#I made this while trying to figure out my line art style
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fdragon-art · 8 months ago
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Day 131 - Map Madness
"...how the hell should I make this look??"
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wickworks · 2 months ago
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Lancer Tactics dialogue layout crisis of faith
(from this month's backer update)
Every so often, I'll run into something in development that eats away at me until it pushes me to a crisis of faith and I have a breakdown, burn down a bunch of work, and build something better from the ashes. These are moments of transformation and we're almost always able to come out the other side with something much better than what we started with.
This all sounds very dramatic until you take a step back and see the issue in question is just, like, the layout of a menu. But if medieval priests were able to have schisms over angels on pins I can have strong feelings about graphic design, dammit!
This month's episode revolved around how we're doing character dialogue. For reference the plan was to do a standard 4-slot visual-novel talking heads layout. I call it a 4-slot because there's usually four positions that characters can stand; two on the left, two on the right:
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I had it ingame, and it was working. But... something felt off. Do you see the difference between every one of the above examples and this?
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It's all about perspective, baby.
Answer: all the character art in those examples are drawn at a slight angle so they can be flipped back and forth to be made like they're looking at each other.
Trying to do this with the perspective we chose early — straight on — makes for a chorus line of weirdos who are looking directly into your soul as they ostensibly chat with each other. Credulity is strained; the illusion of these puppets interacting in the same space is paper-thin.
(I was skeptical of choosing this perspective for this reason, but we ultimately went with it to make the customizable assets in the portrait maker easier to fit together)
We tried a bunch of different layouts, but they all at least one of these problems:
they'd stare into your soul while ostensibly directing comments elsewhere.
they felt like text messages; this would be fine if that's what we were going for, but we wanted something that could represent face-to-face conversations. (Tactical Breach Wizards was able to pull this style off because they had little 3D dioramas to go along with it)
or, most damning of all, they felt like zoom calls.
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So, my heart aflutter and spirit in want, I spent a day doing a research dive into various dialogue layouts (bless the Game UI Database!) to see if any other games had managed to pull this character art perspective off. I ended up with this massive non-chronological taxonomic tree:
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(fullsize here)
The type of layout that particularly caught my eye was this style where each character had their own little box. These layouts borrow a concept from comic books called "closure" where the space and time between characters are left blank. Freed from the constraints of trying to simulate a single space, these layouts allow the reader to fill in the blanks with something that feels more true-to-life than anything we'd be able to render ourselves.
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I was especially impressed with the dynamism of Tales of Symphonia and The World Ends With You; rather than sticking to single slots they would animate the entire panels moving around to indicate motion an relative position of characters.
So we threw out the old code and copied them. Here's what we've come up with:
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We'll be able to have portraits interact, like smacking each other (I felt like a kid hitting two action figures together, lol)
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We can also apply effects like princess-leia-holograms and full-screen "lighting" effects like warning banners:
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Carpenter and I came up with a number of arrangements that the portraits can smoothly transition between:
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I've also implemented support for choices during a dialogue, potentially leading to branching paths.
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Overall, I feel SO much better about this system than our initial designs. It might feel a little more cartoony, but I think we're making a cartoony game so that's not a problem.
Whew. We bit a lot off to chew with this project. I feel like I just made a second visual novel game engine inside of the first. Fingers crossed that it all ends up worth it.
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kozachenko · 3 months ago
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[Click for better quality]
Ok yay I'm back from my vacation yipeeeeeee. I started this drawing of Keiki before I left and I was half considering just giving up on it.... until I did a short study of facial planes and then got motivated to work on this again! I'm glad I didn't give up on it though, as I'm actually really happy with this one!
Artist's Notes;
So as I mentioned in my last post about Touhou 17, I wanted to finish this by the game's five year anniversary but with how progress was going I didn't want to rush this so I decided to take a long break from it. Mainly because of the face. For a while now I was kind of feeling like I was stagnating with my drawings, not really in the clothing but in the bodies. There was something about the way I was rendering them that I just wasn't happy with, and after talking with someone else about this issue, I realized that the reason I felt this way was because the faces were too flat and didn't match the rest of the drawing and that I needed to find a way to make the rendering of the face feel consistent with everything else. So after doing a short study of the plains of the face (I used this 3D head model from art station as a reference for my short study, please go give this person some love as they are a lifesaver) I went back into this drawing and applied what I learned here. It was only after that that I finally became motivated to finish the piece, and while it started off as just a simple character sketch like Saki and Yachie's were, the moment I added in Keiki's little fire dragon I knew I had gotten in too deep and now here we are with a full on background. OK it's not super crazy or anything, but it gets the job done and it's better than there just being an empty void behind her. It's rare moments like this when I use brushes other than the Clip Studio Default Charcoal Brush and use the Clip Studio Default Paint Brushes as well (god bless the oil paint and dry gouache clip studio brushes, they were amazing). I don't know why but painting fire has always been really fun for me, there's something oddly satisfying about it y'know? I do think that another reason for this problem was because I was drawing faces like I would in my more sketchy style that didn't mesh well with my lineless style, so I'm glad I've started remedying that.
After adding in the fire dragon I had an idea to kinda make it feel like splash art in the way the composition works... probably because I have been playing Reverse 1999 again and it has taken over my brain. I do feel like Keiki's tools get a little lost in the composition, and I didn't fully render the metal parts of them mainly because I didn't feel like they needed it, but that's just something for me to improve on later down the line.
If you guys are wondering where I went for my vacation, I went to New York and got to go to the MET and the Museum of Natural History. In both places I found Kofun period stuff and I was so happy to see it you have no idea. I remember one of the Haniwa I saw had some neat face paint under the eyes that I tried to replicate with the makeup under Keiki's eyes in my drawing, though I think I'll gave to figure out how to draw makeup on characters because this reads more like blush to me than anything. While drawing this I also looked up some references of Kofun period jewelry and really liked the stuff I found, which also meant that now she has proper Kofun earrings instead of earrings shaped like Kofun tombs. I put some of the things I referenced with a closeup of Keiki's face as well down below. I made her outfit more reminiscent of the outfit I gave her at the beginning of the year with the buttons and all, though I do want to try and draw her in some more period accurate clothing like the Haniwa I took a picture of at the Museum of Natural History. I wish I could find a way to make her handercheif look better though as I wish I made it a little bit bigger, though I think I'm saying this because I've looked at this drawing for too long lmao. Once again something to work on for when I next draw her. Also want to get better at rendering hair, as some details (like the little strands in front of her ears) kinda got unreadable due to the similarities in colour lol.
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Now you may have also noticed the little cracks I added onto Keiki's face, and that's because I have fallen in love with the idea of Keiki's body being made from ceramic and that she crafted her body herself. While they aren't very visible I also tried to add some doll joints to her body, which is an idea I played around with in the past but never went to far with. I also want to get better at rendering cracks in ceramic, porcelain, etc, as I'm not sure how those read in the drawing. I also have a headcanon where the cracks in Keiki's face show up because of heightened emotions, and while Keiki is aware of this and does her best to make sure her face doesn't break off.... she will still end up with at least a few cracks during any given day, and she can often forget to repair her own body quite frequently so Mayumi has to remind her quite a lot. Mayumi even taught herself some basic sculpting techniques to help repair parts of her body that are so badly damaged to the point where Keiki can't repair them herself, i.e. if both her arms broke off, Mayumi would put them back together for her so Keiki can at least have something to repair herself with rather than nothing. I also like to imagine that if Keiki created her own body, if you took a look at Keiki from the beginning of her life she would look completely different compared to now.
BTW If you guys are wondering what a very very angry Keiki looks like....ok in order for this to make sense have any of you read volume 11 of Land of The Lustrous? Am I bringing back some memories for those of you that have? Ok good, glad we all got that mental image brewing in our minds, I'll probably draw a version of Keiki that is somewhat inspired by that one day as it's an idea I've had for a little while now. And to those who haven't gotten to that volume yet and are confused.... don't worry about it, just keep reading :)
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cereovo · 1 year ago
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A set of very conceptual notes I drafted a while back for someone asking for advice on learning to draw humans. I'm entirely self-taught so this is less of a tutorial and more of a very rambling set of general principles I follow and ideas that helped while I was learning. I figured I'd post it in case anyone else could get use out of it!
I also recommend checking out:
Drawing East Asian Faces by Chuwenjie
How to Think When you Draw (lots of good tutorials in this series)
Pose reference sites such as Adorkastock
Transcript and some elaboration under the cut:
Img 1 - Drawing a face
The two most important elements (at least for me) when drawing a face are the outline of the cheek/jaw and the nose*. I often start with a circle to indicate the round part of the skull, then add a straight like and a 'V' to one side [to create the side of the face and the jaw]. The nose creates an easy template for the rest of the face's features to follow (eyebrows at the top of the nose bridge, eyes towards the center of the bridge, ear lines up to eye) and the placement/direction and overlap with other features is a very simple way to indicate dimension. [A sketch of a face that has been adjusted by moving its parts to create 3 different angles. The following text is underneath:] -Different 3/4th views can be created just by adjusting the position of and amount of overlap between the facial features. - The top of the ear usually lines up with the corner of the eye. Think of how glasses are designed [specifically, how the arms run from the eyeline to the ear] [I go on a tangent in these next few paragraphs] *One thing I see many artists do - not just beginners - is learn how to draw A Person. As in, one singular person with one set of bodily proportions and one set of facial features. It's an issue that runs a bit deeper than 'same face syndrome' because sometimes these artists can draw more than one face, they're just not very representative of [the diversity present across] real people. Part of the reason I'm talking more about how to think about approaches to drawing - rather than showing specific how-to's - is because there is no one correct or right way to draw a person. The sooner you allow yourself to explore variety - fat people, old people, people of color, people with [conventionally] 'unattractive' features - the easier it'll be! Artists often draw their own features honestly and without [harmful] caricature, so it's always a good idea to look at art made by the kinds of people you're trying to draw if you're ever unsure about how to handle something. In general, it's far more important to learn how to interpret a variety of forms than to learn how to replicate the Platonic Ideal of the Human Body.
Img 2 - Stuff that helped me
Jumping into drawing humans (faces or otherwise) straight from photo reference can be overwhelming. The trick is to simplify forms into shapes - but even this concept is sort of abstract and it may be hard to know where to begin. Good news - Thousands of other artists have already figured it out. [When starting out] I needed to learn from photo reference AND artists I admired in order to improve. [When looking at stylization you are inspired by] ask yourself: WHY does this simplification work? How can I translate it into a different pose? Instead of copying what you see in a photo reference exactly, try to focus on the general forms first. My two biggest style inspirations for humans while learning to draw them were Steven Universe and Sabrina Cotugno's art. SU gets a lot of hate [in this instance I was specifically referring to a time on tumblr when the art was knocked for 'losing quality'] but its style does a great job of simplifying anatomy in a way that still portrays a diversity of bodies + features. [Extremely simplified drawings of Lapis, Steven, and Amethyst] SU characters are still identifiable- and still read as 'human' - even when reduced to just a few lines!
Img 3 - Things I keep in mind while drawing side profiles
- Eyebrows + eyes close to the 'edge' of the face - Forehead needs enough room for a brain - Eye is > shaped from the sides - Mouth kinda halfway [between the nose and the chin] but closer to the nose - Skin/fat exists under the jaw [and connects to the neck] - neck is about one half the width of the whole head - the back of the skull always sticks out a bit further than you might expect - Sometimes less is more - contours exist on every face, but drawing them in may make your character seem much older than they're supposed to be. However, it's a good idea to use them when you *want* your character to look old! These are very general notes- every face is different and has different proportions [and playing around with them creates unique and interesting character designs]
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fansids · 6 months ago
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Shadow of the King Au Art Dump
Since I very rarely get past the sketching phase any presentable art is rare, but I managed to find some for ya'll
Warning for some old ass art:
1. The Stalwart Generals
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I spent an ungodly amount of time figuring out the designs, dynamics, and personalities of all of these monkies so I'll be damned if I don't show them first.
The Generals take care of anything SWK is unable to. They are in charge of FFM when he's not present.
Marshal Ma - While technically all the generals are the same rank, Marshal Ma is considered SWK's unofficial second in command. She's calm in every crisis with a very low bs tolerance and is 75% of the reason why the island doesn't fall to chaos every time SWK leaves. She's highly respected by all the inhabitants and can and will break your spine Bane style if the situation calls for it.
Marshal Liu - Mean bisexual. Marshal Ma's sister and the bane of her existence. On duty she takes her role very seriously. Off duty she likes to keep Ma on her toes with her dumbassery. She's easy going, hates clothes, and loves to fight. She has a slightly concerning amount of knives on her person at all times. She is big gay for General Beng.
General Beng - Meaner lesbian. A siamang and the largest and tallest of the generals. She enjoys dressing up, tea (both kinds), and a good party. She has a very short fuse. While her size and strength alone would generally deter anyone from testing her temper, there are always idiots. She can fight, but she knows her Liu would enjoy it more.
General Ba - The youngest of the generals. While she's not shy, she is very quiet. She does not waste her words. But, when she speaks, the others will stop whatever they're doing to listen. She likes to spend her free time in the libraries. Get her in the right mood and she'll argue with you for hours about the most random subjects.
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2. Macaque face evolution
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Was trying to get a feel for Macaque's face and how it changes throughout the au. Top right is the youngest, bottom right is the oldest. Bro gets all sorts of messed up from the whole died and resurrection thing and very much looks wrong afterwards.
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3. New fit
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Macaque and SWK have the whole cape thing going on, I figured SWK gave Mac one of his own when he was still training under him. I like to think it holds a lot of sentimental value to him since he still wears it in present day but he would rather get his head smashed in again than admit it.
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4. I'm sure this won't come back to bite anyone later
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Eeesh. Imagine spending your whole life training to receive and keep the Sun Wukong's attention only for him to casually give it to some random human boy thousands of years later. I mean, Macaque did betray him and everything, but it's the principle.
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5. The Tongbi Gibbon Concepts
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One of the four world-wrecking/celestial monkies. My brain was very focused on the whole pulling celestial bodies out of the sky part of her abilities that I made her based around that line.
Don't know if this fit is still canon as she and the Horse Monkey had a large role to play in Shadow of the King, and I'm considering if I should take them out
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Bonus:
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I consider the Tongbi gibbon and the Horse Monkey to be older than both Sun Wukong and Macaque in Shadow of the King. The Horse Monkey is the eldest, but the Tongbi's age is nothing to sniff at.
That being said, that does not mean she can't be bought.
Takes place after all the traumatizing shit in SotK
Panel 1
Tongbi: Child, I am an ancient being. I hold the power of gods within me. I was witness to the birth of the Great Sage himself. I have seen nations and empires rise and fall. I have gathered and spent innumerable wealth. Yet you think you can bribe me with 20 yuan?
Panel 2
The host: ...how 'bout 30?
Panel 3
Off-panel (Horse Monkey): TONGBI!!
MK: I thought the nimbus made you airsick
Red Son: Not helping, Noodle Boy
Tongbi: BOTH OF YOU SHUT UP!
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egophiliac · 1 year ago
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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
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and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
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(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
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and frame and control the focus:
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honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
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kristinhateslife · 7 months ago
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Okay so last night I was having an "art style panic"? I guess you could call it that? But I was feeling really bad, so i started drawing other peoples art styles and picking points and peaces out of it!
I did this last night when I was really tired and i used a pen so the drawings may not be how i usually do my drawings haha
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Ok so first up we have @emjoyzhos-ej !! I recently just found your account but you have a very cool style!!
•Your skull shape is very unique, very rectangle
•your lines are very sketchy (most people I follow have this trait in their art..)
•when you color it looks like you mayy have rook inspiration from itsxroxannex? Idk i wrote that down, maybe it's not true but I guess i thought that last night
But I love your style! Your art is so cool and I had fun trying to replicate it!
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Next we have @milkybnnuy ! Omg so I really like you!! Your art is sooo good
•You draw a lot of fell, so i made the drawing of killer like how you made that one fell killer drawing
•when you color you have a very paintly-style and that's cool!!
•your skull shape reminds me of an egg (i guess thats why i said "egg head" last night)
Up in the top I wrote "I did not replicate your art properly enough," and that's true! Your art is so unique and different from what i usually drew so i had a hard time replicating it! But nonetheless, i had a fun time trying and hope you ain't disappointed lol
Btw- I really like the way you draw your fuzz on hoods!! So satisfying to look at!
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And now we go onto @voidzphere !
I've followed you for a while, and you're cool to be around and I like when you post! Though i had a hard time finding the art hidden around, I still was able to replicate it (luckily i chose to draw killer for this haha)
•so I see that you usually draw/post doodles, unless i just didn't scroll down far enough haha (plz tell me if you have drawn something big i wanna see)
•I noticed you have more pointy and thicker lines
•you have a certain way you draw your Skulls, I can't really put a shape or object here to describe it
Even though I couldn't find more drawings, I still tried! I hope you like it, friend, cause u cool
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Here is @cherrio-krispz ! I just started following you last night, like seriously I had to search you up just now to figure out who you were cuz I forgot, but when i saw your art I immediately recognized you
•you have a very recognizable style!
•again, i did not replicate well.
•very painty-like when color
•sketchy lines, seems like you don't do line art?
•I like ur skulls, they look like skulls
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OMG I'VE BEEN WAITING TO TALK ABOUT YOU. YOU. YOUUU. @somegrumpynerd OMG YOUUUUUU. I REALLY LIKE YOUR ARTTT.
•I LIKE IT
•very cartoonish
• noticable art style
•thick lineart
I LOVE seeing posts when they come out!!! They're really really cool and make me feel so happy when I see them! Keep going because you're so cool!
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@spookeri haiiii
You're here tooo
i like ur art :)))))) a LOT . Same as the last guy, I get very excited when you post. Your DTIYS were fun, and yeye... Yeah
•Very flat colors
•flat lines
•cool looking skulls
•you have an "air-brush" shading style (i guess you could call it), which isn't a bad thing! Do what you want to do! But maybe try out cell-shading? Idk you don't have to, but idk i feel like cell-shading fits your art style
Also if you look in the bottom you can see a scratched out drawing, that was my first attempt haha
You can see it in the drawing below
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@wyllaztopia !! I like your art :)) you have a very noticeable style and when you post I get excited as well!
•clean lines
•you make skulls longer than how other people make their skulls in this last
•I liked replicating it
Idk what else to say ... Its just all really cool!!
And last but not the worst
My art style!
