#I mean more has happened but that's the big stuff

[kdinjenzen]

So with all the stuff going on around Nintendo Vs Pocketpair I feel like people are missing the point of what's going on.

And this article actually finally brings up the biggest point: Nintendo has 1000s of patents and chooses not to enforce them all on everyone.

The idea that, quoting the article and Serkan Toto, "Nintendo's sweeping list of patents means it likely "could have sued half of the gaming industry back in 2017," …so like WHY NOT DO THAT?

There's a million reasons to not do it for Nintendo but TLDR is it's just bad business for them to do so.

The real take away is -what has PocketPair/Palworld done- that has brought out Nintendo to start enforcing these things in this particular situation?

A lot if you pay attention to PocketPair/Palworld's marketing and social presence. They threw rocks at Nintendo, so Nintendo is finally pushing back.

Now I'm not going to fully go to bat for Nintendo and say "they are a good company" because there's no such thing truly…

But in most cases with Nintendo, they C&D folks multiple times before even thinking of escalating anything to real legal trouble. Which is kinder than most companies.

The final thought of the article says that Nintendo may feel "threatened" by PalWorld but… I don't buy it.

Pokemon is THE highest grossing franchise in the world… ever… of all time. It's total revenue is around $100 BILLION with a B.

PalWorld, even at it's height, didn't even come close.

The aspects that I think Nintendo decided to act upon in their mind for this is the brazen bold rudeness and shit talking that happened on social media/marketing with PocketPair/Palworld.

PLUS the fact that Pokemon fans were also quick to be like "bruh, even if this isn't stolen it's obviously design lifted" for a lot of Palworld's Pals.

Add in the fact that both Microsoft and now Sony have pulled PalWorld onto their platforms… Nintendo is going to notice and get mad.

The truth is that PocketPair is an indie dev… with major AAA studios behind it now in a lot of ways. Which actually hurts PocketPair in a sense.

Nintendo tends to ignore indie stuff and has actually collabed with many indie studios before in major ways, so they aren't anti-indie.

Nintendo is OLD SCHOOL and expects a little bit of respect.

Nintendo has not taken action against pretty much any of the other true new Tiny Critter Collecting Indie IP that have popped up, a lot of them are ON Nintendo platforms and have had Nintendo feature them in directs…

But PocketPair threw rocks. Nintendo easily saw this as disrespect, but could be ignored.

What CAN'T be is the outcry from their own fanbase to "look into things" with PalWorld to see what, if anything, was lifted from Nintendo directly.

And Nintendo did. They took over a year to look into it.

This isn't Nintendo doing a knee jerk reaction, they went over things and took their time to research what PalWorld and PocketPair were doing.

Nintendo isn't stupid. They don't pick fights for no reason.

Regardless of if you LIKE Nintendo, or your feelings on a big company taking on a little company… Nintendo is very likely on the right side of business, IP, and patent law here.

Nintendo -losing- here would be, actually, really bad for small folks more than big guys in the long run.

Adding in the fact that PocketPair launched a generative Ai art game on top of all that…

This feel like, yes, Nintendo is flexing in a lot of ways but… they chose who to flex on and not to flex on -everyone-… so there seems to be a solid reason as to -why-.

Again the real take away is that IF Nintendo could have sued half of the gaming industry (as of 2017) with all the patents they have … why didn't they and WHY are they choosing to sue PocketPair/Palworld -now-?

Because that's more important than anything else.

[spencerrreiddd]

Three, Two, One. - Chapter 2

Summary: After telling Spencer that you’re pregnant with his baby- how is he going to react? what’s going to happen now?

Pairing: UnitChief!Spencer Reid x Fem!BAU!Reader

Warnings: Pregnancy, Mention of abortion, Angst, Fluff?

WC: 3.0k

A/N: - chapter 2 has finally made its ARRIVAL! enjoy ! 🔪🤍

UPDATE: chapter 2 is under an editing process !

Three, Two, One. - Chapter 1.

"Spencer, I'm pregnant - You are the last person I slept with. I am pregnant with your baby" You said it before you even had time to think about what you had said, it wasn't lies but telling him now?

You could visibly see all of the color leave Spencer's face, you wondered what was going through his big genius brain, if anything at all.

"W-what? We were careful, we were very careful." -

Before you could even produce words, you were cut off again by Spencer and the panic coursing through his entire being.

"How could this of even happened, Y/N?" He asked quickly, making his panic more and more obvious by the second.

"Spencer, you are fully aware of how this happens and careful isn't always guaranteed to be 100% effective" After the words came out of your mouth, you realized it was a bit snippy but- c’mon, Spencer is a genius. He of all people should know that being careful and using protection is always 100%.

All he could do was stare, like he wanted to say something but had no idea how to start moving his lips to speak the words. He was frozen in place.

"I- I know we are not in a relationship, Penelope told me that you were talking to someone and that's fine- if you don't want any part in this, I will keep my lips sealed" You continued, it broke more of your heart saying that.

You knew Spencer, you know Spencer and you know that he isn't the type of person to abandon someone with his child- You would be 100% fine being a single parent and healthily co-parenting with him, if that is what it came down to but you would be lying to yourself, if you said you didn’t want a relationship with him. You’ve wanted a relationship with him for years, you just never spoke on your feelings so a beautiful friendship wasn’t ruined because of it.

"Y/N, I'm just in shock, I mean, I wasn't expecting this- I was expecting something after the conversation I walked up on with Alvez and Garcia but not this" You honestly could understand what he was saying but did it hurt? Of course, it did but you are also taking his feelings into consideration.

And what conversation did he walk in on with Alvez and Garcia anyways?

Spencer could barely look you in the eye, he was starting to pace around like a dog that needed to go out for the potty.

"If you need time to let this all sink in, that's okay with me and I understand, honestly. This is a lot to take in, in a short amount of time" You could sympathize with him, for godsakes it's still hard for you to accept whats happening but you know you have to accept it.

"I just need some time to- to bring this all in, It's just a lot" He says, finally looking you in the eyes.

"I will contact you, Y/N. I won't leave you in the dark, please trust my word on that" His eyes pleading with you to trust him, to trust what he is saying to you.

And to be entirely honest, you do trust him. You trust him with your entire life but it doesn't stop the pain that you feel in your chest and how suffocating the pain is.

"Take your time, please. I understand that it's a lot, Spence- just don’t leave me in the dark” You surprisingly manage to choke out with the hot tears pricking your eyes.

Watching him walk out of your apartment tore you apart, you wanted to chase after him, beg him to come back, wrap his arms around you and tell you that it's all going to be okay but it was all wishful dreaming.

