#I like their first album and emotions a lot..

[jamiepaige]

Constant Companions Closeup #1: DYAD

(also on spotify!)

Hello everyone!! It's been a couple weeks and change since Constant Companions, my newest album, was released unto the world, and I've been genuinely blown away by the response. Genuinely, thank you to everyone who's been streaming, commenting, making mashups, changing their pfps and usernames - it means the world to me!

I wanted to give some of that love back with something people have been asking me a lot about - and, admittedly, something I love doing. Song explanations! Deep dives! Dropping the lore! Welcome... to the Constant Companions Closeups...

For the next eleven days, I'll be going into each track one by one and babbling about the process, inspiration, details, feelings, and thoughts behind each one! We're getting sappy. We're bearing our hearts. We're telling unfunny jokes. And we're starting with track one - DYAD (featuring unit.0)!

---

Naturally, since this is the first track, it also serves as a great point to talk about my intention with this album as a whole!

I'll elaborate more on this with future tracks, but to me, there are really two main things that define the sonic progression of this album versus my previous work - guitars and vocal synths. Obviously, these things have been present in my work since I first started calling myself Jamie Paige, but Constant Companions is intended to be my overwrought, sappy confession of love to these two things that time and time again have made me simply want to make music. I love rock and I love Hatsune Miku dammit!!!

I had originally written this song in February of 2023 for a game-jam-esque online festival hosted by my friend Loni called HAPPY PARTY TRI, and at that time, I had found myself at a major crossroads. I had put out People Posture Play Pretend and :women_wrestling: the previous year, and while the response was nice, I was feeling listless and lost.

I love singing. I like my voice well enough. I certainly love writing music with lyrics!! But... there was something uniquely electrifying about using vocal synths. Amidst a lot of insecurity and emotional turmoil surrounding the process of making art and putting myself out into the world, it was one of the few things that just made everything feel right. Suddenly, I was making the same kind of music that had touched my heart so many times over.

Would it alienate people, though? Would I lose longtime listeners? Yes, that weighed on my mind more than I'd like to admit, but even more than that... I was worried I'd lose some part of myself, as silly as it sounds. Maybe what I thought was a bridge would become a barrier, and the messages I wanted to send across the gap would never find their way.

Ultimately, I felt that Dyad was the only kind of opener I could've possibly given this album, and a perfect fit for the album's motif. A dialogue between myself, stricken with loneliness and a lack of inertia running in circles, and that synthesized voice (ANRI Arcane my darling), grabbing the outstretched hand and asking a question I already know the answer to -

"Baby, do you know what you wanna hear?"

Yes, it's a love song, but it's not just for a person - it's a love song for the creative impulse, and for the places I wanted it to take me.

im resisting the urge to be jokingly dismissive of myself to diffuse tension but i still need to signal that the emotionally bare part of this is over so pretend im doing a funny little dance Anyways let's talk more technical stuff

---

Like many of my songs, Dyad came together from a patchwork of different snippets and ideas I had laying around. The back half of the chorus - "dream together, we can dream together" - originally came from this idea I had jotted down something like 9 months prior, but ended up being a perfect fit for Dyad in basically every way. The verse snippet that I'd written to go with it got reused for a later song on Constant Companions as well! (I say without naming it, as if it isn't literally lifted wholesale from this demo and thus incredibly obvious)

I wasn't originally planning on brazenly quoting the bridge of a Tally Hall song when I set out to write this song, but while toying around with a bridge idea involving a shortened version of the pre-chorus melody, I realized I had inadvertently copied it anyways. I was going to scrap it... but at the request of my dear friend and certified Tally Hall lover Marcy Nabors, I made it an explicit reference. Which I'm fine with, personally! The first CD I ever owned was a copy of Marvin's Marvelous Mechanical Museum my sister bought me all the way back in 2006 - You can pry that sentimental attachment from my cold, dead hands, TikTok kiddies.

Lastly - not really behind the scenes so much as just a shoutout - thank you to unit.0 for the lovely lead guitar work on this song!! He's been a beloved collaborator of mine for many, many years now, and one of the people who ultimately convinced me this direction was the right one to go in, so it means a lot to share this song with him. Go listen to his music!!! Now!!!!!!

That's about it for this song! Not to sound like a fucking YouTuber, but genuinely, if there are any details you'd like to hear more about, let me know and I might made a bonus post at the end of all this. Otherwise, thank you for listening! Tomorrow: Not Quite There, featuring telebasher!

❤️💚

[ksksksrahrah]

Artfight attack

[iambecomeafangirl]

The first half of "The Great Impersonator" was like a start of a breakdown, crying and gasping for air; the second part - it's the numbness that comes after hours of crying.

[chirpychipslive]

i think one of my favourite things about wearing the inside out is that the lyrics aren't written by rick - someone else came onto the album, specifically to psychoanalyse one guy, and honestly they did a really good job at it

[basingstokemercury]

Serious question what's up with everyone making fun of country nowadays and invoking tropes I don't think I've even seen

"it's backwards and conservative" Do you have any familiarity with Johnny Cash? An activist for Native American rights whose iconic image is the Man In Black as a symbol for the disadvantaged? The songs Folsom Prison Blues? Man In Black? And I know Tumblr loves Dolly Parton as a person, for good reason - 9 To 5, her signature workers' rights protest, isn't quite country, but most of her discography is.