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My art style is
•cool
•easy to draw
•and funny lookin'
What did i learn from this whole thing i did? That everyone has a unique style, that even if they try to change it it still stays theirs and it's still unique
I also found out that everyone, small artists and big artists, has flaws! It's comforting to know that everyone has flaws so I know I'm just learning and getting better everyday
Another thing I got from this is that everyone's styles are always changing and warping. But thats fine! Because everyone's moving and changing, and the worlds always moving and changing!
So, don't be so hard on yourself if you're struggling to draw or find an art style, how you draw is unique to you and you'll like it one day
Just keep drawing everyday and you'll get there.
I suggest doing this challenge, on paper or digital, wether you color it or not, or post ot or not!
It's great to try out.
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trancylovecraft · 1 year ago
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can i have yandere kokushibo with a oiran fem reader who is very talented when it comes to singing dancing and arts i want like uh heian period hehe lets just jump back to heian era. sooo here oiran reader likes sakura blossom since kid because it always remind her of her dead mother and when kokushibo kidnapped her and locked her forever in the house he found the oiran reader will also tried to plant sakura blossom outside his house to keep her calm and know that she is still safe or whatever she's still fine
whenever she sees a beautiful sakura blusom (i know this is so random but this is my first time requesting T-T)
(KNY) YANDERE! KOKUSHIBO x READER: Renewal Season
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Turn. Left foot. Right foot. Spin. Stray.
The movements of the girls body seemed to flow throughout the crowd like water. Her hips swayed along to the roaring music of the festival.
The people inside bustling crowd around her couldn't help but stop and stare as she danced past them, Only leaving a faint scent of Cherry blossom in her wake.
She gripped a branch of Sakura blossoms, Which in the dance she was doing would usually substitute for Wisteria instead. However the flush pink of the petals set her apart from the other dancers making their way around the festival.
Not to mention her soft voice singing along to the music, Of which one could only hear as she passed by.
The celebrations roared in honour of the announcement of the Heian period. Named after the city the festivities took place in, Heian-Kyo. The capital of Japan had been moved by the emperor Kammu.
So of course the party was in full swing. The courtesan houses that were hosted in the more scummy part of town of course had to take full advantage of this. They sent some of their workers to perform out in the streets to try and attract business.
This included [F/N], The respectable Oiran of the Haruka-House. Who was known for her particular finesse with a koto, Her enticing voice that resonated within your stomach and her particular adoration of Sakura.
She was beautiful, Both in looks, personality and movement. Her hair was decorated with bejewelled pins of all colour, All tied up into a beautiful style pinned up at the top. Her kimono was lined with gold twine and coloured a deep red which swayed about like a hypnotists watch as she moved.
The stares burned into her figure, Warm stares. The made her shift uncomfortably and tried to avert her own gaze away from theirs. She exhaled. You're an Oiran, You should be use to this by now, [F/N].
Push through it, [F/N]. You know exactly why you're doing this.
She swayed around again, Moving throughout the crowd swiftly. The stares only intensified as she went along.
She could pick out a particular stare from wherever it came from, She couldn't tell.
While the crowd's stare was warm, A light boil that made her squirm. The stare she could pick out was hot. Burning hot.
The kind of stare that made a shiver crawl up her back and make her shoulders tighten up in disgust.
She felt uncomfortable from the feeling. As soon as she took another turn she pulled the cherry branch up to her dolled up face and inhaled, Letting the subtle aroma invade and take over her senses as she closed her eyes. Letting the smell swallow her whole.
☆♡☆
The delicate breeze blew over the roseate coloured forest in the neigh afternoon. The light cold wind brushed over the woman's porcelain skin and ran through her hair, Making it sway lightly in the wind.
She examined a branch of the sakura tree's lining the forest and surrounded her families house, Which sat in a clearing on top of a valley overlooking the entire woodland. The house of a modest size, It's windows were open so the spring breeze could envelop the inside rooms and bring about an uplifting mood to the entire family living in it.
There was a rocky stone pathway leading up to the front steps of the house. The rocks that were lodged into the path were jagged and rough. Showing that they haven't been tended to in a good long while.
"Mum! Mum!" A young voice called out in the distance.
The woman looked up from the branch to see her daughter clamber down the porch steps and sprint over to her mothers position at the edge of the hill.
Her mother turned around just in time to see [F/N] jump onto her, Giving her mother a rather aggressive hug.
"Ah! [F/N]" Her mother exclaimed. She looked away from the sakura to look down at her daughter.
"Did I scare you? Did I scare you this time?!" [F/N] giggled. She shook her mother a little in excitement.
Her mother was graced with a small smile and she nodded. "Yes, You got me very good. Gave me the fright of my life, Sweetheart." Her mother laughed and [F/N]'s face lit up with achievement.
"Yay!" [F/N] cried and jumped down from hugging her mother who stumbled from the unexpected movement. The sakura branch she was holding was tugged along with her, Causing her mother to gasp.
"Careful! [F/N]. You almost made me break a branch off." Her mother tutted and went to examine the branch for any damage.
[F/N] pouted.
"I don't get it, Mum. Why do you like the big pink trees so much" She huffed, Stomping her foot.
Despite her mother's constant love and affection [F/N] couldn't help but feel a little envy towards the plants. Her mother adored them and was always the first one out of the house to look at the blooming roseate leaves. Not to mention her kimono was patterned with cherry blossom designs.
Her mother hummed.
"I don't really have a reason why, [F/N]. I don't really need one." She said. Not taking her eyes off the blooming leaves.
"Still! What do they even do?" [F/N] scoffed.
Her mother finally looked away from the leaves and gave her daughter a knowing smile, She sighed and crouched down onto one knee to look at her daughter straight in the eyes.
"Well… The reason they are here is to bring forth spring. As the sakura appear and go they will leave behind green leaves. That's a use, Without them you wouldn't be able to play in the fallen leaves which I know you love so much" Her mother explained. She booped [F/N]'s nose to which she giggled.
"I know, I know! But still. Is that really all?" [F/N] asked. Her mother shook her head.
"Well they also mean things too, [F/N]" She said. [F/N]'s face scrunched up in confusion, But decided to listen along.
"As the blossoms come and go they can symbolise life and the short time we have here." Her mother started, She turned back to the leaves.
"As the sakura tree's disappear in favour of the leaves they come back just as strong the next year meaning renewal." Her mother finished, Her voice filled with wonder.
[F/N] looked up at her mother. The same sense of wonder she felt seemed to rise in [F/N] as well.
"Just as strong?" [F/N] asked.
Her mother nodded and looked down at [F/N] as she smiled.
"Now come on you little rascal, Your father needs to head out to work soon and we better go prepare him breakfast." Her mother laughed and grabbed [F/N]'s little hand. Helping balance her on the heavy rocky pathway she set off.
She stumbled a little on the pathway, Lightly pulling [F/N] in her movements. She sighed.
"Better fix this pathway soon. I swear.. One day me, You or your father will have such a bad trip that our heads will be spinning for days" She complained softly to her daughter.
"Is that something we can do together?" [F/N] asked, Looking into her mothers eyes for the answer.
Her mother smiled.
"We'd be better off to wait until the summer. The petals from the cherry tree's will be an issue when they get onto the path." She explained. [F/N] tilted her head in confusion
"..That means yes, Sweetheart." She confirmed.
"Yay!" The young girl sqeaked.
[F/N] giggled. She followed her mother back to their house as sakura leaves fell from the tree's behind them.
☆♡☆
The festival had ended not so long ago.
While celebrations were still occurring their intensity wasn't as big as it was earlier. [F/N] felt so very tired from the performing, Her muscles ached and her only desire right now was to get an early nights sleep.
Her usual makeup and hair-do she wore was lightly ruffled from the events of the night.
With the calming down of the festivities [F/N] had long ago returned to the house of which she worked. As she entered she couldn't help but notice the rather large crowd at the entrance.
Her performance had done well, Really well. Both her flowing movements and her god-sent voice had attracted a large amount of men to her house, All more than willing to pay for their time with her.
[F/N] gripped the sakura branch tighter. The men had noticed her arrival and had rushed up to her. [F/N] stumbled back from the sudden intrusion as the men crowded around her and started yelling.
"Me first, I got here early and missed out on half the festival for this!"
"No way. I got here way earlier man, Back off"
"Liar!"
One of the men raised a fist and was about to swing it at the other. However a tutting sound rung loud from the far side of the room making the entire crowd drop silent.
Haruka-sama, The woman who owned and managed the house had quieted the crowd.
Haruka-sama was a small old lady who had a rather grouchy face and a greed stronger than any other. Her beady little eyes looked around at the crowd with an opportunistic glare, Similar to how a fox would glare at a defenceless rabbit.
"Step away from the girl now.. Step away!" Haruka said, Pushing her way easily through the crowd of men she grabbed [F/N] by the hand and pulled her out.
She dragged [F/N] to the front of the house and started positioning her body to be straight and proper. As she did [F/N] felt beads of sweat build up on her forehead and her jaw trembling.
Haruka-sama finished dolling [F/N] up. She seen the nervousness on [F/N]'s face before shooting her a warning look. One that [F/N] recognised well.
Pull yourself together, You're the Oiran of this house. Steady that jaw and wipe off the sweat and make me some money.
Despite [F/N]'s dear want to stand up to Haruka-sama, The want to deny all of these men and go to bed. She couldn't, Her contract could be revoked in a moment. She couldn't afford to lose it for a moment.
So instead of speaking up, She clenched her jaw and lightly wiped off the sweat from her brow. Her lips wrenched themselves into a lovely little smile that didn't quite reach her eyes. She clasped her hands low and stiffened up her body, Giving her a more mannequin look than human.
Haruka hobbled round to the front of the house and faced the crowd of customers with a wide smile.
"Alright, Alright! It may be closing hours but I'm sure our lovely Oiran here can spare another session, But to decide who gets the slot we'll start a bidding. How about we start at about… 20,776 yen. Any takers?" Haruka called out to the crowd which went wild on the announcement of the bidding.
"25,970!" One of the louder men called out.
"27,701!" Another yelled.
The crowd kept shouting out higher and higher numbers, [F/N] felt her body shake despite her constant effort of steadying herself.
Voices yelled even higher than the numbers as the crowd grew closer to the front of the house.
The customers eyes burned into her like hot coals and she was scrutinized by all in the room. Her clasped hands built up sweat, Her breath steady yet heavy. She tried to look away when the sound of the shoji doors to the house slid open.
"500,000 yen."
The room went silent.
Haruka-sama's beady little eyes widened in shock to the man who had suddenly appeared, The money waved in his hand. Haruka's jaw opened slack.
"Sold!" She screamed, Pointing her finger to man standing in the doorway with the most giddy joy she had felt in years.
[F/N]'s body went rigid. Her mind went wild at the number, 500,00?! Who is this man? Who would want to pay that much just to have a single session with her of all people.
The man was tall, Taller than anyone else in the room. He wore a loose purple nagagi kimono with a intricate hexagonal pattern woven into it, It looked expensive which [F/N] figured. He also wore a dark hakama and a white uwa-obi as a belt tied fit around his waist which also held a katana and sheathe.
His hair was tied up into a pony-tail with spiky tips that faded into red at the ends. She looked to his face, However she was unable to see it as he wore a rather large kama, The typical hat a samurai would wear, That covered his face entirely.
He stood there in the doorway waving the money. And despite his face being covered [F/N] could still feel his stare through the thing… It felt hot.
[F/N] shivered as she remembered it was the same hot feeling from earlier, The man must of been the one looking at her during the festival.
All of crowd from earlier was hushed out of the house by Haruka-sama, Muttering curses to the final bidder who didn't seem to react to any of their words.
Finally when the house was evacuated. All there was left was [F/N], The man and Haruka-sama.
They sat in total silence. [F/N] stared dead eyed at the man, Who seemed to look back at her with that inferno of a gaze. She squirmed under the weight of it.
Suddenly a hand clapped out of nowhere.
They both turned to Haruka. Whose usual grouchy, Scrunched up face was contorted into a wide grin.
"Well then.." She said.
Haruka hobbled over to the sliding shoji door and pulled it open, She bowed down in respect to the man.
"After you."
☆♡☆
The tension in the air was thick, So much so that you could feel it seep into your skin.
The room the pair sat on was located on the highest floor of the courtesan house that towered over the other buildings around it. The room was home to a balcony that looked out over the dark night in Heian-Kyo, Only lit up by the paper lanterns from the long gone festival and the stars looking over the bustling streets like eyes.
The room was home to a small centre table, A dresser with a polished mirror on top and filled to the very brim with Sakura themed decorations. From paintings, To bedsheets to the very plant itself potted on the furniture. It was everywhere. Even the light scent resonated in the air.
It however, Just wasn't enough to calm the girl down as [F/N] nervously tuned the delicate strings on her koto from across the table. A single bead of sweat rolled down her side brow. Her eyes stead set on the knobs to avoid the hot gaze from across the table. Hot. She recognised it, He must of been the source of the scorching stare from within the crowd somewhere. It didn't help her situation in the slightest as it just made [F/N]'s figure freeze up, Her body on guard.
Ever since Haruka had lead them to [F/N]'s room he hadn't said a word, Just went to sit down on the tatami mat, Unmoving. The Kama overshadowed his face, Making it impossible to see his expression.
Was he sad? Angry? Or was [F/N] just overthinking things, It had been a long night after all and she was prone to a little paranoia now and then.
The sweat bead dropped to the floor and hit her kimono sleeve. Her lips twitched as she managed to drag her gaze up to the man, Whose large hat still covered his eyes. Twisting her mouth into the usual smile you'd see on an Oiran, She spoke.
"..If I may ask sir, What is a man like you doing around here? Samurai don't often come around these parts, You know." Her voice was light in tone. A tone that was friendly and gentle in nature, Enticing him on.
The man didn't make a move to speak however. Just sat there. Staring.
Her face quirked, Only for a moment.
"What about your name, Sir?" She tried again, Her voice only lilting in tone to a slight.
Again. Nothing.
[F/N] felt her hands on her koto clench up, Her eyes following the movement. The feeling felt-
"Kokushibo."
[F/N] looked up. The surprise pulsating in her chest as she realised the man, Now Kokushibo, Had spoken to her. Her previously ridged form fizzled into a more relaxed posture, The awkward air in the room dissolving just a little bit.
"Kokushibo.. What an interesting name" She said, Letting the name roll on her tounge. She stopped tuning her koto and thought for a moment, Pondering over the spelling
"I believe the kanji for that can mean 'Black Death'. If I am correct." She asked. The reason why a mother would name their child such a macabre title eluded her.
Kokushibo simply nodded.
"And yours is.. [F/N]. Yes?" He spoke. His voice was gravelly and deep that held a commanding undertone that made a shiver run down [F/N]'s back.
Stilling her form she nodded.
"While I do not understand the kanji.. Of your first name. I do believe your last name can mean.. 'Poetic Voice'" He said.
[F/N]'s brows raised. Her last name, Kotone. Did in fact mean those exact words. However that wasn't the thing that surprised her so much.
"How did you know my last name" She asked, Tilting her head to the man. Who sat in silence for a second.
"Your chaperone woman.. Mentioned it on the walk here." He said. [F/N] internally groaned. Of course the old woman had told him on the walk up here. She was always so talkative to the high-paying customers, It was her strategy. She'd talk to them about anything and everything relating the courtesan the customer had bought out, All to try and make the customer feel attached so they'd come back for more.
But something else seemed to click. Even if Haruka had mentioned her last name how could he have known the exact kanji spelling of her name. Was it a good guess or something more? Sensing the look on [F/N]'s face, Kokushibo piped up.
"If I may be honest.. I have been.. Infatuated with you, Your voice, for a long while now.. I learned the spelling from asking around.. I apologise." He explained. His head tilted down, His kama following the movement. Was he shameful?
No. He was shy. [F/N] felt a cordial smile creep up on her face, It explained a lot. His silence earlier wasn't due to any negative emotion or disturbing pathology but instead just a bout of stage fright.
"I see. I suppose you've been told of my talents from asking, too." She decided go along in a playful voice, The one she'd usually harness to tend to customers. Despite how much she felt uneasy using it, It did bring about tips.
"Yes.. In fact, It is the entire reason.. I have decided to come here in the first place." Kokushibo remarked. His hands previously positioned on his knees moved up to the tea-set placed on the table separating the two and poured himself a cup.
"I want you to play.. A piece on your koto for me." He said, Bringing the tea up to his mouth still cloaked by his hat. And took a sip. [F/N] nodded.
"Anything specific you want me to play?" She asked. Moving the koto in front of her body she finished the tuning process and rested a hand on the strings.
"One where.. I can hear your voice. One where you can sing." His voice contained a low tone of wonder, Seemingly reminiscing on a thought.
"Alright then.. Let's see here." [F/N] trailed off, Her mind wandered to her catalogue of songs. Trying to pick out one that she thought the man would enjoy.
Neurons connected. She'd gotten it.
Her carefully manicured hand ran over the spindly strings of her koto, Sounding out the first few delicate notes of her symphony. The strings resonated against the neat and polished birch wood of the koto. A rhythm started to form.
Kokushibo's shoulders seemed to relax at the soft tune, While she could not see his face she could tell he was entranced.
Her lips opened to annunciate the first lyrics to her malady, As soon as she did Kokushibo's relaxed figure stiffened up. The grip on his teacup tightened, He took a shaky breath.
The lyrics flowed out of her like running water, The chords on her koto harmonised with her heavenly voice and the music ruminated throughout the room and echoed from the wooden walls. Drowning out the noise of the street below them and replacing it with concentrated vocal artistry as she sung out the words.
"Well hello world, Wouldn't you know. Your nails were yellow and mine a miracle blue.." The first lyric to the chorus was announced and Kokushibo seemed to melt. Her voice sounded like a morning cardinals call, Like Benzaiten's being had graced her vocal chords in that single moment.
She seemed lost in her music, Too. Her eyes were closed and her body focused on moving along to the beat of the strings. A small smile lit up on her face as she went along.
"If you knew what I knew, You would too.." The final note on her koto rung out through the room, The song ending. It was such a short song, But as both [F/N] and Kokushibo were in drawn into the iron grip of the rhythm it had felt like an eternity.
[F/N] inhaled deeply for air, Her shoulders retracting. She set down her koto beside her with care.
"A beautiful song.. It is one of my favourites. I hope it was up to your standards, sir?" She asked, A playful tone masking her genuine and sincere question.
Kokushibo in turn put down his half-drunken cup onto the table. "It was.. The most beautiful song I've ever heard .." He proclaimed, His voice was ripe with wonder and awe which made [F/N] take in a deep breath, Taking in all of his praise she smiled wider.
