#I like their first album and emotions a lot..

[skruttet]

Jarmo's Facebook Post:

✨Greetings from the wonderland of Tove ✨ 💚 Eight years crop is now reaped and our album has been published! 💚 MOOMINVALLEY - Original Score Music Samuli Kosminen • Pekka Kuusisto • Jarmo Saari

Suomenlinna became to me like a second home during this long and dear job. I joined Samuli in Pekka's big boots to continue composing and playing the music for the TV series from the second season in 2019. A huge investment was made in the music of Moominvalley from the beginning, and the musical language, musical vision, and virtuoso playing that Pekka and Samuli created for the series in the first season had created a strong foundation and identity for the music.

We have a prolific musical history with Samuli, but this job required unprecedented intensity. Brainstorming, composing, arranging, playing, recording, editing, encouraging and mixing seemed to be done simultaneously by him, while still staying on schedule!

Tove's fascinating characters, the series' insightful scripts, and the creative team really inspired and challenged us. Everything was learned and a lot of new things were put to use. With the routines we create to respect and listen to each other, almost anything is bound to happen in the future, when one's resources often start where the other's end.

There were hours of exciting and beloved material to choose from for this album. It felt natural to divide the 107-minute, 44-track album we created into four parts and themes: The Moomin Family, Adventures, Moominvalley and Special Moments.

The album features our trio working on dozens of exciting side instruments in our pursuit of unique sound aesthetics. A big thank you also to the wonderful guest musicians: Jusu Berghäll, Johanna Iivanainen, Tuuli Lindeberg, Atte Kilpeläinen, Jouko Kyhälä, Saima Saari, Verneri Pohjola and Joonas Saartamo.

Composers: Samuli Kosminen, Pekka Kuusisto & Jarmo Saari Additional recordings: Miikka Huttunen, Johanna Iivanainen, Jouko Kyhälä ja Jarmo Saari Mastering: Jarno Alho Photography: Tommi Kinnunen Cover: Valtteri Heinonen Thanks: Marika Makaroff💚, Nigel Davies & everyone at Gutsy, Moominvalley, Moomin, Sami Rikala and all at Sony Music Finland, Virpi Immonen, Mikael Hakkarainen, Cafe Silo, Boosey & Hawkes, Lottaliina Pokkinen and many more!

Artistic producer Marika Makaroff: “Moominvalley has been produced by exceptionally talented artists from all over the world. It was especially important to me that the music for the series was created in Finland by top artists. I am incredibly happy that this wonderful music, which runs through the entire series, is finally getting the attention it deserves with the album release.”

Samuli: “It has been a great privilege to be able to make music for the series with such exceptional talents and experts as Pekka and Jarmo. I couldn’t find an instrument in my studio that I couldn’t shove into their hands without warning, turn on the recording and ask them to play. The end result was always just as amazing. Composing and arranging this album together with Jarmo has been an incredible journey through these Moominvalley memories and beloved music.”

Pekka: “The music for the Moominvalley series was composed to be played with instruments you would imagine you would find in the moominhouse. A harmonica, a soft-sounding old upright piano, a violin and a mandolin were included from the beginning, as was Samuli’s imaginative arsenal of percussion instruments from pots to a suitcase. When composing for animation, the responsibility of music as an illuminator of the characters’ emotions is great. The work was intense, at times hard, and sleepless nights were inevitable, but the opportunity to play in the world created by Tove Jansson outweighed the challenges.”

[ksksksrahrah]

Artfight attack

[iambecomeafangirl]

The first half of "The Great Impersonator" was like a start of a breakdown, crying and gasping for air; the second part - it's the numbness that comes after hours of crying.

[chirpychipslive]

i think one of my favourite things about wearing the inside out is that the lyrics aren't written by rick - someone else came onto the album, specifically to psychoanalyse one guy, and honestly they did a really good job at it

[basingstokemercury]

Serious question what's up with everyone making fun of country nowadays and invoking tropes I don't think I've even seen

"it's backwards and conservative" Do you have any familiarity with Johnny Cash? An activist for Native American rights whose iconic image is the Man In Black as a symbol for the disadvantaged? The songs Folsom Prison Blues? Man In Black? And I know Tumblr loves Dolly Parton as a person, for good reason - 9 To 5, her signature workers' rights protest, isn't quite country, but most of her discography is.

"it's too religious" Fair - several musically excellent songs lean too heavily into Christian themes for me to enjoy as a Jew (though I'm sure Christian audiences love them, progressive ones too). But many of those religious songs evoke more universally applicable ideas of brotherhood, hope, and justice - and are those really things worthy of mockery?

"the emotions are shallow" I See A Darkness is one of the most authentic portrayals of depression in music I know of. Many country songs have themes of love, heartbreak, and drama/tragedy - but those are common to music across nearly all genres, even if specific songs don't land for everyone.

At the end of the day it's just a music genre, yes, but one that does have emotional significance for many people, cultural significance for many others, and as much diversity in content and performer talent as any genre of entertainment.

And it's not very fun to have cherished childhood memories and music that genuinely resonates with you mocked just about everywhere you turn aside from people who are actually fans of it.

[daddy-long-legssss]

listening to ‘suck it and see’ makes my soul feel like it is being covered in warm golden syrup

[louismygf]

girls when they just finished watching aotv

[northwestofinsanity]

Might be an unpopular opinion, but I think Strange Times is an underrated Moody Blues album. They got back to being a bit experimental and unusual on it, after getting a bit more mainstream in the later 80s and early 90s, and it had some really cool tracks. Justin Hayward had some great guitar leads in there, too.

[wp100]

for some reason i can just imagine bolvar listening to blue oyster cult while sitting outside, watching the sunset, with his daughter, cooking something in a campfire or grill (or, yknow, with his bare hands)

[bookishdiplodocus]

The Neurodivergent Writer’s Guide to Fun and Productivity

(Even when life beats you down)

Look, I’m a mom, I have ADHD, I’m a spoonie. To say that I don’t have heaps of energy to spare and I struggle with consistency is an understatement. For years, I tried to write consistently, but I couldn’t manage to keep up with habits I built and deadlines I set.

So fuck neurodivergent guides on building habits, fuck “eat the frog first”, fuck “it’s all in the grind”, and fuck “you just need time management”—here is how I manage to write often and a lot.