"it's too religious" Fair - several musically excellent songs lean too heavily into Christian themes for me to enjoy as a Jew (though I'm sure Christian audiences love them, progressive ones too). But many of those religious songs evoke more universally applicable ideas of brotherhood, hope, and justice - and are those really things worthy of mockery?

"the emotions are shallow" I See A Darkness is one of the most authentic portrayals of depression in music I know of. Many country songs have themes of love, heartbreak, and drama/tragedy - but those are common to music across nearly all genres, even if specific songs don't land for everyone.

At the end of the day it's just a music genre, yes, but one that does have emotional significance for many people, cultural significance for many others, and as much diversity in content and performer talent as any genre of entertainment.

And it's not very fun to have cherished childhood memories and music that genuinely resonates with you mocked just about everywhere you turn aside from people who are actually fans of it.

[daddy-long-legssss]

listening to ‘suck it and see’ makes my soul feel like it is being covered in warm golden syrup

[louismygf]

girls when they just finished watching aotv

[northwestofinsanity]

Might be an unpopular opinion, but I think Strange Times is an underrated Moody Blues album. They got back to being a bit experimental and unusual on it, after getting a bit more mainstream in the later 80s and early 90s, and it had some really cool tracks. Justin Hayward had some great guitar leads in there, too.

[wp100]

for some reason i can just imagine bolvar listening to blue oyster cult while sitting outside, watching the sunset, with his daughter, cooking something in a campfire or grill (or, yknow, with his bare hands)

[bookishdiplodocus]

The Neurodivergent Writer’s Guide to Fun and Productivity

(Even when life beats you down)

Look, I’m a mom, I have ADHD, I’m a spoonie. To say that I don’t have heaps of energy to spare and I struggle with consistency is an understatement. For years, I tried to write consistently, but I couldn’t manage to keep up with habits I built and deadlines I set.

So fuck neurodivergent guides on building habits, fuck “eat the frog first”, fuck “it’s all in the grind”, and fuck “you just need time management”—here is how I manage to write often and a lot.

Focus on having fun, not on the outcome

This was the groundwork I had to lay before I could even start my streak. At an online writing conference, someone said: “If you push yourself and meet your goals, and you publish your book, but you haven’t enjoyed the process… What’s the point?” and hoo boy, that question hit me like a truck.

I was so caught up in the narrative of “You’ve got to show up for what’s important” and “Push through if you really want to get it done”. For a few years, I used to read all these productivity books about grinding your way to success, and along the way I started using the same language as they did. And I notice a lot of you do so, too.

But your brain doesn’t like to grind. No-one’s brain does, and especially no neurodivergent brain. If having to write gives you stress or if you put pressure on yourself for not writing (enough), your brain’s going to say: “Huh. Writing gives us stress, we’re going to try to avoid it in the future.”

So before I could even try to write regularly, I needed to teach my brain once again that writing is fun. I switched from countable goals like words or time to non-countable goals like “fun” and “flow”.

Rewire my brain: writing is fun and I’m good at it

I used everything I knew about neuroscience, psychology, and social sciences. These are some of the things I did before and during a writing session. Usually not all at once, and after a while I didn’t need these strategies anymore, although I sometimes go back to them when necessary.

I journalled all the negative thoughts I had around writing and try to reason them away, using arguments I knew in my heart were true. (The last part is the crux.) Imagine being supportive to a writer friend with crippling insecurities, only the friend is you.

Not setting any goals didn’t work for me—I still nurtured unwanted expectations. So I did set goals, but made them non-countable, like “have fun”, “get in the flow”, or “write”. Did I write? Yes. Success! Your brain doesn’t actually care about how high the goal is, it cares about meeting whatever goal you set.

I didn’t even track how many words I wrote. Not relevant.

I set an alarm for a short time (like 10 minutes) and forbade myself to exceed that time. The idea was that if I write until I run out of mojo, my brain learns that writing drains the mojo. If I write for 10 minutes and have fun, my brain learns that writing is fun and wants to do it again.

Reinforce the fact that writing makes you happy by rewarding your brain immediately afterwards. You know what works best for you: a walk, a golden sticker, chocolate, cuddle your dog, whatever makes you happy.

I conditioned myself to associate writing with specific stimuli: that album, that smell, that tea, that place. Any stimulus can work, so pick one you like. I consciously chose several stimuli so I could switch them up, and the conditioning stays active as long as I don’t muddle it with other associations.

Use a ritual to signal to your brain that Writing Time is about to begin to get into the zone easier and faster. I guess this is a kind of conditioning as well? Meditation, music, lighting a candle… Pick your stimulus and stick with it.

Specifically for rewiring my brain, I started a new WIP that had no emotional connotations attached to it, nor any pressure to get finished or, heaven forbid, meet quality norms. I don’t think these techniques above would have worked as well if I had applied them on writing my novel.

It wasn’t until I could confidently say I enjoyed writing again, that I could start building up a consistent habit. No more pushing myself.

I lowered my definition for success

When I say that nowadays I write every day, that’s literally it. I don’t set out to write 1,000 or 500 or 10 words every day (tried it, failed to keep up with it every time)—the only marker for success when it comes to my streak is to write at least one word, even on the days when my brain goes “naaahhh”. On those days, it suffices to send myself a text with a few keywords or a snippet. It’s not “success on a technicality (derogatory)”, because most of those snippets and ideas get used in actual stories later. And if they don’t, they don’t. It’s still writing. No writing is ever wasted.

