#I originally wanted to draw the answers myself

[sthormiiii]

hello everyone please welcome my very original very new characters, if you think you already saw them somewhere or think they were inspired by anyone just know i have LITERALLY no idea what you're talking about...

(LONG ASS RANT DOWN HERE)

in al seriousness we all know who they are but i'm too heartbroken to let them go yet, so i'm officially making them my own. his deisign is inspired by one of the startouch elves concept art, and i intend to make him everything i wanted and hoped the original character would have been, so i'm trying to incorporate everything i liked about him into this character! she's just a slightly redesigned version of the orphan queen, and by the way i'm probably going to use the og name i had for her two years ago, which is eliana ((meaning both "god has answered" and also "sun/daughter of the sun", which i find fitting bc startouch elves are supposed to be like literal gods, and he appeared in her life as a "savior" (she will later find out he's n o t), while sun symbolizes truth, and she will bring truth to the world about his nature and deceit.))

about his name- i'm struggling. i liked "antares" (the brightest star in the scorpio constellation), arwin (liar), dolion (deceit) and tabrass ("one known to be deceitful") but not one clicked yet. accepting suggestions

these designs might have some changes later, just like the names

i am probably not drawing them in the nearby future, just needed to get this designs out of my head so i can have peace! their dynamic is so special to me and i def want to explore it more, in my own way, without the show's influence or scared it might ruin it for me. i am doing this for myself, and for the characters i fell in love with during these (almost) two years of drawing them.

hope some of you will stick around to see them come to life, in this new forms.

💝

[myrmyrtheorca]

khr × sanrio collab ! who are your chosen ocs sanrio character partners 🥺

hiiii jojo thank you so much 🩵 this question had me digging because I only know of the most well-known sanrio characters and I learnt there are A LOT-

Sorry in advance if someone else took these for their OCs, I tried to dodge those I saw in other questions but I apologize if I missed anything qwq''

[Myr] Tuxedosam - [Lidija] Charmmy Kitty

[Anemone] Gudetama (personal favorite!) - [Tristam] PiHai

[bishicat]

"Would you be offended if I said I fancied you?"

[luck-of-the-drawings]

when i was in highschool one o my biggest coping mechanisms was drawing all the kids i hated getting killed and eaten and killed. and well. time is a slowly ascending spiral. you will find patterns.(i work as a blackjack dealer. gamblers are FASCINATING

[earthgrudgefear]

yeah the sadomasochism dimension we've all seen it

[soyoursoulisgreen]

5, 11, and 30 for the artist ask meme!

5. Estimate of how much of your art you post online vs. the art you keep for yourself

It's increased over time! Well, actually, it's been a bell curve, kind of. Maybe more like a roller coaster lol. Obviously before I was online I wasn't sharing any of the stuff I drew; I drew for about seven years before posting anything - casually, for my own entertainment - and then for a while I was posting almost everything in some form or another; if I didn't post the original doodle, it was because I cleaned it digitally! But I got pretty burnt out on that haha - it does still come and go in cycles lol. Nowadays I probably keep back about 30% of what I draw? Although it can be hard to quantify - if you upload to an audience of zero, is it actually online? Haha ♪ Or an audience of one! Just because it's shared using the internet as a middle man, does that count as "posting"? :0 I don't know! I think it's an interesting question tho!

11. Do you listen to anything while drawing? If so, what

Yes! It really depends on what I'm drawing; my go-tos are always Reddit story readings since I don't have to think too hard about picking one, they last a while, and they keep my auditory brain occupied while my hands and eyes are busy. For a couple days of Requestober, especially the Portal/Stanley Parable days but also the song prompt, I was listening to themed stuff - GLaDOS lines, Narrator lines, the aforementioned song haha. I hate having to stop to pick the next thing! It makes editing my footage harder and throws off my flow :P

30. What piece of yours do you think is underrated

A lot of my Law Abiding Citizen stuff probably - LAC is such a good series!! I wish more people would see it/were still into it. We're few, and I was late to party, but my love still burns! If I had to pick just one thing tho, I think it'd have to go to one of my Just Desserts comics - I cried while drawing it initially, and I still think Charm's transition from her smiling-crying face to her angry-crying face is so well done ♥

[shitpostingsapphic]

My favorite headcanons for caitvi are ones where they met as kids/teens, by far

Like it's so fucking cute, the idea that Caitlyn would be immediately drawn to Vi due to her curiosity, and Vi can't help but be smitten by Caitlyn's atypical behaviors and willingness to explore new concepts and experiences and ideas.

Just like when they meet as adults in the original universe, their backgrounds should make them incompatible, but there's that inexplicable draw that brings them together.

Imagine Caitlyn tags along with Jayce to his visits in the undercity without telling her parents and can't stop staring at the pink haired girl she sees there at the shop, just hanging around, and they meet eyes, and BOOM, instant connection. Vi also sneaks glances and realizes she's never seen a Piltie girl her age this close before. She wonders if they're all this pretty.

Imagine Vi is sneaking around topside to catch glimpses of Caitlyn, because she feels like she shouldn't be so drawn to a Piltie, but she is anyway.

Imagine one day Caitlyn actually catches sight of Vi across the street as she tries to remain inconspicuous, but Caitlyn would recognize that pink hair in a heartbeat. Imagine she sneaks away from her mother or whoever she's with in order to go talk to her.

"It's you," she says, shy yet bold.

Vi, of course, tries to play it off. "Dunno what you're talking about, topside." But the blush on her cheeks tells another story.

