#I love her so much !! she has a whole backstory too of course

[littlebittyhollowbugs]

Mantis doodle dump !!!

The mantis lords are mine now. I love them. They're my OCs and I have intricate backstories for each of them and did I mention I love them??

[rafecameronssl4t]

Chosen || Rafe Cameron x fem!reader (love island au)

Summary: (lil backstory) you and Rafe have been a couple since day one and are pretty closed off but a new bombshell has come and chose Rafe for a date and now it’s time for her to choose who she wants to couple up with.

Warnings: angst

Word count: 2,070

A/n: Inspired by the whole ordeal between rob liv and leah in love island usa lol SECOND PART IS HERE

MASTERLIST (love island au masterlist)

divider by @h-aewo

The villa was buzzing with the usual pre-recoupling jitters, and as you sat at your vanity, carefully applying the final touches of makeup, you heard Rafe’s voice echo down the hallway. “Babe,” he called out, his tone relaxed yet filled with that casual affection you’d grown to love. “Yeah, I’m in here!” you responded, smiling to yourself.

Through the mirror, you caught the familiar image of him entering, his sandy-blonde hair tousled, sun-kissed skin accentuating the sharp angles of his face. Your eyes met in the mirror, and the edges of his mouth softened into a smile that made your heart flutter.

“You okay?” he asked, stepping closer and bending down to press a gentle kiss to your shoulder, lingering just long enough to make you feel like he was truly checking in. “Yeah, why wouldn’t I be?” you chuckled, meeting his eyes in the mirror with a playful glint. He watched your reflection intently, as if trying to read your every expression.

“Just making sure,” he murmured, pulling a chair up beside yours. He settled in, crossing his arms, his gaze steady as he watched you apply the last bit of powder. You raised an eyebrow, feigning a casual tone. “Why? Should I be worried? Is there something you’re not telling me about your date with Kayla?” You smirked, trying to keep it light, but deep down, you were fishing for any reassurance you could get.

His hand found its way to your thigh, his grip warm and reassuring as his thumb brushed soothing circles. “No, of course not,” he said, his tone calm yet firm. “I told you everything, and, honestly, I don’t think she’ll pick me. We don’t have that spark—you and I do, though, yeah?” His eyes held yours, his expression open and genuine.

His gaze was steady, his smile reassuring, and despite the flicker of insecurity, you let out a slow breath, his words sinking in and soothing the lingering doubts in the back of your mind. “Okay,” you said finally, a genuine smile breaking through as he chuckled.

“You’re adorable, you know that?” he said, leaning in to press a series of soft kisses along your bare shoulder making you giggle, a genuine, unrestrained laugh that he seemed to crave as he pulled back, grinning. “What are you wearing tonight?” he asked, scanning the room with an approving gaze as his eyes landed on the green dress you’d laid out on the armchair nearby.

“That one.” You nodded toward the dress, and he hummed, his smile widening in approval. “Good choice. It’s gonna drive the others crazy.” “Glad you think so,” you replied, warmth creeping into your cheeks as you noticed the way he looked at you—like you were the only person who existed.

“Well, I’ll let you get ready,” he said, standing up and moving behind you. Through the mirror, you caught yourself staring. How could you not when Rafe looked so... edible. He met your gaze in the mirror, catching your look, and smirked. “Like what you see, Mrs. Cameron?” he teased, his voice dropping to a playful, almost dangerous tone that made you laugh.

“Very much,” you replied, tilting your head back as he leaned down, catching your lips in a kiss that was both soft and full of promise, a reminder of the bond that the two of you had since day one. But before things could get too heated, you gently placed a hand on his jaw, pushing him back with a giggle.

“Alright, alright, I’m going!” he said, chuckling as he stepped back. Before he could leave, the door opened, and you both turned to see Kayla enter, her eyes lighting up at the sight of Rafe. “Hey,” Rafe greeted her casually, his tone polite but distant. You watched them exchange brief smiles before looking away, busying yourself with your lip gloss as Kayla approached her drawers.

“Hey, Y/n,” she greeted you brightly, her tone friendly as she settled beside you. “Hey,” you replied with a polite smile. “Excited for tonight?” “Oh, definitely!” she exclaimed, her eyes sparkling with excitement. “I’m so ready to sleep next to someone again; it’s been way too long.” She giggled, and you chuckled in response, keeping the mood light even as you fought off a pang of unease.

“Do you know who you’re choosing?” you asked, carefully applying your lip gloss as she fiddled with something in her drawer. She nodded confidently, her fingers tapping lightly as she glanced at you with a knowing smile. “Uh-huh. I knew who I was gonna pick the second I walked in here.”

You nodded, hoping your expression didn’t betray the subtle tightening in your chest. It was in these little moments that the villa’s intensity hit, the constant swirl of emotions and unspoken fears. But as you caught a glimpse of your own reflection, you reminded yourself of the quiet confidence in Rafe’s words, of the unspoken bond you’d built.

~

The night air felt thick with tension as everyone gathered around the firepit, the familiar crackling flames casting flickering shadows across the group. You sat beside Rafe, his arm draped casually over your shoulders. The warmth of his touch had been a quiet comfort, his thumb tracing soothing patterns along your skin—a small reassurance that whatever happened tonight, he was there.

But as Kayla’s voice broke through the murmur of anticipation, her words twisted the air around you, each one slicing deeper than the last. "I'm coupling up with this person because, from the moment we started talking, I definitely sensed that we had potential and that there was a spark there that I want to explore," Kayla said, her tone confident and unwavering as her gaze locked on the group.

Your eyes dropped to the flames, heart pounding, silently willing her words to be about someone else. When she finally spoke his name, “The person I want to couple up with is… Rafe,” the world seemed to freeze. Your breath hitched, and a wave of shock washed over you, cold and biting, despite the warmth of the firepit. Around you, a few gasps broke the silence, the girls’ faces mirroring the same surprise that you felt.

Your eyes darted to Kayla, disbelief clouding your expression, and then turned to Rafe, who sat motionless beside you, his face an unreadable mask as he stared blankly at the ground. “Really? Nothing to worry about?” you said, your voice low but sharp, brushing his arm off your shoulder. Anger surged through you, raw and uncontainable. You’d trusted him, taken his reassurances at face value.

And now, every promise felt like it had shattered between you. Rafe’s shoulders slumped slightly as he raked a hand through his hair, a long sigh escaping his lips as he shook his head. “Rafe, you look surprised at Kayla's decision,” the host, Sophie commented , looking at him expectantly. He hesitated, his gaze finally flickering up to meet Kayla’s. “Yeah, uh—I don’t know what to say, really,” he mumbled, the frown deepening across his face.

“I thought I made it clear that I wasn’t really interested,” he shrugged, but his words felt hollow to you, hanging in the tense air between him and Kayla. Kayla’s eyes flashed with indignation, and she crossed her arms, a hint of challenge in her expression. “Wow, yeah—that’s not how I felt during our date,” she said with a pointed look, and you felt a pang of betrayal twist in your stomach as her words settled over you.

The whole night, the small reassurances Rafe had given you, the gestures, the closeness—it all felt tainted. Sophie's voice cuts through, pulling you from the storm of emotions swirling within you. “Well, Kayla, if you could switch places with Y/n… and Y/n, if you could come stand beside me.” Standing, you avoided looking at Rafe or Kayla, the weight of the moment pressing down on you.

You forced yourself to breathe as you stepped away from the firepit, feeling the collective gaze of the group on you. “Y/n, you are now single, which leaves you vulnerable here on Love Island,” Sophie announced. You nodded slowly, your jaw tight as you bit down on your bottom lip, desperately holding back the flood of emotions welling inside you.

Out of the corner of your eye, you noticed Rafe looking anywhere but at you, his gaze flickering across the ground as if trying to distance himself from the situation. The sense of betrayal weighed heavily on you, every unspoken word thickening the air between you. As soon as Sophie left, the girls immediately swarmed around you, their arms linking through yours as they ushered you away from the firepit and into the makeup room.

“Unbelievable,” you muttered to Sofia, who gave you a sympathetic squeeze. “Honestly, you deserve so much better than that,” she whispered, her hand rubbing comforting circles on your back.

~

Rafe’s voice was soft but strained as he appeared behind you, his presence looming uncertainly. “Can we please talk?” His tone was laced with a vulnerability you weren’t used to seeing in him. His gaze drifted to your face, catching the redness around your eyes, the remnants of tears. You sighed, dabbing away the traces of mascara that had smudged beneath your eyes.

“I don’t think there’s much to talk about, Rafe.” You shrugged, brushing him off as you tried to compose yourself. “Y/n, please,” he insisted, the desperation in his voice tugging at the edges of your anger. “I swear to god, I was making it crystal clear that I wasn’t interested. I told her, over and over, that I was in a happy situation with you.”

You felt the flicker of an ache under your ribs, a small crack in the wall you’d put up. “Then why, Rafe?” Your voice rose, bitterness spilling over. “Why did she pick you? She wouldn’t have done that out of the blue if she didn’t think there was something real, something genuine, between you two.” Your words struck him, and he took a small step back, almost flinching.

He opened his mouth as if to argue but stopped, as if suddenly unsure. “I don’t know why she chose me,” he said, his voice barely a whisper. “But you have to believe me, Y/n. None of this meant anything to me—she doesn’t mean anything to me.” He looked at you, and for a split second, you caught something raw, almost pleading, in his expression.

But the anger and the hurt still clouded your heart. You shook your head, exhaustion coating your words. “I’m just… I’m really tired, Rafe. I just want to go to bed.” You didn’t meet his eyes, the weight of the evening pressing down on you. He paused, the silence stretching painfully between you both. “Right. Good night, then,” he murmured, his voice tinged with a sadness that lingered in the air as he turned and left.

By the time you walked into the bedroom, Sofia was already there, her arms opening for you without a word. You melted into her embrace, the comfort of her support soothing your frazzled nerves. “You’ll be okay,” she whispered, squeezing you tightly before you finally pulled away, giving her a small, grateful smile.

As you made your way to your bed, your gaze involuntarily flickered to Kayla’s. She lay there, already settled in, Rafe’s pillow on the other side, and it made your stomach churn. You slipped into bed, laying in the center, feeling an aching emptiness beside you. Rafe should have been there. His warmth, his steady breathing as you fell asleep, had been a constant.

Then, as if on cue Rafe walked into the room. His eyes skimmed over you for a second before he headed toward Kayla’s bed. The air was thick with unspoken words, unacknowledged feelings, and for a moment, you wanted to reach out, to say something, but you held back, the bitterness fresh in your chest. Rafe leaned over, whispering something to Kayla, though you couldn’t make out the words.

Then, without warning, he grabbed his pillow, stepping away from her bed and heading out of the room. You caught Sofia’s gaze across the dimly lit space, her knowing look meeting your own. She offered a small smile of understanding, and you returned it faintly before letting your eyes drift shut, hoping sleep would bring a break from all the emotions.

next

[fluffyk97]

Sonic 3 spoiler rambling about Sonic and Shadow under cut !

Y'know something that I feel might go lil under-appreciated is how well they made Sonic and Shadow mirror each other in the movie.

Like something that always can easily irk me are people boasting one of the two over the other because from the very beginning of his introduction to the series, Shadow's character is meant to reflect Sonic. They're meant to be equals that are so similar and complete opposites at the same time.

With the movie, I honestly wasn't expecting it that much. Sonic actually has a backstory that is just like Shadow's: powerful little hedgehog that is wanted for his power, so the one he's known his whole small life that he loves sacrifices herself to save him.

I fr fully expected Sonic to learn about Maria and be like "I lost Longclaw, I know you're pain, but-" blah blah blah- BUT they don't do that??

Of course, we have Commander Walters first telling Sonic that Shadow's story is a lot like his but wasn't able to find family and friends, and Sonic does find Shadow had a family from finding a picture of him and Maria together. He never gets told what happened exactly though, although it wouldn't make too much of a difference with the fact they did change up Shadow losing Maria just a little bit.

Since they didn't live up in space, Maria didn't have a capsule to send Shadow off with sacrificing herself and instead they made it an accident. WHICH- can be understandable if people don't like that, however personally I don't mind it that much because honestly the intent to shoot Maria was there, but she ended up being lost from an accident caused by Walters.

Which, ties in to Shadow hurting Tom...

Walters in trying to help save Maria's, Shadow's and Gerald's lives unfortunately led to Maria's death and watching Shadow be put in stasis for 50 years where all he thinks about is that painful memory burned fresh in his head. So of course when Shadow sees Tom disguised as Walters, he takes his anger out on him by hurting him while also stealing the key for the ARK. Leading to unfortunately another scenario of where the intent of harm is there, but someone still got hurt from an accident because Shadow never really meant to hurt Tom. But he does anyway..

Which of course in turn, makes Sonic mad just like Shadow was 50 years ago. Only difference is Sonic doesn't get immediately captured by GUN and forced into stasis. Letting him able to go straight to Shadow afterwards for hurting his family.

We have Shadow take note of all of that himself, telling Sonic he's feeling exactly the pain he felt and Sonic being the one to say "I'm nothing like you!". Just like how I thought Sonic would tell Shadow about Longclaw in hopes of redeeming him, but reversed and both sides full of anger and grief.

One awesome super fight later though, we come to the talk on the moon. Probably my favorite part in the whole movie. outside of the super fights and Live and Learn playing lol

After mentioning Tom and getting uppercutted straight to the moon by Sonic, Shadow loses his super form, leaving him vulnerable, easy for Sonic to take his revenge on him. Only for all of that to be stopped because of Shadow pointing at his own chest which reminds Sonic what Tom told him at the beginning of the movie and calm down.

"You didn't let pain change who you are."

This completely baffles Shadow, with him actually wanting Sonic to finish it, but of course Sonic just refuses saying "No one wins with revenge". It just leaves silence between them, finally giving Shadow his own moment of remembering Maria outside of her death by looking at the stars he used to gaze upon with her.

He mentions it to Sonic how all he knew and felt was just the pain, and now finally- FINALLY, Sonic mentions how he shares that feeling of loss from Longclaw. Not in a moment of trying to just redeem Shadow without the full weight of it, but in a moment of understanding.

A strong moment of these two looking at each other in a mirror, eye to eye. Sonic, who was allowed to grieve all those years ago after losing Longclaw, telling Shadow the pain of loss will never go away, but the love will always remain.

"The light shines, even though the star is gone."

And through that shared pain and loss, now coupled with empathy and understanding one another through it. They truly connect.

Sonic and Shadow's dynamic was just done SO WELL in the movie and I couldn't be happier with it...

[charcubed]

I have soooooo much I want to write about Doctor Odyssey and if I keep waiting for the perfect moment to write something PROPERLY GOOD AND COMPREHENSIVE then I’m simply going to explode. So instead I’m going to write a messy little post on my phone when half asleep and try to keep it to one main topic.

Yeah yeah the throuple had a threesome (and I’m foaming at the mouth over it) but can we talk about the THEMES!!!!

This show is for crazy people (me specifically). Once again, I have a lot to say, but for now let me just focus on the wedding episode itself. That threesome is informed by the context of the rest of the episode in a way I simply CANNOT get over.