Focus on having fun, not on the outcome

This was the groundwork I had to lay before I could even start my streak. At an online writing conference, someone said: “If you push yourself and meet your goals, and you publish your book, but you haven’t enjoyed the process… What’s the point?” and hoo boy, that question hit me like a truck.

I was so caught up in the narrative of “You’ve got to show up for what’s important” and “Push through if you really want to get it done”. For a few years, I used to read all these productivity books about grinding your way to success, and along the way I started using the same language as they did. And I notice a lot of you do so, too.

But your brain doesn’t like to grind. No-one’s brain does, and especially no neurodivergent brain. If having to write gives you stress or if you put pressure on yourself for not writing (enough), your brain’s going to say: “Huh. Writing gives us stress, we’re going to try to avoid it in the future.”

So before I could even try to write regularly, I needed to teach my brain once again that writing is fun. I switched from countable goals like words or time to non-countable goals like “fun” and “flow”.

Rewire my brain: writing is fun and I’m good at it

I used everything I knew about neuroscience, psychology, and social sciences. These are some of the things I did before and during a writing session. Usually not all at once, and after a while I didn’t need these strategies anymore, although I sometimes go back to them when necessary.

I journalled all the negative thoughts I had around writing and try to reason them away, using arguments I knew in my heart were true. (The last part is the crux.) Imagine being supportive to a writer friend with crippling insecurities, only the friend is you.

Not setting any goals didn’t work for me—I still nurtured unwanted expectations. So I did set goals, but made them non-countable, like “have fun”, “get in the flow”, or “write”. Did I write? Yes. Success! Your brain doesn’t actually care about how high the goal is, it cares about meeting whatever goal you set.

I didn’t even track how many words I wrote. Not relevant.

I set an alarm for a short time (like 10 minutes) and forbade myself to exceed that time. The idea was that if I write until I run out of mojo, my brain learns that writing drains the mojo. If I write for 10 minutes and have fun, my brain learns that writing is fun and wants to do it again.

Reinforce the fact that writing makes you happy by rewarding your brain immediately afterwards. You know what works best for you: a walk, a golden sticker, chocolate, cuddle your dog, whatever makes you happy.

I conditioned myself to associate writing with specific stimuli: that album, that smell, that tea, that place. Any stimulus can work, so pick one you like. I consciously chose several stimuli so I could switch them up, and the conditioning stays active as long as I don’t muddle it with other associations.

Use a ritual to signal to your brain that Writing Time is about to begin to get into the zone easier and faster. I guess this is a kind of conditioning as well? Meditation, music, lighting a candle… Pick your stimulus and stick with it.

Specifically for rewiring my brain, I started a new WIP that had no emotional connotations attached to it, nor any pressure to get finished or, heaven forbid, meet quality norms. I don’t think these techniques above would have worked as well if I had applied them on writing my novel.

It wasn’t until I could confidently say I enjoyed writing again, that I could start building up a consistent habit. No more pushing myself.

I lowered my definition for success

When I say that nowadays I write every day, that’s literally it. I don’t set out to write 1,000 or 500 or 10 words every day (tried it, failed to keep up with it every time)—the only marker for success when it comes to my streak is to write at least one word, even on the days when my brain goes “naaahhh”. On those days, it suffices to send myself a text with a few keywords or a snippet. It’s not “success on a technicality (derogatory)”, because most of those snippets and ideas get used in actual stories later. And if they don’t, they don’t. It’s still writing. No writing is ever wasted.

A side note on high expectations, imposter syndrome, and perfectionism

Obviously, “Setting a ridiculously low goal” isn’t something I invented. I actually got it from those productivity books, only I never got it to work. I used to tell myself: “It’s okay if I don’t write for an hour, because my goal is to write for 20 minutes and if I happen to keep going for, say, an hour, that’s a bonus.” Right? So I set the goal for 20 minutes, wrote for 35 minutes, and instead of feeling like I exceeded my goal, I felt disappointed because apparently I was still hoping for the bonus scenario to happen. I didn’t know how to set a goal so low and believe it.

I think the trick to making it work this time lies more in the groundwork of training my brain to enjoy writing again than in the fact that my daily goal is ridiculously low. I believe I’m a writer, because I prove it to myself every day. Every success I hit reinforces the idea that I’m a writer. It’s an extra ward against imposter syndrome.

Knowing that I can still come up with a few lines of dialogue on the Really Bad Days—days when I struggle to brush my teeth, the day when I had a panic attack in the supermarket, or the day my kid got hit by a car—teaches me that I can write on the mere Bad-ish Days.

The more I do it, the more I do it

The irony is that setting a ridiculously low goal almost immediately led to writing more and more often. The most difficult step is to start a new habit. After just a few weeks, I noticed that I needed less time and energy to get into the zone. I no longer needed all the strategies I listed above.

Another perk I noticed, was an increased writing speed. After just a few months of writing every day, my average speed went from 600 words per hour to 1,500 wph, regularly exceeding 2,000 wph without any loss of quality.

Talking about quality: I could see myself becoming a better writer with every passing month. Writing better dialogue, interiority, chemistry, humour, descriptions, whatever: they all improved noticeably, and I wasn’t a bad writer to begin with.

The increased speed means I get more done with the same amount of energy spent. I used to write around 2,000-5,000 words per month, some months none at all. Nowadays I effortlessly write 30,000 words per month. I didn’t set out to write more, it’s just a nice perk.

Look, I’m not saying you should write every day if it doesn’t work for you. My point is: the more often you write, the easier it will be.

No pressure

Yes, I’m still working on my novel, but I’m not racing through it. I produce two or three chapters per month, and the rest of my time goes to short stories my brain keeps projecting on the inside of my eyelids when I’m trying to sleep. I might as well write them down, right?

These short stories started out as self-indulgence, and even now that I take them more seriously, they are still just for me. I don’t intend to ever publish them, no-one will ever read them, they can suck if they suck. The unintended consequence was that my short stories are some of my best writing, because there’s no pressure, it’s pure fun.

Does it make sense to spend, say, 90% of my output on stories no-one else will ever read? Wouldn’t it be better to spend all that creative energy and time on my novel? Well, yes. If you find the magic trick, let me know, because I haven’t found it yet. The short stories don’t cannibalize on the novel, because they require different mindsets. If I stopped writing the short stories, I wouldn’t produce more chapters. (I tried. Maybe in the future? Fingers crossed.)

