#I need to rework my design now

[mandms-blog-of-silly]

☆ Found this looking for Aurora Inspo for my design and it made me think about Bat Phantom and Moth Aurora, but like the Luna Moths.

☆ This is literally Aurora. Tell me I'm wrong.

the same way that phantom is a bat aurora is a butterfly and that’s why she wears the cape 🥹

[lil-lemon-snails]

Been thinking.. what if big....

[starlingfawn]

when i'm in your mind

then i'm in your mind

king gizzard and the lizard wizard + warrior cats

[aberooski]

○° Part of you, and a part of me

Close your eyes and you will see

It's not hard to believe °○

Trying to get back into drawing more again, and I wanted to really finalize these designs to where I'm actually happy with them, so here we are!

Sheets for each of the 4 girls with all of their parts and pieces for reference and just to look at how pretty they are! 🥰

Click for better quality as always, tumblr has it out for me in that way hahaha 😅

[princehendir]

Does Minecraft incentivize killing golems though?

[wigglebox]

Arrival! [original characters Max and Jude]

[upsidedowngrass]

erm... so this is awkward

[arolesbianism]

Thinking abt my bndori ocs again... I need to draw them more I love them all sm

[gemharvest]

FINALLY. SKETCH DONE.

[etherealvoidechoes]

Thanks to whoever added all the info about XCOM: Legends on the XCOM wiki, but at the same time I am getting a massive headache reading the "lore" of that mobile game.

That is such a trainwreck with a ton of the characters and the lore.

[ivoirerose]

designated driver | charles leclerc

a reworking of an old fic of mine. no warnings except drunk idiots and mentions of sex. you have to pick up your drunk boyfriend from a night out.

Come pick your idiot up, he just started rapping Baby Got Back.

The text had come through from Carlos attached to a video of Charles singing along, trail of shot glasses surrounding him, and you couldn’t help but laugh as you watched the passionate way he belted every word.

You rolled off the couch, shoving your feet into your shoes and grabbing your keys off the counter, answering Carlos with a firm order to not let Charles have any more to drink.

You try stopping him, he’s a menace.

Well you couldn’t argue with that. You tapped in the address Carlos had sent you, pulling up outside of a bar, music blasting from the door as it opened, letting out a group of girls stumbling over their heels.

You texted to say you were outside, watching the door, and when they hadn’t emerged after ten minutes, you decided to go in and get your pack of drunks.

You spotted them almost as soon as you walked through the door, sitting in the corner. Charles had his arms around Pierre's shoulders, the pair now both singing along to Vanilla Ice while Carlos recorded them.

You shook your head as you made your way over to them.

“Am I interrupting something?”

Charles’ gaze shot to you immediately, smile lighting up his face.

“Baby!! Guys, look, it’s my baby. You’re here!” he stood up and stumbled over to you, hands on either side of your face, and you caught a strong whiff of tequila as he leaned close. “You. Are so. Pretty.”

“Thanks Charlie, you too,” you answered as you peeled him off you, raising your eyebrows at Carlos over his shoulder, the other boy just shrugging and gesturing to the glass-littered table.

“Aww, you think so?” Charles blushed, and you fluffed up his hair.

“The prettiest. And you know what pretty boys need? Their beauty sleep. What do you say we get you back, huh?” You asked as he turned to Pierre.

“She thinks I’m pretty,” Charles smugly told Pierre.

“You know who I think is pretty? Kika,” he mumbled. “Hey, I’m gonna call her.”

He went to take out his phone and you rushed over to grab it from him.

“No you’re not because Kika has a big job in the morning and if you wake her up just to tell her how shiny her hair is, she will kill you.”

“Boo! No fun,” he grumbled. “It is shiny though, isn’t it?”

“Super ahiny,” you gave in, pulling him from his seat to stand next to Charles. “Okay, Carlos, you get Pierre, I’ll get Charles.”

“Got it,” he answered, and as he stood up, he stumbled against the chair, crashing to the floor. You watched as he pulled himself up by the table edge. “Woah, Y/N, did you see the way the floor just rose up then?”

You sighed, rubbing your hand over your face.

“Okay, never mind, I’ll get all three of you.” You reached over to grab him, linking your arm through his, Pierre on your other side. “Charles, link with Pierre. No letting go, children, come on.”