Right now, all you wanted to do was curl up in a ball and cry and maybe stuff your face with sweet treats, sweet treats that you didn't even have but you knew who would have them.

to: ‘Penelope Garcia 🖥️💖🍩’

'are you busy? - I need someone and I need sweet treats, please come through for me, my sweet crazy lady'

You could at least giggle at yourself with the little random nickname you through in there at the end of your text message. Ever since you joined the BAU and met Pen, y’all were best friends, she was there for the worst times of your live and for the best times of it.

You always thought, if she can produce weird and funny nicknames for people then you can to- outside of Spencer, she was the one you grew very close to.

You were close with everyone and you loved them dearly- Rossi, Tara, JJ, all of them but it just seemed so much easier with Penelope.

from: ‘Penelope Garcia 🖥️💖🍩’

'I am on my speedy way, my sweet sugar plum'

All you could manage to do after reading her text was zone out and stare at a random wall in your apartment, other than feeling like your heart was absolutely shattered, you wren't sure if you were even happy about all of this- maybe, just maybe if the situation would've been different, you could probably be happier.

Have you always wanted children? Of course! but before getting pregnant did you at least want to be in a stable relationship or marriage? Also, yes.

Before you even realized how much time had passed, Penelope was running through your front door and holding all of your favorite sweet treats- Honey Buns, Oatmeal Cream Pies and your ultimate favorite, Fudge Rounds.

As soon as she was fully in the door and sat everything down, you collapsed in her arms crying your heart out. Everything, the tears and the sobs had been waiting to spill out until this moment.

"Okay, okay, what's going on" Worry coating her voice - "Nobody could reach you after you ran out of work, even Spencer was worried about you!- Did you get any of my texts or voicemails"

"I told him- I told him about the baby. It all came out before I could even process my thoughts" You had a small amount of hope in your soul that she would be able to understand that through your sobs.

Looking at Pen after you said that, you could see the wheels turning in her head. Realization setting in.

"Reid came by here? By your apartment?" She questioned.

"Yeah, I was just relaxing and came out to the kitchen and I nearly ran right smack into him. He nearly gave me a heart attack in my own house" You were still unappreciative of that scare to say the least.

"Ho-how did he take the news"

"Not horrible but not how a woman would hope her-"

"Person would react" Penelope cuts you off seeing as you couldn't even figure out you own words.

"Exactly but as hard as it is, he isn't even my person. He's my boss, Pen. My boss. Our boss got me pregnant because we stupidly decided to have sex a few times to release the stress of work and life because evidently, we couldn't just sit down over coffee and vent to each other" You don't feel shame admitting that, should you? Maybe but you and Spencer are both adults.

Now that you're thinking about it, he never did confirm or deny, if he was talking to someone or not- It probably wasn't your business but at the same time, you felt like it was. I mean, you are carrying his child and you don't want to be responsible for tearing apart a relationship or a relationship that is forming.

Spencer has been through enough hurt with JJ and with Maeve. You couldn't bear the hurt and the guilt of causing him more pain like that or even similar to it.

Remembering and witnessing his pain first hand after Maeve was gut-wrenching, it made you want to lay and sob right there with him.

from: Spencer 'The Genius' Reid

'I'm sorry for how I left, how I was unable to sit down and talk with you. Can we meet tomorrow?

'It would be good to sit and talk about all of this and there are things that I need to tell you, still.'

You couldn't even look at the message, so you had Penelope read it and just simply asked her to tell you if it was good or if it was bad.

"He wants to sit and talk to you, says he is sorry for how he left- I would say that's a good message" Handing you your phone back, so you could message him back. If you could even bring yourself to do that. In reality, you knew that it was the right thing to do.

to: Spencer 'The Genius' Reid

'Sure, I would feel comfortable speaking here, at my apartment. Is that okay with you? You can come over at any time tomorrow- If not, let me know and we can figure out another place to meet'

"I asked him if we could just meet and talk here. Do you think that's okay to even ask? Asking him to come here? I should've asked where he felt comfortable meeting" You are beginning to overthink everything and rambling on- you care about Reid's feelings but right now, you're caring for yourself more as selfish as that sounds.

"Y/N, that's a perfectly fine thing to ask- what's gonna happen? He's going to knock you up.. again? Y'all are talking, not getting under the sheets" How she said it made you laugh a bit considering the situation.

from: Spencer 'The Genius' Reid

'That's fine with me, Y/N- I will be there at 10:30.'

You surprisingly feel relief washing over you reading his message-

'Let's just hope tomorrow goes better' You think to yourself.

“Oh. Pen. What conversation did Spencer walk in on you and Alvez having, anyways?”

“I saw you run out of work and I knew at that point, Alvez opened his mouth about something I shouldn’t have even spoken to him about and I’m sorry, for telling him- we didn’t tell Reid anything, though” She admits, you weren’t mad at her- you just had confusion after hearing Spencer say he overheard their conversation.

After a few hours of eating sweets and watching Modern Family with Penny, you started getting tired -

"I'm getting tired, Pen- I'm gonna go to bed, you're welcome to crash on the couch, if you're too tired to drive" Partially hinting at her that you wanted to be alone but you still didn't want her falling asleep behind the wheel and hurting herself or someone else.

"Don't be silly, I'm never too tired and plus, I enjoy sleeping on my own couch, if i'm sleeping on any couch, ma'am" She deadpans as she stands to leave.

Hugging her good-bye and giving her the biggest thank you for coming over to calm you and well, the sweets too.

"I love you, Penny- I'm also keeping these sweets. I know my pregnancy cravings will appreciate them soon and you for bringing them"

"You better be happy that I love and adore you, I wanted to take the Honey Buns with me- oh, and yes, I love my next god-child too" She says in a jokingly way while walking out the door.

After Penelope left, you decided that you did need sleep even though you would probably be struggling to even close your eyes because of your wonderful habit to and overthink every tiny thing about anything and everything in you life- all of this going on with Spencer is just fueling your ability to overthink. Lovely.

'What if he asks me to get rid of it' 'What if he ends up being a deadbeat and i'm stuck raising this baby alone' 'What if we can't co-parent in a healthy way and it causes the child trauma' - Any and every 'what if' flew through your mind. It felt like hours before your eyes finally closed and you were able to get sleep.

After waking up to the sun shining directly into your eyes, you roll over just to see 10:27 A.M on your alarm clock. - You don't remember ever having to fly out of bed that quickly, except maybe when you were in school and running late or even yesterday with work.

