#I mean at the same time it would probably be better story wise if they didn't but 😭😭 still

[hooked-on-elvis]

ELVIS GEMS

Hey, friends! So, @buglass suggested a while ago for me to share some less known (or less mentioned) Elvis songs. I guess today I felt inspiration to. Note: This is my personal selection, based on my taste and vision - not necessarily meaning all the songs are not as appreciated as they should be or that they are technically and content-wise flawless. I just think they're great for different reasons, and that they should get more plays. Oh... song 5 in this list contains wisdom for life in the lyrics and it's something that's really meaningful today as we reach Elvis' 90th birthday. Hope you enjoy this short list!

"Blue Moon"

Album: "Elvis Presley" (1956) I don't think it's that unknown but when I see people talking about the ballads E recorded, this song is not much remembered. I love it very much!

"Fool, Fool, Fool"

Recorded during a studio radio session. KDAV Radio - Jan 6, 1955. First released first in the album: "The King of Rock 'n' Roll: The Complete 50's Masters" (1992). This song is great Rock and Roll. When the guitar solo comes (0:56), it's impossible not to move.

"Dark Moon" and "Tennessee Waltz"

Album: "Elvis: The Home Recordings" (1999) Although the poor audio quality, those are songs I, particularly, get the most intense feeling of what it would be like to jam and harmonize with Elvis among, probably, all of his home/jam sessions recordings. I love to sing along with those tracks. Plus, I can always visualize E with his friends gathered around the piano he's playing... it's a plus. In "Tennessee Waltz" they mess up with the lyrics, it's annoying and fun at the same time.

"Once Is Enough" ♥

Soundtrack: "Kissin' Cousins" (1964) That song came to me randomly right now on my Spotify playlist but it fits like a glove in the mood today. I think the lyrics is pure "words of wisdom" material, and the melody is fun. And hey, it's Elvis' birthday! In this song he sings: "What's the good of reaching 90 if you waste 89? You got one life so live it If you don't it's a crime." Elvis didn't live to reach his nineties we would be celebrating with him today, but he lived quite the life in just forty-two years walking on this earth. People tend to pity on him, thinking he had such a tragic life story but, the way I see it, Elvis lived more than many of us ever will get to do. This song represents quite well the way he did things in life... not waiting 'till tomorrow, just going for it. "As a lightning-bolt" ⚡ El, you're amazing for leaving so many precious life lessons for us. We couldn't thank you enough, King. By the way, there's great gems among the soundtracks from his movies... this is just one of my favorites.This song is really a gem. ♥

"You Better Run"

First released in the album "Elvis Presley: Amazing Grace" (1994) Traditional arranged by Elvis and recorded during an informal gospel session filmed for the documentary "Elvis On Tour" (1972) on March 31, 1972 at RCA's Studio C, Hollywood.  This gospel tune was never officially recorded by Elvis, but he did sing it in concert on a few occasions. "You Better Run" was sung in a medley with "Bosom of Abraham," that's why they're quite similar in melody. Note: I love the latter song, one of my favorites by E, so "You Better Run" as similar as it is, it's like an extension but not as well known as "Bosom of Abraham" because wasn't featured in the documentary.

The footage below is composed of random scenes from "Elvis On Tour." As mentioned, the footage in which Elvis harmonizes "You Better Run" with his close friend and musician Charlie Hodge, plus JD Sumner and The Stamps Quartet didn't make it to the final cut of the 1973 music documentary and (for what I know) wasn't even released yet as an outtake. As we know, director Baz Luhrmann is working to get never-seen-before footage from Elvis' two documentaries finally out, so maybe this footage will be released in the not-far-away future. Fingers crossed.

"Almost"

Album: "Let's Be Friends" (1970) I'll never get over how sweet this song and the scene from the movie "The Trouble With Girls" in which Walter Hale (Elvis) performs it playing the piano are. I think 1:50 is way too short for such a beautiful song, it actually pissed me off how quick it ends.

"Loving Arms"

Album: "Good Times" (1974). When this song gets to 1:47 it hits hard in the soul. I just feel like crying every time (how did he do that?) Great song!

"It's Easy for You"

Master released on the album "Moody Blue" (1977), but here's the X-rated take 1 because it's so fun! This version below is on "Way Down In The Jungle Room" (2016)

"Pledging My Love"

Album: "Moody Blue" (1977). The lyrics is just so precious! "Making you happy is my desire, dear... Keeping you is my goal."

I could go on but Tumblr has limitations of 10 videos per post, unfortunately. I think I'm gonna share more in a bit. For now, I'd love to see what are the songs you think fits this list.

[rearranging-deck-chairs]

rewatching 13s era for me is not so much diminishing returns as it is something opposite and eviler...............increasing losses? increasing losses

[after-nine-at-the-oasis]

A A A A H H H H H H H!! YESSSS CECIL, DEFEND YOUR HUSBAND!!!! WE LOVE TO SEE IT <333

So anyway I caught up on the most recent two episodes of wtnv and listen he may have missed but he tried your honor <33 that's what's important

The entire episode was adorable :) and also blood boiling at points xD, but I'm mostly stuck on that part XD.

Also ALL HAIL. 😭😭💔❤️

[jedijoanna]

I feel like the dynamic between Jedi Council members was criminally underutilized. While this isn’t canon, here are my headcanons on how things really went down.

Mace Windu:

I’ve done the math (badly), and I’m pretty sure Mace was around the same age as Xanatos. Which means Mace is like Obi-Wan’s unofficial older padawan brother. Obi-Wan didn’t ask for this, but let’s be real—he probably needed it. Not that Obi-Wan would recognize this dynamic. He’s part of the disaster lineage, so he wouldn’t know what a typical older brother acts like.

Mace seamlessly switches between “Head of the Council” mode and “exasperated big brother” mode. Except, of course, when he’s making Obi-Wan do all the paperwork.

Mace: "You're good at taxes, Kenobi. I’m just letting you shine."
Obi-Wan: "I'm too honored to be insulted."

Yarael Poof:

This guy? Bigger gremlin energy than Yoda. And petty. Poof has perpetual beef with Ki-Adi-Mundi and finds great joy in trolling him. He’s the kind of guy who would take micro-naps during meetings just because “It’s only Mundi talking, everyone relax.”

Poof: "What was that, Mundi? Couldn't hear you over my sheer disinterest."
Mundi: "I will demote you to Youngling wrangler, Poof."

Ki-Adi-Mundi:

The most logical thinker on the Council. He’s here to do his job, clock in, clock out, and keep the galaxy running. Unfortunately, the galaxy includes Qui-Gon and Poof, so it’s not happening. He despises surprises and strongly prefers order.

Poof: snoring in the corner

Mundi: "I swear to the Force, Poof..."

Even Piell:

Blunt. Gruff. Won’t lead a discussion but will absolutely cut into one. He’s the Jedi equivalent of “the friend who knows where to hide the body.”

Piell: "You’re the diplomat, Kenobi. I’m here to look mean so bad guys think twice."
Obi-Wan: "What if we both look peaceful?"
Piell: "We’ll die."

Gretz Doom:

The guy who grew up with Qui-Gon and spent his childhood teasing his clanmates, Gretz is now the Council’s strictest rule-follower. Why? Because he knows that if you mess with the Senate, the Senate will mess with the Jedi’s budget and oversight.

Doom: "Qui-Gon, did you directly disobey the Council again?"

Qui-Gon: "In fairness, the Council is often wrong."

Doom: "You’re lucky they don’t garnish your missions like they do our budget."

Tera Sinube (Retired):

The ultimate grandpa Jedi. Gives unsolicited advice, tells the same stories repeatedly, and refuses to admit that lightsaber duels aren’t "like they used to be."

Sinube: "Back in my day, we didn’t have fancy starships."
Youngling: "How did you travel?"
Sinube: "We walked. Uphill. Both ways. Through asteroid fields."

Youngling: "In space?"

Obi-Wan Kenobi:

Obi-Wan wanted to join the Council, found out it was a trap, and tried to quit—repeatedly. Every time he tries to mess up to get kicked out, he accidentally makes the galaxy better. Mace keeps him around because Obi-Wan’s life is the Jedi’s best unintentional reality show.

Mace: "Kenobi, you caused an intergalactic scandal again?"
Obi-Wan: "Yes, but the scandal resulted in peace treaties for three systems, so..."
Mace: "We are still not accepting you resignation letter"

Obi-Wan: “drats!”

Yaddle:

The only one brave enough to call Yoda out. Wise, patient, and kind, but she will not suffer riddles.

Yoda: "Difficult, the path is."
Yaddle: "The budget’s tight. Just say that, Yoda."

Oppo Rancisis:

A reserved and analytical mind, Oppo specializes in strategy and seeing the bigger picture. His predictions about a rising Sith threat made him a quiet voice of reason long before others believed it.