A side note on high expectations, imposter syndrome, and perfectionism

Obviously, “Setting a ridiculously low goal” isn’t something I invented. I actually got it from those productivity books, only I never got it to work. I used to tell myself: “It’s okay if I don’t write for an hour, because my goal is to write for 20 minutes and if I happen to keep going for, say, an hour, that’s a bonus.” Right? So I set the goal for 20 minutes, wrote for 35 minutes, and instead of feeling like I exceeded my goal, I felt disappointed because apparently I was still hoping for the bonus scenario to happen. I didn’t know how to set a goal so low and believe it.

I think the trick to making it work this time lies more in the groundwork of training my brain to enjoy writing again than in the fact that my daily goal is ridiculously low. I believe I’m a writer, because I prove it to myself every day. Every success I hit reinforces the idea that I’m a writer. It’s an extra ward against imposter syndrome.

Knowing that I can still come up with a few lines of dialogue on the Really Bad Days—days when I struggle to brush my teeth, the day when I had a panic attack in the supermarket, or the day my kid got hit by a car—teaches me that I can write on the mere Bad-ish Days.

The more I do it, the more I do it

The irony is that setting a ridiculously low goal almost immediately led to writing more and more often. The most difficult step is to start a new habit. After just a few weeks, I noticed that I needed less time and energy to get into the zone. I no longer needed all the strategies I listed above.

Another perk I noticed, was an increased writing speed. After just a few months of writing every day, my average speed went from 600 words per hour to 1,500 wph, regularly exceeding 2,000 wph without any loss of quality.

Talking about quality: I could see myself becoming a better writer with every passing month. Writing better dialogue, interiority, chemistry, humour, descriptions, whatever: they all improved noticeably, and I wasn’t a bad writer to begin with.

The increased speed means I get more done with the same amount of energy spent. I used to write around 2,000-5,000 words per month, some months none at all. Nowadays I effortlessly write 30,000 words per month. I didn’t set out to write more, it’s just a nice perk.

Look, I’m not saying you should write every day if it doesn’t work for you. My point is: the more often you write, the easier it will be.

No pressure

Yes, I’m still working on my novel, but I’m not racing through it. I produce two or three chapters per month, and the rest of my time goes to short stories my brain keeps projecting on the inside of my eyelids when I’m trying to sleep. I might as well write them down, right?

These short stories started out as self-indulgence, and even now that I take them more seriously, they are still just for me. I don’t intend to ever publish them, no-one will ever read them, they can suck if they suck. The unintended consequence was that my short stories are some of my best writing, because there’s no pressure, it’s pure fun.

Does it make sense to spend, say, 90% of my output on stories no-one else will ever read? Wouldn’t it be better to spend all that creative energy and time on my novel? Well, yes. If you find the magic trick, let me know, because I haven’t found it yet. The short stories don’t cannibalize on the novel, because they require different mindsets. If I stopped writing the short stories, I wouldn’t produce more chapters. (I tried. Maybe in the future? Fingers crossed.)

Don’t wait for inspiration to hit

There’s a quote by Picasso: “Inspiration hits, but it has to find you working.” I strongly agree. Writing is not some mystical, muse-y gift, it’s a skill and inspiration does exist, but usually it’s brought on by doing the work. So just get started and inspiration will come to you.

Accountability and community

Having social factors in your toolbox is invaluable. I have an offline writing friend I take long walks with, I host a monthly writing club on Discord, and I have another group on Discord that holds me accountable every day. They all motivate me in different ways and it’s such a nice thing to share my successes with people who truly understand how hard it can be.

The productivity books taught me that if you want to make a big change in your life or attitude, surrounding yourself with people who already embody your ideal or your goal huuuugely helps. The fact that I have these productive people around me who also prioritize writing, makes it easier for me to stick to my own priorities.

Your toolbox

The idea is to have several techniques at your disposal to help you stay consistent. Don’t put all your eggs in one basket by focussing on just one technique. Keep all of them close, and if one stops working or doesn’t inspire you today, pivot and pick another one.

After a while, most “tools” run in the background once they are established. Things like surrounding myself with my writing friends, keeping up with my daily streak, and listening to the album I conditioned myself with don’t require any energy, and they still remain hugely beneficial.

Do you have any other techniques? I’d love to hear about them!

I hope this was useful. Happy writing!

[gay-dorito-dust]

(Idk if ur rq are open bc I can't find any indication of it being, but I hope it is and if it isn't km sorry and h can just ignore this until they are!!)

Maybeee bat boys x reader who zones out a lot and tends to make faces according to what she's thinking abt. Like a smile or frown. And sometimes when they ask her what's up she's all secretive and what not.

Thank you!!

I dunno if I did this right but here ya go!

Dick makes a game out of it and tries to guess what you were thinking about.

Even if you don’t tell him why you’re smiling or making a face of thought, he is surprisingly good at being able to figure it out regardless, but for every expression he gets wrong you’d have to give him double the kisses for the ones he gets right to make up for it.