"I am glad you liked it sir. Please, Would you like me to do anything else for you?" [F/N] offered. She went to the tea-set in front of them both and picked up the kettle.
"No.. But. I would wish to ask a question. If that is alright with you." He responded.
[F/N] gestured for him to continue on.
"Completely alright with me." She confirmed. She poured herself her own blend: Sakurayu. She filled the cup up with steaming water and mixed the little flower petals around.
Just as she brought the sweet smelling liquid up to her mouth he answered her.
"How much exactly.. Does your marriage contract cost?"
[F/N] choked on her tea.
The question had came out of left field making the tea she had just made burn her throat. She coughed and covered her mouth, Preventing any loose drops spilling out from her lips.
Kokushibo passed over a tissue, To which she gratefully accepted.
Once [F/N] finally churned out the last bit of tea out of her system she wiped her mouth. Careful to reserve her lipstick.
"T-That was a rather blunt way of asking." [F/N] said, Her throat still hoarse.
"I apologise.." He said. However his voice remained monotone, Sending mixed signals back to her.
"No, No. It's fine. In fact, I feel flattered that you would ask about that." She started, A nervous smile appearing on her face.
"But unfortunately my contract was bought out by another samurai only a day ago. I do apologise, If you were intending to buy." She explained, Her voice apologetic as she bowed her head lightly.
Kokushibo froze up.
His previously relaxed shoulders and lain hands both seemed to stiffen up. The warm look he used to gaze at [F/N] seemed to return to that hot, Boiling stare. The one from the festival, The one from before. Noticing the glare she had regressed to how she'd been at the start as well: Awkward and uncomfortable.
"I'm so sorry sir." She blurted out.
Kokushibo's kama lowered down to follow the movement of his head. He was quiet, Silent.
"Would you like me to play another song for you?" She asked. Trying to destroy the buildup of uneasy air.
Kokushibo shook his head, Making [F/N] feel just a little nervous down by his response.
"No.. I do believe.. That I have heard enough." He said. For some reason the way he said it made [F/N]'s lip twitch, But shook it off when Kokushibo got up from sitting down.
She followed him up, Fixing her kimono and her hair-do she bowed down to him in respect. A polite gesture to thank him for his civilised behaviour.
She figured that his session with her had decidedly ended, That was good. While she did enjoy his company and the song she sung for him it didn't change that fact that she was exhausted.
"Alright then. Please, Let me get the door for you." [F/N] said. Passing by the man she moved over to the decorated shoji doors and grabbed the handle. Sliding it open she went to-
SMACK!
[F/N]'s body fell to the floor, Her knees hit the tatami mat followed by her head which got hit off the wooden doorframe.
The hilt of Kokushibo's sword moved so fast that [F/N] couldn't even sense it crashing into the back of her skull, Leaving her dazed and barely conscious on the wooden floorboards. She was confused, Dizzy and completely unaware of what was going on, All she knew was the feeling of her fight or flight instinct kicking in.
She whined in pain. Her arms weakly extending out to try and get up, To get away, To run from the opposing danger looming over her. To survive.
But it proved futile as Kokushibo leaned down to pick up her seemingly weightless body into his arms.
She tried to scream, To yell and call out for any other courtesan in the area. Anyone who might hear. But it only came out as babbles of incoherent language as her assailant flung her over his shoulder with an inhuman strength.
"Please, Sir.. Why… What are you.. What are you doing?!" She groaned, Her vision cloudy and her head the raging storm that throbbed painfully in the place of impact. Kokushibo only let out a low hiss through his teeth.
"Quiet!" He spat. His previously shy behaviour now broken and replaced with an aggressive demeanour. His presence now dangerous and coupled with the vicious tone in voice made [F/N] shake.
"Please.. I.." She whispered as he carried her over his shoulder and made his way to the open balcony doors. She pushed at his chest, Kicked, Flailed about in his grasp all to try and get him off of her. But it didn't work, He never budged or even moved in the slightest. Only squeeze her tighter and tighter as a warning.
He had made his way out onto the balcony porch. Looking out over the sea of buildings and crowded life flowing up from the city below he walked over and put a single, Sandal-clad foot onto the balcony railway.
[F/N]'s eyes expanded in horror in realisation of what he was doing. She wailed out into the cold night air as Kokushibo put his final foot on the railing, Effectively balancing on the thin wood.
His figure wobbled on the railings, They dangled over the street below which was filled with people making their way around, If she fell it would be at least 90ft drop. She wouldn't survive that height.
[F/N] at this point was sobbing, Kokushibo's grip may have been strong but as she was faced with the height of the tower she felt like she would slip any moment, Fall the entire distance and hit the street with a loud crack.
She cried out.
"P-Please! Somebody! Help me!" She screamed out into the crowd below, Her voice cracking as it went.
"Quiet. NOW!" Kokushibo growled like a feral animal, She cried out at his tone
The feet on the banister spread out and his knees crouched down. [F/N] realised what he was doing and tried harder and harder to push away from his grip.
She yelled louder and louder at the people below. Screaming for help but it was useless. They were too high up for anyone to hear them.
And then, He jumped.
Going through the air at unnatural speeds her hair lashed all over her face like whips. The wind ran through them both as they went. She realised this was it, She was going to die. She closed her eyes tight in anticipation of the fall but-
The wind died down. [F/N]'s hair fell over her face.
Kokushibo stood strong on the tiled roof of the building adjacent from the courtesan house, His ponytail waved in the light breeze that now accompanied the two. He was unfazed.
"Wha.. What?" [F/N] choked out. The height even from the courtesan house to here was enough to severely injure someone, Yet he came out without a single scratch. She looked back at him.
She yelled at the sight of him, Finally breaking out of her dizzy stupor. His face. His bloody face had six eyes. Six eyes, Six. They were all red and strained, His pupils were golden and glowing. He wasn't human, He was a demon, An oni. And he was kidnapping her.
"No.. No no no no!" She wailed out, Her eyes were fixed onto his. She couldn't look away, Looking into his eyes was like looking out into a terrible accident. Blood, Guts and broken bones, It was horrible yet she could never bring her eyes away.
Her previous yells for help amped up into a panic attack as she struggled in his grasp. Punching, Kicking doing anything to escape.
Kokushibo made a noise in his throat speaking agitation and anger.
Bringing a single, Clawed hand up to the back of her neck he lunged it forward. Pinching a nerve point [F/N]'s entire body stopped moving.. Then went limp on his shoulder.
Her eyelids failed to lift, They were too heavy. Everything seemed to stop in time and nothing mattered anymore.
She faded into the dark haze. Going unconscious on the shoulder of the demon kidnapping her.
☆♡☆
The pot bubbled hanging over the fire. It crackled every now and then, Spitting up drops of water that fell down around it.
Outside the moon hung over the lush roseate forest, Only clothed by the young build of clouds forming in the sky.
Moonlight illuminated the rustling branches of the trees, They danced in the wind letting a few petals stray from their grasp and fall onto the overgrown grasslands that surrounded the family home on the hill.
Despite the cold air of the night the house was warm and lit up with life. The house was filled with noise of cooking. The pot boiling, The sound of knife on cutting board and the spark of fire all mixed together to create a lively atmosphere. The kitchen especially.
Inside, A man was currently facing the kitchen counter chopping vegetables with precision. [F/N] sat beside him on the counter swinging her legs back in forth. She huffed.
"Papa I'm booooooored.." She whined, Puffing up her cheeks she looked at her father.
"I know, Sweetheart. But you've got to be patient. After you've had your dinner your mother can take you outside, Alright?" Her father said, A soft smile coming across his face, He shook his head at his daughters antics and focused his attention back to the vegetables.
"But papaaaaaa I wanna do something now.." [F/N] groaned folding her arms with a dramatic flair.
Her father chuckled lightly. He paused his movements for a moment and set down the knife he was holding. Picking up a couple of onions he held them out to her.
"Well if you really want to do something, Then how about you peel these onions for me?" He said.
"That's not what I meant, I don't want to peel onions!" [F/N] groaned. Her father only responded in kind, Setting down the pair of onions beside her.
"Alright then! If you don't want to then I won't force you." He smiled knowingly, Turning back to his knife and veg.
As he continued cutting [F/N] kept eyeing the onions beside her, She tried to drag her eyes away from the pair but eventually the boredom took over. With a dramatic sigh she picked up the pair of onions and got to work.
"I thought you didn't want to peel the onions, [F/N]." Her father teased, The smile on his face victorious.
[F/N] just hummed.
"Making cooking go faster so I can go outside quicker!" She explained, Her tone suggests that her father should of already known this, While he did. [F/N] didn't notice.
"Now who wants to go outside?"
[F/N]'s head snapped around to the source of the new voice, It was her mother.
Stepping out from another room in the house her mother appeared with a sweet smile on her face. She carried a basket full of laundry in her arms and balanced it as she walked out into the kitchen.
"Mum! Mum!" [F/N] giggled, Raising one hand to wave wildly at her mother as she came over to set down the laundry basket.
Picking [F/N] up she raised her daughter up high, To whom only laughed harder in her grasp.
"Now what are you doing on the countertop, Sweetheart?" Her mother teased.
"She's helping me make dinner, Aren't you [F/N]?" Her father said.
"Really? Are you helping your father to make dinner?" Her mother smiled.
[F/N] grinned back at her mother.
"Yeah! I'm peeling the onions, See!" [F/N] exclaimed, Pointing down at the half-peeled onions with a proud expression. Her mother gasped.
"Oh, Wow! You've done such a good job!" Her mother said back. She brought her daughter down back onto the countertop. Turning to her husband she gave him a quick peck on the lips.
"How's dinner going?" She asked, A short smile appearing on her face.
"Just about done with the vegetables. The pot seems ready so all I need to do is get the bay leaves." Her father responded. Copying his wife's smile.
"Bay leaves.. Are you sure we stocked up on those?" Her mother asked with an eyebrow raised.
"Erm.. Yeah, I went out to the village and bought some last week, Remember?" Her father said. Her mothers expression turned into a look of doubt.
"Really? I thought you went out for those vegetables and rice. No offense but you do know how bad your memory is right, Kyuusei?" Her mother answered.
"Yeah! It was the veg!" [F/N] confirmed, Swinging her legs on the counter.
Kyuusei finished chopping the vegetables and stood still, Trying to recollect his memories.
"I.. I'd need to go check to make sure." Kyuusei said. Setting down his knife on the counter he was about to go and check before being stopped by his wife putting a hand on his shoulder.
"No, No. It's fine. I'll go check up on the bay leaves and you just focus on boiling the veg, Okay?" She told him, A reassuring smile on her face.
Kyuusei nodded.
"Thanks, Seishi." Her father said.
"No problem. Just make sure not to overcook the veg this time." Seishi teased with a grin. Kyuusei rolled his eyes and promised not to, Concealing the copied grin on his face.
As his wife walked off towards the door she previously came out of. Kyuusei collected the chopping board in his hands and moved over the steaming pot.
Readying his knife he loomed over the pot, Scraping the freshly cut vegetables into the boiling water they hit the surface with a splash.
The ripple created little droplets of water that flew up from the impact with a rather big one going up and hitting Kyuusei's bare skin.
He yelped and dropped the chopping board in his hands, Letting the unscraped vegetables scatter onto the floor with him following quickly behind. [F/N] yelled out and jumped down from the counter, Running over to her father.
"Dad? Dad! Are you alright? What's wrong?" [F/N] cried, Latching onto his wrist.
"Argh..!" Her father seethed, Looking down at the place where the water burned. The space had already started to create colour contrast and it stung badly.
The shoji door slid open and out rushed Seishi, Alerted by her husbands yelp and tightly clutching a few clovers in her hands. She gasped, Ignoring the spilled vegetables she stepped on she and hurried over to her husbands side.
"Kyuusei! Dear, Are you alright?" She worried and grabbed his burnt hand to examine the damage. Kyuusei nodded
"I-I'm fine.. Ah. It's just-" Kyuusei gestured vaguely to the floor below him "Dinner is ruined, The stuff in the pot isn't enough for all of us and we don't have anything left in the house. What are we gonna do?" He sighed.
Seishi pondered, Her eyes wandering away as she tried to work up an idea. Out of nowhere she snapped her fingers brining both her husband and daughters attention to her.
"The rice! You bought rice last week, Right?" Seishi exclaimed.
Her father slowly nodded, Getting the idea.
"Yes! Right, I left the bag in the shed down the hill. I'll go get it, Do we have enough Bay leaves? We can use that in the rice." He asked.
"No, I'll go down to get the rice. I haven't counted the bay leaves so you can stay here and do that" Seishi replied.
"Really? I can go get the rice no problem, Are you sure?" Kyuusei asked.
"I'm sure. Plus, You should make sure that hand's okay." Her mother smiled, Rubbing circles into her husbands hand. Kyuusei smiled, His other hand going over to rest on his wife's.
"I wish I had your quick thinking, Seishi. I really do." He muttered.
"And I wish I had your rice cooking skills." Seishi responded. Her eyes glinted like the stars outside, Capturing her husbands gaze into them.
He cupped her cheek and pressed his lips up to hers. A short, sweet kiss that's warmth lingered on the lips when he pulled away to beam down at her.
"Thank you, Dear." He said. Their faces still rather close, So much so that their foreheads touched.
"It's no problem." She chuckled. And with that she moved away and over to the front door.
[F/N], Who spaced out the entirety of her parents interaction, Finally clocked back into reality when her mother started turning the doorknob.
"Mum! Where are you going?" [F/N] called out, Tugging on her mothers sakura-woven kimono.
Seishi looked down to her daughter, Her hand still on the doorknob she kneeled down to her daughters level and rested her other hand on her head.
"Just going out to get some more rice for dinner, Alright? I won't be too long." Seishi said, Lightly brushing back loose strings of [F/N]'s hair.
"Can I come with you..?" [F/N] pouted, Trying to produce the best puppy dog eyes she could muster.
"I think it would be better if you stayed here.. After all" Her mothers tone grew into a whisper between them
"Your dad will need a lot of help, His hand hurts a lot and I think your gonna need to take care of him." Her mother muttered, Raising her hand as a barrier so it was only between them.
"Really?" [F/N] said.
"Really. You better promise to take care of him alright?" She said. Raising a single pinky finger up to her daughter, Beckoning her to take it.
Slowly, [F/N] raised her own pinky finger up to her mothers and wrapped it around her mothers larger one.
"Alright.." [F/N] spoke, A hint of disappointment still lacing her voice as her mother got up from kneeling down.
"Be back soon!" Seishi called out to Kyuusei who shouted back a goodbye from another room. Opening the door she stepped out into the night.
"Bye mum!" [F/N] said. Just as the door closed tight.
☆♡☆
[F/N]'s body felt limp.
The room she lay in smelled old, Reminiscent of dust filled air and a strange pungent smell of iron. She couldn't hear much, Only the settling of wood and insects occasionally buzzing around her at times.
She couldn't move her body. Everything from her head to her toes felt like it was too relaxed to get up. This extended to her eyelids as well as they felt like weights were hanging from her eyelashes, Tugging them closed every time she tried to open them up.
Her mind felt dazed too, A dull and throbbing pain pulsating through the back of her skull. She could barely render anything around her as she could only fixate on her overrelaxed body.
She tried wiggling her fingers first. A few small twitches going into the fingertips, It was a start.
From her fingertips it went to into her hands, Then her feet then her lower legs. All until she could move freely with only a leftover feeling akin to a sleeping leg.
Finally wrenching her eyes open she blinked a few times to try rub the feeling off and stared up towards the ceiling, Though hard to see in the darkness.
Her previously weighted eyelids shot open, A shock ran through her body. Where was she?
She felt around with her hands, She seemed to be laying on top of a futon
Panic coursed through her system along with the events that occurred some amount of time ago. How long has she been out?
Despite her breaking out of her bodies numb state the hangover feeling was still present and in full affect.
Bringing her shoulder back she tried to swing her body round onto its side. Failing the first few tries she landed straight back to where she was.
She breathed in and out to try and calm herself. Turning to the other side of the futon facing the wall she built up momentum, And in one swift move her body swung over onto its side to face the rest of the room.
She smirked triumphantly and finally let her gaze survey her surroundings.
The room she was in a long rectangle shape. It was old, Definetly, The cobwebs and dust particles proved the fact. Despite not being able to see well in the very dim lighting in the room [F/N] could see It was rather empty as well.
Housing only a rickety closet with doors barely hanging on its hinges, A dresser covered in dust with a couple of the drawers missing. There was also a rather ancient rug stretching the entire length of the room that seemed to have patterns on it which faded over time. As well as the strange lump laying on the far end of the ru-
Oh god..
Oh good god..
She screamed
[F/N] felt bile rise in her throat. Rising so high that her high pitched scream turned into choking and gagging noises until she finally keeled over and belched out the vomit onto the wooden floorboards, Sputtering and spitting out the rest.
She let out a loud wail. She stared wide eyed at the scene, At the mass of which she previously thought was a lump.
A human corpse or what remained of it lay scattered on top of the blood-stained carpet. It was mangled, From the limbs to the torso to the spilled innards it was mangled.
Limbs lay tossed around the dismembered torso, Barely holding on by the stringy tendons keeping them hanging from the ligaments.
The bits of flesh still kept on the bone seemed to have chunks ripped out of them, Torn off roughly from their structure. The mans organs and intestines were lain out like a buffet platter, Neatly ordered from largest to smallest in front of him.
And the head, Good god, The head. It sat facing her, Eyes bulging out of their sockets and dark pupils staring right at her, Bloodshot and strained. She stared back, Eyes almost as wide as his.
The worst part? She recognised him. It was the man who bought out her marriage contract, She had only met him once but it was him.
His heart was lodged into his mouth, Stuffed right down his throat and stretching his jaw so wide it creating a permanent look of horror on his visage. Maggots and flies had already started to infest his remains, Attracted to the corpse like worms to rain.
[F/N] screamed, Yelled and cried with her throat still suffering from the burn the vomit made.
She burrowed herself into the corner of her futon, Desperately trying to get away from the unspeakable horror laying only a few feet away from her. She pushed herself further and further into the corner, She buried her hands into her face trying to get the sight out a she flailed around.
Her mind was already racing with questions: How did this happen? Why was she here? Why is this happening to her? The questions were the roadblock her train of thought crashed into and the mangled body was the wreck she couldn't look away from.
She was so preoccupied that she never noticed the overshadowing presence grab onto her wrist and pry her hands away from her face. She looked up, It was him. All six eyes glaring down at her.