Walking out of your room and into the living room to sit in peace for about a minute or two before Spencer shows up. The nausea you began to feel was becoming over powering. Was it from pregnancy? Was it from the nerves? You didn't know but you were accepting your fate that you may or may not upchuck everywhere.

10:30 A.M - KNOCK KNOCK KNOCK

"Right on time" You mumble to yourself, you weren't expecting him to be a minute early or late.

"Come in" You yell, not having any energy to stand up and not wanting to move because it was making your nausea 10x worse.

"Hey" He greets coming through your door, he doesn't appear to have gotten any sleep- his hair messy, he has dark bags under his eyes.

"Hey, glad to see you showed- I'm sorry, I didn't mean that in a horrible way, I know what you said yesterd- I'm rambling. I'm glad you're here, Spencer" Another bad habit of yours, rambling on and on when you were nervous.

"Me too. Where do you want to start- I mean, I've never had to have this conversation with anyone else before" You could clearly hear the nerves in his voice.

You know you want to keep the baby. Regardless of what happens between you and Spencer. Tell him that.

"I'm keeping the baby, Spencer. That's my plan. I know we aren't in a relationship and we don't have to be to healthily co-parent and if you don't want to be involved, I understand because you're working on building a relationship with someone else but-" Spencer cuts you off before you can continue on with your rambling.

"Okay, pause for just a minute. I'm not in a relationship, I'm not working towards a relationship with anyone else. Where are you getting that information?" He asks with slight irritation in his voice.

"Penelope did, I went into work yesterday and I told her about me being pregnant, blah blah blah- she told me that you had a girlfriend, as far as she knew at least because the contact name for her 'wasn't a name you gave a friend"

"Y/N, getting back to the point then I will come back and touch on that- I wanted you to keep this baby, I want you to keep our baby. I've always wanted to be a dad, you know that about me. I want to be here every step of the way with you, with our child" Spencer is looking into your eyes with every word coming from his lips.

"And to touch on this topic because the names in my contacts are evidently Penelope's business, the name she is referring to is 'Pretty Girl', which is you, Y/N- Since we're on the honesty road, Y/N, I love you and I mean that, I've loved you for years, this isn't coming out of nowhere for me and it's not because of our current situation, either" You're blown away by everything Spencer has just said to you to say the absolute least.

Honestly, now that your mind isn't running a marathon, you could pinpoint certain changing things between you and Spencer- the longing looks between one another, bringing each other breakfast and coffee in the mornings, which never happened beforehand, the private meetings after work to just talk, nothing sexual ever involved but last but not least, the sex between the two of you.

'He loves me, he loves our child, he's been in love with me for years- I am the weird? contact name in his phone that Pen had spotted.' You think to yourself, seemingly not able to produce words after Spencer's confessions.

"Spence, I don't even know what to say or how to begin saying it. - I love you, I loved you since the first time I saw you walk into the bullpen and Gideon introduced his newest prodigy to all of us. - I'm happy, so happy that you want to be apart of our babies life and be here for us."

Neither of you have words after you both say your peace, you've both just poured your hearts out but your eyes are still saying so many things to each other.

"Y/N, I love you and I want a future with you. I want to have a family with you, if you'll allow it" Spencer confesses further moving closer to you.

"I would love that, Spencer" It came out as a whisper but with how close he was to you, to your face- you know that he heard you.

Moving even closer, Spencer takes your face in his hands and kisses you gently- It's a kiss that you can tell is filled with love, comfort and pure gentleness. Nothing like the kisses y'all shared in bed when y'all were just trying to reach an orgasm after a rough case.

Finally, you both break apart, breathing heavily, foreheads resting against each others.

"Not to ruin such a beautiful moment that I have been waiting years for, what's going on with all the 'Little Debbie' boxes" Spencer jokingly asks you, finally realizing the boxes you forgot to put away last night.

"Penelope was here last night, I asked her to come over with sweets after you had left- I needed honey buns to cope" Shrugging your shoulders saying it, you had no shame in your sweet tooth game and you certainly wouldn't when your pregnancy cravings really started attacking you.

"So, another quick thing- of all people, why would you tell Alvez and Garcia this news?" Spencer looking at you, confused as ever as to why you would tell two of the biggest blabbers.

"I didn't tell Alvez, I told Garcia and she "let it slip" to Alvez- Alvez is why I left the other day. He came up to me talking about it loud enough for anyone else to hear him, if they were paying any attention at all- It got to me, frustrated me. I should've communicated better but, I wasn't exactly coping well yesterday" There was nothing to hold back now and frankly, at this point, you had zero shame about any of that and any of what was currently happening.

"I'm not upset- I was worried, I should've came myself after I heard that you left, I should've at the very least sent someone to come and check on -"

"Spencer, it's okay. I would've probably ignored the knocking of anyone and my phone was on do not disturb anyways, I wanted to be alone. Don't beat yourself up about this. We're okay. I love you." You couldn't stop yourself from cutting him off, you couldn't stand to watch him beat himself up, you couldn't stand watching anyone beat themselves up.

"Y/N, I love you and I want you to be mine, I want this family."

"And I love you, Spencer and I want to be yours and I want you to be apart of this family. I loved you then and I love you now."

not going to lie, i thought this was going to be a 3 part story- not including the epilogue that i do plan to make for this mini-series.

i, personally am happy with how this turned out with this being my first writing in so long and being rusty to say the least.

i hope you, my dearies, enjoyed reading it and i hope you look forward to more stories coming your way.

PLEASE MAKE SURE TO LEAVE FEEDBACK

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IF YOU WOULD LIKE TO BE TAGGED IN FUTURE STORIES or FOR THE EPILOGUE- slide into my inbox and let me know so that i can get you on my list !

[my-mt-heart]

Idk how to say this but I am not as bothered about whatever is going to transpire between Daryl and Isabelle (bcoz for one thing - we know what is going to happen in the end- and for another - I honestly believe that the male execs are not at all confident abt their vision for these two as they would like to be and the whole thing would prolly boil down to ambiguity and ultimately- it will fall upon the viewers to dissect how Daryl feels - the Caryl fandom especially is really adept at reading into storylines - even stupid ones) None of this is good by any means. It cheapens the integrity of all the characters involved. It blatantly insults and reduces female characters - I believe that Isabelle deserves better. That a story should hold space for multiple female characters. Also - I am worried about putting the fate and the story of one the best female characters on TV (Carol) in the hands of someone who has proven that he can't be trusted to handle them with care. Reading S2 reviews - I am sort of reassured that Carol is treated well enough in the story - which I believe - has a LOT to do with Melissa McBride's input. Going forward - it is going to be more difficult bcoz once we have dealt with old traumas - we do need to evolve these characters and make sure they don't stay stagnant. I don't believe Zabel has the chops to do that.

sorry for that rant. I am just really frustrated.

