#I really lost where I was going huh

[theallianceofcelestials]

Sooo, yesterday's MASM episode, huh?

Why is Moonblock, Moonstone, whatever you wanna call him, the way he is? He doesn't make any sense! I'm not going to talk about anything they do in gaming videos, because that's just the VA's bullying eachother, like frinds do.

Pulling Sun along on their adventures as a way to try and bond, helping him (however reluctant that help may be) whenever Sunny goes to him for something, fixing him up during the night, while Sun is sleeping, knowing and making him his favourite cookies (once), wingmanned him a handful of times (the one where he told Sun, Roxy and Foxy to go get ice cream, which turned into the Roxy and Sun date episode, was very sweet of him) ect.

But then turning around, calling him mean names, yelling at him, hitting him, laughing and encouraging when others are jackasses to him (like when Bonnie hung him from the ceiling, and he was up there for days. crying.), joining in on when a child as a form of playing, wanted to stab him - and yeah, sure, he may be made of metal and plastic, so he would've been mostly fine if the kid stabbed him, but just like with the rabbit shooting him with fake bullets, that still hurts, - stabbing him just in general with a sword, blowing him up, letting others shove grass and weeds down his throat and jumping on him from higher and higher with more and more force (which actually could've seriously injured him. they're heavy machines, who were not made to whitstand other heavy machines jumping on them), hitting him and letting him be hit by others with a shopping cart, that half-assed apology in 'Sun Begins His VILLAIN ARC With Eclipse??!!' episode, which kind of sounded condescending if you ask me, basically going "Welp, I tried" when Sun still refused to go back "home", and all the other other sins the little space rock has, but we'd be here all night and I have to watch my bloodpressure.

He clearly wants to be friends with Sun, or at least wants to spend time with him, as I already mentioned. He wants to be close-ish with him. And he claims he likes him, just like how he likes everyone else in the Plex.

But that just feels like he said it, one so Sun wouldn't leave, and two so he doesn't have to directly tell him he likes him.

He sometimes acts almost exactly like the stereotypycal *giggling and kicking feet in the air* "My crush/bestest friend forever and meee <3", but in the most assholeish Karen way of "If A bOy PuLlS yOuR hAiR aNd Is BuLlYiNg YoU! ThAt MeAnS hE iS cRuShInG oN yOu!"

Like, "Oooh I'll write me and Sun's name together as the password🥰! But throw in someone else's name aswell, so if he ever finds out I can just say it's me and my two friends!!"

Make it make sense!

This post was meant to be about how the way everyone acted in yesterday's episode 'Sun Continues His VILLAIN ARC And Plans REVENGE...' felt heavily like it was backtracking. But I kind of got sidetracked with talking about the little space rock.

How "Yeah, I only was an ass to you and abused, so you would reach your literal breaking point, snap and go join Eclipse, so I could try and catch him. Proud of ya, or whatever I'm supposed to say, here's a plush... Still going to shoot you. Because why not." and "Ohh ya know, stabbing people is just Foxy's way of showing he loves you! Classic Foxy teehee!" just felt like some poor attempt at damage control. Same with suddenly everyone wanting to hang out with Sun, the one time he wanted to be left alone.

I'm not counting Freddy, his IQ is room temperature on good days, and I mean it in the nicest of ways. As nice as can be.

But why do suddenly everyone else want to hang out with Sun, like he's suddenly the most interesting of people. Though they're still hitting him with gokarts, insisting they need to look at something at the back of his head (a bump which may or may not have even been there), and when he rejected the idea of them looking at his head, clearly uncomfortable, they surrounded him, held him down, and forcibly checked his head and then fixed(?) it.

And then when he wanted to be alone again to cry, they still wouldn't leave him be. The rabbit actually wanted to watch.

In short, because I truly lost where I was going with this post and just started ranting, yesterday's episode felt like everyone attempting to backtrack a little, but falling back into the comfortable habits, the little space rock confuses me (what do you want?! do you want to be friends? do you want to hold hands with him in the most romantic of ways? do you just view him as a sentient punching bag?! do you just want to keep him around and fix him up, so he can do all the daycare stuff so you don't have to?!), I hate the rabbit so much, same with the gator and the fox, disappointed in the others, and Sunblock. Deserves. Justice.

[ratatatastic]

finnish cats shenanigans are always my favourite but especially on sasha cup day with the cup involved the hijinks ramp up to 100 lmaooo

"wheres my- (realising sasha is in front of him and quickly stutters to change it to our so he doesnt get wacked over the head) wheres our names?"

(luosty proceeds to cackle in the bg like the shit stirrer he is realising lundys slip of the tongue and if he noticed sasha definitely noticed)

"wheres my name? wheres my name ☺️?" and it was at that moment lundy knew he fucked up

it never ceases to endlessly entertain me how much of a punk lundy can be and im so glad sasha is here to put him in his place because sheesh this kid sometimes XD

"and then luosty but i didnt want to give it to him but he took it" eh? is that so? who couldve guessed???

environmental storytelling, captain said haha okay mine now its mine let go ☺️💢

Sasha Cup Day | 7.31.24 (x)

[averlym]

ghostwriter (their grandma would tell them she'd lose half her soul)

[wolfpoets]

"izzy was happy once. but then he got broken - and he has no desire to be vulnerable again. and in order to be happy you have to be vulnerable." oh, okay! officially boarding the Izzy Did Nothing Wrong, Izzy Has Never Done Anything Wrong, Izzy Is Not Capable Of Doing Wrong train. every mean spirited thing he has ever done is warranted and valid.

[sophiethewitch1]

no i will NOT acknowledge the early warning signs for schizophrenia warning list what do i look like I'm someone who deals with their problems?? absolutely not

[moe-broey]

Why did I start like three other projects when I was already working on a big project when I just got hit with the autism exhaustion beam (requires. At least One Full Day just dead in bed, and then some more Taking It Easy time after)

[silverselfshippingchaos]

it's the 23rd... you know what that means...

Happy Ash Day!

[mieczyhale]

one of the guys that runs a reaction channel i've been watching for ages just announced that they're ending the channel next year bc he got a job offer and he's getting married and he's thinking about his family and his future and like...

my son in christ you are 21

i literally want to fucking die

[romanticviolence]

.

[astonmartinii]

copycat | oscar piastri social media au

pairing: oscar piastri x fem reader

they say imitation is the sincerest form of flattery, but really it's just annoying

MASTERLIST | TIP JAR

note: sorry to all of the chloes of the world, i just chose a random name!

f1tea

liked by user1, user2 and 27,305 others

tagged: yourusername, chloereed

f1tea: SHE STRIKES AGAIN! y/n y/ln, oscar piastri's girlfriend, recently changed up her style with some bangs and surprise, surprise chloe reed shared her updated look just days later. then to really pour salt in the wound, reed posted yet again in mclaren merch. will she ever give up?

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user3: BRO YOU COULDN'T HAVE WAITED AT LEAST A WEEK?

user4: i think all subtlety was lost when she copied a literal TATTOO

user5: the way it's y/n's tattoo dedicated to oscar as well...

user6: at what point do we get a restraining order?

user7: the day that girl ends up in the paddock we should let y/n fight her with no consequences

user8: this has been going on for so long i feel like y/n has a lot to unleash on her

user9: at this point i think all of us y/n fans should be able to get their lick in

user10: i'm new to f1 can someone explain this lore to me? (srs)

user11: y/n and oscar have been together for nearly four years now, they got together when they were like 19. this chloe reed girl went on one date with oscar when they were 17 and now copies everything y/n does to try and get his attention? like down to haircut and tattoos ... it's kinda crazy and y/n has made some references to it but like we're nearing like the third year of this so i think she might snap soon

user12: it's even got to the point where chloe has like started talking with y/n's accent? she has a very obvious accent so like it's INSANE

user13: and to think all of this over a single date SIX YEARS AGO

user14: on a brighter note - y/n was MADE for bangs they look so fucking good

user15: obviously she should stop but if there's anyone you want to look like, it would be y/n

user16: at this point is it even over oscar anymore? or has chloe lost herself to journey to BECOME y/n

user17: the fact that she still camps out under all of oscar's posts and constantly posts in mclaren merch

user18: and don't even get me started with how she's always in the comments of oscar's sisters' comments

user19: someone needs to get nicole to put this girl on blast

user20: remember before elon took away public likes that mark went on a liking spree about chloe being a lil weirdo

yourusername

liked by danielricciardo, logansargeant and 1,209,566 others

tagged: oscarpiastri, landonorris & maxfewtrell

yourusername: summer breakin' with my boy (and his boy)

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user24: MAMA THERE'S A BITCH TRYNA BE JUST LIKE YOU 💜

user25: i unfortunately think she's very aware of it

oscarpiastri: i know you love me because you didn't get annoyed about THEM gatecrashing our couples getaway

landonorris: what if we are a couple HUH???

oscarpiastri: max literally has a girlfriend?

landonorris: ur so close-minded osc

yourusername: i love you osc even with these little stray cats you've picked up

landonorris: did we or did we not organise a super romantic dinner for you?

oscarpiastri: i organised a dinner and you two are so fussy that you left to find some chicken nuggets?

landonorris: therefore giving you a romantic evening on the water?

yourusername: you fell in the water trying to get back on board from the tender and i had to jump in and save you after a fish touched your foot and you began to have a panic attack

landonorris: god you do something nice for people and all you get is SHAMED

mclarenf1: you nearly drowned ???

user26: is chloe going to attempt to drown someone so she can claim she also saved an f1 driver

user27: @georgerussell63 alert the GDPA - NO WATER !!!

georgerussell63: understood 🫡

user28: has it not gotten to a crazy point now that we're warning drivers that this crazy girl might DROWN them ???

user29: at what point do we put oscar and y/n is witness protection

user30: the day she manages to get in the paddock me thinks

charles_leclerc: i see our invite got lost in the mail?

yourusername: please refer to whatever the fuck was going above your comment

charles_leclerc: that you're a victim of identity theft?

yourusername: we been known, but BEFORE THAT

charles_leclerc: oh. you should've let lando drown

landonorris: ???

oscarpiastri: i think that might have gotten me fired?

yourusername: no more papaya rules?

chloereed

liked by user31, user32 and 11,045 others

chloereed: summer breakin'

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user33: oh brother this guy STINKS

user34: i am feeling sufficiently creeped out on the behalf of y/n and oscar

user35: i really don't understand her game here though? does she expect oscar to see this and actually mistake her for y/n and leave y/n for her?

user36: at this point i think she's lost in the sauce

user37: also oscar is hilariously down bad for y/n like he could probably recognise her via vibrational field he would not fall for this cheap imitation

logansargeant: this ain't it btw (it's never been it)

user38: not logan tapping in

logansargeant: who gon check me boo? i ain't got a job

chloereed: i don't know what you're trying to say, but i don't appreciate you spreading misinformation and hate

logansargeant: you have literally copied everything about my best friend down to her sentimental tattoos and you've essentially stalked my other bestfriend for nearly seven years ?

chloereed: it's not stalking if i know i'm what he really wants? she's the imitation of me

logansargeant: you like need help

user39: GO LOGAN

user40: bro has been let of the leash

user41: tbf when you think about it, logan has been friends with oscar for years and by default friends with y/n for just as long so like he's probably seen how this has effected them personally

user42: i don't really see how this is such a big deal, people try and imitate celebs all the time ?

user43: i think it's because she knows at least one of them personally and is very viciously pursuing oscar

user44: also there has to be an aspect we don't know because i don't think logan would be publicly taking her on in the comments if it weren't a lot worse

user45: also ... like it probably feels like shit as a person generally to have everything you do copied and not even get a tiny bit of credit

f1

liked by danielricciardo, patooward and 1,784,039 others

tagged: charles_leclerc, maxverstappen1 & oscarpiastri

f1: we're ready for you monza

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user46: OMG IS THAT?

user47: i'm being so for real y/n needs to fight her

user48: OSCAR RUNNNNNNNNN

landonorris: do i need to inform the legal department?

yourusername: you might want to give them some sort of heads up

chloereed: why you afraid i'll steal back my man?

yourusername: no i'm afraid i'll get hit with a manslaughter charge

chloereed: that's a threat - my lawyers will be hearing

yourusername: tell them bitch, oscar would still choose conjugal visits with me over ever being with you

user49: came for the fast cars, staying for whatever this drama is omg

user50: i once went on a reddit deep dive about this drama where they compiled all the evidence and holy moly this confrontation has been a long time coming

user51: the best (or maybe worse) thing abotu all of this is that her claim of being with oscar first and dating him when they were 17 is based on one 'date' where is was just a joint ball between their schools where there was a compulsory dance in which they were partners

maxverstappen1: yo this shit is insane

user52: aren't you meant to be in the car in 20 minutes?

maxverstappen1: drama waits for no one @yourusername i got ur back

charles_leclerc: at this point i will mobilise the tifosi @yourusername

yourusername: i can handle her, i might just need some money to fix my nails

oscarpiastri: please do not fight her, she's not worth it

chloereed: she won't fight for your love but i will

oscarpiastri: can you just fuck off

user53: i fear she's pushed them over the edge now lol

user54: i'm glad they're both letting her have it in the PUBLIC INSTAGRAM COMMENTS <3

f1tea

liked by user55, user56 and 34,982 others

f1tea: she's finally done it? chloe reed was spotted in the paddock at monza. will we finally see a confrontation between the two girls?

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user55: i FUCKING hope so

user56: if i were y/n you'd have to hold me back i'm being so serious

user57: i'd be in oscar's mclaren so fast and be driving down the pit lane to look for her

user58: i'd already be in an italian prison sorry not sorry

user59: y/n needs to give me lessons on being this graceful

user60: at this point we should just have an undercard for the race that's these girls tussling it out

user61: at this point i think logan, charles and max are ready to jump in

user62: charles and max being in the comments just before FP getting the scoop is so insane i love them

user63: imagine getting these f1 drivers this pressed over an aesthetic

user64: if you think this is just about an aesthetic you're just being dumb on purpose

user65: but like y/n is just a girl with bangs and a basic look, u could say like half of the female population are copying y/n

user66: but like please look at the actual evidence, it's way deeper than bangs babe

user67: also the TATTOO WHY ARE WE NOT TALKING ABOUT THE TATTOO

user68: whatever happens y/n will always be better than me

user69: she needs to bash her publicly if she won't beat her physically lol

oscarpiastri

liked by charles_leclerc, yourusername and 3,984,022 others

tagged: yourusername

oscarpiastri: please leave us alone, you'll never be her and i don't want you to be

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user71: STUNT ON THEM QUEEN

user72: a man who vocally defends you >>>

yourusername: love you bby

oscarpiastri: if anyone wants to take me away from you they'll have to defeat me in combat

yourusername: not saying i want that but you would be so sexy in full armour

oscarpiastri: for you... i would wear anything :3

user73: bro said his piece and immediately went back to simping like a pro

user74: if he doesn't offer to wear a suit of armour in the bedroom is he really in love with you?

user75: i guess we're not getting any dad!oscar content any time soon

landonorris: ???

user75: it's a joke about protected sex genius

landonorris: OH

chloereed: that's not what you said then oscar

oscarpiastri: THAT WAS SIX YEARS AGO IN A CONVERSATION I WAS OBLIGATED TO HAVE GET A GRIP WOMAN

oscarpiastri: YOU WILL NEVER FEEL SATISFACTION IN YOUR LIFE IF YOU CONTINUE TO COPY EVERYTHING SHE DOES AND REFUSE TO BE YOUR OWN PERSON

oscarpiastri: so PLEASE FOR YOUR OWN SAKE GET YOUR OWN LIFE AND LEAVE US ALONE

oscarpiastri: oh. i'm blocked

oscarpiastri: slay

user76: so ... oscar... when can we get this level of reading on the radio

yourusername: don't make him do community service :(

user77: but him being sassy is a service to the community

yourusername: you make a good point

yourusername

liked by maxverstappen1, charles_leclerc and 2,045,677 others

tagged: oscarpiastri

yourusername: you can be a copy cat all you like, but you'll never beat the original

view all comments

user78: i am sorry i exist at the same time as you

user79: i know this a whole love post but i have a confession, i am IN LOVE WITH YOU GET RID OF THE AUSSIE

oscarpiastri: 🤨

charles_leclerc: this was a whole saga, i'm happy it's all worked out for you guys but this was hella entertaining - when can we do it again?

yourusername: never again hopefully

charles_leclerc: boring!

yourusername: it literally got to the point that you offered to leave your car keys in a 'special spot'

charles_leclerc: well obviously i don't mean to THAT extent but i just want a bit of drama, let a girl live

user80: shit stirrer charles leclerc i love you

user81: we should've known he was in the trenches with this, the inchident knows no bounds

oscarpiastri: i love you and i'm sorry this happened. but you do slay so i could see why people would want to be you

yourusername: i knew me with bangs would be too powerful 😔

oscarpiastri: you're the most beautiful girl in the world no matter what

yourusername: ugh you have me blushing pretty boy

landonorris: cringe

yourusername: maybe if you copied oscar's flirting techniques you'd actually be wifed

landonorris: i thought we just established that copying is bad

yourusername: trust me, you need the help

user82: i'm glad we've returned to peace with the lando slander

user83: they're power is insane

maxverstappen1: can i say helping you come up with this caption is my community service

yourusername: fuck yes

maxverstappen1: stunting on hoes is very much in the public interest

fin.

note: i'm back in a rhythm !! this is not so subtle so i'll expand here: please please please do not steal my work, idc if you change the driver, if you're blatantly stealing my ideas and concepts - to the point that people are messaging me to make me aware, please don't! or at least credit me rather than pretending this a completely original thought. mamma mia didn't bother me as much because it's obviously the musical's idea, but omg undercover verstappen? big reputation? and guilty as sin - down to the series name? i haven't made any posts about this but know it's very much bothering me and if i see anymore i may have to put it on blast. thank you all for reading, soz for the rant but this has been going on for months.

[mad-hunts]

as far as jack could tell, jervis was really out of it; and it made him wonder it was due to something that had happened while he was out with his father, or when they'd gotten here. perhaps both. jack gnawed on his bottom lip, his eyes darting to jervis's hands, which were flexing like he was struggling with something. an eyebrow rose as jack contemplated asking whether he needed some pain medication.

since he didn't receive an answer to his question yet, jack figured he might as well introduce himself. ❝ uhh, well, you don't have to talk to me if you aren't feeling up to it. my sister told me that you fainted in front of her out there — so, i understand if you're still feeling sick. my name is jack, ❞ he scratched at the back of his neck as he continued to observe jervis. whenever the man tried to get up, jack approached him and was about to caution jervis that maybe he shouldn't by lightly touching his shoulder.

but he remembered matilda telling him something about the other really not liking to be touched, so he merely was going to verbally tell him. up until jervis laid back down himself, anyhow. jack couldn't hold himself back from frowning at his poor present state before venturing out of the room with a 'i'll be right back.' and indeed he had been, with two different vials, alongside a few syringes to inject into that IV bag: should jervis want to be medicated. jack figured it'd be easier to just do that rather than forcing him to swallow anything.

he placed those also on the table before tilting his head at the quote jervis had said until it clicked a few seconds later, ❝ that's a quote from through the looking glass, isn't it? and one that the red queen said in the story if i remember correctly. she was basically teaching alice that staying in the same place is falling behind, right? ❞ jack squinted his eyes at that before a thought came to mind. a soft snort left him, but one that was done of an innocent sort of amusement rather than malice. ❝ that is a kind of roundabout way of talking about survival of the fittest. but hey, lewis carroll was all about the whimsy of things, i guess. and its no big deal. ❞

jack pretended not to see the tears that the other shed for jervis's own sake. the blood on his lips was something he couldn't ignore, no matter how hard he tried, though. jack grabbed a washcloth from his pack and held it out towards's jervis's hand. once it was out of his hand was when jack set down that teacup, the slightly too long stripped pants he wore swaying across the ground. ❝ mm, you and dad were both asleep for nearly four hours. sure — i don't think that's silly at all. i keep something on me all the time from when my brother, julien, was still around. ❞ the bracelet he showed the other on his right wrist then seemed to be made up entirely of tiny conch shells.

julien was a big fan of the sea, which jack thought made his death all the more crushing. after seeing the state that the stuffed animal was in, he figured that that bunny must've been really loved; though it didn't really matter by whom it was. the end result was the same, as love changes you. jack knew this well as he'd never wanted anything more than to be embraced by the warmth of it.

he quickly shook that thought off, only to grab the two vials he got from the fridge once more. ❝ eh... the four hours actually went by rather fast. ❞ jack cleared his throat then, ❝ you know, i couldn't help but notice that you aren't looking so hot still, and so i grabbed some meds for you. but i won't force you to take them. i have a pain reliever as well as something that relieves vertigo. are either, or both of these, something you want? ❞

Eigengrau.

