#I need him to at least be mentioned

[naboosands]

THOUGHTS AND PRAYERS.

I kinda wanna push Ahsoka to Sith-level before she gets back. Like that short bit of 'what she could have been'? pls, we need more. And Hayden smiling like that after she tempers back down? LORD HAVE MERCY.

Oh and obviously Plo Koon in any form really like. Massive Prayers here buddy.

OKAY BUT did you see the brief flash of Sith eyes on Ahsoka when she put Anakin’s lightsaber to his neck? The way I SCREAMED

[thefandomfires]

I think Channing Tatum did great as Gambit and having an actor who loves/will do right by the character is good actually

[lilydvoratrelundar]

Jane Doe's backup dancing skills <3

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[ghost-bxrd]

Prompt:

It’s turning out to be a bad day when Jason finds himself stabbed during a drug bust.

It’s turning out to be a very bad day when he starts to feel woozy (seriously, what the hell? It was just a little stabbing) and promptly collapses.

It’s turning out to be a monumentally bad day when the batfamily drop in on his drug bust.

And then the night takes a hard nose dive into catastrophically bad, because whatever toxin that blade was laced with? It’s making his heartbeat slow down into near flatline, paralyzing Jason in the process.

And now he’s stuck listening to his family lose it completely upon finding his “dead” body.

… shit.

[daisybell-on-a-carousel]

"Jason was the happy robin" this, "jason was the angry robin" that. Let's all be fully honest here Jason was the lonely robin

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[xxplastic-cubexx]

erik will genuinely jump at any chance he can to steal charles' last name and be so catty about it i know this for a fact WHAT is his deal

[Magneto (2011)]

[benevolenterrancy]

"But in the end, I... still think... it's so unfair," Yin Yu sobbed. "If I wasn't destined to be perfect, I at least wanted to be perfectly kind. But... I couldn't even manage that. It's really... so unfair. And to tell you the truth, I can't get over it, even now. I can't swallow the fact that I'm dying for this little bonehead, Yizhen. I can't even let go and die without resentment or regrets. What the heck..." "Better than most people huh?" Yin Yu gave a small, arduous chuckle. Then he sighed, and the sound of his last regret passed along with his soul as he mumbled, "But I wanted to be a god..."

[beatcroc]

homest[ar/uck] posting. this was meant to be supplementary to the gerome comic as him 'explaining the joke' but i uhhhhhh forgot.

i'm not much for crossovers in the the traditional sense, but it IS one of my favorite character exploration exercises to just go like 'if x media existed in this universe, who would and would not be a fan of it?'. and these ones are pretty notorious and always very fun to mess with for that and so here we are

[imerian]

My (very old) loscar brooch (?) that i just now made doodles for

More pictures under cut

[yuwuta]

I LOVE UR BRAIN SO BAD 😭😭😭 YOU ALWAYS POST THEBBEST HEADCANONS AND THOUGHTS LIKE. WORK HUSBAND GOJO. AND JUST HAVING A WHOLE IMAGINATION OF THE OFFICE W NANAMI AND HIGURUMA AND TOJI I?????? I WANT TO LIVE IN YOUR BRAIN

TEEHEEEE you’re so sweet <33333 the work husband to actual husband to househusband gojo pipeline is so so real to me and the office au that comes with it truly does take up space in my brain, so here’s some more loosely established points 

satoru has been your work husband since you got your first job in undergrad. you two met in your dorms, and became friends, and eventually you thought a job would help with your time management skills, so you got a very low-maintenance position at the front desk of the library. satoru applied right after you and schmoozed the two little old librarians into giving him the same shifts as you. that was probably the first moment satoru knew he was a little bit in love with you—because he had no reason to have a job while in school, but this small change in your schedule made him miss you so much that he was moved to get his very first job, probably ever, just to spend more time with you. 