Don’t wait for inspiration to hit

There’s a quote by Picasso: “Inspiration hits, but it has to find you working.” I strongly agree. Writing is not some mystical, muse-y gift, it’s a skill and inspiration does exist, but usually it’s brought on by doing the work. So just get started and inspiration will come to you.

Accountability and community

Having social factors in your toolbox is invaluable. I have an offline writing friend I take long walks with, I host a monthly writing club on Discord, and I have another group on Discord that holds me accountable every day. They all motivate me in different ways and it’s such a nice thing to share my successes with people who truly understand how hard it can be.

The productivity books taught me that if you want to make a big change in your life or attitude, surrounding yourself with people who already embody your ideal or your goal huuuugely helps. The fact that I have these productive people around me who also prioritize writing, makes it easier for me to stick to my own priorities.

Your toolbox

The idea is to have several techniques at your disposal to help you stay consistent. Don’t put all your eggs in one basket by focussing on just one technique. Keep all of them close, and if one stops working or doesn’t inspire you today, pivot and pick another one.

After a while, most “tools” run in the background once they are established. Things like surrounding myself with my writing friends, keeping up with my daily streak, and listening to the album I conditioned myself with don’t require any energy, and they still remain hugely beneficial.

Do you have any other techniques? I’d love to hear about them!

I hope this was useful. Happy writing!

[b00tyliciousbabe]

⋆꙳•̩̩͙❅̩̩͙‧͙ ‧͙̩̩͙❆ ͙͛ ˚₊⋆⋆꙳•̩̩͙❅̩̩͙‧͙ ‧͙̩̩͙❆ ͙͛ ˚₊⋆⋆꙳•̩̩͙❅̩̩͙‧͙ ‧͙̩̩͙❆ ͙͛ ˚₊⋆⋆꙳•̩̩͙❅̩̩͙‧͙ ‧͙̩̩͙❆ ͙͛ ˚₊⋆⋆꙳•̩̩͙❅̩̩͙‧͙

oddballs and eggnog

goofybf! x THICC male reader

summary: love me a nerdy man that’s got a lil spice to him. plus a lil xmas lore!

notes: HI BEAUTIFULS! merry xmas to those who celebrate. it’s been a while fr, my bad dawgs uni work has been ploughing my ass so violently im reconsidering if a degree is even for me. but as a masochistic bottom, i had to channel my energy elsewhere; thus, this fic is just me showing the variety of my tastes as the true indecisive femboy that i am. show me a cute guy and i will plan my whole life with him. i need to get a grip.

originally, i canonically wrote this character with ginger hair (y’all know i fold for redheads), but the more i kept writing, the clearer it became to me that dark brown hair/black aligned with my OWN understanding of him. it’s all fiction anyways so feel free to adapt body types as you see fit. enjoy my lovelies 🎀

album rec: flo - access all areas. these girlies have my heart. been following them since about 2022 and they are genuinely my fave artists, cannot wait for flo world domination.

you guys had mutual acquaintances for a couple years, but it wasn’t until the two of you got to university that your friendship really blossomed. the engineering student didn’t have the best luck when it came to relationships; in fact, people would only toy with his emotions when they wanted something from him, so he learnt to put up a wall of cynicism.

these barriers he had fortified for his own protection made him quite a reserved guy. never cruel or nasty. just quiet. sure, he wasn’t a complete loner, he had a few VERY close bros who he’d let in, but it was clear that in this silence, he was safe.

he’s super handsy, whether that means pulling you on his lap, be it at parties or when he’s gaming, or placing his hands in your back pocket when y’all walk to class, he just wants to hold you. probably got something to do with the fact that he needs to make sure you’re real and not the angel he believes you to be. you love your needy bf and his craving for physical touch.

this is kinda juxtaposed by how flustered he gets by your words. the minute you whisper in his ear, he could cum in his jeans on the spot. he gets so red when you compliment him which makes him squeeze you tighter.

he wasn’t a virgin before meeting you, he’d had a few hookups but nothing sexual with someone he genuinely cared about. as a result, it made sense why he was very nervous when it came to your first time together.

to relax him, you decided to give him a blowjob to ease the tension and allow him to cum quick in the first round so he’d last longer during anal. sat back on the edge of his bed, he wore a vest and baggy joggers, awaiting your fingers to unleash his raging boner. you knelt down and flashed a comforting smile to him, which he failed to mirror perfectly.

‘we don’t have to do this if you’re not ready to. I’d never force you to do anything you didn’t want to do.’ you said concerned, stroking his abs, clear to you that he was stressing.

‘nah baby, i want this so bad. it’s just gotta be really special because you’re really special to me.’ he said gripping your chin.

‘i love you, y/n. like a lot.’

‘i know that you weirdo, i love you too, you mean so much to me.’

‘now, lemme show you how much.’ you said coyly, to which he was more than happy to oblige.

when i tell you, your man eats so well that his cum is literally like milk. the typa white, thick, pearly cum that you would swallow every drop of, because it truly is just disrespectful not to. the first time he came was a surprise for the two of you. he didn’t realise how much he loved seeing his cum all over your face, decorating your juicy, wet lips. the head you gave him was so good, he napped for 2 hours straight after you drained him. but that deffo changed him for the better.

his hobbies include boxing and gaming. he’s such a nerd he makes his own demo projects, playing with his classmates. you always chastise him for not making his hobby a lucrative endeavour - your boy’s got a talent and he doesn’t seem to know it. equally, he loves his legos and comics just as much as he enjoys coding, making you the prettiest bouquet of lego flowers for your first date. after spending some time walking, he took you back to his place and y’all spent the entire night binging his favourite marvel and dc films.

one time it was his birthday and you thought it be a good idea to make a short graphic novel of the journey of your relationship - ending steamily with you pregnant.

‘baby, i love this so much! who knew how sexy you’d look with a baby bump?’ ‘anything can happen in the multiverse’ you laugh, as he kissed your jaw.