Rancisis: "The Sith never vanished. They’re biding their time."

Mundi: "How do you know?"

Rancisis: "I just do.”

Eeth Koth:

An Anakin mirror. Eeth grew up as an angry orphan rescued by the Jedi, but he’s worked hard to control himself. Still, he’s known to clash with Mace and Grezzt Doom—occasionally on purpose. A former hothead turned disciplined Council member, Koth has a soft spot for Jedi who struggle with emotions, having once been in their shoes.

Koth: "Control your emotions, or they’ll control you."

Padawan: "Easier said than done."

Koth: "Trust me, I know. Now pick up your saber, we’re starting over."

Stass Allie:

A brilliant healer and fierce opponent of Senate corruption, Stass doesn’t tolerate nonsense. Most of her "menace energy" is reserved for politicians.

Senator: "The Republic is doing everything it can—"

Stass: "Then do better."

Senator: "I beg your pardon?"

Stass: "You heard me. Now get out of my medbay."

Adi Gallia:

The chillest Jedi off the clock, but the most cynical one during missions. She prefers intelligence to lightsabers (looking at you, Eeth Koth). Has a soft spot for Obi-Wan due to her long friendship with Qui-Gon. A calm and collected intelligence expert, Adi is the Council’s quiet strategist. She despises the war and blames the Senate for exploiting young Jedi.

Gallia: "The Senate sent Padawans to war."

Mace: "We needed soldiers."

Gallia: "We needed peace. What we got was child soldiers."

Yoda:

Wild card. Once a week, he’s doing something so bizarre that the other Council members have to pretend it’s normal.

Mace: "Why is Yoda levitating in the fountain?"

Poof: "Meditation, probably."

Feel free to add your takes!

[postmoe]

Can you do a Yandere ZZZ men getting rejected. like the genshin version same reason that they just weren't their type and misunderstood. Also I saw this art about Seth older brother.

https://x.com/yougei_/status/1872198958057169238

omg pls if Seth's brother isn't something cool like that. They bring him up slightly in Harumasamasa story and I was so O.O tell me more.

Happy new year everyone! Welcome 01/01/2025!

Wise, Ben, Billy, Anton, Seth, Lycaon, Lighter, Harumasamasa - drugging, fighting, suggestive themes, I think i made it pretty gn so it could go either way, knocking out.

.

Wise:

It takes a lot of courage for someone introverted like him to speak up about his feelings. He goes through all the possible scenarios before even bringing this up, deciding that if he's going to be true than he will shoot his shot in person and not message you the dozens of deleted texts he had initially typed.

That's why when you say 'no', it's very disheartening but he's not all that scared about the consequences.

"The city is a terrible place, you know? Generic crime is the least of its worries, not when corruption is rampant in every security and business corporation that exists."

You're not really listening to his rambles, shoulders shaking as you cry through the gag in your mouth, saliva ripping down your chin. Your arms are tied tightly behind you, around the back of the chair you're sitting on and preventing you from moving freely. When Wise finally removes the blindfold from your eyes, the room around you is blurred by your constant tears. He has the generosity to wipe them for you, seeing your a concrete room with a few necessities. A bed in the corner, a small couch, a television with some movie tapes (nothing too scary), a small, wooden coffee table. You see a mini fridge ahead and the bottom of a staircase. There's no windows, though a mirror behind a plastic sheathe in front of you shows a room behind you with a toilet and possibly a shower.

Despite your spit coating your face and the hyperventilation through your nose, he tenderly cups your chin and kisses the corner of your mouth, almost shyly if it weren't for the heated glint in your eyes, "Humans can adjust to anything, with time. Don't worry, you know I'll always keep you safe, with or without your consent."

+-+-+-+-+

Billy:

"What do you mean?! It's because I'm a robot, isn't it? That's low, starlight, suuuper, suuuuuuper low."

You shake your head, smiling innocently with your hands up to indicate that that's not the case at all. "Billy, you're one of the most charming people I know-"

"- Then date me! C'mon, I promise I'll be the perfect partner for you. I'm your knight in shining armour, after all! Literally," he taps against his chest to make a 'ding ting!' sound.

You refuse the laugh that bubbles up, thinking back to all the times he has 'coincidentally' been there when you needed it most. "Yeah, about that... I wanted to talk to you..." How do you say this? 'Billy, be honest, have you been stalking me?' It is probably best to just be out with it, "Have you been following me, Billy? It's kind of weird that we keep running into each other all the time, especially whenever you seem to think I'm 'in danger'." Which could literally be you mis stepping and having him rush over to you in worry from seemingly nowhere.

As a robot, you'd think one of the better things he was capable at was lying. However, the animated nature of his gives him away too easily. He knows that all too well, deciding it was easier to just come out with the truth. Billy nervously rubs the back of his neck, "Ah, Anby said it would come across as creepy... But, you have to understand from my perspective, starlight! You're made of breakable materials. Flesh, bones, muscles, meat, it's all something that can be so easily taken advantage of."

With a sigh, you shake your head, hoping to get through to him since he obviously has the wrong idea about your species, "No, we're not that fragile. Humans-"

"-No, but, see, you are!" He's too into it now, grasping your wrist with little effort. You step back in shock, wincing at the pain, asking him to let go but he doesn't. Billy's voice is softer, the yellow lights of his eyes narrowing in on the pained expression your face so easily portrays, "I'm not even using a lot of pressure here. If you listen closely, you can hear the splitting of your bone. No, seriously! Put your ear to it," he holds up your wrist when you start to cry, looking around desperately for anyone nearby. It's late, not even a bangboo in sight.

With a loud 'snap!', your voice chokes and your crumple to your knees, except Billy doesn't let you fall to the ground. He picks you up in his arms and holds you to his cool, metal chest. He's cooing over you as you cry and cradle your wrist. You look up with such a hurtful expression, "W-Why did you do that? I need a hospital."

As if something clicks, he quickly changes mode and started fretting, holding you tighter, "Oh, shoot! Dammnit, starlight, why'd'ya make me do that? I didn't mean to go that far. Hah... Come on, let's get you home and fix you up. No more late night escapades, 'kay?"

+-+-+-+-+

Ben:

The guilt riding him when he takes you is immeasurable... He knows it's for the best. Statistically speaking, you're more likely to get hurt without him around to protect you. It's just unfortunate it had to go this route.

At the moment you were in a cage in the corner of his home office, shaking with anger and cold as he had stripped most of your clothes in punishment, your arms restrained behind your back and a blindfold to keep you more sensitive. He checks the time on the corner of his computer; it's only been 20 minutes.

Once you rejected him, he had seemed to take it in stride. It wasn't meant to be, sometimes you see a juicy fish just too late and miss it, he had to move on.

But he couldn't.

Your fiery attitude and boisterous laughter filled the calm void inside him. You are everything to him.

So one night, when he's walking down the street to clear his mind, he sees you getting off work late. When salmon travel upstream to go home, it's the bear's job to catch it. Or, something like that. With the way his mouth salivates and his body jitters in excitement, he can't help but compare you to a delicious meal, even if he doesn't want to devour you - in that sense.

Once you wake up, you fight, of course you do. He doesn't necessarily blame you for it, but, bad behaviour needs to be punished. It's when you tried to bite through his thick fur did he snap. Intentionally hurting someone is a no-go. Though, it is your first offence. Another ten or fifteen minutes and he'll let you out.

"I don't want to keep you trapped here forever. I'd like if we could go out together, too. We just need to be civil about this," he states, hoping to appeal to you with calm incitements.

Instead, you grit your chattering teeth and curse, "Fffff-uck yo-ou."

His shoulders sag, his frown deepening as he turns back to his monitor to continue working.

+-+-+-+-+

Anton:

He and his bro had spent countless hours rehearsing and none of the answers to come out were negative. So, how is it that you say anything but a resounding YES?

"I dunno," you say, shyly rubbing your arm as you avert your eyes, "I just always thought I was one of the guys. Whenever you introduced us it was always 'Anton and his two bros'."

His jaw goes slack as his brain catches up. It takes a moment of cogs turning and mathematical calculations as every moment he's ever 'friend-zone'd you comes flashing in his mind. Then, he bursts out laughing, his large hand coming to land on your shoulder, "Dude, no way! Okay, I can see where you might think that." In a completely different display of affection, one you haven't exactly experienced from a man like Anton, he runs his hand down your arm and catches your own hand in his, collecting your other as well to intertwine his fingers and hold you close. He swallows the lump in his throat, as though saying it a second time is harder than the first, - though in his defense, he and his bro had concluded that you would say yes after the first confession, this wasn't in the script. "I really do like you, (Y/n). A lot. I'd do anything for you."

Anton truly is one of the sweetest people you know. However, "I'm sorry, Anton. I think our lifestyles are just too different to begin with. But hey! I'll always be your bro!"

