking him slowly as you work open his asshole, tongue pushing back in when he pushes you out. Once you deem him wet enough, you push a single finger knuckle-deep and he cries out, hips bucking up off the couch.

Much to his dismay, which he shows in the form of a pained whimper, your hand leaves his cock to splay over his stomach and hold him down to the best of your abilities. “You have to stay still, honey.”

You feed a second finger into him, his hole squelching as you curl them inside of him. Curly clenches tight enough to cut off your blood circulation, sucking you back in when you ultimately pull them out with a lewd noise. He opens his mouth on instinct, pupils so blown out his light eyes seem dark, you push your fingers down his throat and he sucks.

“You’re so cute,” you mumble, watching him intently, he’s like a pin-up model of some sort. An X-rated action figure. “Taste good?”

“Not really,” Curly says. He’s so honest it makes you laugh. He shuffles back to rest his head on the arm of the couch, cock bobbing, still leaking like nobody’s business, leaving little droplets of wet in its wake.

It’s ready to burst, but you’re not done with him yet. You haven’t had your fill. When you spend half your time with your head between his thighs, you miss out on all the faces he pulls. So you spit on your tits to get them wet, his cock is slick enough, nothing should chafe when you squeeze his cock between them.

“Christ,” Curly grits out, brows knitting together, the second coming and he hasn’t even had his first.

“You wanna cum like this?” You ask, kneading your tits on either side of his cock, each time the tip pops up past your cleavage, it bumps your chin and leaves it slick.

“No…” He shakes his head, curls bouncing, sticking to his forehead, the hair near his nose is curlier with the added sweat. “Inside.”

“I can do that for you, babe.” You smile at him, acting like that wasn’t your plan in the first place, like you haven’t been dying for a warm creampie since he landed back on earth. You give the fat head of his dick one sloppy kiss, making sure to tongue his slit before you clamber on top of him.

It should be an easy task to get him inside, you’ve been wet for the last twenty-four hours, your pussy is throbbing like it’s got a heartbeat. Slick dries on your inner thighs and your clit is buzzing, a rush of arousal passes over you like a cold wave when you lift your hips to guide his dick into you.

Oh. Wow. That’s a stretch. 

In theory, you know big Curly’s dick is. It’s a fucking horsecock, and you have eyes bigger than your stomach. You always overestimate yourself. You think you’re gonna be just fine, then his fat tip breaches your little hole, no matter how wet, and you lose it, scrambling to grasp his shoulders as your body is racked with shivers.

Curly’s kind enough to steady you, big hands finding purchase on your hips. His needy noises get through to you, and you push on, sliding down and taking him to the hilt. His dick curves upwards into your cervix, rubbing the fleshy opening as you adjust to his dick after four whole months of nothing worthwhile.

He’s so big. You’re so wet, slippery pussy slicking up his cock, and making things easier for the both of you.

“I love you.” Curly shudders, looking right into your eyes like he’s afraid to blink and miss a single thing.

“I love you too,” you tell him, eyes on his tits.

He’s so deep, feet planted on the couch as he fucks into you, unable to help himself. You get it. You’re tight, warm, and wet. Better than his fist. Your pussy is noisy, squelching each time you bottom you, grinding your clit into his pelvis, feeling his cock twitch each time you tighten around him. The plap of his balls hitting your ass when enough momentum is built up.

Curly’s helpful, when he sees you tense up, throwing your head back and rolling your hips over and over, you want him deeper and deeper, he wets his fingers with your slick and rubs figure eights into your clit.

It’s just enough to make your toes curl—Oh, who are you kidding? You near blackout when you cum, moaning so loud you scare yourself. You see black. Like someone’s drawn the curtains in your mind, ending the show. Your nails dig into his skin, but he’s always put up with that like a champ.

“Holy fuck.” Shaking still, you blink to clear your vision, you’ve wet his navel and his tummy and the couch might be ruined. You don’t even remember when he came inside you. What a shame. Feels good though, still warm. Sighing, you lay against his chest, Curly’s soft cock slips out of your hole, resting on his thigh. “Welcome home, Captain.”