He loves watching your face contort like a ventriloquist through a rapid fire of emotions depending on what your mind has decided to remind you of, and today it was the memory of Hayley in her Halloween costume of Nightwing, just to match with Dick in his Nightwing suit as he prepared to enter the bloodhaven annual Nightwing contest.

Basically a contest where people deduce if anyone had a similar ass shape to Nightwing himself, a contest you find ridiculous but the imagine of Hayley in her Halloween costume was the sweetest thing you’ve ever laid your eyes on, that you couldn’t help but smile widely at.

You had albums full of Hayley in her Halloween costume with Dick photobombing in the background.

‘What’s on that pretty little mind of yours sweetheart?’ Dick would often ask.

‘Something silly.’ You’d reply with on the odd occasion as to keep him guessing, finding his attempts fun and only giving him pity kisses when he got a majority of them wrong. He had only got a handful right before but on all the other occasions he’s fails spectacularly.

‘Something silly like the time I lost the nightwing contest to Jason that one time?’ He answers wrongly but you couldn’t help but give him a pity kiss for being somewhat right but wrong simultaneously.

‘Sure darling.’ You’d say as you went back to zoning out on Hayley in her Halloween costume while dick burrows his face into your neck, murmuring about how of all people did Jason won the contest when they look nothing alike before going on about how Jason was a brick shit house in comparison to his muscular yet flexible body.

You’ll have to give him more pity kisses to ease his bruised ego by saying he wins all the Nightwing contests in your eyes. When in reality Hayley wins them all just for the fact of being adorable.

Damian found it weird at first for your face to be expressive, believing that it would make you an easy target for others to take advantage of.

Now however he finds it to be a way of expressing how you actually felt in comparison to the words that escape your mouth. He often discouraged zoning out as it would lead to unfavourable outcomes, but when you zone out and your face becomes soft Damian couldn’t help but find himself looking at you with a soft expression of his own.

‘What are you think about my beloved?’ He’d ask you as he hugs you from behind, resting his head upon your shoulder.

‘Nothing that you would find investing my love.’ You replied softly as the fond smile on your face grew the more you thought about the one time Damian chased Titus throughout the mansion because the Great Dane has somehow stole his robin suit and wouldn’t let go.

Damian kisses your shoulder. ‘Are you sure it’s not something I should be concerned about?’ He’d then ask.

You smile softly. ‘Not at all dami, just a funny thought is all.’ You told him while moving your head to kiss his forehead as though to calm his own thoughts. He hums, not believing you for a second from the mischievous glint in your eyes but was more than willing to give you the benefit of the doubt, just because he adored you so much.

‘As you wish my treasure.’ Your thoughts were your thoughts and Damian wouldn’t pry into them unless you wanted him to, so he just watched your expression carefully and deduced what you were feeling and link it to whatever memory would gain an happy, fond expression and leave it at that.

Jason loves your expressive face, he really does and will playfully pester you about what you were asking a face at while softly pinching your sides as you giggled.

Jason loved watching you as you zone out, perhaps reminiscing about a recent memory or other, and watching your face show how you felt about that particular moment.

‘Whatcha thinking about chipmunk?’ He’d ask from his place on the kitchen counter that he chose to admire you from. ‘Was it about little old me?’ He’d then ask cheekily as you playfully groan, shoving a hand to his face and pushing him away.

‘As if.’ You’d reply before walking away but Jason will continue to pester you about what you were thinking for the rest of the day. He’s just a little shit that you’ve come to love more then anything. Your thoughts were more than not occupied by how comfortable he had gotten with you over the course of your relationship and how happy you were for him.

Though you’d never say such a thing in front of him as he’ll use it against you however he could while giving you the softest, most beloved look upon his gorgeous face. Jason was your weakness and the only thing that you always thought about whether it be his autopsy scars, his white ruff of hair that you found immensely adorable and his plush lips that you want to kiss constantly.

Jason is more then content in just watching your face, but don’t be surprised that he kisses your furrowed brow when he sees your face become troubled, he wants his sweetheart to be happy not troubled because that’s what you deserve. You don’t need words to describe how happy you were for Jason to be able to read the emotion crossing your face, and Jason was more than happy to be of reassurance for when you needed it.

Bruce is amused whenever you made a face at something, or nothing in particular.

Like Damian he views it as a way of expressing your inner most feelings towards something or someone without having to vocalise it. It intrigues him as it’s not often that he comes across someone who wears their emotions across their face like you, after all Gotham if filled with some of the most guarded people to ever exist, him included.

It’s fascinating but even he got a little curious when you were smiling a little too widely one day, silently chuckling to yourself as you tried to get ready for bed.

‘What is making you laugh my dear.’ Bruce would ask as he sets aside his novel, moving to his side to look at you while the hand at your waist drew soothing patterns into your skin.

‘Nothing.’ You said as you chuckled.

‘Are you sure it’s nothing? Seems like you might be reminiscing of the time at the iceberg lounge where I mistakenly striped down to my boxers and tabletop danced.’ Bruce replied and all you could do is look at him with a somewhat shocked expression, you knew he was good but you kept forgetting just how good he was at deducting it always caught you off guard.

‘How-‘ you began.

‘Detective remember.’ Bruce chuckled slightly as he kissed your forehead.

‘But that was too specific of a memory for you to guess correctly.’ You rebutted, wanting to know how he knew about that particular memory.