You led them through the bar, saving them from a stumble every few steps. You got to the exit when Charles stopped you.

“Wait, wait, baby, this bouncer? Here? He didn’t believe I had the prettiest girlfriend in the world. Can you believe that?” He gestured to the guy manning the door. “And now, she’s here, see, isn’t she the prettiest?”

You blushed, apologising to the guy as you pushed your way through.

“Wait, but he said��”

“Charlie, you’re gonna be the death of me!” you opened the door for him, shoving him into the passenger seat before wrangling the other two boys into the back.

You climbed into your own seat, clicking the child lock before setting off.

“Hey, can we put the radio on?” Pierre called from the back, and Charles reached out before you could answer, cheering as the sound of Bob Marley came from your speakers.

You smiled as they all sang along, and before you knew it, you were pulling up outside their hotel.

“Can you guys get in okay?” You asked, ignoring Pierre’s offended scoff at your question as he pulled at the door handle before turning to you with a sad look. “It won’t open, Y/N.”

You smiled as you clicked the button to unlock the door, and they climbed out of the back of your car. You and Charles watched them wobble their way to the door and stumble in, giving big waves as they stepped inside.

“Idiots,” you mumbled.

“I agree,” Charles answered sleepily.

“I was including you in that.”

“Hey! I’m your idiot.” He defended, and you couldn’t help but nod at that. “Can we stop for fries?”

“Are you gonna order four portions and then eat two bites before falling asleep again?”

“No?”

“Charles.”

“Okay, no fries.”

You rolled your eyes, signalling to pull in the nearest drive-thru, ignoring your boyfriend’s elated cheer.

“One portion, Charles, One.”

“Deal. Give 'em.”

He stuffed four into his mouth at once, groaning at the taste.

“God I love you.”

“You talking to me or the fries?”

“Honestly, right now, I’m not even sure.”

You giggled and he turned to look at you, eyes drunk and hazy.

“I do love you. A lot. You’re so pretty. And nice. And smart. And funny. And great in bed.”

“Charlie!”

“It’s true!”

“God Carlos was right, you’re a menace.”

“Yeah but you love me.”

“Yeah. I do.”

…

“Speaking of great in bed?”

“Charles, no!”

[thesiltverses]

A very big thank you

I posted this on Patreon, but really wanted to share it here as well:

Post-show life begins

For a long while now I’ve been getting up at 4.30 or 5am, grabbing myself the first coffee of four, and then coming to sit at my desk.

I open up the assembly cut of the newest TSV episode.

I listen to it, I try and pin down which scenes I need to be going back over today. I try and push through the entire morning without a break because when the momentum stalls, that’s what kills your release schedule. (I also worry endlessly about just how much of my hair is falling out, and how spending 12 hours a day wearing headphones could be contributing to that.)

Today was different. I still woke up early - it’s a hard habit to shake off, and probably a useful one going forward. But I didn’t go to my desk, and I didn’t put my headphones on.

I went to the rocking chair we bought for our son when he comes, and I sat there - gently swaying and trying not to spill my coffee all over it, because for some reason it’s fucking beige - and looked out over the city skyline. 

I slugged back my coffee surrounded by all the stuff we’ve panic-bought for the baby, and I got to take all of it in - washcloths and the changing table and romper suits - with a sudden focus and a clarity and a rising excitement that I really hadn’t allowed myself to feel until today, because until today the work was still unfinished and there was still much left to be done.

All at once I felt very free, and fully sated, and happy and proud for everything that’s coming next.

There’s so much to feel grateful for from the past three years of working on this show. But what’s probably going to sit with me the most is being able to arrive at that moment and those feelings today, - and we have all of you incredible people to thank for that.

Not just in terms of listenership or financial support, although that’s been truly invaluable and a lifeline for us that’s enabled us to actually make the show - but also your enthusiasm, your passion, your jokes and comments and everything that’s helped to keep us motivated and working on it.

So - with as much feeling as words can convey, thank you so, so much for everything.