‘I’m gonna fuck you so good tonight.’

as we have established, he’s far from experienced. he holds your hand through missionary always because it makes him feel safe. makes so many jokes during it as a way to deflect. lowkey loves being choked. you took the lead most of the time before, using him as a pole and ride the shit out of him.

but, that night he ploughed you with a sense of purpose, so deep and mercilessly that your insides were moulded into an incubator for any hypothetical foetus he would soon impregnate you with. after, he laid curled up next to you, caressing the belly that he had now filled with

‘i hate biology sometimes,’ he says breathlessly. ’you’d look so good with our lil baby growing inside your belly.’

your boyfriend is the goofiest mf ever; playing practical jokes on all his friends and fulfilling his role as your comedian. definitely one of your favourite characteristics of his.

his sleeper build is INSANE. he might appear tall and lanky, but he is far from it. bench pressing more than 100 kilos with one arm - the brudda is basically superman. he’s what you’d get if clark kent had ginger hair, and was a huge weirdo.

though he cannot dance to save his life. he used to be very awkward and shy, but the minute them clothes are off and you two are in the sheets? stroke game is giving pornstar baby girl lemme tell you! ever since your first time, it’s like you awaken the sexual drive in him that’s been missing all his life. this, paired for his complete adoration for you makes him a lethal weapon in bed - quite literally, your man casually packs an 8 inch pussy destroyer with veins that massage and pummel your gummy walls so well.

after this moment he became the BIGGEST TEASE. slapping his dick all over your face. as you chase his dick like a good puppy, he giggles at how desperate you are. ‘sweet Jesus you feel good’. ‘holy shit’. ‘don’t act like you don’t love it.’ painting hickeys all over your neck . he loves when ppl ask you because of how flustered you get, makes him want to mark you more. he’s no longer shy to the world and he thanks you everyday for that. living to call you princess - in both a mocking and endearing tone, he loved toying with your nipples because you’re his lil doll. in cowgirl he will play with them whilst jerking you off to get you to cum all over his abs. and! he LOVES eating ass - like almost obsessively, as if he’s high of your pussy.

he smells so good. so good. you always act like a bitch in heat whenever he steps out of the shower with a towel skimpily wrapped around his adonis belt.

your bf loves playing with his cum and using his dick as a paintbrush to decorate your belly, butt, and face. ‘my masterpiece’ + ‘my muse’ he professes. somehow managing to entrance you to always stroke his dick during makeout sessions. he brings his hands to play with your hair, knowing that his dick is in extremely good hands with you - literally. always pulling you off of his dick because he is really sensitive and ur mouth is a fucking weapon, but will show you that he’s the boss and could leave you bedridden for a couple days after a good fuck.

things he would say drunk off of eggnog:

‘i would die a happy man beneath those beautiful cheeks of yours’

‘put ur hole on my North Pole.’

‘ay, you Don’t get to call me handsome unless you’re gonna HANDsome of those fat cheeks of yours to my lap.’

‘come on, I’ve been a good boy, Santa says gimme some of that pussy you know I love so much.’

‘that ass of yours, come here lemme unwrap it.’

this man has you written into his destiny. he always dreamed of raising a son and dressing him up in the flyest outfits and with you, that desire became reality. you too truly are a match made in heaven.

⋆꙳•̩̩͙❅̩̩͙‧͙ ‧͙̩̩͙❆ ͙͛ ˚₊⋆⋆꙳•̩̩͙❅̩̩͙‧͙ ‧͙̩̩͙❆ ͙͛ ˚₊⋆⋆꙳•̩̩͙❅̩̩͙‧͙ ‧͙̩̩͙❆ ͙͛ ˚₊⋆⋆꙳•̩̩͙❅̩̩͙‧͙ ‧͙̩̩͙❆ ͙͛ ˚₊⋆⋆꙳•̩̩͙❅̩̩͙‧͙

taglist:

@ghostking4m

@gayaristocrat

@lysanderplume

@acoustickitten

[vi-steponmeplease]

YOU'RE LOSING ME

pairings - overwhelmed!billie x caring!reader

genre - angst, fluff near the end

synopsis: billie returns from a week-long trip to korea, leading to an intense argument that threatens your relationship.

tw: slight emotional abuse, relationship conflict, reader and billie are in an established relationship, billie calls reader clingy

word count: 2.7K

and the air is thick with loss and indecision i know my pain is such an imposition

⟡

i gave you all my best me's, my endless empathy and all i did was bleed as i tried to be the bravest soldier

✩₊˚.⋆🕸️⋆⁺₊✧

As the first rays of sunlight stream through the curtains, you slowly open your eyes, your vision blurry for a few seconds as you gaze out the window. Extending your arm, you touch the empty spot on the sheets beside you—cold and untouched.

Your girlfriend Billie has been in Korea for what feels like forever, though it’s only been a week. Her long-awaited album just dropped, and she’s been consumed with interviews and appearances. She hasn’t been responding to your texts much, leaving you feeling lonely. Still, you remind yourself how hard she’s working and try not to let it bother you too much.

Pulling yourself out of bed, you shuffle to the bathroom, turning on the tap to run a warm bath. Back in your room, you grab the hoodie Billie gave you before she left. Her signature scent still lingers, drawing a small, bittersweet smile to your face as your chest tightens with longing. You slip it on over matching sweatpants, preparing for a strawberry-scented bath to shake off the ache of missing her.

Today’s the day Billie finally comes home. The thought brings a flicker of excitement, breaking through the gloom of the past week. You've been counting down the hours, longing for the moment you'd see her walk through the door, ready to wrap her in your arms. You’d planned everything—dinner, her favorite movie, and the kind of quiet, comforting night you know she loves.

You’ve spent the whole morning searching Instagram for recipes, carefully selecting her favorites. After your bath, you tie your hair up into a ponytail and get to work, letting the rhythmic hum of a Clairo playlist fill the air.

Two hours pass, and you’ve prepared mashed potatoes, a fresh salad, and a pot of pasta with vegan meatballs. The table is set, the living room prepared, and her favorite movie is paused on the TV.

At about 6 PM, the sound of keys jangling at the door makes your heart leap as you set two plates on the coffee table. You rush to greet her, a bright smile on your face as the door swings open. There she is—Billie, standing with her luggage in hand, looking as stunning as ever.

“Hey,” she says, her voice soft but distant, her expression tired.

“Hi, baby,” you reply warmly. “I missed you.”

“Me too,” she says, forcing a small smile. But there’s no hug, no kiss, no affectionate greeting. Your stomach knots at the coldness in her demeanor.

“How was your trip?”

“Busy. Lots of interviews.” Her tone is flat, almost disinterested as she runs a hand through her black hair.

“I made you dinner,” you say, stepping aside to reveal the table you’d prepared. The sight of her favorite dishes and the movie queued up for the night should’ve brought a smile to her face, but instead, she sighs, rubbing her forehead.

“That’s great, baby, but I think I’ll pass.”