Let’s look at our passengers: the bride, groom, and best man. We find out all of them are being unfaithful to each other in various ways, miserable in their silence and unhealthy relationship dynamics. They all went to school together and were once close, but things went wrong somewhere along the way. The best man’s speech implies he has feelings for the groom, the groom is a sex addict who’s had multiple partners (possibly the best man included) because he feels trapped in a lie, and the bride and best man are having sex with each other. And none of them are communicating about it, and the groom who had preexisting mental health struggles commits suicide.

What happens to the three of them is a tragedy and it is absolutely a result of heteronormative monogamous culture. That culture was passed down from the bride’s mother to her too by example and societal influence.

I’m not exaggerating. It’s not subtle!!! At all!!! Everything explodes for those passengers because monogamy and repressing bisexuality wasn’t working for them.

They’re a dark mirror and cautionary tale. (Bonus points for how Avery’s sad backstory is that she was betrayed by her longtime friend / brief husband who cheated on her with a mutual friend as well, which is why she’s definitely hesitant about love now.)

By comparison, Avery and Max and Tristan have been avoiding some similar big pitfalls: they know they’re into each other and it’s not a secret, rivalries keep being squashed with effort, and no one is pressuring anyone to choose (so far).

This is what our beloved main characters have on their minds before what follows. And again, let’s not even get to the sex part yet… THE BUCKET LISTS!!! I’m losing my Goddamn marbles!!! The way all 3 of their lists intersect? Holy shit. Off the top of my head: Max and Tristan want to fall in love and have kids, Avery and Max want to see the world, Tristan and Avery have niche interests outside of medicine that they want to explore more… We were given itemized lists to show how the 3 of them balance and round each other out perfectly.

It’s not about any 2 of them because it won’t work with just any 2. It’s ALL THREE — just like all the framing and blocking of shots is consistently all 3, they walked down the wedding aisle all 3 together, the first sex scene for any of them that WE as the audience see on screen is all 3 of them together, a “bad threesome” is defined as 2 people getting too wrapped up in each other and the 3rd being an accidental outsider, we often see that if one duo gets a couple-y moment then the other duos get similar moments later as well, etc etc. Sorry. Let me not continue the summary list here and now so I don’t get too sidetracked but there’s A LOT.

But like, my current point? That wedding episode is a goldmine and the threesome explicitly happening doesn’t exist in a vacuum. Far from it. The themes are themeing in the whole show, of course, which is part of what I want to write about elsewhere at some point too: this show is repeatedly very deliberate about making sure heterosexuality or monogamy aren’t framed as the default or only correct options, and queerness is sprinkled everywhere. But this wedding episode specifically… the themes were nearly the ONLY PLOT. Nothing else — it’s basically only that, and it’s very focused. The failures of monogamy are on full display. And that’s why and how we get an explicit threesome right after it, which will lead us into how things will continue to develop for our trio.

Now, as for why the threesome happens so relatively quickly? My hot take on that is that general audiences can be stupid and so the creators wanted to put the throuple explicitly on screen fairly early to get people to start Noticing. Show them how the characters need to be together… and that sets us up for the possible angst and tension to follow as they have to accept it emotionally for themselves too. Now, as an audience member, you’ll more strongly know what to root for. You’ll know what’s right because you’ve seen it and you’ll want them to get back to that place, come what may. (If you’re not a puritan.)

It’s so fucking good. Insane silly show for insane people. Are we seeing the vision??? I need everyone to lock in.

This ramble is probably a disaster and I apologize for that but ohhhh man I had to put SOME words down so I wouldn’t explode. Suffice it to say I’m having a ball up in this bitch and I cannot believe this show exists. I couldn’t believe my eyes and my brain cells in the pilot, and I REALLY can’t believe them now.

What a time to be alive!!!!!! Polycule “love fest” on a cruise ship, baby!!! The world needs more love, all kinds of love, as the Captain says!!!! Onward to gay week!!!! LET’S SEE THOSE BI MEN KISS

[rootspiral]

Agatha all along deep dive: episode 1 part 2

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

Okay, let's keep going through Agatha All Along epsode 1, in which detective Agnes sees Nicky's lock of hair inside her brooch and is stunned into silence for a long ten seconds

she's feeling agonizing heartbreak and cannot even tell why

you know what, she technically is home. she's in her living room as we speak. but every line has multiple readings, so go home... where? to her old self? to her witchy roots? to her coven? to Rio? to Nicky, in the afterlife?

I wonder if all the water puddles are deliberate. do they symbolize mirrors, is she gone through the looking glass? or is water = rio?

the way she has to steel herself before getting into Nicky's room

THE MOON PHASES OVER THE BED. as if she wishes there was a coven looking over him, protecting him

I saw some reactors laughing their asses off at this scene, still hung up on the parody of it all, going "did they make the rabbit into a dead kid backstory? that's HILARIOUS." Sure. So funny.

(they keep associating Nicky with rabbits tho, in the previous scene with Rio there's a blink-and-you-miss-it moment when a plant in the background suddenly turns into Nicky's picture. was señor scratchy named after him?)

why can't they properly light their scenes goddamnit I shouldn't have to use 6 layers to see her face

oh look it's Aubrey Plaza and pizza, two of the sexiest concepts humanity has ever come up with

first of all: open vest and white shirt? that's hot. second of all, the way she's sitting so confidently with her whole chest out, so open, taking deep breaths. she just wants to drink her all up, all of her, her beauty, her sorrow, her goofiness. she's SO damn in love.

what a goober. what a delight. plaid shirt and no makeup, drinking beer and snorting when she laughs, a bit awkward and bashful. what a stud. I would die for her. I would wife her so quickly. I'm gonna say this whit my whole chest, the more femme presenting Agatha is, the more she's wearing a shield and playing a part. this is Agatha raw and defenseless and true, and I want to protect her like she's a precious kitten. (me and Rio both, tbh)

case in point: Agatha is manspreading like some idiot lumberjack, and Rio looks like she has never seen anyone hotter

Agatha: "I have a lead in the case". Rio, with goddamn bedroom eyes: "that's not why I came over."

But then when Agatha looks overwhelmed she immediately course-corrects and encourages her to talk about the case. Love me a boundary-respecting king. Real talk, she's been respecting those boundaries for a long time. And even if she's quite angry at Agatha, she won't unleash all that on her when she's so defenseless.

She pushes a little, and the moment it's too much for Agatha she steps back and regroups. She's being SO gentle.

That's fascinating that her subconscious knows what happened to Billy. Exactly how connected are they?

Whoops, we're leaning in again.

She says yes so openly. When the real Agatha has been running away from Rio and this confrontation for centuries! The real Agatha is SCREAMING in terror, but he body won't listen because it's fallen back into that feeling of domesticity and trust. This is the same body that will always yearn to kiss Rio. The mind that categorically forbids it is shut away for the time being.

Why is Rio trying to wake Agatha up? She could let her stay like this. She could easily make Agnes O'Connor fall in love. The two main reasons why she doesn't are: because she's so fucking angry with her, and she wants them to finally have a mature conversation about Nicky and she needs Agatha to understand that she's hurting too. The second reason is - because she loves her too much. It's honestly just that. She cannot let Agatha live like this, tortured, imprisoned, without agency. She want to have a mature conversation with the real Agatha, she wants to get angry with the real Agatha, most of all she wants Agatha to be okay. Do you see the difference? She's not just in love with her, because being in love is a selfish act, but to love someone is fundamentally selfless. And she will keep loving Agatha no matter if they are together or not. She loves her enough to bend the rules of the universe for her. She just... she loves her.

and this, letting Agatha exist in this form, is a punishment too cruel for Rio to allow

The half smile, the bitterness behind it. An Agatha who doesn't hate her is just a beautiful fantasy, but Rio knows better.

it's Billy! and another mirror! yep, that's a theme.

Ha, the real Sharon was calling him a hooligan. RIP sharon, gone too soon

so intense!!?! even when she's not doing it on purpose, her characters are cheesy and cliched. and it takes a lot of talent to write a bad show too, so kudos to jac schaeffer & co

go to part 3

[alnair-jpg]

Olympics AU Info dump!

First, I am blown away by how much love the series is getting, thank you all so much! I do really enjoy all the comments and reactions in the tags. Know that they all delight me and the only reason I don’t reply to everything is because there are so many! But I read them all 💕

General questions:

Can you draw the designs or concepts? Write fanfic in this AU?

Yes of course! I’d love for you to tag me if you post them so I can see

Do they all know each other?

At first, I would say no- with the exception of Nico and Will (they’re developing a whole backstory in my head that I cannot and will not stop.). But they all meet in the Olympic Village after the opening ceremonies and quickly become friends. They all try their best to attend each other’s events. (Someone please tell me how Percabeth becomes a thing. Please. 🙏 )

Why didn’t Percy win gold?

Percy was an Olympic medalist in swimming before moving to diving. After competing in several swimming events and feeling like they were all just small variations of the same thing, he wanted more of a challenge. He chose diving to stay rooted in to the water, but to add a new dimension to his bodily awareness and control.

What’s Annabeth and Luke’s rivalry?

They most definitely trained together, and it was Luke’s skill that motivated Annabeth to aim for the Olympics. But, she wanted to compete for her home country, Greece, which Luke thought was just a shortcut since there was a clearer path to an Olympic team in a smaller country. Annabeth is constantly trying to prove to him that she would have made it to the top of the sport either way.

Also, apologies to the IRL fencers out there for the inconsistency. I know fencing is a gendered sport, and Annabeth’s gear/style are inconsistent, please forgive the oversight ☺️🫶

Volleyball?

The whole Hunters of Artemis are a volleyball team (that apparently has no country 😅). Thalia ends up the captain. When Reyna moves on from tennis they welcome her with open arms.

Rejected sports

Will as a runner. Canonically, he’s super fast, but just having him as a sprinter didn’t fit with his personality.

Will as a pole vaulter. Specifically the guy that lost because he was ‘blessed a little too much’ and knocked down the bar. I will not explain further.

Will as a gymnast. He was this || close to being a gymnast essentially modeled after Steven Nedoroscik, I had the sketch and everything. (I shared it here!) But when an anyonomous ask clued me into the sick medical team uniforms it all fell into place from there. (Thank you no-longer-anon @helyeahmangocheese !)

Percy in anything equestrian related. I see him not having the patience for all the formality of it all, but he definitely crashes Hazel’s shows and chats up all the competition (the horses.)

Annabeth on a sailing team. Also, related to that, Reyna on a sailing team. It was a fun idea, especially for Reyna and her history with pirates but ultimately it was really hard to capture in a few illustrations.

Nico in several winter sports. For consistency mostly. He could fit for a lot of winter sports - ice skating and snowboarding are my personal favorites.

Leo as a shooter. He would most definitely build his own gear and make tweaks to his weapon. Which would get him immediately disqualified.

Jason in discus. Jason as a basketball player. Golf is just… fitting. 😂

Other Characters I’ve been thinking about

(that may have art in the works… and may not actually be athletes!)

Clarisse

Meg

Grover

Rachel

Lester / Apollo

Mr. D

Chiron

[literaryvein-reblogs]

Hello! Hope your day is going alright. I was wondering if you have any advice for when all characters feel the same? Despite having different core traits and mannerisms, when I write them it always somehow ends up feeling like they're copy pastes of one another to me. I noticed that I've been having a hard time with giving my characters agency too which led me to wondering if that isn't causing the former issues.

Thank you for taking the time to run this blog and help so many people, cheers!

Writing Notes: Character Identity & Agency

Identity chart. Example:

What parts of themselves are influencing their decisions in your story? Familiarize that part of their identities.

Try to maintain the truth of the group and to simultaneously think of your character as an individual.

Thinking about why your characters behave the way they do and why they make certain decisions is important to writing a good story.

The plot moves along because of the decisions your characters make.

Be honest with yourself and what you know and don't know, do some research and ask for help, you'll create more authentic characters that way.

Your Character's Agency. Some writers prefer to map out their story but allow their characters to help lead the story.

This technique is more often used by "pantsers".

A pantser is a term most commonly applied to fiction writers, especially novelists, who write their stories "by the seat of their pants."

The opposite would be a plotter, or someone who uses outlines to help plot out their novels.

Many writers fall into one camp or the other, though it's not uncommon for writers to try both methods from book to book.

Author Victoria Schade describes giving her characters agency:

...I kept stressing out about a specific plot point I couldn’t untangle, and over time my characters slowly revealed the answer to me. It wasn’t an “a ha” moment, it was a gradual realization, and when it all came together I couldn’t help but think, “It was there the whole time!” But that’s the beauty of letting characters have agency and giving them an active role in the writing process—they surprise you!

It pays off to let characters have agency, she has found, particularly in the drafting process.

WRITING TIPS. When creating a character, try to understand them so that their actions and words are consistent with their personality and history.

Who we are is at least partly hardwired, inherited from parents and grandparents.

A lot of those characteristics like how extraverted or introverted someone is, how open or private they are, how conscientious or empathetic or neurotic they are is there in a child’s brain.

Knowing those basic characteristics could help you understand where a person has come from.

But those traits are plastic; they are moulded by experience and especially childhood.

Writing a backstory for a character helps the writer make certain that even confident social behavior (from an introverted character) is different from the social behavior of an extravert.

No personality trait is better than another, extraverts don’t have easier lives than introverts, conscientious people don’t do better than slapdash people.

Everyone struggles with their own nature in the wrong settings.

Of course, writers delight in putting them in the wrong settings.

Understanding motivation is crucial to developing a character, most writers do this automatically.

They may have a plot-driven goal (solve the crime, deliver the ring, marry the hero), but they also have

personal motivations (revenge against a killer, loyalty to comrades, love or loneliness).

Example: You don’t want a shy, lonely character to suddenly propose a karaoke night, because the reader won’t find it believable. Maybe she has to be talked into it, dragged even!

When creating main characteristics, it’s worth jotting down a personality sketch and basic history.

Smaller characters are just as important.

It's okay if you don’t delve into their history much, but you don’t want them to be stereotypical characters, just ciphers for the plot.

These smaller characters are great opportunities to reveal something about the main character, as they are seen through their point of view.

Example: A confident person meeting a surly waiter might challenge them, or ignore it. An anxious person might blame themselves.

We are interested in people and how different they are from us.

Stories of extraordinary life experiences draw us in.

We want to learn about personality traits that we don’t understand, like psychopathy or obsession, which explains the popularity of true crime books and fiction about murder.

Human beings are varied and interesting, we like to understand what they do.

A death, a divorce, a lost job, a miscarriage, all lead to a fresh start—it’s a brilliant trope, because we all experience them in our own lives.

Characters are revealed to us as they struggle and adapt, make new choices, build new relationships.

People don’t move on cleanly; they trail the past around with them for years.

Allowing a character to experience doubts and fears going forward makes them more relatable, more realistic.

Our senses produce a lot of memories.

The most evocative are smells.

We can activate memories from our childhood, even babyhood from a scent.

Example: Smoke from pipe tobacco can evoke someone's grandfather, who they hardly knew because he died when they were just a toddler. But the smell could bring back the sound of his voice and his bristly beard, huge leathery hands.

The "Read a lot" Writing Tip:

Read psychology articles and real-life stories, just to enrich your fiction.

As writers, we collect stories.