It's getting awkward, and you have to tug a few times before he lets go. With a small farewell, you turn on your heel to leave and give you both some time to think. He will be okay, Anton always bounces back, no problem!

Except, he doesn't. In another turn of events for someone like him, he zeroes in on a nerve near the back of your neck and hits it hard. Immediately, you collapse into his arms, unconscious.

The drill on his hip shifts from the adjustment he has to make to carry you, causing him to look down before averting his gaze with a guilty conscience, "What? Don't look at me like that, they were getting away! Besides," the smile of his is unparalleled as he stares at your sleeping face, "We just need to show them their place with us; they'll come around."

+-+-+-+-+-+

Seth:

He knows it's wrong, it's so wrong. The stalking. The lying. The manipulation. Saying something as, "Wow! What a coincidence, I didn't expect to see you here, (Y/n)." is enough to make his heart hurt with deceit. You deserve better, you deserve the word.

But you just won't listen.

You run down any empty alley to help someone who calls for help and have been scammed and attacked four times this month because of it. Yes, he knows he does it too, but, he has the skills to deal with it! It also means your money gets stolen easily and you're left with cup noodles every night for a week because you can't afford a proper meal. Not to mention your sleep schedule taking a toll because you refuse to close up shop if a customer is taking their time because you don't want to 'hurt their feelings'. Or what about that cat bite that struggled to heal because-

Seth takes a deep breath, calming his racing and distraught thoughts. His superior Zhu Yuan said it herself, "If someone I love kept putting themselves in danger, then I'd step in, no questions."

He's offered countless times to handle things, to get you to call him in any sort of emergency, and wishes so badly that you would accept his feelings rather than saying something stupid like you'd get in the way of his goals.

Why is he so scummy?

The sound of the lock to your shop is loud in the empty street. It's 11pm, you usually shut at 9 tonight. You're so tired and unconcerned that you don't even jump at his presence when you finally turn around. Your parted lips spread into a smile, tired eyes crinkling as you greet him, "Officer Seth! What a lovely surprise, are you out patrolling?" When you step forward, you notice that he's hunched in on himself, a prominent frown on his usually cheerful face, ears back and looking solemn. You come even closer, unaware of any possible signals he could be giving you to stay away, "Seth? Are you okay, what's happening?"

Instead of saying anything directly, he just walks forward until his body meets yours, collapsing into you for a hug. You let him melt in your embrace, hands coming up to rub his back gently and pet the soft tufts of his hair, murmuring how you're there for him. He has to stop his hand from shaking when he holds up the injection pen, calmly moving your hair away from your neck as though he was simply returning the favour of comfort. "I'm sorry," he mumbles into your skin, his own tired eyes closing to shut out the world, allowing it to be only him and you, "It'll only get worse if I do nothing, and it's already so bad now."

You don't have time to ask him what he means, the sudden pressure in your neck causing you to yelp. The sting comes after the shock, you try to pull away but he doesn't let you move, only continuing to squeeze you against him as your legs buckle and go numb. "Seth...?" You whisper his name, looking up with such a worried expression that he can't help but smile softly.

"No, dummy," he lifts you up when your arms go paralysed next, walking in the direction of his car, "You're supposed to scream for help when something happens."

Your lips wobble as you begin to cry, unsure of what your dear friend is planning by doing something like this. His car comes into view and you shift your head against his chest, voice weak, "Help."

"Shh," he hushes you, savouring your warmth in the quiet night, "It's too late for any of that now. You'll be safe with me."

For weeks he had been dealing with this dark, malicious substance oozing through his veins at the prospect of doing something so criminal. Now, though? Now, as he holds you and feels you and sees you in front of his, he feels like everything is suddenly right with the world. He must've been overthinking everything like usual.

+-+-+-+-+

Lycaon:

You shouldn't be so surprised to see that Lycaon has such a nice apartment. His job isn't exactly middle class and he rarely spends money outside of his fur upkeep products.

Still, as you sit the wet umbrella in its plastic sheath - curtesy of the building staff - next to the door way, you can't help but look around in awe. There's no a lot going on, a large lounge that has enough space for at least ten people, accompanied by a larger tv that is currently off. An open kitchen, hallways to the left and right, an upstairs with a balcony over half the floor plan.

And a lovely table and chairs by the floor-to-ceiling windows that looked over the city of New Eridu, which was currently pouring with rain and being illuminated by lightning.

Lycaon was standing by the lovely table, placing down the teapot down after pouring two cups before turning to face you. In an unusual turn of events, he wasn't wearing his signature uniform which you have grown accustomed to seeing, instead, he was in a simple black, buttoned down shirt and long pants. He hadn't changed the patch and belts on his face, however, which he regards with a tender touch and explanation, "Apologies, I barely had time to change before you arrived. Even though I invited you over, it's unforgivable of me."

You purse you lips at him, walking towards the set-up and stating, "You said you had feelings for me and yet you still talk to me like I'm one of your clients."

The corners of his lips tick up in a dejected smile, "I suppose it's habitual at this point. Besides, I'm still a little unsure how to go about this."

He pulls out the chair for you to sit, your body resting in the comfortable cushion on the hard seat. It takes you a moment to realise that what you said probably wasn't the best call right now. "I'm sorry, I shouldn't have said that... I was just trying to lighten the mood."

This time, his smile is a little more sincere, "Please, do not worry about it. Our previous meetings have been a tad awkward so I understand."

This relaxes you greatly, your shoulders sagging in relief. You turn your attention to the hard rain hitting the windowsill next to you, the home is warm but you're close enough for the cool air on the window to still hit you, "It's really coming down, huh?"

"Indeed," he agrees, not that he could really argue against it. Lycaon takes your cup and opens a small sugar bowl, taking a spoonful and stirring until it all dissolves, "I believe the forecast stated that it would be storming all week."

"I hope the outer circles are okay, they tend to flood easily," you mindlessly pray, accepting the teacup once he's placed it back on the saucer. You both enjoy a silence of words as you sip from your respective beverages, the rain soothing your mind.

Lycaon's ears flicker every-so-often to the sound of thunder, an endearing attribute to witness. You wonder if days like these would be common if you had said yes. It would be nice, but, you know now just isn't the right time for something like that.

Lycaon considers differently.

He clears his throat after a while, once you both had enjoyed a substantial amount of tea, "I must admit, my reasons for inviting you over are not quite... honourable."

You finally look away from the drowning city lights and to your friend, "What do you mean?"

He sets his palms in his lap and takes a deep breath, exhaling from his mouth to steady any unease, "I'm afraid I won't be allowing you to leave here, (Y/n). I've contemplated back and forth about my actions and decided that this was the most favourable outcome."

Confusion hits you before any sort of fear or anxiety, "Huh? Are you going to kill me?"

When Lycaon stiffens at that, you can't help but feel like your joke wasn't exactly off the mark. It's only until he shakes his head, almost exasperated, that you finally remember to breathe, "Goodness, no! I would never entertain such a thing. I merely mean that unless supervised by myself, you won't be leaving the premises."

You roll your eyes and play along, "Okay, so, do I have to find a hint to unlock the door? Is this a new thing for your business-" everything suddenly blurs and you double over in exhaustion. What the heck? It takes a moment to recover but when you do, you stand abruptly from the table, both hands steadying you as your body is overcome with unease, "Actually... I don't wan'na to play anymore..."

One step turns to two, and perhaps you get another half in before you're knees are collapsing beneath you and Lycaon is holding you up. He's kneeling, carefully monitoring your condition to make sure you go down as simply as the drug entices. He's talking calmly, saying something to soothe the process, perhaps, but you'll never know beyond the jumbled noise being muffled by your own hearing.

+-+-+-+-+

Lighter:

"You're not taking this seriously!" You shout at him, charging forward to get one good, hard punch to his cheek.

Lighter easily sidesteps you, grabbing a hold of your arm and twisting it backwards. You yelp in pain as he pins you down, finally doing something other than dodging your attacks, "Oh? Is that better or, do you want me to punish you more?"

His knee rubs suggestively between your thighs, your eyes tearing up in frustration as you thrash and kick. Mercifully, he retreats off of you and you you're quick to stand in another defensive position, "What is your problem?! If you're going to fight me than fight me properly!"

"I think you've forgotten that you're the one who issued this challenge," he pushes his sunglasses up his face nonchalantly, refusing to take them off despite the fact it's nighttime.

You growl and rush in to deliver a swift kick to his shin - which he artfully evades, "Only because you won't leave me alone! I'm fine by myself, I've always been fine by myself! I only ever started having troubles when you came into my life!"

He tuts and shakes his head, jumping back from another attack, "You know Big Daddy says it's not okay to tell porky pies. Little pigs like you who do get in big trouble for it."

That makes you falter, stepping back in bafflement and frankly a bit of discomfort, "What?"