Caitlyn ignores the very obvious attempts at ignorance. "I've been wanting to come visit the shop again, but it's hard for me to find the chance to get away from my mother. She's kind of overprotective."

Vi decides it's best not to play dumb, but can't completely be honest about wanting to see her as well. "You're sure you wanna share about your life with me? Maybe your mom's got a point, shouldn't associate with undercity trash and all."

Caitlyn frowns. "I don't think you're trash. That's silly. Why would you call yourself that?"

Vi is caught a bit off guard. "Isn't that what all you Pilties think of us?"

"I certainly don't." Caitlyn cocks her head as this leaves Vi without a response. "Why are you here, anyway?"

Vi stumbles around in her head for an answer. Shoves her hands in her pockets. Kicks a rock aside. Shrugs. "W-why are YOU talking to me?"

This makes Caitlyn smirk. "I DID say I've been meaning to come back to the shop. What do you think?"

"Dunno. Could want a number of things there." Vi has been staring at the ground but peers up at Caitlyn here. "Give me a hint?" The barest of upturned lips.

This makes Caitlyn break out into a genuine smile that steals Vi's breath a bit. "You're kind of adorable, you know that?"

Vi sputters. "Am NOT."

"Are so." Caitlyn tucks a strand of hair behind her ear. Can't help but think the girl's freckles compliment her blush well.

Vi rolls her eyes, trying to pretend her brain isn't setting off fireworks. "I don't even know your name."

"Would you like to know it?" Caitlyn says, tilting her head.

"Since you insist on teasing me, I think it's fair."

"But you make it so easy," Caitlyn giggles. "Alright. I'm Caitlyn."

"Caitlyn," Vi breathes. Shakes her head. Clears her throat. Thrusts her hand out, scuffed up palms and knuckles and all. "I'm Vi."

"Vi. Pleasure to meet you." Caitlyn takes her hand without hesitation, notices how rough they feel compared to hers, incredibly intrigued.

"Caitlyn!" A voice calls. The girls both turn. It's her mother.

"Shit." Caitlyn breathes.

This makes Vi laugh, surprised. "Didn't know princesses could use words like that."

"Oh, hush." Caitlyn looks back at her, panicked. "I have to go. I'm sorry." Her eyes shift so they're alight with mischief. She jerks her head towards her mom. "You've got a talent for sneaking around, I assume?"

"And if I do?"

"Wait until we're out of sight. Maybe if you're good enough, you can stay under her radar." Caitlyn smirks. "Maybe you could teach me how to sneak about myself. Could come in handy."

Without giving Vi a chance to respond, she turns away, skirt swishing about.

And if Vi does exactly what Caitlyn says, following her home out of sight, and later taps at the same glass doors of the balcony she sees the girl disappear into after a while of spying, no one is the wiser. She figures she doesn't need to tell Vander what she's been up to just yet.

[gl1tched-r4bb1t]