Sources: 1 2 3 4 5 ⚜ More: References ⚜ Writing Resources PDFs

Thanks so much for your kind words! Try some of these tips and see which ones work for you as a writer, or perhaps for that specific story you are currently writing. Some writers don't find it necessary to give their characters agency, but it can work at times. When characters start to feel "the same", one technique is using charts like this, or templates, just to help with keeping track of your characters' traits and further differentiating them from one another. Hope this helps & have a lovely day/night as well.

More References for Character Development

Some Writing Worksheets & Templates

[jujutsusimp]

Gojo & Toji relationships with marriage

So I thought about characters relationships with marriage for my latest SMAU You called them “my husband” while ordering food for them. I will probably do a more detailed post about Gojo and Toji backstories at some point, but right now I felt like expanding on my thoughts for the SMAU itself.

It’s silly, but I really try to be as in character as possible when I do my SMAU and sometimes I will think a lot about why they would do this or that, so for this one, I wanted to develop a bit on it, it often brings good conversation^^

Gojo and marriage

I think Gojo hates marriage because of all the pressure he felt on his shoulder from his clan to get a wife and an heir asap. He completely rejected the injunction, not wanting to have one more responsibility on his back. Despite that, I don’t think he hates the idea of marriage in itself as a love commitment. He 100% fantasizes about carrying you bride style out of the venue in your pretty dress, calling him husband. Gojo might look super extravert, but I don't think he is very good at expressing his true feelings deep down, so marrying you is a way to show just how much he is committed, but just the idea of dealing with his family gives him hives.

We know nothing about his clan (even if there are other members alive), but considering what we know about Kamo/Zenin, I am convinced they are insufferable traditionalists and would get very noisy about the whole thing. The second you become his wife, you get tons of expectations to behave in a certain way and become the perfect housewife, of course, he would back you up on it, but it will be exhausting. (Also, his family will probably look down on you if you are not from a lineage of Sorcerer but at this point, they are so desperate to get him married that they will suck it up.)

Toji and marriage

I don’t think Toji is especially superstitious, but I am under the impression he has really bad luck. From day one, with his heavenly restriction and shitty childhood to gamble (I have the feeling he never wins when he gambles), We know he lost his first wife soon after Megumi birth, and we don’t know what happened to Tsukimi’s mom, but since she suddenly disappeared, I am assuming she is dead. It’s unclear if he married some of the other women he courted in between, but it’s possible since Gege clearly says it’s a literal gold digger.

But I also think Toji really loved Mamaguro, and is really traumatized by her death. His life afterward sucked too. So, I liked the idea of him being really happy now that he found you which makes him really scared to jinx himself and to lose his happiness again if things get too serious.

[ihavenoideawhatiamdoingjustgay2]

Scrap Metal Love

Genre : Fluff

Summary : Sevika has forgotten about Valentine and has to scrap something together now.

Notes : Happy late Valentine you whores (affectionate), had no time to finish this earlier (homework), gave my best to write her in character, F!Reader, Jinx is there, so is that one old lady background character who I gave a vague backstory, stay gay today, sry if the quality of the work isn't good

Link to AO3

Her hand wiped away the blood on her cheek, but the mirror showed only how it smeared. She grunted, she'd remove it after saying hello to you, after going home. She sighed. Home to you. That had been her motivation for the whole day. For everyday in the past few years. She nodded along as Silco talked, only lending him half an ear. It was the usual, a simple callback on what happened and some reports. She completely tuned out once the blue haired demon entered the conversation. She rubbed her neck, her mind drifting back to you, what she'd give to have those hands run along your sides, have her lips drift down your throath, leaving marks, what she'd give to watch your back arch-

"You may take your leave now, Sevika." Silco mumbled and she was ripped out of her fantasies.

She turned around without another word, praying that the devil would continue to pay her no mind, but Jinx of course did not listen.

She popped her lips. "Have a fun Valentine~"

She turned around, slowly. "What?"

Her head crocked, before pointing to the calender at the wall. "It's the fourteenth.", she giggled "Have you" she popped her lips "forgotten?"

She rolled her eyes, pushing the handle down and closing the door once she was out, only to slump against it. "Fuck."

Usually she didn't have a thougth left for the day, but you were the corniest mother fucker she had ever meet. She rubbed her eyes, muttering curses as she pushed herself off the door, hearing Jinxes giggle in her ears, but that migth have just been her imagination. This wouldn't be hard, rigth? What did one buy on valentines day? She slowly moved down, to the busy bar that she gladly ignored, dead set on the exit at the back. The people knew better than to cross her. She remembered you talking about chocolates and roses, only realizing now that those had been hints.

"How fucking dense are you?", she asked herself, pulling both lighter and cigarette out. She protected the fire with her free hand as she chewed on the rolled tobacco as if it was a toy, before the tip finally ignited, she took the smoke in, having it fill her lungs. Usually you would ligth them for her and rigth after you'd lean against her side, she'd grab your hip with her metal arm, leading the both of you out, or she'd push you against the wall. It depended on the day, really. Now she was left to move out alone into the dirty Zaun streets, looking for the impossible while smoke was pouring out of her mouth.

Chocolate and Roses....chocolate and roses...chocolate and- her eyes fell onto some scrap metal on the floor. Roses. She brougth the cigarette back to her lips. She got closer, picked it up to inspect it, turned it in her rough hands.

Maybe that blue devil could be of use for something.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"So you did forget-"

"Shut it and concentrate on that rose."

It took some convincing untill Jinx had agreed to help and take Sevikas idea to her workshop.

"Like yesh, this is fucking corny. Imagine someone figuring out how much of a weakness this woman is for you~"

She clenched her metal arm before releasing it. She'd punch some punks teeth out tommorow, but today she had to be patient. The most patient she had better been. You better appreciate this. She could imagine your smile while you talked about how much you loved it. It would be worth it.

"I mean like, this is such a corny idea too! Metal Roses...what, should I drill her face in there too?"

"Are you done soon?", she was very happy she had found the girl without Silco, she could only picture the stupid face he'd give her. It gave her a fucking headache, like the Devils whole workshop, she needed to get out of there asap.

"Pretty fucking stupid of you to just forget.", she held the finished metal rose up, removing the mask from her face.

"You tell me...", she took it, examing the handiwork as Jinx spun on her chair.

"Now....you'll get me those expensive crayons?"

"I'll talk with Silco about it.", she huffed, stuffing it into her bag and getting the hell out of there.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Her fingers carefully dragged over the smoothed out metal. It had a silver hue, but it was overall pretty blue. She'd never admit it into Jinx face, but the kid had done a good job. Sevika put the rose back, carefully. It was just a shame that she couldn't conjure up some chocolate.

Sevika went on, maybe she could call up some old favors, she would do that for you.

Or she could just- she catched something from the corner of her eyes. She squeezed them, making out a hunched figure through the dirty glass. Or she'd just ask your aunt, who coincidentally enough was one of those favors.

The doorbell rung as she stepped inside, the ligth was dim and there were boxes, stacked up on eachother.

"We're closed."

She called without looking up and Sevika crocked a brow. "Is that a way to greet your future niece in law?"

She looked up, her face blank. "Oh, it's you."

The Lady didn't sound exactly happy to see her. But the feeling was reciprocated. She got back to counting her money. "So...you did...?"

She chuckled. "No, not yet, I'm here for something else."

Aunt Soph gave her a quick glance.

She swallowed some of her spit before going on. "I need chocolate."

The woman turned her full body towards Sevika, her lips pressed against eachother in a tigth line, her eyes were squeezed together. "Did you forget about Valentines day?"

She shock her head, nearly angry. "No. It's just hard to get to topside and buy chocolate when you're Silcos rigth hand."

She nodded. "Yeah. It migth ruin your reputation."

She groaned "No it's not just..." the woman's lips had quirked up into a grin. Sevika groaned. "Do you have the chocolates now or not? I'm asking a favor here."

Her old ears picked up on that. "Why did you not say that when you came in? I got her favorites in the back."

"Do you need help climbing the stairs?"

Sevika asked, crocking a brow.

Aunt Soph looked back, as if insulted. "Nah, didn't lose any of my limps yet."

Sevika snorted, waiting for the hag to come back with thudding fingers and her mind on you. Did you have anything prepared? Would it be extremely corny? No, you knew her to well for that. But it would be something and it would be planned better than hers.

The door to the back was opened again and the old woman stepped out. "That was quick."

"Had them closer than expected.", she explained as she handed them over. They were in a neat pink box, though it probably has seen better days. It was sealed shut with a pink ribbon. You always were happy to unpacke them, so very entranced by the bow. "Greet her for me, will you?"

"Of course I will.", with that last promise Sevika left.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Sevikas flesh hand slid along the metal railing, it was cold and a bit rusted, like the rest of the building. But it was on the outskirts, so it was safer and it certainly was enough. You had lived further in before, but did not like it because of the noise and because of other things.

She took out her keys, with a fee turns the door sprung open, revealing the living room. The only source of ligth were the window and a candle on the table, next to that very candle were two glasses and a flask of wine. And on the couch there was you, who blinked her eyes open as the ligth of the hallway hit her. You sat up as she shut the door behind her, making sure that the lock clicked into place.

"Sevika..." she barely heard you mumble, the thin blanket shifted around you as you kneeled on the couch, she walked into your arms, pulling you closer even, hiding her face in the crock of your neck as her hands found their way under your shirt.

"Hello to you too.", you greeted with a chuckle, squirming a bit under her cold hands, she meanwhile was busy kissing the line of your jaw.

"I have something for you in my bag."

You pulled back to look at her, with that sparkle in your eyes. "Chocolates and roses?"

Sevika nodded, already grabbing for both with one hand, her other was way to occupied. Her eyebrows shot up as she got to your bra. "That's a new one."

You tried to slap it away. "Shush, that's a suprise for later."

"Can't wait for later.", she carefully put both chocolates and the rose next to the wine. Your eyes moved to it and she released you, only realizing how much she nedded this once she leaned back to watch you turn the rose between your two fingers.

"Sevika did you make this?"

She chuckled. "Got some help from the blue devil, but it was my idea."

You gave her that sweet smile, to then open the chocolate while she poured the wine. "My favorite, did you go to topside?"

"I've got my sources.", she said, draping her arm across the couch to invite you in. You leaned onto her like expected and her arm came along with you.

Sevika had never been a wine person, it was to sweet and way to fruity, but this one was different, a bit similar to whiskey even. "Where did you find this, doll?", she asked, taking another gulp.

"Somewhere.", you said, snacking on the candy with one hand and the wine in another. "Had to mix it with whiskey."

Sevika snorted. "So that's why it tastes so good."

You hummed, cuddling into her. "Do you want some?", you asked, picking out a piece.

She stared at it before shrugging. "To hell with it.", she plopped it into her mouth. The foreign taste spread in her mouth, accentuated by strawberries. "Hm."

"Like it?"

"I prefer to taste it from your mouth.", she confessed as her hand slowly crept back under your shirt.

You crocked your head, the chocolates left your hands and slipt back to the table. "Is that an offer?"

"It's later now, isn't it? Time for my suprise..."

She pulled you closer and you chuckled as she kissed you. You'd like tonigth.

[aprilblossomgirl]

i feel like i'm hurting so much for faifa in this episode. he doesn't deserve to hear that many hurtful words. before i continue, i think i need to say this first: as an asian myself, i will always understand why most (asian) shows choose forgiveness when dealing with bad parents/parenting, no matter how unforgivable they might be seen by the rest of the audience. and that, i believe, is not of any agenda by the showmaker. of course, to not generalize it, few medias didn't go through that route because of a different preference or goal in the storytelling. however, understanding forgiveness doesn't necessarily mean i believe it is always the 'right' way of wrapping up an arc.

thinking about the upcoming faifawine's story starting next week, i feel like some dialogues in this episode, no matter how they really felt off to me, are intentionally right there as a further backstory for faifa. and especially if the directing choice of faifa's expression changes through that scene with the whole family is anything to go by.

when yotha called fai, he said this first: "Tell me honestly. Don’t be scared of hurting anyone." as if yotha knows that fai always keeps his feelings to himself to avoid hurting anyone else.

fai trying to come up with a reasoning, "I was probably just angry with her, but I think everyone was hurt by what happened— Dad, Newton, and Mom." as if to avoid answering yotha's question, "Do you hate her?" with his real answer.

"If Mom really wanted to abandon us, why would she have taken me with her?" shows that fai was not being optimistic (as yotha implied) but somehow trusted the mom. only to be shattered later, "I thought if I brought Faifa who loves being with his Dad and brothers, at least he would ask me to bring him back to visit everyone often and we’d all see each other sometimes. On the other hand, if I’d brought you, Yotha, we might have been so happy that we wouldn’t have wanted to come back and see anyone here again..." (what nonsense! i cannot understand any logic behind this one.) in a way implying that she might haven't been that happy with fai, which somehow validate what he and yotha had been talking about before: "I don’t know why she took me with her even though you were the one who wanted to go." / "Because she loves you more than me." / "That’s definitely not the reason." oh, i was right. mom doesn't love me. but she's hurting. but...

imagine being faifa, hearing all of those hurtful excuses, but his immediate response was trying to justify why mom did what she did instead of trying to validate the real feeling he himself was having. and i say this with my whole being: that's a pretty accurate representation of how we, asian kids, mostly were nurtured. the scene just stabbed me right in the heart.

faifa might haven't said anything, but his face didn't lie. you could very clearly see how his face instantly dropped once mom told her reason for taking him instead of yotha at that time. and i still cannot forget the face he made a few episodes back when mom gave him something he was allergic to. the level of gaslighting here is too suffocating to witness. the emotional neglect just hits too hard. i cannot even begin to break it further into fai's loneliness.

all these made me wonder how the upcoming third arc will 'deal' with fai's inner wound. i hope the show won't brush it off because i think it would add more depth to the romance part, how he navigates his feelings once someone finally enters his life, as it has been implied that wine was also dealing with heartbreak.

[a-dauntless-daffodil]

Charlie: "You know what your traumatic backstory calls for?"

Vaggie: "Hugs?"

Charlie: "THERAPY!"

Vaggie: "Charlie, I don't need-"

Charlie: "Oh YOU don't need therapy? Really? Really."

Vaggie: "..... I'm perfectly functional. Also, it's my trauma."

Charlie: "And is this OUR loving relationship?"

Vaggie: "Of course it-"

Charlie: "The one I'm planning on spending the rest of my life in? Trauma included?"

Vaggie: "I- if, if you want to-?"

Charlie: "Just like how YOU'VE spent three years helping ME with the whole 'wow my family fell apart soooo fast let me cope by latching onto the dream of my disappeared mom while pretending it's totally fine I somehow feel even MORE distant from my dad who lives only a ten minute walk across town' thing? Making 'help charlie!' into your whole Reason for Being?!"

Vaggie: "Hold on, I wasn't in the best headspace when that slipped out-"

Charlie: "OBJECTION! Clear admission of truth!"

Vaggie: "-fuck."

Charlie: "And did you let me be there for you then, when your head was in a bad place? Or did you pull a 'I want to be alone' card?"

Vaggie: "I just needed- I didn't want to say anything else stupid."

Charlie: "Oh so you didn't wanna be dramatic about it, huh?"

Vaggie: "Yes- NO!"

Charlie: "Like how I can be dramatic?"

Vaggie: "It's not the same-"

Charlie: "Do YOU like being there for ME when I'M in a really bad no good and sad headspace?"