he wasn’t bad at his library receptionist job, but he technically wasn’t good at it, either. if a student asked him for a laptop charger or to check out a book or something, he could do that, but anything else he’d just smile and say, “oh, you’ve gotta ask the pretty girl right there about that, she knows way more than me,” and bat his eyelashes at you. except, then, when you did need to get up to grab something for someone, satoru would just spring up instead, and tell you he’s got it. it’s like… he was incapable of helping anybody else unless he got to flirt with you, and then help you out to help them out……… strange boy 

anyways, satoru makes it a habit to assist you through your student jobs throughout undergrad, and then follows you to the same law school and repeats the process there. (also not to elle woods-ify him a bit but his father heavily questions him going to law school btw because satoru has never showed any interest in working, let alone following in his footsteps to be a lawyer, and now he’s going to law school? his mom is a bit sharper though, because when satoru tells his parents he’s going to the same law school as you, she just smiles and sips her tea and wonders if her son has already made a trip to their family jeweler). 

the firm is large, but the floor you work on is a pretty close knit group. there’s hiromi’s office at the tail end, which is the largest because he’s managing partner and he practically lives in there. on the other end, both you and nanami have decently sized offices. satoru doesn’t like hiromi at first because he thinks he’s mean. then satoru watches him play a little prank on kento, and suddenly the two of them are best friends. it would be a surprisingly wholesome friendship if their common denominator wasn’t irritating kento, and acting as guard dogs for you. 

kento’s office used to be just the bare necessities—law books, his degree, basic furniture, maybe a fancy paperweight, until satoru got his hands on it and decked it out. which is not something kento asked for, nor he thinks is necessary, but that doesn’t stop satoru from continually adding little trinkets and decorations and art to his office to make it livelier. when kento first meets you, he’s surprised when you tell him satoru gojo is going to be your secretary because kento interned for satoru’s father for two summers during law school, but when kento sees you and satoru together for the first time, it answers all of his questions. satoru couldn’t be more of a lovesick fool if he tried. 

listen the ex-convict to single father to janitor to lawyer toji pipeline is so real to me. while toji is working as a janitor at the firm, satoru slips once and then jokes that toji shines the floors too aggressively on purpose to make him slip, toji tells him to fuck off and he can sue for harassment. they truly don’t like each other at first, but once satoru steals toji’s masterkey to get into your office one night after you’re gone to leave flowers, and handle some paperwork to lighten your load in the morning, toji is sort of impressed. he still almost hits him with a broomstick, but even someone as gruff as him can see that satoru had pure intentions. toji is a lot of things, but he’s not immune to or devoid of love or passion. so, eventually he and satoru develop a weird sort of banter and respect for each other. one day someone actually tries to accuse toji of not putting the wet floor sign down and how it’s gonna be a lawsuit because some lowlife janitor fucked up his $3000 suit. satoru catches the argument as he’s heading upstairs and recognized the schmuck as the stuck up lawyer on the other side of kento’s case. satoru’s ready to jump in, but toji’s displaying an impressive amount of physical restraint and legal knowledge that when the dust is all settled, satoru asks him if he ever considered being a lawyer. toji laughs at it at first, but after a month of serious consideration (and megumi becoming a college freshman), he figures it can’t be all that bad. and turns out, toji’s a half-decent lawyer—once you’ve spent so much of your life skirting (or blatantly breaking) the law, you become pretty good at getting people out or around it, too. and with his life experience, he’s a pretty good judge of character; so when it comes time to lock up the bad ones, toji makes sure they get the maximum sentence.

except he has a bad habit of sending out emails with “URGENT: NEEDS ATTN” in the subject, which prompts you, kento, and hiromi to rush to his office, just to see toji with his feet up on his desk tell you that, “the emergency is i hate the opposing counsel, and now that i work on this side of the law i’d really like to not kill him, so somebody else should take this case.” 