[vyainide]

ㅤㅤㅤㅤ౨ৎ monster trio & kissing

ㅤㅤㅤㅤㅤㅤㅤ2024 ©1864RERUNS

includingㅤ━ㅤmonkey d. luffy, roronoa zoro, sanji vinsmoke

tag(s)&warning(s). drabbles, gn! reader, sfw, fluff?, what constitutes as fluff idk girl, established relationship w/ zoro and sanji, luffy is a secret third thing i guess?, stray 'kms' threat in sanji's part

from vyon. big up to alex turner and no. 1 party anthem; luffy's is marginally longer because he's my most specialiest boy and he deserves special treatment and i struggled way too hard with characterising sanji in a relationship aside from all the embarrassing simping stuff, he's just amazingly pathetic, i don't wna talk about it, the main star here is luffy

like a lot of other things, kissing comes easy to luffy. though he's never had any couples around him as he grew up, he's been on enough adventures to catch a number of couples share a few quick pecks here and there. sabo's once mentioned kissing as well— a sort of distant memory that comes back when your lips first land on his cheek on your supposed first date. it might be sabo's fault, or his parents, that luffy believes kissing to be bleugh before he's tried it. though in sabo's defence, there wasn't a child in the world that would want to see their parents kissing. still, it isn't as bad as sabo made it out to be, luffy thinks as his wide–eyed gaze follows you back onto the sunny. there's something in the shape of your lips sunburnt onto his cheek, crisp just underneath the scar he'd gotten as a child.

the old scar is a smudge between a burning hypersensitivity and a cold unfeeling stretch of skin; your lips brush against the scar and it tingles itself into simultaneous death and rebirth. burning, melting— luffy presses a hand against his cheek and feels full. then his lips pull into a grin and the burn of your lips spreads out, pushing through every fold of skin as his hand reaches out for the sunny and he flings himself into the air, allowing the feeling to crawl through sinew.

luffy is no stranger to touching— he does it in painstaking excess, but there's a childhood teaching in him that kissing is not the same as touching. he stares at nami for a while, wondering if the instinct to feel her is the same as it is for you; she gets annoyed by his unwavering stare and swats at his head. he decides it's a no.

kissing is meant to be con... consumption? conservative— constellation? no, it's one of those 'c' words that he doesn't really remember, but he knows that he's supposed to ask you if you want him to kiss you. he doesn't understand the idea of waiting for permission but he'd really hate it if you were grossed out, like ace once told him would happen if kissing happened unconventionally(?) (that's not right he thinks), so he asks you one day.

as simple as he gets, luffy comes up to you and asks. "do you want me to kiss you?"

you splutter in shock and you hear movements on the deck still. luffy thinks he'd maybe forgotten something that the people in foosa village taught him but he waits for you to answer anyways. it doesn't come because sanji is aiming a kick at his head and shouting at him about the delicate intricacies of romance and courting. through all the dizzying flips of colour as he jumped away from sanji's attack, a kaleidoscope of the things he loves the most (the sea, his ship, his crew) in his eyes, he sees the hesitant embarrassment that colours your cheeks in. the burn that you've placed in him sparking up a fuse between the two of you at the slip of his tongue against gums and he laughs, swinging away and crash landing on whatever usopp was building out of sticks.

you return to him at a more private time, slip up next to him wordlessly— he doesn't say anything so you fear that he'd forgotten.

"do you still mean it?" your shoulder knocks against his.

"mean what?"

you turn to look at him, your eyes flickering down. "when you asked if i wanted you to kiss me."

that gets his attention, his head turns to you with a flexibility only he has— his eyes blinking at you carefully. "i did, did you make up your mind?" his lips pulled up into a grin, "you want me to kiss you now?"

you wish he had a less abrasive way of asking, but the answer is the same regardless. you nod and luffy takes.

you're not sure what you're expecting at this point. you know how luffy is about psychical touch, he's no stranger to it— everything he's ever known, he's ran his hands over. the amount of times you've been knocked down to his reckless habit of flinging himself into your back, you expect the same thing here.

luffy inspects you for a moment, the corners of his lips pulling down before twitching into a pout, "it's not gonna hurt, silly, why'd you look like that?" he shifts his body to face yours, his knees knocking against yours as he pushes his face closer.

then, his lips stretch outwards— his damn devil fruit— and it's so comical how his puckered lips pulled towards you to press gently against your cheek that you're laughing when it snaps back into place. luffy laughs along with you for a moment. a gooey comfort strained inside of you, your hands pressed against his cheeks— you find a simple joy in pulling his face, and then you find a better joy in leaning yourself closer to press your lips against his.

you're giving so luffy takes. he shifts onto his knees for better leverage to lean into you— the movements are stiff and careless. he's less kissing you and more just pushing his face into yours but you can feel the strain of his smile against your lips so no matter. being luffy, he pushes and he pushes greedily until your hands move from his face to the deck to keep yourself from falling.

it's so stupid how, even though this sucks, you want to make an occupation of kissing him.