What I worry about is the way all of this bts stuff amongst the male execs is going to impact the Caryl dynamic. Whatever the antis may think - and while McReedus has insane chemistry - I do believe that the romantic energy is generated between them by a lot of their acting choices (bcoz the underlying story is teasing a romance). What happens to all that when a romance is completely off the table? When AMC has been pushing this friendship narrative down our throats in a very evident bid to do damage control - the insecure/defensive promo that we have been getting last few weeks is proof enough that Caryl was always more than friends?

The problems were already glaringly obvious from the very beginning. the fact that Melissa isn't billed equally for a season where she is proclaimed to be the major focus? It is not even about Caryl going canon for me anymore. I love Melissa and Carol way too much for me to give up yet but I treasure the Caryl bond primarily bcoz they have always been each other's everything. it is truly a bond that evades definition. Both Carol and Daryl doesn't have what they have with each other with anyone. THAT IS A CANON FACT. I don't think I can watch that dynamic that I treasure so much being butchered - s11 was painful enough - I can't go through all of that and more again.

Going to watch s2 and then my further commitment will depend entirely upon how the characters are treated and their dynamic is portrayed?

It sucks that I am dreading watching Carol and Daryl back together on screen.

been here just for a few months but the way AMC has been fumbling with this promo - have you guys always experienced this whiplash or is it a new thing?

I’m going to include big spoilers in my response, so proceed with caution ⚠️

I respect your opinion, but I disagree with you on the point about Daryl’s and Isabelle’s arc. It seems like the male EPs (Zabel, Nicotero, Gimple) are overly confident that an explicit romance between their male hero and a younger blonde nun who accused Daryl of being like his abusive father just for trying to go home to his family will attract a larger male audience and they aren’t sparing any feelings with it because we aren’t their ideal audience anyway. To them, we’re just a bunch of “hysterical” shippers whose POV’s don’t matter and we can just take their crumbs. AMC is a bit more complicated, but I’ll get to them later.

Daryl and the nun kiss in 202, so there’s little to no room for us to dissect how Daryl is feeling. Isabelle’s death is the furthest thing from a relief because 1) it reduces her character down to man pain like you said and 2) from what I’m gathering, it completely overshadows Caryl’s reunion and then their entire arc. We get another hug that does absolutely nothing to elevate their relationship and then Carol has to face that Daryl didn’t need her to rescue him because he found a new family and become his emotionally supportive friend to help him through his grief of a lost love interest he’s known for a few months. It almost feels like it’s going to be a retread of Beth’s death, only worse. We know how Greg Nicotero views both of those relationships and to be blunt, the man needs to stop projecting his creepy fetishes onto Daryl and making it our problem 🤢

The way the story is framed, it’s not even about Caryl at all. They’re the relationship we’re the most invested in and yet all the emotional weight is given to a highly problematic relationship that developed over a dozen ish short episodes (compared to Caryl’s decade+ of emotional depth) and it’s all for nothing too. Zabel just resets Daryl like the hokey network procedural writer he is. And Caryl fans are rewarded for their years-long loyalty by getting more ambiguous subtext to analyze? Really?

I think you’re spot on about Melissa though. The reason she’s the bright spot of the season, the reason Carol’s individual arc feels true, and her spiritual connection to Daryl stays alive is because Melissa influenced all of that. She’s shown us time and time again that she understands her character so deeply and respects her fans. It really breaks my heart because I think she had a beautiful story in mind for Carol and she deserves all the support in the world, but as I’ve said many times, if damage is done to the character who has been written as her soulmate for over a decade, damage is also done to her. And I can’t watch that. I can’t watch the destruction of my favorite characters and my favorite relationship and put money in AMC’s pockets for gaslighting me. Retconning Caryl’s relationship into a platonic friendship is their way of protecting themselves from backlash. “Daryl isn’t emotionally cheating because he and Carol have always been besties?” “We didn’t mislead you. We told you they were friends, so you dumb shippers are doing this to yourselves. Please watch our slop anyways ✌️” They’re even trying to shift responsibility to Melissa by making her answer the shipping questions despite the fact that it’s Daryl’s arc throwing a wrench in everything and I expect that to continue at NYCC/Palyfest. It’s completely unethical and it’s backfiring.

Zabel cannot write for Daryl and Carol. He keeps showing us that he doesn’t understand their bond nor does he value it. A couple of the reviews mentioned it felt like Carol was shoehorned into certain aspects of the story, which tracks with what I already knew—that he and the other EPs think she’s hindering the story they want to tell about men doing manly things. That’s why they try so hard to challenge her significance to Daryl’s story and that is not going to change just because they’re moving to another location. Somebody like that should not have power to decide her trajectory. Fuck whatever he has planned for S3. I don’t want it. I still want Caryl and I still want to see them get the stories they deserve, but that’s only going to happen if we get a new showrunner who respects them and respects their fans. In case it needs to be said, Gimple is not that guy either (he can fake his enthusiasm on SM all he wants 🖕🖕🖕). A complete rebranding of the show to something that honors the characters and gives Melissa her dues (equal billing, title, etc) is the only way I’m tuning in now🤷🏻‍♀️ I don’t have the emotional capacity to sit through S2, but I will be here, speaking up, to make sure Melissa gets all the necessary praise and those assholes can’t blame her if the show tanks.

I’ve only been here a few years and there’s been a lot of turn over at AMC even just in that time (I kid you not, all of our problems can be traced back to Josh Sapan leaving. He loved Caryl and Melissa). That being said, I cannot for the life of me understand why any of the guys over there (even the misogynistic ones) would approve of the Daryl/Isabelle arc after the PR disaster that Leah caused not even that long ago and at least for that, the arc tied back to romantic Caryl and we weren’t subjected to any uncomfortable physical intimacy. Why the fuck would they make the same mistake? Why the fuck do they have to spend more time cleaning up messes than avoiding the mess altogether at every fucking opportunity they had (and they had a lot). I just don’t get it. And I’m so tired of taking the abuse.