Lighter is quick on his feet, stepping aside you, kicking out to trip up your ankle and catching you from behind. He spreads your legs with his own and holds your wrists behind your back, "If it weren't for me, nobody in the outer ring would look twice at you before robbing you blind and leaving your body dead in a ditch. Vulnerable city folk like you aren't exactly welcome here."

"Why go through all that trouble for someone like me, then?" You try to get out but this time, he isn't faltering, so you relinquish yourself for a moment of clarification, "If you guys hate me so much then why did you step in?"

"Because I like you. I really, fucking like you. And all I wanted was a bit of thanks and appreciation," he leans down to mumble in your ear, biting the lobe not all that gently. Again, you're pushed to the ground, his hips easily keeping you down without so much as breaking a sweat, "I win. Now, as per our agreement, this time you have to say, 'yes'."

+-+-+-+-+

Harumasamasa:

You're hands are shaking so badly that you can't hold a cup of liquid without spilling it. Your head is swimming with nausea and you seeing double of everything. How long had he been doing this without you knowing? Was this why your back didn't seem to ache the same way anymore, or your knees or your shoulders?

The door to your cell opens and you're greeted with the man himself. It's amazing how easy it is for people with power to abuse the system. "So, how're you feeling, honey? Changed your mind yet?"

"Y-You're a monster," you spit, stuttering not because you're scared or cold, but because your teeth won't stop chattering from withdrawals.

Harumasa laughs, closing the cell behind him and crouching down so he's at the height of your quivering body on the bench, "Awh, I never claimed to be a good guy! But, I wouldn't go as far as say 'monster.' Still," he reaches out and gently tucks back some of your hair, "In this scenario, you might not be wrong."

You jut your head back, smacking the brick wall with the back of your skull, 'thud!', "Fuck off."

"Oof," he winces, eyes cringing, "That had'ta hurt. C'mon, baby, just say yes and I can make all this disappear."

You're swaying from lack of balance, gods you think you might throw up, "Can't you find someone else to force your love onto?"

He stands abruptly and the motion makes you fall back, only being supported by the construction that was now the cause in your skull, "Nope! I want you. I have since I started dosing you with these." He pulls out a baggie of colourful tablets, his medication for his rare affliction. Sighing wistfully, he cradles the rainbow meds against his cheek, "If it weren't for these bad boys than I wouldn't have been able to get you do addicted to me. No one else can help you now, honey. I'm all you've got."

"Someone will come," you wish under your breath, body falling forward while you clutch your stomach in pain, "Someone will notice."

Harumasa purses his lips at you, humming in thought. With a defeated moan, he pockets the medication and stretches his arms above his head, "Welp, let's see how strong your will is after another day in the cell." Striding to one corner of the room, he grabs the little, plastic rubbish bin and brings it between your legs, "Here, you're gonna need this. The next 24 hours will not be fun for you."

You only notice he's gone when the shutting door echoes through the room, too lost in trying to keep your withdrawing body from keeling over.

[infamous-if]

There's been some discussion recently about MC that caught my attention because I agree. MC feels like a loser when you think about all of the other characters. When I play an MC who did nothing wrong to Seven it just feels like Seven is angry for no reason. Seven is allowed to act like a child while MC has to take it? Doesn't seem fair.

Everyone has something going for them and what about MC? No one likes them and everyone hates their guts. Aren't they supposed to be the main character? Why does everyone hate them? Why aren't they considered more talented? It just feels like MC is a doormat while Seven and the other ROs are these talented superstars.

I don't want this to come off any way but I feel like the story would be stronger if you made MC a bit meaner or at least made people acknowledge MC as a better singer.

I don't want to sound rude but I'm very much exhausted by this topic. I've probably explained this 5+ times but I'll try to break it down one last time just so people can understand what I'm trying to do.

First, to get it out of the way, we are only on Chapter 2. I just want to reiterate that. The story just started.

It just feels like MC is a doormat while Seven and the other ROs are these talented superstars.

Secondly, MC is a character I try to give as much customization to, both personality and appearance wise. There's a variety of ways you can approach everything, or I at least try to in a way that doesn't sacrifice what I want to write for the plot, but I think people are under the impression MC is 100% a blank slate character when it's not true.

MC is still dependent on the plot and I always strived for MC to have their own narrative arc. The same way the ROs have their own character arcs, MC will have their own, because they are a character in their own right and going through some that fundamentally changes their life. That means the MC from Chapter 1 will not be the MC at Chapter 20. They will be different. That's what a character arc is. Character development is expected. How can you expect a slew of ROs to grow and change and MC remaining stagnant? Doesn't make sense narratively and it seems unfair to MC.

The MC is not a completely blank slate, and that's where people are getting it confused. In the beginning, MC is going through such a change with BOTB, without their family, and on the heels of a band breakup that's still impacting them today. MC is a little down, maybe even depressed if that's how you read it, and they're getting pushed to be leader by their manager. They are not really okay right now. They have to be professional and put on a brave face for the sake of their band, who, if you paid attention to what Rowan said in Chapter 2, are all depending on this. This is what they worked for since high school. MC is not going to flip a damn table on Day 1 just because you want them to. MC can fight, if you choose, against UWB. That's not supposed to be a smart choice, but emotions get the best of all of us.

They are only just navigating a worldwide globally famous show with a cheating allegation hanging over their heads, and a manager who wants them to be leader when, up until now, they haven't been. They've just been friends making music and miraculously having a fanbase. Now they're really in it. They have been thrust head first into the industry in a way that is so big that MC has to go from singer playing with their friends to a leader of a band who may just become globally famous in a few months if they play their cards right.

A lot of their actions are influenced by the fact that their band almost broke up and it's a thing that hangs over their head. Their past influences them. That's...how people work.

Now, if we're at Chapter 20 and MC is still acting like a scared bunny who doesn't know what they're doing, then be my guest. Scream in my inbox, I'd understand. That would be terrible writing, but we're not. The tour just started.

I play an MC who did nothing wrong to Seven it just feels like Seven is angry for no reason. Seven is allowed to act like a child while MC has to take it? Doesn't seem fair.

MC doesn't have to take it lol. I've always given an option to be rude to Seven/try to put them in their place.

People think I favor Seven when that's not true. (Seven isn't even my favorite RO)(That title goes to August lol). Seven acts the way they act because they are not in a healthy headspace. Their actions are not meant to be understood, because they are not entirely justified. Seven has a lot of growing up to do, but I have never sat here and advertised Seven's emotions as correct. Everyone knows Seven is childish, everyone knows Seven is handling everything terribly. People in the story have mentioned it. Their abandonment issues GREATLY influence their characterization and actions. MC has abandonment issues as well, of course, but MC is not as emotionally unstable as Seven. That's canon. It is what it is. Seven has a whole subplot about it.

As do other ROs. The only difference is that they're not so open about their struggles. Seven just doesn't care. Their emotions guide them. They can't control it. That's who they are. I have also said that many times.

I don't know why you think Seven can get away with everything when 1) it's only been 2 chapters and 2) no one knows how anyone feels about Sev because it's in MC's POV. Seven goes through their own trial by fire. As every RO does......thats a narrative arc.

Seven was always going to be a plot point, whether they were an RO or not. They were always going to be MC's former best friend.

Everyone has something going for them and what about MC? No one likes them and everyone hates their guts. Aren't they supposed to be the main character? Why does everyone hate them? Why aren't they considered more talented? It just feels like MC is a doormat while Seven and the other ROs are these talented superstars.

This one bothers me the most, mostly because I don't know where this came from. "No one likes them" Jenna and The Jewels does. Slow Crawl does. Their fans do. We haven't even properly met the other bands. Of course there will be bands who don't like MC: they're competitors. They're not friends. They don't know MC, why would they be biased towards them? Because they're the main character? They don't care about that?? It's how fiction works.

Maya is following the band around because of how much she admires MC.

Orion quit his job because MC's singing inspired him that much.

G listened to MC and saw something in them. Literally calls them the 'Chosen One'

Fans of the old band preferred MC over Seven. They liked the songs where MC sang solo. MC was better for their future over Seven. Hence why it was Seven getting demoted, not MC. I've said this. It's in the story.

I don't see how being the lead singer of a band on a global show at 26 makes anyone an actual loser but I digress.

Literally in Part 2 MC is acknowledged so maybe it'd be better if we waited? Say a good few chapters...?

If you wanted a story where MC is Queen level famous right out the gate and the #1 draft pick for BOTB and has no problems and better than everyone, then I'd advise you to look elsewhere. I don't like that. I like giving MC obstacles because conflict creates story. I like MC having to fight for their spot. It's more realistic, and this has never been a story of fame. It's been a story of their journey to fame.

That's their narrative arc. They grow into it.

