#I may be a hater but I'm not that much of a hater

[jiangwanyinscatmom]

I have a genuine doubt about Jiang Cheng and Wei Wuxian’s relationship in the novel. (I just read your post about if a kid jc would defend a kid wwx, but has a little to do with that post).

I remember Jiang Cheng tried to defender Wei Wuxian from his mother, and later he even sacrificed himself for wwx, losing his core in the process. (If there’s more, I don’t remember. It’s been a time since I read the novel).

I really don’t understand why he sacrificed? I get that he thought Wei Wuxian was better than him, but… after everything he did, he just let people jeopardize Wei Wuxian in the end of his first life?…

It was a way to say “everything I owed you is paid”? Was he mad that he did that but in the end Wei Wuxian wasn’t “grateful” even never knowing what Jiang Cheng truly did?…

I think after Jiang Cheng lost his core to “protect” Wei Wuxian, he started to see wwx as a servant and nothing more. Before the attack we saw that they got along very well, but after it seemed like he started to agree more with his mother's ideas about Wei Wuxian being only a servant.

That’s why he was so mad that Jiang Yanli died defending him? He threw Jiang Yanli’s sacrifice away and lead a siege against Wei Wuxian anyway…

Not only he threw his relationship with Wei Wuxian away, but he did not respected his sister’s wish and choice. She knew something was wrong, that Wei Wuxian wouldn’t kill her husband for nothing, and Jiang Cheng didn’t trust her…

I am wrong? I really want your point of view about this. And I’m sorry if you already talked about it, I’m new here. Thank you!

Caring about others, is complicated. For as much as I'm called a hater and anti, I have never denied that Jiang Cheng cared (as lacking as that may have been in a significant way) for Wei Wuxian.

Jiang Cheng did care in some capacity for Wei Wuxian and try. He just didn't put up much effort in the long run to maintain that support when it was a detriment to himself and was spiteful when that care required effort and some sacrifices. Even when he "protected" Wei Wuxian from his mother he was still cowed by her threats to him, and let Wei Wuxian be whipped (and later turned to strangle Wei Wuxian, twice actually, and blame him for his parents deaths).

As for the core issue. Jiang Cheng never expected to give more than what he was expecting for Wei Wuxian. He did not willingly give his core and was resentful about that cost for protecting Wei Wuxian. It cannot be a kindness when he hated what it cost and lashed out years after. He always thought of Wei Wuxian as his servant first and foremost despite being "friends". That is what always would make them eventually part. Ideologically they are nothing alike and that was obvious as soon as their talk about servants children and Jiang Cheng dismissing their worth and ability. He threw his relationship away because he felt entitled to Wei Wuxian as a tool more than a friend. A friend does not have stipulations for their care and love especially when they start forming it as a debt of give and take.

[mewos-laptop]

Gnarpy fictionkin culture is spraying Spud constantly whenever he enters the elevator >:3

Sighzz I hope his zeebling head overheatz !!

[nipuni]

Another outfit showcase! this time for spring-summer 🥰

[malenjoyer]

Hello! I hope this doesn’t sound weird, but I just wanted to tell you about how your style has inspired me so much!! Probably an ask you’ve gotten a lot, but I just have to know; how do you go at line work? It looks so good when you do it. Like, you’ve perfected where to leave gaps, what should be thick and thin, what should be subtle shading, etc. I’m so jealous! Do you have any suggestions on how to improve in this area? I’d love some insight!!

Thank you! That's very unexpected to hear but also kind of nice! :D That's the first time anyone has said that to me.

For line weight, Mark Morales covers it very well here

Aside from using line weight to show light source, you can also use it to emphasize stuff, which is what I like doing. I think it's essentially the same logic though- I just bend the rules often to make it work the way I want it to. Lots of trial and error and fixing stuff.

As for the gaps, I don't really know how to explain it without sounding a little weird. I think it's just something I developed as a habit where areas where you're supposed to connect with thin lines, I just don't finish it. Most of the time I don't finish my lines, because I don't need to. I live and embrace the karma of not connected line art when I color it.

I think my style boils down to How do I draw good with the least amount of work which sounds questionable, but the less I focus on whether each individual line connects or looks good, the more stamina I have for the rest of the drawing.

If you've got this hamster, you're like 60% of the way there.

