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darkpoisonouslove · 4 years ago

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Ranking the Winx Club Finales

I recently finished my rewatch (and first watch of a season and a half) of Winx Club and wrote out my thoughts on all of it. However, to send off a year that was in experience a lot like watching this series - meaning, generally frustrating and downright disappointing whenever I got excited over a thing with a few highlights that actually stuck the landing - and to get out any remaining feelings over the series, I have decided to rank the finales from least to most favorite. I just have a lot of rage to spare over season 8′s finale and needed an excuse to do so. Plus, I am being thematic here goddammit! Here we go:

8. Season 8

Yeah, I really spoiled that already. To sum it up:

But let me elaborate. Like I already said, this finale enraged the living fuck out of me. I just cannot comprehend whatever possessed them to write a finale so, so... excruciatingly devastating... to a season that started out with a lot of promise and had some extremely solid decisions (except for the art style, which is just NOT IT). This finale is an absolute disaster in every way. First, there is a new plot point introduced mere minutes before the finale and it is never tied into the overall narrative of the season which doesn’t do it any favors, especially after the two halves of the season already have trouble connecting together into one overarching story. The reason they brought in the creatures from the Dark Dimension was to distract Valtor while Winx make their attempt at stealing the stars which could have very well been a role filled by Arken confronting Valtor in an opportunity to clear up all the muddy details around their partnership and bring together the two halves of the season. The Winx’ plan had potential that was completely wasted by their own interruption instead of seeing each girl (provided Layla was playing Icy, Stella - Darcy and Musa/Tecna - Stormy) doing her best to pretend to be the Trix she’s posing as to give the Trix the due role they should have had in this finale. Instead, we get an Icy that is a complete opposite of the character we’ve known her to be for seven seasons all for the sake of a wish she doesn’t even get fulfilled despite her decision to help. Her motivation is a direct contradiction to the original plan of the Trix and disrespects her character from all previous instances of her being on the show for absolutely no reason as she is left with nothing in the end and the whole backstory they invented for her out of nowhere and couldn’t fit in any way with anything previously known about her was in vain because it was never resolved. Winx essentially manage to defeat Valtor once they wish for their own power-up and are gifted powers they haven’t really earned only to be pronounced great heroes who even get their own constellation in the sky. Come again? There was no narrative tension in this episode, no big climax to resolve what is supposedly the biggest threat in the universe at the moment, and no actual emotional conclusion to the season. It can’t even be called a messy wrap when so many threads were left hanging in there. A true disaster on every front.

7. Season 6

Even if you count both 6x25 and 6x26 as the finale of season 6, the structure is still lacking big time. Acheron who is the main drive of the entire season is defeated before the end of 6x25 and the Trix who are the other main villains were also more or less neutralized at that point to leave absolutely no stakes for the last episode so they had to pull some bullshit to fill it. The Winx are useless for the entire episode, including Bloom whose battle with the Trix is an absolute joke. Like, they can’t even think of syncing their attacks so that she can’t protect herself from all three of them with her ridiculously small shield and Bloom couldn’t even bother to actually buy herself enough time to leave the Legendarium. The only saving grace of that fight is the little emotional moment it causes for Bloom but that was also not really set up at any point of the season so it was just out of the blue. Selina changing her affiliations permanently even after the imminent threat for her life was neutralized made about as much sense as her turning evil in the first place and the fact that they needed her to lock the Legendarium made everything 1000% shittier because of how convenient it was that she just decided to turn good again without any justification for her course of actions. That coupled with the lack of consequences for any of her actions (she nearly killed Flora for heaven’s sake and no one even brought that up?) plus the dreadful info dump monologue they gave her just brought the whole thing down. The wrap-up of the season was also underwhelming after they had an entire episode that was mainly free of villains in order to close the other storylines... but, of course, there were no other storylines. Pretty disastrous.

6. Season 7

Just like in season 6, Winx were pretty useless here as they really didn’t do all that much for the plot. Luckily, the fact that the Trix were brought in allowed for the villains to have a battle that was more intriguing and provided some action as for a finale. The other key elements of the season (fairy animals, Trix, wild magic, Kalshara and Brafilius and the time travel) were actually woven together pretty well to make for a pretty satisfying finish to a season that really lacked any solid plot. The mini worlds and the Tynix transformation did not have use in the last episode but that wasn’t too catastrophic. There was actually a pretty emotional moment between the fairy animals and Winx that would have been even better if their relationships had been better developed throughout the season... You’d really think that since fairy animals were the main point of the season and there was no solid plot to account for, they would have taken the time to pay attention to Winx bonding with their fairy animals but nah. I am still impressed with how touching their goodbye was given the fact that they didn’t really have all that much time to actually become close so bonus points for that. The very last scene is a little generic but what else to expect from a season that has sung all its songs already (thank god that there were no musical numbers in this because I have a feeling it would have been even worse)?

5. Season 5

Season 5 could at least pat itself on the back for dealing with the main villain of the season even if there were a couple iffy things about the whole deal. I’m taking away consistency points for a) the fact that the Throne was supposed to be activated with the seals from the Pillars of the Infinite Ocean, yet suddenly stealing a random Sirenix would do, b) Tritannus being defeated by simply having his trident taken away even though he literally grew in body mass implying that the power of the Emperor’s Throne had seeped inside of him (also confirmed by Mystery of the Abyss) and c) the mutants inexplicably turning back into people once Tritannus lost his powers even though they never turned back during his times of relapsing back into a human thanks to running out of pollution. His defeat was just ridiculously easy and Bloom got to do it even though Layla was the one with the personal connection to Tritannus and the one most directly impacted by his actions as her family fell prey to him. Instead of getting to shine in a season that focused heavily not just on her home world but on the environment from which her powers come, she got benched in favor of Bloom getting to do everything again with only mild assist from Layla’s cousin. They should have kept it in the family and left Layla and Nereus deal with Tritannus. The Trix were blasted out of the narrative extremely conveniently and the rest of Winx were saved twice by the mutants just turning their back on them instead of destroying them right then and there and then being turned back into their original form as well. There wasn’t the usual teamwork of the whole Winx unit which I am still salty about despite being sick of all the time they reached for convergence in that season. Theredor fighting alongside Winx (different from his own daughter) was a nice touch but the king and queen of Andros coming off as so helpless (and apparently the only people in the castle unless you admit that everyone else drowned) was frustrating. Where was the Andros army? We only got Tressa, Roy, four of Winx and a handful of mermaids. Is that the whole population of the Heart of All Oceans? Additionally, the finale left no time for any emotional resolution of the season’s events, especially considering the big deal that Daphne’s revival was. Instead they opted for a musical number at the end. Not the best form.

4. Season 3

Season 3 had a finale and then another finale. Granted, better than season 6 that had a finale and then filler but there was not a lot of glory to the ending of a story with such a strong opening and emotional moments that send you bursting into tears. The spell of the four elements was pretty decent in its first appearance in 3x25 but the way Valtor lost it all was a real let down after the climatic confrontations between him and the Winx girls throughout the rest of the season. His return was more or less a desperate last attempt at personal revenge against Winx as his goal was mostly out of reach at this point. The spell of the elements was brought down in both its use to create clones of Winx’ boyfriends and in its power as it was much easier to undo in its reappearance. The saving graces of this season’s finale are the couple emotional moments sprinkled through both 3x25 and 3x26. Bloom’s willingness to sacrifice herself for her friends and the world was the thread that the finale hangs on as she is mostly the one resolving the whole conflict which was a bit dissatisfying after the emotional damage Valtor inflicted on all of them directly or indirectly. There is a few moments left to recover from the emotional intensity of their battles against Valtor but nothing that really addresses the seriousness of the trauma they had to survive because of him. The Trix didn’t even get to have a last stand of their own in either of the last two episodes despite the position in which they started the season but that was more or less unnecessary anyway since we’d already seen they can’t hold their ground against Enchantix Winx even with a boost from Valtor. Overall, the finale is pretty weak, especially as a follow-up of the dynamic and strong experiences that the season put them all through. It was the first finale that was confined to a single episode (or rather two separate battles spanning over an episode to end the season) and there wasn’t enough tension building in the confined storyline an episode told.

3. Season 4

The season 4 finale is overall a solid conclusion that delivers both a final battle with the Wizards and enough time left to address all the other storylines left unfinished. The final battle was pretty short but there was enough intensity in the previous couple episodes to have covered the action demand that the season had already set up and it also provided the opportunity to have Winx come back together as a team after Layla split up. Not only that, but Nebula and Roxy also get to play their part while the Wizards make their last desperate attempt to regain the upper hand. It’s pretty climatic for something that length that also left about 15 minutes of the episode still to fill. Everything that had to do with the closure of the Earth fairies storyline was emotional beyond belief and gave more depth to all of them and Layla’s decision to join them. Winx had to face all of the separate responsibilities they have on their shoulders and find a way to balance them all so that they can pursue their dreams. There was a plethora of emotional moments and a deserved spotlight shined on Layla’s situation and how she’s dealing with it, plus the others’ feelings. It was a really touching finale and also an inspiring one to see Winx stand behind their dreams while still balancing their responsibilities. It seemed to achieve the initial goal of the season to have them adapting to the adult life they were shifting into.

2. Season 2

I’m gonna be honest, I had a very hard time deciding whether this would be number one or two because the season 2 finale had a lot more character moments that were very moving. It really corresponds to the season since it was more character driven than the first one and the finale suited that. However, ultimately I decided that it would take silver because of a couple minor things that bring it down. To get that out of the way, the second portal to Realix that led Winx there was imo a copout that destroyed pretty much all of the tension that the entire season spent building around the search for the Codex. It just felt so wrong for there to be another way to enter that dimension and to me it was a big disappointment. Especially since the key to activating the copy of the Codex was the color riddle that was a ridiculous panicked attempt on the writers’ part to show that Stella isn’t useless and has what to give the team but it only made her look worse in my eyes. Also, minor gripe for the fact that there wasn’t that much of a final battle since everything ended with a single convergence. Of course, there were several battles across the episode between different sides that made for good action and tension and there was magic involved in more ways than simply the convergence in order to defeat Darkar but it was still a bit of a letdown to never truly see him put his everything in battle. And the fact that Griffin and Faragonda held him off for as long as they did on their own actually hurt his credibility as a threat as well. But hey, on the plus side, remember when the teachers actually helped and did not leave the fate of the whole universe in the hands of 16-year-olds? Good times! The MegaTrix and her? their? battle with Darkar was epic. 20/10 on that concept alone, plus it really brought a great feeling of vindication after the number Darkar did on them and felt so satisfying even if they were also part of the villain team of the season. They were portrayed as three-dimensional and weren’t cast out of the narrative without care just because they were villains and that was actually probably the most solid moment that the Trix have ever had on the show (just minor gripe for the fact that they were supposed to be trapped in Realix when the dimension was sealed forever but they were later somehow brought out of there which was never explained). Sky’s speech to Bloom was actually a pretty emotional moment and the payoff from it felt earned and allowed for Bloom’s victory against the darkness to feel natural and in place. It was probably one of their best moments as a couple. Plus, the cute little interactions that we got during the celebration party to send off the season on its merry way made for a great finale. (And a shoutout to the Musa x Riven scenes both in 2x25 and 2x26 because that was some good shit and some cute shit and it was exactly what we deserved).

1. Season 1

Season 1 reigns supreme with its finale. There is just no other finale that can rise to the level of the first one that was built for about one third of the season so that the last episode could dive right into the action without wasting time on setup. This is also the only place where we truly and fully get to see each of the Winx and the Trix (well, minus Layla who hasn’t been introduced yet) showcase their powers but especially Bloom and Icy. It is the longest battle we have seen and it builds a lot of tension on top of what was already there to leave you on the edge of your seat. The exploration of magic in this episode makes it so iconic and such a great watch even on the 300th time. There isn’t really much more to say than simply “It is epic”. What makes it even better though is the fact that there is enough time left in the episode to wrap up everything else and not in a rushed way. The battleground is extended to the locations that have already suffered the previous battles to show the full extension of the action and to setup the wrap-up that comes at the end. They even find the time to let some of the minor characters have distinct and touching moments as well and thus expand the universe of Winx further than just the main characters. Speaking off, they all get their moments, too, and the Specialists aren’t left out of that (you will never catch me not fangirling over Sky and Riven fighting back to back). The finale also doesn’t forget about the overarching story about Bloom’s origin which is commendable considering the constant lack of consistency the show suffers. This is really the only finale that isn’t lacking in any of the departments and manages to provide a truly fascinating story that keeps you entertained and in suspense while at the same time does not discard the emotional payoff or the logical continuation of events. It just excels in every way.

Well, this is my analysis on the finales of Winx Club. What started out as a bitch fest actually left on on a positive and uplifting note to make for a great ending to a harsh year. Let’s see what beginnings 2021 will bring! ;)

#winx club #winx club meta #winx meta #winx analysis #analysis #winx club season 1 #winx club season 2 #winx club season 3 #winx club season 4 #winx club season 5 #winx club season 6 #winx club season 7 #winx club season 8

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zkfanworkweek · 4 years ago

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ZFAW Content Creator Interviews: GrapefruitTwostep

Hey everyone! We hope you’re all excited for ZFAW, and to honor (ha!) ZFAW’s commitment to supporting and celebrating fan content creators in the Zutara fandom, we’re going to be rolling out a series of interviews with well-known and widely-beloved content creators over the next few weeks. We’ve got artists and fanfiction authors, some names you recognize as well as a few phenomenal up-and-coming talents, and we can’t wait for you to meet them all!