anyways back to work husband secretary satoru. he pulls you out of boring meetings under the guise of an urgency, just for him to admit that the emergency is that he missed you, and you two were gonna be late for your lunch reservation. because he’s actually a licensed attorney, he can actually carry out duties an associate otherwise would, which saves you a lot of time and trouble; and it means that satoru gets to work even more closely with you, which is always an upside for him. sometimes you ask him to hand you documents and instead he just hands you his hand. and then pretends to blush and preen like a schoolgirl which always draws way too much attention to the two of you, but there’s no way to stop him either. he takes your coat off of your shoulders when you arrive in the morning, and helps you put it back on in the evening. when you tell him you’re looking for an apartment closer to the firm, he has eight places lined up for viewing, and one surprise at the end which happens to be the other vacant penthouse suite in his apartment building; which, conveniently, would make you satoru’s neighbor. he claims that it’ll be just like in college, but it certainly doesn’t feel that way when you finally move in and satoru can now loudly and proudly proclaim, “see you at home!” in the halls at work now. 

[losver07]

was working on my wip and realised this scene is so wolfstar coded so ummm here ya go (sorry in advance for the awful translation lol)

also this is veeery long so i'm putting most of it under the cut

tw: mention of death, harsh(ish) lenguage

★

"Then came the ambulance and the police,” he murmurs, his eyes fixed somewhere in the room, mind showing him once again the image of Sirius' tired smile. "They gave me a blanket. I felt stupid in it."

John, observing him with deep eyes, full of compassion, nods. Remus figures he can't show it, the pity. That it's part of his job not being able to say Oh, you poor thing and that, instead, he must be professional. And it's not that John is bad at it, at hiding what he thinks; it's just the eyes.

It's impossible to lie with one's eyes. Sirius' always shine, even if he insists on wearing the blackest clothes.

Shined. Not anymore. And he doesn't dress in black anymore, it's Remus who has to mourn now, instead of him. And for him.

"How are you feeling?" the psychologist asks, and Remus makes an effort not to cry.

"I don't know," he answers, honest. He doesn't know what words to use. "Bad."

Not enough. John gestures at him to keep talking, to elaborate. He always does that. It's cruel.

Remus looks down at a ring he takes off his finger, and proceeds to watch it turn in his hands as he fidgets with it. It was Sirius'. Everything he owns was either his or reminds him of him in some way. Even the smallest of things, the silliest of details.

If only he could get rid of it all. If only he knew that'd make him forget.

"It's like I don't really believe this is real,” he says, without lifting his gaze from the steel ring. It's carved in a checkered pattern, a chess board that extends and hugs the owner's finger like a ribbon. It's not excessively visible but, if you brush your finger against the metal, you can feel the shapes against your skin, kissing your fingertips like he once did. That feels like so long ago, though. “I... I'm sad, obviously, but also angry. I think it was selfish of him."

Before it had been his, Sirius', the ring had belonged to Regulus. It had been silver then. Sirius turned it into steel when he'd received it from his brother, who got it from their father, whose father had gifted him it, and so on. It must be hundreds of years old.

"Selfish?"

He'll probably ask to be buried with it. If it's not worn on his left hand, it will be trapped on a chain around his neck.

"Yeah, I dunno," he shrugs. He doesn't know how to explain himself. He knows how he feels, he just finds it difficult to believe that anyone could understand it. He tries anyway. "He's gone and he's left us all here as if we didn't have enough problems of our own," he says. "Like, now I have to be myself, which is already tough enough, and also be him for James and Peter and Harry and... Oh, God, Harry..." He shuts his eyes. He needs to breathe. He closes his hand over the ring, and looks at John. "But I need him too. And I don't have him. I don't have anyone to treat me like he did. So, I don't know."

The therapist nods again. When he started the sessions, Remus thought it was weird that John didn't take any notes, like in the movies. It might sound stupid, but he imagined someone constantly writing on a notepad, making a record of every word that came out of his mouth.

It turns out John only uses his notebook to write dates and appointments down; that he actually listens to what he says, instead of analysing every sentence as if it were a mathematical problem.

He's been lucky, and he knows it. At least in this, he's been lucky.