Real answer: probably try doing gesture drawings with the least amount of lines possible with 2 minute timer to simulate what happens in my brain when I do line art. you can try to apply the line weight stuff and think okay where would I apply thickness to show shadow or emphasize curves

[basicallyjaywalker]

Wanna ramble about a moment/character in ninjago you think people need to talk about more?

I don't know who you are anon, but I'm glad you asked!

I am desperate for people to character-analyze Wu. I'm desperate for a lot of character analysis including Nya but since I got a lot of my Nya feelings out with some lovely folks the other night (edit: the other night was a month ago dw about it. this took a minute) I'm going with Wu this time

Master Wu to me is such an interesting case of a character who it is so easy to ignore the bits of the show that hint at his wider issues and traumas. He is a man defined heavily by his family and by his past. A lot of criticism he gets, I think, is due in part to that.

I've mentioned before that I've been rewatching S1 with a friend of mine and intermittently pausing to infodump on them about interesting character things I notice from that season. A lot of that has been Wu-focused because despite having seen RotS dozens of times throughout my life (watching it on CN, watching it on Netflix when only it and Legacy were around, rewatching it with friends) I have only just started noticing the seeds of character written in.

I might also just be reading too much into things, but hear me out

In S1 (and by extension, the pilots), Wu is characterized as your typical old wise teacher. In the first few minutes of EP1: Rise of the Snakes, he is chewing out the Ninja for playing video games instead of training. The line he uses? "Never put off until tomorrow what can be done today."

It's a line that gets repeated throughout the series. In fact, it gets repeated that very episode when the ninja go (pun not intended) to fight the Hypnobrai and a literal pre-teen. At first, it seems to just be a piece of wisdom. Some old proverb Wu's picked up over the years, possibly one he even coined himself. However, in EP7: Tick Tock, Wu tells the story of who, possibly, first told him this.

(Source: Tick Tock/Transcript | Ninjago Wiki | Fandom, highlight added.)

It was Garmadon. Now, I'm not gonna dwell too long on Garmadon, if you spend five minutes talking to me you'll learn he was the first character whose story I obsessed over and I want this essay to be about Wu, but I think he plays a role in Wu's overall story, as does Wu's family as a whole.

Prior to this, Wu and Garmadon's relationship has been more of a sibling rivalry taken to a good vs. evil extreme. We didn't know why Garmadon was evil and we didn't know about Wu and his relationship as kids. However, this scene establishes the backstory. They were, as Wu puts it, "the best of friends." That is, until Garmadon gets bit by the Devourer going to get the katana Wu lost.

Now, I know the Devourer bite was destined to happen because of the Overlord or some shit, but Wu doesn't. As far as he's concerned, Garmadon getting bit was a direct consequence of both his mistake and his cowardice. He lost the katana. He was too scared to get it. Garmadon went over instead. Garmadon got bit.

The scene goes on to show the FSM tending to Garmadon in the aftermath. Wu is watching from behind the door, likely told to stay back, but concerned. And in his POV, we get this intense moment, where Garmadon turns, looks directly at him (his eyes turning bright red for the first time), and says "It's all Wu's fault!"

(This clip should begin at the start of Wu eavesdropping. If it doesn't, skip to 0:58. I highly recommend also paying attention to Wu's body language during this scene.)

The camerawork does a great job of showing how this probably felt for Wu. It zooms in, Garmadon's voice echoes, and the background blurs. We see in the flashback that this is a moment Wu has etched into his memory. Not to mention, he was likely a very young child when this happened. LEGO characters' ages are weird, but Wu in this scene has the Big Eyes, which always seem to be used for characters under 12. We don't know exactly how much older Garmadon is to my knowledge, but he doesn't have the Big Eyes, so he's probably closer to 12 and a few years older than Wu for sure.

Imagine that. Being in elementary school and your older siblings gets hurt. They're acting strange. They're lashing out at your father. Then, they blame it all on you. They're hurt because of you. Wouldn't you internalize that?

I could go on about Wu's relationship with Garmadon, but again, I think I've spent enough time on it and I don't want to only focus on that. It's an important part, but there are others.

Let's talk about Wu's relationship with his dad.

Now, I have not yet read the Spinjitzu Brothers series. I cannot speak to any development of Wu and the FSM's relationship in there. I have, however, read The Book of Spinjitzu and blogged some of my thoughts on it here, including some of what it says about Wu.

For those who haven't read it, first, there is a Google Drive folder floating around with all of the canon spinoff books/graphic novels in it. Here's the link if you wanna read them!