A faint hum buzzed in his ears; his mouth was so dry it felt like he’d swallowed a wad of wool.

The thin sheet beneath him brushed his fingertips as Jervis flexed his hands, cracking his eyes open a sliver. The room tilted, everything blurring at the edges. Ah… so he had fainted. Just as he’d suspected. No glasses, then.

"Hey. Ahh, you're awake… That's awesome. How are you feeling?"

The new voice was barely a whisper, young and uncertain—belonging to a boy, maybe sixteen or eighteen by the timber. Was this another of Barton's assistants, a friend of Matilda’s, or perhaps her brother? Jervis couldn’t quite remember; hadn't Barton mentioned something about having more than one child?

He winced, his body feeling heavy, leaden; aching everywhere. Slowly, he exhaled and tried to push himself upright—tried being the keyword. The effort brought only a wave of vertigo, dizzying and blue-hot, making his vision swim.

… ohh, god…

He swallowed thickly, curling into himself. Something wasn’t right. His glasses and gloves weren’t the only thing missing. He was in his socks, jeans, and a now damp charcoal t-shirt, his body slick with cold sweat. His graying auburn curls clung to his neck in tangled ropes. His boots were beside the cot, his messenger bag on a desk across the room. His overcoat and maroon button-down were draped over a chair.

A flicker of discomfort in his right arm. Burning. Tugging.

Jervis glanced down at the source: a plastic tube. A peripheral IV catheter.

"Ah, you know... 'It takes all the running you can do, to stay in the same place,'" he muttered, his voice clipped and hollow; Bermudian accent casual, almost detached. He turned his eyes to the boy; offered him a faint, strained smile. "Keeps things interesting, I suppose... but I appreciate your concern, lad."

He lifted his fingers to his cheek, feeling the moisture trickle down—salt on his lips. Tears, sharp and stinging. Jervis flinched and quickly scrubbed them away with the heels of his hands.

Cold metal pressed into his spine, tight around his neck—the chain with his and Sylvie’s wedding rings twisted against his skin. He must’ve been thrashing in his sleep. There was blood on his lips.

"Forgive me…" His vision swam as he watched the boy set a teacup on the small table beside the cot, just within view. "But I'm afraid I've rather lost my sense of time. How long has it been since I…?" He paused, his voice barely steady. "... if... if you don’t mind, could you please reach into my coat pocket? You'll find a small cuddly toy. A rabbit..." He rubbed his mouth, lowered his eyes. "It sounds foolish, I know... but it... it was my daughter's, you see..."

The boy nodded, moving quickly to retrieve the toy from Jervis’ coat pocket, and placed it on the table beside the teacup. The bunny was missing one of its button eyes, its white fur faded and matted. A pink satin ribbon around its neck was frayed and tattered.

“Thank you,” Jervis said hoarsely. “I must have been out of it for quite a while.”

[brunchable]

How To Impress a 21st Century Girl.

Pairings: Bucky Barnes x f!Reader

Themes: Rom-Com, Fluff, Mutual Pining(Heavy?), First Date, Flirtation and Playfulness.

Summary: Sam had forced Bucky to use Tinder to solve his abysmal love life. Bucky tells himself that if third time isn't a charm, he will officially give up trying to find a partner.

A/N: I'm a sucker for rom-coms, I hope you guys enjoyed this because I enjoyed writing it.

tags: @hzdhrtss @winterslove1917

It had all been Sam’s idea. "Come on, man. You need to get back out there!" Sam had said, way too enthusiastically, while setting up a Tinder profile for him without even asking. Bucky had resisted at first, arguing that dating apps probably weren't his thing. But Sam was persistent, reminding him that it was 2024, not 1944, and that "no one meets in grocery stores anymore."

Reluctantly, Bucky had gone along with it, figuring it couldn’t hurt to try. What was the worst that could happen?

Well, now he knew.

Bucky was starting to think Tinder was out to get him. His first two dates had been disasters—and not just normal awkwardness, but spectacularly bad. The first girl, Jenny, had brought her ex-boyfriend to the date. Apparently, he was her ride, and they were still "good friends." Bucky had spent two hours third-wheeling a reunion he hadn’t signed up for. The second girl, Alicia, had a collection of ceramic frogs. And when Bucky said “collection,” he meant obsession. The girl spent an entire dinner showing him photos of different frog figurines. It was ribbiting. Literally. One of them even made croaking sounds.

So, now here he was, on date number three, standing outside some trendy café, wondering what fresh nightmare awaited him. This time, though, he’d let you plan the date. Maybe handing over control would be better than having to smile through another amphibian-themed dinner.

You showed up right on time, and Bucky was genuinely relieved to see no ex-boyfriend hovering in the background. You were wearing a paneled knit dress with spaghetti straps that hugged you just right, and your short hair was perfectly tousled. You smiled at him, but the look on your face told him you were just as unsure as he was.

“Hi,” you greeted, and Bucky instantly forgot every single normal response. Holy shit he is TALL.

“Hey, I’m Bucky.” he mumbled back. He was really nailing this whole dating thing.

You walked inside, and the café had that minimalist vibe. A lot of plants. A lot of exposed brick. The kind of place where you’re not sure if you’re supposed to sit or admire the interior design.

As you both sat down, Bucky tried to channel his inner suave. He could do this. He had faced way worse than an awkward date. Like alien invasions. Like that one time he lost his arm again. This was nothing.

Except... why was talking to an attractive woman harder than fighting off super soldiers?

“I, uh, like your dress,” Bucky said, already feeling the heat creep up his neck. Nice, Barnes, real original.

“Thanks,” you replied, with an amused smile playing on your lips. “I like your... jacket.”

Bucky nodded, looking down at his worn leather jacket. “Yeah. It’s... warm.”

Warm? That’s what you’re going with? He mentally slapped himself. This was going well. So well. He tried to change the subject and scanned the menu. “Uh... so, what’s good here?”

“I don’t know, I’ve never been,” you said, fiddling with the edge of your napkin. “The internet said they have good coffee, though.”

“Internet reviews, huh?” Bucky raised an eyebrow. “That’s always a gamble. Could be great... could be a disaster.”

Cue the awkward silence.

The waiter had barely placed the food in front of you both before the quiet tension stretched between you like you were sitting in a library, not a café. Bucky poked at his bagel as if it might come to life at any moment, while you took a delicate sip of your coffee, your eyes darting between him and the wall behind him.

You both chewed in the most nonchalant way possible, each of you hyper-aware of the silence that was growing louder by the second. You were mentally cursing every decision that led to this exact moment, and Bucky, for his part, was questioning whether retiring from the whole Avenger thing had been a mistake.

Say something. Anything, Bucky thought, taking another bite of his bagel, which suddenly felt like chewing rubber. Ask about herr favorite food? No, that’s boring. Comment on the weather? Oh, yeah, nothing like ‘Hey, it’s been cold lately,’ to really sweep her off her feet. Real smooth.

Meanwhile, you were trying to figure out how you managed to forget how to make normal conversation. Maybe ask him about his hobbies? No, that’s basic. Compliment his hair? What are you, in fifth grade? Pull yourself together!

Bucky, still chewing the world’s driest bagel, caught your eye for a split second, and you both did that polite half-smile thing that happens when you’re not sure whether you should talk or continue pretending to enjoy the food.

Did she just smile at me because I’m being awkward, or am I overthinking this? Bucky wondered, immediately breaking eye contact and pretending his coffee was the most fascinating thing on the table.

You, on the other hand, were screaming internally. Oh God, did I smile too weird? Was it the kind of smile that says, ‘I like you,’ or the one that says, ‘I’m trapped in this date and don’t know how to escape’?

You both took another sip of your drinks at the exact same time.

Alright, Barnes, get it together. Say something smart, Bucky told himself, putting his mug down carefully.

“So, uh... how’s your coffee?”

You blinked, your brain scrambling for a response. How’s my coffee? It’s coffee. Just say it’s good. Don’t overthink it.

“It’s... good. How’s your bagel?”

Bucky looked down at the circular piece of bread like it had personally betrayed him. “It’s... round.”

Round? Really? You went with ‘round’? Smooth, real smooth, he chastised himself, nodding like he had just made the most profound statement about bagels ever.

Your lips twitched. Did he just describe his food as ‘round’? Okay, maybe I’m not the only one struggling here.

You took another sip of your coffee, trying to hide your smile. God, this is like watching two middle schoolers on a first date.

You both glanced at each other again. Smile. Look away. Silence.

Bucky ran a hand through his hair. Alright, clearly, she thinks I’m a complete idiot. But it’s fine. I can recover. Just... find a topic. Literally any topic.

You picked at your napkin. Okay, maybe I should mention the escape room next. But what if he hates escape rooms? What if he thinks they’re boring? You cleared your throat slightly, ready to speak, but then—

Bucky cleared his throat at the same time. You both froze, staring at each other like deer caught in headlights.

“You go first,” Bucky said quickly.

“No, no, you first,” you insisted, waving your hand.

Bucky’s brain blanked. He blinked, searching for anything to say. “Uh... did you... park nearby?”

You stared at him, and then a smile slowly spread across your face. Did he really just ask me about parking? You nodded. “No I–um took public transport. Did you?”

Bucky gave a stiff nod. “Yeah. Close. Very close. Super convenient.”

You both stared at each other for a beat, and then, in a miraculous moment, you both cracked up at the exact same time.

“Parking?” you laughed, shaking your head. “That’s the best we’ve got?”

Bucky held up his hands. “Hey, I panicked, okay? The bagel threw me off.”

You wiped a tear from your eye, your shoulders shaking with laughter. “And I thought the frogs were bad.”

Bucky couldn’t help but laugh harder. “Okay, in my defense, this date is way better than ceramic frogs.”

“Glad to be the non-frog date.” You raised your cup in mock salute.

You both chuckled, and for the first time, the awkward tension seemed to melt away. Sure, you were a bit of a mess, but at least you were a mess together.

As you calmed down, you leaned forward, a playful grin on your face. “So, what’s next? You ready for the escape room?”

“I dunno. Should I be worried?” Bucky smirked, feeling a lot lighter.

“Only if you’re bad at puzzles,” you teased.

Bucky crossed his arms, leaning back with a smirk. “Oh, trust me, I think I’ll manage.”

And with that, you both finally stood up to head for the next part of your date, the awkwardness left behind with the round bagel and the overly complicated coffee.

× × × ×

As soon as you stepped into the Asylum escape room, the mood shifted from "awkward first date" to "this might be how I die."

Oh, great. Creepy hospital décor. Perfect first-date vibes. You eyed the flickering lights and eerie medical tools scattered around the room, trying not to let on how much it was creeping you out. At least it’s better than ceramic frogs, you thought, glancing at Bucky.

“This is supposed to be the hardest escape room they have,” you said, glancing at Bucky. “Takes most people at least an hour. You ready for this?”

“Yeah, sure. I mean... it’s puzzles, right? How hard can it be?” Bucky shoved his hands in his pockets, trying to appear calm. I’ve literally fought aliens. How bad could a few puzzles be?

“You’ve never done one of these before, right?” You looked at him, a bit skeptical.

He shook his head. “First time. But, uh... I’m good under pressure.” Under pressure? What am I saying? I sound like I’m about to defuse a bomb, not solve a riddle. Get a grip, Barnes.

“Alright. Let’s do this.” You smiled, trying to hide your own nerves. 

The clock started ticking, and immediately, you were plunged into darkness. A loud creak echoed through the room, followed by a voice over the intercom: “Welcome to the Asylum. You have 60 minutes to escape. Good luck... you’ll need it.”

Perfect. Creepy voice? Check. Flickering lights? Check. Yep, I'm doomed. You moved toward a stack of papers, squinting at the dim lighting. “Okay, first thing’s first... we need to find the clues hidden in this room to unlock the door.”

Before you could even start, Bucky was already inspecting a random pipe on the wall. He tugged at it, and it came loose, revealing a hidden key taped to the back. Oh, that was... lucky? Or did I just break something?

You froze mid-step. “Wait. How did you—”

“I... uh... just pulled on it.” Bucky looked just as surprised as you. Did I just accidentally solve this?

“Okay. Lucky guess.” You stared at him. 

Bucky shrugged. “Maybe.” Play it cool, Barnes. Don't look like you’re clueless here.

You both moved into the next room, which had even creepier décor. Faint writing on the walls, jars filled with unidentifiable things, and a mannequin in the corner that Bucky immediately side-eyed like it was going to jump out at you. Okay, I don’t trust that mannequin. Why’s it looking at me like that?

You picked up a piece of paper with some cryptic writing on it. “This says something about finding the light within the dark. I think it’s a clue. We need to—”

“Found it,” Bucky called out.

You turned to see him holding up a blacklight. How does he keep doing this?! 

“They always hide something with a blacklight, right?” He grinned, flashing the light on the wall, revealing a series of glowing numbers. That’s a thing, right? People hide stuff with these lights all the time... right?

“Oh, you’re just full of ideas now, huh?” You crossed your arms, smirking.

Bucky rubbed the back of his neck, trying to play it cool. “Just... using my instincts.” Yep. Totally knew that.

You worked through the next few puzzles, but by "worked," what you really meant was Bucky accidentally stumbling into the solutions. Every time you tried to figure out a clue, Bucky would casually touch something, pull a lever, or press a random button that—surprise—opened the next door or revealed the next key. At first, you thought he was joking. But as the minutes ticked by, it became clear: Bucky was somehow solving the escape room by sheer dumb luck—or so you thought.

This is starting to freak me out... Am I secretly a genius? Bucky thought.

At one point, you were trying to decipher a complicated code etched into the wall, mumbling to yourself about numerology and patterns, when Bucky—completely oblivious—pulled a book off the shelf, and a hidden door creaked open in the floor.

No. No way. “Are you—” You blinked. “Did you just—”

Bucky glanced at the open trapdoor, confused. “What? Was that not supposed to happen?”

You slapped your forehead. “No! I mean, yes, but—oh my God, Bucky, you’re breaking the game.”

He raised his hands in surrender. “I swear I’m not doing it on purpose!” Seriously, I just touched a book. How is that a thing?

You looked down at the trapdoor, then back at him. “What are you? A puzzle savant? Did you plan this?”

Bucky laughed nervously, scratching the back of his head. “Nah, I just thought the book looked weird.” Great, now she thinks I’m some kind of escape room wizard.

You gaped at him. “The book looked weird?” Weird? Dude, I’m starting to think you have X-ray vision.

“I mean... yeah. It was dusty.” It wasn’t even that weird... or was it?

You squinted at him, hands on your hips. “You’re telling me you spotted a dusty book and thought, ‘Aha! Hidden door.’?”

“Isn’t that... what you’re supposed to do in these rooms?” Bucky shrugged, looking genuinely sorry. Please tell me that's how this works.

This man is unbelievable. You stared at him for a long moment before bursting out laughing. “Oh my God. You’re accidentally good at this. You’re just walking around solving stuff like you do this every weekend!”

Bucky chuckled, his shoulders relaxing a little. I have no idea what I’m doing, but I’m glad she’s laughing. “I swear I’ve never done this before.” This isn’t even the weirdest thing that’s happened to me this week.

“I don’t know whether to be impressed or terrified,” you teased, stepping closer to him. “You’re like a walking cheat code.” Sure, Sherlock. Whatever you say.

“Hey, I’m just here to help.” He smiled, clearly enjoying your reaction. At least she’s impressed. That’s something.

I think you might secretly be a robot. You shook your head, grinning. “Alright, escape room prodigy, let’s see if you can crack the last one.”

You entered the final room—a dimly lit chamber with a creepy-looking mannequin in the corner and random medical equipment scattered around. You narrowed your eyes.

“Okay, this is the hardest part. No way you’re going to just... guess your way out of this one.”

“Yeah, this one’s. . . tricky.” Bucky glanced around, clearly trying to look casual. Please don’t let me stumble into the solution again... 

Please don’t let him find the solution immediately. Just this once.

You pointed at the mannequin. “We need to find a code hidden somewhere in this room. The clue says it’s ‘locked in the mind.’ So it has to be something mental, right? Like a puzzle?”

Bucky stared at the mannequin for a second, then slowly reached out and twisted its head off. Inside, there was a slip of paper with the code on it. Oh, come on. You’ve got to be kidding me.

“Are you KIDDING me?!” Your jaw dropped. 

“I just thought... you know... maybe the head comes off?” Bucky held up the paper, looking sheepish. 

Why am I even here?! You threw your hands up in the air. “Of COURSE the head comes off! Because that makes total sense! Sure!”

Bucky bit back a laugh. “Well, it did say ‘locked in the mind.’” Technically, I was right.

You glared at him, then shook your head, laughing despite yourself. “Okay, that’s it. You’re banned from escape rooms. You ruin them.”

“Ruined it?” Bucky asked, grinning. “We escaped, didn’t we?” She’s totally impressed, even if she won’t admit it.

“We escaped in twelve minutes, Bucky! Twelve!” You slapped his arm playfully. “That’s not normal!”

He laughed, ducking his head. “Sorry?” Guess I’m not so bad at this ‘fun date’ thing.

As you both stepped out of the escape room, the staff was standing there, looking like they’d just witnessed the impossible.

“You’re... done?” Pink-haired Girl asked, your eyes wide with disbelief.

Wow. They look like I just told them Santa isn’t real, Bucky thought.

You, just as confused, looked over at Bucky. “Uh. . .yeah, I guess?”

“Looks like it.” Bucky gave a casual shrug. No big deal. Just casually shattering dreams.

Clipboard Guy checked his stopwatch again, his mouth hanging open. “Twelve minutes. No. That’s not possible. People are supposed to break down in there. We’ve had people cry!”

Cry? What is this, an escape room or emotional boot camp? “You want me to go back in and tear up a little? You know, for the full experience?” Bucky raised an eyebrow, a smirk tugging at his lips. 

“People have left that room emotionally damaged. You just... strolled out.” Pink-haired Girl blinked. 

You stared at Bucky, still wrapping your head around it. “I didn’t even get through the first clue, and you were already unlocking half the room.”

“You were working hard. I just sped things up a bit.” Bucky chuckled softly, glancing at you with a playful smile. I mean, you were giving it a solid effort...

The Master of Puzzles guy appeared, shaking his head like he couldn’t believe what he was seeing. “Did you... have the answers beforehand? Because that’s the hardest room we’ve got. We’ve had people rage-quit in there.”

Bucky rubbed the back of his neck, looking amused. “Nah, just good at finding my way out of things.”

“I didn’t even do anything. You solved the whole thing!” You shook your head, still half-laughing, half in disbelief.

“Hey, you were a great moral support.” Bucky smiled at you, nudging you lightly. Seriously, though, it’s good to have someone to watch while I dismantle a room’s dignity.

Clipboard Guy muttered, “We’re gonna have to ban him. He’s banned.”

Oh no, I’ve ruined their sacred puzzle temple.

“He broke the hardest room we’ve got. Who even does that?” Pink-haired Girl nodded, still dumbfounded. 

“Well, I’d offer to go back and struggle a bit, but... I don’t think it’d be convincing.” Bucky smirked, leaning casually against the counter. Trust me, I can’t fake being bad at something. Even if I tried.

As you headed for the exit, Bucky held the door open for you, giving the staff one last glance before he leaned over to you, voice low. 

“What? You wanted to be stuck in there all night?”

“Honestly? It would’ve been nice to solve at least one puzzle.” You groaned, though you were smiling.

“Next time, I’ll let you have the first clue. Promise.” Bucky chuckled softly. And by let you, I mean I’ll stand far away from everything and try not to accidentally win.

 “You better.” You laughed, shaking your head as you both stepped out into the night.

× × × ×

The arcade was buzzing with lights, sounds, and the faint scent of popcorn. It was a complete shift from the eerie asylum escape room, and you were already eyeing the rows of flashing machines and claw games with glee.

Alright, this is more like it. No creepy mannequins here, just good old-fashioned fun.

Bucky, on the other hand, looked around like he had just entered a foreign world. The last time he’d been in an arcade, they didn’t have all this flashing neon or half the games that were here now. What happened to the simple stuff? Pinball machines and jukeboxes. Now I’ve got ten-foot robots staring at me while kids slap buttons like their lives depend on it.

Still, he couldn’t help but smile at how excited you looked. Okay, if she’s this excited, maybe this won’t be so bad.

“Okay, so... how does this place work again?” he asked, watching a kid furiously slap buttons at a nearby game.

You laughed, giving him a gentle nudge. “It’s simple! We just play a bunch of games, earn tickets, and then trade them in for really weird prizes. Easy.”