‘It’s not too difficult for me to differentiate between the facial expressions you have towards each and every time you zone out my dear, so while it maybe impossible to believe but to me it’s as easy as breathing.’ Bruce replied as he brought you into his chest. He really did take the time out of his day to memories and learn the smallest of differences between your facial expressions, so much to the point where could tell whether the thing you were zoning out on was a good memory or not.

‘I’m not sure whether to be flattered or not.’ You murmured to yourself as you rested again his strong chest, tracing the many, many scars it possessed with featherlight touches and affection in the form of small kisses pepper against them.

Bruce only tightens his hold on you and kisses the top of your head as he hums. ‘Flattered preferably as the expression you make is sweet and warm.’ He tells you with his voice heavy with sleep.

‘Flattery it is.’ You said sluggishly as you cuddled yourself into his chest, clinging onto him for dear life as he kept you close, presenting the door his back out of his need to keep you safe and secure.

[creekfiend]

I wanted to make a bonsai kitten recovery post that outlines some of the stuff that I've been doing. Because I don't think that you need to ✨see a therapist✨ to start dealing with a lot of this stuff and I get really frustrated when that is the answer that everyone is constantly giving. Firstly a disclaimer, because I know what website I am on: this is a guide for things that have worked for me! I am not everyone and if there are things on here that do not work for you or even that you think are stupid, that is fine, but please do not make it my problem. If you are reading it and you're like "that sounds like it would actually be detrimental to my specific mental health because of my specific issues" then please disregard it. Use your critical thinking skills and do what you think is right for you!

My second disclaimer is that I didn't make any of this up myself; most of these are collected from various places either in therapeutic guide books or various websites about emotional regulation etc. Some of it is stuff that I have extrapolated from those places based on experience with what works for me or does not work for me. A lot of the way that I treat myself when I need to get my body and brain into a place where I can think about stuff productively is actually directly from gentle parenting guides, because frankly cptsd recovery stuff is very often like parenting a toddler. And the toddler is you. ALL THAT SAID,

The first skill that I had to get good at, that many of the other skills depend on, is to learn how to understand when I am Reacting to something. If I am Reacting it is extremely likely that that's going to only escalate the situation and make it much worse. I HAVE to be able to tell if I am Reacting emotionally to something in a way that is coming from a place of fear and panic. This is important because it involves not being prescriptive about your emotions. You could be Reacting to something that you do not logically feel is at all justified in making you feel that way and that doesn't matter! You can't be doing math equations to try to come to the answer of how you SHOULD be feeling; you have to be observing your mind and body to see how you factually ARE feeling and then respond to THAT. This can be really hard to learn how to do especially if you were abused as a child. (If you cannot think of yourself as someone who is abused as a child perhaps it would help to think of yourself as someone who simply was not taught various emotional regulation skills for mysterious reasons that have nothing to do with your parents' inadequacies.) I need to be able to glance inward and see what the physiological reaction that I'm having is and identify whether or not I feel like this is the biggest emergency in the world that needs to be addressed right now immediately! That is a sure sign that Mr Fight and Mr Flight are in the building and it is bad to make declarative statements or important decisions when that is the case. So, I have to work on dismissing them first. That is literally the first step to any of this. One of my friends calls this "fire mittens," which is to say, if you are wearing mittens that are on fire and you try to touch stuff, the stuff will also become on fire. You have to put the fire out first before you can touch other things.

Once I have determined that I am indeed Reacting and in a physiological state of fear, I have a document in my notes app that is a "what to do when you are in fight or flight mode" guide and it has several helpful things that I will try to outline here.

Firstly, the really important thing for me for trying to get back into an emotional state where I'm capable of making decisions and being thoughtful is to feel safe and comfortable. So I actually have some stuff in my document that is straight up just like "go in the blankie nest. put on this specific music album. light this specific scented candle." etc. You might want to have a specific food or drink that is comforting to you or some other sort of stim toy that helps you regulate. If there's any calming medication or supplements for anxiety that you take as needed, now is also the time to do that. Physical sensory grounding is really important for this. This is probably especially true if, like me, you are neurodivergent, but I think it is also true for everyone because we are animals! And you can't just think about it, you have to actually do it. Which sounds obvious but is the thing that has often tripped me up in the past. Once you start getting into the habit of actually physically doing this it DOES become easier though.

One of my rules is that if I want to respond to something but I am in fight or flight mode, I don't get to respond to it for at least 24 hours. I'm only allowed to respond once I've gotten myself out of fear mode. If it is some kind of comment on Facebook that has set me off, often this means that 24 hours later I realize that I actually don't want to get into it to begin with, which is great. If it's something that is pretty serious and interpersonal with a friend, sometimes that means I have to communicate to them that I'm going to take a while to process it and then get back to them. IMPORTANT: You CANNOT do this passive aggressively or else it undermines the whole thing. You can't phrase it in a way that will make your friends think that you are guilt tripping them for "making" you feel a way. It is VERY tempting to do this when you are in the first stages of trying to form this habit and you simply need to resist the urge because it will render this step worthless. I know. It sucks.