The FSM is an... intriguing figure. I mean, in the series he's basically god? He made the entire world. That's already a very high bar to live up to. Then, in Book of Spinjitzu, there's a few specific parts that, when I read them, signaled that Wu internalized a specific message when he was young.

(Source: The Book of Spinjitzu, Page 3).

Wu does not want to disappoint his father. It is up to him (and Garmadon until he turns evil) to "uphold the legacy of Spinjitzu" and, by extension, his family. He says he was "very young" when this was explained to him. Considering he seems to already be training at an elementary age, "very young" means VERY young.

(Source: The Book of Spinjitzu, Page 16).

Here, we again see Wu being very aware that he has some large burden to carry. Something else interesting here is that the thought of the Green Ninja Prophecy is already weighing on him too. His considering if he might be the Green Ninja is of extra interest because of how the Green Ninja Prophecy and the--I wouldn't call it obsession, possibly fixation?--with who it is factors into his later actions, but we'll get to that later.

(Source: The Book of Spinjitzu, Page 19).

This one in particular gets me because it comes after Wu mentions Garmadon becoming more evil. It is a statement of power. Wu knows that the legacy of Spinjitzu now rests in his hands alone. He cannot let himself fall the way Garmadon did. He cannot disappoint his father. Whether or not the FSM intended it, Wu always knew the fate of the world rested, at least in part, upon his shoulder. He knew this from the time he was a young boy and it remains in his mind to this day.

Now, these quotes are indirect, but they all point to one clear idea: As a child, Wu internalized the idea that he alone is responsible for keeping Ninjago safe. He will play a pivotal role in its history.

There's not evidence in this book that the FSM's was a bad father, per se. However, just because one doesn't set out to harm their children, doesn't mean they won't. I often say Wu has an "Atlas complex," which I have no idea if it is an actual concept but use it to refer to this idea. Wu feels as though he is responsible for holding up the world, much like Atlas. He must keep the balance, he must solve the Green Ninja prophecy, he must make his father proud.

(Source: The Book of Spinjitzu, page 61).

I'm going to get further into what this means for Wu as a teacher to the current Ninja Team, but for now let's look at Wu's first foray into teaching.

Morro. Wu's Biggest Mistake.

That might seem like an overstatement, but it's not.

(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom)

Okay he says regret, not mistake, but I was paraphrasing.

Let's turn back to his quote about his destiny. Wu writes, "Is my life's mission to be the Green Ninja? Or maybe it will be to find the Green Ninja and protect him (or her)??"

From a very young age, Wu was not only aware of the Green Ninja but prophecy but also thinking about his place in it. We see this again when he takes Morro in and trains him.

(Source: Ghost Story/Transcript | Ninjago Wiki | Fandom, highlight added)

A big thing Wu is criticized for here is making Morro believe he is meant to be more. That he is the Chosen One. And Morro, being a young homeless orphan just now given some semblance of power and protection, latches onto that. And I can see it, but when you take into account the above that he was trained from (likely) a younger age than Morro and given a similar level of responsibility, it becomes more understandable. Wu is just doing what he was taught. He doesn't believe that he is harming Morro until it is too late.

This is the entire story, but I'm specifically going to be discussing 1:36 onwards here. I also wanted to add that rewatching this scene made me lay down on the floor! What the fuck! But I digress.

There's a lot going on in this scene. For one, Wu washing his hands of Morro in some ways, but not others. He turns his back on Morro when he tells him that destiny has decided, but looks at him again when Morro storms out. He goes to save Morro from the Grundal, but decides that he cannot "teach those who would not listen." Most importantly, when Morro leaves to go find the Tomb of the FSM, Wu leaves the door open. He waits for Morro to return, but never goes after him. And Morro never comes back.

Wu gives Morro's fate a dismissive response at the end of his ghost story ("I am saddened he was banished to the Cursed Realm") but it's clear he still cares deeply about him in the finale of the season.

Wu's VA in this is phenomenal btw. That "Please Morro!" and "MORRO!" make my heart ache.

Morro believed Wu stopped caring, but he didn't. Even after all he's done, even after trying to destroy all of Ninjago--destroying what Wu had spent his life trying to protect--Wu tries to save him. He begs for Morro to come with him. Morro refuses, Wu watches him perish.

Someone else Wu is close to is gone. Wu again considers himself responsible. Everything is his fault.