Facts about TADC from the AMA with Gooseworx!

~~~~~~~~~~~~~~~~~~~~~

As a member in the Glitch Inn, I got privilege to watch an interview and ask questions to Gooseworx!

I normally don’t spoil things from The Glitch INN as respect people wishing to keep it exclusive to the members (including myself!). However, when it came to the AMA, I feel like knowledge like this isn’t as exclusive and will be public knowledge anyways!

• Goose always imagined Gummigoo was Pineapple-Lime flavored

• Gangle loves to draw (we’ll see more of it in Ep 3)

•Ragatha likes horror movies!

•Jax’s favorite website is 4Chan

•Jax has a lot of Goose’s personal flaws put into him

•Ragatha might be able to see out of her button eyes, but Goose didn’t really know a definite answer for it

•“Loo-lee-lah-loo” is how you pronounce Princess Loolilalu’s name.

•Episode 6 will explore how the personalities of the cast have changed upon being in the digital world

•The Canonical reason Caine and Bubble do anything is because they think it’s comical/Funny

•Episode 5 will reveal how Kinger and Zooble eat (a bite just appears taken out of the food )

•Pomnis favorite color is red! This will be confirmed by Pomni in episode 5

•Pomni was an accountant and that is significant to the plot

•Episode 7 got split into 2, as Goose wanted time to let the deep emotions settle in

•Episode 3 is very much NOT FOR YOUNGER KIDS!!! It’s psychological horror, and Goose believes it may scare younger audiences.

•Ragatha was originally going to be named Emmy, but Ragatha sounded better!!

•Episodes 1-5 have already been Animatic Boarded, they are working on the animatic for Ep 6

•Kid Pix was a huge inspiration for the 90’s-2000’s style of TADC (Kid Pix was created in 1989 and originally released on Macintosh, look it up and you can see the inspiration)

•TADC is NOT inspired by IHNMAIMS The Game - Goose has never seen the IHNMAIMS game, only read the short story and got inspired from that

•Goose actually got an Email from Glitch asking her to pitch them a pilot, and so she just built from there!

[moodymisty]

Author's Note: I was originally going to pair this with a drawing I had been working on, but I don't think I'll have the gusto or confidence to finish it. I didn't hate the snippet though, So I figured I would just post it. If you want the rest of the idea, I guess say? I don't know who here enjoys Elden Ring besides myself and one or two others.

Relationships: Messmer (Pre shattering)/Fem!Reader (third person)

Warnings: Excessive verbosity, Elizabethan pronouns

The flowers lay against the red fabric of her dress, bright like freshly spilled blood against a sea of gentle greens, pinks, blues. The flower held plucked between her fingertips now bereft of the roots that gave it life is a gentle orange, flowing into yellow like the hottest part of a flame. She simply examines it, as if there's something within it's simple nature that she finds interesting.

Messmer stands in silence watching petals of the flower field flow in a gentle breeze, hair red like fire sticking to his lips.

He approaches, feeling the brush of soft velvety petals against exposed skin. He doesn't know how long he's stood here, but his curiosity about such a peculiar mortal doing quite honestly nothing at all; It has inspired him to take a more keen interest.

“Thou hast remained raptured by such a boring flower for quite a time.”

She turns, looking up towards him. Her shift in movement alters her body, showing the flowers and grass that has molded to the ground underneath her body. She has been here for a bit- the flowers make no effort to defy the position she has crushed them into.

“Lord Messmer, I am so sorry, should I not be here?”

He stares downward, singular eye slightly hooded. This field is nothing; If there are plans for it none have come to fruition, and still now it remains as another sunlight extravagance of Queen Marika. There is barely even a path, only a small winding remnant of one being overtaken by more flowers.

She looks up at him, awaiting the answer that will send her away. The way she looks up at him is unfamiliar; He is the hideous nest of the abyssal serpent, and yet her gaze isn't wavered.

“No. Thine with is thy own,” The bottom head of his eternal woven snakes drifts close in its monotonous swaying, though she pays no mind. Perhaps she doesn’t notice, or simply doesn’t care. “If thou wants to play with flowers, I needn’t care.”

She looks away, her fingers twirling the flower stem between them. Adrift in thought but for only a moment.

“Though... I should go; I am sure he wonders where I am by now.” She rises to her feet, the flower falling from her hand and getting forever lost among the sea of so many others. He wonders who she's referring to, but not for long.

Messmer leans over and holds her shoulder firm for a moment, stopping her walk. He leans down further, takes another flower of the same color, and plucks it from its life to wilt in her hands as he gently places it there.

How cruel he is, even to things so simple as flowers.

“Take one with thee. A reminder to return.”

[ohnoitstbskyen]

PINNED POST, FAQ, INFORMATION

Hi, I'm TBSkyen. I make videos on YouTube sometimes. This is my main tumblr blog, the "brand" blog as it were, where I maintain my Social Media Presence™ on this site.

I use the ironic ™ to signal my personal discomfort with the work of being a minor media personality even while I still do that work and make a living off it.

I have a sideblog called @tbposting, mostly for shitposts and reblogs, and in my opinion I have pretty darn good taste in reblogs, so you can follow that if you want. It's also where I'll do random personal posting, microblogging, etc.

This main blog is primarily for 1) answering asks, and 2) posting my Original Content™, usually my main channel videos, as well as the occasional longer essay or critique. Sometimes I'll reblog an interesting or useful thing, or boost a friend's work, but I try to keep the spam to a minimum.

---

About Me

I am a thirtysomething content creator whose primary expertise is character design.

I have a bachelor's degree in English, never finished my master's, did most of a bachelor's degree in history, and that's it. These are my academic qualifications, no more and no less.

My professional experience is primarily being a freelancer and self-employed creator. I spent the better part of a decade working as a commission artist, running webcomics, drawing fanart, and the occasional animation work and not safe for work commissions, and I have at this point a decade of experience and self-study in the subjects I cover. I have also done online community management for, god help me, almost twenty years, so that's a part of my skillset I'll never escape.

I do not have any particular professional creative industry experience, although given what I hear from my professional friends, sometimes that seems like a blessing.