For the fifth interview, I’m highlighting a full-fledged fandom legend: @grapefruittwostep! Author of such works as “Modern Love” and “Moonlight and Sunshadow,” you can find GrapefruitTwostep’s works HERE: https://archiveofourown.org/users/GrapefruitTwostep/pseuds/GrapefruitTwostep

1. Tell us about how you came to ship Zutara. What does this ship mean to you? The first season of Avatar: The Last Airbender came out when I was about fourteen, so my preferences were already pretty set when it came to the fictional couples I liked (for reference, I was a really big Star Wars fan so Han and Leia were pretty formative to my life). It sounds kind of weird to say, but Zutara really just slotted right into the spot already waiting to accept it, right in the "literal opposites attract, enemies-to-lovers, oh no they bicker all the time please kiss" spot, but that's exactly what happened. A few measly years later, I rewatched the show in college, just after it had ended, and as an adult, I found myself more drawn to the dramatic parallels, the play between two characters who are so old before their time in a way that other characters in the show aren’t. I’ve always loved constructed family tropes, and the “mom friend/dad friend” thing is a real draw to me. So I guess the short answer is because I’m enemies-to-lovers trash. 2. What inspires you to create Zutara fanworks?

As a semi-professional writer, I’ve learned to get my inspiration from media I enjoy in a non-work context: so far, that’s been punk rock, Norwegian folktales, 80’s teen comedies, and Jane Austen novels. I love lots of other stuff too (like Dungeons & Dragons and urban fantasy and superhero comics) so I don’t think I’m ever going to run out of stuff to take inspiration from! 3. Be selfish - if you could request one fanwork based on your own art/fanfic, what would it be? What would you absolutely love to see someone create? I’ve had people send me some pieces of fanart and every time it is a joy and a delight. If I could ask for anything, it would probably be more Suki and Toph. I know! Weird choice! But writing those two is pretty much what I live for — Zutara is almost an afterthought, oops. I like to think “Jock Best Friend Suki” is one of my greatest contributions to this world/fandom and that’s the fanart that would just make my life. 4. Any words for people who are new to the fandom and/or nervous about sharing their work for the first time? I didn’t write my first fanfic until I was twenty-six. I came into this fandom so late and I did so with an incredibly self-indulgent work that I wrote entirely for me. And it went over so much better than I’d ever expected! Zutara fans are super nice. I think we get a crummy reputation from the old days of the shipping wars, but I’ve never actually experienced anything terrible. Everyone I’ve ever interacted with has been incredibly nice and really understanding about my bullshit and the support is amazing. They’re good people and they were super nice to an old lady like me who had no idea what she was doing. 5. What is your favorite Zutara-related thing you’ve made and why is it special to you? I wish I could say I love all my children the same, but Twist Me to the Left is my favorite. My father has this saying about music: “You have your whole life to make your first album, and then you have six months to make the second.” Twist Me to the Left was the reason I got into writing fic and so there’s something special about it for me that none of the other things I’ve written quite have. I feel especially bad saying that because it's not the thing that’s gotten me the most notice, but it’s the thing that’s closest to my heart and includes the most elements that were a personal influence on my life. Also, it’s got metalhead Toph which I find both generally awesome and a great joke. 6. What’s an idea for a fanwork that you have but haven’t gotten around to making?

Well, I just started my Jane Austen influenced fic, which is difficult to write and I think difficult to read (sorry), so that’s taking up my fandom brain right now. But I do really want to do a Much Ado About Noting fic so maybe when I burn myself out trying to sound like my girl Jane, I’ll do that instead. I’ve also been planning a cyberpunk AU but it has a mask aspect that, in the current climate of the world, feels … a little too soon.

7. Are you participating in ZFAW? If so, want to give us a hint as to your plans?

I would like to participate, certainly! (It’s right at the end of NaNoWriMo so I may not be at my best, but I’d really like to participate anyway, let’s see if I can do it without burning myself out.) However! I actually don’t read nearly as much fic as one would expect and so what I would really love are some recommendations! If anyone has art or writing they want me to look at, send that shit right on over to me so I can get some inspiration! I like very slow burns and AUs, but seriously, people, hook me up with whatever you’ve got.

#zfaw #zutara fanworks appreciation week #zutara #Interviews

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bran-who-writes-theoretically · 4 years ago

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Julie and the Phantoms

~What I want~

-Y’all didn’t ask for this but guess what here are my thoughts anyway. They are based in nothing and are solely what I want. So here’s everything (I hope) in no particular order.

1. Let’s talk about Juke just to get it ~out of the way. TBH I cannot get around the age gap between Madison and Charlie. It’s so hard for me to see past it. I’m only a few months younger than Charlie and I literally could not imagine dating someone who was even in high school at all. I understand they wanted the guys to look the same age through the series so they had to cast older but.... eh. The only way I could really accept Juke would be if they kissed in the series finale just before the guys moved on. But really? I’d love to see them realize that they can’t be together because he’s dead. It would be SO interesting to see that, them having to stomp out the crush because it could only end in hurt for them both. I’d love to see them become super close/best friends. They have a connection, it just doesn’t have to be romantic. Also I’d really like to see her maybe end up with Flynn??? That would be so refreshing. You almost never see queer leads for kids shows and that would be awesome (P.S. even though it’s fine to ship Juke, even though I personally don’t, do NOTTTTTTTTT. I repeat NOT! Ship Madison and Charlie. I’ve seen other actors in older fandoms stop talking to each other because of fans shipping them. Please don’t do this to anyone. Remember he’s 21, and she’s 16).

2. Ghosts. They need to stay ghosts. Trust me, I want them to come back to life as much as y’all, but I don’t think there are any ways that they can bring them back that doesn’t feel like a cheat. Plus, I really really want the heartfelt goodbye from the guys in the last episode before they move on. What can I say? I love my bittersweet endings. Could you imagine the material they could give us? They could even bring Julies mom in to help the boys cross over.

3. I NEED to see more of the guys in the 90’s. I have a ton of questions. Some of which are: was Bobby always kinda to the side? How long was Luke gone? I want to see Reggie and Alex’s life. Who’s house was the studio at? (We can cross out Luke and Reggie, we’ve seen their houses/where they were.) but I have my own theory that it was Alex’s house before Julie’s family solely based on the reason that that’s why the guys were in there and why Alex lingers. But then that poses the reason why did his parents leave the house? Maybe because it was too hard to live there when they lived there with their son? But then that poses the question if they “forgave” him for being gay?

4. Reggie, I know he wasn’t intended to be, especially since I heard the “that was pretty hot!” scene was improvised, but I need him to be bi so bad. I am not sure I’m right, but I only have seen three (?) canonically bisexual characters on screen in my twenty years of life. And that’s Cheryl from Riverdale (😒) and my personal fav, Eleanor from The Good Place, and we also have a sprinkle of Korra in there. I literally cannot think of another. But lookie here! They’re all women, where are my bi guys (if you know any male bi characters? Send them my way👀). But seriously, Reggie has such potential to be great Bi rep! If I had seen a character like him I might have realized and accepted my sexuality way before I did. Because ironically I had a sexuality crisis at seventeen because a guy friend grabbed me by the shoulder and asked for my help not too different from Luke singing to Reggie lol!

5. Hollywood Ghost Club. I would really love to see more about it. I’m pretty sure I know what’s going on, Caleb most likely made a deal with the devil. But I’d love to see the guys and Julie help free all of the other trapped spirits he’s lured into the club. Also, on the topic of ghosts as a whole, I wonder if there’s any negative effects on a ghost staying non earth too long. It happens a lot in movies/books. They almost turn into a wraith, a darker version, only a shadow of themselves. I wonder if it applies here too.

6. Oh dang, CASPER. As per my previous posts as I was writing this, I was backhanded with memories of one of my favorite childhood movies, which I just recently watched again. Above I say maybe Julies mom could help them cross over. But remember how Luke promises to talk to Julies mom once they cross over? What if they do just that. A line that struck a chord while watching the movie was from the mother’s scene when she comes back: “let’s just say you know three crazy ghosts that kept their word.” And y’all, when she said that line not gonna lie I nearly cried thinking about that for the show. She also mentions that because her family loved her so much, she doesn’t have any unfinished business. I wouldn’t be surprised if she doesn’t have any unfinished business either. Casper came out in.... you guessed it.... 1995. So I wouldn’t be surprised if they got some inspiration from it. Not to mention that it’s also a kids movie that has some pretty serious moments that kinda shocked me with how sad they were rewatching as an adult. I guess that’s why I loved it so much.

7. Carrie. I really want to learn more about Carrie and Julies dynamic. We know they were friends (I’m assuming with Flynn too?) and had a falling out. But why? And in the last episode she’s clearly proud of Julie after the performance, so I really want them to make up and have her be part of the group again. And maybe learn the truth about the guys?

8. Willie and Alex, god I want them to be together so bad. Of course, Caleb owns willies soul, so that’s not great, so I’d definitely love that subplot of the group trying to free the ghosts of the HGC. We didn’t see Willie too much this season, so I hope we do get more time with him. Also, I absolutely need a big musical number like Perfect Harmony between Alex and Willie. The only time I’ve ever seen a scene like that between gay characters has been in Rock of Ages (an adult musical) with “can’t fight this feeling” and it was hilarious and I need something like it for this show because it would be super cute 🥺.

9. Not particularly a theory but I’m really wondering how long Caleb is going to be in Nick. Julie has already stated that she’s kinda over him, and that it would be unfair to lead him on... so what happens when he realizes she probably won’t take the bait. Other than that, I really hope Sasha has fun playing Caleb through Nick, it has the potential to be great.

10. I’m not exactly sure what their unfinished business is going to be, but I’m almost certain it has to deal with Julie somehow. But the ending absolutely has to be the guys moving on. The ending has to be big though. They have to play somewhere awesome and then they find out... they’re done here. I’d honestly like a whole episode just dedicated to their goodbye. The way I see it, the second to last episode can end with them smiling after the performance and then that smile fading just a little bit, because that was when they realized. Then the final episode will be then telling Julie (and anyone else who knows about them by then) and finally moving on. Here I’m torn. I’ve mentioned both above but let me get more in depth. Version one: the one I originally came up with. This dealt with when the guys are ready to move on, Julies mom would come and help guide them into crossing over. I really liked this idea for a while, until I watched Casper again. Version two: the one I now like better(?) is the guys moving on, and after they do, Julies mom comes back (where even Ray and Carlos can see her) because “let’s just say you know three crazy ghosts who kept their word.” Could you IMAGINE??? It would absolutely reduce me to bawling I want it right now. The reason I like this one a little more is because we can skip to a little while after everything, and she gets a sign from them (just like her mom sending her the flower in the S1 finale) to show that they are still watching over her. And then we fade to black.

So that’s most of my thoughts on this show, if there’s typos in this I absolutely don’t care at all I wrote this instead of doing college work.

#julie and the phantoms #julie and the himbos #julie molina #luke patterson #alex #reggie #sorry this is so long lol #I have a lot of thoughts and this was originally for myself but why not burden y’all with it

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cosmic-affinities · 5 years ago

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Deku Vs Kacchan Part Two- Bakudeku

HOLY SHIT I just got done rewatching Deku Vs. Kacchan Part Two and now when in watching it I totally shipped the two from the start and so heres my word vomit of why I can’t understand how some people don’t see their shipping potential.

Alright so the first time I watched this episode, and their fight at Ground Beta, is where I really started to ship them hardcore, I always liked their dynamic but this really locked it in for me. So I was idly going through and rewatching some of my favorite episodes/arcs and I watched Deku Vs Kacchan Part Two, this time with them already being my favorite ship from the show so obviously I have thoughts.

I just want to go through and show why I do not understand when people absolutely refuse to think these two have any chemistry. Also this focuses on Katsuki quite a bit just because there’s usually a bunch of this type of thing about Izuku.

1) First of all back to the very begining of the series Izuku very nearly told Katsuki about OFA, he felt so guilty for betraying Katsuki that he needed a way to explain himself, with full confidence that Katsuki wouldn’t tell anyone. This was after he had spend literal months keeping all of this a secret from everyone, an everyone that included his mom and would eventually include his closest friends.

2) Back to the episode in particular, this is one of the only times we ever see Katsuki cry and get emotional (with an emotion other than anger) and it is all for Izuku. He specifically made sure Izuku and him were together and he broke down all of the walls he had put up (these same walls had kept all of his emotions from affecting him during the provisional liscence exam) Izuku is seriously the only one who can truly get how he is feeling like he says during the episode. They have such an understanding of each other’s emotions that Katsuki is actually angry that he can’t read Izuku the same way after All Might.

3) The entire episode really highlights their childhood together and Katsuki’s conflicting outward superiority complex partnered with his deep seeded inferiority complex (IMO the superiority complex he outwardly projects is the direct result of his true inferior feelings that he refuses to submit to so instead he is ‘faking it until he makes it’ so he doesn’t crumble) anyways the point of this is it really shows where all of his aggression towards Izuku comes from. He doesn’t hate Izuku necessarily he hates the fact that he is sure that Izuku looks down on him, I think if the two had met at UA or maybe even only slightly later than they did there would be much less animosity (although where’s the fun in that dynamic [im slightly kidding]) another anyways is the fact that Katsuki so willingly tells Izuku all of this and doesn’t even try to take any of it back.

4) The actual factual fight scene is also very well done and leaves a lot to my shipping imagination. The way that they know each other just well enough to know the best ways to fight but both of them have to really put everything in to even get hits out on each other shows how closely they examine the other, for Izuku we know is is out of habit/ in his nature but for Katsuki this is eye opening, showing how much he truly pays attention to, even though his demeanor is very much ‘im the best and I don’t need to learn anything about anyone’ (this is not to say that he is not very very intelligent and can very easily evaluate fighting styles on the go during battle but to say he took time outside of battle to think about Izuku says something when it comes to Katsuki) also can we all take a second to appreciate when Katsuki has Izuku pinned to the floor and they are both panting *chefs kiss*

5) When Katsuki is talking to Izuku after he has him pinned he says ‘You have All Might’s power but even using his strength even after making it your own some how you still managed to lose to me.” and normally he would stress that he lost and that he specifally lost to him but when he says it he sounds resigned and slightly dissapointed, as if he expected to lose, which is something he never expects because he does have faith in his own abilities which shows that he, no matter how subconciously, thought Izuku would win, or maybe put up more of a fight. That coming from Katsuki is high praise.