And finally, we reach Wu today. A cautious, secretive man. He loves his students, this much is clear. Even as early as the pilots, he drops his wise teacher persona to joke around with them.

As with Morro, he trains them like his father did him. He even uses the same methods his father used when he trains them.

(Source: The Book of Spinjitzu, page 32)

While he is hard on the Ninja, wanting them to succeed and training them to help defend the Realm, he lets his guard down more than it seems he did with Morro. He also learned a valuable message from his experience with Morro when he hides the Green Ninja Prophecy from the Ninja, getting angry when they start to push themselves in the same way Morro did upon learning about it. It's clear he doesn't want a repeat.

Now, I can't speak for later seasons (I will eventually) but this fear of repeats, his students going down a dark path because they're tempted by power or greatness, losing someone else, likely drives Wu not telling them other important information. That is just a passing thought though.

Final notes:

I'm currently in the process of rewatching S7: Hands of Time. I actually got this ask right after finishing EP68: Scavengers, which opens with Wu having a nightmare. In it, he and Misako are walking outside of Yang's temple. While walking, Misako delivers this line in response to Wu reminiscing about the time they've spent together:

(Source: Scavengers/Transcript | Ninjago Wiki | Fandom)

This line, to me, is Wu's subconscious trying to tell him something he needs to hear. It's hinting at what might be his greatest flaw. Wu is haunted by his past, by his mistakes. He finds it difficult to tell others because of both his guilt and his desire to not put that worry upon them. In this very season, he makes the mistake of trying to face his past on his own, and he nearly dies for it.

In the same episode, you see Wu trying to make sure Lloyd doesn't make the same mistakes.

(Source: Prev)

Wu stresses the important of the team. It's as if he sees Lloyd blaming himself for what happened to Wu, sees him doing the same thing Wu has, and is trying to prevent him from doing the same thing. This is further emphasized when, after Wu falls asleep (well, fakes falling asleep), Lloyd says "Wu's mistake was going in alone. So was mine."

Master Wu is, like many characters in this show, someone who is more complex than meets the eye. He is not just a wise, old teacher. He is a man who, throughout his life, has made mistakes and carries the weight of each of them on his shoulders. He is a man who tasks himself with making up for those every day. He is a man who wants better for his students, his family.

Until the day he dies, he will guide and protect his students. And possibly? Even after death too.

[thedeadedhooman]

homophobic guy from supernatural who got dumped by his costars

[haeyeongs]

I think the reason why King the Land has such polarized reviews regarding its (or lack of) plot is because it's basically a live-action fanfiction. One day, they're spending a day in the countryside and drinking outside at night like an old couple, the other they're marrying each other as if they were still in Joseon, then she's dressed up as if she was a princess when he becomes her butler. Soon after, they even go on a trip to Thailand that almost feels like their honeymoon. There's never any consequences to those situations because we never get taught the details (for example, Sarang never had to tell her manager she had to leave with prince Samir and we don't really know who's looking after Daeul's daughter while she's away). It almost feels like all those different situations are alternate universes, just like in fanfiction. Each episode has its own setting and its own rules.

I totally understand why people would dislike the drama. Pretty much everything in the drama is just filler. While I agree that a romcom's plot is the romance, I still think people saying King the Land lacks a plot is a valid criticism. The main characters don't really have any personal goals (beside Won searching for his mother) so there are no real stakes in the story. All those cool, funny or romantic moments just come one after another without much substance. But, for some reason, it's working?! At least to me! I suppose it's because it's fanfiction-ish so it relies on the two main leads chemistry and oh boy I think we all agree that Yoona and Junho have so much chemistry! I doubt the drama would have worked so well without them. You can also feel like the drama doesn't try to be more serious than it actually is. It's pure entertainment! Will I still think of it in a few months? I doubt it, but for now I'm just enjoying this lighthearted story and this comforting couple!

[cantsayidont]

March–April 2024. A very strange, frequently tasteless, mostly inexplicable black comedy political satire from the creator of SUCCESSION — though more strongly reminiscent, presumably on purpose, of the 2017 THE DEATH OF STALIN — THE REGIME is a six-part miniseries starring a self-consciously frumpy-looking, outrageously hammy Kate Winslet as Elena Vernham, the egomaniacal authoritarian chancellor of an unnamed Ruritanian state somewhere in Central Europe.