Vaggie: "You know I do."

Charlie: "Even when I go sit in a corner my own because I still can't believe there's someone in my life who'll want to come looking for me- who I don't need to apologize for being sad or 'dramatic' around- and who says she's HAPPY to be worrying about me?"

Vaggie: "Sweetie I am happy to worry about you."

Charlie: "Ah-HA! But I don't get to do that for you! YOU want me to be sad around YOU-"

Charlie: "Wait that sounds weird, uhh- oh whatever-"

Charlie: "Point is, I don't get to see YOU being sad around ME! And no, anger don't count! You like being grumpy! Grumpy is active! It feels productive and that's why you hate feeling SAD!"

Vaggie: "You just said you hide it from me too. Even after three years of being together."

Charlie: "Oh no really? Does that bother you???"

Vaggie: "It worries me!"

Charlie: "Okay then!!! EXACTLY! We both need therapy."

Vaggie: "...."

Vaggie: "That's fair."

Charlie: (preening) "Thank you."

Vaggie: “How the fuck did you not win that case up in Heaven.”

Charlie: "Angels are jerks and their minds are hard to change. Not my angel though. Mine is great~"

Vaggie: "Hold that thought until after I've asked this one question, sweetie."

Charlie: "Ask away!"

Vaggie: "How do we do therapy."

Charlie: "....."

Charlie: "H-"

Vaggie: "Without using Husk and alcohol. We are not paying him enough to deal with my angelic shit."

Charlie: "We could give him a raise- how much do you think-?"

Vaggie: "Not even if we gave him the hotel, babe."

Charlie: "Oh."

Vaggie: "So. What does sober therapy look like?"

Charlie: "Hmm....."

Charlie: "......."

Charlie: "Next question."

Vaggie: "Do you wanna just start off with a hug."

Charlie: "I want to pat myself on the back for having such a smart, supportive girlfriend- but you'll have do to it for me instead. While we hug."

-phone call time-

Carmilla: "You have five seconds before I hang up. Talk.

Charlie: "Carmilla, hi!!! It's about Vaggie-"

Carmilla: "No."

Charlie: "Oh ok! I just thought-"

Carmilla: "No."

Charlie: "-you seemed to really care about her, and maybe see a bit of yourself in her, maaaaybe you'd have some tips on-"

Carmilla: "No. Take her to Rosie's. Go with her and STAY with her."

Charlie: "Rosie- OF COURSE Rosie's! Right! I will!!"

Carmilla: "Don't take it personally when she tries to escape."

Charlie: "When she whats?

Carmilla: "The brooding silently in a chair and refusing to talk will also pass. Give her space. But don't leave her."

Charlie: "No no I won't, but why would she try esc-"

Charlie: "Oh Vaggie! No, I'm just on the phone with Carmilla-"

Vaggie: "WHAT."

Charlie: "-we're talking therapy ideas for you! And-"

Vaggie: (muffled swearing)

Charlie: "-she says Rosie's might be a good idea! You know, like how Alastor took there so I could talk everything out with someone finally, well I guess and also to get a cannibal army, but Rosie helping me with the you issue by laying my heart bare to her was the main good thing from all that, so-"

Charlie: "-VAGGIE GET BACK HERE!"

Carmilla: "Condolences on her having wings again. Good luck"

Carmilla: (hangs up to the sound of frantic flapping and yelling)

Zestial: "...."

Zestial: "...toss'ed to the very wolves... truly, that was wretched of thee."

Carmilla: "I owe them nothing."

Zestial: "And what of thyself?"

Carmilla: "Why, were my disinterested actions of a moment ago not self-serving enough for you?"

Zestial: "Thou art denying much in thine distance from her."

Carmilla: "I already have two daughters-"

Zestial: "As thou sayst."

Carmilla: "You are not my therapist, Zestial."

Zestial: "Nay- would that thou should'st yet find one, old friend."

Carmilla: "Be quiet."

Zestial: "Shan't~"

[spaloonbabooguuscooties]

You could drink your whole life away and still never get that taste out of your mouth.

half commission for @salempie half completely self indulgent dreck pieced together from our insane conversations abt franke and elka. told myself id finally write a big explanation for all of the dum shit between these two for context so Thats Under The Cut.

so I already wrote some stuff about elka and franke's relationship back in whispering rock so feel free to look at that too . it goes over elkas blindness/‘seeing’ with clairvoyance and how her and franke started talking & all that good stuff

SO FOR STARTERS. a lot of thsi wont make sense without a big breakdown of elka herself. because elkas potential as a character is like insane to me. like just the idea of her in the long run of her life reads as something so potentially tragic; a young girl whos plagued with visions of doom and destined to be an outcast even in her own home for things she cant control and clings to the One vision of her wedding that she thinks is 'happy' even despite the fact she doesnt really love the person in it. im choosing to take the li-po doc as canon here because its funny shes the only one with backstory-

but my fucking god even the smallest look into what her parents are like is soo fucked up to me. and i do think elka especially gets a lot of influence from her mother; its funny how easily you can fit mabel doom into a box just from what elka says about her. knees deep in an avon-esque pyramid scheme and leaning into her daughters depressing ass visions & taking her to therapy at age 11 (which would be good if not for the kind of person you can already assume she is & so i doubt the therapist she has really does her any good. i think they share one). she reads as a very I Am My Daughters Best Friend type of mom to me and i can see elka being a centerpiece of the conversation when she has her Amway Girls over for drinks. wine-mom that lets her kid sip from the glass so she can feel like a big girl type deal.

and you can tell that elka is trying to hard to be too mature for her age even in her campster posts. how she writes letters to nils' mom and exchanges baking recipes with her and that feels like she really only interacts with middle aged women and not really many people her own age outside of camp (like her moms friends). which makes sense shed feel the need to ‘grow up’ early when shes probably had to process so many hard things at a young age bc of her visions.

theres a lot of filling the blanks here of course.

elka obsesses over nils to an overbearing degree even despite the fact he treats her like shit ('you promised no talking' and so on) and she treats him bad right back. she leans onto stereotypical heterosexual ideals like taking care of him and overblowing how Manly and Protective JT is and she admires romance stories like pride and prejudice and it feels like she Projects Soooooooo much of what she wants onto boys she barely feels anything for without knowing what its actually supposed to feel like. and clearly she WANTS that ideal future, a happy marriage, an actual romance- but according to nils even when they were dating she ignored him most of the time, which just seems Very Telling

like shes filling a role, overcompensating for emotions and lacktherof she cant digest quite yet, and it only makes more sense when you know shes had visions of their future together. how could that be bad for her? shouldnt it be like the books and movies? but she doesnt really connect the fact that her visions are only for Doomed futures, and if she does she certainly doesnt show it. Doomed relationships. it's been a part of her family for generations and she isn't turning out much different, is she? i dont think she even realizes thats all she ever sees yet, just that its Going to happen. that it's Her future, and it always will be

and like, her only reference for a real marriage so far has been her own parents, and she already Knows they have an affair, and theyre doomed to split, (and i actually like to think they were in rough waters anyway and elka was a child meant to mend a crumbling marriage but thats a whole other thing) and so without a framework for what an actual healthy relationship is supposed to be like she cant really grasp that her relationship with nils Isnt that and isnt ever going to be. she can only cling to this one happy idea of the future, and thats why she keeps chasing him, self fulfilling the actuality of her situation and creating and fostering the unhappy life they will inevitably live together.

and that bleeds into everything else in her life, of course, because as the years go on, as the visions grow in number it just makes sense for her to fall into the predictability of her life. she always knows whats going to happen, her visions are Never wrong- so why try to change things? shes had time to process tragedies days, weeks, months, years before they happen, shes had time to settle into every crack of her life. her parents divorce, her various break ups, her future with the psychonauts.

“and she's already seen so much of a future with [nils] she feels trapped almost. Like she has to be happy in it or else it just means her life is miserable. And it's a mixture of pride and fear of the unknown that keeps her clinging to the One thing she knows. BUT LIKE!!! She knows what's gonna happen! It's easier to grieve when she's been grieving for years... She wants so badly to be happy, But to do that she has to step into the unfamiliar. And that's more terrifying than staying the same miserable person she's always been.”

and thats where franke comes in— and yeah you Do have to take a lot of liberties for frankes character since it’s basically, like, all the info for her is just that shes a Supreme Baby Dyke but thats enough for me. i think she has protective butch itch in her . on campster shes defensive over other women evidenced in the way she keeps watch over the girls cabins for lili when elton is pursuing her . but shes also eager to please and constantly trying to make kitty laugh and also Very naive. but she tries! and i think it only solidifies more as she gets Older and really gets a hold of her feelings & her powers. this is incredibly franke to me

and i think as they grow older together— because i think franke and elka Do stay friends, both because elka is just pathetic and needs that positive connection even if she doesnt realize it and because i think franke is a very Loyal person & annoyingly persistent if you let her be . and i am also a kitty/franke truther. because kittys also important in this web we weave

because i think franke and kitty stay together after camp, to a point— theres a falling out facilitated on kittys end and they break up, but reconnect, and franke kind of... saves kitty from herself a little, from her strict military father whos love only extends thru finances , from her own stifling future , she drives all the way to bakersville in her shitty van handmedowned from her dad and they move in together eventually . they get jobs at the motherlobe , because it’s a pipeline to a decent job, because it’s whats easy, because franke doesn’t really have a future, because she’s never really been good at much, because shes never had much sense, because franke doesnt really care as long as she can live and help, sometimes, if she can, and because kitty’s there, and because elka’s there, and shes so used to being elkas eyes now and shes good at it. shes good at being the muscle of the missions when her colleagues lack it, when hypnosis and predictions arent enough. she likes it that way.

and elka appreciates frankes company. she listens, shes sweet, she does little things for her that no ones ever really put the effort for before; she likes her. franke is strong and bold and makes her laugh and shes always there but god elka cant let go of that future, of that box shes put herself in, that her mothers put her in, of being a Good Wife to a Loving Husband, of getting married normally and falling into unfailing familiarity. thats all shes ever wanted and shes not going to jeopardize that . not for franke, who may not be a boy but is handsome like one, whos always held her after every break up with nils and the men that filled empty days inbetween.

and elka is too stubborn to recognize those feelings anyway. too prideful to accept a way out. too set in her cycle no matter how much she hates it, her little self fulfilling tragedy of her own making, wallowing in her own doom. she struggles for control of her own life when she feels like every choice has been made for her anyway, she puts up her walls and carefully constructs what people see. but franke was always harder to trick, because while empathy isnt a particularly useful psychic power it’s certainly an inconvenient one. all franke has to do is get too close and all those carefully crafted walls fall apart, and elkas control is gone, and thats all she really has. and she tries to distance herself, really she does, but franke is also too persistent. and elka wears gloves, keeps contact that would make her walls crumble from happening as best as she can, but she cant really keep herself from the brief moments where she feels like someone actually fucking cares about her.

and that slightest lack of control, the need to wrestle it back is why she proposes to nils the next time theres a falling out— she knows how it happens, she plans every detail. and he accepts, despite everything. gets her a cheap ring and it feels like lead on her finger and its nothing at all like how shed thought it to be when she was a kid, theres no feather light feeling in her chest, only that dreadful reality that she cant turn this back. BUT WHAT CAN U DO LMAO

elka doesnt tell franke about this engagement until later, on their way back from a mission. late at night when neither of them can sleep, and franke invites elka to smoke in her van, because its been so long since theyve been alone like that, because elkas been so strangely absent lately. and because of everything, because frankes always so damn nice, because elka hates the feel of the ring on her finger, because she let herself get high alone with franke fucking athens whos always been so good at pulling her apart— the truth of it all spills out and its messy and emotional and she hates it, she hates the life shes made for herself, but franke makes it easier to bare and now shes here and shes so close and god she wishes she could see her smile again, she wishes she could see franke, thats all she needs right now and she cant but she can touch her and she can hold her and for tonight, she can be known, she can let those walls crumble, she can be something else just for once here with franke . she can kiss her here in this van, touch that happiness for just a moment, and forget the future that waits for her outside of it. franke begs her to forget the wedding, to just let herself be happy— and god, she wants to, but it means turning her back on everything shes known and everything shes saw to be inevitable, and franke has never been in her future, so if it were supposed to work out why hadnt she seen it and she cant, she cant take that risk but she can have this, even if its temporary, she can have it.

and just as soon as she gets a taste of it, its gone. after that night, after the missions over and theyre back at the motherlobe and have to pretend like nothing happened (franke doesnt, of course she tells kitty about it, she tells kitty about everything.) but that brief moment together haunts elka every time she sees franke, sees herself through frankes eyes, sees herself in her wedding dress because god its all franke can think about! of course it is! she knows how much elkas destroying herself she knows how much misery shes wallowing in that kiss in the van felt like an emotional punch to the teeth and she hasnt ever forgotten it and all she can do is sit and watch while elka throws herself into a loveless marriage. she can come to her wedding and see the way the bride and groom kiss with the emotional weight of a wet towel no matter how hard elka tries to hide it under a pretty dress and bouquets of flowers and meticulous planning.

and elka resents nils but she cant really hate him, its not his fault, not really. he feels trapped just like she does and his feelings of misery only cycle back into hers . they fight and gnash and wear away at each other and its a relationship thats crashed and burned a million times before elka even said i do. and its inevitable that she falls into her mothers habits, a sip of wine here and there to loosen up, until it turns to a glass, until it falls into a bottle on nights when whatever work nils does runs late.

but franke’s still there. shes always been there, hasn’t she? always trying to play knight, always trying to save her, dragging her home when shes stumbling over herself because god who else is going to do it but her? who else is left to care? certainly not nils. never nils. because franke knows her. because franke pities her. shes always pitied her. shes always known. and elka hates it, she resents it, but god in the same breath she’s desperate for it, she envies it to her very bones. elka is a mess but after frankes done with her she has someone to go back to that loves her. and god what elka wouldnt do to have that. to take it and keep it for herself because shes never ever got to have that movie romance shes always wanted.

so now comes this.

because elkas particularly miserable and particularly spiteful and she needs to get franke to understand, just for a moment, drink with her and get on her level and she needs her there with her no matter how her pity makes her feel. no matter how much it makes her shake with anger and envy and desperation, but god the way franke looks at her, the way she still tries to salvage what they have, the soft, slurred way she tells her that it’s okay but its not okay, none of this is okay, it never has been and she just wants franke to shut up and see that, and if she cant then she’ll show her, she’ll show her all the raw angry desperation, with too much teeth and hands that claw and grab and she’ll know why everyones always said she’s too much.

and she knows this puts her on nils’ level too. that this makes her a cheater, that shes no better than he is now. no better than her father and his affair. but god, she wants to be selfish. she wants to be in control. just for once. she wants to feel right and she wants to feel happy and she wants to feel loved. thats all shes ever wanted. and franke will let her have that, just for a little while, at the very least.

anyway. sorry. sorry for being crazy . this isnt even getting into the shit after the comic takes place . elkas stupid brainworld thag she has to overcome in order to finally be allowed in the polycule and live happily ever as worlds first lesbian divorceman

sorry for all the shit i make up instead of caring about actual characters with screentime . bye !