6) When Katsuki starts his rant about how he finshed All Might and breaks down he talks about how it all keeps playing on loop and that everyone has to know about it, but who does he go to? Izuku. He goes to the one person who has always been in his life and has seen him at some of his lowest moments (sludge monster) and as I mentioned before the only one who truly knows what he is feeling. Izuku even says that Katsuki was more affected than he himself was and he is All Might’s succesor.

7) Moving a bit into Izuku, this is the first time we see him stand up for himself, before this most of their interactions are negative and Izuku allows Katsuki to walk all over him, but here he tells him that he won’t be a punching bag anymore, which puts them into the playing field as equals.

8) Izuku also narrates their relationship, hitting on how awful it was up until that point, how they knew each other for a long time, how they never talked about they ‘really felt’ which can be taken with some extra shipping context since it is directly from Izuku’s point of view.

9) More about everything Izuku says, this is the first time he hears what Katsuki thinks about him, how he thinks he is constantly beeing looked down on even though Izuku treated him like he was golden. This makes everything so much clearer for the two of them, the giant mess of misunderstanding that they needed to work through, this is their opening.

10) The magnificence of the line “All Might was my hero, but you were the one actually in my life!” this is one of the lines that plenty of people say solidified the ship for them, you get to physically see how much Izuku loves All Might, mere episodes before you see his room(s) (dorm+house) covered in All Might memorbilia but he flat out says that Katsuki had/has a bigger impact on him.

11) Izuku narrates something he would never admit, he even says that he would never admit it. He says that when he gets emotional and his desire to win takes over he subconciously starts to talk like Katsuki, think about that for a second, when Izuku is aware and not swept up in a fight, he is fully trying to emulate All Might, everytime he is fighting or doing resuce mission practice he thinks about what All Might would do or say. So much so that when he gets told off for saying the wrong thing during the Provisional liscence exam he beats himself up for not doing what All Might would at the begining of the rescue mission. Even with all of that he says that when he gets rilled up he starts to talk like Katsuki, this shows how much he looks at Katsuki and sees a hero, the ideal (thats a bit of a strong word but you get the point) when he wants to win so badly he does not try to copy the actual number one hero he tries to act like Katsuki, his hero, his image of victory. Also he calls him his image of victory, come on he is basically shipping himself at that point.

12) Katsuki thinks he isn’t good enough and says so to All Might and Izuku, the one who would never willingly accept anyones help he allowed himself to tell the two of them.

13) When All Might says that Izuku admires Katsuki for his strength and Kastuki fears Izukus heart and spirit, how is that not total shipping material?!

14) This all ends with Katsuki accepting his role in Izuku’s training, he didn’t even think about it for more than a second before he ‘threatened’ Izuku basically telling him that if he doesn’t get stronger on his own Katsuki will force him to get stronger

15) Then they have their little banter about surpassing each other (mad bants ;) ) then All Might mentions that they are now ‘Proper Rivals’ in a way they werent before. Their relationship grows and expands, with that a mutual resepct and understanding.

16) When Aizawa asks who threw the first punch Katsuki does not hesitate to admit that he did, even after thier one fight he is showing growth, he doesn’t try to play it off as if it was mutual, Izuku quickly jumps in and says he was at fault as well, not letting Katsuki take all of the balme. All Might has spoken to them once and yet they’re already working better together.

17) When the two are on house arrest and Izuku asks Katsuki what he thinks about the shoot style Katsuki gives him an actual answer, and even (back handedly) compliments him on it when previously he would have shaken it off and maybe even yelled at him for asking, major improvement in their relationship.

18) This last one is something that happens in every episode but really stands out as they fight. Katsuki still lets Izuku call him Kacchan, his childhood nickname. It would be so easy and probably more ‘in character’ for him to tell Izuku off for calling him something that would be considered so childish, but I think it is his own way of holding onto that part of himself, when they were young and quirks didn’t matter. Most of the conjecture about why he lets Izuku call him that is mostly fanon but it is definetly something that helps the ship.

OK so i rambled on for a lot longer than i originally intended but here you go to the one person who might read this far, this is for you thank you.

Also mind you this is a single 24 minute episode and there are 18 (EIGHTTEEN) points, although it is an episode deicted to the two of them, either way I ship bakudeku and this episode really did it for me.

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makeyourownmyth · 4 years ago

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best seen in 2020.

My usual caveats from previous years are still applicable here: I don’t watch most of the major nominations the years they come out, and I’m usually not much for theaters and/or current TV. However, due to the pandemic, we watched a loooooooot of content. Here’s just a list of movies that I watched or rewatched this year, that were neither terrible, nor great, but I want to make note of:

Toy Story 4, The Brothers Bloom, Happiest Season, The Peanut Butter Falcon, Moana, Mr. Right, Moulin Rouge, Ocean’s Eleven, Spring Breakers, X-Men: Dark Phoenix (this might have been the worst movie I watched this year?), Widows, Gattaca, Black Klansman, Primer, It 2, Shazam (this maybe should have gone on the Honorable Mentions - it was fun), Training Day, Parasite (OK, now I have to update my Honorable Mentions), The Green Book, Strange Days, Elf, Love & Basketball, Above the Rim, Coach Carter.

That being said, there was some bad stuff, and I try not to shit on any artist’s creations too much, because I know no one sets out to make something bad, but these didn’t work for me.

Anti

Uncut Gems - It’s not that it was BAD, it was just too stressful for me to enjoy.

Brick - It wasn’t even close to enjoyable on a rewatch that I encouraged my partner to take on for the first time. I felt bad.

Hereditary - Neither a scary movie, nor a good movie.

The Witch - Same, but maybe better made?

Under The Skin - Jesus, this was terrible. Maybe I’m not artsy enough to get it?

Now, however, let’s get to the good stuff.

Honorable Mention TV

Avatar - I can’t legitimately put it on the Best Of list, because I’m not done yet, but I’m on Book 3, after finally actually getting started. I think I tried to start this in 2016, and i know all my nerd friends have been yelling at me for a long time because I haven’t gotten to it yet, and as someone who’s almost done, I can say: they were right! It’s great.

Ozark - S1 was great. It fell off a fucking CLIFF after that. Ignore people who tell you that you HAVE to watch this. They’re wrong. It’s fine.

The Last Dance - I know the world is obsessed with Michael Jordan, and I’m glad it came out when it did, but really, all it did for me was confirm that he’s an asshole who was very fortunate to play when he did. And also that the Bulls were fucking phenomenal.

His Dark Materials - Neither as bad as some of my friends think, nor nearly as good as the books (obviously) but also not good enough that I’ve even started S2 yet, so....I guess it’s fine?

The Mandalorian S2 - I think they know what they’re doing, and it’s super enjoyable, and I loved the ending, but I’m also curious as to where they’re going now.

Fargo S3 - Given how good the rest of the series is (other than my distaste for S2, dealt with below, and out of step with pop culture) I thought this one was a misstep,

Orphan Black - I cannot believe how late I was to this, and how good it still was. It really fell apart toward the end, but the acting was incredible, and the fact that they got to tell the story they wanted to was amazing.

Best TV

7. All the Smoke with Kobe (https://www.youtube.com/watch?v=3R3KIyEgCgc) - Maybe it was just his death, but it hits hard, and I miss him. Does this even count as TV?

6. Looking for Alaska - It felt like gratuitous masochism to watch this and enjoy it, being 20 years older than when I fell for it, and feeling ashamed of the young person I was, but even knowing what was coming, I was weeping when it happened. Even knowing that they were ultimately going on a fruitless search and yelling at the TV while the Colonel and Pudge were searching for “signs” and hating them for it, I remember feeling like everything HAD to happen for a reason when I was this young... So yeah. It’s pure nostalgia for me. I’d be super interesting in hearing how kids responded to it.

5. Locke and Key - I get that some people feel like they don’t need old shit in a new medium, but for me, I’m always up to try it out. If it’s fun, I’ll stick with it. And this is. It’s fun, it’s got some of the old shit, it’s got some new shit, and it’s a treat to see my favorite comic of the last decade in a new medium. Haters need a new bit.

Fargo s1 and s4 (I didn’t love S3) - I know that I’m in the minority here, but I think 1 and 4 are the best and 2 was good, and 3 was fine. I literally watched all of this show this year, though, so I didn’t have the same time to digest as others. But I think that’s a benefit in some regards?

4. Magicians s5 - One of the saddest conversations of the last year to two was when a nerd friend of mine said he didn’t like The Magicians because all of the characters were whiny and self-indulgent. For me, that was almost literally the point: they shoved Q into the corner and told the story of the others (at least one episode quite self-referentially so) and it was so much better for that. I wish it hadn’t ended, but I’m glad they left it where they did, because it was so good.

3. Devs esp. The beginning of e5 - Jesus. The show of the year? Except for the fact that Watchmen came out at the tail end of last year, and I didn’t have it on my 2019 list? I mean, honestly, is there a show more tailored to me? I’m not gonna get into any spoilers, but it’s a quick watch, and it’s fucking fantastic. Watch it, have your mind blown by the concept, especially in the beginning sequence of E5, and then stick around for the subpar ending where basically all of the threads are resolved in the least good way.

2. Watchmen - This deserves multiple re-watches and all the praise that people heaped upon it.

1. The Good Place - I know, objectively, that Watchmen was a better show than The Good Place. But this is my list, and I’ll be damned if anything overtakes my favorite sitcom (maybe of all time?) for best of the year. I know it barely just ended this year, and there’s plenty of acclaim to go around for this show, but honestly, every time I talk to anyone about it, it feels like they kind of laugh it off. This show is not only worth your time, but should almost be considered must-watch material. If more people watched this show, we wouldn’t need the insult “sophomoric” to describe people who’ve just had their minds blown by Philosophy 101, and we’d be better off as a species.

Honorable Mention Movies

In this order, and you can take the comedies and make them the only honorable mentions, if you’d like to make a nice, even top 10. (Until I saw Tenet the night before I posted this.( (And then I looked back at the playing cards that we use to randomly choose movies and I found that I needed to modify the Honorable Mentions and the Best Of lists.)

21 and 22 Jump Street - In general, I’m not a fan of comedies. So I’m happy I watched these, thanks to Nathan Zed, and they’re funny. Good work guys.

Palm Springs - Apparently there’s now backlash against Groundhog Day? I dunno, man, it was fun, and all the actors seemed like they were having a good time, and I was down for it.

Parasite - I can’t add anything to this that hasn’t already been shouted from the rooftops, so let me just briefly say that I thought it was great, but it didn’t quite make the list of best. The combo of genres was great, the cast was fantastic, but what I loved the most about it was how quiet it was.

Best Movies

10. Blinded by the Light - Way more resonant than I thought it’d be from the previews, and I already thought it was gonna be stellar. I didn’t take into account TIME along with place, and that made a hell of a difference for this movie.

9. Shoplifters - Yeesh. What a tough watch, but so good, and so necessary. For me, I think we watched it back to back to back with Parasite and I, Tonya, and this one just stood out so much more. The storyline was softer all the way through, but really had gravitas simultaneously.

8. Tenet - It was fucking fun! I don’t get the hate! I liked it, I’ll like it more next time I see it, and I wish I’d seen it on the big screen, but I’m super glad I could see it on my TV!

7. I, Tonya - Geez, what a powerhouse of acting. Not only did they get me to feel good about the villain of my childhood, they got me to feel good about Margot Robbie, who I’d only thought of as a hot lady before. Superb acting from everyone else, too, and what a great pick up to be like, yeah, this is the story we’re gonna tell.

6. I Am Not Your Negro - I avoided watching it for so long because I was already depressed this year, and I didn’t think I needed any more of that, but it turns out I did, and I always do, from Baldwin. He’s a master for a reason.

5. Hamilton - I know there was some backlash with the time difference, and I’m sure it was better to see it pre-2016 in the theater, where it’s meant to be seen, but I’m not a billionaire New Yorker, and I was plenty happy to see it when and where I could.

4. Won’t You Be My Neighbor - I mean...what do you think? It’s so much exactly what you’re thinking it is, but then it’s even better, because it’s the real deal, and he was so good, and it’s so pure. Watch it.

3. Her Smell - Elizabeth Moss has already gotten all the acclaim, but to play this different of a role, in a movie that felt as stressful as Uncut Gems, but pulled off an actual plot so much more successfully? I can’t believe this one didn’t get more pub, but then again, yes I can: it’s a movie about a girl band that rages against the machine, and she’s got severe issues. Small surprise that the people didn’t react well. Seek this one out!

2. Arrival - Yes, I am going to totally cheat and put a movie that’s appeared on my list (sooooo long ago) as the #2 entry this year. You know why? Cuz fuck 2020, and this is a great movie, and it’s the movie that made me feel second best this year. It’s incredible, and I know people appreciated it in its time, but I feel like they should appreciate it even more.

1. Moonlight - It’s not a shock, nor am I trying to appease anyone with anything. It’s just that I finally watched it, and it’s the best movie I saw this year. I don’t think I could possibly add anything to the authentic critics who have already heaped praise upon it, but I do have to say that it’s all due, and so much more. The acting obviously stands out, but the direction, from the color palettes, to the choice of when and where (and how) to break it up, are all masterful choices.

#moonlight #2020 #eoy #best of lists #movies and tv #arrival #her smell #the good place #watchmen #devs

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some-lists · 4 years ago

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Ranking all the Mighty Morphin’ Power Rangers

Go Go Power Rangers! I felt it was time for another 90’s throwback. Today I’m ranking all the Power Rangers from Mighty Morphin’ Power Rangers. Just about every 90’s kid was obsessed with this show. It was a phenomenon. It started out with the original five in its first season. As the show went on, we saw a number of replacements added to the cast.