She yelled, Tears shot out of her face and she tried to get away. She kicked and struggled in his iron tight hold as she tried her best to push him off of him.
"Stop.. Struggling!" He hissed, Trying to wrangle her into being still. It proved no use however, No matter how hard he tried to sheperd her into a docile state she was inconsolable. Her cries were broken only by hiccups and his presence just made her heartrate skyrocket.
"I SAID STOP!" He hollered. Baring his shark-like canines at her she didn't need to realise how the chunks got ripped off her never-to be husbands corpse. Her choked sobs dissolved down into coughs and quiet cries of agony.
"P-Please.. I.. I.. Don't kill me please! I-I don't wanna die.. Please just bring me back to the courtesan house.. I-I need to go back there.. You don't understand I need.. I need to go back.." She bawled.
Kokushibo's nose twitched at her words.
"Silly girl.. I have no intention of killing you." He growled like a feral animal, His previously commanding voice progressing into a primal sort of wild grumble resonating deep within his throat.
[F/N] shook her head in a rapid movement, Confusion mixing into her previous terror.
"T-Then why.. Why am I alive.. I-I don't.. I don't understand.." She babbled. Her fingers digging into her scalp harder she tugged on her hair.
"If you haven't.. Figured it out by now then.. Let me clear the fog for you.." He muttered. His face moved closer to [F/N]'s who tried backing away further into the corner, However she was stopped when his hand lunged to the back of her head and forced it closer to his. So close that their foreheads touched.
"From now on.. You are to be my bride.. My wife." He proclaimed in the faintest of whispers. All six of his eyes focused on hers of which spoke terrified confusion.
"Y-You want me to be your wife?!" She spoke with a tone wobbling in pitch. She didn't understand, She couldn't understand.
His nose twitched again, His expression unreadable.
"Yes.. My wife." Kokushibo confirmed with a slight nod of his head, Finally pulling away from her terrified visage.
"W-Why me.. Why me of all people?!" She whimpered. Her head lightly shaking back in forth, A futile effort to cope.
"Ever since that day I heard you.. All those months ago when I heard that voice.. That beautiful voice hum such a beautiful malady.. I couldn't get enough.." He seemed to stop in place, His vision seemed far off. Gazing into a far away memory to reminisce.
She couldn't believe what she was hearing, He was following her for months. She had no idea, How could she not know he was stalking her? She was terrified.
Her mind seemed to be scrambled and misplaced like an unsolved puzzle. She felt one of the pieces of the puzzle in her throat, Taking only a very small peek towards the cadaver, She tried to put it down.
"T-Then what about.. H-Him.." She pointed a shaky finger at the rotting corpse behind him.
"Y-You didn't need to.. Kill.. Him. You could of just took me.. Why..?" She asked.
He didn't even look back at him, As if the mangled body was absolutely nothing to fret over. Instead his face seemed to grow dark and angry.
"It is a great dishonour.. For man to steal another's wife.. It is only right what he got." He hissed, A great venom running throughout his voice when he spoke about him and it terrified her. [F/N]'s form shook at his towering form overlooking her. Despite it all a rush of hubris ran through her, Only a small bit.
"I.. I am not your wife." [F/N] whispered so very quietly, But it was enough.
His nose twitched for a third and final time.
"Repeat that..?" He uttered.
"I-I am not your wi-"
He grabbed her by the jaw and roughly pulled her up to his level, Effectively cutting off her speech and fizzling out what confidence she had before and turning it into absolute terror.
"If the corpse of that vile man lying by your bedside.. Isn't warning enough. Then I'll tell you one thing.." He slowly moved his clawed hand from her collarbone, Slowly up to her throat. Pressing it in only enough to draw a single drop of red onto his fingertips. [F/N]'s breath grew heavier as her eyes went fixed onto the clawed nail, Begging not for any further pressure.
"You watch your tongue around me.. Or I won't hesitate to cut it out" He whispered.
Letting go of [F/N]'s jaw she fell back onto the futon and let out the biggest breath she didn't know she was holding. She shook in place, The words looped inside her head and ingrained themselves deep within her.
He brought his hand up to his mouth, The one he threatened her with. He lolled his tongue out of his mouth and licked the blood off his finger. [F/N] gagged at the sight.
"It seems that you need.. To be told of how things will work around here.." He said so stoic, As if he didn't threaten his captive only moments ago. [F/N] frantically nodded, Grabbing her throat to try and examine the damage.
"As my wife I expect you to follow the rules.. I set for you, So listen well.." He said, Beginning to slowly pace to and fro from one end of the futon to the other. [F/N] watched in scared anticipation, Intently watching for his next action. He stopped pacing and held up a single finger up to her.
"Rule number one.. You will perform your duties as my housewife. Cleaning the house.. Doing the dishes.. Be there to greet me at the door.. Along with polishing my swords. And if you even think about trying to use them to escape then.." He relaxed his free hand on his sheathed sword hilt. She didn't even need to know what he would say next, She got the message.
"Rule number two.. Every night before I come back from my.. Job. You will cook the meat that is left for you in the kitchen. Do not add anything to it.. Spices, Salts, Herbs.. Nothing." He emphasised the last point, Raising a second finger. Confusion spiralled in with her terror. Put nothing in it? She had no time to dwell on it however as he raised a third and final finger.
"Rule number three.. You are not allowed to leave this house… Though at night I will permit you to enter the garden.. Only at night. Once the sun comes up you must return inside immediately.." He finished. Lowering his fingers his eyes started to roam over her form.
"Do you understand me?" He asked.
[F/N] tried to steady herself on the mattress and steel her face.
Wiping the sweat off her face she nodded.
"Y-Yes.. I do." She replied.
Kokushibo hummed with a deep reverberation in his throat. When it stopped they were left in silence, Staring back at one and other with a wide split of emotions. The quiet was deafening between them.
And with that, Kokushibo turned away.
He walked towards the closed old door at the far end of the room, Walking with near silence. [F/N] felt her heartrate pickup, She called out.
"W-WAIT!.." She cried out.
Kokushibo held the doorknob in his hands. Although he stopped at [F/N]'s plea he faced the doorway and didn't look back at her. She sniffled.
"What about… him..?" She breathed, Only a touch higher than a whisper. The body of her dead fiance lay rotting still on the floor.
Kokushibo finally turned his head around to her, Only so all she could barely see was his left set of eyes staring her dead on.
"Rule number one.. Start cleaning.."
☆♡☆
The meat sizzled on the pan. The bloody raw juices burnt along with it, Creating an earthy aroma that filled the small kitchen it cooked it.
[F/N] sat crouched in front of the fire the pan hung from,
Occasionally poking and prodding at the meat with a stick to make sure it came out tender enough.
The professionally done makeup she had adorned before had degraded into smudged lips, Pudgy foundation and poorly done eyeliner. Not to mention her hair which looked like a wild animal got into it, Went berserk and was proceeded to be tied back up into an Oiran's usual up do.
Her charming personality couldn't save her appearance either. Her eyes that use to hold an enticing sparkle had dimmed into a dull gaze, All weighed down by the deep bags under her them from crying late at night. Her beautiful smile that could stun anyone was long gone and replaced by a permanent frown.
Since she had been swept away to her prison, It had been about two.. three.. Maybe four weeks? She couldn't remember, She had lost track after the first and after that it all had blurred into one, Hellish nightmare.
Even then she couldn't remember much of the first week, Not the first half anyways. She remembered the rules of course, And the awful man charading as her husband but everything that came after seemed to be a blur, After that all she knew was the red stain on the bedroom carpet that seemed to appear all of a sudden, How it got there was a mystery to her.
The second half of the first week was much more clear to her. It consisted entirely of a "Settlement Period" as that monster had put it. Do the dishes.. Greet him when he comes home, God save her if she didn't greet him.
One night she had completely forgotten to do so. She was so tired that night from all the cooking and cleaning that she didn't even notice him come home. He became unbelievably furious at her and had locked her in the bedroom closet for a good amount of hours. He didn't let her out no matter how loud her wails and screams became.
Before the settlement period ended he was much more distant, Per se. He kept away from her, Didn't speak much. As long as she did the rules set out for her he didn't interact with her at all. But he did stare.
Anywhere she went when he was home she could feel his eyes on her, That hot glare could melt ice with its intensity. It only served her to be more scared of him, To fear his next move, To flinch whenever he did.
After the period had ended however is when he started to get closer. He'd force her to lay with him at night in the same bed, Nothing came of it but the absolute inconsolable fear that resonated from within her every time he dragged her to their shared futon every time the sun came up was absolutely nauseating.
That was another thing, He goes out at the first show of the moon and comes home just before the wake of dawn. You figured it was a demon thing, It probably was. But this small little fact changed her sleep schedule to make her nocturnal, Which annoyed her greatly.
He'd start to try make light conversation if you could call it that, It was more of him asking questions such as 'What did you do today'. To which she had no answer, She was kidnapped. She had spent the entire day doing what he had forced her to do. However the only thing she could say to appease him was "Nothing much honey? What about you" while they sat over the meat she slaved away at.
The meat, She didn't want to think about the meat. She had no idea where it came from, Just that it restocked when she fell asleep.
When they ate together, When he forced her to she couldn't quite place the taste of it. It wasn't like anything she had tasted before and the closest thing she could place it to was pork, However seemed to be more sweeter and a just a little more stronger than any pork she's had before.
She didn't want to know what kind of meat it was, She didn't want to ask. It was probably better that way.
All she focused on was cooking it, Making sure that it turned the golden brown it was suppose to be.
To cook it she was given a simple pan and a few pieces of wood to make friction with. She wasn't allowed anything sharp so she had resorted to bamboo sticks and her bare hands to cut and prepare it.
The kitchen wasn't much help either. When she finally brought up the courage to venture into rooms other than the bedroom she discovered the absolute abandonment the rest of the house was in.
Like the bedroom which was bad enough the kitchen was horrendous. The wooden floorboards and structure were rotting. Cobwebs were infesting every little crook and cranny of the kitchen, So much so that it looked like clumps of yarn had been stuffed into them. Not to mention the tiny web landlords she found in them that she had to chase away with rocks.
She had to slave away day and night to even make it somewhat hygienic to cook in.
Apart from the kitchen she hadn't dared to go into any other room in the house. She didn't want to think about what was in there if the kitchen was this bad. The only rooms she went in and out of was the bedroom, Kitchen and bathroom.
Apart from that she hadn't explored any other room, Luckily enough it seemed like her captor didn't care if she didn't clean the other rooms. As long as the kitchen, Bedroom and bathroom were clean he didn't say a word about it.
But there was another area she loved to explore.
Outside of the house, When she was permitted she would enter the garden. While it was unkempt like the rest of the house with flowers and rye grass growing wild, [F/N] thought that gave it charm.
There were a good few amount of large tree's casting shade around the small field the garden covered with lush green leaves covering them. Unfortunately she couldn't escape as the gardens were fenced off by large walls covered head to toe in a rather severe form of poison ivy, If she tried to climb them she'd be writhing on the ground in seconds.
The flowers were vividly coloured and bloomed in a wide spectrum. They radiated such a beautiful fragrance, With her favourites being the pink ones as they reminded her of her beloved sakura blossom.
But despite the beautiful aroma coming from them it just didn't have the same smell of her cherry blossoms, Leaving the lovely smell bittersweet instead. Besides, The tree's in the garden just weren't the type to produce the blooms.
She'd find a way to escape. When she does she'll find her way back home, Back to him.
A loud sizzle of the meat on the pan snapped [F/N] out of her reflection.
The meat had turned into a rich brown, Signalling it's medium rare condition. [F/N] groaned and wiped the sweat off her brow that built up while she daydreamed.
Slowly poking the meat over the side of the pan she pushed it over onto a plate to collect it. Scraping the last bits of the slabs off onto the plate she got up from her perched position on the floor while stretching her aching legs.
Wobbling in place she moved over to the old kitchen countertop and set the meat down to cool off. She sighed and leaned back onto the counter beside it.
She realised she'd started cooking the meat too early as the moon outside usually rung of the time her captor got home. This gave her time to herself.
For a normal person this would be a good thing, However to [F/N] it just meant more time for her and her thoughts. She didn't want to think anymore about her situation as it would just make her overthink more. She needed something to do.
Looking around the small main room for an opportunity she came up barren. She recalled all the books Kokushibo had occasionally brought back for her, She had read them all at least fifty times over and had basically memorised every word so she supposed that was a no go.
Clean the house again? Both the kitchen and the house were both as spotless as an abandoned house could get, There would be nothing to clean. Though, The other rooms in the house were abandoned and unexplored, Bound to have some dust in there.
She didn't even like cleaning, Not in the slightest. Though she figured her situation had brought on new hobbies despite how depressing of a hobby cleaning is.
Though as she looked at the door she recalled back to all of the disturbing traits of her imprisonment: The mystery meat, The carpet stain, The infestations. Who know if these are the only the things she found in three rooms then the rest of the house must host only the Gods knows.
She eyed the door as if she was a rabbit to a wolf. Slowly, She shuffled over to the shoji door. The inside birch handle seemed to resemble a open maw to her. The scolded herself in her mind.
It was just a door, It was just a room. Why are you afraid of entering a dusty old room? You shouldn't be feeling like this, It's totally irrational [F/N]. Pull yourself together.
She exhaled, She knew she was right. It was just a room. She never had this problem before, Maybe her kidnapping has shook her up more than she realised. Go in, You might even find something that could help you escape. Just rip the bandage off.
Steeling herself with the hope of escape she grabbed the open maw handle she roughly pushed it open. Instantly she was met with a dust cloud that made her cough and cover her mouth with her kimono sleeve as she desperately tried to waft the air away with her hand.
When the cloud finally settled she lifted her head up to peek inside the room.
Peering around the corner she looked inside to see a storage room of sorts, Or at least that's what it looked like.
The inside dimensions was of a rectangular shape with a high ceiling. Like the rest of the rooms it was completely covered in dust and cobwebs, [F/N] could also see the scuttling of tiny bugs running around the floor to which she squirmed.
There was a large table in the middle of the room, On top of it sat pots and pots of dead old plants of a wide variety, [F/N] wasn't surprised, With the large biodiversity of the garden outside she should of known the previous owner of this place had a green thumb.
On the far side of the wall was three storage cabinets, They were built with 'Swing open doors' and luckily had no locks on them. Noticing this [F/N]'s curiosity was piqued, The possibility of escape tools was tantalizing.
She took a few steps into the room, Deeming it not to be of any danger. Looking left and right to confirm this she tiptoed over to the storage cabinets and reached the first one.
She ran her fingers over one of the hinged doors, Collecting a layer of dust while she searched for the handle. Finding the rise on the surface she gripped onto it and turned. Swinging the door open she peered inside to see the contents.
Inside there were several glass jars, All of them were of different sizes and shapes but in the end they all contained lots of kinds of herbs and spices, All of which were strangely still fresh.
Grabbing a few of the jars she examined them. The bottle's necks had a thin tag attached to them.
Paprika, Bay leaves, Cinnamon, Oregano, Brahmi, Tumeric, Nutmeg, Pepper.
All of which she recognised. While none of the contents appeared to be of any use to her escape plot they did give her something to use with the meat, Though Kokushibo didn't want any in his it didn't mean she couldn't season hers at all.
She slid the containers back into their cabinet and closed the door. Feeling somewhat satisfied with her finds she moved onto the next one.
Opening it up she looked inside to find.. Little colourful pouches. The pouches were scattered within the cabinet. They were a wide range of colours from blue to pink, They were there. All of them had little floral patterns sowed into them with care.
[F/N] raised an eyebrow. The pouches were just laying there without any holder like the spices, No nametag either. She also doubted they would actually have anything in there that would assist in her get away.
But she couldn't be lazy, She needed to check.
Collecting the pouches she scooped them up into her palms and brought them to her chest. Surveying their condition and rubbing a few of their contents through her fingers she found they all contained different textures. Finally deciding to check them she pried open the mouth of them and examined the contents.
And there were.. Seeds.
The outside colour of pouch she had opened was yellow and the insides were sunflower seeds.
[F/N] hummed, Only mildly surprised. She continued on to the other ones.
Blue? Ocean lilies. Red? Roses. Black? Dahlia's. Each of the small pouches had a colour corresponding to their contents. She put the opened ones back inside the cabinet and sieved through the rest.
Putting away orchids and tiger lilies she finally reached the final pouch.
It was a baby pink with silver threads adorning it. Testing its weight, She tossed it up into the air and it landed back with a light thud into her hand. It wasn't unlike the others, Not at all.
Pulling open the string around its neck she opened up.
Inside of the little pink pouch were seeds. Big and round, Resembling something like a walnut. There were a total of four in there.
Her eyes expanded to that of saucers. Her jaw went slack open. She recognised them, How could she not? They were cherry blossom seeds, Yoshino to be exact.
She felt her heartrate rise up in her chest, A pounding sensation filling her entire body. She felt as if an exfoliating light was rising up from her palms, A glimmering hope in the darkest days of her life, All radiating from inside the sack in her palms.
[F/N] squealed at the sight and couldn't help but rapidly stomp her foot being unable to contain her excitement.
She swiftly clawed out one of the little nut-like seeds and felt in around in her hands. A burst of giggles erupted from her and she spun around in place at the sight of it. Without any thought she knew what she had to do.
She stuffed the pouch in her her obi and rushed out the room with a new found speed. She needed to plant the seeds, She needed to grasp onto the cherry blossoms, She needed to smell them.
Completely forgetting her previous escape plan and ignoring the amount of time it would take to grow the tree she took no time when she ran out into the main room towards the main door.
And stopped dead in her tracks.
Standing in front of the wide open door stood Kokushibo. He glared straight at her, All six of his eyes scrutinizing her entire form.
[F/N] froze up, Her previous excitement dying in her throat. Her fault hit her like brick and made her head spin round and round. She forgot to greet him.. She forgot..
Her knee's almost buckled under the weight of her mistake. She tried to speak, But no words came out.
Kokushibo looked at her, Then around the room. He moved his clawed hand and she flinched.
"The meat has gone cold.." He commented, Pointing at the left out meat.
[F/N]'s lip trembled. Suddenly building up the courage to speak she let it spill out.
"I.. I'm so sorry I.. I.. Lost track of time.. Forgive me, Please.." She spoke fast and stuttered as she went. Her eyes started to water at the prospect of being locked back in that small, closed off space.
Kokushibo was unfazed. Looking straight through her.
"Its.. Fine.." He said and with that, He turned away and trod off down the hallway.