Please maintain a critical distance when engaging with my work. I am a critic. My work is very rarely meant to be taken as authoritative or didactic, and when it is, I will make it clear in my writing. Just because I speak with confidence doesn't mean I am trying to assert objective truth.

---

TAGS (to follow, or filter)

#tbanswers is the tag for every single ask I answer on this blog

#tb reblog is the tag for reblogs

#tb essay is for the occasional longer essay or critical writing

#tbvideos is for my videos and Content™

#tb recommends is for the occasional recommendation of a video essay or other creator

Yes, I know the spaces are inconsistent. It's not on purpose, I just typed them in haphazardly when I started using them and it's stuck.

---

FAQ (before you ask)

Q: Will you ever do a video about ____ ? A: The answer to this question is almost universally "maybe someday, if I have time, and if I feel I have anything worthwhile to say." And the more realistic answer is "no, because I already have far too much on my plate and I have burned myself out too many times." In general, please don't ask me this question, I will most likely not answer it because I have given the same answer a thousand times, but I still feel guilty about not answering them.

Q: Will you continue your series of videos about ____ ? A: Yes! I will continue the let's plays I started, I will finish the Boss Designs series, I will do another What's the Deal With, I will do more shorts about the subjects I've got going on. The main obstacle is, again, my tendency to overload myself.

Q: Do you have a PO box? Can I send you something? A: Not yet, but I'm looking into it. It may be a while before I get it set up.

Q: Do you have merchandise? A: A little bit, yes, at tbskyen.redbubble.com.

Q: What's your opinion on [game/movie/comic/book/etc]? A: I struggle to answer very open, broad questions like this. Most things I have opinions about, I have multiple opinions, and different ones depending on the perspective and specific element in question. I'm much more likely to answer specific, bounded questions.

Q: Can I send you fanart? A: PLEASE. Askbox, tag me on bluesky, send it to my email! I love seeing every piece of it!

Q: Why do you never appear on camera? A: A forest witch cursed me to look not quite but ALMOST like Paul Giamatti in all photos and videos ever taken of me, and his laywers sent me a cease-and-desist.

Q: Are you gay/straight/bi/other? A: The decision I've made for myself, at least for this period of my life, is that privacy is precious, and once given up can never be reclaimed on the internet. I am open about being aromantic (not asexual), because it's a sometimes invisible and underdiscussed identity, and I know it would have helped me a lot to see someone speak about it when I was younger.

The rest of it is for me to know, and for you to speculate about, although preferably somewhere I can't see it. I accept that this is a part of being a Personality, but it still feels weird, y'know?

Q: Is it weird if I find your voice kinda hot? A: I've put a lot of work into developing this voice and making it nice to listen to, so that's not weird at all and I find it quite complimentary, thank you.

I generally don't mind people doing flirty/thirsty posting about or at me, just so long as we all understand that 1) you should never give a stranger like me information which could be used to harm you. Nicer-seeming YouTubers than me have turned out to be monsters.

And 2) it will never go beyond playful online flirtiness. I like to fluster my live chat, I'll flirt back in an ask or a post maybe, but I am not flirting with you, or inviting any kind of closer intimacy with you, the person I responded to.

Think of me like a comedian doing crowd-work at a show - you can chat to me in the bar after the show, but when I asked you what you do for work I wasn't looking for a personal connection, I was doing my work as an entertainer. Please no sending me nudes, or propositions, or confession letters in my email inbox. We are strangers, and I am always performing a persona in public.

[colleendoran]

How Do I Do Stuff

The question was phrased a little strangely, and I don't want to embarrass the person by posting exactly what was said, but I'll answer it and hope this clears everything up.

I do almost all of my drawing by hand. No, I don't trace in Photoshop. Not a judgment on those who do, but I come from a generation of artists who did not use Poser programs or other digital tools. We learned to draw using a technique called the Sight Size method. I know a lot of people assume everyone - including the old masters - traced everything using optical tools, but while it is true some people did, it is just as true that most didn't, and you can draw with great accuracy if you learned how to draw the old fashioned way.

Sight Size breaks everything down into its barest components of geometric shapes and you build from there. Once you learn it, you never forget, and it applies to everything you will ever draw.

I learned it using a set of Famous Artist Course books my mom had since she was a kid, and they are still the gold standard. They're often on ebay. If I were you, I'd buy them.

I actually find using figure reference really annoying because I like exaggerations and modifications from reality in my final work.

This page from Neil Gaiman's Chivalry was drawn and painted without figure reference of any kind.

I don't know why people assume I trace all the time. If you were to try to use photographs to replicate these figures, you would find they are slightly off. There is no tracing here.

This is not to say I never use reference. This page, for example, was referenced from a photo of my mother. Isn't she pretty.

But this page of Sir Galaad was drawn and painted without reference.

He's pretty, too.

If he were real, I'm sure a lot of people would be very happy about it. But he's not. And had I reference, the art would have gone a lot faster. I had a time trying to nail this face that is very alive in my head but doesn't really exist.

Back in the ancient days, all cartoonists had to learn to draw and paint extemporaneously because reference was limited and digital tools didn't exist. While some high end artists had photography studios and professional models with costume and sets on hand, small fry like me were limited to what was in the house or available at my small local library, which was no bigger than a few rooms of my current house.

Artists kept extensive "morgue files" or "swipe files" which were collected from magazine clippings and photographs so we would have as much of what we might need on hand for quick reference. These ephemera collections could get unwieldy. I have thousands of photographs I've simply never sorted. I finally dumped most of my files this past year.

Have I ever traced anything? Of course, especially if I have to re-use a shot or setting over and over. Making extra work for myself is just silly. It's my job to make pictures, not to perform magical feats, like copying one shot after another over and over without making a mistake.