What’s coming next, in rough order

#1: Parentdom is going to take over our lives for a while! I also want to write the final Patreon episode commentaries in the next few days, while I have the time and the clear memories. #2: The next thing we’ll organise will be the post-season Q&A (we’d also like to do some kind of off-camera cast party if we can make schedules work, just to say thank you to our amazing VAs and celebrate with them). Please do ask us questions! #3: We have long-unfinished commitments to the Patreon which I need to complete: the last two episodes of So Long, Good Luck, and rounding off Sid Wright’s story. As ever, huge thank-yous for your patience with these; they’ve just been impossible to polish off while also working on the main show so much. #4: Something I’ve been thinking about for a long time is the possibility of going back to Season 1 and redesigning it from scratch to try and bring it closer in style to S2 and S3. We have the raw audio files - some of the mic quality will just be rough no matter what, but we can certainly try.  This is something I want to be conscientious and careful about; I very much want to respect the sound design work that’s already taken place, and ensure we’re not overriding anything. But I do know that the initial quality still sometimes puts new listeners off; we were learning a lot about direction and mastering from scratch, and our designers were working with limited budget and a total lack of plugins, so there’s simply a lot more we can achieve now. (This would also be a good opportunity for me to finally rework the transcripts, another fallen hurdle). #5: A few months back, we were contacted by a literary agent in NYC who was interested in us adapting the show into a series of novels. There’s a long road ahead to actually get published, but I'm thrilled to say that I have signed with them and I’m really excited to hopefully start work on the first book once I’ve settled into dad-dom. I’ll need to check what’s possible, but if it doesn’t interfere with any contract condition I’d obviously love to share excerpts on here as it’s written. #6: Then there’ll also be another larger audiodrama project - we’ve spoken about the different possibilities before! Excited to get started on our final choice.

Just one last word about endings

God, endings are scary. Because endings are impossible.

How many serialised stories actually end in a way that’s received unequivocally well?  People yelled at The Sopranos for its ambiguity and open-endedness. People criticised Breaking Bad for treating Walt too sympathetically at the end and relying on a generic mob of snarling Nazis to act as his final foe.

Endings are either too pat and neat, or too inconclusive to be satisfying, or too surreal and dreamlike, or they simply make what feels like the wrong choices for the characters we care about. We’re all caught in that barbed wire, creators and audience alike, weighed down by the baggage of what’s come before and we've already spent so much time anticipating the infinite possibilities of how it could all turn out - it’s like we can’t get free of the story that’s trying to end. 

And the beautiful thing about these longform, iterative works is that they insist upon becoming completely ungovernable. No matter how much of a planner the creator claims to be, how much prepwork they carry out - they were never really in control. There’s spontaneity and surprises and dead ends and beautiful distractions that come spilling out along the way (I was baffled and delighted to learn that people really - at the end of the show, with such limited time to spare - wanted to find out what had happened to Eddie*). 

So they can’t end. Not really. There’s too much wonderful mess in them to ever be reasonably disentangled.

And, of course, for every ending people remember with frustration or dissatisfaction, there’s another hundred endings that nobody remembers at all, because we lost our enthusiasm along the way and it feels better to keep going back to the start and avoiding the slow decline. (Who the fuck remembers how the umpteenth X-Files reboot ended? What increasingly tired post-modern antics was Alan Moore getting up to in the final League of Extraordinary Gentlemen books?). I really just didn’t want the show to end up in that latter category.

All of that probably sounds like I’m warding off criticism about the show's ending, but for me it’s actually been the opposite. 

For an ending which is all about narrative dissatisfaction, and failed potential and missed opportunities, and how we need to come to terms with the lack of existential fairness and certainty and narrative control in our lives and keep ploughing forward all the same for as long as we possibly can, I’m massively stunned at just how positive the reception has been on here and elsewhere, and that’s something I’m actively having to process, because I think I was fearfully anticipating much more pushback.

But, look - the Eskew finale was originally quite poorly-received and then people came back around to it over time. So I’m not going to pat myself on the back too hard, because maybe it’ll ultimately be the opposite with this show, and that’s OK. For 200 years everyone was convinced King Lear was improved by having everyone survive at the end and get married. Endings take time to settle into their final condition.

For now, I am incredibly relieved that the ending we chose seems to have landed for most people, and I’m incredibly grateful for the lovely messages we’ve got about it and for the trust in us that you’ve all shown throughout the story.

So, yeah, let’s end with another thank you, because that’s what I feel so deeply and so forcefully at this point.

Thank you so much again, and speak soon.

Jon

*My take? We’ve established that the guy is in some kind of blue-collar job and has been pushed into constant overtime due to the reduced workforce. We’ve seen that the so-called ‘national holiday’ doesn’t actually rescue workers from their commitments. So I personally imagine that Eddie was working during the parade somewhere on the city outskirts, and is alive and well.