Bucky nodded, though he still looked a little confused. “So, you win tickets by—?”

“By being amazing at games, obviously,” you said, your eyes already darting toward a nearby basketball shooting game. “Let’s see if you can keep up.”

Bucky followed you, a small smirk tugging at the corners of his lips. “Oh, I’ll keep up.” Alright, let’s see if I remember how to be competitive at... basketball?

You started with basketball, and while you had a decent shot, Bucky quickly became the Michael Jordan of arcade basketball. He tossed shot after shot into the hoop with ridiculous ease, barely even looking like he was trying.

Oh, come on. Seriously? Why is he good at everything? You shook your head in disbelief. “Oh, come on. Are you serious right now? Are you even aiming?”

“I dunno. I just... throw.” Bucky shrugged, not missing a single shot. 

“This is what I get for going on a date with someone who’s literally built for accuracy.” You playfully narrowed your eyes at him. Why am I pretending like I’m mad? It’s honestly impressive.

He flashed a boyish grin. “You wanted to see if I could keep up.” Oh, I’m keeping up, doll.

You crossed your arms, pretending to pout. “I wasn’t trying to lose in record time.”

When the game ended, Bucky had a ridiculous amount of points, and you had... well, significantly fewer. He collected your combined tickets from the machine, glancing down at you with a playful glint in his eyes.

“Should I carry these, or do you want to hold on to the three tickets you earned?” he teased, raising an eyebrow.

How is he still charming even while teasing me? This is unfair. You scoffed, rolling your eyes as you snatched a couple of tickets from his hand with a grin. “You know what? Fuck you.”

“Careful, doll. You keep talking like that, and I might just take you up on it.” Bucky’s smirk widened, and he leaned in a little closer, lowering his voice just enough to make your pulse quicken. 

Okay, that was a little too good. I should not be blushing right now. Your eyes widened for a second, a flush creeping up your neck before you shot him a playful glare. “You wish.”

“You know I don’t have to wish for anything.” He chuckled, stepping back with a wink.

Well, that escalated quickly. You tried to bite back your smile, but it was impossible with the way he was looking at you. “I’m starting to regret bringing you here.”

Bucky held up the stack of tickets, grinning like a kid who just won the lottery. “You’re only regretting it because I’m walking away with all the prizes.” Did I just turn an arcade into a battlefield?

“Yeah, yeah, keep rubbing it in.” You huffed, shaking your head, though the smile on your face said otherwise. 

Bucky shot you another wink. “Oh, I plan to.”

This guy is dangerous with that smile. You smirked, leaning in a little. “So... what happened to the awkward guy who pointed out that bagels are round? Because this,” you waved at the arcade tickets, “does not feel like the same guy.”

“What? You weren’t impressed by my bagel observations?” Bucky chuckled, rubbing the back of his neck. I was doing my best back then, okay?

You laughed, giving him a playful nudge. “Oh, I was very impressed. I just didn’t know you were hiding this arcade legend behind all that bagel wisdom.”

He grinned, eyes glinting. “I’m full of surprises, doll.” You have no idea.

“Clearly,” you said, still teasing him as you walked toward the next game. “Let’s see how many more surprises you’ve got.”

You dragged him over to the shooting gallery game, where you were met with an array of plastic rifles and paper targets.

“I’m kinda good at this,” you declared, grabbing one of the rifles with renewed determination. “You can’t have a crazy aim for everything.” Finally, something I can win.

Bucky raised an eyebrow, amused. “Okay. Let’s see what you got.”

You aimed and fired... missing every single target. You winced as the targets flipped back and forth, mocking you with their tiny, evil faces. Are you kidding me?

“You’re holding it too tight.” Bucky stepped up beside you, arms crossed, a smirk playing on his lips. 

“Oh, great. Here we go. The expert.” You groaned. Of course, I’m holding it too tight. Leave it to Bucky to know everything.

Bucky smiled, but instead of saying anything, he stepped behind you, wrapping his arms around you, his hands gently guiding yours on the plastic gun. You froze, your heart skipping a beat as you felt the warmth of him so close. His breath was soft against your ear as he leaned in to guide your aim, his voice low and steady.

Why does he have to be so good at this? I can barely think straight.

“Relax,” he murmured, his hands adjusting yours gently. “Don’t grip it so hard. Just like this.”

How am I supposed to relax when he’s practically wrapped around me?

Your pulse quickened, your senses suddenly overwhelmed by how close he was. His cologne—woodsy and warm—filled your lungs, making you a little dizzy. You swallowed hard, focusing on anything but the way your back pressed against his chest. “Okay... relax. Right. Got it.”

“You’re not relaxing.” Bucky’s voice was low, almost teasing.

Yeah, no kidding. Not exactly easy when you smell like a lumberjack dream. 

“I am relaxed!” you shot back, though your heart was racing so fast you were sure he could hear it.

Bucky chuckled, and the soft rumble of his laugh vibrated against your back. “If you were relaxed, you wouldn’t be holding your breath.” 

If she’s holding her breath, I must be doing something right.

You blinked, realizing that yes, you were in fact holding your breath. You exhaled slowly, trying to focus on the targets instead of the fact that Bucky was basically wrapped around you.

“Good,” he said quietly, his hands still steadying yours. “Now, pull the trigger. Nice and easy.”

Yeah, this is totally normal. Just shooting targets, totally not thinking about how close we are.

You followed his lead, squeezing the trigger gently. The shot rang out, and the sound of a hit echoed through the machine. The target flipped backward, signaling a perfect hit.

“I did it!” you exclaimed, your excitement bubbling over as you turned your head to look at him.

Your faces were just inches apart. Bucky’s eyes locked on yours, and for a moment, neither of you moved. The air between you was thick with tension, the good kind—the kind that makes your heart race and your stomach flip.

God, she’s close. Just a little closer...

Your gaze flickered down to his lips, and Bucky swallowed hard, momentarily forgetting where you were or what you were doing. All he could think about was how easy it would be to lean in just a little more, to—

“Uh, sorry!” A kid nearby bumped into the machine, jolting you both out of the moment.

Of course. Great timing, kid.

You quickly stepped out of Bucky’s embrace, your face flushed. “Well, um... thanks for the lesson, Barnes.”

Bucky cleared his throat, his ears a little pink. “Yeah. Anytime.” Anytime? Seriously, Barnes? That’s all you’ve got?

You moved on to a few more games, but the tension between you still lingered, electric and unspoken. After a particularly intense game of air hockey (where you almost won, thanks to Bucky being a little too distracted by you), you found yourselves at the prize counter.

Your eyes scanned the shelves, but one prize in particular caught your attention: an absolutely massive goose plush sitting at the top of the prize display. It was ridiculous, almost comically large, but it made you smile instantly.

“Oh my God,” you muttered, pointing. “That goose is so cute.”

Bucky followed your gaze and raised an eyebrow. A goose? Really? She could pick anything, and it’s that giant bird?

“You like that thing?” he asked, tilting his head slightly.

“I mean, look at it. It’s the size of a couch,” you said, laughing. “No one’s ever gonna win enough tickets for that.”

Bucky looked thoughtful for a second. Then, without saying a word, he handed all of your tickets to the guy at the counter. Challenge accepted, doll.

The kid behind the counter stared at him. “Uh, you know this isn’t enough for the goose, right?”

Bucky nodded. “Yeah, but... what’s it take to win that thing?”

Because clearly, winning giant plush birds is my new priority in life.

The kid blinked. “Like... a thousand tickets.”

Bucky smirked, then turned to you. “Wait here.”

“What are you doing?” You frowned, confused. 

Please don’t say you’re going to try and win a thousand tickets... oh my God, he’s going to try and win a thousand tickets.

Bucky said nothing and disappeared into the crowd. A few minutes later, you saw him at one of those old-school, rigged basketball games. His face was calm, determined—like he was about to go to war.

One after the other, Bucky sank shot after shot, racking up points so fast that you had to rub your eyes to believe it. Within minutes, he had earned a mountain of tickets. He moved on to another game, this time skee-ball, and then to another. Every single game, he dominated, earning enough tickets to make the counter kid’s jaw drop when he returned with what looked like a roll of tickets big enough to use as a belt.

“Holy crap,” you muttered, watching as Bucky handed the tickets over, a satisfied smirk on his face. The kid counted them, eyes wide, then slowly reached for the giant goose plush.

The oversized goose was practically half Bucky’s height as he carried it back over to you, grinning.

“Here you go,” he said, handing it to you with a proud look. “You said you liked it, right?”

Who just... casually wins a giant goose plush? How did he do that?

You stared at the giant, fluffy creature, then at him, your heart flipping over itself. “Bucky... this is insane. It’s huge.”

“Well, I couldn’t just leave without winning you something.” He shrugged, his grin boyish and a little shy. Yeah, Barnes, act like you’re not insanely proud of yourself right now. 

He’s... adorable. Stop. Focus. “You really didn’t have to... but I love it.” You laughed, hugging the goose to your chest. 

“Good.” Bucky’s eyes softened as he watched you smile. Worth every single ticket.

Your heart raced, your face heating up as you looked at him over the massive plush. “You’re full of surprises, Barnes. Who knew you’d be this good at arcades?”

Just trying to impress the girl, no big deal.

“Maybe I just wanted to impress you.” He smiled, a little more reserved this time.

Well, mission accomplished, buddy. You blushed, the air between you crackling again with that familiar tension. “Well, mission accomplished.”

You stood there for a moment, just smiling at each other, the absurdly large goose between you, until you laughed and nudged him with your elbow.

“You know, this might be the best date I’ve ever been on,” you said, your tone light but sincere. Was that too much? Did I just over-share?

Bucky’s smile grew, his eyes softening. “Yeah?”

“Yeah,” you said softly, holding the goose a little tighter. “Definitely the best.” Okay, that was smooth. Not awkward at all.

You left the arcade with the giant goose plush between you, its goofy face almost mocking the awkwardness that had suddenly crept back into your steps. Bucky walked beside you, hands stuffed into his jacket pockets, trying to figure out what to say.

Do I say something? Or just... keep walking?

The sounds of the city filled the silence around you, but neither of you spoke. The playful energy from the arcade had faded into something quieter, more uncertain.

Why am I so bad at this? Just say something, Barnes.

After a long stretch of quiet, Bucky cleared his throat. “So... is this the end?” Smooth, real smooth.

You blinked and glanced over at him, trying to keep your heart from doing a flip at his words. “Well, that’s all I had planned. Why?”

Bucky hesitated, his jaw tightening slightly as he looked ahead, his mind clearly weighing something. Okay, don’t screw this up. Don’t sound too eager.

For a moment, you thought maybe he was going to say goodbye, that maybe this was the end of your date after all. But then, he spoke quietly, almost as if he was embarrassed to admit it.

“I kind of don’t want to go home yet.” Well, there it is. Now she knows.

You felt a flutter in your chest, your face heating up as a small, shy smile tugged at your lips. You ducked your head, looking down at the sidewalk to hide the blush creeping across your cheeks. The way he said it—so simple but sincere—made your heart skip.

Why does that sound so much cuter than it should? You bit your lip, an idea suddenly coming to you.

“Well...” you started, glancing up at him. “There’s a new building by the riverside with a sky deck. It just opened recently, and it’s supposed to have the best view of the city.”

“Sky deck, huh?” Bucky raised an eyebrow, intrigued. A sky deck? Yeah, that sounds better than awkwardly walking home.

You nodded, a little more excited now. “Yeah. It’s pretty high up, and overlooks the whole city. I haven’t been yet, but I heard it’s amazing at night.”

“Sounds better than going home.” Bucky tilted his head slightly, his lips curving into a soft smile. Thank God. I’m not ready for this to be over yet.

“Then let’s go.” You grinned, feeling your heart race just a little faster. 

You shared a quick, almost nervous glance at each other before walking in the direction of the riverside. The awkwardness wasn’t completely gone, but now, it was laced with anticipation, a kind of giddy energy that made your stomach flutter. You hugged the plush goose a little tighter, trying not to let your excitement show too much, but inside, you were buzzing.

× × × × 

The city lights shimmered below you as you lounged on the comfy chairs, drinks in hand. The night air was cool, but it didn’t come close to breaking the warmth buzzing between you and Bucky.

She’s... something else, Bucky thought, leaning back slightly. His gaze kept shifting between the breathtaking skyline and you, but he found himself more captivated by you. How am I supposed to focus on the view when she looks like that?

Noticing the quiet, you smirked. “So, you were really gonna end the night without showing off more of your endless talents?”

Oh, she’s teasing now. Alright, two can play this game. Bucky raised an eyebrow, amused. “What, beating you at arcade games wasn’t enough?”

You laughed, shaking your head. “You’re a walking cheat code, Bucky. But I feel like there’s more you’re holding back.”

His eyes flickered over your face, lingering on your lips for just a little too long. More than you know, doll. “Maybe I am.”

Your breath caught for a second, but you quickly recovered, tilting your head and flashing him a grin. “Oh yeah? Like what? Some secret talent I should know about?”

Keep your cool, Barnes. Don't blow it now.

Bucky leaned in just a fraction, his voice lowering, his eyes never leaving yours. “I’ve got a few tricks up my sleeve. But I only show them to people who ask nicely.”

God, does he have to sound that smooth? Your heart flipped at the way he was looking at you, intense, as if he was seeing through every joke and teasing comment. How am I supposed to keep this casual?

“Nicely, huh? And what do I have to do for you to show me?” you asked, your voice quieter now, the playful banter fading into something more charged.

“Keep hanging around,” he said softly.

I’m in deep now. Bucky's eyes dropped to your lips again, and for a moment, the world around you seemed to blur into nothing. Should I kiss her? Maybe I’m reading this wrong...

His eyes dropped to your lips again, and for a moment, the world around you seemed to blur into nothing. It was just him—his voice, his presence, the way he was looking at you like he wanted to kiss you but was holding back.

You swallowed, feeling the tension build like a slow fire. You sipped your drink, trying to cool yourself down, but it did little to shake the feeling that something between you had shifted. Stop overthinking, just go with it.

“I could do that,” you murmured, a small smile playing on your lips. You felt his eyes on you, and the air between you felt electric. You glanced at him, catching him staring at your lips again. Your pulse jumped. He’s really staring... isn’t he?

“You’re staring,” you said, teasing, though your voice had a soft edge to it, your heart thudding in your chest.

Bucky blinked, caught, but instead of pulling away, he smirked. “Am I?”

Yeah, Bucky, play it cool. Like you haven’t been staring for the past five minutes.

“Mhm,” you teased, though your voice was barely steady. Why does that smirk make my heart race? “I mean, I get it. The view’s great and all.”

Bucky’s smirk deepened, his voice dropping lower. “You could say that.”

I can’t believe this is actually happening. You felt your face heat up at the way he was looking at you. The intensity of his gaze made your stomach do wild flips. Why is this so... intense?

“You’re not just talking about the city, are you?” you asked, your voice barely above a whisper.

He chuckled softly, sending shivers down your spine. Just kiss her already. “Maybe not.”

Your breath hitched. “And what are you looking at?”

He leaned in slightly, his gaze locked on yours. “What do you think?”

She knows exactly what I’m looking at. 

Your heart raced, the pull between you growing stronger with every passing second. His eyes kept flicking down to your lips, making you wonder if he was going to kiss you. I really shouldn’t wait any longer...

Bucky cleared his throat suddenly, as if shaking off the trance he’d been in, and leaned back into his seat, looking almost embarrassed. Okay, maybe I’m rushing this.

“Sorry... I didn’t mean to—”

“No,” you interrupted quickly, your voice softer, gentler now. God, why did he stop? “Don’t be. I didn’t mind.”

His gaze snapped back to yours, the tension flaring again. She didn’t mind? Well, maybe I didn’t screw up, after all—or I did because you didn’t kiss her you idiot. He opened his mouth to say something, but instead, a soft smile tugged at his lips, and his expression softened.

“So... orthopedic ward, huh?” he said, shifting the conversation, though his eyes were still locked on you. “How do you handle that? All those broken bones?”

Smooth, Barnes. Talk about bones to distract yourself from the fact you were just about to kiss her.

You took a deep breath, relieved for the break in intensity but missing it instantly. Great, now I’m thinking about how close he was... “Well, it’s mostly convincing people not to do dumb things. Like skateboarding down staircases. You wouldn’t believe what people put themselves through.”

Bucky chuckled. Yeah, I believe it. Considering I’ve done dumber things in my time. “I can believe it. I’ve been there.”

You raised an eyebrow. “You’ve skateboarded down staircases?”

“No, but I’ve done some pretty stupid things in my time,” he admitted, leaning in again. Pretty sure falling for you might top the list. “But if I did something dumb, you’d patch me up, right?”

You smirked, your eyes twinkling. He’s flirting again. I can’t take this seriously. “Oh, I’d patch you up. But I’d make sure to remind you how dumb you were the entire time.”

“Fair,” Bucky said, the distance between you shrinking again. Patch me up, lecture me—just keep talking, I don’t care. “But I think I’d be a good patient.”

You shook your head with a grin. Good patient? Doubtful. “I doubt that. You’d probably complain the whole time.”

“I wouldn’t,” he replied, his tone teasing but soft. I’d let her take care of me, no problem. “If you were the one taking care of me, I’d be on my best behavior.”

He’s definitely not just talking about broken bones... Your heart skipped at the way he was looking at you again, his voice dropping to something more intimate. The banter was light, but underneath it all, there was that same intensity. Okay, now I’m thinking about kissing him again...

“You don’t strike me as someone who’s ever on their best behavior,” you teased softly, though your breath caught in your throat.

Bucky smirked, his eyes flicking to your lips again. “Maybe you bring it out in me.”

God, I hope so.

The words hung between you, heavy with meaning. Your pulse raced, and you leaned into the moment, letting the tension simmer between you, unspoken but undeniable. He’s close again…

“I’ll have to see that for myself,” you whispered, your voice barely audible over the pounding of your heartbeat.

She’s close, too. Just lean in, Barnes. Bucky’s gaze darkened, his voice low and rough. “You just might.”

A small smile tugged at your lips as the tension between you crackled, thick and electric. You shifted slightly, leaning in with a playful smirk. “So... tell me, you got any other dates lined up after this one?”

Bucky’s eyes flickered with amusement as he leaned back, crossing his arms. Dates? I can barely keep up with this one. “Why? You worried I’ve got someone else lined up?”

You grinned, holding his gaze. “Maybe. Should I be?”

Not a chance. He leaned in closer, the space between you shrinking as his voice dropped lower. “I don’t know... do you have any other dates lined up?”

He’s really turning this on me, huh? You blinked, your heart racing, but you quickly shot back, “Well, maybe... maybe not. Depends on how this one ends.”

Bucky chuckled softly, his eyes dropping to your lips again, the intensity rising. Alright, Barnes, time to end this date right. “Guess I better make sure it ends right, then.”

Before you could respond, Bucky reached out, his fingers gently tilting your chin up. His other hand slid to the back of your neck, his thumb brushing tenderly against your cheek as he leaned in, your lips so close you could feel his breath.

Your heart was pounding, your breath shallow, as his parted lips brushed against yours, soft and slow, his head tilting just slightly. The kiss was gentle at first, his lips locking against yours in a way that made everything around you fade to nothing. He could taste the faint sweetness of your daiquiri on your lips, and with a soft groan, his tongue did a slow, savoring lick against your bottom lip before slipping past, deepening the kiss.

Your hands instinctively moved up, cupping his face as you kissed him back, your fingers sliding along the scruff of his jaw. The warmth of his touch, the way his thumb stroked your cheek, the way his lips moved against yours —everything about it was intoxicating, pulling you under.

Then Bucky pulled back for a quick gasp, his breath mingling with yours , before diving back in, capturing your lips with even more intensity. The kiss deepened, more urgent this time, as though neither of you wanted the moment to end. His hand on your nape tightened slightly, pulling you closer as the kiss intensified, his lips pressing more firmly against yours.

They didn’t stop until they couldn’t breathe anymore, finally pulling apart when the need for air overtook you, both of you breathless and flushed. Their foreheads rested together, the cool night air doing little to cool the heat between you. Bucky’s thumb gently stroked your cheek as he whispered, his voice rough, “Definitely no other dates lined up after this.”

You smiled, your hands still cradling his face, your heart pounding. “Good. Neither do I.”

× × × ×

As Bucky’s motorcycle came to a slow stop outside your house, and glanced up at your front porch. You hopped off the bike, shaking out your hair with a satisfied grin.

That ride was way too short... you thought, glancing at him as you handed Bucky his helmet, which he stubbornly told you to wear instead of him.

Bucky, being the gentleman, didn’t just let you off with a wave. He slid off the bike and stood up straight, dusting his hands like he was about to help carry your groceries.