As a child, I had my definite favorites based on my childhood memories. I later rewatched the series as an adult and my perspective on the characters really changed. This is my ranking based on what I observed as an adult looking back.

10. Kat Hillard (Pink Ranger)

Kat had the unfortunate task of filling Kimberly’s shoes as the new Pink Ranger. She was doomed from the start. The writers introduced the character as a villain -- a fellow student under an evil spell to undo the Pink Ranger. It made us not like her from the very beginning. Kat eventually grew into her role, especially in the following seasons of Zeo and Turbo. But initially, she felt like an imposter who literally did not fit the suit.

9. Aisha Campbell (Yellow Ranger)

I liked Aisha as a kid. I liked her sassy attitude and that she was girly and short. After watching the show again as an adult, I realized how completely useless she was as a ranger. She had no fighting ability whatsoever, couldn’t do any flips, and didn’t offer any brain power either. I actually felt embarrassed watching her fight scenes.

8. Rocky DeSantos (Red Ranger)

I think Rocky got a raw deal as the new Red Ranger. Many viewers were used to seeing the Red Ranger as a leader. However, when Rocky was introduced, he was just another ranger on the side. I don’t think this was his fault as Jason had already been demoted as leader after Tommy became the White Ranger. As a kid, I liked Rocky. I didn’t mind him as an adult either. His taekwondo skills were actually better than Jason’s. He was faster, more agile, could kick higher, and do more flips. Unfortunately, as one of the replacement rangers, he was always in the background.

7. Jason Lee Scott (Red Ranger)

Ranking Jason this low is gonna shock some die hard fans. As a kid, I absolutely loved Jason. He was one of my favorite rangers. I thought he was a great leader and strong fighter. He was the glue who got his team to work together. I especially preferred him as a leader over Tommy. But when I rewatched the show as an adult, I realized he really didn’t do anything! He had maybe two episodes about him. One was about him bench pressing a world record where he lifted weights the entire episode. That’s pretty much all he ever did. He lifted weights, punched bags, and occasionally taught a karate class or two. Essentially, he was there to flex his muscles and not much else. Even his sword, which I remembered being so cool, was pretty much useless. That was a big eye opener for me. I was also disappointed to see that his taekwondo skills weren’t as great as I remembered them. He was really slow, kinda clunky. Overall, Jason deserved better than what we was given.

6. Billy Cranston (Blue Ranger)

As the resident brain, Billy managed to invent the team’s communicators, which were also teleportation devices, and a flying car. He often operated the computers at the Command Center along with Alpha-5. It’s fair to say he contributed significantly to the team. He was a weak fighter in the beginning, but somehow became a super ripped expert gymnast by the end of his run. The show never explained that, but it was never a realistic show anyway.

5. Adam Park (Black Ranger)

I remember not liking Adam very much as a child. He was so quiet, shy, and often in the back as one of the replacement rangers. In my child mind that meant he was boring. However, as an adult, I realized how awesome he really was. First of all, he was way cute and I didn’t even see it before. He was smart and often operated the Command Center along with Billy (good ole Asian stereotyping). But mostly, he was an incredible fighter. His Shaolin kung fu style was a beauty to behold. His kicks, spins, and flips were so quick, effortless, and graceful. He had the best line in the movie: “I’m a frog,” which turned out to be the best zord as well. As the seasons went on (especially into Zeo and Turbo), he became much stronger, more confident, and a lot funnier too.

4. Zack Taylor (Black Ranger)

Zack is seriously underrated. He had a great personality. He was the life of the party, a great dancer, and funny. He even created his own martial arts style called Hip Hop Kido. He especially shined in the second season as he incorporated his karate with dance moves and incredible acrobatics. In my opinion, he was a way better fighter than Jason. If he had been given the proper treatment, Zack would’ve been on the same level as Tommy. After Zack left the show, the cast wasn’t nearly as fun.

3. Trini Kwan (Yellow Ranger)

Original Yellow Ranger Trini was the best. She was strong, brave, and intelligent. She had a spiritual side to her that was cool, calm, mature, and classy. She had natural leadership skills that were completely overlooked. I’d even say that when unmorphed, she was the true leader. She often stepped up and encouraged the other members no matter what situation they were in. She could understand Billy’s nerd talk and translated for the team. She also kicked serious butt. She became a big role model for many Asian American girls, as she was one of the first Asian American actresses with a visible role on television.

2. Tommy Oliver (Green & White Ranger)

I loved Tommy as the Green Ranger. His karate took the show to the next level. He was super bad ass and totally convincing as a villain. That evil laugh was perfect. Even after becoming good, the writers found a way to keep him around. His weakening powers and ultimately losing his powers gave him a tragic appeal. His relationship with Kimberly was also super cute. He was an exciting fighter and a compelling character. But, I didn’t really like him as the White Ranger. Once he became the White Ranger and the new team leader, he became a lot less interesting. He no longer had a real story. His martial arts was always top notch, but compared to the Green Ranger, White Ranger Tommy was too perfect and a lot more boring. Separately, I would’ve ranked White Ranger Tommy after Adam, but Green Ranger Tommy was awesome. Like I said, he elevated the show.

1. Kimberly Hart (Pink Ranger)

Kimberly was such a popular character. She was loved by girls who wanted to be like her, and by boys who had a crush on her. As an adult, I could easily see why and I was actually really surprised. She was hands down the star of the show. She had the most episodes dedicated to her out of all the rangers. Even when the episode wasn’t about her, she often saved the day with her bow and arrow. Seriously. She saves the team in almost every episode. Even though she wasn’t the strongest fighter unmorphed, her gymnastics skills were crazy impressive. Overall, she was the most valuable and consistent ranger on the team. Without her, they would’ve been toast.

Overall Thoughts

First of all, I couldn’t believe how poor quality the show was. They obviously reused the same footage over and over again. Even more unbelievable is how we all believed it as kids! But that cheesiness is now one of the best aspects of the show.

I was also surprised by how much the show favored certain characters over others. Kimberly had the most spotlight, followed by Billy. When Tommy showed up, it became all about him. Zack and Trini were tied for second to last place for air time. Jason was dead last. He was barely even in the show. It’s no wonder the three were unhappy and left the show when they did.

Rewatching the series also made me realize how much the movies glorified Tommy at the expense of the Pink Ranger. In the first film that meant Kimberly, who I mentioned in this list was an incredibly strong character. In the Turbo movie, they weakened Kat for Tommy to rescue her as well. That’s super disappointing as the show offered some really cool role models for young girls.

One thing I appreciated about the female rangers was how feminine they were. Kimberly was a fashion crazy mall rat, but she was never diminished for it. It just happened to be her personality. It was never a weakness. None of the girls were expected to act like boys in order to be strong. Later in Zeo and Turbo, Tanya was more tomboyish. She naturally excelled at sports and that was really cool too.

Overall, I was impressed by how much stunts these young actors did. The putty scenes were my favorite. We got to see the real actors (not costumed stunt doubles) do all their own stunts. They were all talented martial artists of various styles and masterful gymnasts. As the show progressed, so did the choreography. I can understand why the actors complained about not being paid enough.

Today, most of the newer Power Rangers shows don’t do their own stunts like the originals did. They’re a lot more flashier as well with explosions going off in every episode. Even though the budget is higher and the actors have more rights now, it doesn’t beat the nit and grit or the talent of the original Mighty Morphin’ Power Rangers.

#90s nostalgia #90s #90s throwback #power rangers #mighty morphin power rangers #red ranger #blue ranger #yellow ranger #black ranger #pink ranger #green ranger

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sarkywoman · 5 years ago

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I was tagged by @unrememberedskies! Answer 10, ask 10, tag 10 people. Except I’m just gonna answer 10.

1. What was your first fandom? Are you still a part of it?

Depends. Buffy the Vampire Slayer was the first time I engaged with other fans consuming fan content and making my own. That was back when I was about 14. The school librarian thought I was so studious lol, on those computers all the time... alas, I was looking at webrings about Spike and Xander. One could make a case for Red Dwarf, which I loved my whole life, owned merchandise and VHS tapes of the blooper reels and watched every ep, memorised the scripts etc, but I think of fandom as something creative/interpretive, which I never did with RD. I wouldn’t say I’m still part of either fandom, though I never stopped being a fan.

2. Current self care method(s)?

Uhh, I do to-do lists. Start of the year I set some goals like I was in an MMO: dailies, weeklies, monthlys, an annual goal and the lifetime love: writing. I try and strike off four things a day, changing up what those things are every once in a while to tackle new issues. I suffer hard with depression and doing something makes me feel I’m not totally failing at life.

3. What are three (3) shows you keep meaning to binge watch but haven’t yet?

I have an A4 page with three columns of show titles to watch... ;_; I have zero attention span for new shows lol, I literally have to put ‘watch TV’ on my to-do list or I won’t do it.

4. Do you stay active in fandoms after a new one catches your eye, or are you more a one at a time person?

Oh, I try. Lord how I try. But no, I move on. Someone actually once posted a fandom secret on LJ about how they hoped my new fixation would crash and burn so I’d go back to writing for my old fandom. I took it as a compliment XD

5. What was the last movie you saw with someone else? What would you rate it?

I think it was Birds of Prey? I enjoyed it, then actually enjoyed it more on the rewatch, once I knew what was going to happen and could look at the themes and appreciate the way they’ve written Harley without being at the edge of my seat growling “WHERE IS HUNTRESS SHE IS WHY I’M HERE?!?!”

6. Favorite guilty pleasure?

Um, I dunno. There are a few people who try to make me feel bad for liking things that they deem ‘childish’ but I figure I’ll just keep making it clear they can fuck right off. I only get one life and it’s not turning out great, if I want to read comics and play computer games in between trying to get tedious adult shit sorted out, then I will.

7. What’s a highly underrated show/movie/book series that you would recommend?

Show: Dirk Gently’s Holistic Detective Agency. Specifically season one, which was just so damn weird and wonderful and had Samuel Barnett acting his socks off as an adorable sunshine man while telling an unusual story about not being perfect but making the effort to be better. Season two was okay, but didn’t thrill me in quite the same way.

Movie: This won awards and has been critically acclaimed so probably doesn’t count, but I see a lot on tumblr about how Joker sucked or was problematic or whatever. As a neurodivergent person in a few ways, that film blew my fucking socks off. I cried. I went to see it four times. He gets seen, but only once he’s beyond saving.

Book: Terry Pratchett’s Discworld is the only fantasy I’ve ever felt worth reading. Again, I struggle to determine what’s ‘underrated’, the question probably wants something obscure, but I’m not hipster enough for that XD So I qualify this as if anyone hasn’t read Discworld novels, they’re being unfairly underrated because everyone should read them. I like the night watch ones best and I’m gutted they’re making a show inspired by them that will look nothing like them and carry nothing of the themes and fun.

8. Any new hobbies you’ve started during quarantine? Any you want to start?

I’m still working :/ Other than that, keeping up with my usual. Writing, studying very basic Law, gaming, tidying/cleaning. This week I’ve cracked out my old roleplay books and started generating UA character templates for fun. Oh, I vaguely started studying Latin too. I read Great Expectations, which was kind of dull. Now I’m reading a book about Nuclear War propaganda in the UK.

9. What meme do you wish would just die already?

Tiger King ones because I haven’t seen it and I’m out of the loop XD

10. Spread the love to your followers and post at least one link to a fic you’re reading/have read/wish to read/you’ve written yourself/etc.

I don’t read nearly enough these days but All That I have to Lose by @unrememberedskies is a delightful piece of Kliego angst, @spikeymarshmallows recently wrote an OD Kliego bit called a steady beep that’s a bit of angst set in her otherwise-mostly-peaceful/sexy museum ‘verse. Now that netflix is showing Community again let me tell you that @freshgratednutmeg wrote me whore!Jeff once, Transactional Methods and Theories. As for my own fic, it’s on my AO3 here. (My highest kudos work is an utterly self-indulgent vampire Game of Thrones AU called ‘Noble Blood’, go figure, but my writing improves as time goes on. If you’re into Borderlands, I’m still very proud of my Rhack fic, ‘Young God’.)

Tagging: Anyone who wants to do it!

#long post

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naysaltysalmon · 5 years ago

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Shoutout to @tiburme for tagging me~!

Rules: Name 10 favorite characters from 10 different things and then tag 10 people.

Oh, massive spoilers below btw.

1. Gon Freecss from Hunter x Hunter: My favorite shounen protagonist by far. At first you think he’s your typical happy-go-lucky bouncy boye :D who definitely doesn’t have abandonment issues or self-destructive tendencies that literally actually almost kill him later on, and then, uwu... The amount of complexity that Gon has as a protagonist who hardly ever has stand-alone development is nothing short of astounding. How during the Chimera Ant Art his characterization totally dips off to the side to become an unknowable entity even to the audience, while still retaining amazing character development regardless -- not to mention how brilliantly daring his decision to threaten Komugi is that nearly every other author with such a happy-go-lucky protagonist would shy away from in cowardice -- is absolutely surreal to me. The more I think and write about Gon, the more I fall in love with him. If I ever meet his father, and by that I mean his real father, the creator, Togashi, I have nothing else to say but,,, well done, sir.

2. Tanjirou Kamado from Demon Slayer: I’m really hoping the Demon Slayer movie comes out soon because I absolutely love this boy and how charming he is. Unlike most protagonists, not just of shounen anime but of seemingly macho story lines that involve power-ups and training in general, Tanjirou never lets go of his kind heart. (Welp, except maybe in some cases when he’s facing the Upper Moons later on -- I haven’t caught up yet -- but WE’RE GONNA IGNORE THAT for now.) From the beginning, Tanjirou’s kindness isn’t an obstacle holding back his power, though other characters pose it that way, but rather he cultivates his empathy to grant peace to the demons he faces. He smiles in the face of anyone who treats him poorly because of his cluelessness, and that’s just so heartwarming to see, and dare I say subversive to the hardened, calculating, and cocky male protagonists we so often get. Good job, Gotouge.