[quibbs126]

Okay, I think I’m FINALLY done with these designs. Well okay, I said Megatron might need some reworking, but shush, I’ll do that another time

I was not expecting this to take as long as it did. Apparently I started making this at 9 in the morning, and it is now 9:30 at night. Optimus, I am almost certain this is your fault

Anyways, as mentioned prior, the idea here was to give the Earthspark Cybertronians protoform designs like the Terrans, what they might look like when they were in this stage, because I haven’t seen anything to claim Cybertronians in this series don’t also have this stage, unless I’m wrong

I mean theoretically, Cybertronian protoforms could look entirely different from Terran protoforms, but we don’t know at this juncture, so I used the Terrans as my main references

Pretty much the main thing was trying to turn their blocky features smooth, while also taking out a bunch of their little details, like their antenna and horns

Honestly I still think Elita turned out the best, which is maybe a bit sad considering she was the first one I finished, but oh well. I don’t think everyone else was horrible, but I think she just looks best

I think Bee’s design is fine, and it was honestly refreshing after struggling so much with Optimus, but I can’t help but feel like his eyes are still wonky

Like I’ve said, by the end of things I think Megatron came out the worst. He was the second one I did, so I wasn’t sure, but by now I think he is. The real struggle with him is that his entire helmet is comprised of angles, when I need curves. And then there’s his side things, which I still do not know how to translate here. The idea I was trying to go for here is the top half goes around his head, while the bottom half is attached at the ends, but it’s the bottom half that looks weird. But ah well, hopefully I can fix it later

And then there’s Optimus. The majority of the time I’ve spent on this was him. It was mostly the struggle of his vents and trying to make them un-blocky. It was getting really frustrating particularly because I couldn’t think of anything new to do with them to change them, drawing the same thing over and over

But then I remembered, this Optimus was once Orion Pax, a fact I was planning to omit. But that meant I had something else to draw on

And it’s what finally got my brain to make his side things into the curves you see now. It’s also why his middle thing is solid black, like how it seems to be in the picture above

But yeah, I wouldn’t rate his design as the absolute best, but it’s serviceable and I’ll take what I can get

But aside from trying to change their designs, I think I had fun. I noticed by the end of it that they all have different face and eye shapes, and that’s pretty fun

Speaking of which, I notice with this how small Optimus’ eyes are here. They may not look it in my drawing but they’re a lot smaller than the others in the show. Is that one of the reasons his design looks so off? Like I know it looks weird, I just can’t place how exactly

But yeah, take these designs, the culmination of my drawing abilities for the day. I’d like to do more with them, I just don’t know what. Best I can think of is like, a fic premise where the Cybertronians somehow get reverted back to these protoform stages, and the Terrans now have to help them out

[eintausendschoen]

Don't ask me how I did it – I just did it – it was hard.

Late, late entry for @mircsy's 'draw this in your style'-challenge #AthenaDTIYSmircsy

That is as far as I got. So far. Might do reworks later. Actually my first DTIYS - never did one before, but I see the fun in it now. No, really, it was a lot of fun, I learned a ton with this, even if I'm not fully convinced of the result.

Also, when I saw mircsy post it, that was an 'immediate HELL, YES'-moment, because I love her art and designs so so so much. Her Polyphemus is who ultimately sold EPIC to me after a total of 3 seconds screentime. I am seriously amazed at the quality all artists and animators produce for the musical accompanying it on its journey to release, but mircsy's art was special.

👀 more yapping, WIPs and progress notes below 👀

It made me want to draw characters again, brought the fun back to drawing and painting for me, and somehow invited me put them out there, again - I can't put a lot of time into it, but I missed this as a joyful hobby and just watching the animatics breathed life back into it for me. So, this lil dtiys entry is a big heartfelt thanks for a nudge I bloody well needed.

So - if you ever read this, mircsy: Rock it all as hard as you can, superstar, make your mark and just enjoy the ride - you're cut out for it! ✨🎆 Wish you the very best for all your endeavours. 💜✨

Progress notes: I tried to challenge myself with this and do stuff out of my comfort zone (*cough* cell shade *cough*). A few things went well, and I am proud of those (metal parts, hands, wings, lineart, i finished it under 5 hours total, stars were fun) and other things I'll need to practise more (soft light + cell shading wtf was I thinking 🙈, glowy stuff, ornaments, less perfectionism, line dynamics, took more time out of me than expected ... (we don't talk about facial expression ahahaha its a nightmare 🙊 i really need to learn how to shade and light these kinds of angles omg 😨)).