[twinsarekeepers]

I’m curious as to your honest thoughts on the show? Like I love pjo and all but the show was a bit of a let down writing wise. There’s always the point of “it’s an adaptation, not a carbon copy” like yes but this new writing isn’t exemplary better than the book just because it’s rewritten by the author himself

I think the show is well-written not because Rick is attached to it, but because I actually like the way the writers are approaching adapting the source material. I have a lot of issues with the original books in terms of writing quality because frankly speaking, I don’t think Rick is a very good writer. He has a lot of interesting things in those books that he never explores or drops within the first two and this fandom gives him and the books too much credit imo.

This is why I’m not very moved when people try to ascribe meaning to a certain scene or choice he made in the books to get mad at the show for changing. As an example, one of the main things people were upset about was the kids “knowing everything” in the show when they were getting tricked left and right in the book. Many posts were dedicated to how the book version is superior because it illustrates how they’re just twelve years old kids so of course they’ll make mistakes and get tricked by monsters.

That’s a perfectly fine interpretation but I was twelve years old when I first read tlt and I was able to anticipate almost every single trap, despite being pretty gullible and naive at that age. My knowledge of Greek mythology consisted of Disney’s Hercules, maybe two Google searches, and my second grade teacher’s reading of the kid friendly version of the Odyssey. No where near the level of Percy who’d been learning for a whole year in an established class on the topic with Chiron or Grover who was literally a satry born into the world or Annabeth, who spent the majority of her life dedicated to studying specifically quests and Greek mythology and was also on the run fighting monsters for a good portion of her childhood. Like twelve year olds can be dumb but those three stumbling into every trap was asking me to suspend my disbelief too far. I remember being upset that they weren’t able to figure it out because it was obvious that Rick wasn’t making that choice to show any personality flaws or character dynamics (because he would’ve had them learn and grow but they never did they just kept being not smart), he just wasn’t able to figure out a way for them to fall into those traps organically so he had to dumb them down.

I think the show was able to get across the characters’ childishness without compromising their established backstories. Yes, Annabeth knew it was Medusa right away because that makes sense for a kid who has experience with running into monsters. But, she still acted very much like a child in her interactions with her (and throughout the episode and season). She lashed out and called her a liar and wouldn’t listen to her side of the story because it painted her mother in a bad light. That’s peak twelve year old behavior.

Yes, Percy figured out Kronos was behind everything, but it makes sense because Percy knows Greek mythology and where Kronos resides. He still very much acts like a child when he asks Hades to give him back his mom in exchange for nothing because it’s the right thing to do.

There are dozens of examples like this for a lot of complaints of the show. And this is not me saying that the show is perfect: every single show has flaws. For me, I wasn’t the biggest fan of the dialogue or the exposition dumping. It didn’t hinder my enjoyment though because I don’t think it was egregious (and wrt the exposition dumping, I expected it because the book did it and there’s really no way to “show not tell” Greek myths). I also didn’t like that we didn’t get to really see the huge clashes between Zeus and Poseidon in the weather (we got references to it through news reports but I would’ve liked something more). I was able to look past it because I really liked the storytelling and the themes the show was pulling out of the original source material.

I loved Medusa-Sally parallels and Medusa-Annabeth parallels. I loved the juxtaposition of Pan’s quest to manifest density. I loved Percy and Annabeth’s opposite trajectory in respect to their relationships with their godly parents. I loved exploring Sally’s choice to send Percy to school instead of camp. I loved explicitly coding Annabeth as autistic. I loved Luke’s backstory being brought earlier into the story. I loved the deadline passing and Poseidon surrendering to save Percy. I loved Persues-Andromeda and percabeth parallels. I loved fleshing Grover out. I loved glory vs home seeking being the central theme of the show.

And lastly, I was able to understand that with a limited number of episodes and run time (due to the nature of child labor laws!), they did the best they could and I feel like they did a pretty good job for a first season.

These are not ALL of my thoughts on the show because that would be a very long post. I gave one detailed example of why I think the show succeeded in something the fandom tries to ascribe the books and it was like three paragraphs lol. Anyway this is not the post to try and convince me that the show is bad for whatever reason you have cooked up. I’m not going to change my mind and I doubt I’ll change yours. Here’s to a season 2 that builds on a solid season 1!

[fruitmilkshake]

"Learning to 'See'"

Avatar x COD MWII headcanons

Request by; @defodisturbed

Pairing; just random headcanons of how the Task Force 141 f.t Laswell, Rudy, Ale, Val and Graves would act in pandora (with a na'vi! Reader to orient them 😌👍)

Characters; Task force 141 f.t Rudy, Ale, Val, Graves (I feel weird if i don't add him to the equation), A Mention of Farah visiting HQ, a Mention of Nikolai being the pilot of the group.

Warnings: swearing (a lot of it, actually), the reader being called "blue" as a nickname and them acting like a quiet emo sometimes, Price being the father of the group, Ghost being a bitter mf, a small headcanon of Valeria being the reader's crush (platonic wuh luh wuh since Y/N is 19 and Val is like 40 🛐🏳️‍🌈), some Mentions of the reader's past and traumas, Ale and Rudy speaking in spanish, Soap swearing in scottish, Gaz being too curious sometimes, Graves just being a egocentric mf, Farah becoming friends with Y/N, Mentions of dangerous situations Incluring pandoran predators, slighty injures and new flavors of food ^ ^ (I'm saying this because they're probably going to have stomach ache after tasting Pandora's fruits and food).

Inspired in; this thought that I had a long time ago.

My native lenguage isn't English, so i'm sorry if i make a mistake at writing this, and i'm sorry if this has Spelling mistakes or if the pronunciation is wrong

Note;

The Task Force and the other characters are Part of the resistance (HQ), and the whole situation happends in frontiers of pandora (AFOP)

Also, this is how the reader looks like;

The reader is called; Y/n in this fic and it's referred to them as "She/her".

Origins;

(How everything started and Y/N's backstory)

ꕤ So... Pandora... A beautiful but also dangerous place... You know what they say; "The most dangerous thing about pandora, is that you may grow to love her too much"..... Well, that's kind of true, but before loving it, you need to get used to its dangerousness... And that's what these "sky people" need after spending too much time with the enemy...

ꕤ After betreying and Getting away from the RDA facility They used to work on, a small team of four soldiers called "The Task Force 141", a female CEO, A soldier from a team called "The shadows" and two soldiers, one of them being an ex colonel that came from an Elite Unit called "Los vaqueros" and the other one being his mayor sargeant in the same Unit, found comfort on helping the na'vis and saving the environment of this beautiful planet with the rebel resistance of HQ.

ꕤ even if they barely knew the language (exept for the CEO female, better known as "Laswell") and the uncomfortable feeling of the exopack everytime they had to go outside, the feeling of doing something right after all those years of causing suffering was everything they were willing to fight for..

ꕤ And then... There was this native... A "Child from two world", Kidnapped at the age of 9 with some other na'vi children by the RDA (she was the oldest of the children) and trained to be the a good soldier, never stopped protecting and teaching their old traditions (or at least the ones she remembered) to the youngest children in the facility trapped with her, never following orders from the TAP teachers and getting in trouble all the time...

ꕤ After a few years of trying to protect the children who she called her "tsmukan and tsmuke" (Brothers and sisters"), the worst and unstoppable end waited for them...

ꕤ After finding out of Jake Sully's betreyal against the humanity race, the RDA decided that best they could do was to get rid of the na'vi students on their territory. Of course, if that avatar driver was now with the na'vis, then would the RDA would trust these "creatures" now?...

ꕤ After the massacre who only ended with the oldest being the only survivor, the RDA decided to take her hostage, they didn't knew if They could trust her, better to keep an eye on her, specially if she was the most rebel one, who knows what she could too them...

How everything started;

(How Y/N meeted the "trusting humans")

ꕤ two soldiers of the before mentioned team "Task force 141", a tall, pale and blonde soldier who wore a skull mask under a balaclava, better known as Simon "Ghost" Riley, and a slightly tan and more short soldier with Dark brown mohawk, better known as John "Soap" Mactavish, were sended to explore an old and abandoned RDA facility on a quiet and foggy place in the plains of the "Clouded forest".

ꕤ After exploring the base for a few hours and thinking there not much left to use in this facility, they heard a noise coming from one of the hostage room inside, that's where they found the native (She was taken hostage when she was 19 and she was thrown into a cryo capsule, remaining the same appearane until then, even though she older now), who tried to attack them and kill them with everything she got on hand, after both soldiers calming her down, they explained that they didn't wanted to hurt her, they wanted to help her and her kind, that they were there to look for supplies to help some clans in need of them, she didn't trusted them, not at all actually, but she didn't had another option, she didn't wanted to encounter any other humans from the RDA and this people seemed to be telling the truth.... Maybe she can try to trust them, worst they could do is be lying, and even then, she would probably kill them there....

ꕤ After thinking and realizing there wasn't really many much other options left, she was finally taken to the HQ base, where she was received warmly for the other members, not really knowing her deeply but guessing that she has been through a lot for her to think of humans like that, which; was true.

(yey, new character added to the team :D)

Coexistence;

(How Y/N gets to know human things and she teachs the humans what she knows)

ꕤ Getting used to a new ambience and wearing something that wasn't the TAP uniform after all those years wearing it was difficult for now known as "Y/N" (who has now gotten the courage to tell the humans her name), but that's why she had "The Task Force 141", the ex soldier of "The shadows", the female ex RDA CEO and the two "Los vaqueros" soldiers to help her adapt to her new form of life in the HQ resistance, and maybe she could help these people to adapt to the life in pandora..

(This is now where i can start with the short but kinda interesting headcanons ;))

ꕤ Since Y/N doesn't trust humans very much, Laswell dedided to give her a tablet where she could record Audio logs of what she's feeling in the moment.

ꕤ The Task Force 141 and the others have a crafting time where they make small accessories for their weapons, like trinkets, feathers, small pieces of woods and even they had made a songcord for themselfs (A headcanon from @defodisturbed)

ꕤ Y/N has tried to teach the members of the squad (The Cod characters in one word ;_;) to speak the na'vi lenguage, but their pronunciation is really bad (at least they understand a little bit of the lenguage tho)... Exept for Laswell, since she had to interact with other natives, she has learned the lenguage pretty well(am i the only one who wants to see Laswell as an avatar 🛐?).

ꕤ One time, Y/N visited the Zeswa clan and she bringed a dish back to the base, since Gaz is so curious, he asked for a bite of the food just to taste it, after a few hours, he got intoxicated (Poor guy, he didn't knew that Pandora's food was toxic for humans), Thankfully, he got cured 👍.

ꕤ The squad has showed Y/N movies, shows, music, books, basically every human possesion they have traveled with from Earth to pandora and have stolen from the RDA facilities they have shut down (i can't stop imagining Rudy and Ale showing Y/N corridos and she's just sitting there, not knowing what's she listening to ;_;)....... (or Nikolai listening to Ramnstein and Y/N just thinking that it's just screams and yells in another lenguage with an electric guitar as background).

ꕤ After Y/N bonded with her ikran, the base always has ikrans growls and squeals on top of the roof, since Y/N always lefts her ikran there.

ꕤ Sometimes; Y/N helps Soap with some face paint everytime they have to fight with the RDA Troops.

ꕤ Graves likes to call Y/N "Blue" as a nickname, since they're 'friends' (no, They're not, actually, Y/N doesn't really like him since he's an egocentric mf.... She doesn't really understand his texan accent 👍)

ꕤ Since Y/n cannot take the team to places in ikran all by herself, Nikolai helps by being the pilot of the group

ꕤ The others think that Y/N, Soap, Nikolai, Ale and Rudy have their own dialect, since they all speak in a total different lenguage.

ꕤ Since Laswell is like the mom of the group, Y/N gets usually comforted by her everytime she has nightmares of her past.

ꕤ The same happens with Price, since he's like the dad of the group, Y/N usually follows his lead and feels safe/protected by him everytime they're in combat (also, Price always tells his dad-jokes to her and she never understand them)

ꕤ everytime they have to go out to explore RDA facilities or just to explore their surroundings, Y/N is the first one on bringing her bow and her poison arrows since she knows that every predator could be waiting for them in the next corner of every place (specially the RDA experimented ones).

ꕤ Both Y/N And Ghost are the cold and quiet ones of the group.

ꕤ Everytime Ale and Rudy speak in spanish, Nikolai says some words in russian, or Soap speaks/swears in his Scottish accent, she tries to listen to see if she can understand at least a little bit (she can't XD).

ꕤ Since Soap, Gaz, Price and Graves are the only ones who use folded sleeves, they always get bug bites and plants/flowers allergies.

ꕤ Sometimes it's funny to see Y/N towering the rest of the squad, specially since the others are full grown men and Y/N is only a teenage.

ꕤ Y/N likes when Laswell style and brushes her hair with accessories and feathers she has acquired during her visits to the other clans around pandora.

ꕤ Soap, Gaz and Ale likes to make competences with Y/N of who has a better aiming with a shutgun or a knife (she wins, obviously 👍)

ꕤ Y/N carries a lot trinkets in her clothes and weapons that the others have made at crafting time ^^.

ꕤ I think that Farah and Y/N would be good friends :D, like... Imagine them speaking of their cultures and their long lost families, Farah teaching Y/N to have a better aim with the shutgun, Y/N styling Farah's hair with different types of feathers and accesories and-AND ALODOEIRKNDNDMD.

ꕤ After Ale and Rudy ambushed a few RDA soldiers, They captured a female human soldier, called Valeria "El sin nombre" Garza, she was captured by the HQ soldiers and taken to their base to interrogate her about the RDA tracking activities. During her lounge in the HQ base, Y/N couldn't help but be amazed by this human female's beauty, who was this woman? Why was she beautiful?, even if she knew she couldn't be together, specially since this human was older than her, but it was just a small crush after (no, seriously, just a small crush 👍)

ꕤ Valeria teached Y/N a little bit of spanish and teached her to have self confidence, after all, she has lost it all after spending almost all of her life in that RDA base as a hostage..... Eventually; Valeria joined the resistance, ready to fight for pandora after seeing what the RDA has done to this planet.

Extra;

A moodboard for @defodisturbed based on this post ^ ^ I hope you like it!

I'm sorry i couldn't have this ready for yesterday as i promised 😓

Well, that's all! This was so fun to make, but also difficult, my mind has so much ideas that are so difficult to describe them, but whatever!

I hope you guys liked reading this and that this helps you with any story you want! Byee!

[lowkeyrobin]

Can i have mcyt + cellbit with a reader who has lots of pets like reptiles, birds and mice and stuff?

ooooo okay!! I don't know too much about little rodent pets (/lh) so I had to do some research, bare w me if anything is weird or wrong lmaooo

MCYT ; animal sanctuary

includes ; tommyinnit, ranboo, badlinu, nihachu, quackity, & cellbit

warnings ; language, talk of harm towards animals

masterlist

TOMMYINNIT

"Holy shit, what is this? an animal sanctuary? this is your house???"

he loves all ur animals dw

he's afraid of the little parakeets though

he mistakes them for pigeons at first 💀💀

"WHY ARE THERE SPY BIRDS IN YOUR HOUSE???"