If I am feeling fearful and insecure about friends or loved ones, I also usually try to spend some time thinking about the people that I love and care about. Because often this stuff manifest for me as insecurity that the people that I care about do not care about me, or that they think that I'm being annoying, or that they are secretly thinking mean things about me. It's obviously not good for me to constantly be imagining that the people in my life who I care about are actually avatars of my own insecurity who are here to tell me that I'm secretly fundamentally unlovable! But crucially also it's ALSO not fair to those people to imagine them as that. They are not that guy, they are their own complex human beings with their own lives and experiences and interiority. So sometimes I do thought exercises where I will imagine my friends or loved ones doing things in their everyday lives and I will think about them as people and I will think about the things that they like to do and the things that they say and the places that they go, and I will try to imagine them fondly in those circumstances. This helps to remind me that they are just people and that the scary puppet wearing their faces is not real. To this end I sometimes will have a document of screenshots of things that they have said to me that I can use to reality check myself. I personally find reality checks to be essential for a lot of this. Things can feel true when they are not true at all. Things can feel wrong when they are actually true. The point of most of these exercises is to gently remind myself that those feelings are normal for me to be having, but that I do not need to let them dictate my responses.

It is crucial throughout all of this that you are nice to yourself. You can't talk to yourself in a mean way while you're doing this, or you will not get to a point where you are feeling safe enough to react from a place of not-fear. You can't make yourself feel ashamed or defensive for your emotional reactions. This is the particular area where I find gentle parenting protocols helpful. You HAVE to be patient with yourself.

Ok that's all for now bc I ran out of steam but I will try to think of more to add on another day maybe. Godspeed everyone

[lexalovesbooks]

We evaporate might have taken my number one spot on my wrapped due to the brain worms and also that being The vibe song for a fic i’ve been trying to write for months now, but I think my all-time favorite by them is probably actually the mighty echo

[iwanthermidnightz]

When I think back on the Speak Now album, I get a lump in my throat. I have a feeling it will always be that way, because this period of time was so vibrantly aglow with the last light of the setting sun of my childhood. I made this album, completely self-written, between the ages of 18 and 20. I've spoken about how I feel like those ages are the most emotionally turbulent ones in a persons life. Maybe when I say that, I'm really just talking about myself.

I think they might just be the most idealistic, hopeful years too. At this point in my life, I had released my second album, Fearless. It became the breakthrough moment I'd always dreamt of, one that catapulted my career to new realms of success. It had brought with it a tidal wave of pressures and pitfalls and growing pains. All the while, I was encountering the milestones and checkpoints of normal teenage growth. I had cataclysmic crushes and brushes with heartache. I moved out of my parents' house and set my bags down in a new apartment. I hung photos on my own walls and decorated the space where I would sob and cackle and shatter and dream. Sometimes I felt like a grown up, but a lot of the time I just wanted to time travel back to my childhood bed, where my mom would read stories to me until I fell asleep.

In my darker moments, I was tormented by the doubt that swirled loudly around my ascent and my merits as an artist. I was trying to create a follow up to the most awarded country album in history, while staring directly into the face of intense criticism. I had been widely and publicly slammed for my singing voice and was first encountering the infuriating question that is unfortunately still lobbed at me to this day: does she really write her songs? Spoiler alert: I really, really do.

In the years since, I've developed a thicker skin about public criticism and the cynicism with which some people approach the music I make. At that time, it leveled me. I had these voices in my head telling me that I had the perfect chance and I blew it. I hadn’t been good enough. I had given it all I had and been found wanting.

I wanted to get better, to challenge myself, and to build on my skills as a writer, an artist, and a performer. I didn't want to just be handed respect and acceptance in my field. I wanted to earn it. To try and confront these demons, I underwent extensive vocal training and made a decision that would completely define this album: I decided I would write it entirely on my own. I figured, they couldn't give all the credit to my cowriters if there weren't any. But that posed a new challenge: It really had to be good. If it wasn't, I would be proving my critics right.

I had no idea how much this pain would shape me. That this was the beginning of my series of creative choices made by reacting to setbacks with defiance. That my stubbornness in the face of doubters and dissenters would become my coping mechanism through my entire career from that point forward. This exact pattern of enacting my own form of rebellion when I feel broken is exactly why you're reading these very words, and I'm re-releasing this album now.

I went through my first worldwide scandal (the mic grab seen around the world). I experienced the weirdness of trying to get to know a boy while a swarm of paparazzi surrounds the car. Media contacting my publicist for an official statement on why two teenagers broke up. These are weird experiences to have at any age, but even more surreal when you're 19.

I had the nagging sense that in the most intense moments of my life, I had frozen. I had said nothing publicly. I still don't know if it was out of instinct, not wanting to seem impolite, or just overwhelming fear. But I made sure to say it all in these songs. I decided to call the album Speak Now. It was a play on the speak now or forever hold your peace' moment in weddings, but for me it symbolized a chance to respond to the chatter and commentary around my own life.

Some of these emotional revelations were surprising to people. Some expected anger and instead got compassion and empathy with 'Innocent'. Some expected a kiss-off breakup song but instead got a hand-on-heart apology, 'Back to December. It was an album that was the most precious to me because of its vast extremes. It was unfiltered and potent. In my mind, the saddest song I've ever written is 'Last Kiss'. My most scathing is 'Dear John' and my most wistfully romantic is 'Enchanted'.

I'll be forever proud of setting a goal and seeing it through. I'lI always feel shivers all over when I remember singing 'Long Live' to close the show every night on tour. The outstretched hands of those bright and beautiful faces of the fans. Their support was like an open palm that reached out and helped me up off the ground when others were, frankly, mean.