You are allowed to hate/dislike Seven. I encourage it. I have given MC the option to hate Seven, because I'm aware that what Seven is doing is unfair. I am not punishing you for hating Seven. And this goes for all the ROs. It does not bother me if you dislike my characters. It means I haven't made them squeaky clean and have made them realistic enough to have people both dislike and like them, much like real life. I get it.

I've always advertised Infamous as a messy, angsty and dramatic story. I've used the term 'melodrama' for it often. I've always said the ROs--especially Seven--are flawed. Some more than others. I've said, verbatim, they are not wholly good people. I don't know why people act so shocked when they act some type of way. Like...I've always stayed true to what the story is. Half the dynamics aren't healthy right now...but that's the 'growing up part' of the story we haven't even gotten to yet?

If that doesn't interest you, then that's perfectly okay! If you don't like the narrative arc I have planned for MC, that's fine too! It just becomes a bit disheartening when people ignore the narrative.

I will try harder to write in a way that specifies my intentions. I always believe that if more than a handful of readers have the same complaint, then it's on the writer to fix it.

I hope my tone didn't come off rude, I'm just really really tired of this. I've had to deal with this since even before the demo dropped :) but your critiques are valid and everyone is always free to express themselves however they want. <3

[satirn]

if Jimmy and Timmy get married, how would the wedding go? Who proposes to the other? how does the proposal go?

this is the best ask ever i forgot how much i love schmaltz <3<3. heres some quick doodles as a bonus <3

as for the wedding and events proceeding, i think its go well! they deserve a little break from the stuff in their life, as a treat /q. Unless something like the syndicate crashes their party (i.. dont think theyd be that evil to do that tbh, i havent really dabbled w them story wise but idk, its a wedding im sure they'd be civil for once..) or some interuniversal threat pops up that needs their immediate action (something like garnet's wedding from su). which tbh would probably inhance the expirence for timmy, hes a straight menace and thinks stuff like that is awesome </3. but anyways

in general relationship stuff timmy may be the more forward one but i think jimmy would be the one to establish the milestones, plus that hes more traditional in my characterization of him. that being said, timmy would totally unintentionally propose or joke about marrying him and jimmy would 100% take him up on that with no hesitation.

now onto wedding stuff bc damn do i have a soft spot for this kinda stuff <3<3

the flowers i chose are forget-me-nots and pink / peachy orange aster flowers with a touch of roses in those same colors as well. i implore you to look up the flower meanings i had fun w em <3

I chose the color peach/a coral (is that what that color is ??) for the wedding because its a combo of timmy's pink and jimmy's redish orange (vermillion ?). i just think combining their colors when it comes to ships is just so so CUTE <3<3<3. this is also why that jimmytimmy painting i did a while back has primarily those colors <3. it didn't fit the theme but timmy wanted them so he gets a green, hot magenta pink, and purple flowers for his suit so his only family that loves him can be there.

this is uhh kinda angst implied but it wouldn't be something i made without a bit of angst <3. timmy's biological family would not be there, his mother would probably call once she heard that he got married but timmy decided to abandon that life and those people for good, and for the better tbh. the rest of the nicktoons unite crew would be there + maybe their plus one ig, but dib instead of zim, or maybe them both (zim wants to look normal so attends these events where its expected u show up yk, and dib follows bc clearly. hehe). cindy would probably arrive and agree to being a bridesmaid to show she isnt homophobic but would probably cry and/or drink in a corner the whole time </3, losing both of her boyfriend prospects at once /j

when they toss the bouquet danny is the one who catches it.. he looks over to manny and they share a flustered look while everyone else cheers <3

this is how id imagine it to go at least, there might be more sketches of this in the future i just gotta clean em up first </3. aaah this post is so long </3. told u i loved this kinda stuff SHHSHUSH !! <3<3<3

[cupcakeslushie]

Hi there, I love your stuff, I hope you don't mind but I wanted to do an ask the artist

Where are you from?

What's your favorite color?

How long have you been creating art for?

What drives you to make art?

What is your favorite piece of artwork of yours?

What is your favorite fan artwork that was done for you?

What character of yours is your favorite?

If you could go to any fictional world which one would it be?

Do you consider what will please your audience or do you just do your own thing?

What made you want to start your AU?

1. American! Southern girl, specifically.

2. You’d think it would be green with how it’s been my hair color for three years, and I’ve made it my signature on here, but it’s actually yellow! Like the really saturated, sunny kind! 💛

3. Oh lord. Um, since like 1st or 2nd grade.

4. I never really thought about it. I think I’m just a visual person. So if I have an idea, I need to get it on paper to really see it. I’m the same with movies, especially adaptations. I could never picture characters by reading them in books very well, but seeing them in movies I’m like, “oh okay, now I see what they were going for!” It’s also just fun. It’s my own story-telling method.

5. Fav piece of anything I’ve ever made would be one of my stained glass pieces, like my lemon one, that took me three weeks, and was one of my first bigger pieces. Digitally it would probably be my most recent dtiys cause I just don’t like looking at my older stuff.

6. Noooo!! I have so many, especially recently, that I’ve been gifted! I can’t choose just one!!! Seriously! I love everything I’ve ever been sent! I will say, I’ve been gifted a few fan fictions by now, that have had me like, mind blown—just because writing is such a thing that I’ve always admired and never really been able to fully grasp. If you’ve sent me art, it’s more than likely been my phone or iPad wallpaper, and if you’ve sent me fanfiction, I’ve probably read it no less than five times, and will continue to go back to it.

7. I mean, it’s Donnie. It’s pretty clearly Donnie. I try and be fair and love all the boys equally, but I’m not gonna lie, you all know it. It’s obvious. Just know, I’ll never ignore the others story wise 😜. But Donnie gets the most of my attention and my evil creative plots 😈.

8. Any world ever? Probably Fullmetal Alchemist—if I could actually be an alchemist. I mean, like come on—how cool is that? And like, yeah, you’ve got Father and the homucuous running around, but for the most part, the world is pretty chill and has the coolest rules.

9. The main chunks of my stories are really just what I want to see, but sometimes I can hear a suggestion and think about changing the trajectory of things. I’m always open to ideas, especially if I’m stumped on how it should go. I even change my opinions on the things I’ve established myself, I’m very open to changing a story if a better idea comes to me. I don’t think I’ve ever been like, scared to tell something because I think someone wouldn’t like it. If they don’t, that’s fine, not everything is for everyone, and some things only click with a few people. If I really want to tell a story, then I’m going to tell it.

10. It’s really so funny, because at the time, I was working on this short, post-movie aftermath comic about Leo learning to find a healthy middle ground between being the silly guy and a serious leader. But I was having trouble with the next part, so I decided to watch Arcane and doodle. I posted that little concept sheet, and it feels like…within days my inbox was full with people wanting to know more, and the more I answered, the more I was like, wait I wanna actually explore this. Tbh pretty much all my AUs have started this way. With just an idea jotted down, and then turning into something I couldn’t stop developing.

[maxdibert]

I've noticed that it's a recurring theme among Severus fans that, when discussing how his son or daughter would be, they often imagine the child going through the same struggles Severus experienced as a teenager—the same problems, essentially repeating the story. You know what I mean.

But what if that wasn’t the case? Suppose Severus had a son or daughter, and instead of being an outcast, this child was very popular. You know, popular and well-loved, admired by their peers. Perhaps the child resembled Severus both physically and personality-wise, and they shared some of the same hobbies—just to highlight even more how this teenager is popular for the very things Severus suffered for as a teen.

How do you think Severus would handle that situation? How would he feel, essentially seeing a version of himself but actually enjoying their adolescence?

In fact, I’ve never thought that if he had a child in a hypothetical AU where he survives and can have a family, the kid would be an outcast. I can easily imagine a child quite similar to Severus both physically and psychologically, yet flourishing socially. We have to consider that what really made Severus suffer was having James and Sirius around making his life miserable, and the fact that Severus came from a very, very poor background. He had no resources, no way to defend himself, and no functional, responsible parents to turn to with his problems. He wanted to climb the social ladder, seek protection, and belong somewhere, which led him to join the Death Eaters. Also, coming from a dysfunctional home clearly affected how he related to others and his self-esteem.

The point isn’t about being more or less attractive or having a more or less normative appearance. The point in adolescence is confidence, nothing more. If Severus had a child, we’re talking about a kid who would have grown up in a stable home, without financial problems, feeling supported by their parents, and knowing they could count on them. No matter if physically they’re not the next Harry Styles, it wouldn’t matter because a kid raised in a secure environment is one who has defense mechanisms, probably better social skills, and wouldn’t hesitate to tell their parents if they had a serious problem. So it’s totally coherent to me that Severus could have a pretty popular child. In fact, I imagine the kid with a terrible personality, but people thinking that’s super cool, with a dark academia aura, or Muggle-born kids thinking they look like some indie band singer. Plus, the kid would more or less be part of Generation Z, which is a different time. I mean, if they resembled their father, they would be really thin, sallow, with black hair, a very angular face, and a big nose—literally the stereotype of a tortured romantic adolescent, 100% guaranteed to be a hit with a certain crowd.