"what⁉️⁉️"

he's jittery around the mice and rats but he comes to love them

if you have a lizard/salamander that likes to be heald/climb all over ppl, you know damn well he's allowing it to crawl all over him

so many selfies and pictures of the little critters all over his insta, tik tok and even twitter

he makes a whole segment in his show to talk about your animals 😭😭

"the first time I ever went to y/n's house, I actually almost pissed myself" cue pictures of your little critters on the screen behind him "these fuckers are so terrifying. you see that bird right there? he mocks me everytime I speak! hashtag ban rodents 2024"

RANBOO

absolutely loves the reptiles and fuzzy critters

always taking pictures of them

you two do this fun thing by inspiring outfits around your different animals

like one day it'll be a certain salamander and another it'll be one of your birds

loves handfeeding the critters

loves posting their goodnight pics with one of your critters in hand/climbing on them

you guys go to animal shelters if you wanna find a new pet or buddy for a critter of course

yall always get the ones with the saddest backstories and shit

ranboo gets an axolotl

they're obsessed with her, and is so good at raising the fishy lizard 🫶

you bring a salamander over to meet the fish and they have a connection istg

ranboo takes a pic and posts it to Twitter; "two best friends in two different worlds"

is probably slightly afraid of the birds at first, they're scared of being bit

uses funny pictures of your animals as reaction memes

FREDDIE BADLINU

absolutely loves all your little critters

loves all the colors of them as well, especially the reptiles and birds

if you have a snake, he's terrified to get near it but will always take pictures of it climbing all over you

"You feed him spiders?? 😨😨😨"

he's the bird master

birds all over him all the time, he's a walking bird nest

always taking pics of/with your animals

if you have hamsters, good lord he's paying more attention to them than you 😭😭

"hiiiii, how are you today?"

"why do you actually care about my mice more than me"

also loves taking to the birds that talk back

has genuine conversations with them too

you do a cooking stream and he HIDES A RAT IN HIS HAIR FOR TEN MINUTES

"what the fuck"

"BAHAHAHHAA"

NIKI NIHACHU

absolutely adores all your little creatures

always has to show them off online

and always telling stories on stream

"y/n has this one salamander and she likes to nibble fingers, and one time-"

always taking cute pics with the pets that like to be heald/like to climb on people

she's literally an animal godess I swear

she's a critter whisperer sorry not sorry

always taking videos of funny moments / when you're giving all them time outside the cage

there's always birds on her shoulder, sleeping beauty ass 😭🙏

literally becomes a photographer for ur pets, she takes the best pictures ever

she makes them little hats and accessories 😭😭😭

always buying them toys as well

in the middle of the night you'll be awoken with the RMRMRMRMRMRM of the hamster wheel she got the hamsters

ALEX QUACKITY

"HOLY SHIT WHY DO YOU HAVE SO MANY FUCKING ANIMALS?"

literally has to make a note on his phone to keep track of all the names

he is not touching no damn reptile

always posting pics online

you guys start fostering critters as well

turns on loud meme music and has a concert with the mice

he knows how to call the birds like he's fucking sleeping beauty

"how tf did you just do that???"

"magic"

"okay then 🤨"

you foster a duck together that had her wings clipped

you name her together (it's named daisyhq I can't even make this up. you did the hq btw)

mice and rats all over him and his desk 24/7

and he'll gladly show them off on stream

"can we get a parrot?"

"my brother in christ we already have two birds?"

CELLBIT

also lovessss your critters

he genuinley has conversations with the birds

so many pictures of your animals on his social media LMAO

he names the new ones (you left it all up to him) the most random things

always asking you about toys before he buys them because he feels bad because what if they're lonely and sad but he doesn't wanna potentially hurt them either

always fucking around with the birds when they're hyper

also plays tag with the mice/rats

also loves showing them off on stream and ranting about them for a solid ten minutes

he finds a rat on the qsmp and names it after one of your rats

walks back in the house one day with a rat like "I found a friend! :D"

"Holy shit bro"

selfies with critters in his hair >>>>

alright this is all I got this took me way too long...

[djarins-cyare]

Never Look Down

Part 2: Maia’s (Your) Morning

← Part 1 | Series Masterlist | Main Masterlist

Prompt: “I don’t know what’s happening but I love it.”

Summary: Din has been ignoring his crush on Grogu’s babysitter for a while now, with varying degrees of success. But after a misunderstanding leads to some revelations, there’s no denying things any longer. Sometimes you just need to look at things from a different perspective.

Rating: Mature (18+)

Pairing: Din Djarin x Original Female Character (for his POV scenes) / Din Djarin x Reader (for her POV scenes)

Word count: 7,830

Tags/warnings: POV switch, hangover hell, light angst, confessions, even more references to erections, some swearing, references to sex, kissing, reference to fellatio, a lot of fluff, Reader has a name (and a job and an inkling of a backstory). Regarding her prior bad relationship, I don’t want anyone to be triggered by an assumption, so please note she was NOT in an abusive situation. Her former partner was just a drug-dealing douche.

Author’s note: I finished something new! [*cries in disbelief*] 😭. Thank you so much for your interest and support! 💖

READ ON AO3 (author’s preference)

Tumblr version ahead if you prefer…

You wake up somewhere dark and soft. It takes you several seconds to realise where you are due to the throbbing ache in your head that’s screaming for focus.

You’re in Din’s bed.

Oh fuck.

Well… more like no fuck. A shameful absence thereof.

Slowly, memories of the previous night drift to the surface of your foggy brain, each one deepening your embarrassment until you’ve reached the pitiful depths of utter humiliation. It cuts deeper than your hangover, which includes a pounding headache and a bruised shoulder (how did that happen?), yet is almost trivial in comparison. Kark, you drank – and said and did – a lot more than you should’ve.

Babysitting Grogu is not your primary source of income. In fact, you have a contract with Karga for city planning and infrastructure upgrades. But that’s just building holos, presenting them to the High Magistrate, and then outsourcing the work upon approval. It’s sporadic and flexible, leaving you with plenty of hours to kill. You took this part-time job to keep yourself busy, but you’ve come to enjoy hanging out with the little guy and his bafflingly sexy father. Both are good fun, have always been friendly and welcoming, and you’re fond of their company. Who are you kidding – you’re profoundly attached to them both. Plus, Din has taught you to use a blaster, helping you feel safer and more self-reliant now you’re free of your ex’s ‘protection’. The extra credits are merely a bonus, and you’d do this for free if it came to it.

Well, not this. Not turn up drunk, pass out in your boss’s refresher, then misread a gesture of kindness as a sexual advance. And you just had to fucking let your thoughts spill out, didn’t you? Shit, you basically told him you think he’s a virgin! Sure, you’ve wondered, but you’ve never drawn any conclusions, so why did you have to vocalise those thoughts as if you had? You’ve been so careful to avoid suggesting his commitment to his creed might be impeding anything fun. So what if he can’t eat with you or sleep with you – that’s his choice. He probably thinks you’re judging him now. You shouldn’t have opened your mouth, damn it!

Of course he rejected you.

How could you ever have thought Din would want to be with you after everything you did last night? There are so many reasons for him to have walked away like he did. Not only did you fail to provide trustworthy childcare, but you also vomited in his toilet and were a drunken burden on him after he’d had to go out on a job. Then you assumed he wanted sex, implied he might not have the requisite skills, stripped naked, climbed under his sheets, and stole his fucking bed for the whole night.

You’re a disgrace. The regret burns in your chest, branding you from the inside out as the fool who pushed a former bounty hunter too far.

Plus, you work for the guy, so that’s surely a factor. Your role here is simply to take care of his kid. At least it was. And, of course, he’s never shown any interest in you. In fact, whenever you’ve wondered if the two of you are having ‘a moment’, he’s always run away.

Why did you have to make an already bad situation so much worse by revealing your desires? You were coping fine with your self-imposed celibacy. Sure, it was frustrating, but you were surviving. Repressing your libido around him was working for you.

As much as you want to hide beneath the blankets and avoid the fallout, you know you can’t stay in Din’s bed forever. Even though it’s soft and warm and smells like him – fresh yet with a hint of spicy musk. You really can’t.

Fumbling to activate the lamp, you drain the water on the nightstand, noting your clothes strewn across the floor. Thankfully, they don’t smell of alcohol or vomit (at least you’re a tidy drunk), so you get dressed and stumble to the refresher. More memories return at that crime scene, adding to your shame spiral and giving you a likely reason for your bruised shoulder.

Din has left his ultrasound cleaner out of the cabinet, which has to be a suggestion that you use it, and you can take a hint. You recall complaining that your mouth tasted like bantha balls, and accepting his pity is the lesser evil. Though it’s far more than you deserve, it’s also far better than this flavour.

You gladly let the vibrations clean your mouth and then rinse away the residue, feeling much better for it. It’s not enough to ease your thumping headache, but it’s a start.

You can’t hear any noise from upstairs or across the hall, so you wonder if your hosts are still asleep. It’s clearly past dawn since daylight is spilling down the staircase, but it could still be early. Maybe you can just slip out unnoticed? You debate checking on Grogu first. Din probably slept on the couch, though there’s a cushioned chair in the kid’s room that he could’ve used.

Guilt and concern make you check on your charge despite the risk of waking a metal sentinel. But you’re surprised to discover an empty room. That means they’re either both upstairs and being quiet, or they’ve gone out. You’re hoping for the latter. Zandi insisted you meet her for lunch, but part of you wants to run straight to your friend’s place and cry about what an idiot you’ve been. Hmm, no. You should go home for a shower first. Not that it could wash off the disgrace, but it might ease your aching head, at least.

You dart across the hall for your shoes, straightening out your boss’s sheets before you leave (a token apology, if anything). Catching sight of a comb on top of his dresser sends another type of guilt burning through you. Stealing his bed was already an invasion of privacy, but learning about what he hides beneath the beskar feels worse. You anxiously smooth down the blankets, flick off the lamp, and tiptoe up the stairs.

Thankfully, you find an empty living space, lit by sunshine so bright that you realise it’s already mid-morning. Din must have taken Grogu to school.

There’s no sign of your glowrod, but you don’t care. He can keep it. You shove on your boots with as much haste as you can manage and fly to the exit, darting through. Kriff, it’s so blinding outside that you have to turn your back to the sun or risk your hangover increasing tenfold.

Just as you’re gulping lungfuls of fresh air and keying in the lock code to secure the cabin, you hear him.

“Feeling better?”

The Mandalorian steps out from behind the cabin, and you wonder if he’s been waiting to ambush you. Damn it, you should’ve known. Bounty hunter.

You can’t look him in the eyes. Well, the visor, really. Either way, you fix your gaze on the porch. You’d normally come out with something playful and witty, but today, your brain gives you nothing except wry honesty.

“The hangover and torturous headache are nothing compared to my embarrassment,” you answer sheepishly. “I am so sorry about last night.”

You don’t specify which part because you mean all of it. Drinking to excess and throwing up in his home, as well as climbing into his bed, stripping off, and assuming he would fuck you, then commenting on how you thought he couldn’t fuck you. You’re sure you’ll never live down this shame.

Din doesn’t respond to your apology, but he steps forward, a wall of beskar and muscle blocking you from leaving the porch. He leans past you – so close he almost traps you against the door – and reverses the lock code you just entered.

When the door behind you swishes open again, he gestures inside with a nod. “We gotta talk.”

Oh, frotz, this is bad. This is so so so bad. He’s normally relaxed and happy around you, welcoming (or at least tolerating) your friendly jokes and nicknames. But right now, he’s all stiffness and silence, thumbs in his belt and elbows out wide, staring you down as if you were prey. He is not happy with you. You’ve fucked up bad.

You’re going to lose your job. It’s not a substantial source of income, but you’ll lose your bonding time with the kid and the friendly teasing thing you’ve developed with his dad. You won’t get to watch how strong and beautiful this warrior-turned-father is anymore, how soft he is with Grogu, despite his hard beskar shell. There’ll be no more shooting lessons. He’s going to tell you how offensive your remarks were last night… kark, what if he has a duty to punish anyone who disrespects his creed? Is it disrespectful to suggest he can’t have sex, though? Maybe the offensive thing was you throwing yourself at him. Or perhaps he thinks you’re hideous and finds the idea of having sex with you offensive. Whatever the case, he’s going to—

“Maia….”

Hearing your name growled through his modulator snaps you out of your spiralling thoughts, and you realise you’re just standing there gawking at him in the doorway.

Suddenly, you feel meek in his presence, which has never happened before. Even when you first met, he was careful to make you feel safe and welcome. This menacing demeanour is new.

“Please,” you whisper, your voice trembling. “Can I just go home?”

Din looms closer like a rancor threatening its prey. “This won’t take long,” he insists.

With widened eyes, you shrink back toward the scene of your crimes, your near freedom now a fool’s delusion. He walks forward as you step backward across the cabin’s threshold, maintaining the proximity – a fateful dance that promises a morning even more tragic than the night before.

“Sit,” he commands, gesturing to the couch. He watches you perch yourself where you’re told to and then nods, appeased by your obedience.

A heavy silence clouds the room as your soon-to-be-ex boss flicks on the caf maker and heats the beverage while you quietly unravel on the couch. You’re not even sure what this is. It feels like he’s about to punish you (and not in a good way), but you have no idea how. Is he going to yell at you? Torture you with some kind of ritualistic Mandalorian justice? Or is he just going to describe how disappointed he is, fire you from this job, and threaten to roast you with his flamethrowers if he catches you anywhere near Grogu?

Whatever’s about to happen, you’re zealously ignoring the part of you that’s low-key turned on by how dominant he’s acting this morning. You can’t examine that right now.

After a minute or two, Din brings a cup to the couch and perches beside you, performing an awkward shuffle as he angles his body toward you. Still unsure how to act, you remain facing straight ahead, watching him in your peripheral.

He’s fully armoured this morning, his movements determined but stiff, and you recall how fluidly his body moved when he was just down to his flight suit. When he swept you into his arms, cradled you against his chest, and carried you to his bed…

No! Bad thoughts! Now is not the time for those because you’re about to receive the worst reprimand of your life (and you work for Karga!).

But your brain won’t stop replaying the memory, leading you to a distracting notion. He keeps his armour on the shelves in his bedroom – you saw it there last night. That means he must have come in to grab it this morning while you were sleeping. Damn, he’s stealthy! Though, to be fair, you were utterly passed out.

Wait. You woke up fully covered and tucked in. You don’t recall falling asleep, but you do remember arranging the blanket for optimum cleavage display. Kark, you really hope you snuggled down properly in your sleep. Because if not, there’s a chance that he opened his door to an inadvertent boob extravaganza, and he covered you up for the sake of your dignity. Fuck! How much shame can you suffer in a single morning?

He still hasn’t started talking, so before your thoughts ricochet in yet another distressing direction, you prompt, “You, uh, said we need to talk?” It’s probably best to confront your impending doom so you can run home and scream into a pillow.

Din huffs a little. “We do. Doesn’t mean I know how to start.”

Hmm, well, he doesn’t seem too angry, at least. Perhaps there won’t be any Mandalorian torture-based vengeance after all.

You don’t have the energy to play ‘guess the punishment’, but maybe you can stave it off if you beg for mercy. “Okay, then let me start. I said and did some monumentally stupid things last night, and I understand if you can’t forgive me and never want to see me again. But I just need you to know how truly sorry I am and that I really didn’t mean to offend you, and if I could—”

“Stop apologising,” he interrupts, shaking his helmet.