3. Joseph Joestar from JoJo’s Bizarre Adventure: Giorno Giovanna was a close second, but I gotta go with Joseph. He’s the one who made me fall in love with the series, and with the later parts too. Unlike Jonathan Joestar, who was chivalrous and manly, Joseph was a riot: colorful, arrogant, funny, but also extremely clever. I absolutely loved his, “Next you’ll say...!” because at first I expected it to just be him being an overconfident asshole and eventually he’d be proven wrong at the ~Dai Pinchi Moment~ (please excuse my weeb speech, I legit didn’t know what else to call it), but then he hit the mark every time and eventually I was just waiting for when he’d pull that out and it was so hype. Also I surely can’t forget his transformation as an old dude in Part 3 -- him screaming “OOHHHH MY GAAAWDDDA!” and “HOLY SHIIIT!” murdered me every time. And of course, last but not least, the raw fucking emotion when Caeser died -- the dude actually gave a shit and wasn’t made entirely of wit and absurdity, but heart too. Joseph set the tone for what JJBA was as a whole for me (fuck off with that “but Part 3/Part 4 is the best Part” bullshit, Part 2 will always be top tier for me because of Joseph Joestar’s brilliant, bright, and beautiful absurdity -- but Part 5 was really good too). Araki really is a genius.

4. Link from The Legend of Zelda: Twilight Princess: My love for this series is a bit older than the series I’ve already mentioned, and TLoZ: TP was actually probably the first time I got seriously obsessed with a fandom. I love all the Links in their own ways, but Twilight Princess really drove home the “lone wolf chosen by the gods, fighting against the world” narrative for me. It made me feel important and strong at a time when no one cared about me. Seeing Link struggle silently through his quest with villagers who meant well but did nothing for him, and Midna who started out as a reluctant acquaintance and eventually became so much more, meant so much to me at the time I played the game. I will always love Twilight Princess the most because of what it did for me at one of the darkest times in my life, and because I felt completely and utterly immersed in every part of the story and gameplay through Link’s character, who was, and in many ways, still is, so relatable to me: Silent courage really is what I use to get through every day.

5. Greedling from Fullmetal Alchemist (Brotherhood): For once I’m not naming the protagonist of a series! Lissen, I still smile whenever I see the slightest reference to Edward Elric, but now he’s more of my childhood love. He’s just a part of my personality already? LOL. Anyway, FMA(B) has so many good characters that choosing just one doesn’t feel right (I mean, same with HxH tho). I say Greedling because that encompasses both Ling and Greed though, two of my favorite characters from the series! Ling’s apparent childishness in constantly running away from fights, making other people pay for his food, and failing to grasp the seriousness of the situation (until Lan Fan’s arm gets cut off lol oops) is so adorable and entertaining. He’s the best kind of idiot asshole, and I especially love how he teases Ed. After him and Greed fuse, Ling’s stout heart becomes even more apparent, as he constantly eggs Greed on to remember his past life, his friends, and become someone outside of Father/the Dwarf in the Flask. Conversely, Greed’s nonchalance and (of course) avarice are nothing short of entertaining and heartbreaking. Greed’s realization at the end, when he finally admitted to himself that what he wanted all along were “friends like these,” completely crushed me the first few times I watched FMAB. And when he’s screaming in the tunnels under Central after having killed Bido, remembering his friends, and he doesn’t understand why, and later attacks Wrath/King Bradley... that shit was so entertaining and cathartic to watch. None of his development feels like forced redemption, nor like it was too little development, since it mostly happens in the background and away from the “validating eyes” of the protagonists other than Ling. And at the end, when Ling and Greed work together to take down Bradley and all the soldiers invading Central HQ... it’s so beautiful. Many have said this before but I’ll say it again: Hiromu Arakawa wrote the perfect series.

6. Ciel Phantomhive from Black Butler: Another protagonist! And another older obsession of mine. Ciel remains in my mind to this day mainly for his heartlessness in relation to his age, and the fluidity with which Toboso tells his story. Normally when authors write younger characters into their serious stories, they make “child adults” of sorts, but Ciel feels totally realistic to the extent that he is both childish and adult to me. Obviously, Ciel is responsible and (normally) level-headed due to being the head of the Phantomhive household, but also from trauma. Yet, his cruelty at times is what sticks in my mind the most: You really feel that he’s someone who feels he’s been abandoned by the entire world, given his experiences, and that makes him disregard or use others sometimes in order to reach his own ends. Normally, authors would be too cowardly to let their protagonists, let alone child protagonists, go to such lengths to avenge their family, or carry out their duty as the dog of the military (looking at you, Arakawa -- she’s still a goddess tho). But Ciel is unforgiving. He lies to Snake and tells him his troupe is still alive. He murders the entire troupe because he’s triggered -- a childish decision, but driven with adult-like power due to trauma. It’s devastatingly riveting, and I cannot forget his unrelenting, contained rage to this day.

7. Ahsoka Tano from Star Wars: The Clone Wars: This one may come as a shock to most of you, because I hardly ever post Star Wars let alone Ahsoka content on here -- but it’s true. Other than the blatant, half-assedly inserted heteroromantic partner they gave Ahsoka in, like, idk season 3??, Ahsoka is a fucking goddess. From her origin as a wee baby in the earlier seasons who didn’t really know what she was doing and was a bit of a cocky brat, to how she matures and becomes wise, resourceful, and fierce in the later seasons, I just love Ahsoka’s design and character to this day. The episodes that stick in my mind aside from the obvious are when she’s possessed by the Dark Side of the Force on that Force balance planet and her arrogance becomes so exaggerated that she threatens and attacks Anakin, her teacher. It was so fucking cathartic. Normally female characters, let alone young protagonist female characters, are never allowed to show the ugly sides of themselves in fiction, since women are always portrayed as perfect beautiful majestic angels or some bullshit like that. (Or they’re cocky/sexy/slutty villain women. ‘Kay then.) Seeing Ahsoka devolve into her basal desires and come out of it like hardly anything happened and she’s still a perfectly valid character was so amazing to see on a meta level; it wasn’t about her learning a lesson or anything, it was a thing that happened like any other character and then they moved the fuck on. I also distinctly remember the episode where she was trapped on that island/planet and she had to take out the aliens that were after her all by herself. That was so fucking empowering to watch and god fucking dammit I need to rewatch this series now. And of course, let us not forget the fact that the entire time, we were all expecting Ahsoka to just be another domino in Anakin’s downfall -- and she was, but not through the refrigerator -- but through walking away from it all. That was so powerful and moving -- and heartbreaking. By the end of TCW, her character carried weight and agency in the narrative, and god, I only wish whoever wrote her could write more female characters in the future.

8. Tigress from Kung Fu Panda: Maybe another surprise, but I think she deserves this spot. Tigress is a female character who starts out as kind of an antagonist, given how she outright tells Po to leave the kung fu temple within the first day of him arriving. She’s even jealous of the fact that he’s chosen as the Dragon Warrior rather than her -- but that’s due to the backwash of years of trying to live up to the memory of Tai Lung in order to please Shifu (which means “master” in Chinese but ok I’ll shut up now), her master and mentor over the years. She never says this out loud in the movie, which is what makes her character more believable. Others even joke about how stoic she is (and not in bad taste). Her character development is definitely present for those who are looking -- but I put her on this list because I’m so happy the movie doesn’t make it some huge dramatic emotional thing, because so often in media women are depicted as being overly-emotional and here Tigress is just a hurt child trying to make her mentor happy. But, she gets over it, her and Po become allies, even friends to each other -- she and Po talk like equals in the second and third movies, and she even tells him to back out of the fight with Lord Shen and he listens (I mean he doesn’t stay put but he doesn’t undermine her opinion either lol, like most jokesy protagonists of Western media would -- looking at you, Marvel). I like Tigress because she’s an antagonist without being a bitch, she’s powerful without being overpowered, and she’s not sexualized despite being a well-trained, at times jealous, and even emotionally awkward kung fu master. And I almost forgot to mention the best part: There is never an indication of romance between her and Po, or any other character, for that matter. She’s perfectly capable, complex, and lovely on her own terms. And that’s that on THAT.

9. Bilbo Baggins from The Hobbit: I wanted to include at least one character protagonist from a live-action movie/book, lol. I feel like Bilbo’s pretty self-explanatory. He doesn’t wanna go on an adventure because he likes his doilies and warm sheets, but then Gandalf seduces him with the call to the outside world and possible death (LOL), and he fucking goes for it, grumbling the entire time. Isn’t that what any of us would do if given such a proposition? I like to think so. Bilbo obviously has his own gradual, evil transformation with the One Ring, becomes murderous and uses it to disappear, and grows a strong bromance with the King Under the Mountain (which happens in both the movie and the book), but I think what I like about him is that he really feels... down-to-earth? Like even though the adventure changes him, it never feels like he’s been stretched in a way that makes his core character traits of grumbling and bluntness disappear. He gets better at the whole adventuring thing, for sure, but he remains Bilbo, at least, to me, throughout the journey. It was heartwrenching watching him try to save Thorin in The Battle of Five Armies, honestly, but Bilbo’s the kind of character that I feel like has his own story and mythology aside from The Hobbit, and maybe that’s just the result of J.R.R. Tolkien writing the lore for every aspect of his universe, but My Point Still Stands. He feels like his own man apart from the series he’s in, yet he’s still so much fun in his series.

10. Barley Lightfoot from Onward: And last, this one is because I saw Onward yesterday and was pleasantly surprised by the characterization in it -- and anyone who thinks differently can kiss my *ss. :) I was not expecting the movie to take the twist of fleshing out the “annoying” (more like adorable) overconfident nerdy big brother. Normally those characters are swiped to the side because God Forbid The Comic Relief Have Any Sadness In Them. I was expecting the movie to focus on Ian’s journey to meet his fatha and that the movie would pull something stupid at the end like “oh actually there’s another phoenix gem underneath the school” or “actually since only his legs appeared then you still have 24 hours with him” or some shit like that, but I guess this isn’t an anime so those absurdist explanations wouldn’t hold water anyway. But still, for a kid’s movie, I was NOT expecting this movie to go so hard with the characterization. For once, the main character doesn’t get what he wants at the end, and instead realizes it’s his big brother, Barley, who’s been looking out for him his entire life. Meeting his dad would betray that reality. What happens instead is that the lovable big brother never actually said goodbye to their dad before he died, because when their dad got sick, said brother ran away from the hospital room in fear of all the life-sustaining equipment. (Is this some meta thing about Chris Pratt and Guardians of the Galaxy? Off topic and call me stupid, but I didn’t realize Chris Pratt plays him until I saw everyone freaking out about it afterward on Tumblr laksjdflak.) So instead, the lovable big brother talks to the dad at the end, and unconfident younger brother grows confidence and thanks big bro for being with him his entire life. It was so touching, dude. I cry. But the moment that sticks in my mind the most was when Ian was crossing the invisible bridge... Ian needed to have confidence in himself to be able to cross over a chasm in their path, and Barley knew that if Ian didn’t believe in himself, he would fall and die. They tie a rope around Ian for good measure, and Barley encourages him the entire way, but halfway over, the rope comes loose and slips off. Barley sees this and starts panicking, but of course continues to encourage Ian so that Ian will get to the other side. What got to me wasn’t the fact that he faked it for Ian, but that there are actual tears running down his face as he’s encouraging Ian to get to the other side, because he knows otherwise Ian wouldn’t have the confidence and would fall to his death. Like dude, that raw, complex emotion in a kid’s movie?! DUDE?! I was fucking surprised. The clear anxiety and grief in Barley’s face as Ian’s totally clueless and even dancing around in the air was just too much, omfg. Of course, then it’s played off for laughs, but... I guess that makes sense for the annoying overconfident nerdy big bro character. :’)

Okay these are way longer than I anticipated and I’m sorry, but also I’m really not. Hope you enjoyed reading my thoughts on my favs!

Seems I don’t talk to that many people on here anymore: @stupidbluejay @mirycactusito @chronicstarlight

#Nay talks #a lot #i'm sorry but not sorry #TL;DR: Deku isn't on here because Tanjirou is a better boy sorry #Fullmetal Alchemist #Hunter x Hunter #The Legend of Zelda #The Hobbit #Onward #Kung Fu Panda #Star Wars: The Clone Wars #Black Butler #JoJo's Bizarre Adventure #Demon Slayer

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mysterylover123 · 5 years ago

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BNHA Rewatch: Season 1, Episode 1: Izuku Midoriya Origin

mysterylover123

First episode! I love this episode (well, the two-parter, anyway, as a whole. First chapter I guess). One of my favorite intros to a series ever.

First scene! My ship! And their terrible, awful, rocky starting line. I hope the final scene of the series is some kind of callback to this, with an ironic twist on it. But yeah, this is Deku and Kacchan at the start of the series, at their most flawed. Deku being all hero with no super, Kacchan being all super with no heroism. But that’s about to change!

(why are they so cute?!)

I think this scene is what cemented to me that I liked this series right off the bat. I love how they introduce the concept of what it’s like to live in a world where superhero battles are kind of mundane, with this guy on the phone telling his boss he’ll be late for work. Because of a super villain battle.

Deku! Precious smile that cures me of all my ills. I love his design, BTW - I’m not sure what it is, but the freckles, the green hair and huge eyes, he’s just so unique looking. I can’t think of another character who I think he looks like.

(First impressions were basically: I love this guy, he’s totally like me. No wonder I relate to a geeky kid who takes too many notes on comic book heroes)

So Deku’s class full of weirdos. How many pre-UA fanfics have these folks featured in, I wonder?

Ah, Kacchan. First impressions: Apparently, I think like Tomura, because I totally thought this kid was being set up as a villain first time around. And I loved him. I love villains who are cool and charismatic and loved by all! (I started changing my tune by the end of episode 2). Yes, I like Bakugo. So if that’s a deal-breaker, just a warning (he’ll always be second to Deku though. Sorry.)