[ohtobemare]

Until We Fall, Intro • Logan Howlett x fem!OC

summary: DP&W AU. It's been God knows how many years after Logan's death in North Dakota—and this wouldn't be much of a story without a shiny new villain with a hot new plan, or someone to save the world. Well, maybe two someones. Ok, you win, three. But first, you have track down that said someone—the Wolverine. And who better to do that than the girl who found him the first time? Logan/OC

pairings: Logan/worst!Wolverine x fem!OC

warnings: age gap, very, very alternative universe; pre-existing relationship that hasn't been written yet (based on the upcoming series, Mare & the Wolverine), fluff and angst, language, PG-13 spicy stuff, religion, violence (lots and lots of violence, this is Deadpool we're talking about), no experience writing DP or Wolvie but oh well, a bunch of other stuff we won't get into, plus size OC, a different way of approaching mutants, yes this is a self-insert leave me ALONE.

It's Called an Intro, Mothereffers

Hi, welcome to the fuc–I mean freak, show. Don't want to blow the whole damn budget on the first 2.5 seconds of page time, right? Critics, good God–they're the worst. One sentence in and they'll judge the whole effin' book, hook line and sinker without even getting to the plot. Frickin' internet has made everyone a literary genius. Not.

ANYWAY—you're probably wondering what the eff I'm doing in the middle of this shitshow, huh? A story that isn't mine, hell—a story that isn't even technically written yet. That's a Fox thing. Or an MCU thing. Or a….thing, I guess? Dunno, this habit of timelines and then redoing and undoing them like a nun unbuckling a priests robes in a spittin' hurry after church is getting old—nobody really knows what the heck is going on. But, that's showbiz, right?

Rabbit trail, sorry. Frickin' brain. Anyway, yes–here. Ahem.

Well, really, we've got ourselves a Code Redpool (see what I did there?) with this one—someone trying to take over the world, rattle some cages, all that jazz. And if you didn't already know, such sticky little cumsucking messes requires a little bit more than a mercenary with a mouth. We already know I can't—don't—save the world. Despite what the box office may lend. It's above my paygrade, my hero tier. This rated R mothereffer hasn't gotten there yet, not on his own. Maybe another million or fifty.

Could be different this go around, though. Who effin' knows. All I know is that to save a world, to make a story, you need a couple of things—a smashin' budget, a whole helluva lot of copyright law, and a hero. An "anchor being," because Marvel has to be frickin' special. Sometimes two when the situation is Redpool, like it is. Maybe three, because I'll be EFFED if I'm not part of this one. Earnin' my stripes, going all Tony the Tiger and shit. You know the drill.

To help me out, I need the big guy. Yeah. Not talking about Jesus, though it could be argued He's a factor, here. Very non denominational, very off script, very demure. Think more…yellow. Feral, as it were. Canadian. Yeah, dumbass—we need the Wolverine. The guy with the forks, the mutton chops from the 70s that were definitely a…choice. Logan. Yeah, him. Mr. Feral Forest Weasel himself.

And we'll probably need someone who can help us get to Logan, since he wouldn't know me from fresh effin' ADAM. If you saw Logan, you'll understand. Though it didn't happen exactly that way, because this is an AU—that fanfiction shit, you know. Sigh. We need someone who's tamed the beast, has clawed under all that adamantium and seen the hero where a trainwreck of a multiple-movies-gone-bad guy has stood.

A girl, genius. We need a girl. And lucky for you, delightful little fourth-wallians, I've got just the one.

Buckle up, mothereffer's—shit's about to get Wolverine-d.

prologue

tags: @just-a-silly-howlett-lover

[regularconvexheadcanons]

*Oh I love how you expanded now I need to throw more at ya!*

OKAY SO- First fluff! :D Scar is the one to Actually purr like a cat compared to Cub! But both sound more than happy when with the other. Like purring big cat meets sated Siren.

Ohoh and! The way they learn! Cubs experiments are on everything else since he's got himself down pat right? What more could he learn? Apparently a l o t when one Mr. Goodtimes and the Vex is added to the mix!

Scar though? He learns like every second without knowledge is dying. From Vex to Spawners to his own Redstone that he tries to upkeep and remember- and his biggest monument to that is not only Scarland but the *c i t y* he built with Cub. They're matches in ways that nulls any other Hermit. (Scars hair is soft, hes warm, hes a perfect weight, a living reminder to care for himself, and the purrings nice to Cubs own humming)

It's not hard to see them silently watching each other like bugs under a rock. It's their favorite past time!

Now for Angst!

Scar being more "helpful" to Cub when they come back from Double Life - It was already bad last time from Last Life, a shaken Scar calling for Cub but- each sound like an Allay longing to get Out to get Free to be Home- that die as he clings to Cub.

In order to make things fair, Scars very much limited in how much the Vex can Know what hes going through- except Cub. Soulhalfs mean he can take the time to channel to Scar, watch from his eyes, and unfortunately one of the times that Cub first sees in a session? The first time Scar catches Grian cheating on him with BigB. It's also the first time Cub is Flooded with Vex *Anger*- not quite Rage, not yet- but he's unable to stop looking like a bloody Vex until the Song has to be used, claws in his hair, sharp rows of teeth cooing to Cub in his ears.

When Cub has had enough of Scar being to timid, so scared of Existing around Cub, he basically kidnaps Scar. Takes him to a woodland mansion, kills the Evokers that'd try to take them, and croons to Scar until there's nothing left in Scars head. Did Scar want to he comforted like this? Yes. Yes he did but he knows to put up a fight, to show hes Alive in a way that matters, or else Cub would take drastic measures. Scar soaks in the attention- unaware of Cub deleting Grians messages to him while Scars finally resting.

It's for his own good. And Cubs selfishness.

ooooooh

Scar purring and Cub humming? Yes. Absolutely. I can so see that. And only the other can hear it as well.

Them loving to learn stuff has now given me a headcanon that Vex are really REALLY curious. And Allays, which is why they always stray away from where they are. And Cub thinking he understands people, and science, until the Vex and Scar come along and completely blow his mind

Yes. They do love hugging each other, and are perfectly suited to each other. It’s adorable. They can just curl up next to each other, and know the positions where they’re both comfortable, and fall asleep next to each other, humming/purring to each other.

Scar helping Cub and being around Cub a lot after Double Life? Yes. All the yes. So much yes. He wants to prove to someone that he’s not annoying, he’s helpful, he’s friendly, Grian had the problem, right? This isn’t Scar’s fault, surely.

