#I mean all of them are but yknow

[jamandjazz]

I've been thinking a lot about Steve lately. I really like thinking about how situations and family dynamics shape people. These quotes specifically, "and Steve— his hatred for his father coming out in his soft, bitter voice and the violence of his temper" and "We never could tell who we'd find stretched out on the sofa in the morning. It was usually Steve, whose father told him about once a week to get out and never come back."

And I know how strange it feels to have parents that are shitty but give you a lot of things materially. He has a car and gets a lot of pity money but his dad never does anything but try to push him to the side and forget about him. There's nothing canon that shows his Dad physically abuses him in any way so there's a good chance he told himself to just be grateful he got so much and his dad wasn't 'that bad.' He's resentful and angry and impulsive and so damn complex and we should talk about that more.

"I thought of Soda and Steve. What if one of them saw the other killed? Would that make them stop fighting? No, I thought, maybe it would make Soda stop, but not Steve. He'd go on hating and fighting," Steve is described as hateful and angry but what else is there for him to do? He can't just leave, he's too attached to where he is but staying isn't good either.

He's mad at the world he was born into, who wouldn't be? Greasers get all the rough breaks but he can't fix that, he's just one kid. (Also he definitely feels like a character that thrives off of being able to fix things, cars, problems, anything that he deems needing 'fixing')

And despite his temper being a big part of his personality that's not all of it. He's friends with Soda, and likes to indulge him. He's got a dry sense of humor and cares so much about anyone that cares for him back. He's protective he's caring and sure sometimes that means he gets violent and angry but that's a lot of what he knows, he's so so so much more than just someone that's just mad all the time despite the fact that that's what he gets boiled down to a lot. In the fandom and in the book, honestly I think that's why he's so close to Soda.

Soda's good at seeing past that sort of thing, he's good and understanding and when your whole life everyone just dismissed you as the kid that was always mad for no reason that's so fucking refreshing. Being seen as more than just your flaws helps you feel human. Helps you remember you deserve just as much care and affection as anyone else, and seeing how the Curtis's treated their kids was honestly probably where a lot of the resentment for his dad started building up.

Anyways this is super long but basically Steve's super complex and I love him.

[metalmachination]

you are my favorite person ever to draw the daycare attendant. my eyes bulge out like a bruxing rat when i look at them.

thank you!! on the topic of bulging eyes, heres a sketch i wont finish!

[syrupbitee]

free my boy from his own show he did nothing wrong

[theythemmer]

r we phuckin w the phaltar

[dykedvonte]

Trans Curly headcanons are fascinating to me cause like… Jimmy would resent him more for it.

Masculinity is a weird underlying thing in their dynamic where Jimmy feels inferior to Curly about not only their job positions but roles in life. The idea that Curly is the better man who also made himself such would be such a blow to Jimmy’s already fragile and unstable ego. Like it’s not just that he’s just transphobic, he hates Curly’s ability to craft himself into what he wants to be successfully, it not about Curly being afab but Curly still being the better man.

But then he wouldn’t get the self image issues one can face, feeling like an imposter in a space you wanted to be in or even scared to be there. He’d just think Curly always gets what he desires and thinks nothing of it like he always has.

[rocketbirdie]

*enters my own password* "i'm in"

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[mamawasatesttube]

it always gets me when ppl try to paint timkon as nerd/jock. like i mean you could, but here's the thing. tim is the jock. kon is the nerd.

[yyamssoup]

is it genomario or genario??? ... either of them neither ??? maybe

[boarloved-art]

ghost girl wip.....ghost girl wip....ghost girl wip......

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[mentallyillmindmeld]

For every Sherlock adaptation that I’ve seen (which is a lot) I like at least one thing about it they’re not all perfect but they’re all fun to some degree yknow

[spagheddiesquash]

jawfizz doodles… actually maybe ill work on that ship name idk if i like the name i said.. anyway i mentioned before that my plan was to ship fizz with jawbone and so thats what i did!! never drawn anything like this before but im really liking how it turned out :^DDD

liked this? maybe u want to see more?? i dunno. but anyway if you liked it feel free to reblog!!

tracked time + kinda crappy bonus doodle under the cut

tracked time:

(do keep in mind this is elapsed. it really took me the past 3 days, on and off)

bonus doodle:

(i used up all my good art juices coloring the doodle sheet so unfortunately this one is noticeably not as good of quality. i at least got the idea down tho!!)

[dreamsy990]

some of the less nice thoughts about being aroace

extras below the cut

sketch

closeups on my favorite panels

bonus: adios

[robinfollies]

Been really pondering Fantoccio and the cursed citizens lately… like, if you’re stuck in a city for 15 years with some of your only company being these cursed globby versions of the people that used to surround you normally, you’d start to Notice Things that remind you of who they used to be, right?

[luna-the-cretar]

*watching the shorts (before actually subscribing to them)* hey, this Mace guy is kinda cute

*watching OUAW and Icebound* hey, Andy is kinda cute

*watching EOM* hey, Derek is kinda cute