[F/N] felt herself instantly relax as soon as he left the room. While the meat wasn't hot anymore and she'd need to heat it up, She wasn't punished or yelled at for failing to both greet him at the door and making the meat how he liked. She thanked whatever kami was looking over her.
However she noticed from the small crack of the closed door that the sun was rising. She wouldn't be able to go outside into the garden to plant the seeds.
At least, Not while Kokushibo is aware.
☆♡☆
It was the early hours of the morning, Only a few hours after [F/N] got a hold on the cherry blossom seeds.
Like every night before then her captor had dragged [F/N] back to their shared bedroom and had forced her onto the futon. As usual nothing came of it. It was just him facing away from her towards the wall while she looked the other way.
Normally this would end with her eventually falling into a dreamless slumber, But today she had a plan.
She decided to wait for Kokushibo to fall asleep, A task which she assumed would be boring but easy. But had turned out to be the complete opposite.
She herself had stilled her breath and relaxed her movements, Trying to make it seem that she herself was deep into REM. But this seemed to work a bit too well as Kokushibo bought into it.
She felt him run his claws through her hair, She had to steel her nerves just so she wouldn't squirm away from him. He kept moving around in bed, Too. Repeatedly repositioning himself to include her in his sleeping position: Wrapping his arms around her waist, Resting her head on his shoulder, Spooning. All of which made her want to vomit.
I should of just waited until night time to plant it. She thought. She was right as well. It would be much more convenient if she did wait, But her mind tossed it like a used cigarette immediately. She needed to plant the seeds, She needed her cherry blossoms.
In the end however he couldn't find a comfortable position, So he just reverted back to the original stare-at-the-wall form.
She had waited another two hours after that, Just to make sure he was asleep. Once she finally felt sure she had put her next step into motion.
Literally, She had to be extremely cautious in her steps as the floorboards had a tendency to creak. One single move could ruin everything.
Getting up, Slowly, Carefully. She swung her legs over onto the floorboards and pressed her feet down softly.
She waited.
No sound came. She was in the clear.
Fully getting up from the bed she creeped ever so sluggishly towards the main door, Carefully making sure not to touch any of the floorboards that were particularly old.
Reaching the door, The hardest part had came around.
The doorknob, The accursed doorknob. Every time [F/N] would turn it around to leave the mechanisms inside would create such a churn of noise so loud that you could hear it from the kitchen.
As gently as she could she relaxed her hand over the doorknob. Gripping it she began to gradually turn it, So slow you could barely see it move. The mechanisms from behind the door started to sound out too, Lowered and muffled by [F/N]'s sluggish pace but still enough to make a low scraping noise on the wood.
She winced at the sound, Her pace going even slower until she turned it around the entire way.
She pulled it open gently, Her hand still on the doorknob. The threat of the mechanisms reversing hung over her head like a guillotine, The sharp blade seeming to lower every time the noise jolted in volume.
She let the knob go. Glancing back at the slumbering demon, She found him still dead asleep on the futon.
She grinned, Wild and toothy. She was free to go.
She walked off down the hallway towards the front door. Pulling out the small baby pink pouch from her obi she confirmed it was still there. The adrenaline of the situation ran through her and the raw excitement of her find elated her so much so that she felt she was floating.
Reaching the door she swung it open and rushed out into the garden. It was early morning. Though you couldn't tell due to the thick blanketing clouds, So thick that it didn't even let a single crack of sunlight dawn through. As she ran barefoot, Stomping on the wild overgrowths of grass she noted that the soil seemed dry today.
[F/N] frowned, These weren't good agriculture conditions. But that didn't waver her stride nor did it shake her determination in the slightest, She was confident in her goal.
Running past the wild bursts of flower growth and foliage she reached the heart of the garden: A little rocky hill with a clearing at the top, The perfect position for a Yoshino blossom tree to be perched.
She swatted away hair strands blowing in her face from the light breeze, Tripping only once or twice on the way up she reached the top.
Falling to her knees, Dirtying her old kimono in the process she brushed away the grass to find the perfect spot.
Finding a small little dip located in the exact middle point she deemed it good enough to dig in.
[F/N] started to claw and scratch at the dirt with her bare nails, Pushing away soil left and right not caring about the mess she made. She knew she needed a hole at least a few feet deep.
She tossed the pouch to the side of the hole, Seeds rattling around inside it.
She dug further and further down, Soil was building up beside the dip that soon turned into a crevice. Soon enough though her nails hit a harder part of the soil and began to be proven useless.
[F/N] near-growled at the impasse. Thinking quickly, She extracted one of the sharp-tipped hairpins from her messed hair. Ignoring the hair flopping over from the removed support she raised the pin high up above her head.
Bringing it back to gather momentum she quickly brought it back down-
She froze. Goosebumps rose on the back of her neck.
She didn't need to turn around to know about the katana only inches away from her neck, Ready to pierce her skin at any moment.
"What exactly.. Do you think you're doing?" Kokushibo hissed. He was angry, He was so angry. His entire being shook with it. The blade he pointed directly at the back of her neck shook along with him.
[F/N]'s heart seemed to stop beating and her jaw lay open. His kimono wove in tandem to the wind and was brought apart from his rage. The hairpin she held dropped to the ground with a clang!
"I.. I.." She sputtered. She didn't dare turn around. She didn't dare turn around to see his bared teeth, His wide eyes scrutinising every atom of her, His free hand twitching around itching to dig into her skin.
A sound similar to what a feral animal would make rose from within his throat. The blade inched closer.
"An answer.. Now." He spat, Taking a step closer.
Despite his words he didn't wait for one. Alternating his blade to his other hand he reached down beside her he grabbed the pouch. [F/N] gasped.
"W-Wait!" She exclaimed. He brought the pouch up to his face to examine it. [F/N] tried to grasp and grab at the pouch but was nonchalantly shook off by Kokushibo, Who paid her no mind.
He wretched the mouth of the sack open and brought out one of the walnut-like seeds, Holding it with two claws up to his middle eyes. He ignored [F/N]'s protests, She felt her entire being break. Her one chance of comfort destroyed before her.
She broke down into quiet tears, Her retaliation growing weaker and weaker until she just slumped over on her knees.
"What.. What is this?" He asked, Not taking his eyes off the nut. "It's a cherry blossom seed.." [F/N] muttered through her soft cries. Kokushibo looked down at her, His face cooling off only a singe. He lowered the seed down to instead clutch it in his hand.
"You came out here.. To do gardening?" His voice sounded off, Like he was deep in thought. [F/N] nodded.
"Why?" He asked. The question seemed to elude [F/N]'s response. A war waged on in her mind, One side fighting to stay silent the other to just tell the truth. She shook it off, Going for the third party.
"Does it matter to you?" She said, Her voice a tone of defeat. In her somewhat right mind she would of never spoke to him with that level of audacity, But now it just seemed futile.
Kokushibo sucked in air through his teeth and huffed as if it was a stupid question.
"You are my wife.. I expect there to be no secrets hiding from me." He answered so casually.
"I am not your wife.. I've told you this before. There was no marriage, You kidnapped me." She sighed. Every inch of fear she had seemed pushed to the side now.
Kokushibo lowered his sword, He took a step forward closer to her. "..Why do you like them so much?" He asked, Ignoring her previous remark which would get her reprimanded. Her eyes narrowed, This brought on a sense of confusion to [F/N].
"Why do you want to know.." She repeated her previous question through her sniffles, Still looking down at the grass.
"Back at that courtesan house.. Your room was filled to the brim with those flowers. I had assumed it was a theme… That wretched old woman gave you to make you stand out.. From the other Oiran's in the area.." He explained.
"But I was proven otherwise when instead of escaping.. You came out to plant one of the tree's." His voice was filled with puzzlement.
[F/N] had nothing to say at his words, Nothing at all.
"Let me make you a deal." He proclaimed, His voice finally making [F/N]'s head rise up from the ground to look up at his looming figure. A deal? Her face scrunched up in confusion while she awaited his response.
"If you explain to me.. The reason for your love of sakura blossoms.. And start refering to me by my proper title.. I will let you plant this seed here.. As well as bringing you back whatever you desire when I leave the house. " He laid the bargain out in front of her. It wasn't the deal that puzzled her to no end, But instead his unyielding determination to know why she adored the blossoms.
"Why do you even want to know about it? It doesn't matter to you at all." Her final question escaped her lips. He stood quiet for only a moment as he pondered her words. Kokushibo's expression seemed to grow light as he looked at her.
"Because despite your silly beliefs.. I care about you. And I wish to know about you, To be a good husband for you" He said.
This pierced through [F/N] harder than anything his katana could of done. Her shoulders loosened up and she nodded.
"Alright then. I accept the deal."
☆♡☆
[F/N] layed by the boiling pot hanging over the fire, Swinging her legs around and fidgeting with her hands.
The clouds that had barely obscured the sky earlier had grown into a raging storm, One that neither she or her father predicted. The rain was heavy and came down like bullets along with the wind which was harsh and unforgiving. Outside the cherry tree branches hit each other back and forth creating loud rustling noises.
Along with the semi-boiled water she could smell the rain mixing with the wildlife from the halfway opened window. She kept glancing out it to see if she could catch a glimpse of her mother returning with the rice.
Her dad had commanded her to keep an eye on the water, And for the first ten minutes she did. However eventually her young mind grew bored and wandered off to other things.
[F/N] groaned and flopped her arms to her side.
"Dad, When's mum gonna be back?" [F/N] exclaimed with a lilt of annoyance.
Her dad stood over by the kitchen counter clutching a good few clovers of bay leaves in his hands.
"Don't know, Sweetheart. You know how your mother is with taking her time." Kyuusei replied. He shifted through the bay leaves and got to the very last one, Staring at them blankly for a moment he sighed. He turned back to his daughter.
"Be right back, [F/N]." He called out to her before turning away and walking towards the shoji door. [F/N] watched him slide it open and walk through.
Once he shut it closed, She perked up from lying down on the floorboards and got up.
Ignoring the boiling pot of water she rushed over to the open window. Gripping onto the frame she tried hauling her small self up onto the ledge, Failing twice before finally being able to pull her little body up onto the frame.
She looked out into the wild weather of the night and took it as nothing big. Jumping down onto the other side she pranced out into the rife atmosphere in search of her mother.
She ran off onto the rough stone path, Tripping both from the heavy winds and the jagged rocks. She had to pause just to regain her balance, However when she did she took off further down the path.
[F/N] ignored her soaked kimono and the hair whipping around her as she carefully maneuvered the stones. Lightning echoed out in the distance, But the noise didn't rock her from her path.
The warm light of her house grew farther and farther away, The cold chill of the night grew stronger the more she went.
Eventually reaching the peak of the ledge they sat on she looked out over the forest below. Her hair blowing around in her face made it hard to see below. When she finally gathered it all together she finally got a look below.
She saw the small shed there, Lightly rocking back and forth on its structure. The candles weren't lit inside implying her mother wasn't there.
[F/N] groaned, But suddenly she spotted her mother through the rain and wind.
She lay unconscious at the bottom of the hill, Her arms and legs spread out on her stomach. The bag of rice was spilt out a little way beside her. [F/N]'s eyes widened, Panic rising up into her chest. She heard her father yell out from behind her, But she ignored him and his calls.
"Mum! Mum!" She yelled out over the storm noise. Carefully, She made her way down the hill to get a better look at her. Climbing down onto a lower rock she narrowed her eyes to-
She wasn't unconscious
She wasn't unconscious.
Seishi's neck was twisted 180, Her broken neckbone dug out from her flesh making her head look barely attached. She lay in a thick puddle of blood diluted only by the rainwater. She had fallen on the path.
[F/N] screamed.
"MUM! MUM!" She wailed. Running down the path not caring about her stumbles and wobbles as she went.
She reached her mothers corpse, Her head was facing up while her body faced down. Her visage excreted fear, A final terrifying sculpture. [F/N] gripped onto her body and sobbed, Pulling at her kimono and burying her face into her mothers shoulder.
"[F/N]!" Her father had finally reached the scene and stood still at the top of the hill. He looked down on the rest of his family and he yelled, A loud guttural yell.
He rushed down the pathway and quickly enveloped his daughter in a hug, Shielding her away from the corpse of her mother. [F/N] latched onto her father and sobbed inconsolably.
"S-Seishi.. Seishi, My love.. It should of been me.. It should of been me.. I'm so, so sorry." Kyuusei cried, Looking upon the cold dead look of his wife. [F/N] cried along with him, Crying out for her mother to come back.
She shut her eyes tight, Hoping that when she opened them she'd awaken in her mothers arms. Wanting to be lightly scolded for staying up too late.
But when she opened them that never happened, Just the cold rainwater and the shaking arms of her father hugging her tight.
She cried. The last thing she remembered was the faint scent of her mothers cherry blossom perfume, Fading out into the iron smell of her mangled corpse.
☆♡☆
It was a sleepless night.
The morning after, The storm clouds dispersed away. Bringing in the warm sun shining over the revitalised forest.
The irony stung the both of them, As today was the day they'd need to carry her mother's cadaver to its burial site.
Her father had held [F/N] the entire night, Trying to find the words to console her when he knew none could comfort either of them. So instead they sat like that until the first eye of dawn.
After that they made their way back down to the death site. Picking up Seishi's cold body he pulled her close to him, He tried his best to put on a strong face for his daughter but he couldn't help the silent tears and hiccups erupting from his throat as he carried his wife's body through the forest.
[F/N] tailed behind him, Repeatedly calling out for her mother in small sobs. She repeatedly wiped away her tears with her sleeve yet they kept flooding out anyways.
They decided on the massive weeping sakura sat in the core of the woods as Seishi's final resting place, It was her most prized tree as it towered over all the other ones around it.
The digging of the grave took a good few hours for her father to complete, During that time he never said a single word and never for a second took his eyes off of his task.
Once the grave was finally done he had looked into his wife's eyes for a final time and kissed her tenderly on the forehead. He softly apologised to her, Professing his guilt over her death and how he loved her so.
He lowered her body into the grave and shut her eyes. Once both [F/N] and him said their final goodbyes, He got to filling the grave with a sombre expression.
After that her father had grown sad and bitter, The previous light and warmth that his presence radiated had grown cold. Most days he wouldn't leave his bed. He never said anything either, Not much anyways.
Unlike the cherry tree's symbolising life and renewal, Her mother had not come back to them in the spring.
This went on for years, It never ended. His depression had grown so severe that he had lost his job, Both for his horrible attendance and his sombre attitude. This had left the sole provider to be [F/N]
Her mothers death hit her terribly, She had broken down crying for weeks on end afterwards. She'd lay by her grave for hours on end, Only straying to go to sleep. Even then there were some days she'd fall asleep by her grave.
When the money ran out however, Is when [F/N] was forced to pick herself up and start providing for the both of them. She had to, For both her survival and her fathers.
To make money she had came up with a custom kind of tea blend made out of the sakura leaves surrounding her house. A sweet yet earthy blend that a lot of the younger and elder women seemed to love. It brought in money, Not a lot but enough to get by.
Everyday she'd travel out from the forest down to the village, Go door to door trying to advertise her blend of Sakurayu to the villagers. Then come home to make dinner for her and her father.
This cycle went on for years until she was a young woman. If it wasn't pity, She knew some of the villagers criticized her for being the one to take care of her parents. It didn't matter though.
She needed to take care of her father, Cause if she didn't, Nobody else would.
However one day, Years later. The village nearby had made merchant deals with hers. Trading food, Clothing the exact same sakura tea blend that [F/N] worked hard to make.
Unfortunately the villagers loved the imported tea more than [F/N]'s homemade blend, This had absolutely destroyed [F/N]'s income and instantly threw her into a panic.
The money she had made before had suddenly disappeared. So when she heard gossip from some of the younger girls at the village about the courtesan houses in the big city, She knew what she needed to do.
The next morning she kissed her father on the forehead, Leaving a letter and the last savings of money to keep him going while she was gone.
With that, She stowed away on a carriage ride going all the way to Heian-Kyo. In search of a better life.
All while she rubbed the soft pink petals, The same ones that always told her she was safe. Safe in the arms of her mother.
☆♡☆
[F/N] was crying now, Tears rolled down her face as she spilt out her past for her captor to hear.
"After that I just.. I found a house with vacancy and they took me in.. Then I just.. Worked my way up until I was Oiran." She choked out, Her face dug deep into her own palms.
Kokushibo held her close in his arms, He had started doing so once she had broke down at the explanation of her mothers death. He showed no emotion on his face, But his actions seemed to speak loudly enough for him.
"I-I sent money to my father when I could.. I haven't seen him in years.." She cried, Nuzzling closer into his chest. They were so close that she was basically sitting on his lap. She didn't care anymore, She needed the comfort and if it meant ignoring the morality of the situation to get it then she would never think another thought about it.
"Please.. I don't know how long it has been but I need to go back to the Oiran house.. I need to get the money for him.." She looked up at him, Tears in her eyes.
Kokushibo hummed, Moving an arm up to her shoulder he rubbed circles trying to provide comfort.
"I am unable to bring you back.." He said. [F/N] looked away from him, Sniffling. She knew it wasn't a matter of him being unable, It was a matter of he didn't want to.
"But I will be able to provide the money you seek." He finished. She looked back, Her eyes wide and full of life.
"What..?" She asked, Seeking confirmation of his words. He only nodded.
"If money is.. what you need then I can provide it.. It is no hassle for me" He proclaimed, Looking back into her own eyes.
[F/N] smiled, A wide, Genuine smile graced her face. A light blossoming within her like the leaves of her sacred tree.
"You.. You mean it?" She whispered, Looking deep into his eyes which only held the truth.
"Of course.. I do. As part of our deal.. Whatever you want." He replied, His voice contained such obsession care that she just couldn't see before. She melted in his hold.
"Also as a part of our deal.. I do believe its time for you to plant that seed." He said, Bringing up the seed he had in his hand he presented it to her like a wedding ring.
She smiled wider and took it from his palms.
Turning around, Still in his hold she looked down at the half dug hole. Picking up her hairpin to start digging again she was stopped by a gentle grasp on her wrist.
"Use this instead.." Kokushibo said, Handing over a small dagger. "It would be better than a hairpin.."
She thanked him and got to work. Using the wide surface area of the dagger she dug at a much better pace, Kokushibo watched her every movement the entire time.
Once she had dug a big enough hole she examined the knife. Kokushibo presented his hand, Signalling her to give back the knife. She held the hilt tight. Looking once at his hand then to the knife.