Scar being able to call/communicate with Cub from afar? Again, so much yes. I already headcanon that either can intentionally summon vex where the other is so they can talk to the other, or warn them, or call for help. But the idea of it happening unintentionally when they’re stressed, or being able to use vex to spy on the other? And Cub only seeing the worst moments in the Life Series when he tries it and getting incredibly upset as every vex he summons, or is summoned to him, is just shrieking, and terrified, or angry, or upset. even needing to go to a safe room to calm down? I love it. It’s so angsty. And it fits with my soulbound vexling lore already, of course they’d both be able to control the same Vex, they became vexlings because of them.

And Cub hearing the Song of the Vex to calm him down? Yes. And then kidnapping Scar, taking him as far as he can and just caring for him for a few days afterwards? Ohhh yes. I headcanon that after every life series or stressful session, Cub handles Scar’s injuries, and calms him down. But, after just how upset Scar became in Double Life, forcing them to be alone AGAIN because Scar just isn’t calming down, and he can’t cope with thinking about it? Oh I love it.

[vulgarmaw]

Not to be that person, but I'm gonna vent on here. My last 2 weeks have been frustrating to say the least.

S/O and I split, it was mutual, but like that's still a connection with someone that's been changed.

Someone tried to get me fired from work by lying about me, I got it situated, but it's still irksome.

My mortgage company is saying my payment went up by 200, but it shouldn't have and I wasn't warned about the payment increase meaning they're trying to catch me with late fees.

Mortgage company is also saying that I missed a payment, I have the paperwork stating that I didn't miss a payment.

If you hear about a bunch of random people getting round house kicked straight into oblivion, just know they deserved it.

[beatx-mavie-archangelx]

"pronouncing 'Þerindë' as 'Serindë' is not that big of a deal" just say you've always been called right your whole life.

[impostorsshow]

I'm actually so obsessed with him it's not even funny if i'm not listening to a TikTok or music directly related to him I can't focus free me free me

This is @/cherubpuppet's OC for a object show [au? pitch? wip show? How do I categorize this] and I've been destroyed by the fact that ruler art is infinitely superior [and 10x longer] and i don't have a good enough grasp on lip gloss's personality to make fanfiction so I am frozen in "want make fanart but fanart takes effort :["

[batsplat]

Wait batsplat wdym Casey messaging Vale about his daughter.......

(follow up on this) yeah! I don't really have massively more to add to this except that valentino definitely said it. I was lazy and just pulled up one of the few (poor quality) english websites that posted it but the quotes were widely reported in italian sources and are originally from here (whole interview from early 2022 is worth a read)

"often sends me messages"... often...

while we're at it, casey obviously said a bunch of stuff around the time of valentino's retirement (and in the years since), some fairly nice some rather less so. but one of the things he said was this:

now, personally I doubt this dinner is something that has happened or indeed would happen, not least because I'm not sure valentino would be particularly interested in relitigating past events with casey. "at peace with himself" is the right way to put it, and at the end of the day that's always been a rivalry that has considerably more emotional baggage for casey than it does for valentino. but, I mean, maybe he'd be curious what casey would have to say! can someone ask casey about this again? can someone ask valentino? are they still messaging each other? do they want to schedule the dinner date? can somebody let me sneak into the dinner date so I can listen into what they discuss? why are no journalists or indeed podcast hosts asking them about any of this? why do they refuse to do their jobs properly? the people need to know

[puhpandas]

I keep thinking about how on earth they would canonize ggy bc like. at this point if they have to sacrifice Gregory screentime of just him to make something we already know actually canon, I would rather just take the screentime, but on the other hand they have to canonize it if they want to do anything at all with that plotline, and that makes me wonder if theyll stick with it as canon in the games at all or just leave it as background knowledge if u read the book 😭

[daydadahlias]

you can't reclaim a word that's never been used against you

[skrunksthatwunk]

yakuza: dead souls - american vibes, bigass guns, and why zombies are super weird to have in ryu ga gotoku thematically/ideologically speaking

so i've been playing dead souls recently (hell yeah hell yeah hell yeah) and although i'm having the time of my life with it, there was something about it that kinda felt off to me, and i think i've figured out what it was, but i'm gonna have to walk you through a bit of my thought process to get there.

my first instinct was that it felt... american? and upon further examination i think that boils down to a couple of things:

everyone suddenly has lots of guns and also way way bigger guns

high emphasis on individual heroism (this itself is quite typical for rgg, but it manifests differently here; more on that in a bit)

military/government incompetence, which must be solved by the right individuals having the biggest and bestest guns

[for the sake of transparency i will note that my experience with zombie media is pretty limited and skews american (and i myself am american), so that may create bias. however, the 'this feels american to me' instinct is a rare one for me even in genres where i have seen little/no non-american media, so i think the fact that it did occur to me is notable. what about dead souls triggered that response when little else has? that's why i examined it and, truthfully, i think there's merit in the idea itself.]

the first point is pretty self-explanatory. america's got more guns than it does people, and its gun worship is infamous. japan's ban on guns (aided by its being an island state) means there's far fewer guns in the country, as well as far fewer people with guns (and likely far fewer guns per gun owner, excepting arms dealers/smugglers) than somewhere without such a ban. obviously, there are guns anyway. due to their illegality they are clustered within the criminal population, which explains their presence within organized crime within the series. very few guns will be sitting around in the homes of otherwise law-abiding citizens.

and yet, when the zombie outbreak hits kamurocho, plenty of civilians suddenly have access to quite an arsenal. everyone has the knowledge they need to aim, fire, and reload smoothly and quickly; ammo is infinite for certain guns. characters we've never seen using firearms before suddenly have shotguns under their couches (looking at you, majima). it's not only very different from reality, it's very different from guns' place within the series up until this point, when they were limited weapons used primarily by the enemy.

and they're making a zombie shooter, so of course they would have to do this. it has to be unrealistic to be simultaneously in this setting and in this genre, in the same way that yakuza solving their problems with bareback fistfights instead of guns is itself both unrealistic and necessary to being the kinds of games rgg are.

my point is that this is a kind of focus on and valorization of gun ownership and competency unusual for the series and setting. further, it serves as an argument for why an armed, competent populace is crucial typical in american media.

which brings us to the third point (we'll get to 2 in a minute). guns are often marketed as self-defense weapons. the implication is that the government's defense of the individual (via law enforcement or the military, but particularly the former), are insufficient. this is objectively true. if someone pulls a gun on you at the gas station, will a cop manifest out of thin air to intercede? no. that's impossible. but if you have a gun, or if some bystander has a gun, you or they may be able to do something with that gun to stop the armed person. thus, there is an undeniable gap in the effective immediacy of such responses.