Your smile falters, but you quickly push aside the sting, which is instantly overpowered by your care. Checking on her is one of your priorities, and you know her well. You two have been together for a year and a half, so by now, you can immediately tell when something's wrong. “Are you okay? You seem... off.”

“I’m just tired,” Billie mutters, avoiding your gaze.

“Well, we can relax on the couch, eat something, watch the movie—”

“I wanna be alone, Y/N,” she interrupts sharply. Her tone cuts through you, the weight of her words hitting harder than you expect. “You’re going to want to cuddle and... I’m just not in the mood.”

“Oh.” The hurt threatens to spill over, but you swallow it down. “I’m sorry.”

“No, don’t do that,” she snaps, crossing her arms as her piercing gaze meets your confused expression. “Don’t guilt-trip me like this.”

“I’m not trying to guilt-trip you,” you reply softly. “I just—”

“Just drop it, okay?” she says firmly.

You hesitate, but something inside you refuses to let it go. “Okay, no. You don’t get to treat me like this after I’ve spent all day trying to make things nice for you. I know you’re tired, but that doesn’t mean you can push me away.”

“I didn’t ask you to do any of this,” Billie says, gesturing dismissively at the table. “You’re the one who went overboard.”

“Because I care about you,” you argue, stepping closer. “Because I wanted to make you feel better after a long week. All I wanted was to spend some time together, but apparently, that’s too much to ask.”

Billie’s eyes narrow. “You’re being ridiculous.”

“Am I?” You throw your hands up in frustration. “You’ve barely answered my texts, you’ve been distant all week, and now you’re acting like I’m the problem for wanting to spend time with my girlfriend.”

You almost can't recognize the person in front of you. Is this why she'd been so cold lately? Usually, after long trips like this, she'd get extremely clingy, refusing to leave your side while repeatedly claiming how much she'd missed you and peppering your face with a billion kisses.

"I've been busy, Y/N. You can't expect me to be on my phone 24/7," she argues, a frustrated groan slipping out. "What, are you gonna strangle me for doing my job?"

"Billie," you resolutely call out as you cross your arms defensively. "When have I ever not been understanding to your circumstances? I know how hard you work, and I know your job means you gotta travel around the world. And I've always been okay with that."

She lets out a dry laugh, her tone dripping with exasperation. "So, why are you acting so goddamn needy right now?"

The word hits like a slap. She knows how much that word cuts you, how deeply it taps into your insecurities.

"Why are you being so unbearable right now?" you retort, matching the volume of her tone. Not yelling, but not calm either.

"Just stop it. You're making a big deal out of nothing—"

"No, I'm not. Stop trying to make me sound crazy."

You make your way to the kitchen and grab a glass cup from the dish rack, filling it up with cold water before taking a sip. Your throat had begun to to run dry since you haven't eaten or had anything to drink all day. "You could've been nicer about it. Why are you acting surprised and attacking me for wanting to spend time with you after a week apart?"

billie follows you and leans against the counter, feigning indifference as you stare at her from the other side of the kitchen, your eyes scorching with fury. "A week's not that long."

You scoff after setting the cup on the counter in front of you. "Yeah, says you who literally couldn't wait for me to come home after I slept over at my sister's house for two days."

"That's different." She rolls her eyes and prods her tongue against the inside of her cheek. The audacity leaves you speechless for a second before you regain your composure.

"What changed?" You shake your head in disbelief as you replay the memories of the sweet nothings she would whisper in your ear after being gone for so long. Whether she'd be gone on tour for a month, or if she'd just go visit her parents and Finneas for the weekend, she'd always return to you. "Why are you acting so weird?"

Billie lets out a pained sigh as she shuts her eyes tightly, hoping this moment would just disappear. This is the first time you've seen her show a single emotion other than apathy the whole time she's been back. "I think..." she trails off, not knowing how to correctly word the sentence on the tip of her tongue.

"You think what?" you ask, growing a little impatient as you watch her part her lips again.

"I can’t do this anymore,” she says, the words spilling out like venom. “I think we need a break.”

Your eyes widen and your jaw goes slack. "What the fuck?"

Rounding the corner of the counter, you gently reach out to hold her hands, but she withdraws herself and steps further away. The room seems to tilt as her words sink in. "Where the hell is this coming from?"

“I just... I can’t be in a relationship right now. It’s too much.”

Your voice breaks as tears blur your vision. “Billie, please. We can figure this out—”

“It’s not up to you,” she says, her tone colder than you’ve ever heard it.

“Don’t do this,” you plead. Never in a million years did you picture tonight ending this way, with you practically begging her to take you back.

She steps back, shaking her head, her emotionless blue orbs meet yours, damp and red. “I need space.”

"If you just listened when I told you to leave me alone earlier, this wouldn't be happening right now." Billie's voice rises, although she's never yelled at you before. Every time you two would argue, she'd still try her best to steer clear of doing or saying anything she might regret afterwards.

"Don't you fucking blame me," you yell back, your knuckles turning white as you tighten your grip on the edge of the counter. "I just wanted to spend the night with my girlfriend after being away from each other for so long. You're the one who—"

She lets out another humorless chuckle as she steps forward, leaning closer until your faces are mere inches apart. "Say one more fucking word and I'm never coming home again." She watches your furious expression falter as your eyebrows scrunch together, a crease forming in your forehead. You remain silent and that's when she pulls back. "That's what I fucking thought."

You lower your gaze as she moves out of your view, striding towards your shared bedroom. All you hear is the sound of her footsteps padding across the ceramic floor tiles and trailing further from where you helplessly stand, before you hear the door slam. The sound reverberates through the house, leaving you frozen in place.

Your reticence lingers for a few minutes, almost as if you're too afraid to utter a single word or she'd walk out on you. A quiet sob escapes your lips when your legs give out and you slump onto a stool, burying your face in your hands as the tears finally fall.

The food's cold. It's all you can think about.

The food you spent all of last night planning out, and most of today to make. It's cold. Untouched.

Her words from earlier hit you like cinder blocks. The weight of each sentence uttered makes your heart sink further into your chest as if it's been attached to an anchor.

Questions flood your mind, each one heavier than the last. What went wrong? Was it something you did? How long has she felt this way?

You sit there for hours, drowning in your thoughts, wondering if she’s lying awake like you are, or if she’s already moved on—emotionally gone from what once felt unbreakable.