However, for almost 15 years of my career, I refused to copy or trace anything, and did not even own a lightbox. On the one hand, that forced me to learn to carefully examine what I saw. On the other hand, it was a stupid hill on which many deadlines died.

Only after I realized many professional artists had lightboxes and overhead projectors did I finally break down and get one.

The one thing I use my lightbox for more than anything is for tracing my thumbnail sketches to the final drawing paper. Instead of trying to capture the liveliness of the original sketch by copying what I see - only bigger - I blow the thumbnail up to the size I want the final art to be, then I trace over the thumbnail using a lightbox onto the final drawing paper.

Here's a look at thumbnails from the graphic novel Neil Gaiman's Snow, Glass, Apples.

I enlarged these on my computer to fit onto 11"x14" paper, and traced the thumbs before finishing the art which was drawn in pen and ink and colored in Photoshop.

While I obviously made some changes, the essence of the thumbs is there in the final work. Tracing my thumbs retains some of the looseness of the original sketches, which is often lost otherwise.

So, there is a valid purpose to tracing at times, though in my opinion, too much tracing can weaken drawing ability, substitute for developing skills, and make the work kind of stiff.

If you want to, I'm not your judge. But it's weird to me that people think I must be faking my skills in some way.

Ironically, the word cartoon comes from the Italian word cartone, which is a large heavy sheet of paper - also, the origin of the word carton.

Preparatory sketches were made on this paper which was then transferred to the final work surface via either tracing or by stamping little holes in the paper through which dust was sprinkled, recreating the contours of the drawing for the artist to follow.

So the origin of the word cartoon comes from a process often used...for tracing.

[sugudoe]

⋆ ˚ ཐིiཋྀ ˚ ⋆ 𝗟𝗘𝗧 𝗠𝗘 𝐈𝐍𝐊 𝗬𝗢𝗨 ── ✎ ₊· 𝗷𝗷𝗸

✶ 𝐬𝐮𝐦𝐦𝐚𝐫𝐲: in desperate need of a skin, you, a talented beginner tattoo artist, decides to test your partner and his love for you in a comical way — “ can i tattoo you ? ’’

✶ 𝐚. 𝐧𝐨𝐭𝐞: i’ve been drawing for a couple of days now, and this is inspired by my sibling ( a tattoo artist ) and their influence on me, cause i too wish i could tattoo myself whenever i’m bored. ALSO i know we all see geto as tough but i had to!! and nanami surprised even me but the vision is visioning, you can not deny. I KNOW you can’t do many tattoos in one setting but please it’s just for plot. divider by: @cafekitsune

✶ 𝐬𝐲𝐥𝐥𝐚𝐛𝐮𝐬: fluff / crackfic / smau with writing / reader has no gender / english is not my first language / there is mistakes because the app beat my ass sowwy / mentions of needles and pain / foul language / suggestive theme and horny police for nanami

✶ 𝐩𝐚𝐢𝐫𝐢𝐧𝐠: gojo ﾉ geto ﾉ nanami

──── ✎ ° ⋆ 𝐆𝐎𝐉𝐎 𝐒𝐀𝐓𝐎𝐑𝐔

Satoru is sitting in your chair, ankles fully on display for you, but you’re actually occupied with keeping everything sanitized in the makeshift space of your boyfriend’s spacious room. He is laughing and acting tough until he hears the buzz of the machine, then he stops and gulps.

“Shit, sweets. Don’t know if I’m ready for this.”

“It’s too late.” You answer with a devilish smirk, before laughing and putting the pen down. “It’s okay if you don’t want anymore, no pressure.”

Maybe it’s the combo of your puppy eyes with small pout, but Gojo falls for your antics and let you have your way in his skin, it’s takes just a few minutes before you end the drawing of the little ants crawling his ankles. He, obviously, has the limitless off, and that scares him a bit — to feel pain, see dots of his blood. But when he looks at your concentrated face, pain dissolves, and he is happy to have something permanently his made by you, his only love.

By the end, though, he grins at you and asks for another one, bigger, blue! And you make the design and ink him again, before realizing you did not gave him the Suguru cat, but you fall for his dragon. Bitch.

──── ✎ ° ⋆ 𝐆𝐄𝐓𝐎 𝐒𝐔𝐆𝐔𝐑𝐔

Geto can see black dots in his vision when he lays belly down on the bed. He is a tough guy, been through stuff you have only an ideia about. You could guess by the minimal details and the fucking huge scar on his chest, he has been deeply cut by something. Still, he is scared of the needle you are holding.

But here he is, presenting his blank large and sexy back to you, making you rethink of doing another thing instead of the tattoo, but you have your opportunity and need to grab it.

“My love, are you ready?” You voice has the buzzing sound of the machine in the background, Suguru groans at that.

“Please, beat me to sleep.” It’s all he says before you touch his face. Before you can say anything, he talks again. “I’m fine, I think. I trust you a lot, baby.”

Suguru soon learns how soft and weightless your hand feels, because although something is burning in his back, he thinks is just you rubbing alcohol — that is until he wonders why are you rubbing alcohol for twenty straight minutes now, and then he shifts his face a bit to stare at you. He almost passed out again when he realized the tattoo is already in progress, but he is fine, and simply goes back to his original head position, before deciding to sleep.

Suguru wakes up hours later with this intricate tattoo on his upper back, he smiles and flexes his muscles on the mirror before staring at you, seeing you googling him. Yeah, if you keep looking at him like that and your hands feeling like feather, he may enjoy this whole thing — he does! By the end of the year, his whole torso is designed by you.

──── ✎ ° ⋆ 𝐍𝐀𝐍𝐀𝐌𝐈 𝐊𝐄𝐍𝐓𝐎

Nanami presented you what could be called a slideshow of tattoos he would like to have. Basically he made a pinterest board and added you to put the tattoos you would think he look nice with (basically all you’ve seen).

By saturday, he is wearing a white shirt, showcasing his big arm’s muscles, you get occupied with a little thing before you even start to prepare the living room. Now, he has no shirt anymore.

“So, what did you choose for me, love?” His soothing voice asks you, he is sitting by your dinner table and you smile at him, showing your tablet with the many arts you made based on what both he and you liked.

“Now you pick one and we start.”

“Can I have all of them?” Oh.. “I like the art, you are so talented, love. Let me be your canvas, do what you want.” Yeah, you get occupied again in the day.

It’s nighttime when you crack your bones and look at both of your boyfriend’s arm, all inked up. He stares at you normally, no pain, no heavy breathing. He really was a punk in high school.

“So, since we already did all 12, can we finish the chest as well? I think legs would be nice too, or neck… I can have neck tattoos now!” Nanami says with a energetic voice when both of you are eating pasta later.

“Damn baby, you are getting addicted.” You sit on his lap, eyes focused on the ink all over him. “Yeah, we can do all that.”

[fablefrogg]