Answering the question, I don’t think Severus would mind? He would like to see his child being accepted and would be reassured knowing they have a good social life and no one is making their life miserable. Isn’t it one of the most recurring traumas that our parents reproach us for not becoming what they wanted us to be, which is usually a projection of what they couldn’t achieve? In this case, with Severus, I don’t think that would be an issue. In fact, I think if they had problems, it wouldn’t be about popularity but about having very similar personalities. That’s where I think they could clash, because Severus has a very strong and difficult personality when he wants to, and having a teenager just as stubborn and annoying as him… ugh, haha, now that’s tough.

[miraculouslbcnreactions]

I’d like to know what your thoughts are on the ramp to the entrance to Collège Françoise Dupont that was built between Seasons 2 and 3.

Remember, from “Heroes’ Day - Part 1”

ALYA: Last year, I wrote an article about equipping public buildings with disabled access. But after seeing Ladybug and Cat Noir going that extra mile every single day, I decided that I, too, can do better. So I got the mayor’s approval to improve facilties so that handicapped kids can actually attend our school.

The stairs from “Origins” to “Heroes’ Day - Part 2”

The stairs in “Chameleon” and onwards

On paper, this is nice. A piece of worldbuilding on par with the akuma alerts like the one in “Riposte”.

However, there are three problems with this:

No one I’ve seen react to the show has noticed or remembered this, since the handicap accessibility is just a throwaway line from Alya that we don’t actually get to see being built.

We know how badly representation is presented in this show, so it’s not like this is getting any brownie points from me.

How the heck is a handicapped student supposed to get up a ramp that steep?

Collège Françoise Dupont's design is based off of Lycée Carnot, a real Parisian school, so I looked to see how the real school handled this issue. After looking at pictures of the school on Google, those steps seem to be a show-only addition. Which is interesting because the show tends to just copy the locations that inspired it. Now I'm wondering if those steps were inspired by something else?

Either way, it's hard to be too critical of the ramp's appearance without knowing the full story. While I fully agree that this is not a functional ramp, we do have to remember that there is a real-world cost associated with adding the ramp to the show. Someone has to design it and add it to the model, so I understand why they did it cheaply. Redesigning the steps into something more elegant and truly functional would have been ideal, but probably impossible to justify budget-wise since it's just a minor visual element. Same goes for animating someone putting in the ramp, which would be even more expensive. I'm honestly surprised that they added the ramp at all!

Now, does that mean that they should be praised for taking the time to put in a slap-dash ramp while never actually acknowledging or using it? No. To me, this feels like a lesser version of their choice to make Marinette a fashion designer while working in a medium that rarely allows her to design anything or even just change her outfit because, once again, budget! Before adding something to your script, you really should think through whether or not you can execute it properly. If you can't, then maybe pick a different path?

To be fair, it's possible that they didn't realize how bad the ramp would look until it was time to animate it. At that point, there's not really a great way to fix the problem. Do you leave the steps as-is even though you've explicitly drawn attention to the accessibility issue or do you be technically faithful to what you promised and put in a non-functional ramp? I don't know. I'm leaning toward "just don't add it," but neither choice is great.

It's even possible they may have only seen the ramp after it was too far in the animation process to revert back to the steps. With most or all of the animation being done out of house (I'm not actually clear on what if anything was done in house prior to season six), they almost certainly weren't seeing every step of the process or having daily reviews of what things were looking like, allowing for detailed input. How much input did they have? No idea! They absolutely got to review story boards or possibly even make them, but between the story board and the final 3D product? No idea.

I looked online for a general guide of the steps involved in working with an outside animation studio and this one generally matches what I know of the process if you want a high-level idea of how this can go and why redoing things may be no small request even if the models already exist. Once a scene is rendered, you have to completely rerender it to make any changes and that's pricey! Sometimes you just have to take a lesser quality product and go with it.

In summary, without knowing more details about what happened here, I don't feel fair being super critical of this, but it's certainly not getting any praise from me.

[gofancyninjaworld]

No one is born knowing how to communicate

A: And that's okay...

Dr Kuseno made it look so easy. He just swanned into Saitama's apartment, proferred him a gift of beef and the hero's hostility melted away.

Fubuki felt positively foolish, and yet encouraged.

Since then, however, she's found that the only thing meat bribes pull in are dogs. Literal dogs:

And even dogs need more than meat to be loyal.

What gives? Well, it's obvious that Fubuki mistook Dr Kuseno's gift for a bribe: more on that later. Probably. And yeah, it's funny, but it's more interesting than that.

Learning how to communicate is complex. There are a ludicrous number of unspoken conventions and rules in every human society, so much so that we don't fully learn how to smile socially until we're in our forties. Dr Kuseno carefully judged his gift: he had a legitimate reason to offer Saitama a gift in the first place, out of gratitude for Saitama going out of his way to mentor Genos. Then he chose a gift Saitama would be sure to appreciate and presented it at a time when Saitama would be thinking about dinner. The worst that could have happened is that Saitama took the gift but insisted on the doctor going home (and taking Genos with him) -- it would still have left the desired positive impression. And things went really well. Kuseno made it look effortless.

Fubuki is only in her early twenties and her experience to date has been far from typical. She's learned that either she can intimidate people or she can flatter them into doing what she wants. With Saitama (and later Bang, Bomb, and Kuseno), she has to learn how to talk to more powerful people whom she cannot overpower, over whom she has no leverage, and who are unimpressed by her looks, simpering, or flattery.

Fortunately, Fubuki is nothing if not astute. She's worked out that she needs to develop complementary skills if she's to make herself useful to the S-Class heroes she wants to hang with. How to talk to them to get the help and cooperation she desires? Ah, that's a work in progress.

B: ...Unless it's not

Let's move onto another miscommunication.

Something that I hadn't before was that, unlike the webcomic version where Saitama only thinks to himself that Genos seems depressed, in the manga, Saitama out and out asks him if this is the case. He wants to know.

It mirrors King asking Saitama that very same question and getting Saitama to open up and be vulnerable for the first time (ever, in any version of the story). So it is very appropriate to see Saitama trying to do the same for Genos, particularly as he is openly fond of the guy.

However, it goes wrong. Saitama feels himself under pressure to say something wise to make it better. So he puts on his best 'confident' face and inadvertently makes everything much worse. Oh dear. What makes this particularly painful in the manga is that Saitama is much more invested in trying to reach Genos, and it's made Genos think that Saitama saying that he doesn't see what he's doing must mean that earlier times when he's praised him must have been just Saitama being nice. For sure, Genos could have pushed back and made Saitama clarify what he meant, but he's even worse at communicating: and Saitama's glib remark about being bright struck him square in the insecurities.

I'm going to come to something that I only realised once I started typing this up. Even though I've pointed out their abilities to communicate, neither King nor Kuseno have the perfect words to say. Kuseno started out by first committing a faux pas in bringing his great big outside boots into Saitama's flat, then nearly boring Saitama to death with a long-winded explanation. King started out by trying to guess what was bothering Saitama. Both, however, did the most important thing about effective communication: they picked up on their going wrong and changed tack.

It's not about saying the right thing: it's about responding to the person you're talking to.

The thing that King did that Saitama was trying to do for Genos was to ask Saitama open questions, and shut up in the interim, letting Saitama talk to fill in the silence. He'd only speak to ask more open questions when Saitama ran out of things to say, and through that, gently started to challenge Saitama's thinking.

But doing so means being comfortable with several seconds of silence. And that is excruciating. It is almost irresistible to jump in and say something, anything. And it would have been a longish wait, for Genos to slowly sit down and decide to start speaking, which might well have started being about something only tangentially related to his worry. King did that for Saitama: Saitama started out talking about what was bothering him on the surface -- being too strong -- before eventually coming to what was really bothering him, feeling lonely and profoundly isolated from everyone around him. Saitama does not yet know how to wait a person out.

It's a problem in this case because it's introduced a big barrier between those two, not an insurmountable one for sure, but one that could easily compound later.

Ah well, no one is born a communicator. We just have to wait and see if they work out a way to open up and be honest with each other. So it goes! There's more ways to introduce conflicts than to have a monster trample Tokyo, after all!

And so help me, the struggle to learn how to communicate is 1000% worthwhile.

[thelreads]

After having a night to think about it, I don't like the direction this is going with Twilight being Melinda's therapist.

First because Twilight isn't a therapist. He's a spy. He's not trained in therapeutic techniques. I mean, even if he was, he shouldn't be handling the personal friend of his wife, that's a conflict of interest. But Twilight not only isn't a therapist, he has ulterior motives as an agent of WISE.

