#I love her so much look at her smile

[hinamie]

itakugi sillies fr the soul

[choccy-milky]

✨ pokémon AU! 🔴✨ clora is mainly fairy & psychic (bc shes sweet but also smart) whereas seb trends towards fire/dark (even tho i only ended up giving him 1 dark pokemon...shhh) i originally gave him a houndour, bc dark + guard dog was such a perfect combo for him, but arcanine ALSO suits him and is way cuter so i had to go with that 🥹 and i had to fit in a raven and a snake pokemon somewhere bc...cmon🥰 BAHAHA

TYSM to the anon who inspired this!! it was so much fun

[sticks-stones-sonic-insanity]

Whoever got given the task of animating this smile for the game I think ur wonderful and you did a fantastic job. Look at him. He <3

Guys can I be real for a sec. Can I be so real and ask a strange little question.

Did Shadow ever stop to think that Maria wishing for everyone to be happy included wishing for HIM to be happy? Does he understand that his promise to her goes beyond fufilling a duty to others and is a prompt for him to seek out his own joy in life too?

I hope so.

Shadow has his whole "I do what I want. But. Im also under the guidance of Maria's wish" thing, where he can be edgy enough to be like don't tell me what to do but nice enough to still help save the world n all should the time come. He says he does what he wants, but what actually is that? What does Shadow the Hedgehog want aside from fufilling his promise to Maria? Truly? Does he even know? Does SEGA know? Is that discovery something thats ever been/going to be explored?

Obviously a lot can be and has been implied or stated off to the side in external media like social posts and wikis (and I want to say the comics buuuut i havent read them yet), Im thinkin more about genuine confirmation in game.

If I'm honest, I think I'm really just asking about the future.

Is there a new hope for Team Dark getting closer again? What about Sonic and Shadow as a duo, considering all that happened and how little we saw them interact in the game?

Now that Shadow has had another chance to reconcile with his past, where will the Ultimate Lifeform go next?

There's more of me yapping abt this but it was bc i was rambling in the tags akrjwjf lmk what u think!

[fumifooms]

Kaka compilation

Because everyone is sleeping on him. Witness his greatness!! First two Kaka colored icons were colored by me, lineart by Ryoko Kui though!

Kaka & Kiki are kinda like Laios & Falin… Kaka being stoic and giving repressed energy like early Laios, Kiki being cryptic and always smiling and kinda soft-looking. Autism siblings 2, ostracized and othered as kids and have a deep bond due to sticking together through it all, though unlike with Laios their parents are very loving so Kaka developed family as a big value more than Laios (bc asides for Falin Laios doesn’t care much about it).

In the gnome festival comic you can see Kaka is more emotive than he seems! Full with a :3 face, and he’s the one crying at the end. He’s insecure about his legs and being tall… It really got to him. Conceal don’t feel. In the gnome festival comic you also see him sensing others’ gaze on him and that something is off unlike Kiki, again Laios-like in the way that judgement from others gets to him more than her.

[likesunsetorange]

this was truly my yutamaki kaisen

[carouselunique]

Ginger Gold + Sea Swirl! Or as I call them: Appledash if they both had accents.

Sometimes, Ginger accompanies her to the Everfree Forest to act as a guard while she studies, not that she needs one, she's plenty tough on her own, Ginger just tags along to wrastle ornery critters. Some possible dialogue below:

Ginger Gold: "So there I was, workin' on herdin' the Timberwolves that got brave enough to head into town during Zap Apple season. Just me against a whole pack of the varmits-”

Sea Swirl: “Oh just yous by yourself with a whole pack of Timberwolves?”

Ginger Gold: “... okay, Cousin AJ was visitin' from Manehattan an' she helped a bit. Gotta admit, that filly packs a punch for bein' city folk. Mostly just me though, ain't a pony who could keep up with me!"

Sea Swirl: "Right-o."

Ginger Gold: "An' I was right in the middle of kickin' their keisters all the way back to Everfree, some creatures need'a bit of tough love y'know? When the alpha Timberwolf managed to get one over and snapped his jaws a lil' too close to my ear!"

Sea Swirl: "Crikey, and the bastard took the tip right off?"

Ginger Gold: "Sure shootin' Sea. What the feller didn't count on was that a lil' pain don't slow me down none, I bowled that bundle of firewood right back into the forest without missin' a beat! I swear Fluttershy nearly passed out when she saw the drip o' red down my face, but it was barely a scratch. An' now my ear has this nice flat tip. I do love a good battle scar."

Sea Swirl: "That why ya tag along while I work sometimes? Cause yous rippin' to pick up another battle scar?"

Ginger Gold: "That an' the fact that y'all are good company."

Sea Swirl: "Oh piss off." 💙

[konohamaru-sensei]

ah. it hurts

[xenocomputerism]

kira nerys <3

original sketch & cleaned up lineart under the cut along with some shading options I didn’t go with

[mercymaker]

𝐀𝐒𝐓𝐀𝐑𝐈𝐎𝐍 & 𝐌𝐀𝐋𝐄𝐀𝐍𝐄 + 💜😘🌊

[biowarescreenshotsdump]

| DRAGON AGE: THE VEILGUARD | 2024

| Wait, what's that you say ? I can ride you all over Thedas when you're big enough ? |

[kneworder]

getting back into the transcendence au by finally reading some foundational texts (@seiya234’s series)! family of all time <3

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[fear-no-mort]

i cant get over the whole time in the real world rick just sat there watching over morty and when he woke up finally rick sounded SO happy the way he just yelled his name excitedly the second he woke up,,,

[littlelightfish]

I realized that Maizuru, despite being with Kabru's party for a while, still gets Holm's race wrong.

At first I thought it was kind of the joke of the whole thing. Calling Marcille a frog woman, Holm a dwarf, and getting Rin's name wrong. Holm looks tired, annoyed or maybe a bit embarrassed by this mistake. He's the only one who's background is not "explosive". Marcille's and Rin's are, and his is just plain, dark, and with those lines at the bottom. Why? Maybe for comedical effect. Probably because he's been telling her he's a gnome before this. Just like Chilchuck doesn't like being called a kid and people still call him that, Holm doesn't like being called a dwarf and people keep calling that.

It's not uncommon for people to mix those races, and since Shuro's party isn't the best with races (they don't even know Chil's a half-foot) they probably just think Holm is a wierd-looking dwarf. They probably hadn't seen any gnomes before. If it was Maizuru's first time seeing a gnome and calling it a dwarf, it could be understandable. But she's been with kabru's party long enough to realize that that dwarf is, actually, a gnome.

I think she doesn't believe Holm is a gnome, just like Marcille or Senshi don't believe Chil's an adult.

That's the face of someone who's tired of this shit. It's like when someone tries to guess your country just by the way you look. There's maybe a bit of ignorance at first, but I think Maizuru is deliberately deciding to not believe Holm when he tells her he's a gnome for the first time. And he's so done.

[mccallhero]

favourite ouat scenes: 34/?

[z0mbiefvcker]

the way these mfs look at the person they're so deeply in love with