"Do you feel responsible for what happened?" He asks, and Remus thinks about it for a second. Now that the unease has lessened, he's left with just the cold on the tip of his nose and the metal on his fingers. He misses hugging Sirius on cold days like this one.

"Yes," he answers. No point in lying.

John stares at him. Elaborate, he's probably thinking. He always looks at him like that when he wants to make Remus talk.

"I'm the one who was supposed to take care of him," he says then. "And, instead of that, what I did was use him to make him help me with my shit. And even after he's gone I'm still whining about him not being here to give me cuddles. I don't know. Maybe I'm the one who's being selfish.

The psychologist, whose diploma is Remus now observing, makes a face.

"Wanting love is not selfish, Remus," he says, so soft and kind it almost makes Remus feel small, vulnerable and about to break. Or already broken.

"But taking the love away from someone and keeping it to yourself is," he objects.

"You think that's what you did? Taking the love from him?"

"I don't know," he says, and before John can ask him to explain, he continues: "I think maybe if I'd made things right he'd still be here."

The air is still for a few seconds, both in the room and in the street across the window, as well as inside of Remus' lungs, who holds his breath in an attempt to make the ache on his chest go away. It doesn't work.

"It wasn't your fault that he suffered," Josh tells him, but he's been told so many lies he doesn't need to think to detect the lie.

"But it was that he didn’t stop suffering," he tells Mr Too Good For Taking Notes. He should've had that noted. "I should've done something. It's what I'd to have done."

John, wanting to understand but being apparently incapable of it, furrows his brows a bit. The expressions only last a second, and is not even that exaggerated, but Remus sees it anyway. The doubt.

"You think it was your purpose?" He asks. He acts interested. Sometimes he almost even makes Remus forget that he's paid for what he does. That he wouldn't be there if it weren't for the money. That he's got better things to do than...

"Helping him?" Remus asks, trying not to sound too aggressive, but probably failing. "Yes."

"And do you think you were, say, destined to save him?"

"Yes," he agrees. A bit cheesy his personal taste, but, yes, that's what he believes. Why lie, if he's not going to write it down, even.

"But, if it was destiny, how could you have avoided it?"

That feels like a boot to the stomach. He doesn't quite know wether it confuses him or it makes him angry but, either way, he doesn't know what to answer. Perhaps not having thought of it earlier is what irritates him and puts him, once again, in front of a mirror in which a disappointment shines.

He thinks for a bit. Then speaks.

"Trying harder," he says. "Being better."

"No, Remus; is not about trying," his confidant tells him, with a smile that could either indicate complicity or compassion. "You did all that you could, and more. And, still, you couldn't change it, nor can you now."

For some reason, that hurts. Rather, it stings. Both in his open wounds and his sore eyes.

"And what do I do?" He asks. His voice doesn't seem to want to know the answer, as it doesn't cooperate in making itself heard. He swallows and takes a deep breath, letting Sirius' ring slide back into his finger, where it should always have stayed.

"Think about what you did achieve," John offers, so careful it seems almost meticulous. "You made him happy for a time, you gave him peace. You made him feel safe, too. Confident. You helped each other. That's good."

"But he's dead," Remus says. He's not sure he's used that word since it happened. It's not likely, seeing how much it hurts pronouncing it. He's spent over a month circling around and avoiding one of those damned words, the ones that feel like mines in an already ruined field. He presses his lips and looks at John, cheeks wet with rivers of salty water. "That's bad."

"Yes," the therapist agrees. "That is bad."

[bookshelfdreams]

hey do y'all ever think about the fact that Charles probably has told Edwin about being beaten as a child at some point during their 34 years of friendship? And that Edwin likely never found it remarkable enough to ask further questions because back when he was alive, beating children was completely normal

[lostacelonnie]

it runs in the family

[harbingersecho]

grif's surgery but just a little more... obvious?

I actually rly rly ADORE frankengrif but I don't have an in-show reason why he'd have extensive long-term allogeneic skingrafts on his face 😔