With his past therapy sessions, like with Anya's teacher, he could give advice with no ulterior motive because WISE didn't care if Anya's teacher has a happy marriage. But WISE has a very vested interest in Melinda and her marriage. How can Loid help her, if WISE is telling Twilight what he needs to do? What if Melinda tells Loid that she and her children are being abused, but WISE decides it's better to keep Melinda with Donovan as a source of information? What if WISE decides it's a better strategy to destabilize Melinda even further?

I think Loid and Sylvia would both want to help an abused mother, but I don't trust WISE's upper management. Melinda is basically a bomb that was dropped into their lap, only it's one that can be easily reprogrammed and lobbed right back into the lion's den.

This story is about war and people who do bad things that they think are right. Twilight having to grapple with seeing an abuse victim in front of him--someone who (just like his mother) is abused by her husband, someone who (JUST LIKE HIS MOTHER) has her own children she is trying to protect--and then being told that he has to manipulate her for his mission. No matter how WISE dresses it up, he will 100% be told to encourage her to stay with Donovan so they can get more info. There's no way they'd let him help her escape.

Twilight would come home to his wife and daughter and have to look Yor in the eye while knowing that her best (maybe only) friend--who Yor TRUSTED him with--is being used and manipulated by him. And even if Anya knows her Papa is a liar, if she peeks into his mind and sees him using a vulnerable Melinda for his organization's benefit... Just like Project Apple was doing to her.

I could see Yor forgiving Twilight for being an enemy spy if he manages to convince her that they're both working towards peace between the countries. But this would be a harder betrayal to swallow, post reveal.

HRGAH. I am gnawing at my arm like a wolf stuck in a bear trap.

I'm not that worried about Twilight not being a certified therapist because he has shown to actually understand his role, so he probably studied and is aware of what he can and cannot say, he might be even better than other therapists considering his observation skills.

Now the fact that Melinda might be used by WISE, now that worries me.

I feel this upcoming situation is gonna be a test of character for Twilight. He might be ordered to use Melinda to help further WISE plans to prevent war, but if he'll follow through is another thing. Hell, he might even help her and when WISE questions why he didn't manipulate her he can bullshit them about how she was too unstable and wouldn't be a trustworthy asset or how since she and Donovan don't even have a close relationship she can't provide anything useful for them. He is their best spy, they trust his judgment since he never put personal feelings before the mission so far.

I think we'll see what Twilight truly wants to fight for. It will be the same situation with Anya in the first chapter. Yeah he could've abandoned her when she got caught and went for another kid, it was the safest thing to do for the mission. But he didn't. Because he wants to protect others.

I trust him in that aspect. He has shown quite a lot of times he is not willing to hurt others for the sake of the mission. He didn't abandon Anya, he protected her from that professor who made her cry, when Donovan talked shit to Damian he subtly but decisively stood by Damian's side, and more recently, he didn't kill Yuri. Even though it was the safest course of action, even though nobody would ever know, he didn't do it.

Because it would make Yor sad.

Because he's here to save others, not hurt them.

So, I bet that he might start thinking about how he can use Melinda, but when he gets to know the state she's at, and how Yor wants to help her, he will come to his senses and do whatever he can for her.

Also, I don't think it is a conflict of interests because she's not family. She is his wife's friend, but since he himself is not her friend, he can still treat her, he just needs to keep both the professional as well as personal sides separated.

[qoldenskies]

Yello

I just found your fic series yesterday and I have been seriously enjoying it. I mean, not the psychological trauma part, but just how well written it is. I love how your mind works.

But no spoilers! I read Miner's eulogy, but I've only gotten to chapter 7 of Clipped Wings.

Anyway, I came here to say that since this is definitely before the movie and will definitely affect how the timeline of the show coincides with everything, I've come to see just how much of the movie actually does intertwine with the story, and how it affects how I view some of the scenes now.

Of course, I have no idea when he's gonna get better enough to where he's gonna be fighting alongside them on missions again. And the ark with Shredder and the Krang is definitely coming soon in the timeline of their lives right now. Buuuut, I do expect for us to maybe have some "just cause" because there is no way that they're gonna be leaving the lair anytime soon unless for just for getting stuff for Donnie. I mean, do we really think they're worried about the FOOT CLAN right now? We can act like all that is many months or many years from now because Donnie is definitely not gonna be okay by then.

So, anyway, whenever any of that ends up happening in this world, I like to think about the Krang bus and Technodrome scenes from the movie. In both instances, Donnie loses his battle shell. He protects Mikey with it and has to lose it to be able to control the ship with his bare back. Which, like, ow? Seeing the movie through the eyes of this story, there are definitely a lot of places that just would not exist because of the condition of Donnie. But god.

The extra worry that Mikey has about Donnie's shell? The protectiveness? The question of "are you sure?" before he takes it off?

The part where him and Mikey are trapped in the Turtle Tank? The utter terror on Donnie's face, in the fetal position, the fear of being crushed and suffocated, just like in the closet...

When Raph comes out of that cocoon swinging at Leo? The same way he did at Donnie? Donnie having to his big brother in that state again, with pure rage in his eyes? Rage at his family? Raph not being in control of himself? DOING EXACTLY WHAT HE DID TO DONNIE TO LEO???

MY GOD

There's probably many other parallels and little things that I haven't thought of yet, but that's what first comes to me. I don't know if you already realized the things and even wrote some things based off of the information we have from the movie. Anyway, I just wanted to vent that out. This au has me in a chokehold. Kudos ❤️

THE MOVIEEEEEE YEAHHHH there's been a bunch of talk about how the movie would go in CC since i have no plans to cover it, but hrhghhh i could really see some of those scenes recontextualized by what donnie goes through here. although personally i think raph being kraangified would hit him a lot harder than it would donnie, who wouldn't have the same kind of proximity to it. because raph has a lot of trauma from what he ended up doing to donnie, and doing it to ANOTHER one of his little brothers would SERIOUSLY mess him up. some people have asked if the choking in particular was an intentional parallel and my answer is actually nope, it was just an extension of the whole uhhh canary/breath metaphor, that and all the damage to his chest (even when raph let go he couldn't breathe!!!). but it would hit a lot harder with the movie's events in mind, its the second time raph would do that to one of his brothers!! oh my god he would be so fucking guilty!!!!!!! man...

someone hassss written their interpretation of a part of it, with the idea that donnie's the one to jump into the prison dimension because it works better than leo arc-wise >:3 (hi seasidefantasies im plugging your fic again. still insane about it) you dont have to be caught up to CW in order to read it, it doesnt contain any major spoilers!!! oooh you wanna read it so bad oooooh (hypnotizing you)

honestly since CW is planned to end on new years 2022 i kind of see everything in BN:NY and forward just being pushed back quite a while, not for any huge canon reasons it just makes more sense logically. since everything around the S2 finale/with the shredder just kinda HAPPENS to them, i could see BN:NY happening at pretty much any point they're all out of the lair together lmao, and once some stuff works out i dont think donnie will want to stay cooped up forever, he's gonna be kind of desperate to be "normal" for the sake of making his family feel better even to his own detriment i feel. i cant say anything too big about the changes because there's some stuff with ninpo that hasnt been revealed in the story, but ultimately i dont think it'd be all that different!! the destruction of the lair would be more cathartic than anything else at least lmao

[saltyfinalboss]

Ngl after watching the new episode of dead cells even though I love the queen upon her reveal I just kinda…went “where’s the servants” like. Where’s the Hand. Where’s Euterpe Calliope and Kleio. Are we like supposed to believe this is hundreds of years in the future from the island being freed or something? Why is the queen, yknow, so different from her actual in game personality. Why is she a pissed off sadist who doesn’t care about her people. In the game she literally sacrifices her freedom and life in an attempt to keep the outside world safe. Why is she ??????? Why would she pretend to be???? The king???????? Where’s the servant???????? Did she split the hand into five fingers?????? What????? Huh????

like I’m obviously gonna see the last episode but I’m just. H u h ?

yeah.. all of those are really great questions and i'm glad i'm not the only one who thought this! i actually have a lot to say about all that so this is gonna be a bit long.

honestly i knew that the servants or hotk wouldn't be in the show as soon as we got the show cover (full of new characters unrelated to dead cells), but after finishing the show i thought about it for a bit and it's just kind of like...

instead of the 5 "fingers of the king" they could've just had HOTK (middelus), time keeper (indexa), and the 3 servants for the other ones? like literally this would've been more accurate to the game (which imo is something that would enhance the show) and it would have taken minimal effort, too! the character designs are already there, no need to use time and effort and money to design new ones! you already have characters you can use with cool designs an ties to the dead cells world! for free! come on!

but they didn't do that, and i don't know why. my only guess is that they were very, VERY invested in the "haha hand of the king = 5 fingers of the king LOLL" joke, to the point where they just HAD to have 5 new original characters for it.