Alright, Barnes. Play it cool.

"I’ll walk you up," he said casually, like it wasn’t 2024 and people usually just waved from their cars.

You raised an eyebrow, your lips quirking into a smirk. "You’re walking me to my porch?"

Bucky nodded, as if it was the most obvious thing in the world. She thinks it’s weird? Hell, I thought that’s what you’re supposed to do.

“Of course. What kind of guy lets a lady walk to her door alone?” he replied, shrugging like this was completely normal.

You tried not to laugh, biting your lip to hold back a smile. He’s serious. Oh my God, he’s really serious. "Wow, okay, Mr. 1940s. What’s next, you gonna tip your hat and call me ‘ma’am’?"

Bucky smirked, taking a step closer. Alright, go with it, Barnes. “I could, if that’s what you’re into.”

You snorted, rolling your eyes but smiling as you walked together toward your porch. He’s ridiculous... and kinda sweet. You couldn’t help but notice how he slowed his pace just a little, like he was savoring the moment, hands tucked into his jacket pockets, casual yet somehow... considerate.

When you reached your porch, Bucky stopped, glancing at your door as if making sure it was safe territory. This is it. Play it smooth.

You turned to him, unable to hold back a laugh this time. "So, do I get a secret code to get into my own house, or...?"

Bucky grinned, leaning casually against the porch railing. “Just making sure you get home safe.”

Alright, Barnes, she’s not buying it. But hey, it worked.

“You know, they invented porch lights for a reason.” You shook your head, amused. He’s seriously acting like my personal bodyguard right now.

“What can I say? Old habits die hard.” Bucky shrugged, leaning in just a little closer, that playful glint in his eye. Please don’t laugh, please don’t laugh.

You looked up at him, crossing your arms with a smirk. “You know, there’s a fine line between being a gentleman and babysitting.”

Bucky chuckled. She’s killing me with that smirk. “Hey, you never know. There could be a rogue bagel out here, just waiting to trip you up.”

Oh, not the bagels again. “Oh my God, not the bagels again!” you burst out laughing, shaking your head.

He raised an eyebrow, his grin widening. “You know they’re round, right?”

This man is unbelievable. You groaned, pressing a hand to your forehead. “I think we’ve officially come full circle.”

“Just like a bagel.” Bucky gave a slow, dramatic nod.

You couldn’t help but laugh again, but you shook your head, standing on your porch with your hands on your hips. Why do I like this guy so much?

“Alright, alright, you’ve escorted me safely to my door. Anything else, or are you going to salute me goodbye?”

Bucky’s grin softened, and with a playful twinkle in his eye, he gave a small, mock salute. She’s gotta be messing with me right now, right? “Goodnight, ma’am.”

“Goodnight, soldier.” You couldn’t stop smiling as you opened your door, turning back to look at him. Don’t walk away, don’t walk away yet...

As you slipped inside, you peeked out one last time, watching as Bucky lingered for a second, that charming smirk still on his face before he finally turned and headed back to his bike. Say something, Barnes. Don’t just leave like a dork.

But then he stopped, halfway to his bike, and turned back around, something flickering in his eyes.

No, I’m not leaving yet. Not without...

Before you could ask what he was doing, Bucky closed the distance between you with a few long strides. Without hesitating, he gently tilted your chin up, his thumb brushing your cheek as he leaned in and kissed you—soft, quick, but just enough to make your heart race. His lips parted against yours, and for a split second, you tasted the warmth of him before he pulled back, just enough to meet your eyes.

That... was... wow.

Your breath caught in your throat, your heart doing a somersault. Did that just happen? You were still processing when Bucky grinned, his voice a little more hushed. “I guess I couldn’t leave without a proper goodbye.”

Smooth, Barnes. Real smooth.

You blinked, trying to find your voice, but all that came out was a soft, “No complaints here.”

Bucky chuckled softly, his hand still lingering at your neck for a moment longer. Then, he cleared his throat, stepping back a bit. “Hey, uh... you got a number I could call sometime?”

He’s asking for my number after that?

You smiled, feeling your heart flutter as you reached into your pocket, grabbing your phone. “Yeah, here—let me put it in.”

As you typed in your number, Bucky watched you, that familiar twinkle back in his eyes. Best decision I’ve made all night.

When you handed his phone back, your fingers brushed his, sending a small jolt up your arm. Yep, I’m done for.

Bucky pocketed the phone, flashing that boyish grin again. “Alright. I’ll call you.”

Yeah, you better. “I’ll hold you to that.”

He took a slow step down from the porch, but not without glancing over his shoulder one more time. “Goodnight... again.”

You stood there, grinning like an idiot. “Goodnight, Bucky.”

As Bucky made his way back to his bike, you slipped inside your house, leaning against the door as your heart raced. Did he really just kiss me? Again? Oh, this is definitely not over.

You peeked out one last time through the crack in the door, watching him as he swung his leg over his bike. Even from your doorway, you could hear him muttering with a smirk, “Just trying to keep the rogue bagels at bay.”

You rolled your eyes, laughing softly as you finally closed the door behind you, your heart racing a little more than you expected. I’m never going to forget this night...

[envy-of-the-apple]

The Monster You Know

Dark!Gojo Satoru x reader

Synopsis: For your own safety, the strongest sorcerer of today kidnaps you.

Word Count: 6.9k

(Warnings: implied masturbation, implied nsfw, implied noncon recording, death of a minor character.....im pretty sure i missed a warning so lemme know any pls)

Instead of waking up in a bed, you find yourself on the floor.

It's not a comfortable spot to sleep in. The carpet is clean, but it's odd because you don't have this type of carpet in your room. Actually, this isn't your room at all. 

But the panic doesn't really set in until you realize your arms are bound. 

You don't notice him until he speaks. You're too busy yanking on the metal, pulling your hand as hard as you could. The cuffs don't even budge. 

"If you keep yanking your arms like that, you might break 'em." 

He's tall, rivaling the door he just walked through. He looks a couple of years older than you, but his white hair can't be natural, not at his age. His blue eyes are lax. The worst part is how relaxed he looks. He has an eased posture and a pretty smile. He's amused, watching you like you’re a pesky mouse trapped in a bucket. 

You don’t know him. You’re stuck in an unfamiliar room, chained to the floor, and you don’t know this man. 

Escape isn’t possible. So you resort to the next best thing: you plead. 

“Who are you?” Your voice is light and wavers on every syllable. “Where-Where am I? Did you bring me here? Please don’t-“

”You always this talkative in the morning?” He dodges your question with a lax grin. “Anyway, uh, sorry about this-“ he gestures to your tied-up form “-I would've used a talisman, but those won’t work on you for obvious reasons. The handcuffs aren’t too tight, are they?” 

He steps closer, and you scream. It’s shrill, filled with a type of fear that makes your blood freeze because you don’t know this man, you don’t know where you are, and he’s getting closer. 

“Okay okay, I get it!” He manages to say over your pleas for help, but he steps back, and it’s enough to quiet your fear. “Obviously, you need some more time alone, so I’m gonna give you a couple more hours. Feel free to take a mint!” He cheerily points to the nightstand. 

He leaves as quickly as he enters. The door shuts but doesn’t lock. You’d be relieved if you weren’t still incapacitated. 

You look around the room. Nothing of value, nothing that you could reach and grab. Apart from a chair, the only other pieces of furniture were a heavy-looking bed and a bolted-down nightstand. Your kidnapper was certainly meticulous. 

The restraints have just enough slack for you to lean over. You peer at the nightstand. A plastic bowl, too flimsy to be made into a weapon. It contains wrapped-white candies. You gingerly pick one up. 

They’re sugar-free. 

He returns to the mints scattered all over the floor. 

“Okay.” He notes, gracefully stepping over the mess. “Clearly, you aren’t a fan of peppermint. 'you a wintergreen kinda’ person?” 

You don’t look at him. You’ve been in the same position you had been in for hours, sitting curled on the floor. By then, your desperation was starting to show through. 

“Please just let me go.” You mutter, your voice so low, it’s a miracle he can hear you. “I don’t have any money. I have nothing to offer.”

”Well, that’s good because I don’t want your money.” He says. “I know this looks pretty bad, but this is for your sake more than mine.”

You look at him just as he squats down to your height. You shift away. he smiles.

”Do you know what sorcerer's are?” 

You blink. 

“It’s fine if you don’t; we all start somewhere, right? A sorcerer is someone who can manipulate cursed energy. I’m a sorcerer! I don’t wanna brag too much, but I’m pretty good at it.” 

He laughs like he’s telling a joke, and you suddenly realize that you were kidnapped by someone who believes he’s a wizard. 

“Guess you’re still lost, huh? How about I just show you instead?” He points to an ironed-out shirt hanging on a rack. You follow his finger. 

He didn't move. There was no machinery. The shirt just crinkled by itself before it dropped to the floor. 

You gape. The man grins. 

"Pretty amazing, right? That's cursed energy, or, my power if you wanna be less technical." 

"Cursed energy." You whisper, a repetition of his words rather than any actual understanding. He beams regardless. 

"Yeah! Well, it's a little more complicated than that, but let's just start with the basics for now. Baby steps." 

Your dread doesn't fade. Earlier, you feared what a man could do to you, tied and defenseless. Now, you wondered what this man wouldn't do to you. 

"Okay, then....why?" You warily ask him. "Why tell me any of this? What's the point?" 

"An excellent question!" He commends you, as though he were your teacher and not your jailor. "See, cursed energy is a bit complicated, but it's extremely effective. In almost every case, it's the solution. Except for you." 

You shrink back. 

"What-what does that mean?"

His grin turns feline. He's enjoying this; seeing you shake, waver beneath his eyes. 

"Exactly what I said: you aren't affected by cursed energy. A sorcerer could use their technique on you, and there won't even be a scratch on your body. You're basically the Eraserhead of the Jujutsu World." 

You stare at him. He hums, drumming his fingers on his thigh. 

"I'm not great at explanations. How about we just have a hands-on experience?" 

He extends his hands. A purple orb crackles to life, slowly gaining mass. 

"Not too big," he says, though it's clear he isn't speaking to you, "don't wanna wreck the room." 

He adjusts his angle so it's facing you. Your eyes widen, and the desperation to wrangle yourself out of the handcuffs grows stronger. 

"Wait, stop!" You pleads fall on deaf ears. "Okay okay. I believe you. I believe you-" He flicks his fingers. You close your eyes just before impact. 

You expected something. Electricity, a shock. Pain. Your body being eviscerated in milliseconds. 

Nothing. Not even a gust of wind. 

When your eyes open, he's grinning at you. 

"See?" He says, "Not even a scratch." 

He's right. Your clothes aren't even rustled, but the evidence is there. The carpet below you is shaved and cleaned off. And the wall closest to you has cracks on it.

You look back up at him. 

"I said I believed you." 

He shrugs. "Doesn't hurt to make sure we're on the same page." His smile is starting to look less scary and more annoying. 

Your mind still struggles to keep up with all the information you've been given. The typhoon of anxiety is coursing through you. 

"So, then....why this?" You mention to the handcuffs. 

"Just a little confirmation you won't go crazy and destroy the place." He supplies happily. "If jujutsu doesn't work on you, then bindings and talismans definitely won't do a thing. Looking back, abduction probably wasn't the greatest idea in the world. I would've figured something else out, but time wasn't on our side in this case. Especially if we wanted you alive." 

You pale at that. He notices. 

"What, you thought I'd be the only person who noticed you? You're an anomaly. In our world, that's dangerous. Also, the bounty on your head is a pretty nice incentive for people to get the job done." 

"A bounty?"

He grins, and the number he gives makes your mouth hang open. 

"Yup, pretty crazy, right? Anyway, until everything settles down, you and I are roomies!" He claps. "Isn't that exciting!?" 

You glance at him. Then, in the room. Then, at your cuffs. Everything was going so fast. The only constant was him. 

"So, I'm not really a prisoner?" You ask. "I could just...leave, right?" 

"Sure you could. If you hear all that and still wanna go, I won't stop you. Promise." He nods. "But you'd be dead as soon as you step out of the apartment." 

It's not a threat. It's a promise. And not from him. That makes it worse. 

This is insane. All of this is insane; who'd believe any of it? But his powers....that can't be faked. As well as everything that he told you. Why would he lie? What reason could he have to deceive you? 

"Okay," you say hesitantly, "just one more thing." 

The man leans in. 

"What's your name?" 

He smiles. 

Becoming Gojo's roommate was an easy transition. 

You’ve always been someone who goes with the flow. Becoming someone's consenting captive isn't a struggle once you get used to it. A few days in and you and your 'captor' have fallen into an easy rhythm. It's easy to grow trusting of him, especially when there are others who can vouch for him. 

"You should be arrested." Ieiri mumbles, checking your wrists. 

"What? I can't believe you're upset with me." Gojo responds though he doesn't sound very panicked. "I was desperate!" 

Ieiri shakes her head, continuing wrapping your wrists. Amid your panic during the first few hours in Gojo's apartment, you managed to sprain your wrists, trying to yank yourself out of the handcuffs. You wince when she presses on your bruised skin. 

"Sorry," she says, voice flat. You smile anyway. 

Ieiri was also a sorcerer, but she had a different technique. Instead of Gojo's destruction, hers revolved around healing. You've never really seen it in action ("My technique won't work on you; even then, it's a sprained wrist. You'll live."), but it sounded pretty powerful. 

"I'm not upset." Ieiri continues. "But I'm surprised you're going along with all this." That sentence is directed at you. 

You shrug while trying to keep still for her. "He was pretty convincing." 

Ieiri raises a brow, before ultimately deciding she doesn't care. 

"Again, I'm very sorry about all this." Ijichi pipes up. Ever since he entered Gojo's flat, he's been doing nothing but begging for your forgiveness for Gojo's abrupt actions. Apologetic, but not very shocked. You're assuming this isn't the first time Gojo has done something like this. 

Gojo's allies were very different from each other, you ultimately decided. 

“We thought we’d have more time to approach you,” he continues with a nervous smile, “we never expected the clans to move so quickly.” 

“Clans?” You ask, “What clans?” 

Ijichi gives Gojo a look. Gojo looks away, whistling. Eventually, Ijichi’s shoulders drop. 

“Some minor clans with dwindling jujitsu sorcerers.” He gives. “And then the bounty happened and well…” he trails off. 

You nod. “So, when will everything go back to normal?”

Gojo grins. Ieiri sighs. It’s Ijichi who gives the most concrete response. 

You look at the three of them. “Or will things ever go back to normal?”

”It’s hard to say,” Ijichi says, “news travels fast in the jujutsu world, but it’s not improbable. Miyashiro will let us know eventually.” 

"Miyashiro?” 

To answer your question, Ijichi pulls out his phone. You stare at a picture of yourself. But you know you’ve never been in that restaurant before. 

“It’s his technique.” Ijichi tells you. “Flesh manipulation. For the time being, Miyashiro will pose as you and can hopefully air out any potential bounty hunters. He’s the perfect man for the job.” 

You nod, a bit skeptical. “Isn’t this a bit dangerous? Aren’t people trying to kill me?” 

Ijichi tucks away his phone. “Miyashiro is one our best. He'll be fine.” He assures. 

Satisfied with your answers, you nod. Ieiri pulls away after she finishes wrapping your hand. Gojo claps his hands together. 

“See, roomie? You’re in great hands!” He chirps. You nod, if only to seem compliant. 

Apart from Gojo himself, Ieiri and Ijichi are the only ones who know about your predicament, his most trusted people. The rest of the world is unaware that there's someone posing as you, nor that you've gone into hiding. Not your friends. Not even your family. ("It's for the best," Ijichi explained when you voiced your worries, "but we promise, once the bounty is down, we'll return you back to your life. It'll be like nothing ever happened.").

Settling in barely takes a week. Gojo's nice enough to lend you his room, more than happy to set up in the living room. Despite how you two 'met', he's quickly proven to be a nice guy. 

Nice. Just nice. 

To be honest, you don't know all that much about Gojo. He's letting you stay in his home, but you don't see him all that much. Gojo is gone pretty much all day. Sometimes, he's gone for days on end. The apartment feels more like yours than his. 

"I'm the strongest." He told you when you asked. You don't know what he means by that, so you didn't pry. 

Despite the awkwardness, you don't mind the distant relationship. The man probably has his day packed with hunting down demons and this school he talked about. 

The change doesn't happen until two weeks after you move in. 

You weren't allowed to have a phone, nor any internet access, so you mostly spent your time doing hobbies. You've always wanted to learn to crochet, and now you finally had time to actually learn. Drawing also took some hours out of your day. And eventually, you moved onto cooking. 

Ijichi was more than happy to grab you the grocery items when you asked. When you insisted on paying him back, he declined profusely. He was actually the one who organized getting your things and really moving you in. You have another thing you owe these people. 

Cooking was a steep learning curve. Before, you'd only made simple sandwiches and curries, so the food starting out wasn't the best. But you enjoyed the journey more, rather than the end result. Pretty soon, you became pretty good at it. 

Gojo wasn't home often these days, so you jump when the front door clicks open. He takes off that blindfold he's always wearing, blinking a couple times before his blue gaze settles on you in the kitchen. 

"What's all this?" He cocks his head. He isn't smiling. 

Oh no. You remembered getting permission to use his kitchen, but maybe he hadn't expected you to go this far? The kitchen is a mess. There's flour everywhere. You still hadn't washed the cutting board, nor the knives. 

"I'm sorry," you say, "I-I can clean up and-" 

He waves his hand. "It's fine. I'm not mad, I just..." He drifts off. 

You suddenly have a feeling that you might've misread this entire situation. 

"Would you like some?" You ask. "I think I made too much." 

"I could eat," he says.

You smile. 

A few moments later, the two of you are settled on the table. Gojo's never been so quiet before. In the short time you've known him, he's always been boisterous and playful. Now, he's silent. Staring at the food. 

You hold your breath when he takes his first bite. 

"It's good." He says, his mouth full. It's cute. "Really, really good. Damn." 

You laugh out of nerves. 

"You think so? I'm glad! It was my first time trying out this recipe and I wasn't sure if it'd turn out well and..." you're rambling, you know that. You can't help yourself. 

"No, it's good. Real good," he says. It's silent again, but not as uncomfortable this time. The only thing you hear is the clanking of silverware and the hum of the lights. Outside the window, the city lights twinkle. 

You're on your last bite when he speaks again. 

"'been a while since I've had a homecooked meal." He starts with a slight laugh. "Kinda' forgot what it's like." 

You think of the fridge. How it was only ever stacked with protein shakes and instant meals. Gojo was a sorcerer. The strongest. You think you get what that means now. 

"I wouldn't mind doing this more often," you say. 

He looks at you with the prettiest blue you've ever seen. The color of a bright cloudless sky. 

"I think I'd like that." 

Who ever said the phrase 'the quickest way to a man's heart is through his stomach' was onto something. Your friendship with Gojo bloomed after that night. On the seldom nights he came home, dinner was made and sitting on the table. It took a few days for the two of you to warm up enough to talk to each other. Once Gojo got going, it was a lot harder to shut him up. He talked about his school, his work as a teacher for other jujutsu sorcerers. You liked the way he talked about his students. Nothing but pride and affection .

On the nights he didn't come home, you'd save the leftovers in the fridge. They were usually gone by the morning. 

He was around a lot more after that night. Not that you minded, it was his house. You just didn't get a few things about him. For example, that blindfold of his. Why wear it when it was clear he couldn't see with it on? 

You decide to bring it up the third time he nearly runs you over.

"It's part of my technique." He explains. "The six eyes. They're basically cursed energy x-rays. The blindfold just limits their strength." 

You were lounged on the sofa watching TV while he was plopped right next to you. He's switched his blindfold for his glasses. 

"Oh," you say when it clicks, "and since I block people's abilities you..." 

"Yup! Can't see you at all!" Gojo happily fills in. "It doesn't help that you're so quiet. Maybe I should put a bell on you." 

You laugh, but it doesn't sound like he was joking. 

"What's it like?" You ask, turning to him, "Seeing the way, you see? What-what do you see?"

"Everything." Gojo shrugs. 

You frown. "That's not very descriptive." 

He laughs. "Here, wanna try?" He takes off his glasses, handing them over. "These things are real popular with the ladies." 

He's avoiding the question, but you don't bother chasing him for it. Instead, you grab the lenses, pulling them over your eyes. You expect to see the secrets of the universe. Instead, you see nothing but darkness. Though, that might be the point.  

"Everything, hm?" You ask, when you take them off. "That sounds exhausting." 

He takes them back with a grin. "It is! My eyes hurt so so much! You should pity me and make matcha tiramisu." 

You laugh, drawing back. "That's what this is about? To guilt trip me into making dessert for you?" 