Why Does Will Byers Bring His Painting? (To the Airport and On Their Road-Trip)

I think it's so interesting that Will decided to paint the DnD party as a gift for Mike.

Since he brought the painting with him to the airport, we know that Will was definitely NEVER going to confess his feelings to Mike since he has very much resigned himself to the idea that Mike is straight and is in love with El (and El, Jonathan, and Argyle are also there with him so we can safely assume that he had never meant for his painting to be given in a romantic light).

Rather, Will brings the painting to the airport as a surprise for Mike in the hopes of reconciling their friendship.

Will, most likely, had intended the painting to be a friendly gift for Mike and it wouldn't be out of the ordinary, considering that Will has given Mike plenty of his artwork in the past (shown by Mike's binder of Will's drawings in S1 and how some are put up in his basement).

We know that they left on good terms at the end of S3 when the Byers move away, with a heartfelt conversation that Will would always stay with their original party and a good-bye hug. However, we also know that their contacting each other lessened as the months passed, as revealed by their fight in Rink O' Mania.

But I'm getting too far ahead of myself. Let's go back to the airport reunion before Rink O' Mania happened.

With the previous information now at our disposal, we are in the know that Will and Mike's last few interactions before their airport reunion have been few and far in-between. We don't really have a clue on how their phone calls went but it seems that they were still on good terms, considering Will's very happy expression on his face as he waits for Mike to arrive. But again, we know that Will is aware that their contact has been dwindling when he confronts Mike about it later on in the skating rink.

With this awareness, I believe that Will wanted to make sure that their friendship is still intact, even after the little communication they've had since the Byers move to California. That their strong friendship will continue to exist even if they were separated.

His answer to repairing their friendship was going to be his DnD painting. This painting must have taken a while to complete, a small signifier showing how long and often Will has thought about this. It is no coincidence that he chose the DnD party as his subject for his painting since their last in-person interaction is when Mike asks whether Will is going to join a new party and Will replies that that's not possible. By painting their DnD party, Will is basically referring back to that interaction and expressing to Mike that he didn't forget about them and that he never will, even after all this time and distance.

Which is why it's heartbreaking when Mike rejects Will's hug at the airport.

Since Mike is acting cold towards him, Will believes that Mike may not actually be receptive to his painting and his message behind it, so he (understandably) opts to not give the painting to him, referring to it as simply "just a painting". If Mike hadn't apologized to Will after their Rink O' Mania fight, I think that Will would have hidden that painting away where it will gather dust and never see the light of day.

Now, what is very interesting is that Will chooses to bring his painting again, this time on their road trip to get El back. But you may ask: Mike and Will have already reconciled their friendship when they have their heart-to-heart in Will's room so what else would be the reason to bring it?

Because now that he is assured in knowing that Mike has actually been wanting to reconcile with Will, expressing to him that Hawkins isn't the same without Will and that Mike felt like he lost him, Will deems it safe to bring it again. After all, judging by El's letter to Mike that Will has been working on it for weeks, Will wants to make it clear to Mike that even though Mike initiated their reconciliation, Will isn't passive in their friendship. Will is not someone who initiates so he shows in his own way that he does care. This painting proves that he's been thinking about them ALL THIS TIME. This friendship is just as important to him as it is to Mike.

However, as the road trip goes on, Will sees that Mike is worried and stressed about El and whether she really needs him through their heart-to-heart at the junkyard. Will probably thought that it would be insensitive to give him that painting now when it seems clear that Mike is in emotional turmoil about El and that he doesn't have much room to think about anything else. Again, he was NEVER going to confess his feelings with the painting. At this point in the road trip, he has already offered much relationship advice to Mike about El so we know he is supporting Mike and El's relationship.

Will had meant to use his painting to reconcile their friendship. Instead, he uses his painting to repair Mike's relationship with El.

After all, they have already technically reconciled their friendship, so Mike doesn't need the painting as more reassurance for that, right?

'What Mike needs is to know that he will always be needed and that he is so, so important to not just El but to the whole party. He is the heart, he's always been. I can't help much but this, I can do.'

So, Will resolves himself to be the initiator this time, giving Mike his painting on the basis that 'El had commissioned him' so that Mike can understand the inherent self-worth he has and how much he has impacted Will by making him feel better for being different. He not only expresses these feelings but his love for Mike under the guise of El's, knowing that he is helping Mike and El reconcile and that they will be stronger than ever once they do.

He knows that there is nothing to be gained from confessing his feelings. But by actually saying his feelings for Mike out loud to the very same person, Will has given these feelings corporeal form. Now, another person knows (to an extent) about his true feelings, and Will cannot take them back. And by acknowledging his love for Mike, he also has to acknowledge, by association, that Mike will never reciprocate back because Mike is in love with El and even if he wasn't, Will would never be the recipient of Mike's love. Of course, Will has already known this but expressing out loud to the person you are in love with feels final. Finished.

It is at this point that Will isn't only actively supporting Mike and El's relationship. This is Will Byers fully giving up.

But now, his lie about his painting is up in the air.

I'd guess that in the final season, Will is never going to confess his feelings and that he resolves to hide them. But just like how Mike initiates many of their moments together, I believe Mike will confront Will about this and bring Will's feelings to light, sooner or later. And I think that Will Byers is going to be in for a big surprise.