She sighed and dropped the knife into his hands. He nodded and tucked the knife away somewhere she couldn't see.
"Alright then.." She muttered, Holding the seed up to both of their eyes she reached the final step.
"Just let it go.." He replied, The same quiet tone echoing back at her. She looked at the seed and remembered her situation. The kidnapping, The living conditions, The punishment. All of it came back to her.
It was an awful feeling, Something she wanted to push away, Something she didn't want to feel ever again.
Knowing she was too wrapped up in her own mind to make the last move he guided her hands down to the crevice. He rested his head on her own, Her back up against his chest from where they sat.
He nudged the seed from her grasp and it fell into the hole. She snapped out of it and looked down to see the seed had been planted. "That was not so hard.. Was it?" He asked, Though he did not expect an answer.
She shook her head, The frown on her face was barely visible. Slowly, She began to refill the dug out hole covering the seed so it could grow in the right conditions.
She felt Kokushibo wrap his arms around her midsection, A sensation she had jolted at. It was an action she did not expect, Leaving her stiff.
Once the hole was fully covered and the seed was set to grow she was left to her own thoughts as she was embraced by her captor now husband.
This was fine, It wasn't okay. Gods, it was not okay by any means or context that could be given. She had been kidnapped and tortured for an amount of time she couldn't even remember, But it was fine. Just fine.
If the only thing she needed to do to provide for her father was become this man's wife, Then she would do as she had promised.
Though as her mind wandered off to her now gone plan of escape, The torture she had endured during her stay here she felt that same, Horrid feeling bubble up inside her.
She hated it, She hated it so much.
She tried to recall the aroma of the cherry blossoms, Imagining the sweet subtle smell invade her senses and take over her entire being head to toe.
And suddenly, Everything was fine.
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loverofpiggies · 1 year ago
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IT’S POWER, EVERYONE!!!
Check out my etsy shop
If you want to see how I made this piece, check out the extended stuff below!
Okay, the story behind this piece is nuts, but. I’ve known I’ve needed to work on improving my art for a while, so as you can tell from all the newest pieces, I’ve been trying to push myself. It started like this:
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This was actually the fourth sketch I made. I knew I wanted Power to be looking down at us (you know, what she does with everyone), and I wanted to have her swinging a blood scythe in one way or another. I set up composition lines, but the more I looked at the sketch, the more frustrated I got. I finally just had to accept my anatomy and my 3d understanding of the body is very much lacking, and If I wanted to improve I had to work on something.
I watched a bunch of tutorial videos, and decided to try out the 3D model in Clip Studio paint. It didn’t take too long to learn how to manipulate the model, and I came up with this:
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From here, I decided to do my quick sketch with Power
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While I was experimenting with Clip studio’s art stuff, I decided to try playing around with their new “Shade Assist”. I figured it could give me some more ideas to make my shadows feel more ‘real’ or have me look at my art in a different way. Once I finished the lineart, got the color in there, and drew in Meowy, this is what I tried.
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I really loved how the ‘evening’ mode of shade assist looked, even after playing around with my own colors, but I liked how it gave her a slightly more ‘yellow’ tone, and how the shadows were actually just lavender and light pink. So I took those colors, and worked on the shadows.
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From there, I made the background layer. I used one of the Clip Studio gradient pre-sets, the ‘evening’ one, and painted a texture on top of it to have it match more with the textured painting style I went with. I added blood splatters, and ‘rectangles’ in the background, just to have more things visually going on.
On top of all of that, I added another layer on top of Power herself, with a very slight tone color of the gradient behind her, to make her and the background feel like they’re supposed to be together. And that’s it!!
I’m really happy with this so I wanted to explain my process. Looking around at tutorials on youtube, talking to artist friends who- tbh, are WAY more knowledgeable then me, helped a ton. And using the 3d model helped visualize the body, and different angles, WAY better then anything else I could find.
So uhhh thank you, and enjoy!
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lilacgaby · 2 months ago
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02 | serenity
~2.8k
chapter select!
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he woke up to nobody in his arms but a pillow.
he should've expected this. it was just a stupid dream, a hallucination caused by that idiot yesterday. he sighed disappointedly, turning over to shut off his clock when--
he saw her, eyebrows furrowed and frustrated, trying to complete the other side of the puzzle.
he let out a sigh of relief that he didn't even know he was holding. she was there, and he still couldn't believe it. still couldn't believe that the fake girl he'd crushed over since he was in middle school was alive and kicking, and that he'd be alive to see it.
"oh, hey katsuki! i finished the other side, i'd tell you to look but i had to take it apart.." she said, still trying to piece things together.
"yeah, uh. hi." he said, voice deep from sleep, until he coughed and spoke normally. "uh.. we gotta take you to my teacher today. he'll be able to tell us whatever the fuck is up with you."
"right, uh.. just quick question first."
"hm?"
"can i borrow your clothes?"
right. he smacked his forehead because of his own idiocy. he forgot to give her clothes to sleep in last night, she had to sleep in her school uniform. and he knew she hated it, she said in volume fourteen that it was uncomfortable for her, and in volume eighteen she slept in it and woke up aching! he was such a fake fan.
"yeah, yeah, of course." he got up and went to his closet. he looked for clothes that'd suit her, though he doubted he'd have anything good enough.
as he dug through his closet, she eyed the box covering a corner of his shelves. all over the shelves were merch of that one guy.. 'all-might' was his name? just who was this guy anyways, he must be pretty self obsessed. he had his own puzzle line, posters, was that a figure? hell, even the box was themed.
she got up to investigate, holding up the figure, still enclosed in a box. as she eyed it over, bakugo almost fainted at the sight of his favorite character holding his favorite hero. he kept digging into his dresser now, thinking about how his fashion designer parents would cringe at the clothes he was going to put on someone as gorgeous as her.
in [name]'s brain she thought about who was the 'all-might' equivalent in her world. imagining a police officer with posters, puzzles, and fans made her cringe externally, so she set the figure back and backed away.
accidentally hitting the box that was covering the corner of the shelves.
as she moved to fix it, she saw a bunch of manga labeled 'serenity' next to the things it was covering.
she took one and opened it to the first page. she saw... pictures of her. of her first day of school, where she ran with bread in her mouth because she was late. of her bowing profusely for being late. of her being sat between shinto and urameshi because the spot next to her friend was taken-
everything was there. she had seen it yesterday, but to see everything canonically arranged felt bizarre. she put down the book and backed away, feeling conflicted, a burning feeling in her chest.
perfectly timed though, because katsuki had managed to pull out his favorite skull t-shirt for her to wear, along with leggings that he had grown out of.
he held them out, "here, we can go shopping or something later, but this is the best i got for now."
"ah.. thank you katsuki." she walked over to the bathroom and changed. the clothes fit her surprisingly well, accentuating her body. it wasn't really her normal style.. but it'd do for now.
while she changed, bakugo called mr. aizawa to make sure he was awake and kicking. at his response, he asked if he could meet with him in an hour, because of an 'emergency.' and aizawa sleepily agreed.
as he waited for her to come out, he felt uncharacteristically antsy, with his leg bouncing up and down.
she came out, dressed in his clothes, and she looked infinitely better than the fan art he'd made of her wearing a similar outfit.
"uh.. you ready to go?"
"hm? yeah."
as they were about to set off, someone barged into his room. kirishima, who wanted to train on a school holiday.
"hey bakubr-- oh.. who is that?" he said, looking over at [name]. his eyebrows raising slightly as he saw she was in bakugo's signature skull t-shirt.
"get out weird hair!"
"okay, okay uh.. i'll leave you two to it."
as the door shut behind him, katsuki slapped his hand over his face in frustration. he eyed [name], who was still just standing about waiting for him, sighed, and got up.
"well, let's fucking go." he said, holding the door open for her as they walked out. on the trip to the elevator and down, his classmates eyed the two of them, with some of them even noting her striking resemblance to the protagonist of 'serenity'.
he dragged her out quickly, slamming the door to the entrance as they walked to the main campus.
"this school is huge! my school is-- well you probably already know." she said, scratching the back of her head.
"yeah uh.. i do. it was a rundown old funeral home?"
"yes, exactly! and then they remodeled it into my school. but they y'know, built over a lot of graves and stuff."
"right, which is why there's an underlying subplot of you investigating the weird ass supernatural horrors of the school."
"subplot?... oh, i guess yeah. but we do it though the occult club just for fun."
"right. and those two idiots of yours are in it too, huh?"
"yup! shinto and urameshi. it's only cause we needed four people for an official club though!"
"mhm." it was so odd having her talk about her life events with him being able to recite each one of them to her. it felt like he was obsessing over her-- which he definitely was not.
he stopped suddenly infront of class two-a, having her bump into him with an 'oof'. after holding the door open for her, he walked inside to see aizawa, grading papers at a desk.
he eyed [name] suspiciously. "bakugo, is this girl the emergency? if so, i'm tempted to expel you for wasting my time."
"pfft. she is the emergency, and you wanna know why? because she's-- she's not real in this world. she's a fucking anime character." bakugo said, shoving the blank manga book in aizawa's face. "this is what was left after she suddenly popped out the pages, some asshole hit the book with a quirk and she appeared right after."
aizawa took the book out his hands and examined it. "language bakugo. ahem, is this true miss..?"
"[name]. and i think it's true. i'm not from a world with um.. superpowers or anything. and i woke up in an alleyway with that strange guy and katsuki." she said, anxiously twiddling her thumbs as she addressed aizawa.
"so, i think that this man likely has a manifestation quirk then." aizawa reasoned. "he has the ability to materialize things that were on paper, giving them life but not being able to control them. it's so powerful, that i'm assuming a days passed, and [name] is still here."
after thinking for a moment, aizawa came up with a temporary plan. "i've never dealt with a quirk of this manner before. but, since [name] is now a victim of it and you're so keen to help, she can stay at the dorms temporarily until we detain the man who is responsible for manifesting her. bakugo, explain what the encounter was exactly."
"well, i went out and bought this manga, 'serenity'. then, after finishing up i took a shortcut through an alley to U-A, but this damn mugger jumped at me, threatens me and sh-- stuff. he rushed at me so i threw my book at him out of reflex, a puff of smoke appeared and there she was."
"do you have anything on the profile of this man? what did he look like?"
"well, uh.. i didn't actually see him. i was busy looking at her."
aizawa deadpanned, and looked over at [name].
"so, did you see what he looked like [name]?"
"hm? oh i did. he was pretty generic looking, besides the scar on his lip. black hair, black eyes, pale skin. "
aizawa nodded, and went back to grading his papers. "i'll bring this up to higher ups later on, we'll be on the lookout for this man. our only way to find out what brought [name] here and how to bring her back is from the quirk user himself. [name], you will act as a U-A student from today on. it's not a big issue if it gets out you're not from this world, just stay out of trouble."
"yes sir, thank you."
"and bakugo, i trust you'll keep her safe?"
"obviously, who do you think i am?"
aizawa sighed, "then hurry up and leave, you made me behind on grading already. go ask principal nezu for a spare girls uniform, and tell him to call me about any questions. dissmissed."
she bowed slightly and bakugo huffed as they walked out the room.
"well, that went nicely, huh?"
"yeah, you got into class two-a without a quirk. color me impressed."
"you need superpowers in this class?"
"duh, it's a hero school. only the best of the best make it here."
"cool, i'm one of the best already!"
"..right." a ghost of a smile overcame his face as he watched her, surprisingly carefree in this stressful situation.
it was fun watching her reactions to things he had grown desensitized to. her eyes almost bulging out her head when she saw principal nezu was almost enough to make him laugh.
almost.
as she grabbed the uniform, thanking nezu profusely for allowing her to stay, she then followed bakugo back to the dorms.
"so like.. are there any other hero schools? i mean id assume there'd be competition."
"yeah, there's other ones. but they're all weak in comparison to U-A's hero course, so i wouldn't even waste my time thinking about it."
"oh? so, is there multiple hero classes?"
"yeah, three years of two classes."
"that's it? man, it must be hard to get in."
"you're smart enough to get into general studies, so if you were from this world, i think you'd be here regardless."
"aw, thank you katsuki."
"yeah, whatever."
as they walked through the entrance of the dorms once again, they were met with the entire classes eyes on them. it was lunchtime, so they often got together to eat and cook altogether. [name] felt awkward under their gazes though.
a guy walked up, his hair blonde with a tiny black streak in his bang, and slung his arm around katsuki's neck.
"who knew kacchan would date a [name] cosplayer? do you have a secret crush on anime girls kaccha--"
"fuck off!"
"no but seriously, she really does look exactly like [name]. down to like-- her moles and stuff. you're a really good cosplayer random girl." a girl with strikingly long ears complimented.
as the class started to crowd the two, most of them seemingly astonished at one: bakugo bringing a girl in the dorm who had also been in his dorm, and two: her resemblance to the most popular anime protagonist out at the time.
bakugo finally had enough, and decided just to say it since he had permission from aizawa.
"okay everyone shut up! this is going to sound fucking insane-, but hear me out. this is the real [name], no bullshit, straight from the manga. they were transported here after i got attacked, she's staying here in the dorms, and she's attending U-A til the heroes get their shit together and arrest the guy who brought her here."
the class collectively eyed her again. her resemblance was insane, way too uncanny to just be coincidence. it'd also explain her random appearance at the dorms, and the fact that he had gotten permission to keep her here meant aizawa knew so.
"really? that's so cool!" a girl with cute rosy cheeks added.
"we should all introduce ourselves, it'd be the polite thing to do!" said a guy with glasses and.. were those engines on his legs?
the class went around introducing themselves one by one, along with their quirks.
this world was beyond odd, there was a guy with like six limbs, a guy with a bird head, and another who straight up had a tail.
she introduced herself as well, just to be polite. "i'm [name], nice to meet you all."
"we already know you! you're so popular yknow?" a girl now known as mina mentioned.
"yeah, you'd have to be living under a rock to not know you. you're everywhere." tsuyu exclaimed.
"ah.. really? that's- interesting." she said, awkwardly smiling.
"so, since you're [name] can you answer a question i had? it's just to solve a debate between me and that idiot over there." jirou said, pointing at denki.
"ah, sure."
"so, when you were talking to shinto in the occult room the day after your finals, was it you who laid the ouija board for him to find, or was it there in the first place?"
[name] looked genuinely confused. "um.. i didn't place any ouija board anywhere."
"told you!" "that was a guided question!"
she eyed the two as they argued over who would win.. a thousand yen she thought?.. she wasn't really even interested in the bet anyways. she felt off after that question. it wasn't like she and shinto would never see eachother again, but she was feeling so homesick. she perked up again, reminding herself to stay optimistic, and that she'd get home soon.
a really pretty girl named momo was the last to come up to her, "hello [name]. i'm a big fan, and i noticed that your clothes isn't very.. well.. suited for you. so,"
momo took her hand gently, laid a black card in it, closed her hands and put it to her chest.
"please use this card to your hearts content. i hope we have the time to go out and chat before you go back to your world."
"this is very generous of you! i don't know if i can accept this-"
"please do! think of it as a gift. a welcoming gift from me."
"i-- okay. thank you momo."
"of course."
everyone had now gone back to what they'd normally do, except bakugo.
"so, you coming or what?" katsuki finally asked her, after he'd gotten her set up in the dorm right next to his.
"going where?"
"shopping, duh."
"with you?"
"my parents are fashion designers and i know all the coolest spots, now are you coming or not?"
she smiled and clasped her hands together. "of course im going."
the walk to the mall was peaceful. katsuki would poke her in the side lightly whenever she'd stare at someone with a strange physical quirk for too long, apparently there was a sort of 'racism' against people with body-modifying quirks in this world, and staring wouldn't be taken well.
he brought her to store after store, her hands and his filling up quickly with bags as they shopped until they dropped, katsuki only encouraging her to spend more because momo 'wouldn't even notice.'
after they had picked out a closet's worth of clothes for [name] to wear, they sat down at a cafe to eat.
bakugo ordered [name]'s favorite food and dessert without her even telling him, as he ate his spicy noodles, she made an offhand comment. "y'know, it's like we're on a date right now."
he almost choked on his noodles as he realized that.
she had him so hopelessly wrapped around her finger without doing anything, it was driving him insane.
when the dessert arrived, [name] took the liberty to smudge frosting from a spare cupcake on katsuki's nose, making her laugh loudly at her own actions.
if it was anyone else he would've blew up but,
he laughed softly too.
he really didn't want this to end.
especially not with knowing the only other way he'd get a date with [name] after she left was through a bishojo (otomes with guy protagonists) game.
but as he saw her laugh as he went back to dot some frosting on her nose as well,
he figured he'd leave those thoughts for later.
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pamwritessometimes · 3 months ago
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British Invasion
Soldier Boy x (British)fem!reader
Summary: Soldier Boy is forced to attend a lavish gallery opening for an emerging artist, expecting nothing more than a typical evening of pretentious small talk and overpriced art. But when he gets to know the artist herself, he quickly realizes they might share more than one thing in common.
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proofread & edited on 8/21/24
Warnings: unprotected SMUT (be smarter), pet names, some 60s slang, breeding kink if you squint, terrible writing, AmE and BritE use is varied based on the characters
Word Count: around 4.7 k
Author’s Note: This is my VERY first fic I have written since I was a teenager. English isn’t my first language, so I apologise for any mistakes. Please be kind. 🤍 All kinds of feedback are appreciated!
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May, 1962.
He tried his best to understand what he was looking at. The colours danced in a confusing symphony - deep red lines flashing across the canvas, yellow streaks breaking through the tainted blue background. It was an odd mix of serenity and unease, a puzzle that felt both ambiguous and crystal-clear. Not that he had any expertise in art, he was a superhero, after all. Analyzing abstract paintings was hardly part of the job description. Thank God and Vought for that. He didn't even know why he was there in the first place, stripped of his imposing suit, which at least gave him the semblance of authority. “This will do wonders for your image. Supporting some up-and-coming artists is exactly what we need to repair that reputation you seem so determined to destroy.” 
“Yeah, fuck that.” he thought, scanning the room until his eyes landed on a tray of champagne glasses amidst the other hors d’oeuvres. At least there was free booze. He swiftly grabbed a glass, downed it in one go, and swapped it for another. He barely noticed the presence next to him when he stood back to pretend to interpret the same painting he had been looking at for the last fifteen minutes. 
"Do you like it?" a voice with a soft British lilt called out from his right. He turned to see the source—a striking beauty with (Y/H/C) hair styled in a classic beehive. Her makeup was flawless, with bold eyeliner and red lipstick that enhanced her gorgeous features. The elegant black dress she wore hugged her curves in all the right places, and for a moment, he felt his already tight pants grow even more uncomfortable. "You’ve been staring at it for quite a while."