"Did it work?" 

You think for a moment.

"Get me the ingredients, and I'll see." 

He cheers but doesn't fully answer your question until the episode ends when you've bid him goodnight and are about to return to the bedroom. 

"You're blurry from far away." 

When you look at him, his glasses are gone, tucked under his collar. It's night, but the sky still stares down at you. His usual smile is gone, stretched into a line you can't place. 

"I can see down to molecules, atoms. Not you." 

You look at him, his eyes. The beautiful curse they are. 

You force yourself to take the first step. Then another. Then another. When you're right in front of him, when he's towering over you, you open to your mouth. 

"What do you see, Gojo?" 

"Everything." He honestly replies. 

Everything. Not just cursed energy. Down to cells, molecules, atoms. You can't fathom how much that is, the essence of everything. What's that like? Being able to see the universe so much that it hurts? So much so that it makes him want to wear a blindfold and never see anything again. 

But you're blurry. Gojo can't see you the way he sees others. 

You reach your hands up slowly like you're approaching a wild animal. In some ways, maybe that's what Gojo is: unpredictable, able to wield the power of space—power that's useless against you. 

You cover his eyes. He doesn't stop you. 

"What do you see, Satoru?" 

He doesn't speak, and you're afraid he's forgotten how. 

"Nothing." Quiet, barely more than a whisper.

He slouches ever so slightly, leaning into your hands like some weight's been lifted. It makes you smile. 

When you try to pull your hands away, his wrap around your wrist, keeping you there. So you stay—for as long as he wants. 

It starts something of a tradition between the two of you. Not every night, not even most nights, but every so often, Satoru would grow quiet, shift in a particular way. You hoped it was therapeutic for him, a break rather than a glimpse of what could have been. You hoped you were helping. 

And, if you were torturing him, hopefully, you won't be for long. 

"How much longer do you think I have to do this?" You ask. 

He hums, clearly not paying attention. You two were in the kitchen, making some sweet he saw trending on the internet. Well, you were doing all the work. Satoru kept trying to steal the batter. 

"You know. Sleeping under your roof, eating all your food, stealing you bed." You urge, while whisking. 

"You're acting like I've been keeping you in the attic, roomie." Satoru pouts. "C'mon, I haven't been that bad, have I?" 

"I'm asking for your sake rather than mine," you tell him. "I'm sure you'll be thrilled to have your house back, and your bed. When will everything settle down?" 

His blindfold is on, as it usually is. To help him out, you've taken to wearing squeaky slippers around the house. He'd offered to buy you one of those cat collars with bells. You declined. 

He's looking in your direction. You know he can't see you, but you can still feel his eyes on you. It's a strange feeling. 

"There's talks of taking down the bounty," Satoru finally says, losing his playful tone, "just rumors, nothing concrete. Worst comes to worst, we'll have to relocate you somewhere overseas." 

Yeah, you were worried about that. Leaving everything behind, your home, your friends, your family, because your life was in danger. You hoped it wouldn't have to come to that. 

"We have a couple of options, though," Satoru says, "negotiations, for one." 

You perk up at that. "Negotiations?" You ask. 

He nods. "Right now, you're under my protection. Unofficially. I could pull some strings, get those old geezers at the academy to take you in as some special assistant." 

You tilt your head. "Like at the school that you teach, right?" 

He nods. "We have a case like yours attending the school, too. I think you and him would get along." 

"Your ability could be pretty useful to us. You might even get out in the field every so often." Satoru continues. "A special technique like that would be wasted down here." 

Special. He's said that before. You can't remember when, but you know he's right. You're an anomaly, but you can use your abilities for good. But could you really do that? Risk your life every day? Lose pieces of yourself like that?

"I don't really feel special," you say, "I don't want to be special either." You glance at him. "Is that a bad thing?" 

Even blindfolded, somehow, his eyes find yours. 

"No," he says, no judgment in his voice, "it just makes you human." 

Relief. You can feel it sinking through your veins. Part of you feels guilty. Satoru is right; you could do a lot. But you...you don't want to end up like him. 

That makes you feel even worse, but then you catch something in his tone. 

"You sound like you're not very human," you say back. You're teasing, but it falls flat. 

He hums. It's not quite the response you were looking for. It takes a second for him to start up again. 

"When I was younger, people used to call me creepy." 

You stare at him. 

"What?." 

He grins, but it's not his usual one. 

"It's true." He shrugs. "Mostly, it was 'cause of my eyes. They called them unnerving. Monstrous. My folks were always a creative bunch." He says it so casually, but you can hear the bite on his voice. It's phrased as a joke, but it isn't.

You put down your whisk, giving him your full attention. 

"That's not true," you respond, "you know that, right? You aren't a monster. Monsters aren't as kind as you are." 

"Oh?" He tilts his head. "Maybe I'm using my kindness as a lure to trap you. Guess you just fell for it, roomie. 'thought you were smarter than that." You roll your eyes. 

"Okay, fine, I yield. You're a monster. But out of all the monsters in the world, I'd pick you." 

For a moment, there's silence in the kitchen. Then- 

"So cheesy!" Satoru laughs. He reaches over, roughly pinching your cheek. "Who knew you could say such cute things, roomie." 

You slap his hands away, now extremely annoyed. 

"Nevermind. I take it back," you retort. "I'd run away as far as I could from you." 

"Good, you should," he replies. "I won't stop you." 

You scoff. 

"Maybe that's why everyone thought you were creepy." You go back to your whisking. "It's not your eyes, you just say a lot of ominous shit." 

Despite how peaceful it is, making desert, cooking, and acting domestic, it can't last forever. The world was still hunting for you, and it had no problems reminding you of that. 

One night, you wake up to the sounds of hushed talking. 

It's coming from the living room. Multiple voices. Quiet but urgent. You're used to the noise. Satoru has this habit of blasting terrible soap operas at 2 am. You don't think that man sleeps. Over time, you've gotten used to at least one disturbance. 

But this feels different. It's enough to rub the sleep out of your eyes, making you pad over to the hall. 

They hear you before they see you. Satoru's apartment has creaky floorboards. Ijichi tugs on the collar of his shirt nervously. Ieiri just looks away. Satoru is leaning back against the couch, legs crossed. He's frowning. That's how you know something isn't right. 

"Is everything okay?" You ask anyway. 

Ijichi gives a tight grin. 

"Everything's fine." He's quick to console. "We-we were just-" 

"Stop." Satoru immediately cuts in. He's wearing his blindfold. You can't tell what he's thinking. 

"We're not hiding it. Everyone involved should know." 

Ijichi deflates. You think Ieiri sneers. 

Satoru beckons you closer with long fingers. You step forward. They're sitting around a computer. You peek at the screen.

Instantly, you wish you hadn't. 

There were pictures of you. Dead. Your body parts were strewn across the floor. Your hands were broken in every other way. Your legs were in pieces. Your head snapped clean off, blood oozing from your appendages like you were just a packet of liquid. One of your eyes was missing from its socket. The other was crushed. But it wasn't you, it was- 

"Miyashiro. At least, what's left of him." Satoru gives.  

The doppelganger, the guy who was covering for you. He was supposed to be one of their best; what happened to him? 

What was going to happen to you? 

They're talking again. At least, you think they are. Their words are muffled, filtered through water. You can't make out what anyone is saying. Your heart's beating too fast. It's pounding through your ears. You can only stare at the picture, what was left of him. Someone's touching you. A hand on your back. 

"Roomie, hey," Satoru's voice comes.

The pounding stops. You look up at him. 

Angelic. It's the only word you could think of. His snow-white hair was pretty, falling elegantly down his face. He'd taken his blindfold off. Blue eyes, sparkling, cleansing. Purifying, like the Ganges river. 

How could anyone think a beautiful sight like this was monstrous? 

He calls your name, your real name, and you break. 

You cling to him, wrapping your arms around his waist. And you're sobbing, tears of everything flowing down your face. 

Hands, hesitant, unsure, rest on your back. And then Satoru's holding you as tightly as he can.

He's warm. It's all you can think as you shake in his hold. 

He's warm. 

"I won't have to worry about that if I just gave in, hm?" You ask. 

It was a couple of days later from your episode. Satoru had convinced you to give one of his soap operas a shot. On-screen, a woman slapped her cheating husband. 

Satoru was lounging beside you, feet propped up on the coffee table. You want to tell him off, but it's his house. 

"If you went to the school, you mean?" He asks. "Probably. You'd be a lot freer. Won't have to sit in a cramped apartment all day. 'sides, jujutsu tech is always on the lookout for fresh talent. The higher-ups would be ecstatic to have someone like you under their thumb." 

"But I'd have to become a sorcerer." You say the unspoken. 

Gojo nods. "Yeah, you would." 

And you don't want that. To face curses, to face death every day. You know you can't handle that. You aren't strong, like Satoru. 

"I'm sorry," you say. 

He laughs. "For what?" 

You shrug as the on-screen couple makes up again. "For being...a coward, I guess."

He thinks for a moment. 

"It's not about bravery," he says in the end, "being a sorcerer is just...that. A sorcerer. It's a job. A title. Only a special few can do it. The crazy ones." 

His tone gets a bit playful. 

"No offense, roomie, but I don't think you got enough crazy in you." 

"That's a compliment, actually." You correct. He ignores you. 

"'sides, I like you staying here." Satoru declares, stretching his arms out on the couch. "Who'd feed me? It'd be horrible to go back to ramen again." 

You roll your eyes. "Right. Who else will wake at 2 am because of your whining to make wagashi?" 

"See! You get it!" Satoru grins. You can't force the smile off your face. 

The husband's mistress has entered the set. The wife is confident that her husband will choose her. She's left heartbroken all over again. You don't get how she couldn't see it. The red flags were all there, and still, she was left blindsided. Never saw it coming. She trusts too easily, you decided. 

"Also, I like having you here," Satoru says. 

You glance at him. He's watching the screen. 

"It's...nice." He admits after a bit. "To have company like this. It reminds me of back when I was younger. When the two of us lived in the dorms." 

When he was a student? Who was he talking about? You don't pry. It's clear he isn't talking to you. 

"I'm glad you're here," Satoru says. 

Lightly, you bump shoulders with him. Infinity doesn't stop you. 

"You're a sweet monster." You tell him. 

He gives a secret grin. 

Every once in a while, Gojo peeks into the bedroom while you're sleeping. 

He's subtle about it, doesn't make too much noise. You're a light sleeper, so it takes little to nothing to wake you up. 

He doesn't do anything. He stands there, shuffles here and there, hovering by the foot of the bed. You just pretend to be asleep in those cases, evening out your breaths, closing your eyes. It's always the same. He loiters around for a minute, and then he's shutting the door behind him. 

It's strange, but you try not to think too much of it. He was probably looking for something. It's his room after all. 

It's just...strange. 

You find it when you're looking through his book shelf. 

He doesn't have anything interesting to read. It's mainly just historical novels. You're perusing through one before a photograph falls out of the pages. 

It's tiny, barely larger than your palm. It only takes a second to realize what you're looking at. 

"Found your baby pictures." You gleefully tell Satoru when he comes back. 

"What?" He tilts his head; you wave the photo in front of him. When he tries to take it, you pull back. 

"Tiny Satoru!" You squeal. "Who knew you were once so small? I always thought you were born six feet over." 

It's a simple photograph, a little aged, but still clear. Satoru looks about eight, standing between a man and a woman. His face is eerily blank. He stares with no emotion, not even a smile. He isn't wearing sunglasses or a blindfold. Doll-like blue eyes. You don't feel like you're looking at a child. He's too-

"Are those your parents?" You ask, letting him take the photograph from you. 

"No," he says, "my caretakers." 

Caretakers. Not nannies, or anything else. It felt so clinical. You lean against his shoulder, still staring at the photograph. 

"You look cute." You finally say. When you peak over, a hint of a smile is twitching on his face. "But I totally agree with everyone. You look creepy. Like one of those children from the exorcist. Climbing over the walls." 

"I never grew out of that phase." Satoru ponders. You laugh. 

"What was it like?" You ask. "You said you're from a clan, right?" 

"Exhausting." Satoru groans. "Never a break from training. I should go back and sue my folks for child abuse. I could get millions." 

"I could help you with that." You pipe in. "I've never gone to law school, but I feel like I'd make a great lawyer." 

"I'll keep that in mind." He promises teasingly before his smile fades. 

"But that's the norm for most kids in jujutsu." He sighs. "Gotta' be perfect. Gotta' be the best, right from the beginning. There's a student I know who had a rough start, but she's the best in her class. Her clan didn't care about her potential. Those kids are all scary talented, they just need a bit of nurturing, that's all." 

You stare at him. He catches you. 

"What?" He asks, before his eyes widen. "Do I have a pimple?" 

You shake your head. "For some reason, I feel like that's impossible for you." You tease.

"I'm just admiring you, I think. For being such a kind person." 

"I thought we agreed I was a monster." Satoru points out. 

This again. You roll your eyes. 

"Fine, a good monster." You correct. "A monster, I know." 

"The monster you know." He repeats

You want to ask him why he's so insistent on that. For some reason, you hold your voice. 

Satoru's apartment had two bathrooms. Lately, the one in the bedroom has had some issues. 

It's been awkward lately trying to share the only working bathroom. Satoru and you shower at around the same time, so you've opted to hold back your morning routine a little later. You still manage to catch each other. The amount of times you've accidentally caught him walking around with nothing but a towel around his waist would be too mortifying to admit. 

But, so far, it's working. And you can't complain since you at least have one working bathroom. It's the little things. 

Tonight, you wake up to your bladder urging you to move. And yet, your body still wants to sleep. You check the time. It's nearly 2 in the morning.

It takes a while to pull yourself up, unraveling yourself from the covers before you're trudging out the bedroom. Satoru's apartment is so dark. It's a completely different look compared to daytime. You feel your way with the walls, letting your eyes adjust to the dark. When you peek over at the living room, Satoru isn't there. He must not be coming home tonight. 

The bathroom is shut, but there's a sliver of light bleeding under the door. Fuck, you did not shut the lights off last time. You need to be less careless. 

At first, you think Satoru's hurt. 

He looks hurt. He's hunched over, shaking shoulders, harsh breathing. You can only see his back, but he looks like he's in agony. You're about to step forward, ask what happened, and then you catch a glimpse of what he's clutching. 

Pretty, blue, laced panties. 

Your panties. 

And you're close enough to hear his voice whispering your name. Over and over again. 

"Fuck, fuck, baby, need you, just lemme-just lemme, all mine, all mine-"

He doubles over, tightening his grip on the edge of the sink. Your panties are damp. 

You flinch, and in your moment of panic, you step back. Creaky floorboards. 

Satoru looks up in the mirror. You don't move. 

He takes his time. Placing his phone down. Adjusting his pants, washing his hands. You can only stand there, frozen. Staring. Staring until he's in front of you, looking right back. 

You might have forgiven him if he had fumbled, laughed it off, became bashful. A human reaction. His face is eerily blank. He stares with no emotion, not even a smile. His eyes mirror that photograph. Doll-like, absolutely empty. 

Monstrous. 

Your eyes water. He turns blurry for a second. 

Satoru steps aside. You wordlessly enter the bathroom, shutting the door behind you. You don't bother locking. 

You don't know how long you stay there, quiet, shaking, your mind trying to piece together what you just saw. You stay there for hours. You stay there for seconds. Time stretches on like infinity itself, yet even then, it's too short. 

You're alone with him. It's a thought you never even had until now. You're alone with him. 

Satoru is outside. You don't look at him, staring at the floor, looking at the carpet, counting each strand. You keep your head down when you return to the bedroom. 

He follows. You say nothing. You don't look. You don't look, even when the covers shift and he gets into bed behind you. You don't look, even when there's a hand on your shoulder. You don't look, even when there's a chest pressed against your back. 

You shiver, you shake. You don't look. He says nothing, even when you break down completely. 

You wake up alone the next morning. 

You don't waste a second. You're stumbling through the room, picking up your clothes, packing everything that you need. You're so panicked that you manage to knock over an alarm clock. 

It's habit to reach down and pick it up. Learned politeness to scrutinize it to make sure it isn't broken. 

A black dot stares back at you. 

A camera. 

Horrible memories of last night come back. He was watching something on his phone. 

You feel nauseous, about to give all over the floor. You need to go. You needed to get out of there. 

The apartment is silent, like it always is when Satoru isn't here. You just hadn't noticed how cold it was, lifeless. It makes the pit on your stomach gap. You expect the windows to be bolted shut. They aren't. Sunlight streams through the glass. The front door is unbarred too. 

It's easy to leave. 

You stop anyway. One question. 

Where would you go? 

You can't go back home. Miyashiro's body still haunts you. His soul in your body, torn apart with such hatred and vitriol. Those people were still looking for you. The only reason you were still alive was because Miyashiro took your death bed. 

You'd die if you went back home. 

You can't go to jujutsu tech. You'd be expected to lay down your life, serve a maskless force that pretended to do good. You'd certainly die. Ripped apart by curses. 

You'd be slaughtered if you went to the school.

Every route is treacherous, nearly impossible, full of dangers and unknowns. 

At least, you know what Satoru wants. 

He's made it clear since the beginning. You were just willfully ignorant. Oblivious on purpose. More than happy to ignore the red flags because you knew he was a kind person to his students, ignoring the dichotomy of his actions. 

Two things can be right at once. 

Satoru won't stop you if you run. He told you that himself. You could leave if you wanted, and he won't follow. But every other path is filled with an intangible value, and Satoru is the monster you know. 

Your hand falls away from the doorknob. 

You get started on dinner.

You're still there when Satoru comes back. You say nothing. Neither does he. Dinner is a quiet affair. He doesn't talk about his day, he doesn't talk about his students. When you wash the plates, he's quietly standing behind you. When you get out of the shower, he's waiting outside the bathroom. 

You can't bring yourself to look at him until you get into bed. Your eyes trail up, past his legs, his shoulders, his neck. Looking into Satoru's crystal blue eyes. 

Blank. Numb. Empty. 

You think of the cameras. You think of your stolen underwear. 

You think of how much his eyes must hurt right then. 

You raise one hand out, grasping the sleeve of his shirt. It's barely a tug, but the monster follows like he's weightless, crawling into bed. He's too big to hold properly, but he sinks into your body anyway. His forehead rests against your chest. His eyes close. You don't feel that ice anymore. 

“What do you see, Satoru?” 

“Nothing.” A pause. A stilted breath. 

“Nothing but you.” 

He was right in the end. Satoru is a monster. There's no other word that can describe him. Inhuman, far above humanity itself. But he's the monster you'd pick, every single time.

[astralnymphh]

loser!ellie: who goes completely dumb when you kiss her. not a regular kiss—but one that clothes her skin in clandestine crevices. eating her neck, licking the skin fresh, pulling the hems loose on her. it all drives her pupils up inside her head and tends her to a state of scattermindedness, one where she minds the things standing outside of her head. “joel's gonna be wonderin' where i am if you don't stop..” mumbling against your ear, her eyes going as far as searching the room for spectators. that is, until you begin pricking the reddened skin too breathtakingly; with kisses that form deeper colors, and surface the most quiet-soft, long and delighted noises to the corners of her almond-shaped lips. it begins a requiem for her thoughts.

she is oblivious to how lost she gets. you nip her, and all the definition fades from her features; dope-faced. in fact, she doesn't grasp what you're really doing to that precious spot on her neck, and the sudden pressure there, until your lips have already left. hurried fingers flee and feel for her neck. “did you—you did not just do what i think you—” there is a smile playing on her face. however, it is hard-pressed. she rummages for her phone in the pillow cradling her head, and paints her neck with the illumination of the camera screen. “fuck, babe, really?” she drags, prods and palms at the scarlet-red blotch, wincing with her teeth bare. you watch her throat bob as it clears. “that high on my neck, too?”

you had no head for remorse; tonguing for the treat again. “you deserve it,” you whisper, the ends of it warming her skin. it flinches under your lips. “for being so cute all evening, huh? holding, and squeezing my hand under the table where your friends won't see?” a gulp plummets through her throat, and you taste it. some reproaching tension is building in there, too strung inside her feelings and sensations to let it become words, and furthermore too bashful to let them glance along your mouth, and potentially stutter. she imagines she will, and it restricts her. but the tight, skin-hot knuckles curling in your shirt are a clear representation of what she keeps in her throat. “got so red when i let them see, yeah?” something delicate along the lines of: “such an asshole.” perching there in phantom response, but she scratches the words into your back instead. your lips make her want to be obedient.

she is so distracted—from your questions, from your lips— that when her throat does loosen up, a roll of your hips on hers is all it requires to descend her opinion and forget about the movie she wanted to watch with joel. the warmth in her pants made mush of her mind. “fuck— more,” she shivers with a gaping breath. begs with her waist arching into you, inciting you to do what you just did again. the voice in ellie cracks. “i mean, joel can wait a second longer, right?”

a/n: apologies for the lack of blurbs writers block is hitting everyone atm i think..