These days I make my choices for those people, the ones who thought I had been good enough all along. I try to speak my mind when I feel strongly, in the moment I feel it. I'm still idealistic and earnest about the music I make, but I'm less crushed when people mock me for it. I know now that one of the bravest things a person can do is create something with unblinking sincerity, to put it all on the line. I still sometimes wish I was a little kid again in a tiny bed, before I ever grew up.

I always looked at this album as my album, and the lump in my throat expands to a quivering voice as I say this. Thanks to you, dear reader, it finally will be.

I consider this music to be, along with your faith in me, the best thing that's ever been mine.

Yours,

Taylor

[yzzart]

Tom Blyth being really fucking obsessed with actress!Reader, like constant physical contact, many kisses, maybe some moments on set? I love your writing 💖

"Oh, the lovebirds."

pairing: tom blyth x actress!reader.

summary: another compilation between you and tom? we have!

word count: 538!

notes: thank you for requesting this, anon and i hope you know that i love you and beg you to request more ideas!

"See them over there?" — Recording and switching the camera to frontal mode, Rachel pointed to you and Tom sitting under the tree, in the forest setting, together. — "Two lovebirds in love." — Tom's arm was around your shoulder, he was saying something that was, technically, impossible to identify, but then he left a long kiss on your forehead. — "Look!"

Rachel saved that video with a triumphant, happy smile on her face in an album she had made specifically for behind the scenes and it was the thousandth video of you and Tom that she had saved. — The first and biggest fan of both of you.

It wasn't difficult, and not at all complicated, to find behind-the-scenes photos of 'The ballad of songbirds and snakes'; so soon, it wasn't hard to see photos and videos of you and Tom together on set. — So much for you posting and Rachel too.

There were videos where he put Coriolanus' peacemaker helmet on you; your hands between his rough and cut hair, commenting on the possibility of him temporarily turning blonde;; a photo they took of him and him lying on the grass. — Several moments recorded, captured and saved with lots of love.

Also, the small and peculiar fact that you left written messages or just heart symbols on paper, sometimes torn up, for each other. — Hunter thought this was cute, and she even helped Tom put one of them in your trailer.

In every interview, to repeat, in every interview, Tom always tries to be in contact with you; mainly, the physical. — It doesn't matter if your chair is a little far from his, or if you or he are on the other side of the row. — Nothing can stop that man.

The cameras record, with attention and great focus, Tom holding your hand while you answered questions from the interviewer, who was also watching, and admiring the rings that were present on your fingers; and that some were gifts from him. — If Tom had the opportunity, he would never let go of you.

He contemplated carefully; distributing affection with his fingers on your hand and your palm, at certain moments, even tickling you and, sometimes during the interviews, a brief laugh accompanied your words.

And every time it happens, that passionate smile wrapped in such a strong emotion curves on Blyth's lips.

Well, it's not just the contacts and touches between your hands that are captured by cameras and the watchful eyes of fans; Tom's arm resting on the back of your chair, your leg touching his, your head on his shoulder and once again Tom's hand resting on your knee. — You looked like a pair of magnets.

Oh, and not to mention, a moment from an interview, another one from Vogue to be a little specific, in which Tom removes one of the rings that was on his fingers, the one that is always on his pinky, and decided to put it on your finger. — God, your fans went completely crazy on all social media, especially on Twitter. — It wasn't so perfect, in the right measure, but you didn't remove it in any way.

During the premieres, several photos with you kissing Tom's cheek and him kissing your hand, like a knight, spread across networks and even on the film's official accounts. — And Rachel commented on all of them. — And the photos that show Tom's hands on your waist, holding you so gently accompanied by such a sweet and intimate look and following you wherever you went became your favorites.

Flashes and snippets of interviews, videos of Tom's hand on your back, helping you with your long dress and him brushing some locks out of your face while you answered questions. — Even the interviewers smiled witnessing those acts.

And there's always a like from Tom Blyth on Instagram posts of these photos.

[gremlinmodetweeker]

When König Freaks Out

I think that sometimes, people don't really know how to write König getting mad. I think a lot of people assume that because he's a soldier, he loses his shit all the time. Either that, or they assume he's nervous and scared. He's not either. He's a colonel (or, was), he is far too self disciplined to lose himself like that. However, König isn't always able to control himself. Under special circumstances, König loses his shit.

TWs: König yelling, teasing, childhood photos being used to embarrass König

Wordcount: 1.2k

Art from This Post

König is a very, very stable person. He almost never lets his true emotions show. It's extremely rare. Sure he has his sadistic belly laughs, but other than that, König doesn't express himself fully. He just doesn't.

König doesn't cry. He doesn't yell when he's around civvies. He doesn't even swear much when in casual conversation. He may seem relaxed and calm, but if you pay attention, he's extremely careful with what he says and how he says it. Part of it is social anxiety; he's extremely aware of how he's being perceived and takes care to curtail that image to his need. He needed to be careful to rise the ranks as quickly as he did. He's not colonel for nothing.