This isn't something she'd ever normally do. Billie's the most gentle person, especially with you. She'd never do anything to hurt you.

Hues of red and orange begin to spill through the living room window, painting the walls with soft, warm light. You take a shaky breath, turning your head to the window. The sunrise is breathtakingly beautiful—an ironic contrast to the emotional storm you've just endured through one of the worst nights of your life.

You sniffle quietly, wiping away the lingering tears with the back of your hand, your lips trembling from the strain of holding back sobs.

In the bedroom, Billie sits on the edge of the bed, knees drawn to her chest as she stares blankly at the wall. The faint light of the bedside lamp reflects the glimmer of dried tears streaked across her cheeks. She hadn’t bothered to turn it off, too lost in her own thoughts. Her lips are pressed into a remorseful line, her usual confidence replaced with raw guilt. She knows she messed up—knows she acted ungrateful when all you wanted was her.

A heavy sigh escapes her as she swings her legs over the side of the bed, forcing herself to get up. Thirst claws at her throat, but so does the anxiety of facing you. Deep down, she half-expects you to be gone by now—out of the house and her life for good after everything she said. But as she shuffles into the living room, Billie’s breath catches when she sees you still there, perched on the same stool by the counter where she’d left you hours ago.

Her stomach twists as she takes in your figure: slouched shoulders, tired eyes, and the faint, broken sniffles that fill the otherwise silent space. Each sound cuts deeper into her chest. She hesitates for a moment, her hand twitching as she reaches out, wanting to comfort you, but unsure if she even deserves to. Slowly, she steps closer, finally giving in to the ache in her heart.

Tentatively, Billie wraps her arms around you from behind. You flinch slightly, startled by the touch, a quiet gasp escaping your lips. It's the last thing you expected.

“I’m so fucking sorry, baby. You have no idea,” she whispers, her voice thick with emotion. Her grip tightens as though afraid you might slip away. “I don’t know what got into me last night. I never should’ve yelled at you or called you needy. You just wanted to be with me, and I—I was awful. I’m sorry. There’s no excuse for what I did.”

Your chest heaves, struggling to regulate your breathing. You can’t bring yourself to speak, the lump in your throat too heavy. After a long beat of silence, Billie pulls back slightly, moving to face you. Gently, she tilts your chin up, her heart sinking when she sees the toll her words took on you—your puffy, tear-streaked face, trembling lips, and bloodshot eyes.

Her hands cup your cheeks, her thumbs brushing away the dampness. “I did this to you,” she says, her voice barely audible, as if scolding herself. “I made you cry.”

“Was I… too much?” you croak, your voice cracking. The question hangs in the air, fragile and weighted with insecurity. “Too clingy?”

Billie’s brows knit tightly, and she shakes her head vehemently. “No. Never. You’re never too much, love. I’m so sorry.” She rests her forehead against yours, her voice soft but firm. “I’ll never lash out at you like that again. I promise.”

“It’s seven,” you whisper hoarsely, your voice still trembling.

Her eyes widen slightly. “You spent all night here crying?”

You nod wordlessly, and she exhales shakily, guilt washing over her anew. Without hesitation, Billie takes your hands, guiding you off the stool. “Come on,” she murmurs gently, leading you back toward the bedroom. As the door shuts softly behind you, she repeats, “I’m so sorry.”

You chuckle faintly, the sound raw and tired. “You’ve said that a billion times.”

“And I’ll say it a trillion more if that’s what it takes,” she replies, her lips curving into a soft smile as she wraps her arms securely around your waist. Her tone grows tender. “I love you. You’re never, ever too much for me.”

The warmth of her words soothes your aching heart, though the memory of the night still lingers. “You said you wanted a break,” you remind her, your voice a fragile whisper.

“I don’t,” she says quickly, her gaze earnest. “I was overwhelmed and stressed with everything. I shouldn’t have taken it out on you. That’s on me.” Her fingers gently tuck a stray strand of hair behind your ear, her touch featherlight. “But I don’t want a break. I want you. I'm sor—"

You shake your head, letting out a fragile laugh. “If you apologize again, I swear—”

Billie cuts you off with a soft, passionate kiss, pouring every ounce of regret and love into the moment. Your hands instinctively move to her shoulders, pulling her closer, grounding yourself in her warmth.

When she finally pulls away, she rests her forehead against yours, her blue eyes shining with affection and sincerity. “Let’s get some sleep, baby,” she whispers, her voice like a balm to your soul.

And for the first time that night, you feel the weight on your chest begin to lift.

[no-144444]

wingman paul- c.leclerc

summary: charles leclerc takes a liking to you at your brothers movie premiere... paul makes it happen!

pairing: charles leclerc x fem! mescal! reader

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Did you want to go to the Gladiator 2 premiere? No, not really. Was Paul forcing you to anyways? Yes, very much so. 

Being his sister (and emotional support person), he always brought you on set, to premieres, and anywhere else. That was usually fine. The rest of his projects' premieres had either been in the Lighthouse (your favourite cinema in Dublin), or small enough that you wouldn’t get too overwhelmed. You were famous in your own right, following after your sister and writing music. You didn’t go on stage, but you’d garnered over 10 million listeners, and your album had just been nominated for a grammy, though you had no intention of going. It’s not that you were scared or shy, you were just entirely uninterested in going out in public as a ‘public figure’. It stressed you out, having people know who you are in such detail, so you just kept to yourself. You had no public social media accounts, you didn’t allow your label to post about you unless it was about the music, and you only let Paul or Nell drag you out in public for one of their events. You liked it that way, it was comfortable. 

“I’m going to go say hi to some people, you just wait here, yeah?” Paul explained as you two entered the theatre. It was huge, and every celebrity or influencer in the world must’ve been there. You nodded as he walked off and allowed yourself to fade into the background, people-watching as time passed. You noticed the beautiful architecture of the building, the way the celebrities around you mingled, the way-

“Hello.”

You whipped your head around, startled, only to be met with a face you knew quite well. “Jesus, Charles, you scared me,” you chuckled. He blushed slightly as you turned around properly to greet him. “Hi.”

“How are you?” he asked, joining you in your secluded corner. 

“I’m fine, thank you. How are you?” 

“I am very good,” he smiled, showing off his dimples. “I thought you didn’t like events.”

“I don’t, Paul just asked me to come,” you explained. “My mam would’ve killed me if I didn’t go, so here I am.” 

He nodded, understanding. “I tried to find you online, but… you are not a fan of that either?”