[swordsandholly]

Cherry Bomb - tattoo parlor anothology

MDNI | poly 141 x fem fat reader | masterlist | cw: oral (reader receiving)

Part Ten: Permission

A/N: We're SO back!

You’ve never been so happy to work an extra day.

Johnny gets the shop to himself on Sundays for walk-ins. Usually, he mans the shop by himself but you need to record the cash income from the convention in the ledger. Sure, you could do that during your usual hours the upcoming Wednesday and catch up on sleep, but you have too much nervous energy coursing through you. If you were home you would just be stewing on your couch the hole day and probably spiral into a panic attack. At least here, with a task and Johnny yapping in your ear, you don’t have to think about the fact that you made out with your boss too much.

Fuck. You really did that. Fuck, fuck, fuck!

You woke up in a cold sweat, fingers brushing over your lips as you tried to decipher if it was real or dreamed. If you really kissed John, if he really held a hand on your lower back as he walked you home, if he really gave you a second, light peck before saying goodnight. The itch of his beard lingers, as well as the warmth where his hands cupped your face. It felt so good. So fucking good.

Then the context settles in. The fact that you kissed your boss makes you want to throw up - not for any dislike of it, just the fact that your job is now in limbo. Hanging in the balance until you can talk to him on Wednesday. At least you can take the next couple days to collect your thoughts - come up with a good apology that will hopefully let you keep your job and some semblance of dignity. Somehow make sense of the fact that you’ve kissed John and Kyle and surely when they find out they’ll think you’re a floosy. Loose and easy and pathetic and gross. You couldn’t quite meet your own eye in the mirror as you tried to get ready for the day.

The current, formerly “Future You” is not very happy with the now Past You. Frankly, you’d like to deck her for leaving you in this state of a permanent heart attack.

“Och, I’m about tae melt.” Johnny mutters, appearing from his room and stretching. His shirt rides up, exposing a thick happy trail that does not help you in your current spiral.

You just hum, gluing your eyes to the physical spreadsheet in front of you as you go through the sales from the convention. Numbers will clear your head. Yeah, nothing less sexy or more distracting than trying to do math with pen, paper and a TI-84 calculator.

“We should go get some ice cream.” Johnny leans over behind you, causing you to jump. Large hands settle on your shoulders as he rests his chin on the top of your head. At least Johnny is always touchy, you don’t have to read into it. You don’t think you could handle reading into it right now.

“Uh, yeah, okay.” You murmur, letting him lead you out of the office and flipping the out for lunch sign. You’ve been so lost in your head the entire day that you can’t fully pull yourself out of it - the same spiral of fears and self-degradation swirling around in your mind. A Cat 5 tornado of your own making. So stupid.

Johnny intertwines your fingers as you make your way down the street. Your hands swing lightly as you walk. Even with the heat, it doesn’t feel like too much. You’re not sure what it is - of you’re just comfortable or if Johnny just has something about him that makes touch feel perfectly natural - but it’s never overwhelming. Even when he’s hanging off you like a leech, it’s just Johnny. He doesn’t make you talk, doesn’t pry into why you’re so spaced out. He probably just thinks you’re tired. You are tired. So tired.

You don’t realize Johnny is saying something until he gently elbows your side. “Huh?”

“What d’ye want?” Johnny asks with a concerned furrow in his brow.

“Oh, uh, I can get my own-“

”My treat.” He shakes his head, batting away the hand pulling your wallet out of your back pocket. You have no choice but to give in to him - there isn’t any point in arguing with Johnny.

“Thanks for suggesting this.” You murmur, as you sit at one of the wooden, outdoor tables in front of the shop a couple blocks down from the tattoo parlor. The tables are covered in the shade of trees and an awning, luckily, keeping the sun from beating down on you. It doesn’t stop your ice cream from melting nearly faster than you can eat it, but you don’t have the heart to complain after Johnny took you out and bought it for you.

“Aye. Seemed like ye needed some cheerin’ up. Never seen ye so sullen.” Johnny comments, casually stuffing a spoonful of ice cream in his mouth. His eyes are sympathetic, though.

“Oh.” You thought you’d been doing alright at hiding it - came into the shop with a jokes and everything this morning. Sometimes it’s easy to forget how much Johnny actually notices between all his volume and energy.

“Gonnae tell me about it?”

“No.”

“Might help.”

You shake your head. “I- I’m- I can’t.”

“Okay.” He smiles gently, giving you a once over. His eyes are so sharp. The others do it too - take your body language in piece by piece. It doesn’t burn like when Johnny does it, though. His gaze is consuming, even when soft.

He seems to let you off the hook, though. It’s impossible to know how much he does or doesn’t know - how much any of them know. It puts you on edge, the inability to ask. After all, to ask is to admit. If you admit to it, you might lose it all. Fuck why did you kiss John? Kyle you can explain away - just a fun little bet. You’re close in age, he’s pretty, you’re together a lot, you get along. Nothing to it - even if it feels like there was. Even if it feels like every time you’re near him you’re going to melt and the air gets too thick and all you want is to pull him to the back room one more time.

John… John you can’t justify like that. He’s your boss. He’s over a decade older than you. Easily. He’s been so good to you but that’s not an excuse - it’s not right. You’re jeopardizing his place in his community. You’re jeopardizing your job. The best job you’ve ever had. The best friends you’ve ever had.

You can feel Johnny glancing at you as you walk, your eyes square on the ground and fists clenched anxiously. The heat outside only makes your head spin faster. Your cheeks feel feverishly hot. The ice cream almost curdles in your gut. Everything is too loud, too hot, too heavy.

You glance up at the clock. The day’s almost over - there probably won’t be more than one or two people that file in at most. You’ve finished with your work, currently just cross hatching on a sticky note in an attempt to calm your frayed nerves. It hasn’t worked. You need a distraction. A real, proper distraction.

“Johnny.” You snap, standing in the door way to his workroom.

“Hm?” He looks up, thick brows raised.

“I want a piercing.”

He cocks his head, taking you in from head to toe. “Aye?”

“If you have time.”

“I’ve always got time fer ye.” He grins.

You almost roll your eyes, but you’re too raw at the edges to really care about his usual flirting. There’s too much weighing on your mind - too much real anxiety knotting itself around your synapses and crushing them in it’s hold. The pain will help. It’ll ground you - sharpen your senses. You can focus on taking care of it for the next couple days between sleeping the days away until Wednesday. Until you can get this shit over with.

The only answer is to quit, right?

That’s your only option.

“What d’ye want?” Johnny asks.

You shrug. “What’d you think?”

He taps his chin, eyes slowly making their way over your body. You wonder if he can see how tense you are - body so locked up your joints ache and your jaw throbs. It’s a wonder your teeth are still there with how much you’ve been grinding them.

“How about a navel?”

“Okay.” You agree too quickly, flopping back on the pairing table. You focus in on a water mark on the ceiling above while Johnny digs through his tool cabinet, laying everything neatly on a small rolling tray.

Johnny stops above you. You don’t even turn your head to look, fists clenching and unclenching.

You’ll have to quit.

That’s your only choice. No reference calls, no contact. Will Simon hate you? Will they all? Will they talk about why you up and left? Will they show up at your apartment to demand an answer? No. You don’t mean that much - only a blip on the timeline of their shop. The corners of your eyes burn.

Johnny’s fingers skate over your soft middle, barely touching as he passes over the button of your jeans. He pauses, glancing down at you. “Bonnie?”

“Yeah?” You reply a little too harshly.

Johnny leans over you, hands on either side of your head, blue eyes burning through your skull. He blocks out the light above. “Yer doin’ this because ye want to, yeah? Not to punish yerself?”

You shrink into the table, hackles raising. It really is so easy to forget that Johnny is an observant bastard. Loud, brash, but he still sees everything. Like how he learned your coffee order by heart without you ever even saying it to him or having it written on the cup. He absorbs things, files it away, keeps it close to his chest and hides it behind his blunt, brash daily manners. You’ll miss him.

“I- yeah, I’m fine.” You wince internally at the shake in your voice.

“Y’know, we all love ye.” Johnny murmurs.

You huff, eyes darting anywhere to get away from his. Laying on the table suddenly feels slightly trapping. You can’t get your gaze fully away from where he stands over you - so close as his thick arms cage you in. “Guess so.”

“An’ there’s nothin’ tae feel guilty or bad about.”

Your eyes snap to his face, wide and worried. Does he know? Was he told? Do you ask? If you ask, you’ll be admitting to it. If you ask, then he will know for sure. If you ask, you might ruin it all. “I don’t-“

“Ye do.” He cuts you off. “An’ ye have permission, even if ye dinnae need it. It’s okay. Ye havennae done anythin’ wrong.”

You stare, mouth opening and closing lamely. Johnny. Straight forward, loud mouth, unsubtle Johnny. Fuck, you love him for it. Doesn’t dance around what he means. Doesn’t avoid what needs to be said - from his end, at least.

“Did- did you talk to-?” You stutter, struggling between needing to know and fear to admit the truth so blatantly. Even if he obviously knows something.

“Not really. Not my business.” Johnny shrugs casually.

Not his business. So they persue separately, you think. That makes sense. Probably. It’s probably wrong to make assumptions about the dynamic, about the implication that they have some sort of free for all. Then again, you don’t really know anything about their interpersonal workings much. They live together, they’re touchy. The dynamic is a mystery to you - only adding to the piles of confusion.

“Yer thinkin’ tae hard about it.” He pokes the furrow between your brows.

Oh. Is that it? You’re overthinking? No, adults talk about these things. You don’t understand the interpersonal workings here at all. Are they together? Do they just do this? Pull girls in and push them around until they get tired? That feels too cruel for them. They’ve taken such good care of you…

“I still… want to talk.” You murmur, cheeks warm.

His face softens, a light smile tugging at his lips. “An’ ye will. Kyle’s been damn near loosin’ it with ye avoiding him.”

“I’m not avoiding him!” You snap far too defensively.

“Sure ye aren’t.” Johnny shrugs, as if to tell you he knows that’s bull. Not his business, though, he said. “Just… donnae be so scared of us, aye? We’ve got yer back.”

Your shoulders drop, sore from being tensed for the entire day. “Okay.”

“Still want tae get peirced?”

You nod, chest far less tight. As though you finally let go of a breath you had been holding the entire day. “Sure, why not.”

Your shoulders slump as Johnny makes his way through the usual song and dance - showing you the freshly cleaned tools and marking the spot for the needle. Somehow the world seems… quieter. As if all the chatter in your mind had been just as deafening to your physical ears. It’s tiring. That same sting behind your eyes that you get after a long night out. Your defenses are down, and your body is finally at rest.

“Ow!” You gasp, lifting your head to meet Johnny’s impish grin with a glare. “A little warning next time!”

“Tha’s what happens when ye donnae listen.” He teases, slipping the jewelry through. “She’s cute.”

You snort. “She better be. Y’know I should tell John on you for improper conduct.”

He cocks an eyebrow. “Aye, ye an’ Price know plenty about improper conduct.”

There’s no malice in the comment, or in the grin he settles on you. For once, you don’t freeze up. Don’t send yourself into a panic spiral over what he knows or thinks or feels. Johnny made himself clear. Instead you land a light smack against his arm and huff in embarrassment.

“Stand f’me.” Johnny murmurs after cleaning the piercing, a heat in his eyes that you can’t quite gauge the source of.

You do as you’re told, slipping off the table. You have to hook a finger into the waistband of your jeans to keep them up, cheeks hot as you realize how much is actually exposed with the fully undone fly. You glance up at a far too pleased Johnny. Didn’t even say a word, the mischievous bastard.

He drops to his knees in front of you. Your brows shoot damn near into the sky. Johnny mumbles something about making sure the piercing is sitting right. You roll with it, knowing he’s probably just saying whatever to get you to keep your pants undone a little longer. Your breath quickens as a large, warm hand flattens itself over your soft belly, unabashedly groping. Not that you mind, really, even if it does make your face so hot it might melt.

Your heart almost breaks out of your rib cage when he places a small kiss next to the piercing. His hand lowers, resting beside yours on the waistband of your jeans.

“May I?” Johnny murmurs, big blue eyes blinking up at you.

You have permission.

You don’t need permission.

You have it, though.

“Yeah.” You gasp, shivering at the cold air on your skin as Johnny pulls your pants halfway down your thighs.

“Pretty, pretty lass.” He murmurs, nipping at the softness of your belly and down to your thigh. “Look at ye.”

“Flatterer.” You scoff, attempting to let the tension melt off your shoulders with the usual snide remarks you slide each others way.

“M’just honest…” Johnny mumbles absently, fingers catching in the hems of your underwear. “Ye always walkin’ around in somethin’ this skintie?”

For a moment, your brows knit in confusion. That is until he pulls back and snaps the string of your thong against your hip. Your face somehow gets even hotter and you grumble out a poor excuse of, “S’laundry day…”

Your hips twitch as he traces between your lips through the cloth. So uncharacteristically slow and methodical for Johnny as he feels you, like he’s trying to memorize it. A shamefully harsh jolt runs up your spine as he presses just slightly into your clit.

“Sensitive little thing.” Johnny grins up at you. You swear the devil has a less delinquent grin.

“It’s been a while.” You shrug, aiming once again for casual and missing by a mile.

His grin only grows, eyes bright and hungry. “Let’s get these off.”

You shimmy your hips a bit to help him get both your underwear and jeans completely down. A wave of shyness overtakes you as it settles in that you’re utterly exposed to Johnny, your friend and coworker, in the middle of your workplace just as the sun has begun to edge down close to the horizon. It’s almost too much, and you almost yank your pants back on with a stammered, fake excuse, but Johnny soothes his hands up your thighs, gaze locked onto your pussy like it’s the only thing that exists and yeah… you want that.

You have permission.

“There she is.” He cups you gently, grinding the heel of his hand against your clit just hard enough to make you gasp.

Before you can say or do anything his hand retracts and Johnny settles you with the most serious look you’ve ever seen from him. It looks wrong, almost, on that face that’s supposed to have a permanent ear to ear grin.

“If ye want tae stop, I need ye tae tell me now.”

“No.” The word leaves you before you can even register the thought - desperate and breathy.

It earns a low chuckle. The only warning you get before Johnny licks a long stripe up between your lips, letting his tongue rest on your clit for just a moment before repeating the motion as though he’s not just eating you out but truly trying to truly get a taste for you. To memorize you as he drinks you in.

“Should let me give you a Christina…” He murmurs, pulling back to look at you.

“Ah, wha-“

“Look so pretty on this fat little cunt.” Johnny gives you a light smack for good measure, grinning at the visible jolt that travels up your spine before diving back in. He hooks a leg over his shoulder, leaving you balancing on your tip toes with your hands flat on the table behind you. It’s precarious and with absolutely no room to escape the attention he’s lavishing on you. It’s almost desperate, the way he moves. The way he devours. A man utterly starved.

“Fuck-“ you gasp as his tongue piercing catches your clit. Rough hands knead at the softness of your thighs and hips, urging you to press into him, to take as much as he’s giving.

“Tha’s it, ride m’face…” Your fingers lock into his mohawk and Johnny’s slurred words become the most pornographic moan you think you’ve ever heard. He practically goes limp - body relaxed and pliant while you grind down onto his tongue.

You tilt your head forward, risking looking down only to meet those big blue eyes staring up at you with all the intensity of the sun. A shaky moan passes your lips and his eyes flutter.

“J-Johnny-” The whine of his name only spurs him on - has him pressing his tongue so deep inside you and drinking you in full.

If he has any complaints about the way your heel digs between his shoulder blades as you unconsciously pull him closer, he doesn’t make it known. His nails rake over your ass, biting and stinging in contrast to everything else. It’s so much. Heat continues to pool at the base of your spine - babbling words, please and moans spill messily from your lips.

Your climax catches you off guard as Johnny sucks harshly at your clit; lighting your body aflame with only his mouth. Every muscle inside you tenses and the sounds you let out can only be described as strangled whines.

You have to yank a little at Johnny’s hair to get him to stop when the overstimulation reaches just the wrong side of too much; he’s well and truly lost in the moment. It fuels your ego to dangerous heights - the idea that this gorgeous man became that intoxicated just from your pussy.

There isn’t even time to say anything before Johnny is standing and connecting his lips with yours. You taste yourself on his tongue, his lips - somehow this is the first time you’ve found that pleasant. With heavy breaths you watch him wipe around his mouth his his palm, only to exaggeratedly lick and clean what’s left off his hand. Fucking sinful.

“Nasty man.” You sigh, too blissed out to be truly critical. Johnny winks and you roll your eyes.

“S’about quittin’ time.” He says, tilting his head to look up at you through thick lashes. “Should get ye home.”

You frown, still trying to come back to earth as you glance down. “Don’t- do you want-?”

He looks you over, your mouth goes dry as his hand drops from your hip to adjust himself. The implications of the outline through his thick denim has your head reeling and your breath quickening. Johnny chuckles at you, surely seeing it written plain across your face. You might as well start drooling and panting like a dog.

He buries his nose into the crook of your neck to nip at your skin. “Another time. Want tae savor ye.”

You shiver, unable to stop the smile that quirks up the corners of your lips. You have permission. You don’t need it, but you have it.

A/N: Sorry if this is a little rough, I'm getting back into the swing of things. It's finally time for things to get fun, tho ;)

Also please give some love to this AMAZING fanart from @eurydicescurse

[batsplat]

quick follow up to this bit

was also reminded of this valentino quote

He speaks about my shoulder like he was the best shoulder doctor in Melbourne Hospital.

what WERE they cooking

(I can't like. prove this because obviously we simply do not have solid 'evidence' for casey's thinking here either way, but given this is a speculative post about how I'd narrativise these rivalries.... do think the screenshot above is basically my theory for why casey had a thing about valentino's injuries. to such an extent that valentino picked up and commented on it! after laguna and throughout 2009, there were various waves of discourse about casey having been 'broken' by valentino - first due to casey's dip in form in 2008, then because he had to take some time off in 2009. the fact that it was an invisible illness that he himself could not explain in a sport that is all about the big, glaring obvious injuries - one that was treated as a sign of mental weakness, something he was ALWAYS susceptible to being accused of... very much the opposite of valentino's shoulder and leg in that sense, which was way easier to explain and was immediately taken seriously. my suspicion is that for casey, it was about not being extended the same grace as valentino was, being frustrated at how much leniency valentino was being granted when casey was always being harshly judged. of course, valentino (in classic demented rider fashion) was if anything downplaying the severity of the shoulder injury and only admitted after it was more or less healed that he'd been terrified by how long the recovery period had dragged on and had feared he would never be the same rider again. casey's lack of empathy on this count is completely justifiable and he does also obviously have a point, but it's still an interesting part of his character. it's what makes the rivalry with valentino so very interesting - there are lots and lots of ways in which valentino directly made casey's life miserable, but then there are other ways in which valentino's mere presence, his existence, someone whose treatment casey could compare his own to, that also contributed to casey's hatred towards him. firstly by getting more empathy than casey did and the general injustice in how the sport was 'always' on valentino's 'side' in a way it never was for casey, secondly by having this reputation of 'breaking' rivals that... well, y'know, valentino was presumably more than happy to be the beneficiary of the whole thing, but it's not like this was actually a line he spread himself, including with regards to casey. he didn't have to! it's kinda just... an awful coincidence that casey's 2009 absence was always going to be treated with suspicion and he HAPPENED to have a rival with valentino's very specific reputation?? the perfect storm! which gets you to this odd point where... if anything after that casey is the main instigator in terms of the sheer vitriol of the rivalry - but it's built on years of seething resentment that valentino at times almost seems taken aback by... and then reciprocates with interest because of course he does. because that's just how valentino ticks. fundamental lack of understanding for each other!! valentino kinda accidentally being casey's perfect foil!! casey having a million Legitimate Grievances against valentino but still somehow managing to project 85% of his other issues with the sport on valentino too!! they're soooooooooooooo. so!!)