many gun advocates also point to the incompetence or insufficiency of law enforcement, even when they are present to stop an armed aggressor. the fact that law enforcement do not have a 100% success rate in protecting the citizenry is also objectively true.

so, when you are in danger, arming yourself increases your chances of being able to put down (or at least take armed action against) a present or potential threat. whether it is viewed it as a supplement to or a replacement for law enforcement, it is meant to make up for the shortcomings of the government's ability to completely protect all its citizens. it's a safety net for state failure.

back to dead souls. rgg has always centered political corruption in its stories, including politicians, the police, and sometimes even the military, though usually the former two. sometimes this is treated sympathetically (i.e. tanimura, a dirty cop, whose dirty-cop-ness allows him to work outside/against the law to help disadvantaged people, not unlike how kiryu views being a yakuza), and other times it's simply a matter of greed or lust for power (i.e. jingu).

however, something that's almost never touched on so clearly is government incompetence. when the government fails to help people or hurts them or does corrupt things, it's usually due to a competent, malicious bad apple who is removed from power by the end of the game. this implies holes in the system because it keeps happening all the time, but that's on a series-wide scale, a pattern ignored by the series in favor of the individual game solution of "this guy's gone now :) yay".

but in dead souls, the SDF's barracades fall, their men are killed, they are unable to help protect the people outside or inside the quarantine zone. they are weak in a way the government usually isn't in these games. and who is stronger than them? our individual good guys with guns. so we need to be armed because the government is weak and can't protect us. boom. america.

returning to point 2, i'd like to say that dead souls is not particularly more individualistic than any of the other games in the series (other than, perhaps, y7). rgg is an incredibly individualistic series, actually. its protagonists are usually men who defy, oppose, and skirt around the law as a way of helping others and doing what is truly right (with a few exceptions, like shinada and haruka). the romanticized view of the yakuza as a force for helping the community in the face of government incompetence is a real one, and one that tends to manifest itself most in kiryu and how the series treats him. it shows us yakuza who aren't willing to kill, yakuza who cry about honor and justice and humanity and brotherhood, yakuza who never dip their hands into less palatable crimes, or only do with intense regret (and only ever as part of their backstory). the beat-em-up style emphasizes this as well. i mean, what's more individualistic than a one-man army?

put more clearly, this series is about men defying legal and social laws and expectations to live in a way that feels right to them, and about making themselves strong enough to combat those who would get in their way. the individual is placed before the society in importance, (though generally in a way that benefits the community, because they are good guys who want to use that agency and power for good).

all of this is true in dead souls as well, technically. those who live on the outskirts of society are the ones who actually save the day, and the ones who go in there and save people rather than just walling them off and pretending like they don't exist. they have the guns, which are illegal and mark them as criminals, but this broken law is what gives them the power to save themselves when the government will not, and to save their community if they so choose.

where dead souls differs is in the nature of that strength.

rgg places a lot of emphasis on self-improvement, both of one's body and of one's character. do both of these, and you will be strong enough to back up your ambitions. what allows someone to carve their own path in life is the ability to put down ideological and physical resistance by having resolve and the ability to tiger drop whoever won't be swayed by your impassioned speeches. you make yourself a weapon. you make yourself strong. in dead souls, that strength comes from an external, material possession. strength is something you buy (or that you take from someone else). who is able to survive the apocalypse comes not from the heart, nor from rigorous training, but from who has the most, the biggest, and the most bestest guns. it's an intersection of capitalism, militarization, and individualism. simply, deeply american.

[when i was talking myself through this a few days ago, i spent a lot more time on the capitalism + individualism stuff, but i think i'll keep this moving. consider this aside the intermission]

dead souls also differs for a few other interlocking reasons. it can be described with this equation:

zombification of enemies + lethality of guns = loss of emphasis on redemption

if your best friend turned into a zombie, could you shoot them? or your child? or your lover? it's a common trope, but it's a damn good one. watching your family, your neighbors, your town, everyone turn into a husk of themselves, something that looks like them but cannot be reached, is deeply tragic. it's even more tragic when these husks are trying to kill you. unable to be reasoned with and unable to be cured, you must incapacitate them before someone innocent is hurt--or hurt, then themselves made dangerous; each loss adds to the number of threats surrounding you. your life is seen as more valuable than that of your zombified friend, not only because the zombie is attacking you and it's self defense, but because they are no longer a person to you. to be a zombie is to no longer be human; zombification is dehumanization.

and so in a series so focused on connection with one's community, on saving innocent civilians, often on saving kamurocho specifically, one would expect similar tropes to occur. even if one's friends aren't turned, perhaps the cashier at poppo you chat with sometimes is. it's the destruction of that community and of the members one has tertiary relationships with that i expect would occur most within a kamurocho zombie story, since they are likely unwilling to axe anyone more important than that, even if dead souls isn't canon. i'd especially expect to see that in the beginning, before the need to kill zombies rather than contain or redeem them becomes apparent.

this does not happen.

i cannot speak for the entire game, but i can speak of gameplay choices that affect this, and ones i think will not be subverted throughout, even if they are somewhat contradicted by plot events i am presently unaware of.

kamurocho is not a community to protect, nor is it filled with your fellows. it is a playground filled with infinitely respawning, infinitely mow-downable, infinitely disposable zombies. you are meant and encouraged to kill them by the thousands, and never to hesitate or consider whether they may be cured or who may be mourning them. who may be unable to identify their loved one because you were trying to reach a headshot goal from hasegawa. you are not meant to consider them as human, nor beings that were once human, nor beings that could be human again, in the eyes of the zombie shooter. they are merely bodies, targets, and obstacles.

the zombies are contrasted with the true humans, those barricading themselves within the quarantine zone or those living in ignorance outside it. humans are meant to be saved, zombies are meant to be killed. the player character is the only one who can truly help with either of these goals, because the other humans are cowardly, ignorant, or unarmed/helpless. you must be their savior. to be a savior is to eliminate zombies, who are less than human.

the black and white nature of this is also emphasized by another gameplay characteristic: the lack of street encounters. when you traverse the peaceful parts of kamurocho, you are never attacked. you are also never directly attacked by the humans within the quarantine zone. kamurocho feels very different without its muggers and hooligans, but it's because this is a zombie shooter, not a beat-em-up. in a normal rgg title, you'd subdue threats by punching, kicking, and throwing them. you'd use your body in (supposedly) nonlethal ways. dead souls does not have a combat system meant for civilians. you have your guns. you subdue threats by shooting them, preferably lethally. the game doesn't want you to do that to humans, so you never fight humans. this furthers the black and white divide between the salvation-worthy, noble humans and the death-worthy, worthless zombies. combat is only lethal, and only used against the inherent other.