Ooh, this ugly scene. I don’t remember what I thought of it at first, I just know that the fandom never stops bickering about it. Horikoshi has flat-out admitted that he didn’t mean Bakugo to come across this bad in the first chapter and feels he wrote him too evil though.

(BTW I think Horikoshi is the most “literally me” Mangaka of them all. I relate to him painfully hard. Ever commentary I hear from him about his experiences sounds like there’s some older Japanese male clone of me wandering around making manga.)

Better informed BKG meta writers than me have meta’d about this scene to death, and there’s about 50 billion fanfics out there where Deku tries it and turns into Yusuke Urameshi or something. I do wonder if this scene in particular will ever get a callback; I kinda doubt it.

Baby Deku doing the headbang while watching All Might vids. Meanwhile I headbang while watching this scene. Headbang-ception.

Sad Baby Deku’s backstory. Rips my heart out every goddamn time they replay it. And they replay it a lot.

To get kinda serious, Deku being quirkless is sometimes interpreted as allegorical to being aneurotypical - I still remember how things were when my mom told me I had Asperger’s, and it was a lot like this scene (with less tears, because I was like 12 and 12 year olds don’t cry) - and I can totally see it. That’s one of the things I love about BNHA, btw - other superhero verses make having powers be analagous to being differently abled/LGBT/not-white/whatever, different in some way, not part of the privileged group, which just doesn’t make sense. Being gay does not equal shooting laser beams from your eyes. But being non powered in a world where most people have powers? That analogy works.

Sorry to get ya’ll down. Back to cuteness!

Deku being so considerate of Bakugo! (ilovehimhaveimentioned) And still keeping up hope, in the face of all this sadness.

Thought in hindsight, it’s interesting how this still reflects Izuku’s character flaws. I mean, he’s not perfect. He likes to talk about how he could do this, but until the Sludge Villain Incident he never really does anything to make it happen. He’s a dreamer, but that’s also a problem. Shoto points this out later on “You need to back up your words with actions”.

Deku gets attacked by the sludge villain. I love how they animated this, now having read the manga as well - his blurry vision really puts you in the scene.

This next bit is perfect. Deku is more excited about meeting All Might than nearly dying. He has to get his autograph - but he’s already got it! (All Might you treasure).

The final scene on the roof is really interesting, it’s an odd place to cut the first chapter. But it does set up the big WTF twist at the start of ep 2. Episode 2 is one of my favorites of the whole series and I can’t wait to get to it tomorrow. As for Episode 1, it’s a solid setup and I’m so glad it hooked me in right away.

BKDK Corner:

So since, like, every episode has a little BKDK and I love it, I just figured I’d shove it in a section at the end of each recap.

Episode 1, where they start off on terrible terms with each other. Bakugo is introduced as a stereotypical bully, Deku as your typical lovable hero. You don’t really get into their layers until Episode 2 (though it’s all the same chapter in the manga). I like how the anime added a small look of “huh?” to Baby Kacchan’s face in the first scene, where he’s like ‘WTF why is Deku suddenly acting tough’ for a minute. Deku also gets protective towards him, even protecting Kacchan from himself. I didn’t start shipping them until episode 2, and I didn’t want to at first because they argue so much, but I fell in love with it anyway.

BEST GIRL OF THE EP: Mt Lady/Yu Takayama!

Check this link for info on her: https://www.youtube.com/watch?v=OOWPH4kLQ58&t=399s . Did ya know she was almost the MC?

RANKER: MY RANKING OF THE OPS

5. OP3 (S2OP2) SORA NI UTAEBA

4. OP5 (S3OP2) MAKE MY STORY

3. OP1 (S1OP) THE DAY

2. OP2 (S2OP1) PEACE SIGN

1. OP4 (S3OP1) ODD FUTURE

Tomorrow: Episode 2 “What it Takes to be a Hero”

#my hero academia #Izuku Midoriya Origin #midoriya izuku #katsuki bakugou #mt lady #yu takayama #All Might #bakudeku #katsudeku #episode recap #i love this ep #probably top 20 #for the series #it's actually kinda dark #it looks all light and fluffy on the surface #but there's the angst and the suggested suicide and the upcoming Am reveal #plus that creepy af sludge villain #but i like that about it

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kanralovesu · 6 years ago

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Writing Tips From the Best Parts of Code Lyoko

Before we delve into the new season of anime, I wanted to return to one of the most nostalgic shows of my childhood: Cody Lyoko! I recently rewatched this French anime with my friend for the second time and together we tore apart some of the magic but when we did there was still a lot left that we found to be objectively really cool writing (more than you’d expect for a periodical show targeting the young side of teenagers). Today I wanted to break down some of the best parts of this series and what those parts can teach us about improving our own work and don’t worry if you’ve never seen Code Lyoko I’ll provide short explanations whether needed to catch you up, but honestly if you’re really bored and watch some light teenage sci-fi this show might be worth a watch!

Since Code Lyoko takes place partly in a video game world, its no surprise one of its best writing tricks is something that can be especially applied to gameplay writing. Perhaps the most important character in the show is Aelita whom we first meet trapped in the digital world. Every character in the show has a weapon and an ability and from the very beginning her’s is the ability to create land masses to serve as platforms, walls, and even ramps. What first seems like an inconsequential choice later gains significant meeting when at the end of season 2 that it is revealed that she is actually the daughter of Franz Hopper who created this digital world, trapped her in it, and gave her the “Keys to Lyoko”. These Keys serve as an admin password of the world explain why she can create land much like her father created all of Lyoko. Of course this was also foreshadowed by her ability to access towers as discussed later, but what I want to point out is that they didn’t let any part of her character slip by. Every mechanic she has pays service to the plot.

This is essential in writing story driven games. Sure you can have your player run and gun their way between several scripted cutscenes, but they will be more engaged if they can use the mechanics of the game to interact with and tell the story. Look no further than Brothers a Tale of Two Sons to see how this concept can be brought to its most emotional. I won’t spoil it because at the very least you should look up a lets play to see it play out. I would only do a disservice by trying to explain it.

In Cody Lyoko, the plot of nearly every episode boils down to this: Xana the evil A.I. within Lyoko has “Activated a Tower” which is a physical structure in the virtual world, and has used to Tower to attack the real world in some way. From season 2 onward, he uses this to possess people taking control of them and giving them enhanced agility, electrical abilities and so on. The Tower must be deactivated by Aelita to save the day. Xana can also use this to create what is called a Polymorphic specter that is essentially just a shape-shifting evil thing that also has powers and fights.

Now Code Lyoko takes that and turns it on its head: Jeremy the resident computer expert decides he can activate a tower as well and he does so to give one of his friends enhanced agility and electrical powers. The mechanic becomes mirrored. This isn’t just a one-off thing either. There are multiple times where Jeremy activates his own tower to produce some kind of real world effect. This all culminates in season 4 where Xana has moved on to new super computers and is creating copies of Lyoko in them. The group decides their method for dealing with these replicas is to activate a Tower in Xana’s duplicate and in doing so create their own Polymorphic specters in the real world near Xana’s computers. Literally every mechanic Xana can use for evil, our team can use for good.

Adding mechanics like this to your world can create extremely engaging moments where the heroes come up with clutch strategies using information we already have. Even if you don’t directly intend this to happen from the beginning, always be thinking in the back of your head that it is a possibility. That ancient magic sword your hero has? What if the villain stole it? That evil magic grimoire the villain has? What if the hero stole it? Even if you don’t ask these questions your audience sure as hell will and I feel like adding some bullshit line like “Only I, the chosen one, can wield this sword!” is a cop out, especially because of just how interesting these plot points can get.

Code Lyoko is the king of callbacks in my opinion. Random little details always have a chance of cropping up later in the show, most of the time with just a small one-off line. One episode there will be an episode with a Tamagotchi prominently featured and then a whole one season later the characters will mention it again in the vain of “Why would I trust you to look after my dog, don’t you remember what happened to my Tamagotchi!” The first callback I have pictured is the school principle and his love and frustration while playing an online game where you’ve got to sling a penguin’s head onto its body. What you thought was a one-off gag about how he was old and bad at video games was paid off again one whole season later when he opens the game up for a second time after a boring meeting with a student’s parents. The second callback pictured is Yumi’s dad dawning a suit of armor which had an episode dedicated to it nearly two seasons ago when Xana took control of it.

The thing with these callbacks is none of them are just purely for the sake of callbacks. Each and every one of them builds the characters and adds a much needed sense of progression and consistency to a world portrayed in an episodic series. The callback to the principle playing this game is one of the only bits of characterization he gets as one of the most background characters and it establishes that a very human side to him that gets bored and wants to challenge himself to beat this random pointless game he struggles with. The callback to the armor reinforces how, despite his looks, Yumi’s dad is highly traditional and in touch with his Japanese heritage. These are just a few of the many callback in the series like this. Just off the top of my head I quickly came up with 10.

Before I leave today I’d like to give honorable mention to the final episode “Echos” which served as this weird episode after the fight had already been won but before the main character were willing to put the events of the series behind them. They struggled with the fact that for 2 years now fighting Xana had become their lives and they didn’t know what they would do without that. This was coupled with short montages of them reminiscing about the past. Not only was this about the character being nostalgic and not wanting to stop, it was also about how the audience had gone through this journey with the characters and would now have to deal with their lives without Code Lyoko. Its actually a breathtaking concept in theory and I wish more shows would do this!

And of course its nostalgia like that which will get you coming back to series that have well past their expiration date in the public conscious. However, one final lesson to learn from Code Lyoko is that returning to old series can be extremely enlightening and there is always something to learn from even the most obscure piece of media!

#code lyoko #aelita stones #aelita hopper #jeremy belpois #odd della robbia #ulrich stern #yumi ishiyama #lyoko #lyoko warriors #writing #Good Writing #writing analysis #game writing

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douxreviews · 6 years ago

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The Very Best of Supernatural

Supernatural was just renewed for a fifteenth season. Which is insane. Even more disturbing is the fact that I've been reviewing this show for fourteen years, and it just... won't... end. Looking back over my earliest reviews, it's funny that I kept fretting about cancellation. Who knew?

The 300th episode will air this Thursday, February 7. In observance of this major event, six Agents of Doux compiled lists of their favorite Supernatural episodes, and I tallied our choices and made a final top ten. Okay, eleven, because there was a tie in there, but it was really hard to bring it down to eleven, let me tell you. Our list of honorable mentions went from here and out the door.

So here they are. Please note that if you haven't seen all or most of the series, there will inevitably be spoilers.

11. "A Very Supernatural Christmas" (season 3, episode 8)

Christmas arrives smack dab in the middle of Dean’s last year on Earth, or so we believed at the time. Sam, knowing he will soon be left to carry on after his brother’s death, has no desire to celebrate which is at odds with Dean’s intention to collect as many happy memories as he can before the end.

This marks Supernatural’s first holiday episode with a marriage of gruesomeness, absurdity, and bittersweetness we'd already grown to love – from a blood-soaked Santa dragging a father up the chimney in front of his son, to bridge-playing pagan gods threatening Dean with the swear jar while preparing him and Sam for ritual sacrifice, all ending with the brother’s exchanging heartfelt gifts from a neighborhood Gas Mart as Baby looks on. The pièce de résistance – learning Dean’s amulet was a Christmas gift from a young Sam in unsaid acknowledgment that Dean was often more of a parent to Sam than John was. And no, I’m still not over Dean throwing it away. – Shari

10. "In the Beginning" (season 4, episode 3)

A remarkably funny but ultimately tragic tribute to Back to the Future, Dean is sent back in time by Castiel and interacts with his young parents. He discovers that his mother and grandparents were hunters, and that Mary essentially sold as-yet-unborn Sam's future to the Yellow-Eyed Demon in exchange for John's life.

"In the Beginning" is a perfect example of the attention the Supernatural writers pay to continuity and series mythology, since it explained Mary's actions in the pilot episode on the night that she died. Plus it features, in my opinion, one of the most touching moments in the entire series. It's when young Mary tells Dean, not knowing that he is her son, "You know the worst thing I can think of? The very worst thing? It's for my children to be raised into this, like I was." It choked me up when it first aired. It still does. – Billie Doux

9. "Baby" (season 11, episode 4)

The longevity of this series has allowed the writers to experiment and take chances, which often gives us exceptional episodes. This is one of them.

The Impala is home for the Winchesters, a legacy from their father. That car is not just in nearly every episode; it's also the setting of many of the most important brother scenes in the series. "Baby" gave us an entire episode from the car's point of view. I'm going to crib from my initial review: "This episode was such a love letter to the fans. It was the world of the Winchesters, but not what we usually see on the show. It was what happens in between and around what we usually see." The camera angles, the head in the cooler, the windshield wipers, the valet parking, Castiel on the cell phone, the brothers singing "Night Moves" together, it was different from all the others but a practically perfect episode. – Billie Doux

8. "Fan Fiction" (season 10, episode 5)

Supernatural's 100th episode ("Point of No Return") was good, but arc-plot heavy. Coming in the middle of a very serious storyline, it's dramatic and moves the plot along. But its 200th, "Fan Fiction," is a complete contrast and a sheer joy from start to finish. An episode centred around a girls' school putting on a musical they wrote themselves, based on the first five years of Supernatural, sounds like a terrible idea. And yet, writer Robbie Thompson makes it work. The episode also features great performances from the young actresses, but it's the numerous call backs in jokes and the way the episode revisits old favourites with a twist that make it one of the show's most re-watchable episodes. – Juliette

7. "Swan Song" (season 5, episode 22)

Endings are hard, as Chuck would say. You have to balance expectation with payoff, death and survival and a resolution that feels satisfying. For Supernatural, this was supposed to be it, the show's literal swan song, as planned out by Kripke. It was sad and painful. If this had been the ending, it would’ve left us with Dean trying to live on after losing his brother to spend eternity with the Devil in hell, and that’s pretty brutal. Of course, framing the story around Baby, and making the car one of the most important things in the universe, was perfect. The only reason we didn’t end with Sam in the box is because of season renewal, leaving us with more questions than answers. Including what happened to Chuck. – J.D. Balthazar

6. “Dark Side of the Moon” (season 5, episode 16)

This episode has always been a huge favorite of mine. The opening scene where Dean and younger Sam set off fireworks to "Knock Knock Knocking on Heaven's Door" was so gorgeous that it gave me goosebumps.