it becomes a habit for him to kiss you no matter how far away you are by taking advantage of his devil fruit. eventually, he does get better; you realise why after a pointed comment from robin that hints to the fact that he'd asked her for kissing tips.

zoro is all lingering touch, heated spaces, and fizzling affection. it's not often that he gives you the pleasure of being skin close with him— not that you mind. he's eye candy enough, grunting and sweating in a handstand with barbells methodically placed on his feet and boxes of miscellaneous supplies for added weight. he's never been the type to need the world in his life; everything he's done has always been to prove a sick something to himself, to his strength.

his devotion is similar. there's no place for prying eyes in your relationship when there's you, the fulfilling adoration, and zoro. sometimes, there is also his swords and other times, there is an overwhelming luffy (who knows no boundaries).

he's always more forgiving with you, but he draws the line at excessive pda and you respect that boundary. fleeting contact has never been zoro's strong suit, he's an all or nothing soldier so when it comes to kissing, he likes the ready privacy that allows him to indulge. so he ignores the pointed staring, how you've made yourself comfortable on the benches in the crow's nest; your body sprawled out following the curve of the seats as your face turns red from how you have your head hanging off the cushioned planks.

he grunted, turning his head back down to the floor before he loses his balance.

you start counting, "one, two, three." he's well past those measly numbers but he lets you do as you please. "four, five, one, three, sixty–five, twelve, two, negative five, twenty, fourteen, nine—"

he folds his legs down against his chest, letting the weights fall to the floor with a thud. "alright," he straightened up, "you've made your point." an unimpressed look crosses his face.

your lips curled up into a grin and then you pull yourself up, throwing his towel at him. he takes the hit to the face and presses his hand over the fabric to wipe away the sweat and falls next to you, sliding his body down for his head to lay on your thigh.

"ewwww," your face scrunched up, "you're sticking to me." his hair is clinging to his forehead, interrupted strokes of green paint against his temple.

"shut it."

a laugh is quiet on your lips as zoro falls into the comfort of the moment, his eye closing. you trace over his face and then you crane yourself down, ignoring the ache in your spine and neck, your lips fall onto his forehead, "one." you counted. then onto the space between his furrowed brows, "two," his nose, "three". over his eye, "four." you pull back just in time to feel his lashes scratch over your lips.

a heavy judgement in his eye, stern and serious— he curls an arm up to press against your nape and pulls you down. there's a weight that's tethering you to the moment in the curves of his arm and a light–headedness that makes the stillness burst at the seams as zoro ignites everything alive. it's a slow and careful thing, how his head rises to meets yours and then how it tilts so he can slide his lips onto yours.

his arm drags across your neck until you feel moisture in the contour of his calloused hand, fingers pushes into your hair as zoro leans back from your lips, humming. "five." he says, a whisper of a smirk on his lips. a flicker of tender violence in how he fists your hair at its base and pulls your head back to give himself access to your neck. all or nothing, you're reminded, he drags this kind of simple affection into long, several moments.

he continues counting, picking up where you left off until you both hear luffy calling for zoro to help him fish and your relationship mellows back down, protected in loud secrecy.

there's always a strange line to tread when it comes to sharing intimacy with sanji. he's the quickest to melt when it's passing pecks, a second touch of your chapped lips against his cheek.

it depends on the atmosphere of the moment. just as quick as you can puppeteer him to pliant stuttering, sanji is more than capable of wearing you down to your barest core with his appreciative methodical gestures.

what everyone else is most familiar with are the fast moments of sanji softening when you offhandedly touch him. a simple smile on your lips as he gracefully sets your plate down in front of you, ease in the way your head turns to face him and you give his cheek a grateful peck, a quick kiss against his lips when you're splitting ways upon docking on a new island. it's enough of a spectacle that luffy makes the same laughing racket when you kiss sanji casually to see him twirl with new founded energy and hearts in his eyes; that zoro has a trademarked insult ready on his lips whenever it happens; that nami owns a jar that sanji has to put money into whenever he starts his weird dance.

it's almost easy to forget how sanji reciprocates. love has always been a second language to him— it's burrowed in his every unhurried moment when cooking, it's a burn that drove an abscess in him when he was younger, it's straightened postures and the clean lines of his stature for every perverted thought that plagues him. his every move carries an echo, a drumming confession that rings i love you, i love you, i love you until the words are bleeding raw into each other and you feel undeserving in his passion that stinks of cigarette smoke.

the disturbance of the lit end against a clear canvas of blue skies, his arms folded over the handrails of the sunny, the strokes of grey smoke that taints the pristine clouds that rest languidly; a rigid lock on his features until you're brought to his attention with your shoes clicking against the deck. his face shifts into something more delicate— full of feeling that's different from his usual excitable manner.