especially when they killed one of the new villains offscreen, and killed middelus with one stab after making hand puns for 30 seconds, it really felt like "oh so these new characters don't really matter, and you couldn't even be bothered to think of what to do with all of them, but still wanted 5 to complete the set". maybe it's not that deep but it just feels so stupid. they could've let cool dead cells characters shine, even for a little bit, but instead it was all just for one big stupid joke.

i wouldn't be as upset about the new characters if they weren't all jokes. i know dead cells is a funny game that pokes fun at itself and video games in general but they don't go as far as naming important characters stuff like "lore exposition" (laure esposito) and "thumbo".

anyways, i got a bit carried away there, back to the other stuff you pointed out. i don't think this show takes place before or after the story of dead cells, i think it's just a weird re-telling, which takes place in the middle of the malaise infection, though more people seem to be alive. trying to fit this show as a whole into the storyline of dead cells just doesn't work in my opinion. (which is ok because i don't think everything has to be in the same timeline, but it would've been cool if it was a prequel or sequel)

i didn't even realise how off the queens character was until you mentioned it, because she barely does anything after the reveal, but you're right! why is she like that? probably because they did not care. LOL. it's sad, i think she deserves better. as for her being in the kings body, i honestly don't know? like show-wise the explanation is obviously because they wanted to do a twist at the end. but in-universe she probably could've just ruled without pretending to be the king, i mean they're both equally powerful royalty. there's a little more about this in episode 10 but i don't think i heard an explanation when i watched it earlier. we'll see.

also totally missed opportunity to have her possess the kings corpse using her homunculus powers instead of whatever happened in the show (maybe it was homunculus possession but they still wanted the queen to have her body so she's recognisable,that's fair)

follow for more dead cells immortalis hatred

[homestuckreplay]

To be fair, you have to have a very high wisdom to understand Colonel Sassacre. The mischief is extremely nuanced, and without a solid grasp of mangrit and maturity most of the pranks will go over the typical reader’s head.

(page 759)

If I was making a webcomic, I’d probably take a well deserved few days off between story acts, but not so in Homestuck. We’re back, and kind of, sort of, unofficially, maybe, in Act 3?

For Act3posting, I’m gonna do a couple things.

- Hard cap reaction posts at 500 words. Time to get economical.

- End reaction posts with a command suggestion. I can’t access the actual suggestion box, so can’t influence the story directly, but I still have ideas I’d like to share.

Starting now.

So, there’s a message from Nanna in the front of Colonel Sassacre’s – and not just any message. I’d call this a prophecy. This is real fantasy novel territory, with battles and royalty and chosen ones and protagonists with cool dramatic titles and wise old spiritual guides who know far more than they should. I eat this stuff up even when it’s cliché. I wonder if the story within Sburb and the story outside of Sburb could be totally different genres.

Nanna says this book’s ‘journey will end on the Final Day of [her] life’, with Final Day underlined, so we know it’s plot important. This means she wrote this some time ago, already knowing about John’s future. Signing up to be a Sburb beta tester because it’s the Game of the Year no longer feels like a happenstance. This is cosmically fated somehow, which… is a little sad, because it takes away some of John and Rose’s success from them, if they didn’t get to this point in the game through skill but through destiny. I’m gonna have to get used to that concept, and start thinking through how free will can be exercised in a story that plays with time this way.

These titles are SO cool. ‘...the Heir of Breath and Seer of Light, the Knight of Time and Witch of Space…’ these fuck so hard. I want one. These probably correspond to John, Rose, Dave, and their secret fourth player Todd from Missouri, maybe in the same order we meet the characters, although maybe there will be a surprise shakearound. After all, Rose seems way more associated with darkness than light, and ‘Witch of Space’ feels like it’d fit her way better than ‘Seer of Light’. And no way does Dave have the earnestness and devotion necessary to be a good knight – John, on the other hand, could rise to that challenge.

Nanna’s ‘P.S. HOO HOO HOO!’ could indicate that she knew all along that she would become Nannasprite, and perhaps knew that she wouldn’t be able to deliver this message directly in sprite form, as it would be game spoilers. Or it could be that she always liked to say hoo hoo hoo, carrying the spirit of the harlequin even without being prototyped with the doll. Personally, I hope both are true.

According to the Adventure Map, Act 3 is called ‘Insane Corkscrew Haymakers’. This is really different from the first two act titles, which are both very literary sounding, have musical allusions, and indicate a setup and inciting incident of a story, respectively. A haymaker is either ‘a powerful blow with the fist’ or ‘a machine for curing hay in rainy weather’, and this is not a farm story, so my guess is the punch. Act 1’s title related to John and Act 2’s to Rose, so this should be Dave’s, especially as his narrative is often treated less seriously. Perhaps these insane corkscrew haymakers happen during his rooftop battle with his bro?

> John: Find a prank to play on Nannasprite.

[nkn0va]

I try again. Persona 5 girls expect Sumite react to their S/O scarifice themself to end Yaldabaoth and girls spend their last moment with them.

Alternative scenario of Yaldabaoth final boss fight where Phantom Thieves can't defeat the God or Joker did not have Satanael's Sinful Shell. S/O did the Minato's move but we just Kaboom ourself along with Yaldabaoth to end it result S/O existence being erase as well.

In the wise words of the snake man: "Kept you waiting, huh?"

Yeah the first scenario is what we're going with. Joker not having Satanael means he hasn't completed the fool's journey and thus failed as a Wild Card in which case the world would be fucked. Also coming up with four ways for S/O to die was way harder than it should've been. This doesn't live up to my personal standard of writing but better to get it out than just keep putting it off.

-It was a complete accident, something that was completely unavoidable, especially with the nature of the foe they were fighting. At least that's what everyone had been telling Ann since the accident.

-Ever since then though, she's only able to blame herself. She was caught off guard by one of Yaldabaoth's several weapons, the sword in particular. She was caught up in dealing damage to Yaldabaoth himself to the point she wasn't able to see it coming.

-You tackled her out of the way, and in the process lost an arm. Makoto and Morgana tried their hardest, but there was no stopping bleeding that severe and you died in her arms.

-No matter what sort of reasoning the rest of the group tries to give her, none of it is enough to console the immense survivor's guilt. A loss that she herself believes she could've prevented, but just like with Shiho, she wasn't good enough to save you.

-This time however though, you weren't coming back.

-Things were currently not looking good. Four whole arms had been sprouted out, all carrying weapons that posed their own very real threat. The possibility of death was looming over them more than ever.

-Makoto, ever the caretaker and tactician of the group, was in particular stressing herself about how to get everyone out of the situation safely, at least until you came up with an idea.

-It was stupid, reckless, and would probably end with you dead, but you recognized that it was your best chance at victory, despite how much Makoto was begging you not to do it.

-Channeling every bit of power your Persona had all at once, you leapt right up into Yaldabaoth's face and put everything you had into one final attack. You took out three of the arms he'd sprouted, but one survived and managed to hit you head on.

-The damage was far too much to heal, and it wasn't long until you inevitably succumbed to your wounds. Makoto sat over your body until you closed your eyes for good, and that was how she stayed for a while.

-She should've come up with something better, she should've come up with a way to save you of all people. No matter how much she tries to reason with herself that it was almost impossible for everyone to escape alive against a god.

-Much in the same way as any other battle, Futaba was in the backlines, unable to directly do anything herself. Usually this wasn't much of a problem, however Yaldabaoth did the unthinkable and went after her.

-Being her S/O, you were the one to step in first, taking a full barrage of projectiles all at once meant to take out Futaba instantly.

-In your last moments, you ask for Futaba to lock in as their navigator and make sure no one else has to die, she's too important to go.

-In the moment she has no choice but to say yes. However afterward is an entirely different story. Yet another person she loved dearly has died in front of her while she was unable to do anything about it.

-She goes back into shut-in mode, not coming out of her room for an indeterminate amount of time. It's a while before she can come out again after being re-traumatized like that.

-Being the gun damage specialist of the team, Haru was tasked with dealing with Yaldabaoth's gun in a shootout, however it wasn't long before she'd faced one too many of them and started to get exhausted. This caused her to let her guard down.

-As it took aim at her, you were the first to realize what was going on and leapt into action, jumping in front of her to take the gunshot instead. Yaldabaoth didn't stop at just one shot though, taking a few more at you until you fell to the ground, in shock from the overwhelming pain and quickly bleeding out.

-Tears quickly well up in Haru's eyes as she watches the life leave yours, telling her it's ok. Telling her that she shouldn't feel guilty, and that you only wish for her to finish the fight in your place.

-She tries to get over you, she really does. She knows you wouldn't want her to grieve over you. No matter how hard she tried though, it was too much. First her father, and now you...

-If only she was stronger. If only she was faster. If only she could've done her job right, you would still be here. Now she has to carry the weight of two deaths on her shoulders.