As you can see above - the glowy stuff gave me the hardest nightmares, I had no fucking clue how to do that - that was fun, but also took so much time to figure out. Once I had a concept, it went down fast, but up until then... bzzzzzt braindefunct - it's inspired by the Antikythera Mechanism in the end, so Athena can make complicated astronomical calculus while in quick thought to see where Ody ended up.

... her mouth changes in every single picture... 😭🙈

[reaminaart]

New reference sheet for my girl Lennamer.

I made her back in like 2016/17 while trying to come up with a humanoid creepypasta oc, then I started using her as a persona/mascot, even basing some of her features on me. Over time she evolved into her own character and became very much separate myself.

However, she is my most beloved girl, I've been updating her for years now and finally got around to drawing the whole design again. She needed a redesign so bad, and this is the result TvT

For the rework I've piled up a moodboard of clothing, colors and patterns that describe the feral brat she is. I also took some inspiration from Croatian and Serbian folkwear for the patterns and hood. Credit to my friend for telling me she kinda looks like Baba Jaga because of her legs, and that started the hunched hooded silhouette idea for her.

I definitely want to introduce her better to you guys through some mini comics in the future, and also, I may or may not have a whole OCxCanon idea brewing up-

[physalian]

Fuck Grammarly

Okay I need to rant about Grammarly. A program I never used before and never will now. Doubly pissed because their ads keep interrupting my peaceful 4-hour Minecraft music session with their fake-ass influencers.

Guys. Gals. Nonbinary pals.

“As a corporate girlie—” learn how to write a proper concise email.

“I used to spend hours proofreading—” enjoy the process, and then the product.

If you hate proofreading, to the point where you’ll consult a robot to do it all for you, then you hate writing. If all you care about is the end product, sorry to say but ‘writing’ is like, 30% of writing. The other 70% is editing, by design. You’re supposed to like it.

Of course I’d love to have beautiful artwork of whatever’s in my head, but I’m going to love whatever I make a whole lot more than whatever I type into some garbage generator. Because I love the process of creation.

Do I think editing is tedious as hell? Absolutely, but it’s still a tedium that I enjoy. I like fixing my mistakes, I like improving my sentence flow. I like thinking about patterns and connections that I didn’t see before and revising and reworking until I’m satisfied.

For the humdrum day to day work emails that some of us have to write—if you’re sending out whole essays to your coworkers that you need a robot to write for you, you’re doing it wrong. Corporate emails are boring and trite, but I can type out a “hey please do this thing for me” faster than I can load up ChatGPT or Grammarly, type out my prompt, make sure the result is what I actually want to say, and then send it to my coworker. If you can’t, learn.

Apparently, Grammarly used to be a helpful way to check for spelling and grammar errors. I don’t have any issue with the AI that runs spellchecker whatsoever. I type so fast and miss typos constantly and when the spellchecker is absent, like on this website, it’s annoying af.

But that’s not what Grammarly is about anymore, and that’s not what the above ad was trying to sell you, either.

You won’t get better if you don’t practice. You won’t get better if you aren’t the one making, seeing, and fixing your mistakes. Especially if you write fiction where grammar rules are a suggestion at best. My published novel is littered with flagged words and sentence fragments that I know are technically improper English, but I sacrificed an MLA-proof paper for something fun and entertaining.

AI does not understand nuance and flavor text and aesthetic choices. It never will.

If you train yourself by using a crutch you don’t need, you will end up needing it because you’ll be too afraid to act without it.

Fuck up. Make a mess. Make mistakes. You won’t make them for long once you see them. You do not need a robot to do it for you. We’ve been writing books for hundreds of years and all the authors who came before did it just fine without a robot.

This isn’t even about writing novels, it’s about communicating in the written medium. Fucking. Learn. It’s not rocket science, it’s not coding in C++, it’s not brain surgery. It’s stringing words together in a comprehensible sentence.

And obligatory disclaimer: To anyone who has an impairment and needs these tools, this is not about you and you know it.