His order startles you into silence. It was insistent, but he didn’t sound angry at all. In fact, there was an undertone of something else. Almost the amused side of frustrated. What the kriff is happening?

Din sighs and tilts his visor toward his lap, then seems surprised to realise he’s still clutching the caf he made but clearly can’t drink in your presence. He silently offers you the steaming cup, and after a beat, you accept it, staring at it just as he did.

Never has a cup of caf received as much scrutiny as when two parties are unsure how to vocalise their thoughts.

“I made it for you,” he offers. “Thought… with the hangover….”

“Thanks,” you mumble, unsure what else to do or say. This isn’t going as expected at all, and your confusion is only growing. Is he doing some kind of bounty hunter ‘killing with kindness’ act?

This is absurd. You just need to get him talking, accept your punishment, and then you can escape.

“Um,” you begin, and his shadowed visor fixes on you again, unsettling you further. “If… if you don’t want to hear my apologies… what do you want to talk about?”

Your reluctant host forces out his response like it’s stuck inside his throat. “I want… I wanna ask you… some things. And I need you to answer honestly.”

Your stomach churns with nerves. He has questions? He must want you to explain what you said. He’s going to make you relive it – not by telling you how offensive you were, but by making you deconstruct your own comments and actions.

Kark. It’s a punishment, alright.

But if the penalty for your folly is the discomfort of explaining yourself, you can deal with that. This is a man you’re used to teasing, and he sounds just as unsure about what to say here as you are. So, you need to gather your confidence and endure whatever awkwardness this brings up.

You square your shoulders and lift your chin. “Okay… ask me.”

“You’ll answer? Honestly?” There’s an edge of desperation in Din’s voice from which you intuit his real meaning. You need to check any joking at the door.

Well, your current embarrassment level is sky-high, so whatever he wants you to respond to or admit surely can’t be much worse. You’ve already laid yourself (literally) bare for him. “I will. You got a slice of my inner dialogue last night, so I might as well continue the honesty.”

“Good… thank you.” He releases a profound sigh, a rush of static through the vocoder, and appears to gather himself for his first question. “Why do you think my creed means I can’t…?” He trails off, but you follow his meaning and match his heavy sigh.

“I don’t really think that,” you assure him. “Honestly, I’ve never known what to think, which means I’ve made no assumptions either way. But I guess… my drunken brain felt it was… safer to err on the side of caution when addressing it out loud.”

You’re not in the least bit surprised that he’s starting with this. If he is a virgin, you’ve mocked him, and if he isn’t, you’ve no doubt hurt his pride.

When he doesn’t respond, you suggest, “If that’s your first question, it sounds like you’re worried I’m judging you, so let me reinforce what I just said. ‘No assumptions’ means ‘no judgments’. But if you want to clarify things, I can promise you that whatever the truth is, I still won’t judge you.”

The importance Din is giving this topic is by far the biggest clue to the likely truth. No virgin would question you in the way that he just did. If they mentioned it at all, they’d probably just insist it’s not a topic for you to concern yourself with and never speak of it again. But inviting him to confirm his expertise gives him an easy way to lay the matter to rest. It’s also the kindest thing to do in the wake of your drunken foolishness.

He nods a fraction, accepting the premise, pausing while he chooses his words. “My creed doesn’t impose any rules relating to that, only that I cannot remove my helmet. And… some people kind of, uh… they get off on the mystery. So I do pretty well when I need to… blow off some steam.”

Huh. That was surprisingly direct (for him). You can’t help but smile, wondering if your delight stems from finally having proof that he isn’t without experience or that this discussion (so far) isn’t about how badly you fucked up.

Hoping to conceal your thoughts and keep the focus on him, you instantly slide back into teasing mode with a new nickname and a vague compliment of sorts. “Super Stud! You’re very discreet.”

“That’s the idea,” he confirms, ignoring his new moniker. “Although it’s by no means frequent, and since I got Grogu, I haven’t had….” He clears his throat. “Time and opportunity are rare.”

As much as you wish Din would choose to ‘blow off some steam’ with you, all you hear is a chance to atone for last night’s thoughtless actions. “I can take care of him while you go have some fun…?”

A massive scoff comes through the vocoder, and he shakes his helmet widely. “No, Maia, that’s… that’s not gonna work.”

But you persist, desperate to make amends. “Oh, come on, Metal Man, you deserve a break. Isn’t there anyone on Nevarro you can call for some fun?”

He sighs. “I have… options, yes.”

You furrow your brow at that. “So why did you say time and opportunity are rare? If you’ve got options, why don’t you just get your shiny ass laid while I do what you pay me for and take care of—”

A distinctly peeved huff crackles through the modulator, and you instantly fall silent. You forgot you’re not supposed to be teasing. Nor is it clear yet whether you still have a job. Foot, meet mouth.

He curtly redirects you. “Next question.” You assent with a nod, but when he continues, his tone is suddenly guarded and awkward. “Last night, you said… you suggested… that you and I might… blow off some steam.”

Fuck, this is the part you were dreading, and your pulse picks up. He seems nervous. Is that good or bad? Well, it’s better than angry and scary. You try to freeze your movements to avoid either wincing or looking too eager, nervously awaiting his question.

“Was that… because of the alcohol? Or… something, uh… real?” All you detect in his voice is discomfort, so you can’t tell which option he hopes for.

You sigh and take a careful slurp of the scalding hot caf to buy yourself time. It’s hard to answer because there’s a lot at risk. If you’re too honest about your feelings and Din doesn’t feel the same way, your relationship might end – professional as well as personal.

But once again, the fact that he’s asking suggests your answer is important to him, so the odds are likely in your favour. If he wasn’t attracted to you, surely he’d play it down and give you a way to save face. Just say he knew your silly drunken advances were simply an extension of your usual urge to tease and meant nothing, and that he forgives you for them. Surely he wouldn’t ask if they were ‘real’.

The concept sparks a tiny flame of hope in a dark and dusty corner of your mind, a pinprick of light to chase away the fears you walked in here with.

However, you can’t be too hasty or draw conclusions without facts. Though this isn’t going as dreadfully as you feared it might, the sensible option is to avoid getting your hopes up. He asked you for honesty, so you’ll give him that, but you decide to err on the side of caution again. An assumption against any interest on his part shouldn’t be offensive.

“It wasn’t… totally the alcohol,” you confess cautiously, and you see his body instantly tense up. Is that a positive reaction? “I’ve been trying to remember exactly what I said to you. I told you it was a ‘dream’, right?” Din nods once. “Well… that’s true. I admit I’ve had some daydreams about the idea. But it felt… safer not to mention it. Last night, you made it clear you weren’t interested in me, and you’ve never given me any reason to think otherwise, so I—”

“I did no such thing.”

Shit. The anger you were afraid of is finally colouring the Mandalorian’s tone, and he leans forward with his vehement denial.

What did you say wrong? Did you tease too soon with the new nickname just now? Shock and confusion contort themselves across your face, and you shrink backward.

He almost growls at your retreat, and the creak of his leather gloves as he clenches his fists has you bracing yourself for trouble. You honestly can’t tell if you’re turned on or terrified.

Before you can decide, he declares, “Last night, I had to walk away from a beautiful naked woman in my bed because she’d been drinking, and I would never do anything without full consent. I did not make it clear I wasn’t interested in you. Fuck, Maia, I have dreams about you too. All the time.”

Your mouth hangs open in surprise. Even knowing it was vaguely possible, you weren’t ready for that response.

He has dreams about you too!

Now that he’s confessed what got him so worked up, you see him make a visible effort to calm down.

His next words are much softer, soothing your prior unease, though your heart continues to thump from his admission. “Time and opportunity are rare because you’re Grogu’s babysitter, and that kid loves you. When he’s not with me, he wants to be with you. He only goes to school twice a week. That’s not a lot of time or—”

“—or opportunity,” you finish. “Okay, I get it. Why didn’t you say anything before? We could’ve been blowing off steam on schooldays for months already, but I had no idea. I would’ve climbed naked into your bed way sooner if I’d known.”

Din groans, a low and sinful rumble, and you wonder if you shouldn’t have put those images in his mind.

A deep breath later, he answers, “My son is my priority; his needs come before mine. He needs a good babysitter more than I need a good… uh….” He trails off and clears his throat. “And last night was the first time you’d ever said anything. I had no idea either.”

“But, but…” you stammer. Okay, so you’ve been keeping it to yourself, but you’re surprised he didn’t pick up on your attraction at all. “I’m flirting and checking you out all the crinking time, Metal Man. I thought bounty hunters were observant?”

He hums as if he’s flattered by your admission. “Teasing me is not a sign of anything on its own. And I’ve never seen you look anywhere other than directly at my helmet. You would’ve noticed my interest otherwise.” You furrow your brow slightly, not following, and he shakes his head in frustration. “You never look down.”

You look down.

Holy mother of meteors…

That is one obscenely snug flight suit and one fucking impressive erection.

Granted, you’ve noticed he’s been wearing the loose flight suit pants more often. In fact, you’ve missed being able to check out his toned ass in the closer-fitting ones. But since you can’t see where he’s looking, you’ve always been careful to keep your roving eyes chaste whenever he’s facing you. And, kriff, you never figured the reason for his wardrobe change was to hide this glorious attribute.

“Wow,” you breathe, unsure of what else to say. Suddenly, the volume on your headache reduces, and your lust levels shoot up. It’s so….

Din fidgets slightly, perhaps on edge because of your sudden scrutiny. Oops.

You revert your gaze to his visor, chancing some levity to ease the tension. “If I wasn’t fighting a skull-splitting hangover, I’d have a whole host of new nicknames for you already. Something about being as hard as beskar or carrying a concealed weapon… ugh, gimme a day, I’ll come up with a winner.”

His chuckle suggests the ice between you is now well and truly broken. You knock back the rest of your caf in the relaxed pause. It’s still hotter than you prefer, but perhaps it’ll quell your desire.

He lets you finish before breaking the easy silence. “Another question before you go, if it’s okay. Maybe a couple more, depending on how you answer the first one. I’d rather not leave this topic hanging now that we’ve addressed it.”

“Sure.” Right now, you’re willing to give this man whatever he wants.

“Okay. There’s another reason I walked away last night – besides your drunken state. It’s why I haven’t mentioned this before.” He swallows and inhales shakily. “You told me that your last relationship was terrible. And the fact that you chose to celebrate its end tells me you value your freedom. On my side, my relationships are rarely meaningful or long-term. So it might seem easiest to keep things casual.”

He pauses, but it’s unclear whether he wants your input. You can’t tell where he’s going with this, so you give him a one-shouldered shrug.

He leans forward and rests his vambraces on his cuisses. “If Grogu wasn’t around, it might be. But casual never ends well, and I will not threaten the bond you two have just for something meaningless. For the child’s sake, we gotta be sure where we stand before we… act on any of this. I can’t do casual with you, Maia. So the first question is: are you interested enough to try something… meaningful? Because if you’re not, we gotta bury this.”

He’s right. You start to understand why he got so worked up at your admission that you’re attracted to him for real. It complicates things.

He’s asked a logical and vital question, and you take a moment to give it due attention. Whatever happens, this cannot threaten your employment. So where are the lines?

You’ve felt something for Din from the start, and your attraction has only grown. That line is already blurred, and it hasn’t threatened anything, but it helps you see what he’s getting at. Your attachment to him and Grogu has become far more profound than you expected, so you couldn’t do casual even if you tried. It could only harm your bond with the kid if you tried to repress that attachment and keep things casual with his father.

Simply put, your feelings are already meaningful, so whatever comes next must be too.

Strangely, that doesn’t scare you. Your prior experience was poor – both oppressive and neglectful – but you were a displaced teenager on a new planet looking for protection when you got into that. Din is nothing like your ex, and this couldn’t be more different. You have faith in this man and, thus, faith in your answer.

“I am,” you confirm with a smile. “Are you?” He’s already confirmed he won’t do casual, but you need his agreement to start something meaningful.

He swallows, then echoes, “I am.”

A thrilling but weighty moment passes as you both digest this, just staring at one another in the wake of your mutual confessions. The air feels charged with promise. You can almost taste it.

It’s hard to judge how long has passed when he speaks again. “Second question. Did you use my ultrasound cleaner?”

Well, that’s a non sequitur. You have no idea how this query relates to your previous answer, but you nod nonetheless.

“Great. Come with me.”

He stands and leads you downstairs, stepping into his room and tapping on the main lights. When he sees that you’ve made his bed, he hums happily.

You’re quiet but hopeful, the heady feeling of promise that consumed you last night slowly filling you up once more as he turns to face you and beckons you closer.

“We should take this slow,” he starts. “You’re hungover, and I want you to feel comfortable when we….” He nods at the bed, oddly still reticent to describe the act.

“When we fuck.”

Din releases the cutest whimper and tugs at his pants. “That is not helping me with this problem. If you keep talking like that, I might not be able to resist,” he warns.

You scoff. “Shiny, are you really trying to threaten me with sex? Kriff, please tell me you didn’t use this tactic on any bounties back in the day.”

“No, I did not. And I’m trying to save that until your head doesn’t hurt,” he sighs. “But… question three. Before you go home, can I… kiss you?”

Your eyebrows shoot up as surprise and desire collide and carve a messy path through your chest, sending your heart tumbling into a double-time beat.

“Are you…” You’re not quite sure how to phrase your query, still chagrined by last night’s verbal blunders. “Is that some kind of metaphor? Does ‘kissing’ mean something different for Mandalorians with the whole helmet thing? Because if we’re just gonna thumb wrestle or something, I’m still in, but it’s kind of weird to call it kissing.”

He chuckles, and it eases your worry. “We do have a kissing substitute, but no, in this case, I meant what I said. I just gotta turn the lights out so you can’t see me when I remove my helmet. If that’s okay.”

All of your fears and concerns melt away with his answer. Gone are your worries about your budding romance having awkward or difficult restrictions, replaced by a certainty that you can handle not making eye contact. If observing that single caveat allows you to be with this man, you don’t even consider it a sacrifice.

Well, if he brought you down here to ensure it’s dark enough, you can help with that. You saunter to the door and touch the control to slide it closed, blocking out the sunshine filtering down the stairs, and then you turn to him with a smile. “It’s very okay. I’m not leaving here without a kiss, Din.”

He sucks in a modulated breath and doesn’t move for a second. “You… used my name.”

You know you’re allowed to – he’s told you that many times – but you find the nicknames help to maintain a friendly distance. Treat him as a friend, not as a lover. Except now things are changing.

“I thought I’d practice,” you explain. “I’m guessing that when we do get in that bed together, you’d prefer I scream out your real name instead of ‘Shiny’ or ‘Beskar Boy’.”

He groans sinfully again and reaches for you, fixing a glove around your wrist and tugging you to stand beside the shelves he stores his armour on. “Don’t move,” he instructs. Then he releases your wrist and taps a button on his vambrace, and the lights very slowly fade out until the room is darker than the void between galaxies.

Suddenly, sensations are everything. You can detect the warmth of Din’s body so close to yours, though you’re not yet touching. You hear him breathing more audibly than usual, a gentle but slightly stuttered hiss through the vocoder. You feel the air swirl around you as he raises his hands to his helmet…

The rhythmic thump of your heartbeat quickens, and despite your lack of sight, it’s as if the events occur in flashes between the beats. The absence of sound as you hold your breath. The gentle rustle as he slides off the metal helmet. The muffled clang when it hits the shelf as he lines it up. The scrape of the edge as he pushes it home. The nervous breath he releases in the subsequent silence, reminding you to exhale too.