if you were to direct a motogp movie (or make a one season of television) what season or rivalry would you make it about? and more interesting what artistic liberties would you take? it doesn’t have to be a straight up biopic bc imo those are often boring, instead it could be something like velvet goldmine (1998) aka fictional characters whose real life counterparts are pretty obvious, veering in like rpf territory. anyways👀

did you know. one time this guy put a curse on this other guy. and he never won a race again

anyway, look, I do feel like by this point that's the BORING answer from me, but obviously it's where my mind first went. I'm not sure I'd actually want it out there in film form because by now it's badly enough remembered that it's like, my cute little niche story, and I think there's something fun about the Wider World even within the motogp fandom not exactly getting how bonkers the whole thing was. (I know other humans have canonically watched motogp 2004 but I swear even journalists have forgotten some key key details and it's kinda annoying but also fun.) bold words from someone who's been blogging about it!! weird gatekeep-y instinct. but basically my job here is done as far as outreach is concerned - I wrote a very long post, now I get asks about it twice a week that allow me to think about it some more with the four other people who care, perfect balance. that rivalry doesn't need to go mainstream!! the whole point of it is that it's kinda cruel but narratively pleasing that it's gone under the radar, because it's another sign valentino won. but obviously, I cannot literally make a film about this, so the hypothetical repercussions I think maybe we can put aside for a moment here

okay I came back to this bit of the post after I increasingly got into of the spirit of coming up with dumb ideas, but it did make me flesh out what I'd even WANT from something like that. I'm with you anon, a lot of biopics are boring!! if you want to just know what happened, please just literally go and 'watch the races' and 'read books' like what are we actually getting here. you kinda want to give it a purpose for existing, right, a way of portraying real/mildly fictionalised events in a manner that is also taking some kind of stance on the material AND is doing stuff you can't do 'in real life'. thing is, look, you could make 2006 into a film, and I'm sure it'd be perfectly nice because it's fundamentally a solid underdog story (well, inherently winning a title with repsol honda is NOT being an underdog but you can write it that way), but also what are you doing beyond just telling people what happened? I feel like that generally about single seasons, they're not really doing anything for me. I was also turning around the biaggi/valentino rivalry in my head in part because that's the one valentino gave as his answer for 'rivalry he would turn into a film' (marc big wet eyes sitting right next to him), but like. a film about that rivalry from valentino's pov is fundamentally not something I'm interested in. you have all these isolated very memorable moments that make it work as a rivalry, like you can absolutely spin them into a dramatic yarn that goes through the genesis of their conflict to middle finger gate to punching gate to assen + donington + sachsenring + phillip island 2001 and it's basically *insert rousing music* successful coming of age. at most you can lean into the fact valentino became successful at being a dick. like idk it's fine but also what's the point? valentino is challenged in a sports context by biaggi, he's challenged because he realises his words have consequence and the press actually reports the words he says to journalists (the horror), but he is fundamentally not challenged on a personal level. that's the entire point, right? it's the ultimate comfort zone rivalry - biaggi is a dick who it is quite easy to hate and also reacts poorly to valentino's initial provocation. the animosity escalates and it is inherently fun to beat him. valentino is mean to him, but it's not like he even really crosses any lines to beat him. like you can make it into a film, and if you twisted the material a little bit you could make it satisfying, but I don't want to!

now the way the writing process of this post worked was that I was going to breeze through a bunch of non-sete/valentino rivalries and explain why I think some of them don't work for our purposes here, but then I ended up writing myself into changing my mind. so my take on the biaggi rivalry is that actually, you CAN make it work but it has to be from biaggi's perspective. basically, I think you've got to amadeus it (a web weave I have been thinking of making at some point btw). so,,, it's a meditation on talent and how unfair it all is, maybe minus the bit where salieri poisons amadeus (I know that doesn't happen in the film) or dresses up as amadeus' father to, y'know, make him write a requiem on his death bed. and it's not amadeus in that HERE, the clown prince gets a happy ending! but it's more like, in thematic terms, I think you have to zero in on this bit. biaggi didn't have parents who shoved him on a bike when he was three years old, he didn't have parents who were invested in his motorcycling career (or even necessarily particularly invested in him), he started the sport late and discovered that, yes, he did have a prodigious amount of skill in it - but one that he started honing far later than valentino did. he approached his career with a sort of grim resolve, surly and irascible and not interested in making friends with any of his competitors but very, very good. he goes away from the race track and dates all these models, he irritates fellow riders, he's not part of the gang and he's happy about it. he's very successful! four 250cc titles, wins his first ever race in 500cc at a time when doohan was very much winning everything. he's also just like,,,, an interesting and spiky enough character it's not hard to make him come alive

but then of course you have this gradual emergence of the amadeus character, the one who challenges his established position in the court of,, well... motorcycle racing, and also as the guy italians rooted for! and valentino's obviously, y'know, in so many ways the exact opposite from biaggi, and he's super young and cheerful and lively and is doing all his silly celebrations and is being a bit camp and goofy and treats motorcycle racing as a party (you really want to lean into the culture clash here, like in amadeus it's because you have stuffy austrian court vibes but here it's because everyone is having their bones broken every two minutes and just how... kinda grim a lot of motorcycle racing was). and he's also this innocent! yes, he insults biaggi, and yes, in retrospect we know valentino is kinda evil, but at the time he was a kid with a big mouth who was a little taken aback by how that biaggi feud sort of escalated beyond what he'd actually intended it to do! and biaggi just, hates him. and I think, sorry to the real man max biaggi here, but you've got to play with how once they're actually competing with each other, it's miserable how there's just this unbreachable gulf in talent. like, whatever biaggi does he cannot win! he isn't going to defeat valentino over the course of a full season! which is depressing and horrible and CRUEL, because there's this inevitability to the whole thing... and also! because valentino doesn't DESERVE it. and you don't have to go full salieri pleading with god to explain how god could give this CLOWN all this talent, but it's kinda the same vibe! how is it valentino, who is constantly just having a laff and canonically maybe wasn't the biggest gym-goer in the paddock and is just generally seen as, y'know, a bit of a dandy, this foppish clown who everyone loves and who doesn't have to work hard to be good - how is he the one who is winning so much!! it's miserable and unjust... and I think how you portray this is that you really emphasise the kinda, repetitive nature of the defeat. like, I think you probably want to make this into a non-linear narrative where all this biaggi backstory is communicated somehow but you don't just start it when he was born or whatever - you start it in 2001 when they're competing for a title and already hate each other. and then you heavy on the time loop vibes. the whole cinematic language and all that other shit should emphasise how all these weekends are structured in exactly the same way and if you're losing to this one guy, all these different weekends can start feeling the same. it bleeds into each other, it feels inescapable, you're trapped in this narrative you can't change... worst of all, you even return to the same places again and again - like play with that! biaggi keeps coming back to where they had the fist fight, to where valentino first insulted him all those years back. you play up the disorientation and the misery of it all, plus biaggi canonically gives us all this kinda messy freudian shit to play with like how he was dating 'valentina' and his relationship with her was falling apart because of how miserable valentino was making him. it's all there!!

ANYWAYS the way you conclude this story is!! welkom 2004!! so again we can artistic license this a little bit and, uh, ignore sete (though I do also think it's fun if you lean into biaggi being displaced as a rival and staring at them being friendly and happy with each other from the outside) - but the key bit is that valentino is finally making the big error. biaggi wasn't winning titles on a yamaha, since he left yamaha has gotten worse, now valentino is making this big mistake out of his own hubris. language of cinema that shit and make everything brighter and more hopeful.... the time loop is finally over, biaggi has escaped, this year will be different!!!! everyone in his circle agrees, valentino is fucked. step off the plane at welkom (pre season testing didn't happen in this universe) and it's literal dawn of a new day... staring out at the sun and finally, biaggi can move on, can live a new and different life. anyway. obviously we all know what's coming next - you have this big dramatic climactic race where biaggi throws himself at valentino again and again and again and he comes so close to winning it... but he doesn't. and you have valentino living his best life, being delighted, but the film is focusing on how like,,, we're bleaching the joy back out of biaggi's life, how actually he's returning to what he already knew. and it ends on the podium, with the camera focusing on biaggi on that fucking second step or zooming in or whatever (idk how cinema works) and it just finishes on this shot of biaggi dead-eyed in a bleak world, trapped again for eternity aka until the end of the 2005 season. done!! I'm not sure this is quite what valentino had in mind, but. well. that's how I'd do it

this is from the pushkin play from 1832 not the 1984 film but like. low key pushkin already kinda nailed the essence of sports rivalries in the 1830s and we just have to acknowledge that sometimes

right. so the casey rivalry is where I'm going to go completely off the wall. skip this bit to get to the slightly saner stuff. this is also one I fully admit to sometimes playing around with in my mind anyway, but. uh. I'm gonna be taking this one in just. well. places. I do have a vision here but I also don't quite know how to explain it in a way that doesn't make me sound like I've lost my mind, but well if you're still reading this then that's on you. so lemme get this out of the way: the classic sports biopic formula would work well with casey. if I had to point to a single rider I would sports biopic-ify, it's casey. so you have all this kinda,, obvious adversity that's easy to get across, and it's a narrative you can follow chronologically without too much trouble. you've got all the childhood stuff, the australian racing club not letting him join them, the move to britain, the rising through the ranks, it's also this very biopic-friendly 'nobody ever believed in him apart from like three people' stuff. and the premier class is also narratively satisfying, from the rocky rookie season to the kinda shock success to then all the lows of 2008 and 2009 and the physical ailments and the anxiety and then the switch to honda and the title and then him deciding to retire... that's all good stuff! you can absolutely biopic-ify it! gun to my head and sure, I can walk you through exactly what bits of his life I'd focus on and put in what order and so on, and I think ultimately you could make a very good sports biopic from that

[some mild gore to follow in this next section]

but also. thing is. that's fine. it's just not where I want to go here, because again I feel like at that point you can also pick up his autobiography and just read it - because what you're basically doing here is just filming that. and I get how this stuff works, you're bringing the story to a wider audience, you can show stuff in a different way in that medium etc etc, and that's all great but also I don't care about bringing stuff to a wider audience. I care about doing fun stuff in my brain. so what I'd actually do here is just, basically, go in the exact opposite direction and ditch all the realism. genuinely, ditch the live action stuff, we're going animated - what I'm interested in here is stuff where we need to be able to fully suspend our disbelief and lean into some surreal shit. I'm not going to bury the lede here: my idea is that you take that thing where casey said he hated how ducati was ruining the bike by letting valentino's yellow encroach on it and, basically,, just go all in on that bit. like come on, that is so singularly visually evocative, it truly captures a lot of what's going on thematically in that rivalry. (see also x and x for the most relevant casey posts.) casey sees valentino as the malevolent force, this infection! he associates him strongly with a specific colour, one that can be sickly or unnatural or just... evil. malignant, malicious, malevolent, all the m words. to casey, valentino is a personification of everything that is wrong with the sport. valentino is literally the walking manifestation for so many of his issues, from the dangerous riding to the lack of respect to the lying to the cult of personality to the obsession with image and the media to the backroom games to the politics to the injustice of how different riders are treated differently, like!! he's literally all of that! this is a topic for another post, but this plays out in a lot of kinda, weird and funky ways where it's a two way street and sometimes when casey talks about motogp you go 'actually I think that's just valentino?' (btw he also does this about 'europe' right I don't think those are europeans you hate casey that's literally just valentino) and sometimes when he talks about valentino it's kinda? this feels like it's about a little more than the bloke himself? and basically, right, I think you need to take this to its natural conclusion where casey used to admire him and look up to him and want to emulate him on track and then gets disillusioned when valentino's worshippers turn against casey and casey is the one to bring valentino down to earth and... listen, I think you need to play around with valentino being a literal god. and I think you need to have casey stab him to cover up the yellow on the ducati with blood

okay. look. the idea here, right, is that we're basically making the subtext text, and just digging into that process of 'bringing valentino back to earth', of taking on a god and having the audacity to succeed, and also treating valentino as this sort of. infection in his own mind. the bike is literally being infected!! casey may have left the ducati but he STILL has some fidelity and love for this project, those were his people he worked with, and now valentino is coming in and just twisting everything around himself!! but also I think how this functions is that, okay, so you have all this normal stuff that's the actual 'plot' in the 'real world', but the ISSUE with the real world is that there's a lot of stuff that just. isn't possible there. like the thing casey wants in that rivalry but is never going to have is... a captive audience. a big problem casey has in that rivalry is that he doesn't get the chance to actually say a lot of stuff to valentino. he starts using the media more and more and plays the game on valentino's level, but there's still this disconnect where mr straight talking is the valentino rival who valentino never really blanks or freezes out like... there's a disconnect! there's valentino the person, who casey never quite figures out how to just straight up hate, and then there's valentino the character, the racer, the rider, the god who casey DESPISES. but when they're doing small talk at pressers and podiums, casey doesn't get to talk to that version of valentino! he just talks to valentino the person, who obviously isn't literally a different person but is also not going to explain to casey where he's coming from, is he, and also isn't someone who casey can explain to where HE is coming from. and that gulf... it does bother casey. I don't think he can quite verbalise why either, but there's just... this creeping tension. I think it'd be easier for casey if valentino really were more of a caricature, just kinda a dick in all walks of life. and there's just these canonical hints of that... the way casey talks about how he's sure valentino as a guy is fine, but he never knew valentino like that, the whole 'I'd like to go with valentino for dinner to tell him where I was coming from in that rivalry' thing, like!! it's there

so basically EYE think what you should be doing is using the wonders of storytelling to actually. embrace that element. and just leave realism behind now and again. valentino is a god, he is literally worshipped, he's part of this pantheon that casey is trekking to reach. casey is brave enough to take him on in combat, he is the first one who is truly able to draw blood. he sees how valentino isn't just a god of joy or battles or speed or the SUN or any of that other stuff - he's a disease, an illness, a god who is also a false prophet... the worship never quite goes away, because who ever truly gets rid of their valentino rossi complex, but casey eventually is given the chance to face a chained valentino and kinda,,, ritualistically publicly humiliate him using the ducati as both this sick thing that has to be 'cured' and this symbol of valentino's failure. I'm sorry, visual language goes brr here, like chain him up, do weirdly eroticised torture idc!! (psst psst valentino's fucked up shoulder also extremely goes brr here, casey low key a teensy bit weird about valentino's injuries? his thing after the 2010 leg break where he goes 'why's everyone making such a big deal about this other people break their limbs too' and then after 2011 jerez immediately asking whether valentino's shoulder is okay in just a very obviously passive aggressive way. literally he opens with that, valentino isn't using it as an excuse or anything, for some reason it's already on casey's mind and I would politely contest it was out of genuine concern for valentino's wellbeing!! it's just kinda? I'm so compelled by it? I suppose it is kinda about how valentino's suffering gets taken more seriously than his own? how those absences are received differently by the motogp world? idk I find this fun because casey does know this is one thing valentino can't really be blamed for himself, so it just slips out a bit? but yeah, casey + valentino's injuries, nobody's talking about it but I sure will, let casey get weird and mean and a teensy bit sadistic about valentino's injuries in an artistic manner.) crucially I like animation as a medium here because I think it's easier to lean into surrealism when you don't have to hand hold the audience so much through the suspension of realism, also there's just some imagery you can do in cooler ways through animation where in live action it may just look. weird. (I think you can also do one of those things where you have a live action film with only those specific bits animated but also... why? it just feels like in live action you need more 'justifications' for things, like am I saying casey is having some weird hallucinations and is losing his mind? no I just want to have weird vision sequences ffs.) the colour stuff!! valentino/casey is big on the colour coding as a rivalry, to the extent casey is even, y'know, drawing attention to it in the literal text!! yellow and red are banger colours, valentino is big on imagery himself with all his sun + moon motifs, it's kind of all there to make the easy next step to kinda zany surreal imagery. ritualistic stabbing works better in animation, you can kinda get the blood to like. drip down and overwhelm the yellow illness that's slithered out across the bike

and. AND of course what this entire set up allows you to do is.... give them an opportunity to talk. they can't talk in real life! casey CAN'T give him his real thoughts on anything, and fundamentally valentino can't either. they're opponents. they're strangers who chat sometimes. it's not just that they aren't friends, it's that fundamentally they cannot be friends - because their ability to do their actual jobs depends on a certain level of professional distance. valentino of course does have a decent read on casey, and vice versa, because when you're figuring out how to defeat someone then (if you're valentino) you're looking to play the rider too. valentino's entire approach depends on focusing in on his rivals and attempting to throw them off, to make them unravel. he's watching casey closely!! the entire journey of casey's first three seasons in the premier class essentially becomes like, this god of their world focusing in on him. figuring him out. trying to gnaw away at him. obviously, animation also allows you to go big on the panopticon-y imagery which is kinda fundamental to their rivalry, because of their fundamentally oppositional stances to 'performing' for the ever present cameras where there IS a little bit of common ground in they have both struggled with it. but valentino isn't going to ever say that to casey! casey isn't going to open up to valentino! so if you give them,, you know, a different arena to express themselves, where casey actually has this external figure to talk to (as he's like, cutting him open I guess) whereas valentino actually is put in a position where he's allowed to respond, where he can taunt casey a little bit, where he can interrogate casey's approach and also the similarities between the two of them and how casey has been forced to become a little more like valentino to challenge him... because the thing is, right, valentino is so big on message discipline with his rivals and has completely stopped talking about that rivalry post mid 2013 that, first of all, you have this complete imbalance in who's been telling this story for the past decade, but second of all you kinda don't have a sense of what valentino would respond? idk!! I think this is mainly fun as a thought exercise for me specifically but also I do think it's kinda, digging into some of the bits that make this narratively work as a rivalry, how valentino in this rivalry is actually just kinda... removed. like he's not really emotional about it!! at most he's a bit bitchy, but even that just feels about The Game. it's the most extreme in this regard followed by jorge - but with valentino's other feuds you kinda... see a bit more an unguarded moment, see something a little more real there. the casey rivalry feels so uncomfortable precisely because valentino is a little... inhuman in this one. I mean, if you want to have valentino as some kind of cross between a deity and a monster in any of his feuds, this is the one. casey's just an obstacle to him. idk don't you think casey kinda wants to chain valentino down and stab him and make him see casey a little more... well, I think he should want it and I think it'd be fun to see and get them to talk to each other. ugh and also all the implications of making the faith vs non-believer elements more literal... casey the heretic!!!

there's some obvious stuff here you'd have to figure out, like 'how do you make this work as a narrative even to people who aren't familiar with casey stoner at all' and 'who the fuck do you think the target audience is here' and 'you do know this is not the kind of thing that would ever be made, right, go back to the casey stoner sports biopic like a sane person' but!! I do think it's material you can make work if you're just,,, efficient and smart in how you're actually telling the 'real life' version of the rivalry. also in my head this is. idk. an animated limited series not a film, which then brings in other stuff like 'episodic structure' because I'm fundamentally opposed to tv shows that think they're films. and look, I'm not going to write an entire film script treatment here, I just think a good writer can figure this stuff out. blood on the ducati is the framing device for everything else, simple. lots of animated floating eyes I reckon, first casey is watching valentino and then valentino is watching casey and the whole world is watching them... and it does bleed into real life just a little, where you're wondering whether casey is actually imagining/dreaming this stuff or valentino is or if they both know it somehow... you can get away with more ambiguity in animation. anyway, if you do want more thoughts on this one specifically for whatever reason, let me know because this one I do actually have more on

also laguna 2008 is a bit tortoise and the hare coded if you really think about it