You chuckled. “No, not really. Sorry.” 

He shook his head. “No, it is ok. I just… wanted to talk more. You are very interesting to me,” he smiled. 

“Well, thank you for the glowing review,” you chuckled. “Are you enjoying the evening so far?”

“I am enjoying it a lot more with you here,” he smiled. “But yes, I only watched the first one a few days ago and I thought it was very good, so I am excited to see how this one compares.”

“You’re sure a charmer,” you chuckled. “I hope you enjoy the film. Where are you sitting?”

“Beside Carlos?” he shrugged, an awkward smile on his face. “Carlos knows, but I don’t know where Carlos is.”

You laughed. “Are you always this disorganised?”

“Only when I’m nervous,” he winked at you and the lights started going down, you just offered him to sit next to you, hoping that Nell wouldn’t mind. 

You two sat together, enjoying the movie as the night went on, and after you found yourselves at the bar, still chatting. He walked off to find Carlos at one point, looking back with a smile as he waved, promising to come back soon. 

“When are you going to realise he’s trying to flirt with you?” Paul laughed. Your face was bright red and your jaw dropped. 

You gently (roughly) hit his chest and scoffed. “Shut the fuck up. He is not.” 

Paul laughed. “He’s totally into you! Come on, go out with him, please! I want free tickets to Grand Prixs!” 

You rolled your eyes as he giggled, and then startled when you bumped straight back into Charles. “Fuck, sorry-” you started apologising but he just shook his head. 

“All good,” he smiled. 

Paul silently slipped away with a wink, and you were faced with Charles, once again. 

“Hi,” you breathed out. 

“Hi,” he chuckled, his dimples on full show. “He was right, you know.” 

“About what?” you questioned. 

“I am flirting with you-or, at least trying to,” he blushed slightly. 

“Oh,” you nodded, unsure what to do in a situation where someone was as brazen and blunt. “Right.”

He laughed. “Can I take you out sometime?”

You stared at him, total deer in headlights, then nodded. “Yeah, yeah, sounds grand. Thank you.”

You internally smacked yourself in the face for that. But he just laughed, unfazed by your awkward demeanour. 

“Great!” he smiled bashfully. “When are you free?”

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navigation for my blog :) (masterlist)

[gay-dorito-dust]

(Idk if ur rq are open bc I can't find any indication of it being, but I hope it is and if it isn't km sorry and h can just ignore this until they are!!)

Maybeee bat boys x reader who zones out a lot and tends to make faces according to what she's thinking abt. Like a smile or frown. And sometimes when they ask her what's up she's all secretive and what not.

Thank you!!

I dunno if I did this right but here ya go!

Dick makes a game out of it and tries to guess what you were thinking about.

Even if you don’t tell him why you’re smiling or making a face of thought, he is surprisingly good at being able to figure it out regardless, but for every expression he gets wrong you’d have to give him double the kisses for the ones he gets right to make up for it.

He loves watching your face contort like a ventriloquist through a rapid fire of emotions depending on what your mind has decided to remind you of, and today it was the memory of Hayley in her Halloween costume of Nightwing, just to match with Dick in his Nightwing suit as he prepared to enter the bloodhaven annual Nightwing contest.

Basically a contest where people deduce if anyone had a similar ass shape to Nightwing himself, a contest you find ridiculous but the imagine of Hayley in her Halloween costume was the sweetest thing you’ve ever laid your eyes on, that you couldn’t help but smile widely at.

You had albums full of Hayley in her Halloween costume with Dick photobombing in the background.

‘What’s on that pretty little mind of yours sweetheart?’ Dick would often ask.

‘Something silly.’ You’d reply with on the odd occasion as to keep him guessing, finding his attempts fun and only giving him pity kisses when he got a majority of them wrong. He had only got a handful right before but on all the other occasions he’s fails spectacularly.

‘Something silly like the time I lost the nightwing contest to Jason that one time?’ He answers wrongly but you couldn’t help but give him a pity kiss for being somewhat right but wrong simultaneously.

‘Sure darling.’ You’d say as you went back to zoning out on Hayley in her Halloween costume while dick burrows his face into your neck, murmuring about how of all people did Jason won the contest when they look nothing alike before going on about how Jason was a brick shit house in comparison to his muscular yet flexible body.

You’ll have to give him more pity kisses to ease his bruised ego by saying he wins all the Nightwing contests in your eyes. When in reality Hayley wins them all just for the fact of being adorable.

Damian found it weird at first for your face to be expressive, believing that it would make you an easy target for others to take advantage of.

Now however he finds it to be a way of expressing how you actually felt in comparison to the words that escape your mouth. He often discouraged zoning out as it would lead to unfavourable outcomes, but when you zone out and your face becomes soft Damian couldn’t help but find himself looking at you with a soft expression of his own.

‘What are you think about my beloved?’ He’d ask you as he hugs you from behind, resting his head upon your shoulder.

‘Nothing that you would find investing my love.’ You replied softly as the fond smile on your face grew the more you thought about the one time Damian chased Titus throughout the mansion because the Great Dane has somehow stole his robin suit and wouldn’t let go.

Damian kisses your shoulder. ‘Are you sure it’s not something I should be concerned about?’ He’d then ask.

You smile softly. ‘Not at all dami, just a funny thought is all.’ You told him while moving your head to kiss his forehead as though to calm his own thoughts. He hums, not believing you for a second from the mischievous glint in your eyes but was more than willing to give you the benefit of the doubt, just because he adored you so much.

‘As you wish my treasure.’ Your thoughts were your thoughts and Damian wouldn’t pry into them unless you wanted him to, so he just watched your expression carefully and deduced what you were feeling and link it to whatever memory would gain an happy, fond expression and leave it at that.

Jason loves your expressive face, he really does and will playfully pester you about what you were asking a face at while softly pinching your sides as you giggled.

Jason loved watching you as you zone out, perhaps reminiscing about a recent memory or other, and watching your face show how you felt about that particular moment.

‘Whatcha thinking about chipmunk?’ He’d ask from his place on the kitchen counter that he chose to admire you from. ‘Was it about little old me?’ He’d then ask cheekily as you playfully groan, shoving a hand to his face and pushing him away.

‘As if.’ You’d reply before walking away but Jason will continue to pester you about what you were thinking for the rest of the day. He’s just a little shit that you’ve come to love more then anything. Your thoughts were more than not occupied by how comfortable he had gotten with you over the course of your relationship and how happy you were for him.