As her hapless husband (Guillaume Gallienne) and self-dealing underlings tiptoe around her growing list of neuroses and increasingly erratic mood swings, a soldier named Herbert Zubak (Matthias Schoenaerts), notorious for his role in a brutal massacre of striking mine workers, is recruited to play a hard-to-define, ever-shifting supporting role in Elena's ongoing psychological breakdown and various political confrontations.

Winslet seems to have been having fun, although she overacts shamelessly, and what accent she thinks she's doing seems to vary from moment to moment; the median could best be described as "Margaret Thatcher, very tipsy, trying to pretend she's not sucking on an Everlasting Gobstopper." Schoenaerts, for reasons that are never clear, plays Zubak like a punch-drunk boxer trying to walk off a life-threatening concussion, leaving his character a perplexing cipher throughout.

Like THE DEATH OF STALIN (which I thought wildly overrated), THE REGIME is more often crass and uncomfortable than actually funny, and its smug misogyny would be offensive if taken seriously (which is admittedly very difficult). Also, given the current state of the UK, watching the largely British cast mock the political instability of a fictitious "Middle European" autocracy causes some seasickness. (Whistling past the graveyard, perhaps, but still.) CONTAINS LESBIANS? No! VERDICT: Much more "funny strange" than "funny ha-ha," and because it's basically a one-note joke, it becomes like one of those terrible SNL skits that just won't end.

[moe-broey]

HOLY SHIIIIITTTTT

[werewolf-cuddles]

Cute on the tags but not a snoot fanboy and even then the voice work was mid at best since I swear over half the cast couldn’t emote to save their careers. I’m pretty sure after 5+ years there wouldn’t be model breaking glitches or soft locking bugs in a game like that.

Why don't you go rant about it on your own blog then instead of polluting my inbox with your garbage takes that I clearly do not agree with and have no interest in?

[haterbracket]

is it a reach to say ernie the giant chicken from family guy is an eligible hater??

...and therefore is not qualified to comment.

[casualbluebirdmentality]

Arthur in 1x05: *says that he should've known about Lancelot's identity fraud because he "doesn't even look like a knight"*

Me, to Arthur:

...besides, es muy guapo, no? i thought that was the only requirement

[bonestrouslingbones]

so far the html classes have been a mixed bag in that they have almost entirely taught things i already know pretty well by now (today i walked for 20 minutes in >20° weather to learn the wisdom of how to use <p> and <b>) but then i learn something very very basic that i absolutely should have already known that i already immediately edited into ebony's blog because i realized how stupid the original method i was using was (<br> works much better for the sticky notes than copying/pasting an invisible unicode character 10 times until the line breaks by itself)

[pizzahutchan124]

oh youre a hazbin fan of course youre too stupid to understand anything that actually matters

Someone's projecting 🙄

[unproduciblesmackdown]

skinamarble hornets, i was like i hope my favorite skinamascene has been uplomarinked on youtube....reminds me of that season one marble hornets entry that's the First House Visit and how i saw it described somewhere as like "absolutely nothing happens, & it's terrifying" & it reminds me of the torment of watching as the series was released & Every Time something came out, no matter what happened in like setting, atmosphere, plot, scares, there'd be someone going "ugh another Nothing entry" over the most crucial &/or enjoyable shit so long as it didn't feature [& he's cookin hot dogs on the stove???] & didn't feature it like every other minute for good measure. as though a format that is predictable, like the promise of the same kind of scene in the same intervals of timing, would actually be scary or at all interesting. shoutout to these the entries, or even intervals of time within entries, where "absolutely nothing happens" and it's called suspense in knowing it Could, tension in an unsafe, uneasy, unsettling situation in the meantime, & then also potential followup recontextualization that only creates more tension for later similar material. ("absolutely nothing" happens (of course, actually, things happen, but) in the skinamarink scene save for the literal last few seconds when the "jumpscare" is a very brief change in audio & visuals which is neither actually that loud nor like showing anything scary(tm) (technically a la marble hornets i think people say you can like see an arm extend for a nanosecond but i never catch it if so lol) but rather hits at all because of 8 minutes of suspense & tension & Nothing Happening But It Could) (also bravely standing up like "it's fine that skinamarink has some jumpscares, including the obvious few even jumpier than this" like who cares if it's "easy" necessarily & also that Knowing such startlement can happen ramps up the tension even when it didn't, but it could've. like so)

[kirakirabug]

Here's my Precure character tierlist for funsies :3c

Not including the futari wa and smile cures (plus milky rose) cus I haven't watched those seasons yet.