[end of gore]

so. on to jorge. hm. the thing about jorge is that he was kinda writing a coming of age film in his own head, so like - yes, that's what you do go for? you can play it straight and follow how jorge has cast his rivals, or you can pin the whole narrative on the fact that jorge has cast them - the kinda artificiality of the narrative, the way jorge is this storyteller who isn't being recognised as much as he thinks he should be, isnt adequately appreciated. the way there's this three way discourse between what jorge thinks the story is and what the public thinks the story is and actual. you know. reality. I think this is a bit more light-hearted, like you know how the best stories about teenagers take their emotions seriously but also let them be kinda silly? because young people are silly! jorge was silly! he's got a lot of CHARM because he's so cocky and naive and full on and intense and awkward and kinda off-putting and tactless and a bit all over the place and so painfully, painfully young, like he's a good protagonist because that's a KID. but also, obviously there's also a lot of extremely not light-hearted bits of his story - everything about his father, his manager... idk this one's another one where, I don't just want to make it a generic sports biopic, and I'm trying to figure out the clear narrative arc here? I mean, you can point to the end of 2010 and really lean into him choosing victory on-track over popularity off it. the problem with 2010 is that it does not work as a dramatic season, yeah sure with the magic of biopics you can hack at it to shit but also. idk. what are we getting out of it. I think for narrative purposes you want to maybe narrow in, and end it at the end of 2008, with the switching of the numbers this kind of moment of emancipation? but also! this feels like we're straying a bit too far away from the fun sports elements and I don't want to REALLY suggest all the ways in which you could mine jorge's personal trauma in a jokey tumblr post, so I'm gonna move on from this one

the problem is 2015 just straight up doesn't work as a jorge-centric narrative, except in a very kinda comic way that leans into how absurd his role in that season was. 2012 as a season is a bit... y'know, it's fine. okay it's mostly terrible, but that's fine too. but it doesn't have a great narrative hook. which kinda leads you to the problem that I do think the valentino rivalry is more... juicy from jorge's pov, because for valentino, jorge is just kinda? an obstacle? idk he's more normal about it, it's just his job to destroy the guy, you know how it is. but also 2009 does work better narratively from valentino's pov, like it's the build up to catalunya specifically you can dramaticise... idk though, I do love catalunya but my heart isn't really in this exercise because I think valentino isn't really being... challenged here? it's a title fight where he's fundamentally using a set of tools he's already perfected, to beat a guy he doesn't really give a shit about. when the italian press is down on him pre catalunya, it doesn't spark any genuine self-doubt - it's just a handy source of extra motivation. there's no epic highs or lows that season, not real ones. and yes I know I was talking about making valentino who gets stabbed repeatedly to cover up an infection a moment ago, but that reflected real EMOTIONAL truths!! I'm committed to thematic fidelity more than I am to literal fidelity

genuinely I think the best way to tackle jorge is with the jorge/dani parallel journeys... what, film? tv show? maybe show actually - you don't have one coherent narrative Statement per se but you're constantly charting those journeys in reference to each other, really rooting it in their respective points of views, no neutral detached cinematic language like I want everything to be very much written to be from their eyes!! going from one to the other and back again. and you're charting these different journeys, right, and how they both captured different flavours of like... emotional successes and failures. I think it's actually about failure, yeah, about having to accept there's something you can't have and might never be able to get - whether that's universal love or a premier class title or whatever - but Actually, that might not be the end of the world. and during this process, they go from being enemies to tentative friends!! guys who realise they can maybe actually understand each other better than they thought!! this real moment of interpersonal connection. you have all these media narratives and the managers and so on and the fact they're competitors as these built in reasons why they've just been pitted against each other from the start... but y'know, again, it is also just a bit about maturing, about being able to set that aside, about making your peace with defeat and failure as an element of growing up. you can't win everything, maybe there's something you really really really want and you're just not going to get it, but at the end of the day it's kinda... yeah. self-acceptance. idk this is the nice one

so with marc you can go several different ways here I guess, and again he's also perfectly decent sports biopic material, probably second to casey in that category like yeah sure do the comeback story. but also, we do already have a very good self-produced documentary about what he thinks the narratives of his career are? idk this is also just a personal taste thing, I'll leave him to doing all the injury stuff himself, I don't have much to add there. we'll get to the obvious one in a second, but I was trying to figure out if there were other places I massively felt like you need the cinematic touch. and, again, the 2013 season is obviously very exciting!! but also, you have it covered in.,,,, multiple documentaries, I don't feel I have a take their either? his rivalries with dani and jorge aren't really substantive enough to sustain a bit of cinema. dovi... I mean, what are you saying there? what's the arc? I feel like if I tackled dovi, I'd go somewhere else and really go all in with the ducati stuff, and make it a bit more... you know, stark, stripped back, basically just the emotional component of how much he gave to that project and how he managed to beat away one rival after the next and how it all ended up falling apart in a kind of anti-climactic way? he's also good sports biopic material, but in a way I think the marc rivalry is the bit of his story I have the least to say on. so eg, 2017 is a dramatic season, but he's also kinda fine after it? he always knew it was a long shot, he tried his best and he got really close and then he lost. you can't amadeus it because dovi isn't (fictional) salieri. basically, I think what I'm saying here is that dovi is too well-adjusted to feature in this post. though I'd totally watch a film about his 250cc seasons, like it's a bit annoying because HE is the underdog who loses both title fights to jorge, but it'd still be kinda fun idk. I wouldn't really know what to do with the material but if someone made the film I'd absolutely watch it

right then. the thing about sepang 2015 is... yeah, sure, of course you can do it, it already exists as a narrative but... yeah, what are you adding!! idk I always think when you're adapting something, you kinda need to have a reason for it? I mean, what are you doing that's not already there in the footage? idk maybe this is just a sign of having been a fan of this sport for one too many years but to me the idea of sepang 2015 can get a bit boring (or maybe just repetitive) where I need a new TAKE on it to really get into the idea of fictionalising it. like where's the auteur's touch y'know, what can I still add to this!! but it also needs to WORK for someone who is new to the story, which kinda just makes you want to tell the story straight.... y'know the story is strong enough and COMPLICATED enough to stand on its own and it IS good but I don't really have anything interesting to say beyond 'yeah sure that'e be neat'. I can't tell you why, but I also don't think the casey approach quite works here? the idea of providing a framing device with which valentino and marc can actually talk to each other... eh. don't like that. hm. okay wait actually I just turned it around in my head for... a while and I think I've got an idea to make the worst motorcycle racing film of all time. so, my central stupid film-making gimmick here is just. centring the fact we're completely reliant on a few guys and what they're telling us in making up our minds, and our removal from that story and the imperfection of their perceptions and so on. so I think you kinda make a point of... not actually showing the motorcycle racing? like, you always show it by showing other people watching it, you're showing the tv screen rather than the actual racing. even in the cinematic medium, you're centring the theatrical aspects, where you drill it down to just a few characters. valentino. marc. uccio. marc's fuck ass manager. maybe a crew chief or two. keep it limited though, all the others are kept at a distance - you're constantly focusing in on the same few characters. and very early on you basically just like... get them to fourth wall break by telling you, the viewer, with their actual words how racing works for them, what meaning they take out of it - and again it's this remove because we're never allowed to actually feel the racing for ourselves (no helmet cams), and it sets up that as the tragedy unfolds, again and again we're just hearing from them what happened. it's all zoomed in on how claustrophobic the entire situation is, like doing the race direction room after the sepang 2015 is perfect for that kind of thing, and crucially they're only ever addressing the audience because they can't address each other. but fourth wall breaks also obviously draw attention to artificiality! I realise they are very much like, lame gimmick central, but also are these men not inherently about lame gimmicks... idk it's basically the same story but at least it feels like a kinda interesting way of telling it. kinda trite, but cinema allows you to get to the point and let valentino actually play with the camera... so literally take it into his own hands and lead it around and tell the story from his point of view. and you can play with how they do both change in what stories they think they're telling, how they're constantly revising their own stories, how their stories completely clash with each other... like. make them literal narrators. that's my pitch

so. one interesting pattern that has come up with my approaches to these rivalries is that with the exception maybe of the 2015 stuff, I feel like I'm more naturally inclined to treat valentino as a narrative device and centre his rivals. a big part of this is that valentino is a fantastic narrative device. he's kinda. this looming presence in every narrative in this sport where you can just sort of use him as a sort of way to poke away at all these other riders. the monster everyone loves who you are trapped with. BOO!! he's gonna eat you! which is fun! but ALSO, crucially, several of these rivalries aren't that emotionally challenging for him!! again, with casey right, he wants to beat him, but he's not having a crisis of faith over losing to casey. he thinks casey is annoying, he wants to beat him because he wants to win. valentino is casey's foil, but casey is not valentino's. valentino makes for an excellent personal antagonist to casey, but the reverse just isn't true. casey isn't forcing valentino to reexamine his approach except 'ramping up the levels of being a dick on-track' - like, yes, that's a serious competitive challenge, but also valentino is very comfortable in his own skin in that rivalry. sure, you could have valentino have some kind of massive revelation about the casey rivalry, but like. he doesn't in canon. he changes his behaviour towards casey in pretty predictable ways depending on what the relationship demands from his perspective at any given time. there's nothing more there

now, obviously you know where I'm going here. there IS a rivalry where you can make the argument he changes as a result of it, there IS a rivalry that tips him over the line and makes him to do stuff he hadn't done before that, there IS a rivalry that happens to coincide with a period of his competitive life that challenges him both personally and professionally. now, look, I have already talked about the sete rivalry. you know what I think about this rivalry - and if you don't, I really already have told the story here and here and here and here and also here. I think this works perfectly well as a narrative in its own right, and it's one you can tell from either perspective... but you kinda need both. I think again you probably naturally lean towards starting it from sete's perspective and that first proper meeting (I mean, idk if it is their first actual meeting, but it's the logical obvious place you start this story) with sete giving valentino advice during his first 500cc test and valentino just, y'know, ignoring him and being a cocky shit and then crashing. so you get to see sete being kinda exasperated by the whole thing. also, obviously ibiza is like, a key framing device here, like it's the most obvious in-your-face way of tracking their relationship with each other. I don't actually know how often they partied there together, but it must have been at least twice and if the commentators are to be believed it must have included 2003. artistic license and you can add one or two more times, but mainly you want to focus in on 2003 onwards right. so you've got this 2002 one where it's, y'know, high point of their friendship and in the name of narrative efficiency, you establish here that sete is looking to make the honda switch. the emphasis is on how valentino has been winning everything but on the flip side you're getting the first insight into his discontent. and there's a bit of a vibe of, what could you possibly have to complain about? like you are winning so much? so it's late one night where they've had this slightly unguarded alcohol-fuelled moment of genuine vulnerability but in the end it's actually characterised by how... unsubstantial the link between them is, because they wouldn't talk about this kind of thing with each other and they might both be similar in some ways but also don't gettttttt each other. it means you can return there as a location in 2003, where you've just had sachsenring and valentino's dramatic loss but they're still partying together and it's like. obviously In The Air that not everything is quite right... their relationship is already gradually altered and twisted because you're introducing this element of actual stakes and competition (obviously in 2004 they do NOT spend that time together, as far as we know anyway, and you can show them being very much not together at ibiza as a very obvious Oooh Things Will Fall Apart and maybe already haveeee)

and I do think basically I've already said what I think the themes here are,,,, several times by this point, so I'm not going to belabour the point. I think all of this fundamentally works as a narrative with like, minimal massaging and rearranging of the elements for dramatic effect. it's all there already, everything from sete's arc with the [insert non-tasteless way of covering a real life tragedy that fundamentally alters the course of sete's career] and how that leads to sete becoming the challenger and how he does want to win and his eventual downfall. with valentino, you have the element of liberation and self-discovery and... well, growing into your own but also kinda having the narrative drawing attention to how 'growing into your own' can involve becoming a fully realised character who is essentially quite cruel? you have this kind of... build up, right, towards this moment of revelation, where you lay bare who these two people actually ARE at sepang 2004, and then again at jerez 2005. valentino has gone his own way, he has freed himself from the chains of honda, he has embraced individualism and the chance to define himself and his own legacy and stand on his own two feet and not rely on the strongest bike or all this stuff within honda where they chose him as their flag bearer, for better or for worse... like he comes to his own here! he takes the step from 'great rider' to 'legend' because he gets to this dramatic moment of stepping into the unknown, he takes this massive risk that could have cost him so much, and it ends up elevating him. but it also puts him under duress, and in that moment he reveals himself - whatever sete did or did not do at qatar 2004, EVEN IF sete did all that shit, what you are left with is valentino vowing to ruin this man. valentino uses sete to make himself 'better', to fuel himself as a competitor. valentino turns sete into a tool in his own story. and again, thematically you've got all this stuff about how sete was managing the image of the rivalry and how valentino took advantage of that - how sete needed it to remain respectful and valentino was completely willing to abandon that. like, you have two protagonists who really are similar in quite a few ways, who think they have this shared understanding with each other, but when it comes down to it? they end up being super painfully different

now I can go on about this and how to play it straight, basically, you can just do that rivalry and I think it'd be cool and fun and very easy to arrange in a good narrative way. BUT I've kind of already. done that. like I don't want to suggest a film that is basically a nicer version of my tumblr posts. so I want to take this in a slightly different direction, and I think what we need to consider with this rivalry is this: what if you made the curse literal? basically, what's always kinda charmed me about this rivalry is that the curse should not work and all the misfortune that befalls sete after that is so comical that it's kinda... what do you do with that? and the answer is you just lean all the way in. my pitch is this: what if valentino sells his soul to the devil?

so, you know faust, right, and you know the bit at the start of goethe's faust where god and mephistopheles are basically making a wager over how corruptible this one human is. and faust is like... he's kinda disillusioned, he feels that everything he's dedicated his life to in academia is fundamentally hollow, gets very close to committing suicide. and faust has gone a bit new age-y, gotten into all this mystical shit and he's got this pentagram that ends up preventing mephistopheles from leaving his presence in their first meeting... and basically what the devil can give him is like, the chance to attain some true pleasure, and for that faust is willing to bet everything - so if faust can just have that, then maybe eternal damnation is worth it. and look, I'm not going to summarise the entire plot of faust here and it does go off the wall a bit with all the gretchen stuff, but the point is you have this version of the devil who is fundamentally a cynic and is attempting to win an argument with god by making this human succumb to his own nihilism. and what faust basically does is like, abandon his normal life where he's trying to live by normal virtues and goes off on this journey with the devil. and there's this little moment where mephistopheles,,, pretends to be faust and takes on the role of an academic adviser (you know how it is) and seduces this random student away from the word of god and sends him down a wretched path, which ends with this bit:

like, a big part of faust's tragedy is supposed to be about... well, hubris, of the relationship of god to man, of no longer being afraid of the devil... and obviously, this is all framed very much in terms of religion, but at the end of the day it's also about, you know, having purpose - faust is living a life that no longer has any meaning to him, all of his knowledge and studies now no longer fill the void inside himself. his nihilism opens the door for mephistopheles, and is what makes him willing to accept the devil's terms. now, and I am so very sorry to goethe here, I think we have some material we can use here to explore the valentino/sete rivalry. obviously, you can't do a one-to-one, you need to get rid of some of like, the depression and all that - there were times when valentino was feeling 'a bit low' in 2003, but not 'faust thinking everything he'd done in his entire life was pointless' low, yeah? also, unless you want to do a real long view here and even then it can't really be justified, there obviously isn't really a 'tragedy' here from valentino's perspective. like, he wins! this isn't valentino's tragedy, it's sete's! I was being a bit facetious when I said he was 'selling his soul to the devil', and you can kinda parse mephistopheles' motivations in different ways depending on what flavour and what interpretation of him you're dealing with here. you don't 'damn' valentino, you essentially just turn him into a tool of the devil!

so, this is how this works out in my head: the devil works more broadly as the manifestation of competitive impulses, the kind of 'how far would you go to win' question as a bloke who shows up and literally talks to the characters about it (magic of cinema). he's also engaging with valentino feeling like his victories no longer having meaning, with being disconnected from honda and from the entire culture there and just feeling like he's going through the motions. there's this element of like... opening the door to what is essentially a journey of self-actualisation, bringing him closer to being a 'god' but also allowing him to fully come into his own and become himself. to win on his own terms. I reckon ibiza is my preferred narrative device where the devil talks both to sete and valentino there (separately), first literally as a mysterious stranger and then... maybe not? he's talking to them at times of their lives when they're not at ibiza and it's not happening there in the physical world and they both end up kinda having to confront they're dealing with some potentially malevolent supernatural entity. but the important elements of the devil is that a) he's not going to do anything the humans don't actually ask for themselves, and b) everyone knows he's following his own agenda and you should be careful of the requests you make of him. so it's kinda like... essentially, the backdrop of this rivalry unfolding is they're constantly being challenged to decide what lines they're willing to cross. which culminates at qatar... and maybe you do have sete making like. a teensy mistake. a teensy error in judgement, one that is both real and deliberate but he could not have known would get that reaction and instantly regrets. and valentino, who is I think inherently sceptical of the devil coming to offer to help him and maybe does crank out the pentagrams (remember, the whole point of faust is that he was too arrogant to be scared of the devil, or one of the points anyway), in a moment of fury does decide - no, actually. I will take that step. I will curse sete. now the thing is, dramatically this is a teensy bit tricky because when you're talking about being damned by the devil, usually the consequences are a bit more severe than 'not winning a motorcycle race again' (yes, you can get into how sete did also seem genuinely cursed after that, cf his ambulance/bus crash situation, but again we are flirting with being in poor taste in this tumblr post). but the thing is, right, you have to lean into the silliness here! qatar 2004 is inherently silly, a CURSE is inherently silly, like real life is already silly here! you have to engage with the people where they are, and for these athletes all this shit is so heightened that the emotions are full on. like, valentino would've sold that guy to the devil! and to him not winning another race is basically the worst thing that can happen

so, obviously, you get to do the actual curse stuff. curses are inherently campy fun, the devil doing curses is campy fun, getting valentino rossi to crank out the pentagrams is inherently campy fun. you get to play around with this, right, like you know that bit in the brno 2005 race commentary where the commentators are talking about how valentino might as well have a little radio to talk into sete's helmet to remind him of how sete had fucked up at the sachsenring. OBVIOUSLY obviously obviously it is just so... idk scrunchy and fun to have this idea of valentino becoming a malevolent enough force to literally do that.... like damn the commentators did kinda eat with that?? ughhhhhh do you ever think about sete leading the qatar 2005 race for most of the way???? like that's SO fucked up because you literally have articles from about the race going 'hey maybe sete can break his curse' and then the commentators are talking about curses having one year expiration dates but obviously they!! do not!!!!! there's one race where sete goes off track and the commentators are talking about how valentino will surely have smiled into his helmet like that's so fucked!! it's so fucked!! but idk I think basically you have all this creeping curse-y stuff and devil stuff and then you get this twist and then it just becomes misery zone for sete until you sort of. compress the timeline and have him retire without getting into what happened at the end of 2006. and valentino just relishing in all his very worst emotions. and you've got sete who was the better man after jerez 2005, who took the high ground again and again and again and it did NOTHING for him.... and then he's cursed and his career is finished and the devil has had his fun getting mixed in with mid noughties motogp. and now obviously this is inherently kinda dumb and corny and silly but it's the devil!! mephistopheles to me is allowed to get up to dumb shit sometimes, let him have some fun!! idk I like curses being literal idc

I think the obvious critique here is 'this doesn't really feel like it gets the message of faust'. which, yes, is true - and obviously the way narratives are structured, a satisfying resolution isn't 'well selling your soul kinda slaps, actually'. and my statement to respond to this argument is as follows:

this is essentially canonically what happened. valentino DID do something kinda evil and it DID work out 100% for him and it DID kinda slap. at least when you add in the devil, you're making explicit the bit where it is a little bit bad. also, is sports not inherently about selling your soul for success... the story of valentino and sete is essentially about how we are twisted by competition, how pretending that we don't wish ill to our opponents is inherently dishonest. it is about lifting a facade for something that is already inherently there in the souls of men. this is obviously inherently a deeply cynical stance, but this is also a deeply cynical story beyond all the fun battles and camp dramatics. the devil is a cynic and he is basically the point of view character of goethe's faust - he's the one who is positioned closest to the audience. sports is all about living out some of humanity's worst instincts in a relatively low stakes setting, which means we get a free pass to have fun with a deeply cynical story that goes 'maybe selling your soul to the devil is fine, actually'

do I stand by this stance? not really, but the whole fun of storytelling is that sometimes you can just be kinda mean. I think goethe would get it... you can tell which character he enjoyed writing the most

the OTHER way you can do this is centre everything around qatar 2004 as like,,, the mystery box element...... okay look I have now made two posts that go WAY too deep on the 'what really happened' element but I do loveeeeee the whole thing like I would just make a film about that very end of the season and we show it from all these different angles as different characters narrate what happened... like fuck all the riders I want to hear from whichever mechanic used the scooter... the gresini mechanic who gave evidence to race direction.... various honda higher ups the crew chiefs like this is jb vs juan martinez it's war!!! obviously you still have the same emotional/thematic hooks as the general rivalry does but idk I would have a LOT of fun figuring out how to structure that, I loveeee mysteries... maybe I'd write it as a mockumentary yeah..... this one's just fun

anyway. a lot of stuff going on in this post, huh! you can probably tell I didn't edit this much. my classic tell when I edit my tumblr posts is I remember how 'paragraphs' work. unfortunately all I have energy for are like. a bunch of rants about things in my brain. I think when tumblr tells you that you've reached the maximum number of characters per paragraph and you need to figure out where to put a break, it's probably a bad thing? on the whole, my stance is I don't have anything AGAINST mildly fictionalised versions, but for me I'm always more of a.... well I want to take advantage of the full specificity of the events as they happened or just come up with a completely original story. kind of person. I know this ask probably wasn't looking for my 'what if you bled out valentino as he's strung up above a red motorcycle' vision but yeah. with a lot of biopics I'm always a bit 'well you could just read about this couldn't you' like I need stuff to take some kind of a stance on the material it's using... all my stuff takes a stance. that's all I've got. obviously all these stances mean that basically none of these things could ever be made. and I know what I said above but if they called me up to write the casey stoner biopic script treatment, I would also do that. if you've actually read to this point, give me a shout - you're a real one and I love you