#I love. their dynamic so much BECAUSE

[demaparbat-hp]

She will (and he'll let her)

[keferon]

It took me a while to read chapter 70 of Mistakes on mistakes until because I can't just. Youknow. read it. I have to be a total maniac and sketch everything I like as I read, so this whole chapter took me an absurd amount of time ahahaha

[ghostvibesonly]

imogen’s development from “i’m not like homophobic 😃 i’m an ally 😌💅” to “i don’t think i’ve ever liked a boy” is absolutely 10/10 no notes, exactly where i was hoping her character would go

[egophiliac]

Since book 7 part 5 (the part where we meet Meleanor/Maleanor 👀) is coming to EN this month, i would love to see your take on lilia’s proposal to meleanor! i mean they were like little kids right? it couldn’t have been that serious��i think the only reason she even brought it up again is because she could tell lilia still genuinely loved her…(even if he didn’t realize it himself?) but, oh well! Let’s think about silly childhood shenanigans to numb the pain! ^_^ (orz)

oh shit?! get ready for a doozy guys, it's comiiiiiing ᕕ( ᐛ )ᕗ

I chickened out of posting the whole thing (look, I get VERY carried away when it comes to these wacky kids and their Tragedy), but I do believe that it probably ended with Lilia getting embarrassed and just shoving the first thing he sees into his mouth to try and cover for it.

(we're just lucky it wasn't a frog this time)

[soulstickerr]

Undertale Red & Yellow has subsequently altered my brain permanently. I love it so much.

Some friends and I went through it in streams, as I said before—we voiced the cast, GOD was it fun. Totally didn’t cry like, multiple times.

[licorishh]

no way she's alive ?? yea those mental health breaks because social media makes people suck are wild huh

[asexualenjolras]

I need to talk about Charles Rowland and his love for Edwin Payne.

Charles saying he can't say he's in love with Edwin back doesn't mean he isn't in love with Edwin, and it doesn't mean he doesn't love Edwin in the same way that Edwin loves him.

He is just saying he needs to work out what he does feel.

Charles died when he was 16. He's still a child. Nobody at 16 knows what it means to be in love.

And, on top of that, he grew up in an abusive household with a warped understanding of what love means. His dad was abusive to his mum, so he wouldn't understand what being "in love" is compared to someone that grew up within a stable household. He's never had the time to unpack what that means about his ability to love. He's worried that he might end up like his dad, and he absolutely would never want to hurt Edwin like his dad hurts his mum.

Charles has a lot of confusion about love. He loves his mum, he knows that, and he loves his dad, despite everything he put him and his mum through.

And, on top of all of this, he grew up during a difficult period in history. He was a teenager in Britain in the 80's. The 80's were a notoriously homophobic period of time, and I'm not saying that Charles is dealing with internalised homophobia but growing up during a period of time where the homophobic rhetoric was rife would have an impact on anyone. Especially a confused 16 year old boy who didn't know much kindness in life.

Charles knows he loves Edwin more than anything and anyone else in his life, and he knows the love he feels for him is different to the love he feels for his mum. He just doesn't know whether what he feels for Edwin constitutes as being "in love" with him.

And he needs time to figure that out. That's what he is telling Edwin: he's telling him that he is the most important person in the world to him and that he does love him but he needs to work out what that means. And Edwin completely understands that because Charles put it so eloquently and in a way that Edwin could understand. This isn't the usual unreciprocated love trope. They are each other's person, and they're trying to navigate what that means for each of them.

Overall, Charles loves Edwin and Edwin loves Charles. And they're going to figure out what that means together in time. Because that's what they always do: they figure things out.

Together.

[ladeldee]

I just like the idea that once Missa hears Phil has another "kid" he'd try and do whatever he can to help and Phil feels emotions about it

[1singulargrape]

Sukuita Princess and the Frog AU

I wrote this prompt a few months back and decided to draw the scene I kept thinking about; it's kind of a gift for myself :3 this is near the end

[Yuuji : Even if you're kind of an asshole... I'll protect you, and stay by your side <3]

For additional context, whoever cursed Sukuna did tell him that only a true love's kiss would lift the curse but he thought it was bullshit and decided to look for another solution. Fast forwards to Yuuji and him building a bond and he still doesn't tell him about it because, well, this is way too stupid to actually work. So Yuuji kissed him because he wanted to and now Sukuna has twice as much information to process

[mishiami]

good morning tetro community

@jubileedeeznuts-posting dragged me into this because he's a dastardly awful terrible unforgivable wretch and i HATE her

[demaparbat-hp]

Oh, Lala...

[sporeclan]

😻?

[From this prompt list (New Requests Closed!)]

😻: Favorite ship in the clan?

So, I'd say it depends! For ships that are canon in SporeClan so far, I'd have to go with FoxFox <3 I just love that classic energetic and kind x shy and really easily flustered dynamic, I think its cute every time :'D

But for ships that aren't a thing (as of yet, at least(fingers crossed))... I am OBSESSED with the idea of Riftbranch and Puddle's dynamic. Big goofy woman and her strange strange little husband. He just finds her so fascinating to listen to and thinks she has the most profound philosophical quandaries he has ever heard, but they're all stuff like "do you think water is wet" and "how are you gonna feel pain in your leg if you lose it in battle (because it is gone)". Man who thinks way too much before he speaks and woman who speaks before she thinks every single time. I love them so much

[w1f1n1ghtm4r3]

DIVORCE! DIVORCE! DIVORCE!

[moeblob]

Gavin mentally: wait... that doesn't add up........

[sallymew4]

just look how much BRIGHTER Mob’s demeanor is once he has Ritsu safe with him. that is the biggest grin ive ever seen on that boy’s face he loves his little brother so damn much it’s incomprehensible

[nadiajustbe]

I think the most beautiful thing about writing of Howl and Sophie's pair is that they are written as people before being written as a pair. Let me explain this very quick.

The thing about book Sophie and Howl is that they are not really fully fitting into any "classic" romantic trope. They are not exactly enemies to lovers, as their angry chats are definitely cannot be considered a life or death battle, they are not rivals to lovers because the only aspect of rivalry between them is the cleaningness of Howl's room. They are not friends to lovers, as their relationship just doesn't fit into "friendship" structure at the very start, nor they are roomates (yes, they live in the same house but that's not the core aspect of their relationships). Of course, you can go on and fit the name of the trope you found specifically for them, but that's the thing.

They simply cannot be processed through a pairings lenses only, in order to understand how they act in relationship you need to analyse them separately, as a characters first of all. Cause that's what the book itself does!

Sure, it doesn't have a whole lot of romance instead, but it gives us time to learn and observe the life of incredibly written, alive characters, understand them as personalities first of all, while slowly immersing the dynamic between two characters (in this case, Howl and Sophie) into work. They are written as personalities, both being fully separated and interviewing, changing eachother's point of view.

It's difficult to find a trope for them. They're are not a trope. They are Howl and Sophie, and that's probably the only way their dynamic can be properly described. Just as real people, they are not really fitting into the boxes of linial character progression, but go way deeper into being complex, filled with little differences and moments only people with their personality can have in romantic (or any different) kind of interaction. They're imperfect, and silly, and multidimensional and the reader knows them well enough to imagine them interacting way beyond of what the book says to them.

They are being people before being a ship, a pair of a trope — and that's why they work so perfectly charming in the end.

Howl and Sophie are unique in being themselves.