High ranking military personnel are not like your average soldiers, especially among special ops. Lower soldiers might be careless and rough and hardened, but to be a colonel you need to be the perfect soldier. You need to drink, but not too much. You need to be a gentleman, but you need to be dirty. You need to be kind in public, cruel on the field. It's a position of contradictions. Not many civvies understand how hard these people have their entire identities on lockdown. They often compartmentalize their lives to be able to function in different settings. They have to be, at the very least a little bit, sociopathic to succeed. Again, they're not inherently evil, I'm not saying König is evil. I am saying that if you pay attention to him in a civvie situation though, you'll notice that he is an unflappable gentleman. You'd never know he was out at the bar until 3am with his drinking buddies the night before and nursing a wicked hangover while he's sipping coffee at lunch with you.

Why am I being so careful to outline how calm and steady König is? It's because when he freaks out it's usually insanely funny, or terrifying. Sometimes both.

Now, I've told you all before in this post that König's instinctual reaction to being startled is to fight. He will punch first and ask questions second. But, sometimes, König doesn't get scared.

He gets mad.

König is normally hard to upset, but family reunions bring something special out of König. Something dark, something hidden, something murderous. It's not battlefield rage, it's worse. It's the hatred and fury of being the youngest brother in the family, and it all comes out when he brings you to a reunion and they bring out the baby photos.

"Nein, nein, nein," König will chant as he rips the photo album out of his sister's hands, "this is going back on the shelf."

You're already cackling because it's far too late to go back.

"But you looked so cute in the tub!" Lisa's grinning from ear to ear as her little brother loses his shit

"Why do we even have those pictures?" König huffs as he slumps back in his chair, "we don't need them. They can be burnt."

"You know, you grew a better beard as a kid than you do now," Friedrich mutters as he sips his beer.

"I grow a perfectly fine beard!" König snaps.

"You call that shit-stain on your face facial hair?" Stephen looks down his nose at the youngest Leichenberg.

"I can't help it!" König grumbles, "I try to shave but then it all grows back."

"Yeah," Friedrich rolls his eyes, "that's what happens, Kilgore. It's called biology."

"No!" König huffs, "it grows fast! Too fast! By the time I go to bed it's already making my face itch!"

"So you keep that on your face?" Lisa points and laughs.

"It's trimmed," König grumbles and rubs his chin before turning to you, "it looks nice. You think it looks nice, right?"

You look at his dark stubble, a stark contrast to his wheat blond hair. In truth, he looks rather handsome with the dark shadow on his jaw. He does his best to keep it nice and trimmed (always in regulation), but since you arrived in Austria five days ago, the stubble has grown into an unruly thing on his face.

"You haven't trimmed in a bit," you admit.

"See! Even your wife thinks it looks like a rat's nest," Klara snorts.

"I wouldn't go that far-"

"I look fine!" König's voice raises up a notch with indignation.

"Mama," Friedrich ducks around the door to the kitchen, "come tell Kilgore he needs to shave."

The little woman pops out of the kitchen to glare at her son. She looks him up and down and scoffs.

"You call yourself a colonel? Tch, you look like a mangy dog."

She ducks back around the corner to tend to the oven.

"I DO NOT LOOK LIKE A DOG!"

Everyone (except you) laughs as König's face turns a bright violent red as he squawks furiously. He huffs and puffs, just on the brink of a meltdown as his family taunts him further.

"And he looked so good with a full bubble beard!" Klara laughs.

"Oh but you looked better," Friedreich snaps another album off the shelf and flicks through the photos, but stops on another page, "oh wait, we'll look at that later. Look at this picture of Kilgore on his first birthday!"

Even you can't help but laugh as Friedrich brandishes the offending photo.

There, bordered in paper butterflies and tulips, is König sitting in a puddle of mud, gleefully shovelling a handful of the muck into his mouth. I the background, a young Friedrich has Stephen in a headlock while Lisa, the only presentable sibling, is eating a slice of König's cake.

"Mama worked for days on that cake, but Kilgore only wanted to eat the mud," Stephen explained as König bellowed slurs at his eldest brother.

Lisa was beside herself with laughter, nearly keeling over out of the chair as Klara pointed out how, in this photo as well, König was completely nude. Apparently, getting young König to wear clothes was quite the task.

"WE DO NOT NEED MORE PICTURES," König roared as Lisa pulled out another album.

König looked like he was about to burst a blood vessel at this rate. The only time you ever saw König this worked up was when he was dealing with subordinates. Never before had you seen König lose his temper quite like this. A part of you was horrified, another part amazed by how easily his siblings pressed all the right buttons to make him tick.

"Look how stoic our little soldier boy is!" Stephen remarked as König smacked his meaty fist against his thigh with a thick thud.

"I. AM. A. COLONEL!" König howled.

He was about to carry on before all the siblings went silent. Even König stilled, his mouth clamping shut with a click as he looked behind you. You turned to look at what stopped them to find the elder Fritz Leichenberg holding up a hand.

He uncrossed his long, long legs and adjusted his half-moon glasses on his hooked nose. Soft, watery blue eyes looked down at his youngest son. He gently pulled his tobacco pipe from beneath his salt and pepper moustache and rang a long, veiny hand through his bushy beard lightly. He blinked once, then said, "Kilgore. Go upstairs and shave. You look atrocious. I can't send out Christmas cards pictures when you look like this."

The room echoes with laughter as König slowly pulls himself to his feet and trudges up the creaking stairs, off to shave the unruly mess off his face.

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