"bad for you," you begin with a light–hearted scold, plucking the cigarette away from his lips. he turns to you, his back against the handrails.

his restless hands search for touch and find an answering comfort on your skin, turning up and down over the shape of your hips until his thumbs dig into the waistband of your bottoms. "don't," he pleads, "you know it kills me when you're disappointed."

your lips turn upwards, "should i cry?"

"please." his voice wavers between a weak warning and aching desperation as his head falls onto your shoulder, pulling you closer.

the smell of smoke is cauterised into his skin— you don't mind it and you don't mind him smoking, but you think it's funny to act like you do if it has sanji like this. his hair scratches against your skin, tickling an itch he'd placed in you long ago and you thread your straying hand into the strands as his fingers press demandingly into your hips. following your motion, sanji turns his head to look up at you.

a furrow in his brows and a plea in his eyes.

"you know i'm teasing," you lean down, pressing a kiss against his lips as an attempt to appease him, "but you know i'll have to kill myself if chopper comes and redirects his disappointment at me again." you sigh, weary at just the topic. "i mean seriously, he looks at me like i'm the one shoving cigarettes into your mouth and forcing you to inhale."

sanji tries to focus on your words but your lips have left him cold when you pull away; suddenly, being skin to skin isn't enough and he's trying to placate the greed that is curdling inside of him. it works for the better half of a second, his thumbs pull out of your waistband and his arms wrapped around you, one around your waist and the other dressed against your back.

he ducks his head down and settles his craving.

sanji is gentle all around, careful to make even his affections palatable. he starts slow, testing waters that he's skinny dipped in previously and when he finds no rejection, he moves in deeper. he's a lifelong hunger that can never hope to be satiated when close to you, unwavering in a promise that has wedding bells ringing deep in your bones.

there's a new memory of a life he wishes for you, brought to life and fed by the taste of you. for now, he has to pull away as the ship rocks into a tempestuous sea and panicked feet disrupt the echo of the bells. nami starts to shout orders. he pulls away. his heart stutters in time with the unpredictable storm. sanji trips over his feet on his way to pull up the sails and he starts twirling when it makes you laugh.

[metamatar]

let me be clear. i have a lot of fondness for the notion of drawing solidarity between brutalized people from across the world and im not a third worldist. it is seductive. but im genuinely sick of anti imperialists from the third world being characterised as people too stupid to know there is poverty and racism in the united states.

im responding to this being linked on my dash

But being that the ghetto is placeless, like Black people, the Fourth World is the only nominal representation these societies can have; third-worldists often times hold indirect and sometimes unspoken disdain for these Fourth World societies . Having never visited, they often times believing everyone has running water, a doctor, and a home — completely ignoring the police state that arrests and murders many urban Black people who dare to find themselves past the red line and in a green, grassy neighbourhood in Riverdale, or walking through the mansion-zoos in the corners of Newburgh.

cultural hegemony means we see all your media. the imperialised always understand their masters! even our bourgeoisie want to immigrate to the first world! said ghetto music is on our speakers! they speak of ferguson in palestine!!! how much contempt do you have for us?

but the worst thing is their are brutalized populations in the third world! their is unimaginable inequality! communities are subject to pogroms and police violence even in the uniform imagined poverty of the third world. while fourth world theorists talk like this – they also erase what arundhati roy talks about when she talks about bastar and kashmir. the fourth world inside the third world. the fourth world in that sense is occupied and it is entirely forgotten by the world at large – no, what matters is urban poverty in los angeles alone.

i also dont think characterising the fourth world like below helps

Subpopulations existing in a First World country, but with the living standards of those in a third world, or developing country.

because it concedes entirely the logics of imperialism, where what matters is the acquiring the living standards, not transforming the relations of power. which makes for allies and programs you cannot trust – happy to brutalise latin america for the next new deal if it was just distributed better. there is no analysis of the productive relations or value transfer. no concern for the costs of "living standards."

[pepsi-maxwell]

i don't think it would have been anywhere near as bad if they went the whole "antihero who gets cheered by the audience as he verbally demolishes the even worse villain" route, but they went full on audience pandering bland shonen hero who had such memorable, high-stakes feuds as that with... checks notes... the righteous and dark order, and a highlight of an underwhelming promo was calling jay white tofu

remember when mjf was a heel