How many shows would dare to send their two main characters to Heaven? And show that Heaven as somewhat creepy? What I found poignant was that the brothers' choice of happy memories mostly don't include each other. I've often thought that a perfect end to the series would be the two of them in a Heaven that finally included each other, with everything that ever divided them fully resolved. – Billie Doux

5. "Wishful Thinking" (season 4, episode 8)

Absolutely one of their best comical episodes, from the "deep woods Duchovny" line to the suicidal teddy bear. Although, of course, what makes funny Supernatural episodes work is that there is always an element of underlying seriousness or tragedy. Here, it was the acknowledgement that using magic to make someone love you is evil. This was also the episode where Dean told Sam the truth about his experiences in Hell. – Billie Doux

4. "Don't Call Me Shurley" (season 11, episode 20)

Supernatural has a warm heart and it's often hilarious, but it's not often happy. Usually, the joy of watching Supernatural comes at least partly from knowing that whatever's going on in your own life, Sam and Dean surely have it worse. But "Don't Call Me Shurley" is different. The ending of "Don't Call Me Shurley" is miraculous – and we mean that literally. The rest of the episode is a delight anyway, offering a witty back and forth between God and His Voice – and finally confirming what "Swan Song" had only suggested. But that ending, when, temporarily at least, we get a real miracle and a moment of salvation, is what makes this episode really special – eleven years of storytelling reaching a thrilling moment of clarity. – Juliette

3. "The Monster at the End of This Book" (season 4, episode 18)

Oh, how I love this one. "Monster" is the introduction to the meta episodes where the Winchesters discover that they are main characters in a series of novels called "Supernatural," written by hack writer Chuck Shurley. As I said in my write-up of "Baby," it's taking radical chances with the narrative while continuing to stick closely to the show's mythology that makes Supernatural special.

And wow, this episode is special. Clever and funny and full of geeky in-jokes (especially the boys' disgusted discovery of the existence of Winchester slash), there is also that foundation of tragedy that makes it all work. The brothers cannot escape their fate. It's in the Winchester Gospels. – Billie Doux

2. "Changing Channels" (season 5, episode 8)

Take a beloved character, mix in playful jabs at some of the most popular TV shows while both expanding the narrative and laying the fate of the world on the interpersonal relationship of our favorite brothers. No wonder it’s one of the show’s creator, Eric Kripke’s favorite episodes. We discover the Trickster we’ve grown to know and love is none other than the Archangel Gabriel, little brother to Michael and Lucifer. Now that the Winchester’s have given Michael and Luci the Earth on which to wage their civil war, Gabriel is eager to see it end no matter the cost.

This doesn’t mean he can’t have fun doing it. Between the sitcom Supernatural’s opening credits, Dean fangirling over Dr. Sexy, Sam and the literal nutcracker, and the meta nod to Jeffrey Dean Morgan’s portrayal of a ghost on certain Seattle based medical show that shall remain nameless, we are treated to a host of laugh out loud moments. My personal favorite was Sam’s less than ecstatic performance in a genital herpes commercial. – Shari

"Nutcracker!!!!"

1. "Mystery Spot" (season 3, episode 11)

There’s something both twisted and poignant about watching Dean die again and again. Funny in a macabre way, for sure but also a touch tragic because in the Supernatural verse, those deaths were real. Well, real in that each was recorded, and each time he went to heaven briefly. No wonder Death finds Dean fascinating and frustrating.

Of course, it was really Sam’s episode, dealing with the pain of watching his brother die again and again, and the numbness that came with it was palpable. To this day, in season fourteen this episode has been referenced. Pretty good impact for a generally comedic episode. – J.D. Balthazar

Conclusion (by Billie Doux)

Putting this list together made me want to rewatch the entire series, although with so many seasons, that's turned into a major commitment. You know, we could probably put together lists of our top ten best comic episodes, the ten most tragic, ten scariest, ten best angel episodes, ten best ghost episodes, and so on because with so many seasons, there's so much to choose from.

It's interesting that the Groundhog Day episode "Mystery Spot" turned out to be our number one, simply because most of us put it on our list. Is it yours? Is your favorite even on this list? Post it in the comments!

Billie Doux has been reviewing Supernatural for so long that Dean and Sam Winchester feel like old friends. Courageous, adventurous, gorgeous old friends.

#Supernatural #Dean Winchester #Sam Winchester #Castiel #Bobby Singer #Mary Wincchester #John Winchester #SPN #SPN300 #Doux Reviews

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stevenuniversallyreviews · 6 years ago

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Episode 80: Gem Drill

“I’m talking to the Cluster?”

So I finally figured out why I don’t like Gem Drill.

For a while I had it in my head that the issue was pacing. And it does remain true that the episode-to-episode pacing did it no favors, what with the arc it concludes being interrupted by the utterly unrelated Super Watermelon Island before jumping back in. But because Gem Drill’s third act drags on forever and somehow feels rushed at the same time, I just chalked it up to bad internal pacing and called it a day.

However, rewatching the series for Steven, Universally reminded me that there are several episodes that I’ve praised for incredible pacing which share a similar structure to this one: Mirror Gem, The Return, and Message Received stand out as stories that speed right through the first two acts for an extended third, and I love them all. And what’s more, I enjoyed the first two acts of Gem Drill way more than I remembered. Something was up with my pacing-as-problem theory.

So right after rewatching the episode for review, I rewatched it again. That’s right, I rerewatched it. And it struck me this second time through that the X factor is something I’ve taken so deeply for granted that I haven’t discussed it much, or even really thought about it, until now: Steven Universe has unspeakably terrific dialogue.

Individual lines may stick out more in my memory, and are definitely easier to write about in this format (for one thing, I can quote them), which might be why it hasn’t stuck out as much. It sounds so basic that I feel sorta dumb writing it, but this show is so good at developing characters and plot through conversation. It excels at banter and arguments and reassurances and just having people interact in a way that’s always compelling.

The reason I have to mention it now is that something this reliably solid is hard to notice until it’s gone. But sure enough, the conclusion to Gem Drill (and what’s worse, to the Cluster Arc as a whole) is nearly four minutes of Steven talking to an entity that can barely talk back, and it just does not work. He might be astonished that he’s talking to the Cluster, but this episode falters because he isn’t talking with the Cluster.

Compare this to Mirror Gem, The Return, and Message Received, where we use the extended third acts to have major conversations with Lapis, the Homeworld Gems, and Yellow Diamond. You can’t have that sort of satisfying ending when one of the characters isn’t even a character, but a jumble of nearly incomprehensible voices. And what sucks is that making the Cluster “talk” this way is a perfectly reasonable creative choice: it should sound like a jumble of nearly incomprehensible voices.

But the show is usually way better at getting around limitations like this to create compelling television. I know this is a journey of the mind and that Steven is special, but we still could have included Peridot with a wave of the narrative wand to continue their low-key debate about necessary force and commit more to the theme through conversation, where the show shines. Barring that, we could’ve used music to add narrative oomph to a one-sided conversation, which would’ve been especially interesting with such a discordant legion of potential singers. Instead, we get a finale that’s just...

It’s just boring.

And it’s frustrating because I think it’s boring of me to just write “it’s boring,” but lord, this scene is so uninteresting to me that it’s hard to find the energy to write about it. Zach Callison is always great, and the animation is gorgeous, but takes sooooo lonnnnnnnng for the scene to convey something it could’ve done in half the time, and there’s nothing to distract us from how long it’s taking. There’s barely any tension despite this clearly being the intention, because there’s only one character in the scene that I care about and he’s obviously not going to die because the show’s named after him. I guess Peridot is in danger, but maybe we’d care about that if we could see her in danger instead of generic rumblings and loud noises.

If this criticism sounds similar to my spiel about caring about Malachite in Super Watermelon Island because she came out of nowhere, it’s because both episodes share a similar character problem. A show about empathy falls apart when the viewer is apathetic, and giving major plot importance to poorly handled characters is a go-to formula for viewer apathy. For a series that’s usually so awesome at both characters and dialogue, it’s shocking that we end the first arc where our heroes literally save the world with back-to-back episodes that are this weak. The buildup was awesome, and the rest of Season 3 is amazing, but this is a bizarre pair of misfires in the middle of a hot streak, and it couldn’t have come in a worse time in terms of the plot.

Please note that I’m not at all against a conclusion where Steven saves the world by talking it out. It’s the best message a show like this could tell, especially because the rest of the episode does an amazing job presenting Peridot’s brutal pragmatism as the alternative: while her blithe penchant for violence makes for a few great jokes, particularly when it comes to D-pads, the line of the episode is Shelby Rabara’s somber justification for attacking a mindless being: “It doesn’t matter if it knows what it’s doing, it’s still going to do it.” And while Super Watermelon Island bears a lot of blame for sucking all the momentum out of the Cluster Arc before Gem Drill valiantly tries to rev us back up, having Steven’s approach come right after a huge brawl does seal the deal. Steven should save the world with kindness. This would be a top-tier episode if the execution was as good as the moral.

With that said, the episode surrounding this disappointing conclusion is fantastic, even if said conclusion blocked it from my memory. We get off to a breakneck start that concisely confirms the stakes before we leap into the plot. It’s not only great at setting the tone, but it efficiently allows the episode time for the lengthened third act, regardless of how that act turns out.

This is a terrific Steven/Peridot episode, thanks to the same great dialogue I was just complaining about the conclusion lacking. They hit just the right balance of humor and heart, with Peridot finally allowing herself to be vulnerable and admit that she not only misses her home, but doesn’t actually hate the Crystal Gems. We’re already paying off “Wow, thanks!” for emotional value, but this touching scene is still played with laughs instead of pure sap; I love that Peridot feels the need to clarify how little she cares about humans that aren’t Steven in her last words.

Still, I’d love to see an alternative universe where Super Watermelon Island and Gem Drill were made as a full-length episode a la Bismuth rather than a traditional two-parter. Perhaps a more direct juxtaposition of the action of Alexandrite fighting Malachite with Steven talking things out would’ve improved both scenes, and in any case, spending more time setting up before we reached both conclusions would have added more tension than the rush both episodes give us. This is clearly an A-plot and a B-plot that could happen more or less simultaneously; Steven could easily black out in the drill to let him possess a Watermelon Steven, and it would make the team’s split-up make a bit more sense. I dunno, it just seems like any sort of rework would be preferable to the finished products we got.

So yeah, sorry to be so down on these two. But I’m pretty excited to be getting back to episodes I like, and I can’t really think of what the next bad one on the horizon even is. Season 3 ahoy!

Future Vision!

I love love love the recurring plot point that Blue and Yellow Diamond don’t know that the Cluster was neutralized. Because for one, of course they wouldn’t, and for two, it’s the impetus for their appearance in Reunited. All the Cluster needs is a thumbs-up to add more character than Gem Drill did in an entire episode.

This is the exact halfway point of the original series, the 80th episode out of 160. While I’m not huge on Gem Drill, I at least appreciate that the moment that divides both halves of Steven Universe is its title character saving the world.

We’re the one, we’re the ONE! TWO! THREE! FOUR!

Definitely a step up from Super Watermelon Island, and I like a good two-thirds of it, but I’m still not a fan of Gem Drill. The ending just isn’t captivating, which is pretty bare minimum for any form of entertainment, and it’s a disappointing conclusion to an otherwise outstanding arc. At least we still have Message Received for an emotional climax.

Top Fifteen

Steven and the Stevens

Mirror Gem

Lion 3: Straight to Video

Alone Together

The Return

Jailbreak

The Answer

Sworn to the Sword

Rose’s Scabbard

Coach Steven

Giant Woman

Winter Forecast

When It Rains

Catch and Release

Chille Tid

Love ‘em

Laser Light Cannon

Bubble Buddies

Tiger Millionaire

Lion 2: The Movie

Rose’s Room

An Indirect Kiss

Ocean Gem

Space Race

Garnet’s Universe

Warp Tour

The Test

Future Vision

On the Run

Maximum Capacity

Marble Madness

Political Power

Full Disclosure

Joy Ride

Keeping It Together

We Need to Talk

Cry for Help

Keystone Motel

Back to the Barn

Steven’s Birthday

It Could’ve Been Great

Message Received

Log Date 7 15 2

Like ‘em

Gem Glow

Frybo

Arcade Mania

So Many Birthdays

Lars and the Cool Kids

Onion Trade

Steven the Sword Fighter

Beach Party

Monster Buddies

Keep Beach City Weird

Watermelon Steven

The Message

Open Book

Story for Steven

Shirt Club

Love Letters

Reformed

Rising Tides, Crashing Tides

Onion Friend

Historical Friction

Friend Ship

Nightmare Hospital

Too Far

Enh

Cheeseburger Backpack

Together Breakfast

Cat Fingers

Serious Steven

Steven’s Lion

Joking Victim

Secret Team

Say Uncle

Super Watermelon Island

Gem Drill

No Thanks!

5. Horror Club 4. Fusion Cuisine 3. House Guest 2. Sadie’s Song 1. Island Adventure

(As with Super Watermelon Island, there’s no official promo art, so I’m using this nifty piece of fanart by Nina Rosa.)

#gem drill #steven universe #su #steven universally #review

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overthinkingkdrama · 7 years ago

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Jona's Top 5 Second Male Leads Who Deserved to End Up Alone

[Disclaimer: This list is intended for entertainment purposes. It includes spoilers for the tagged shows. This is just my personal opinion, so I apologize in advance if I’m bashing your fave. I just woke up this morning and thought, “You know, I haven’t pissed anyone off in a while.”]