He quickly gathered himself, a charming smile sliding into place as he responded with feigned confidence. 
"I do, yeah. I really like the... uh, colors and how... this line curves," he replied, trying his best to sound like he knew what he was talking about. “It… makes one feel uncertain and… and certain at the same time.”
“Does it?” she asks, her sceptical eyes glued to the canvas. "To me, it just brings back memories of a February night when I drowned my sorrows in a cheap bottle of rum after finding out I didn’t get into RCA."
His brows furrowed as he looked at the girl next to her taking a sip of her champagne. “You painted this?” he asked. She just nodded in response, her eyes still fixed on the framed painting. “Busted” she chuckled awkwardly. He looked back at the artwork once more and it suddenly all made sense. It was a testament of chaos, the rage and unsettle she must have felt when creating it. Plus, being drunk while creating something? That, he could understand. “I’m (Y/N)... (Y/L/N). But I believe you figured that out.” she said as she nodded to the signed painting.
He smiled and nodded. “Benjamin,” came the reply. “But please, just call me Ben.”
She nodded and smiled at him. “So, Ben… What brings you to London?”
“I'm here for work.” he replied casually. It wasn't a complete lie, per se. He could tell the truth, she will learn it soon anyway. But for now, he just wanted a normal conversation, free from the weight of being America’s Greatest Hero. Just for a couple of minutes.
“I see” she said as she eyed him with great attention to every detail of his appearance.  His dirty blonde hair was slicked back with a sophisticated touch, and his tailored suit and slacks fit him impeccably. "Are you some kind of actor?" she asked finally.
“Among other things.” his tone playful, reflecting on the fact that he enjoyed her not recognizing him. “Why?”
"I was just wondering," she shrugged, finishing the last sip of her drink. "When I first saw you, I thought, ‘He’s either a soldier, a businessman, or an actor.’ Your physique suggests military, but then I took a closer look at your suit, and– may I?" she asked, lifting her hand toward his jacket. With a nod, she touched the fabric. "As I suspected. Kid mohair. No soldier I know could afford that. So, that left businessman or actor. Now, here comes my first observation: your athletic build. If you were an accountant or something like that, you probably wouldn’t be this fit. So, my conclusion? You’re an actor." She smiled, clearly pleased with her deductive reasoning.
He chuckled, clearly amused by her careful observation. “You are quite the observer, aren’t you, sweetheart?” he asked.
That she was. Her favourite hobby was studying people. Every little feature, every line and detail that made them unique. Later, she would capture those fascinating subjects in drawings from memory. Any details that became hazy would be filled in by her imagination. She did the same to him; just memorising his lines (though the nickname almost made the whole process cease).
“So this whole happening… is it all for you?”
She just scoffed. “They say it is” she started, though her face was soaked with clear annoyance. “But I believe it’s more for my agent. He said he found great patrons for this current collection. They want me to go overseas for a potential business proposition.”
At the mention of that, Ben's eyes gleamed with a mischievous spark. The Vought executives had briefed him on their plans to renovate the entire Tower. Stronger foundations, new levels, and, of course, fresh furnishings and decor. That was the real reason he was here in the first place. For whatever reason, Vought wanted (Y/N)'s artwork to grace the Tower's walls. He’d flown in with some executives to evaluate her latest collection, to decide whether it was worth the investment. It wasn’t his decision, of course; he had no real say in the final call. But to the public, he was the face of Vought, their most powerful representative, so his presence was required by his superiors.
“Miss (Y/L/N), it is time” the aforementioned agent’s voice cut through their conversation. She took a deep breath before turning to face the charming looking man in his early thirties.
“I’ll be there in a minute, Greg.”
Greg then nodded and smiled at the two. “I see you met one of your patrons already.” he said as he nodded towards Ben. “It’s an honour to have you here, Soldier Boy. I hope you enjoy your time in our country.”
Ben nodded, a smug grin spreading across his face as he kept his gaze locked on (Y/N), who now wore an expression of stunned realisation. She had only just realised who she had been casually conversing with. “I’m enjoying it so far, very much,” he replied, his voice dripping with satisfaction.
“Alright, Miss (Y/L/N), please say goodbye to the gentleman and follow me.” Greg interjected, his tone formal and clipped, as if he were conducting some high-stakes business transaction.
She swallowed the urge to roll her eyes at the mannerism of the whole conversation. That was one of the many things she hated about the art society she was part of. The pretentious idiosyncrasy and the sense of being loftier than the others. If she had the resources to fund her own artistry, she would leave it all behind. But unlike her peers, who all came from money, she wasn’t that fortunate. Her parents, God bless them, did everything they could to support her, but it was never enough for her to break free. Now, under the thumb of Greg—THE Gregory Alcons, the most influential artist agent in the region—she had little choice but to play along.
Still a bit flabbergasted by the previous revelations of Ben’s identity, she managed to compose herself and glanced at his green orbs. “It was nice meeting you, Soldier Boy. I hope to see you around,” she said, her voice steadier than she felt.
As she turned to follow Greg, Ben couldn’t tear his eyes away from the way her hips swayed in that sinfully tight black dress. If he didn’t know better, he might just think it was all for him. 
(Y/N)’s speech was a drag. Even she knew that. Every word was scripted, every pause rehearsed, her smile a mask. Like a goddamn politician–she often thought to herself. Nonetheless, her official duties of the gathering still didn’t end, but she could now move around more freely, trying to charm the people gathered in the museum, occasionally sipping on champagne to look for that blitzed state she was so eager to reach. She just wished she had something stronger. During her museum circles, she heard some speeches that she couldn't care less about. Mostly influential old hags talking nonsense about the importance of art patronage and trusting the vision of an artist... She also heard Soldier Boy's brief speech, but she was too occupied to talk to the other guests, she couldn't stop and listen to it.
The smooth jazz tunes created an atmospheric scene, adding to the illusion of sophistication. The guests seemed to be amazed by it all–the champagne, the music, the elegant attires, the modest speeches… yet, she couldn’t care less. This wasn’t her world. It was all a grand performance, and she felt like an imposter in the spotlight of her own art exhibition. She was chatting with a man in his early to mid-seventies about the long-term consequences of giving freedom riders a platform to talk when a familiar rumble cut though the conversation.
“Can I borrow Miss (Y/L/N) for a minute?” 
Relief washed over her as she turned to see Ben—no, Soldier Boy—in his full supe attire, helmet and all (he certainly just finished his speech duties, too). If she had to pretend to share one more of the old man’s bigoted views, she might have committed murder. Soldier Boy was by far her greatest conversation partner tonight, and probably the most tolerable person in the room, which speaks for how entertaining the gathering is. The elderly man tried to hide his disappointment, but reluctantly let her go. 
“Wow,” she muttered, taking in Soldier Boy’s imposing presence. “Now, this is the Soldier Boy I’ve seen in the telly.” Her voice dropped to a sheepish tone. “And… sorry for not recognising you earlier.”
“Can’t say it didn’t hurt,” he replied with a smirk “But it’s also nice knowing that it’s the suit that most people recognize, not my face.”
(Y/N) offered Soldier Boy another small, apologetic smile before letting her eyes drift across the room. The jazz band was playing a smooth set that impressed the crowd but grated on her nerves. The soft melodies and gentle horns just didn’t resonate with her. If she had her way, she’d have had her friends, Gerry & The Pacemakers, play instead—something with real energy, something raw. But, of course, that wouldn’t have flown with Greg or the rest of the stuffy art crowd. They were too wrapped up in their own pretentiousness to appreciate anything that didn’t fit their narrow idea of ‘classy’.
She took another sip of champagne, but it did little to ease her frustration. She felt trapped, stuck in a night that was supposed to be hers but felt like anything but. All she really wanted was to be with real people, having real conversations, and listening to music that made her feel alive. Instead, she was here, pretending to enjoy the company of people who saw her as nothing more than a name to drop at their next social event.
“You’re not exactly enjoying this, are you?” Soldier Boy’s voice cut through her thoughts, bringing her back to reality. His tone was amused, but there was a hint of genuine curiosity there too.
She looked up at him, surprised he noticed. “Is it that obvious?” she asked with a slight smile.
“To most people here? Probably not. But I can tell,” he said with a shrug. “You’re too real for this crowd.” He leaned in closer, his voice dropping to a low murmur. “How about we get out of here?”
(Y/N) hesitated, glancing around the room filled with guests who were supposed to be admiring her work. “I wish I could go somewhere more fun. But this is my show. Not mine mine, obviously, but I can't just disappear,” she said, sighing. “Plus, Greg would kill me if I bailed.”
Soldier Boy smirked, undeterred. “I’m not saying ditch the whole thing, just take a break. Clear your head, get away from all this for a few minutes.” He paused, lowering his voice. “You deserve that much, don’t you?”
She bit her lip, tempted by the offer. The idea of stepping away, even just for a little while, was more appealing than she wanted to admit. Especially with such a handsome-looking bastard. “And where exactly would we go?” she asked, intrigued.
His smile widened, a mix of charm and mischief. “Trust me,” he said, offering his arm. “You’ll like it better than this place.”
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She would lie if she said she didn’t see this coming. She was more than a bit tipsy, but who is she to fool? She would’ve followed Ben to the staff restroom sober, without any question. She needed to release some tension, and he was more than happy to oblige. His calloused thumb was drawing invisible circles on her swollen clit as his cock pounded in and out of her juicy, tight hole. 
“Fuck, sweetheart–” he growled into her ears as his other hand was leaning on the counter, trapping her body between the cold surface and his heated body. It was all quick, filthy, but –oh so needed. Her watery eyes were locked on his reflection in the mirror as she observed both his ecstasy-filled pupils and her rather dishevelled appearance. Either of her boobs were bouncing with each harsh thrust of his hips, stark contrast to that tight black dress that still clung to the rest of her body.
How they ended up like this was both a blur and a logical consequence of their desire. One moment they were talking, and the next, they were stumbling into the restroom, hands all over each other. Soldier Boy’s strong body pressed her back against the door, his lips crashing against hers with a fierce hunger. She didn’t hold back, kissing him with just as much intensity. She melted into his lips and wrapped her arms around his neck, pulling him coser. She gasped softly as his tongue swiped against her lower lip, asking for entrance. She granted it, his tongue slipping past her plush lips and exploring her mouth while her hands were busy finding a way to rip off his tactical vest. Fuck, why does a supe suit has to be so complicated? 
He soon noticed her efforts to undress him, so he leaned back for a moment with that same smug grin he always seemed to wear, and began to take his suit off. She hurried to do the same when Ben’s voice commanded her to stay put. “That dress stays.” he said, his voice low and sultry. “Couldn’t tear my eyes off of you, you know that? Wearing a dress so fuckin’ tight… swaying your hips like you did… was it all just to drive me crazy, huh?” he asked as he got rid of her suit, now standing in front of her in his naked glory. 
She swallowed hard once his member sprang free–erected, the fat tip leaking with pre-cum. She obliged to his requests by rolling the skirt of the dress up to her perky butt. With delight, he discovered that she was wearing black panties with delicate lace trimming, which was overall already ruined by her soaked cunt. He growled at the sight, grabbing the base of his cock to pump himself a couple of times. She was about to pull her panties down, when he spoke up again. “Those also stay.”
“You are having many commands just for a little hookup” she remarked as she leaned her body closer to his, her palms replacing his on his shaft. Her hands were soft against his skin, his dick twitched by the touch. She pumped him a few times before stopping and releasing him completely. He let out an annoyed huff that quickly turned into a satisfied moan when he felt her hands once more around his cock, now coated with her saliva to add more to the pleasure and to prepare him to enter her already weeping pussy. 
Soldier Boy swiftly gripped her hips and spun her around to face the sink and the mirror above it, returning them to the position they’d just been in. “You’re a real tease, aren’t you?” he growled, his voice thick with desire. She could feel the need in his tone, matching the flame that burned inside her. He lifted one of her legs, giving himself better access, and she braced herself against the counter, anticipation running through her veins. “You're so beautiful. A beautiful tease.” he kissed a line along her spine.
“Yeah…you are just as much of a—” before she could finish the sentence, she felt the tip nudge at her entrance after pulling her panties to the side. It was that moment she finally came to terms with how huge he was. Seeing it, palming it wasn’t enough. Feeling the head of his cock spreading her folds was a whole other sensation. Before he would properly enter, he asked. “You sure you want this?” She couldn’t help but moan, her mind completely taken over by anticipation. Not trusting her voice, she just nodded fervently and pressed herself against him more. That was all Soldier Boy needed. He took a shaky breath and eased himself into her dripping cunt. The only sound in the room was their mingled, sinful noises that escaped both their mouths.
“Fuck….so tight…so fuckin’ wet…” Ben growled as quietly as he could. They were still in that museum, just a few rooms away from the exhibition. As much as he wanted people to hear them, he knew she would probably prefer their affair to stay hidden. 
He kept one hand on her hips, guiding her movements, while the other slid up her stomach, to her exposed breast, his fingers gently tracing over her sensitive nipple. The way it bounced at every thrust, every movement, and how the nipple hardened at his touch… Soldier Boy was known for his supe stamina, but he was already on the edge of coming undone. She was closely behind, her moans and gasps were music to his ears in a sinful symphony as she clenched her hands around the edge of the sink.
“Ben…please…”
“What? What do you need, honey?” he cooed.
“Please… h-harder.” it was more of an incoherent muffled cry than a plea. But he understood nonetheless. He ceased his speed, his hips clashing against hers in a relentless motion. He groaned, his body moving supernaturally fast, his grip on her hips almost bruising on her sensitive skin. 
His mouth attacked her neck, finding her sweet spot, the one that seemingly made her go feral. He sucked and bit that one spot like a madman, being on the mission to elicit as many sounds from her as he could.
“Fuck…baby, youre gonna kill me.” he mumbled into her neck. He felt he was nearing his climax and he needed to make sure she was there with him. He redoubled his efforts, his body moving against hers in a rhythm that was both brutal and beautiful. “You are squeezing me so fuckin’ tight. Shit, I can feel your pretty little cunt trying to push me out.” he said and delivered a brutal thrust to the hilt, burying himself inside for a moment. “Fuuuuck.”he said as he stopped to feel her convulsing pussy. He could feel she was close too. 
His voice, his words and the way his twitching cock was balls deep inside of her made her go feral. “Soldier Boy, I…please… I need to–” his fingers stopped their ministrations on her nipples and found their way to her sensitive bundle of nerves.
“What do you need, honey? Do you want to come? Do you want to soak this big, fat cock, huh?” he asked as he began to move again slowly, his gaze locked at hers in the mirror. Fuck, she looked even more phenomenal than at the grand hall. Her neatly made beehive now a bit more messy, her red lips were a bit smudged, her eyes hazy…Truly a sight to behold. When she didn't answer, he delivered a harsh slap onto her clit. “I asked you a question. Do you want to soak my dick, baby?” he asked and buried himself to the hilt once more, his own climax nearing the edge, too.
“Fu–Yes! Please, let me come on your cock, please, make me squirt all over you… please…” she urged, looking at his reflection.
Her words made her already aching shaft twitch deep inside of her, and with a throaty rumble he set a ruthless pace. His cock was laced with her wetness, the sight making Ben go ferocious. “I’m gonna come into this tight little pussy. I’m gonna pump my load into you. Fuck, come with me, baby, soak my dick.”
Their breath hitched almost at the same time. His fingers were still working their wonders around her clit. Her pussy almost pushed him out when she came, her cum gushing over his shaft. While he made sure to ride her orgasm out, she felt him spilling his seed deep into her hole, dribbling out from her down to his balls. His slowled his pace, but the strength didn’t cease, making sure he fucked his white hot cum back inside of her. 
Once they both came down their highs, they found their eyes going back at their reflection. His satisfied grin, her spent expression, their mingled, joint bodies… Besides being absolutely filthy, there was something more behind that scenery…
After catching their breaths, Ben slipped out of her, quickly pulling her panties back to their place to hold up his cum. He saw her panties being soaked with his climax, which elicited a moan from him. “Now that’s a sight, darling.”
She just laughed breathlessly and rolled her skirt back down, putting her tit back into the confinement of that dress. “That was… just what I needed. Thank you.”
(Y/N) glanced at her reflection in the mirror, cheeks flushed, her breath still unsteady from the intensity of what had just happened. She watched as Soldier Boy straightened up and casually began putting his suit back on. There was something about his calmness, his complete lack of urgency, that made her heart race all over again. He caught her eye in the mirror and flashed that mischievous smirk she was starting to find dangerously attractive.
“M’just happy to help the artist out,” Ben shrugged, the smirk never leaving his face. His voice was playful, but his gaze was laced with something deeper, something that made her pulse quicken. As he fastened the last strap of his vest, he turned to her, an eyebrow raised in challenge. “Don’t you… wanna get out of here? For real?”
(Y/N) bit her lip, torn between the temptation of escape and the nagging responsibility of the exhibition. The thought of ditching this pretentious gathering for something—anything, really—more genuine was almost irresistible. But despite her wild child tendencies, she was still aware of her responsibilities. “Ben, I still have this exhibition,” she said, her voice softening. “I can’t just leave. Greg would have a heart attack if I walked out right now.”
Ben chuckled, stepping closer until he was just inches away. “And you care about that?” he asked, his tone low and teasing, but with a seriousness beneath it. “You really wanna stick around, playing nice with assholes who wouldn’t know real art if it smacked them in the face?”
She hesitated, knowing he was right. Everything about this night felt wrong, but she still felt trapped by the expectations that came with it. “It’s not that simple,” she murmured, almost to herself. “This is my career.”
He reached out, gently tipping her chin up so she had to look at him. “You’re not one of them, you know that,” he said, his voice firm but not unkind. “You don’t belong here, with these people who only care about what you can do for them. You deserve more than that. Plus, you’ve already got that deal with Vought. Why would you care about any other guests?”
His words hit her harder than she expected. He wasn’t just trying to lure her away for some fun; he was calling out what she had been trying to ignore all night. She sighed, feeling the weight of the evening press down on her again. “But where would we even go?” she asked, though the resistance in her voice was fading.
“Anywhere you want,” Ben replied, his eyes lighting up with the possibility. “Somewhere where you can breathe, where you don’t have to pretend.” He leaned in closer, his voice dropping to a whisper. “You said you wanted fun tonight. Let’s go find it.”