Edit: Forgot to mention, the throw-away line in the van scene where Will talks about going to Las Vegas and playing DnD and Nintendo for the rest of their lives is a call-back to the rain fight where Will said that they could just play games in Mike's basement for the rest of their lives. In both cases, playing games for the rest of their lives is a metaphor for Will's wish to spend the rest of their life together and to grow old together. So the fact that Will lies about his DnD painting for Mike and El's relationship could symbolize him giving up that dream.

[david-talks-sw]

"The Acolyte" wasn't 'woke' propaganda.

I had my issues with the show (you can check out my other posts to see what they were) but there's this notion that The Acolyte was created to spread The Message™ of "woke propaganda"... and I think there's a bit of a mix-up going on, there.

Because that's simplifying things a lot.

When you're a minority, you're not "being woke" when you're just being yourself! Conversely, you're not "writing to be woke" when you're a minority drawing inspiration from your personal experiences to tell a story.

I talked before about how George Lucas implemented elements of his personal life in his own films. In his own words:

"There's no way to write without writing from yourself. Y'know, the stuff gets made out of things that you care about… whether you've actually lived them or not. There are emotional issues that you deal with, and I think that's always a major factor with any writer. I don’t think— it's hard to write without having some kind of emotional connection to the material. I've never seen any reason not to. It’s easy to write that way. It's hard to write in the abstract. So when I write a scene, I write a scene that moves me or I care about, or is something that is personal to me." - George Lucas, Q&A with Lynne Hale, 1994 (StarWars.com)

Any piece of writing worth some salt needs to come from a personal place to some degree because that's where the heart of the story, the truth, lies. That's what an audience will relate to.

Example: The six original Star Wars films are purely George Lucas. As in, everything in those films, from the characters, to the cinematography, to the editing style, etc are all a reflection of who George is as a person and what he stands for:

anti-Vietnam / "fight the corporate & imperial machine"

60s-70s white kid from Modesto, California

single father of three

who defines himself as Methodist-Buddhist,

has an anthropology major and

a passion for Kurosawa,

cinema vérité,

cinema history in general

art and visuals and

car racing.

You see all that in those films.

Same thing with The Acolyte.

Leslye Headland drew from her personal experiences.

Among other things, Leslye is gay. So that's what she uses as inspiration to, for instance, craft Qimir's character motivation.

"I was on the treadmill being like, “What is [Qimir] gonna say?!” And my wife, who is a huge part of my creative process, finally she said, “What do you wanna say? Stop thinking of it like you have to somehow tap into a different guy.” [...] I was like, “I wanna say that people don't want me to exist as a gay woman, as a woman in this particular space, working in this wild sandbox.” There was a whole crew of people who believed in me, but deep down, I felt like, “I am unaccepted for who I am because of what I believe in and wanting to wield my power the way I'd like without having to answer to the legion of people that just exist out there.”" - Leslye Headland, Collider, 2024

She took this specific life experience of hers, and then made it more universal, so that a bigger audience could relate to it.

"By the way, I think everybody feels this way. I think that's why it resonates when you're honest about yourself, and you get personal about it. When [Qimir] says, “I want freedom,” that's what I want. I just want freedom. I want to be able to just be out there and be myself and be the type of artist I want to be without having to answer to anybody." - Leslye Headland, Collider, 2024

Same goes with Osha and Sol's relationship, or how she defines the Jedi Order. It derives from her own relationship with her father and how she felt being raised straight, in a Christian household.

If you have the time, listen to this audio clip where she describes that.

In the context of the whole interview, her voice goes down a few octaves and starts to crack a bit. This is a vulnerable moment, when she's talking about it... and it's this experience that she turned into fuel for her writing of Sol and Osha's father/daughter bond.

"There's this thing that's called benign sexism, and part of it is this paternal protectionism — it seems like this good thing, but like you said, there's this, “I have to protect you from everything. I have to make sure you're okay. I have to tell you what track to get on, and then once you're on that track, I need to support you.” Ultimately, what happens is — again, this is a father-daughter relationship — as women evolve in their lives and develop their own personalities separate from their fathers, at some point, they have to reject that protectionism. [...] She cannot stay a little girl or an adolescent or young adult. She has to, at some point, say, “I reject what you have told me I need to do to make you proud, to follow in your footsteps.” She has to do that." - Leslye Headland, Collider, 2024

Now... if we're talking consistency with the themes in Lucas' Star Wars, then yeah, The Acolyte misses the mark.

The Jedi Order isn't the patriarchy or the Catholic Church. They're more like Buddhist monks, George has stated so multiple times.

The Jedi teachings aren't narratively meant to be the same traits found in toxic masculinity or benign sexism.

When a Jedi tells you to be mindful of your emotions, it's not meant in the "boys don't cry" sense.

When they talk about letting go of attachments, it's not meant in a stoic "don't get emotionally involved" sense.

Anakin too, the whole point is that he's wrong, the narrative frames his fall to the Dark Side as his own fault, it's not meant to be perceived as a failure in upbringing.

But she's not the only one who does it. Filoni does it too, a majority of fans have this take on the Jedi.

And because of her experiences, I can see why her takeaway would be that. Same goes for Filoni, they're products of their generation, upbringing and experiences.

My point is:

Leslye Headland is writing from a personal place, when she's writing The Acolyte. It's partially informed by her politics because - like she quotes, "personal is political" - but when it comes to the writing of the show, it's personal first and foremost.

What this was, was a Star Wars fan (arguably the nerdiest one we've had so far, in terms of creators) putting all of herself in the creation of a show that perfectly reflects who she is and what she stands for, resulting in:

a story about growing past your father's paternal control and accepting that our guides aren't infallible,

where her wife holds a role and gets to wield a lightsaber,

a show about taking corrupt religious institutions to task

about the Sith and the Dark Side

and questioning the unquestionable