In the Kdrama fandom much is made of SLS, or Second Lead Syndrome, that is the condition of sympathizing with the secondary character, usually male and usually the hypotenuse of a love triangle, over and above the actual hero and wishing he would get with the female lead instead. Most of the time because the hero is an asshole and the second lead treats her like a human being. There are occasionally examples of SLS regarding the second female characters, but it is far more common with male, because unfortunately second female leads have a tendency to be stock characters or finger-steepling jealousy monsters, instead of fully fleshed out people. God knows I’ve had my share of SLS in every flavor…

But this isn’t a list about SLS, but rather the opposite of that. This is about the second leads I had no patience for. The ones who are a waste of air and screen time. The ones who annoyed me with their shitty “nice guy” attitudes or frustrated me with their passivity. The ones I immediately wanted to punch in the face. In short, the second leads who deserved to end up alone.

5. Kang Shin Woo/ You’re Beautiful

I’ve gone off several times in the past on the infuriating species infesting dramaland I’ve termed the “passive pining second lead”. I really dislike this character type, it drives me up a tree. So you knew going in one of these boys was going to end up on this list.

It didn’t have to be Kang Shin Woo. It could easily have been Ji Hoo from BoF or Kang Woo from Master’s Sun. Or any number of other second leads who fit this archetype. But it had to be one of them.

I can’t really explain to you why Shin Woo earned my particular ire. Maybe it was just teeth-grinding frustration I felt with each successive, convoluted attempt to woo Mi Nyeo. Maybe it was the weirdness of that let-me-stalk-you-via-telephone-while-you-go-on-a-solo-date thing. Or that fact that the male lead was such an unmitigated moron.

Shin Woo managed to miss his window while Mi Nyeo was still crushing on him hard. He had countless opportunities to confess his feelings and just waited and waited until she was almost obliged to fall for Tae Kyung out of sheer impatience. This is the kind of character that makes me want to tear my hair and yell at the screen “USE YOUR FRICKEN WORDS!”

Luckily, there’s an appealing “third lead” in You're Beautiful who saves it from mediocrity, and the drama is otherwise such dopey, fluffy fun that you can’t help but be endeared. Jeremy saves this from being higher on the list.

4. Lee Ji Hoon/ The Best Hit

Talk about a character who has one of the worst cases of “Nice Guy” syndrome I’ve ever seen. Lee Ji Hoon was one of those characters I was initially rooting for, since Best Hit’s ambiguous love lines appear to leave things open ended as far as the end game couple was concerned. For the first half of the drama it seemed like things could go either way, and the friends-to-lovers dynamic between Ji Hoon and Woo Seung was endearing and heartfelt.

Also Kim Min Jae is pretty. So, so pretty…

For a while I was worried he was going to fall into the “passive pining” category, remaining silent, and losing his chance. But finally he made up his mind to confess and I was ecstatic. Yes! Go for it! And that was just about when it all went wrong.

The way a male character handles rejection and disappointment is make or break in my book. It takes them farther than charisma, looks and even moral fiber. (Give me a pirate or a conman over an entitled asshole.) And for me Ji Hoon totally failed this very important test. After Woo Seung told him she didn’t return his feelings Ji Hoon continually badgered and attempted to win her over even when she asked him to stop, intentionally made her uncomfortable, and thrust a surprise kiss on her. My frustration with his character grew until the point were he told Woo Seung that he regretted meeting her first as his friend, after which point he was dead to me.

Despite the potential ickiness of timetravel paternity shenanigans, I was so relieved when Hyun Jae ended up being our male lead. The Best Hit remains one of my very favorite dramas of the year and I still highly recommend it. But if you want to come at me about SLS for poor, poor Ji Hoon, kindly get out of my house.

3. Han Tae Jin/ Another Oh Hae Young

Han Tae Jin had all the makings of a really interesting, sympathetic anti-hero. After all, he comes across like the obvious wronged party in this love triangle. Due to a case of mistaken identity, Tae Jin becomes the target of the jealous spite of our male lead, Park Do Kyung, ultimately causing the ruin of his business, the breaking of his engagement with the titular Hae Young, and getting him sent to prison! Ouch. That’s a lot of angst wrapped in an attractive Lee “Chiseled Jaw For Days” Jae Yoon.

And yet, instead of cutting a fetchingly tragic figure, Tae Jin turned out to be a vengeful, bitter, violent man incapable of letting go of a grudge even for the woman he supposedly loved. He was such an emotionally unstable, loose canon that I was frequently uncomfortable when he was onscreen. If I’m not very much mistaken he assaults Do Kyung not once, but several times, to such a degree that Hae Young ends meeting him to beg him not to hurt Do Kyung anymore. It struck me as incredibly messed up.

I really didn’t want Lee Jae Yoon on this list twice– I have nothing against the actor–which is the only reason his Cruel City character Detective Ji Hyung Min wasn’t on this list instead. I actually like Lee Jae Yoon! Just not the characters he tends to play…Luckily, Cruel City wasn’t extremely focused on the love triangle, it was focused on the pain. I chose his character in OHYA instead because, being a romance focused drama the way they handled the love polygon was more important to me. By the end of the drama they attempted to redeem him and it just didn’t work for me at all. Keep this dude the hell away from me.

2. Lee Joon Hee/ Falling for Innocence

There are a variety of strategies drama writers use to make us root for the jerk chaebol hero over and against the started-from-the-bottom second lead with treats the female lead with tenderness and respect. They give their heroes tragic backstories, slowly grow them into human beings, build UST, and give them melodramatic redemption arcs. The options are basically endless.

But why go through all of that when you can just make your second lead a secret scumbag murderer! There…all sorted.

This was honestly the most confounding bait and switch love line I’ve probably ever seen. When the reveal of who was ultimately responsible for the death of Sung Joon’s fiancé finally happened I very nearly threw my tablet across the room. They go to a lot of trouble to give Joon Hee a sympathetic long time unrequited love backstory as well as motivation for his sometimes morally dubious corporate ladder climbing. They also give him frequent shippy scenes with Sung Joon where he takes care of her and worries about her or vice versa. While in contrast Min Ho is absolutely horrible to her for a good portion of the show, the only thing that redeems him being a literal personality transplant.

They go out of their way to present this like it’s a legitimate love triangle, when given all of the facts it’s nothing of the kind. It makes me wonder why they even bothered trying to get me invested in the character since it turns out he’s actually evil.

Upon rewatch (started this one again rather recently) I had a lot more fun with this drama. Since I already knew what I was getting into I had the resounding pleasure of yelling at the screen every time Joon Hee and Sung Joon get a cutsy or romantic scene, which is very satisfying. The real reason to watch this show, Min Ho’s horrid behavior in the first episodes notwithstanding, is because Jung Kyung Ho is absolutely hysterical. For me it’s still kind of a garbage show with a garbage plot, but, hey, I love garbage.

1. Goo Jung Hee/ Ms. Perfect

There are very few characters in drama land that inspire in me the kind of hatred I felt for Jung Hee throughout this series. There are villians that don’t fill me with such seething rage. There’s a lot of adjectives I could use to describe Jung Hee. Loathsome comes to mind. An incomplete list of others would include: spineless, selfish, sniveling, and “the slimiest weakling ever to crawl the earth.”

That’s just the tip of the iceberg. I hate this so called man. And yet, to my eternal confusion he is loved by and romantically involved with not one, not two, but three different women throughout the course of the show.

Actually, this entry poses a little bit of a problem regarding what we actually consider to be a “second male lead”. For the majority of the list so far I’ve been using the definition of the “second romantic lead” or, in brief, “the member of the obligatory love triangle who doesn’t get the girl” rather than “a male character with lesser narrative importance and/or subordinate billing to the male lead.”

In Kdrama the two things are usually one in the same. Usually, but not always. The reason is a) most dramas place a heavy emphasis on romance b) romantic fulfillment is usually the overt goal or the overt reward of the hero’s character arc and c) if a show ends without romantic closure (dating, marriage, babies ever after) it’s not generally seen as “satisfying”. But there are cases where the character with top billing or greater narrative importance is not meant to be our romantic lead, or even necessarily someone we root for. Jung Hee falls into this category, which made me wonder if I should even include him on this list.

Because Yoon Sang Hyun received top billing and was considered, by all reports, the lead in Ms. Perfect there was a great deal of disagreement and turbulence surrounding the intended endgame of the drama. Sung Joon’s Kang Bong Goo readily fits the mold of the romantic lead but his screen time is about half of Jung Hee’s, so I can readily understand where these concerns came from.

I’m happy to report that Jung Hee remained a subject of sometimes pity, but more often disgust, and the only thing that really disappointment me with his plot trajectory was that he didn’t end up dying in a fire at the end of the show. Missed opportunity IMO. While certainly a weird and flawed drama, Ms. Perfect remained entertaining throughout its run and I honestly would recommend it if for no other reason that Shim Jae Bok is a goodamn queen. There is the notable downside that this character has forever ruined Yoon Sang Hyun for me as an actor, as I can’t even see his face without feeling slightly ill.

I hope you enjoyed my top fave LEAST favorite male leads. This list was requested anonymously and I would be interested in producing other, similar lists in the future. If you have a subject you’d like me to cover please send me an ask or reply to this post and I’ll take it under consideration.

Jona

#top 5 #second lead syndrome #least favorite #kdramas #kdrama stuff #you're beautiful #another oh hae young #ms. perfect #perfect wife #the best hit #hit the top #falling for innocence

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zalrb · 7 years ago

Note

Hi! I started watching Sons of Anarchy thanks to your posts on Jax/Tara and I'm really loving it. I love their relationship but I'm also enjoying the show as a whole. I was wondering if you could talk a little about some of the other relationships on the show. You can pick any you like, but I'd be particularly interested to hear your thoughts on Jax+Gemma. Also, thanks for getting me into such a good show!

I’m glad you like it! SOA is a show I actually rewatch quite frequently so I totally understand enjoying it as a whole. Um, I mean this might be spoiler-y, I’ll try to keep it relatively spoiler-free, though.

Gemma and Jax, man, like I’ve mentioned before, my views on Jax and Gemma and therefore their relationship change with almost every rewatch of the series that I do, which is interesting but anyway, I think one of the most fascinating aspects of Jax and Gemma’s relationship for me (and Gemma as a character unto herself) is that it directly contradicts a misconception I see a lot which is that love is always pure and good. Gemma’s love in general is destructive as all fuck

it takes her to places like the above gifs show where she will do literally anything for her family and a lot of the time that ends up destroying her family and destroying Jax. I do believe she genuinely loves her son but that love is entwined with a need to control him, which is why Gemma and Tara have so much contention because Gemma can’t predict how Jax will act and what he will feel when he’s with Tara

And that scares her.

She preferred Wendy because Wendy was predictable and easy to manipulate and therefore Gemma could permeate pretty much every aspect of Jax’s life. In season 2 we see Tara and Gemma really bond and form a mother-daughter relationship because Tara essentially wants to “learn from the Queen” and starts behaving in ways that Gemma encourages

while Tara is carrying the burden of a traumatic secret that Gemma is keeping and that bond carries them through season 3 but when season 4 rolls around that bond is broken, it essentially becomes a fight over Jax’s soul (as well as the grandkids)

And we see Gemma manipulate Jax in how careful she is about what she tells him and how she tells him this information and when she tells him this information to get the desired result she wants.

However, it should also be noted that Gemma’s need to control Jax also stems from a genuine fear of his life because in this world if you act unpredictably then you’re seen as a liability (which you’ll start to see with a particular character around seasons 4 and 5) because even Tig who is a literal necrophiliac and trigger-happy and just insane, is still predictable in his insanity, he does some pretty depraved shit but he’s already established as a depraved, shoot-first-ask-questions-later kind of guy that the club is like yeah, that’s just Tig, but if he were to start questioning authority and disagreeing with the nature of the club instead of the execution of the club, locking himself in his room, being quiet and just distant that would get them on edge because he wouldn’t appear to be with the club, so Gemma needs Jax to act a certain way and be a certain way so the club doesn’t see him as a threat and kill him. At the same time, Gemma created this life for him and every time he tries to leave it or speak about leaving it i.e. every time it looks like he’s going to choose Tara over her, Gemma does what she can to sabotage that, which ultimately ends up being terrible for everyone involved.

In terms of Jax’s relationship to Gemma … I mean there’s a scene when Gemma tells Jax that he has “Mommy Issues” because of the woman he’s sleeping with and he tells her that if he had Mommy Issues then he would be sleeping with a crazy dominatrix and the fact that they were even having that conversation just had me like there is way too much to unpack here. (Just like in the scene I posted above where Gemma tells Tara to hit any girl who goes near Jax because they think “he’s a free dick” and I was like GEMMA, THIS IS YOUR SON.) Nero also tells Jax he needs to work out his Mommy shit and Jax said he did that a long time ago and every time he denies his Mommy Issues I’m just like STOP. FUCKING. LYING. Jax feels and resents the overbearing and narcissistic nature of Gemma

but at the same time he feeds off of her as much as she feeds off of him and allows himself to be manipulated by her a lot of the time too

And the destructive nature of their relationship is not one-sided (this is getting a little spoiler-y here) because he perpetuates a cycle of trauma for Gemma by demanding that she sabotage the relationship with a man who genuinely makes her happy and be with the man who abused her in order to collect intel for him

but of course he’s only putting her in that situation because Gemma nearly destroyed Jax’s family, which is a situation that happened because of her relationship with the man Jax is demanding her to be with. At the same time, this is the kind of life that Gemma raised Jax in, this is the kind of man that would be born out of a environment such as the one she so desperately and aggressively pulls him back into whenever Tara tries to pull him out so basically, it’s a just a codependent, toxic, consuming, destructive cycle with these two.

#sons of anarchy #soa #jax teller #gemma teller-morrow #jax x gemma #gemma x jax

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