this leads me to the part of dead souls i find most conflicting with the ethos of rgg broadly, and perhaps its greatest ideological/thematic failing.

because the enemy are incurable, dangerous, and inhuman, you must kill them to protect yourself and others, others who are still human. humanity is something that is lost or preserved, but never regained. once someone's gone, they're gone, and you not only must kill them, it is your duty and your right to kill them. you should kill them.

in dead souls, there is no redeeming the enemy.

and that's a big problem.

rgg is about a lot of things, but a key one is the ability of people to change for the better. its most memorable, beloved villains are those who see the light by the end and change their wicked ways (usually through some form of redemptive suicide, though that's another essay in itself). its pantheon of characters is full of those who come from questionable backgrounds struggling to be the best people they can be, to live as themselves authentically and compassionately. it's about the good and the love you can find in the moral and legal gray zones of life/society, and the potential/capacity for good all of us have, no matter how far we may have fallen. it is a hopeful series. it is a merciful series.

this is something bolstered by its gameplay. countless substories are resolved by punching a lesson into someone until they improve their behavior, either out of fear or genuine remorse/development. the games don't just discourage killing your enemies, they don't allow you to (yes, we've all seen the "kiryu hasn't killed anybody? umm. look at this heat action" stuff before, and while they've got a point, i believe it's the narrative's intent that none of this is actually lethal, based on how laxly it treats certain plot injuries (cough cough. y7 bartender) and the actual concept of taking a life, the gravity it is given by the text, particularly when it comes to characters crossing that threshold into someone who has killed. explicit killing is not an option open to you, even when you're being attacked by dozens and dozens of armed men. conflicts are resolved by simply beating up enough guys in this nonlethal manner.

but dead souls is a shooter. to avoid conflict with the series' moral qualms about letting its characters kill, the enemies cannot be human. furthermore, the zombie shooter genre can only fit within the series if its zombies are completely inhuman. this means their pasts as humans cannot be acknowledged, nor the possibility of a cure, nor the characters' own potential conflicts about killing them; or, at least, not in a way that impedes their or the player's ability to gun them down afterwards.

if you can't kill humans in your series, then it cannot be possible to save (in this case, rehumanize) zombies. this is especially true in a game where you are unable to fight humans, and thus human lives are universally more valuable than zombie lives. because if you kill a zombie that can be cured, you are, in a way, killing a human.

and so, in a series where you should always assume your enemies (and everyone, for that matter) are capable of reason, compassion, change, and redemption, and where they are always worth that effort, even if they reject it in the end, dead souls' enemies are irredeemable and only worth swift, stylish slaughter. there are only good guys and bad guys. good guys must be protected, lest they be turned irreversibly into bad guys. good guys are only protected by killing bad guys, and the only way to save good guys is to kill every last one of the bad guys. do not spare them, and do not ask whether or not it's right. only kill.

i love dead souls. it's a silly game. i like seeing daigo in decoy-drag and majima gleefully cartwheeling his way through zombies and ryuji with his giant gun arm prosthetic. it's fun. but when i was trying to figure out what felt off about it to me, one of the words that came to mind (besides american) was indulgent. that, too, felt odd, because i love indulgent media. i am not one to scorn decadent, hedonistic, beautiful high-calorie slop type media. if dead souls was just fan servicey, that wouldn't really bother me. i am a fan and boy do i feel serviced. it rocks. but i think my problem is in what dead souls is indulging.

i think dead souls indulges in the desire to cut loose, and to see these characters cut loose. thing is, they're cutting loose all over kamurocho, and all over the bodies of people they used to (at least in concept) care for. with lethal weapons. it is catharsis via bloodbath, not by pushing your body and mind to the limit in man to man combat, but by pulling a trigger before the other guy can hurt you, or even think about hurting you, for the crime of existing as the wrong kind of thing.

and i just don't think that's in line with rgg's beliefs.

yes, it's probably fair for dead souls' characters to kill zombies. i'm not against that. i'm also not against games letting you do purposeless violence. i spent a good amount of my elementary school years killing oblivion npcs for shits, like. that's not what bothers me about dead souls.

rgg as a series has always taken a hard stance in both its game design and narrative choices against killing and for the potential for redemption in its enemies. and i think the lengths to which it goes to promote that despite the probably-lethal moves you do and the improbability of a harmless do-gooder yakuza is one of the most endearing things about the games. so for this one entry to disregard that key theme for the sake of a genre shift that flopped super hard, well? i dunno. it feels weird i guess. it's out of place not just because it's a dramatic shift in gameplay and style and also zombies are only a thing here (and the supernatural/fantastical are thus only prominent here), but because of what those shifts imply.

so, uh. yeah. my pre-dead-souls thoughts that dead souls wasn't that out of pocket bc rgg's just kinda weird? turns out it was actually super weird to have a zombie shooter in there, but for way way deeper reasons than anyone gives it credit for.

(footnotes in tags)

[girlscience]

I hate getting into something that has a canon(ish) sapphic couple, but I only end up caring about one of the two women 😭😭😭

[zeb-z]

People complaining about Star Wars shows being too slow, too much filler, like ok why don’t you just not watch? Log off Twitter?

If you can’t see any of the importance of the episodes that don’t have firefights and explosions every five fucking seconds, and complain there’s no story when the plot flies right over your head, that’s not everyone else’s problem. Yes the beginning of Andor takes a while to swing into things, and there’s many reasons for it. I frankly don’t even understand the complaints around the Bad Batch because each episode is far more obvious in its intents and still very exciting. How did any of you watch The Clone Wars?????

No one cares that you think the episodes not involving direct conflict with the Empire are boring. You’re boring. Gain some sort of common sense and think critically about the storytelling before you complain that there is none :)

[gibbearish]

am finally back home and can say without a doubt that i am just fundamentally not built for long distance travel however the train was much nicer than planes

[beardedhandstoadshark]

We‘re all Disney haters here but with Dracula daily going on I desperately need tumblr to know the existence of this comic adaptation of Dracula that exists within a series of monthly published comic books and looks like this:

Please look at this effort - they really went all out on these, NONE of the other comics look anything close to these. It’s just this one randomly sitting between normal Mickey and Donald comics about going to space or smth

Aside from the lack of prominent character death and replacement by transformation into beetroots it seems surprisingly accurate so far

(Also Disney has like. Nothing to do with these books aside from owning the copyright to the characters, so it’s cool. Pretty sure they don’t even really know these exist lol.)