and exploring whether the good are really so good and if the bad are really so bad.

This was a project written from the heart, and regardless of whether the resulting art found its mark, I think it's important to note that it wasn't written to spread a propaganda message in some "pro-woke holy war" or whatever the hell the YouTubers are peddling.

[mockingjaysnakes]

some facts about tom blyth:

did therapy.

he has a motorcycle.

he used to draw, learning how to use oil colors and mixing paint would be a feasible hobby to fit in between concerts.

in an interview he said: "i like the idea of doing something that scares me because that's where you learn the most."

his teenage (and ironic) fear of snakes derived from Indiana Jones and the unknown terrors that lurk in deep waters were conquered through exposure therapy.

he is studying and learning to speak Italian for his next film.

the mix of teenage angst, self-loathing and mischief has been processed in therapy. Now that you have competent knowledge, confidence and experience, acting has become more of something you can experiment with, learn from and expand on.

for Tom, acting used to be a form of escape. In an interview he talked about it: "i love accents, costumes, anything that takes me further away from myself because before I simply wanted to be anything but myself."

Donald Sutherland was actually one of his favorite characters in the original films of 'the hunger games'. In an interview he spoke about him and said: "i think he is one of the best villains in modern cinema."

Maya Hawke and Tom met at the Juilliard audition, the first time they started talking was at a school question and answer session.

he always creates a playlist for each character he's playing.

he gets a little camera shy when playing himself.

his passion for acting was influenced by his father, although he did not spend much time with him because he died when he was young.

during the pandemic, Tom was living in a cabin in the woods upstate, and he got up at 8 a.m. every day to chop wood for the wood stove to stay warm. "I was living this kind of lonely life and auditioning every day and just looking for the right job."

he loved western movies when he was a child.

at the premiere of The Hunger Games: The Ballad of Songbirds and Snakes, in Los Angeles. After he took off his oversized jacket, exposing his arms, Rachel Zegler spent the next day sending him messages about the "thirst trap."

his favorite rom-com movie is 'When Harry Met Sally'.

[the-ancient-dragons]

EXTRA OVERCOMPLICATED ICEWIIIIINGS

You know how it goes, Joy Ang is cool and I'm not yadda yadda move on.

Details and explanation below!

Otherwise, next week is the last Pyrrhian tribe: NightWings!!!! See you then!

More overcomplicated dragons.

If the RainWings are the design that destroys Joy's work the least, this one takes the original IceWings and tosses them out the window. Going into this design I knew it would be hard, but boy was I unprepared to get art block for 2 months because of it.

I eventually found my inspiration in the girdled, spiny, and horned lizards, They. Are. So. Freaking cool. If you think a crocodile skink is awesome, look up girdled lizards. Not as fancy with the eyeliner but they are SPIKY!

I fell in love in particular with the giant girdled lizard. I knew I wanted the scales of the IceWing to look rough and like they were made of actual ice or diamonds - or covered in frozen sleet and snow - and this lizard was basically perfect inspo for that. Also, blue spiny lizards. They are basically real life IceWings, full stop.

But even though I had perfect references to draw from, I still struggled with the head shape. I wanted them to feel like a reptilian polar bear, which is why I slightly blunted it, but I think I should have gone with a more angular shape instead. I can always change it later when I do their full-body.

I did have a very fun time with the horns, however. I wanted them to be a mix of narwhal teeth and icicles (yes, narwhal 'horns' are actually overgrown teeth. One tooth, usually, but sometimes they can have two!!). Before I get distracted I should explain how they grow: the scales at the base of the horn are constantly growing and essentially create the horn. That's what gives them their narwhal-like spirals.

I chose a similar approach to the neck spikes (untangling that mess was fun, let me tell you. Grids are very useful when doing many scales/spikes). At the base of each one you'll notice a scale forming it. On the back, I wanted to give a good side profile of the spikes. Technically, they are ever-growing, and need to be trimmed or sharpened constantly.

Now, as I was drawing them, I asked myself: why do IceWings need a mane of spikes?

A stupid question, you might wonder, but to me it's very important. Animals look the way they do for survival. So, while it's important visually for the ice theme, how could they be explained scientifically?

And then, when thinking of polar bears, I got my answer.

How the hell does a giant sparkly dragon hunt in the north? Seals would probably be part of their diet, but it's hard to sneak up on them if you're a ten ton reptilian flying creature, so I imagine they would tackle the problem like a polar bear would by waiting by a breathing hole and pouncing at the right moment. They already look like a frozen snowbank, so that part is easy.

But any hungry polar bear would be doing the same thing, and like a giant dragon, they would be waiting downwind of the breathing hole too. They wouldn't pose a threat to adult dragons or dragonets larger than them, but in real life polar bears are dangerous hunters and prey on humans. Why wouldn't it prey on a dragonet it thinks it can take on? Things in the WOF universe seem to be extra big (or scavengers/humans are tiny) so I think it would be a feasible for a desperate bear to hunt a dragon. They cannibalize, anyway, so going after another apex predator isn't out of the question. In this case, the horns and neck spikes would be a dragonet's saving grace, discouraging attacks from behind and especially on their necks. A bear's teeth could never get through their scales, but they could still crush their airways and choke them, and the spikes would keep them away from their necks and protect them from that fate. As they grow up, the neck spikes' length and strength could be used to determine a dragon's health and help them select good partners.

Finally, continuing with the bear theme: for the scales, I took inspiration from polar bear fur (which is actually hollow) to help design how IceWings preserve their body heat. In polar bears, its used to make them look white by reflecting the light of the sun, but in IceWings it could keep the cold out. Air pockets would create a barrier between them and the outside elements, and whatever gets in would meet their thick layer of fat that does the real warming. Yes, IceWings would be squishy, but you'd probably poke your eye out or stick permanently to their side a la tongue to cold metal pole.

Don't hug IceWings; they're very cold.