She looked at him, really considering his offer this time. The idea of leaving it all behind, even just for a night, was more tempting than ever. She knew it was reckless, maybe even career suicide, but there was a part of her that didn’t care anymore. Not tonight. Tonight, she wanted to feel alive.
Slowly, she nodded. “Alright,” she said, her voice stronger now. “Let’s get out of here.”
Ben’s smirk widened, satisfied. “Atta girl,” he murmured, taking her hand in his. He pulled her toward the door, and as they slipped out of the restroom, a thrill shot through her. She was leaving behind everything that had been weighing her down all night, walking away from the people and the pretence, and into something unknown but undeniably exciting.
As they made their way through the back halls of the museum, she felt a strange sense of freedom. The further they got from the exhibition, the lighter she felt, like she was shedding a skin she’d outgrown long ago. She didn’t know where Ben was taking her, but for the first time in a long time, she didn’t care. She was done pretending.
And as for Soldier Boy... maybe coming to this exhibition wasn't such a bad idea after all.
═════════ 𖤐🤍𖤐 ═════════
Thanks for reading. <3
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multiisketch · 27 days ago
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Sonic Boom: Revisited | Page Eight and Cover Page - BTS
One thing I really enjoy seeing from other artists is their progress photos. How they got from sketch to finished product. It helps me build confidence in my own art to see them taking the same messy steps I do.
Below are the cover page and page eight from Sonic Boom: Revisited broken down from sketch to line art to finished color. I didn't save as many sketches from page eight so I apologize for that, but I hope you enjoy seeing my process nonetheless! If you guys like seeing these, I'll post more as the comic progresses!
COVER PAGE:
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Sketch 1: Basic sketch trying to figure out how I wanted the characters to "stand". Minimal detail.
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Sketch 2: Adding in some detail. Cringing at Sonic's head shape. This is always the step where I question if I can actually draw or not. XD
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Sketch 3: Was so mad at how terrible Sonic looked last sketch that I focused all my energy into refining him here. Poor Knuckles didn't get much attention and Amy's head suffered some serious slanting...
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Sketch 4: Final Sketch! Everyone gets refined in detail. Sonic's backhand gets changed because the previous pose looked weird. Temporary Logo for reference and dialogue box is added.
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Inking: Ahhh, looking at that. Beautiful ain't it? Fun fact: All the sketches were drawn in the span of about 3 to 4 hours while me and some friends of mine were watching a movie. I had only drawn about 4 to 5 pages of the interior pages at that point. Inking was completed a day before posting after all the interior pages were finished. Color was completed the next day. Can you see how my style developed of that time?
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Flats: After that comes color and background! This is what the cover looked like before shading! Would you have colored it differently?
PAGE EIGHT:
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Sketch: This is the very first sketch I did of page 8. During this stage I'm just trying to understand how I want to lay out the page. You have notice some panels are different! At least 3 sketch phases are lost to time between this step and inking as adjustments are made.
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Inking: Completed months in advance before coloring started, this page still ends up getting some minor changes during the coloring phase!
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Color: And there it is! The final product! Without texts so you can see the full art! As you can see, panel 3 was adjusted to better suit some dialogue changes that were made later on.
If you've made it this far... thanks! I hope you enjoyed seeing my process!
Hmm... seeing all these steps, it just occurred to me how accurate my username really is...
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thebloodredraven · 2 months ago
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Kakashi and Nanami are each other's favorite coworkers
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art credit: @uintuva
Modern Tokyo
content: 18+ (mdni), bullet point format, some dark humor, descriptions of smut, brief drinking, hurt/comfort, platonic intimacy, mentions of depression, intern!Team Kakashi and intern!JJKids, coworkers to best friends, not beta read this is just for fun
note: The first time I had this thought, it ended up a lot more angsty than I actually planned for it to be. this version was what I had in mind the first time around but given how I set the initial one in the Naruto world I couldn't NOT be emo about it so this is my apology. especially to @honeylavendr and @mytanuki-kun 😅
When Nanami was first hired as the new department bookkeeper, he knew he'd hate it the moment his boss yelled out his introduction to the entire office and made everyone applaud him.
The irritation on his face must have been evident because as soon as he starts internally debating the pros and cons of not killing himself right then and there, a grey-haired man around his age pats him on the shoulder and gently directs him to his desk away from everyone else.
Kakashi: They're a little boisterous, but harmless. I'm Hatake Kakashi. Welcome to the team, desk partner~
Nanami...doesn't know what to think about him immediately. It's hard to read someone when they have an eye patch and a face mask on. He tries to thank him and introduce himself properly but all of a sudden he hears this grating voice---
Satoru: NANAMIIIIIN! Did my dearly beloved cousin already steal your attention away??
Sasuke, Kakashi's new intern and already unable to help himself: He's related to this loser?
Maybe death was the better option
At least Kakashi was handsome
He settled into his role over the years, but his attitude about work stayed the same: he was grumpy and impatient towards his peers, yet kind and gentle with the interns that passed through.
Though he'd never admit it to anyone (or himself), he was fond of them -- especially Yuji.
Sakura, Ino, and Nobara were the office's designated gyaru and had more fun finding ways to make their boring work outfits more to their style, but nobody ever said anything because they were also the best at their respective jobs.
The accounting executive chief Mei Mei and the CCO Jiraiya did a shit job hiding the fact that they were into each other. It creeped everyone out, but they minded their business. Anything to keep that man away from the younger girls.
Oh wow turns out the new neighbor that Nanami never got to greet was Kakashi! How'd that happen? (pure coincidence, wildly enough)
Ever the grump that hates having work near his home life, he hates it at first, but he got used to it. Every so often when watching Kakashi walk into his own house, he'd try to sneak a peek of Kakashi's face as he took the mask off. He'd never been successful, but he figured it was only a matter of time.
5am shirtless jogging in grey sweatpants.
Kakashi typically wears a hoodie but Nanami opts to go shirtless depending on the season. Not that Kakashi is complaining. How can he when he has the perfect opportunity to drag behind a little bit just to watch Nanami's arms flex and his ass bounce as they jog?
boioioioioing
Every so often they come across Gai, who's somehow more rowdy than the interns, and they automatically know to get ready for a long-distance race to whatever he decides is the finish line.
Most of the time, Nanami rejects and puts his earbuds in to occupy his attention while watching Gai and Kakashi race.
One time he didn't reject the offer. Stoic as he was, Kakashi caught the slight smirk on his face as he braced himself to run. As soon as he heard the word go, he shot off faster than a bullet.
Gai and Kakashi were mildly surprised that Nanami was hiding all of that athleticism the entire time, but that surprise quickly turned to excitement.
The race ended with a tie for him and Kakashi, and Gai was left sulking that he'd been beat again.
Company parties are lit!!! It's the one chance everyone gets to take the day off of working and just relax at a privately rented bar. Kakashi was reluctant to go to the upcoming one, but Gai, convinced him. Maybe Nanami would be there?
Wait what
He was, much to the man's own irritation. Something about needing to stay in good standing with the company, needing to relax, etc.
fuck capitalism and kiss-ass culture man
About ten minutes into the party, Kakashi and Nanami find themselves secluded in a corner. They talked. Just talked. They were both guarded at first, but the alcohol helped.
Hours passed and there was rarely a break in their conversation. The more at ease Nanami felt, the more he realized how attractive Kakashi was outside of his work uniform. His shaggy grey hair looked both unnatural but stylish; it was something only he could pull off and he could see why Satoru clung to him like a puppy.
Satoru, drunk and very obviously feeling like it was too peaceful, stumbled over to their table to wrap his arms around Kakashi's shoulders from behind.
Satoru: Kashi-chaaaaan. When are you gonna stop flirting with Nanamin and pay attention to your favorite cousin, ehhhh????
Thank goodness his boyfriend, Suguru, came to the rescue just as suddenly before either of them could give Satoru a reason to buy new sunglasses. Or a new hospital bill.
But the little comment made the air thick with a new tension. Given that his eyes were the only things showing, it was hard for Nanami to miss how Kakashi's eyes raked across his body. He didn't even bother trying to hide it, at some point.
Nanami fucked around and rested his arms on the back seat of their booth and his broad chest was much, much more noticeable
now Kakashi's lookin' at him like this
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Eventually, they both made some excuse to leave and found themselves in the backseat of Nanami's car in Kakashi's driveway
This was the first time in years that either of them could numb the pain inside of them enough to find comfort in each other.
No talk of work, no talk of gains or losses, no interns swarming them in questions, no Gojo or Gai screaming in their ears, no expectations, and no worries
Kakashi's breathy moans fueled Nanami's lust, prompting him to line their cocks up and squeeze them together as they thrusted into his big hand.
Kakashi kept his mask on, as always, but that didn't take away from the beauty of him as he grunted and groaned in pleasurable bliss.
At some point, Kakashi wrapped his legs around Nanami's waist to grind his hips and chase his release and Nanami lost all sense of logic or reasoning whatsoever after that
Kakashi looked so pretty when he finally took his mask off to slip Nanami's hardness down his throat
Cue new hyper fixation: his beauty mark right next to his pretty mouth
They end the night in Kakashi's bed. The night went on longer than either of them had expected; awkward stoicism gave way to carefree hedonism, and they took turns fucking each other.
Two emotionally repressed and depressed 20-somethings that don't know the meaning of relaxation? They're not fucking.
They F U C K I N.
All the frustration, all the pain, all the sadness that stewed inside of them was taken out on one another and all that mattered to them at that time was drowning in the wet sounds of skin slapping against each other.
By the seventh round, they were exhausted and out of breath. Thank the gods they didn't have work in the morning. They wouldn't have been able to keep eye contact without turning red and they didn't need to give Nobara and Yuji a reason to tease
They spent the next day acting the same as they always did, albeit with a little more pep in their step and softness. They don't make a big deal about it and it takes months before people actually started noticing anything odd about them.
It was Sakura, Ino and Nobara that started noticing little things the boys didn't care to look into. Like Kakashi bringing Nanami coffee in the morning, or Nanami offering to take Kakashi home every so often. Is that weird? No, but anyone who knows Nanami knows that smiling is not his thing and he only ever does it around Kakashi
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arriaburgers · 4 months ago
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Bob as Caroline Polachek in Desire, I Want To Turn Into You!
This is kind of an old one I made, and I had to make some adjustments, but I was pretty proud of getting this pose right! It was a pretty hard one!
The eyes aren't so correct since they usually aren't pointing into opposite directions, but I think they're the best part! It also distracts from something else wrong with the face that I didn't feel like fixing, and if I had felt like it, I would've edited this more by adding shading to his hair and mustache and also his nose
Also, I don't usually do backgrounds, but I did try and do this one's to feature a couple of other characters! There's a lot going on, though, and and I wasn't able to do it at the moment
I'm kind of running out of ideas, and I feel like being open to suggestions, but then what if I want to do commissions? I also feel like drawing the characters in my own style since it takes a while to do the line art like this. I'd figure I could use this account to post both fan art in my style and post the character profiles for the Bob's Burgers Wiki (I edit a lot for the Wiki). The problem is that I don't really have a style... I know I can just draw to find my style, but it's fun to think that I only know how to draw in Bob's Burgers-style since every thing I do is related to it
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ashlynniis-bracketeers · 4 months ago
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THE EIGHTH CHEF - The Eighth Chef Meursault Concept - The Eighth Chef Meursault Tenderizer
So... This is a lot. I'll be putting a lot of this + some extra stuff under a cut, because this will be a three-mile-long post otherwise rofl.
Yes, I have been firmly sucked deep into the Limbus Hole™, how could you tell? Anyways, have a fan ID (including Pre-Uptie art).
A Walpurgisnacht ID for Meursault, of Greta (Distorted cannibal shark lady, the only surviving member of the "Eight Chefs") from Library of Ruina.
This all started because I thought "Meursault deserves a cannibal ID, he deserves Eating People Privileges™ after what he dealt with in Hell's Chicken", and I told this to @cult-of-the-gundead who then said "the only cannibal left for an ID is Greta" and I went "who's Greta" and she sent me down a rabbit hole of the funny shark lady. So this is a very self-indulgent fan ID concept lmao.
Drawing the mock-up Pre-Uptie art kicked my ass, it's technically a remake of my previous attempt at designing the Pre-Uptie art (which will be under the cut). I cannot digitally paint worth a piss, so this time I didn't try to mimic the painterly style (thank hell). I tried to do an Uptie III art, but I couldn't figure out anything or how to make it look right, and the thought of animating it like the UTIII art in-game made me feel extra stabby, so maybe some other time lmao.
I hope you like it!
Cut time:
Design notes for THE EIGHTH CHEF:
The composition of this is supposed to be a call-back to R.B. Chef de Cuisine Ryōshū's (i.e. Pierre Ryoshu) Uptie III art
The pot with the bone in it is a reference to the pot appearing in some of Greta's pages in Library of Ruina
The teeth (+ jawbone) and seven tongues are meant to be those of the other Eight Chefs, as Greta described their autocannibalism as "They kept going until their teeth and tongues were all that's left".
The infinity sign in the background is meant to be a play on the number eight, as the symbol is often seen as the numerical symbol for the number eight placed sideways. There are no longer eight chefs…
Design/Concept notes for The Eighth Chef Meursault Concept:
The name "Benthic Witch" is derived from the fact that Greta's Distorted form is that of a shark (i.e. a creature that lives in water), and from the tale of Hansel and Gretel, where a cannibalistic witch attempts to fatten up Hansel before eating him (because Greta is a cannibal).
Meursault's face is supposed to always be framed in shadow in Teetering E.G.O, with only the red glow of his now-extremely-wide eyes being seen. The pattern of his mouth-covering combined with the mouth/teeth of the shark hood are meant to look like glowing eyes from inside a sharp-toothed maw.
The primary silver-and-white colors of the E.G.O are based off of Greta's sharkskin colors, while the white triangles lining the edges of the apron (and the edges of his gloves and boots in Teetering E.G.O) are meant to resemble teeth. The pattern resembles a mouth further on his apron in Teetering E.G.O.
So, he has a Volatile E.G.O gimmick similar to Dawn Office Fixer Sinclair. Playing off of the fact that we never see non-Distorted Greta, I played around with whatever her E.G.O could have possibly been, even in a Volatile/incomplete state.
Meursault is a mystery, but one thing we know is this: He Corrodes hard if he Corrodes with Electric Screaming. He's also memed as having an "Anti-Distortion Shield". So, going along with this ID of him being a cannibal and going murderously bonkers, I've given him "Teetering Off of the Edge of E.G.O": He has two different versions of his E.G.O state he can enter depending on Sanity/unique resource count, being Volatile and "Teetering" E.G.O. The main difference between the two gameplay-wise is that Teetering E.G.O state makes all of his attacks indiscriminate, so he can end up targeting and killing your teammates like 90% of Corrosions. He's supposed to basically be on the very edge of Distorting when in Teetering E.G.O.
If you want to see my gameplay/mechanical concepts, I'll link this Google Doc. I haven't been able to use that LCB ID/EGO generator site without it breaking lmao. I'll also screenshot the important stuff and put it here (in a reblog, as this is already reaching the character limit lmao) in case the file gets corrupted or something. Feel free to comment of my incompetent balance, I have no idea how to balance the numbers in this game rofl.
The old version of "THE EIGHTH CHEF" and my first drawing of Gretsault will be below
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carnivalcarriondiscarded · 1 year ago
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Gotta say your au mixed with the art style and such and amazing work in what we seen so far with the horror and some laughs it's just become a treat every time I saw new details (whenever you supplies them up, thanks for that)
I know you already disclosure that it's gonna be bad BAD TIMES for the puppets gang but does it have it's soft ad fluff times??
The shot were Frank ask Wally if they're dying will looking up for the ceiling hasn't leave my brain, such a raw emotional clear on them, I wonder when they were just the two of them for a while they cuddle or hold hands for comfort??
I just.i just want them to have small victories of comfort
of course it has fluff and comfort! a lot of it! having a nice blend of both makes the fluff feel sweeter & the hurt hit all the harder <3 i will now supply some (written (for now)) examples and tidbits. putting it under the cut cause it got kinda Long
Frank & Wally do become very affectionate with each other! ofc as soon as Frank woke Wally was like "ok im holding your hand everywhere we go, this is Non Negotiable". because its dark! he doesn't want Frank to stray too far or get lost! and it's easier to yank Frank outta harm's way if they're already holding hands. comfort factors into it later, when Frank starts initiating & Wally does it purely to make sure Frank is still there. but yeah they get Very comfortable with each other, to the point where when Eddie wakes up he asks Frank - misinterpreting the situation entirely - "if you'd rather have Wally than me, i understand." ofc Frank laughs his ass off bc uhhh no that is Not what their relationship is, Ed
~ similarly, (almost) everyone acclimates to Wally's need to be as close as possible at all feasible times. he's Very physically affectionate and has little to no regard for personal space or boundaries anymore. like, he'll listen when someone asks him to back off or somethn, but until then he does not give a fuck. and this rubs off on the others as they get used to it
and then there's OH WAIT IDK IF I'VE MENTIONED THIS YET but! Wally - during his main exploration phase - found the Welcome Home episode recordings! and he eventually figured out how to work a tv he found, so he added "watch an episode of me and my friends" into his Routine. when the others wake up, he includes them in this. is it horrifying for them at first? yeah. but they get used to it and find similar if not the same comfort and enjoyment in it that Wally does. like in This Scribble, Frank & Wally & Poppy & Howdy are all watching an episode, and are quoting the lines they've memorized. they all cuddle up on a couch together and watch their favorite show <3
& Wally also teaches them (as they wake up) how to repair and care for themselves / each other, sleeping or otherwise. picture a little sewing circle of Frank, Wally, and Poppy, with Poppy giving tips and guidance on how to improve. these sessions provide them with genuine smiles and sometimes even some laughs.
before Wally & Home's divorce, they'd pass much of the time with games! go-fish, charades, i spy, etc. one of their favorites was when Wally would toss a ball at Home's door, and Home would hit it back. additionally, whenever Wally discovered something new, he'd rush back to Home with it - either the information or the actual thing, if he could carry it. ex: when he'd find books or files, he'd bring them to Home and (quietly) read them aloud while resting against them
and just in general know that the Post Office is a place of safety. Wally has made sure it's secure. i like to imagine like... little craft sessions and impromptu dancing lessons and story sharing going on in there among the awake neighbors. they try to have fun despite it all
that's all i can recall for Act One's fluff tidbits rn, but trust me there is More. and also abundant angsty comfort. the downright painful stuff has to earn its existence yk yk this au is Not grimdark
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