Then he’s reaching for you, and your mind goes blank as his hands find your hips, closing the distance further. It’s not close enough to feel his arousal against you, although that’s probably wise. But if you weren’t still harbouring a headache, you’d be unable to resist pressing forward and seeking the impressive bulge you admired upstairs. Instead, you lay your palms on his cuirass and slide upward, burying your fingers in his cloak. That’s as high as you’ll go until you know what’s allowed.

One of Din’s gloved hands engulfs the nape of your neck, and you love how he’s controlling this, moving you in the dark to where he wants you. You can tell he’s leaned in closer by the sound of his breathing – more audible without the beskar barrier. Then there’s a sense of warmth on your skin as he brings you close enough to nuzzle at your hairline, gently at first, until you register the distinct press of his nose against your temple.

You feel it just before he speaks, his breath tickling near your ear as he opens his mouth to husk smooth, unmodulated words. “Go easy on me; it’s been a while since I’ve done this.”

Fuck, his voice is gorgeous. It resonates through you like a rumbling storm, drenching you with wanton promise, unleashing a different wetness upon you. If there were any frequency that could subdue your headache, it would be his soft and smoky timbre.

“Oh?” It’s all you can manage; a single syllable of surprise at his admission. He seems so confident.

“Mm,” he confirms, brushing his lips softly near the corner of your eye, and you detect some stubble around them. “Before we swear the Creed, we spend a while doing the things we’re taught to avoid after. I’ve only used this loophole once since then. So….” He trails off and presses a gentle kiss to the crest of your cheekbone, warm lips on soft skin, and you melt in his arms.

You want to assure him that he’s nailing it, preparing you so perfectly that he seems like an expert kisser, no matter how little practice he’s had. You want to thank him for deeming you worthy enough to use this rare loophole and express your stunned gratitude at the privilege he’s allowing you. But the notion of speaking confounds you, and all you can do is lift your chin and indicate your willingness to do this.

Din gets the message.

You can sense his nerves in the way he cautiously presses his lips against yours. But in the millisecond it takes to register a connection, your body reacts before your brain and electricity shoots through your nerve endings. Instantly, thousands of perfect explosions stud your skin, making you shiver in bliss.

He’s sweet, gentle, respectful… and it’s good. But it’s a little chaste for your liking, and you can tell he’s holding himself back. He needs to let go, so you emit a low hum of pleasure, which spurs him on and increases his fervour. You gently part your lips, and he gets the hint and takes the lead, deepening the kiss until your tongues meet – a touch that halts the spin of the whole galaxy around you.

Then he lets go. It’s as if he’s suddenly remembered how to breathe after holding his breath for decades, and oh, how utterly starved of oxygen he’s been. This kiss is feeding him, keeping him alive. His tightened grip, the tremors of lust you detect running through him, the way he almost whimpers into your mouth… it’s assertive and adorable in equal measures.

You can feel his inexperience, but you let him lead anyway. He gets lost in the sensations a few times, his rhythm faltering, but he corrects himself and responds keenly to your subtle signals of what’s good. It’s not long before you’re locked in a perfect moment, sharing an exquisite kiss with your ideal man.

When you part, it’s by mere centimetres, and you’re so full of happy chemicals that your hangover is barely a niggle at the back of your brain.

“I think that fixed my headache,” you purr against his lips. “I bet I could even thumb wrestle you now….” You have no clue what you’re implying, but you’re low-key horny, and openly flirting with him for once is fun.

Din’s unmodulated chuckle is the cutest thing you’ve ever heard. “Well, I was aiming for ‘mindblowing’, but I’ll take ‘headache-fixing’,” he jests, bantering right back for once. You can’t help but close the tiny distance to steal another lingering yet closed-mouth kiss, eager to show him just how addictive his efforts were.

Once again, your lips barely separate, lingering close. “Oh, it’s blown alright – completely offline. Probably why it doesn’t hurt anymore.” A salacious idea comes to you then, and you voice it a hair’s breadth from his mouth, knowing he’ll refuse but wanting to show you’re willing. “Maybe now it’s my turn to blow something of yours….”

The sharp gasp he sucks in and raggedly exhales indicates he’s just pictured your suggestion and played the image to its fruition. In the pitch-black room, you can pick up on his obvious arousal through sound and touch – the almost-groan he swallows, the twitch of all the muscles in his body as he reins himself in.

There’s a pause as he considers your proposal, and you can tell he’s waging a war with himself to refuse. You’ve put him in a difficult position. But this new closeness allows you to upgrade friendly teasing into full-on flirting, and you can’t resist.

It takes longer than you expect, but Din finally releases a shuddering breath, swallows, and presses a gentle kiss to the corner of your mouth. Then he rasps, “I would enjoy that very much, but it’s not why I brought you down here, mesh’la.”

Mesh’la? Who the fuck is that? You stiffen in his arms, unable to process the idea that he’s just said someone else’s name during an intimate moment. Even if it does sound similar enough to yours that you could maybe understand the slip, how could he—?

“Maia,” you correct pointedly as your thoughts spiral, pulling away slightly, your stomach suddenly in knots.

He tightens his hold and hurriedly assures you, “Hey, no, it’s not— mesh’la means ‘beautiful’ in Mando’a.”

There’s a tense pause, and then you murmur, “Ah,” embarrassed and glad you didn’t instantly flip out at your incorrect assumption, then suddenly flattered by the compliment. As you fall back into his embrace, your sluggish brain gives you nothing more, too confused by the pelting of emotions you just received in quick succession. Perhaps it’s best to adopt Din’s usual policy of silence.

But he saves you from your chagrin and redirects you to another topic. “Final question. Can I make you dinner one evening this week? We agreed we’re aiming for something… meaningful here. Getting physical right away is not the best way to achieve that.” He squeezes your waist with the hand that’s remained in place throughout. “As much as I’m looking forward to that part.”

A sweet smile is your reply, though you realise he can’t see it in the dark. Luckily, it’s followed up by the return of your vocabulary. “Dinner sounds good. Grogu too?” You love the little womp rat, but this sounds like a date, so you’d rather it wasn’t crashed by a decades-old toddler.

Din hums as he follows your thought process. “The kids at his school keep inviting him on playdates and sleepovers. The parents seem like good people, so I’m sure we could arrange something both he and I would be happy with.”

You nod. “Then I look forward to our first date.” You can’t imagine how a dinner date will work with a guy who can’t show his face, but at least now you know there are loopholes. Perhaps he has another for eating together.

“Me too… mesh’la Maia.” You hear his slightly cheeky but utterly earnest tone, and you can’t help grinning. How apt that he should give you a nickname just when you decide to start using his real name.

You want to kiss him again, but since you pulled away a little, you can’t judge where his face is anymore, and you’re not sure if you’re allowed to touch him to locate it. “Another kiss before I leave, gorgeous guy?” (Two can play the nickname game, and you started it).

“Always,” Din agrees through a chuckle, bringing you in close again with the hand on your neck, finding your lips and pressing something firmer, more resolute there. You open eagerly for him and revel in the thrust of his tongue against yours. He’s settling into it now, more confident in himself and his technique, while carefully heeding your responses.

You enjoy it while you can – the sensations, the taste, the warmth, the delicious calm energy that washes through you with his lips on yours, his tongue in your mouth, his hand on your neck. You commit the feelings to memory, unsure when you’ll get to do it again. You hope you won’t have to wait too long for your date.

It’s over too soon, but you accept that it has to be. As you separate, you attempt to lock in the memories of the features you’ve felt pressed against you – stubble, soft lips, a strong nose. It’s not much, but it’s more than you had before.

Din’s hand falls from your neck, and you bemoan the loss of heat and comfort, spiralling back toward your hangover from the heady heights of such an intimate moment. As you hear the scrape of his helmet on the shelf’s edge again, you panic a little and blurt out, “What’s your hair like?”

He freezes, and your panic swells for a different reason. Based on the comb you spotted on his dresser earlier, you’re confident you’re not asking a bald man to describe his hair, but perhaps it’s forbidden to ask.

“I-I mean, if I’m not allowed to know, then forget I asked. I just… now that I’ve felt your lips, it’s made me wonder about the rest. It’s fine if you can’t tell me, though.”

A few seconds later, the scrape of the helmet resumes, and he slides it into his grasp. But you don’t hear him put it on.

Din’s reply is a low whisper, and he sounds even more nervous than he was before you kissed. “You can’t see my face… but you can touch it. If you want.”

Oh. You wonder how many people have touched his face, which makes you hesitate. This feels more intimate than you should be getting right now. “Thank you. I think… just your hair today. I’ll explore the rest of you on our date, face included.” That promise wins you an eager hum.

Your hands remain buried in his cloak, so you slide one to the back of his neck and rake upward. A gasp escapes you as you feel soft strands, longer than you expected and curling slightly at the ends. You picture the cutest mess of unruly waves.

“Is it… what colour is it?” You’ve seen him without his gloves a few times – last night included – so you know his skin is a warm amber. But human genetics are so diverse that you can’t really assume anything about his hair based on that.

It takes a few seconds for him to answer, busy sighing in bliss and pressing his head into your palm like a tooka getting stroked. “Dark,” he replies simply. It’s unclear whether he’s hypnotised by your hand in his hair or he’s not used to disclosing details about himself. Both are fair excuses, and you have much more data than you did ten minutes ago either way. You’re convinced he’s gorgeous.

“Thank you, Din,” you offer as you force yourself to stop running your fingers through his silken waves and withdraw a step.

There’s a quiet rustle as he places his helmet back on and seals it. “You’re welcome.” It’s modulated again, but there’s something about hearing that metallic rasp that makes you smile. You just kissed the source of that sound.

With a muffled beep from his vambrace, the lights fade up again, revealing an impassive black T-visor. However, the armoured body below it somehow looks more relaxed and assured. Gone is the stiffness you felt in his limbs earlier, and though you wonder if a certain stiffness in his pants remains, you’re not about to start ogling him when you should be going home.

So you smile and suggest, “Walk me out?” and you’re rewarded with a nod.

When you exit the cabin for the second time in one morning, you feel like a different person. Though your foggy head throbs and your bruised shoulder smarts, your very essence sparkles with an energy you’ve never felt before. It flares with each lingering touch the Mandalorian bestows upon you, with every prolonged stare of his visor, and with his soft instruction to get home safe.

He’ll call you, he promises, slipping a new comlink into your hand.

When you exit the cabin for the second time in one morning, you feel like a better person. The girl who disgraced herself last night has gone, leaving a happier and more fulfilled version in her place. Even so, you’re sure glad that idiot version of yourself ran her mouth and became the catalyst for your new path with Din.

And you can’t wait to look down again. Maybe next time you’ll get to go down too.

Main Masterlist | Series Masterlist

Get ready for more loquacious end notes…

Maia’s job was inspired by this scene from s3e5. She’s not a civil engineer, but, like, she could be that girl with the datapad – doing all the planning and building the holos while the engineer gets all the glory (can you tell I work in a support role??).

I originally wrote details at the end of part one of everything Din decided – that she must be attracted to him based on how she worded things, and that he’d talk to her to verify that and determine whether it was something she’d like to act on or just ignore. But I realised it was better for the story to leave his intentions a mystery (is the thing he ‘doesn’t want to have to do’ ejecting her from his life, or simply having a grownup conversation?), which hopefully lets you feel more of Maia’s fear here.

I feel like there’s a lot of scope for misunderstandings, not just because of Din’s helmet, but also because he can be socially awkward. So there he is, massively attracted to this girl who threw herself at him the night before but he doesn’t know what to say, so he just sort of gravitates towards her, tries to get close. Is he sort of flirting? Maybe. The ‘get in their personal space’ thing might work for him when he’s casually picking someone up. So his actions here are him trying to say with body language “I like you too, I want to get closer,” but she misunderstands because of her embarrassment, sees it as intimidation, and shies away – a response which makes him even more clueless about how to vocalise things.

I hope the switch from third person (she/her) pronouns in part 1 Din’s POV to second person (you/your) pronouns in part 2 Maia’s POV wasn’t too clunky. I know it’s popular in this fandom to use second-person pronouns (you/your) even when writing from a third person’s POV (Din’s), but I just can’t make myself do it. If he’s the one whose head we’re in, when he’s thinking about the woman he’s attracted to, he wouldn’t be thinking “damn, you’re hot”, he’d be thinking “damn, she’s hot”. I was taught that we should hear internal dialogue exactly as it would sound to the person thinking it, thus we should use third-person pronouns when inside his head. You/your is only for when we’re inside the reader’s head (second-person POV so second-person pronouns). And of course, I/me pronouns are used if we’re ever inside the author’s head (first person POV). I hope that explains the switch here. I swear I can’t help my annoying adherence to grammar rules – it’s just been drilled into me. I wish I could be more flexible sometimes, but unfortunately the autism always wins 😔

GIF made by me again, slightly less blurry this time.

Definitions: An ultrasound cleaner is basically a sonic toothbrush from Legends. Both Boba Fett and Jabba the Hutt kept a rancor as a rather scary pet. Caf, as you probably know, is the SWU’s coffee. Din (and Maia here) often calls Grogu a womp rat, a pest on Tatooine (proving Din has spent long enough there to pick up the local lingo, and Maia has picked it up from him). A tooka is an SWU cat.

As always, comments/kudos (AO3) and likes/reblogs (Tumblr) will inspire me to produce more things. I don’t have a Kofi because I would rather have your help marketing my stories than take your cash, so if you enjoy my work, please support me with kudos and reblogs. Thanks!

Honestly, I’m not altogether thrilled with this fic. I struggle with shorter (ha!) pieces because, as those of you who have read Be-All And Endor will know, I’m much more comfortable playing the long game and writing things where I can focus on character development, foreshadow future events, reference and call back concepts, and do a heck of a lot of worldbuilding. So to me, this feels like it lacks depth because it’s a very simple and straightforward concept that lacks a full-on conflict/resolution arc, and as a character study it’s nothing that hasn’t been done before. I’ve also been struggling to write something I felt was good enough to publish in the wake of Be-All. I don’t think this passes muster, but in the end, I realised I had to just post something – anything – simply to get past that fear of doing it. So I hope this was interesting enough to at least hold your attention! I suppose I could write a part 3 where they have their date and the smut happens, but to be honest, I have several other smutty fics in the works that have much better setups, so I think I should focus on those. I might come back to this one day, though.

Tags requested…

@aheadfullofsteverogers @alltheotps @axolotllover225 @burntheedges @copperhalfcent

@dindenimchicken @feekedbeat @foomoosworld @jude77 @penvisions

@pigeonmama @secretelephanttattoo @stagerightlauren @the-mandawhor1an @titlee78

I tagged those below in part 1 due to interest in my series masterlist and WIP snippets (comments/reblogs). Nobody told me off for my audacity, so I’m hoping you’ll enjoy part 2 also…

@604to647 @cheekychaos28 @djarinmuse @gingerlurk

@joelalorian @kyberblade @readingupsidedown @sunflowersunlight7-blog

@thefrogdalorian @whataenginerd @wrathkitty