Though you’d never say such a thing in front of him as he’ll use it against you however he could while giving you the softest, most beloved look upon his gorgeous face. Jason was your weakness and the only thing that you always thought about whether it be his autopsy scars, his white ruff of hair that you found immensely adorable and his plush lips that you want to kiss constantly.

Jason is more then content in just watching your face, but don’t be surprised that he kisses your furrowed brow when he sees your face become troubled, he wants his sweetheart to be happy not troubled because that’s what you deserve. You don’t need words to describe how happy you were for Jason to be able to read the emotion crossing your face, and Jason was more than happy to be of reassurance for when you needed it.

Bruce is amused whenever you made a face at something, or nothing in particular.

Like Damian he views it as a way of expressing your inner most feelings towards something or someone without having to vocalise it. It intrigues him as it’s not often that he comes across someone who wears their emotions across their face like you, after all Gotham if filled with some of the most guarded people to ever exist, him included.

It’s fascinating but even he got a little curious when you were smiling a little too widely one day, silently chuckling to yourself as you tried to get ready for bed.

‘What is making you laugh my dear.’ Bruce would ask as he sets aside his novel, moving to his side to look at you while the hand at your waist drew soothing patterns into your skin.

‘Nothing.’ You said as you chuckled.

‘Are you sure it’s nothing? Seems like you might be reminiscing of the time at the iceberg lounge where I mistakenly striped down to my boxers and tabletop danced.’ Bruce replied and all you could do is look at him with a somewhat shocked expression, you knew he was good but you kept forgetting just how good he was at deducting it always caught you off guard.

‘How-‘ you began.

‘Detective remember.’ Bruce chuckled slightly as he kissed your forehead.

‘But that was too specific of a memory for you to guess correctly.’ You rebutted, wanting to know how he knew about that particular memory.

‘It’s not too difficult for me to differentiate between the facial expressions you have towards each and every time you zone out my dear, so while it maybe impossible to believe but to me it’s as easy as breathing.’ Bruce replied as he brought you into his chest. He really did take the time out of his day to memories and learn the smallest of differences between your facial expressions, so much to the point where could tell whether the thing you were zoning out on was a good memory or not.

‘I’m not sure whether to be flattered or not.’ You murmured to yourself as you rested again his strong chest, tracing the many, many scars it possessed with featherlight touches and affection in the form of small kisses pepper against them.

Bruce only tightens his hold on you and kisses the top of your head as he hums. ‘Flattered preferably as the expression you make is sweet and warm.’ He tells you with his voice heavy with sleep.

‘Flattery it is.’ You said sluggishly as you cuddled yourself into his chest, clinging onto him for dear life as he kept you close, presenting the door his back out of his need to keep you safe and secure.

[creekfiend]

I wanted to make a bonsai kitten recovery post that outlines some of the stuff that I've been doing. Because I don't think that you need to ✨see a therapist✨ to start dealing with a lot of this stuff and I get really frustrated when that is the answer that everyone is constantly giving. Firstly a disclaimer, because I know what website I am on: this is a guide for things that have worked for me! I am not everyone and if there are things on here that do not work for you or even that you think are stupid, that is fine, but please do not make it my problem. If you are reading it and you're like "that sounds like it would actually be detrimental to my specific mental health because of my specific issues" then please disregard it. Use your critical thinking skills and do what you think is right for you!

My second disclaimer is that I didn't make any of this up myself; most of these are collected from various places either in therapeutic guide books or various websites about emotional regulation etc. Some of it is stuff that I have extrapolated from those places based on experience with what works for me or does not work for me. A lot of the way that I treat myself when I need to get my body and brain into a place where I can think about stuff productively is actually directly from gentle parenting guides, because frankly cptsd recovery stuff is very often like parenting a toddler. And the toddler is you. ALL THAT SAID,

The first skill that I had to get good at, that many of the other skills depend on, is to learn how to understand when I am Reacting to something. If I am Reacting it is extremely likely that that's going to only escalate the situation and make it much worse. I HAVE to be able to tell if I am Reacting emotionally to something in a way that is coming from a place of fear and panic. This is important because it involves not being prescriptive about your emotions. You could be Reacting to something that you do not logically feel is at all justified in making you feel that way and that doesn't matter! You can't be doing math equations to try to come to the answer of how you SHOULD be feeling; you have to be observing your mind and body to see how you factually ARE feeling and then respond to THAT. This can be really hard to learn how to do especially if you were abused as a child. (If you cannot think of yourself as someone who is abused as a child perhaps it would help to think of yourself as someone who simply was not taught various emotional regulation skills for mysterious reasons that have nothing to do with your parents' inadequacies.) I need to be able to glance inward and see what the physiological reaction that I'm having is and identify whether or not I feel like this is the biggest emergency in the world that needs to be addressed right now immediately! That is a sure sign that Mr Fight and Mr Flight are in the building and it is bad to make declarative statements or important decisions when that is the case. So, I have to work on dismissing them first. That is literally the first step to any of this. One of my friends calls this "fire mittens," which is to say, if you are wearing mittens that are on fire and you try to touch stuff, the stuff will also become on fire. You have to put the fire out first before you can touch other things.

Once I have determined that I am indeed Reacting and in a physiological state of fear, I have a document in my notes app that is a "what to do when you are in fight or flight mode" guide and it has several helpful things that I will try to outline here.

Firstly, the really important thing for me for trying to get back into an emotional state where I'm capable of making decisions and being thoughtful is to feel safe and comfortable. So I actually have some stuff in my document that is straight up just like "go in the blankie nest. put on this specific music album. light this specific scented candle." etc. You might want to have a specific food or drink that is comforting to you or some other sort of stim toy that helps you regulate. If there's any calming medication or supplements for anxiety that you take as needed, now is also the time to do that. Physical sensory grounding is really important for this. This is probably especially true if, like me, you are neurodivergent, but I think it is also true for everyone because we are animals! And you can't just think about it, you have to actually do it. Which sounds obvious but is the thing that has often tripped me up in the past. Once you start getting into the habit of actually physically doing this it DOES become easier though.

One of my rules is that if I want to respond to something but I am in fight or flight mode, I don't get to respond to it for at least 24 hours. I'm only allowed to respond once I've gotten myself out of fear mode. If it is some kind of comment on Facebook that has set me off, often this means that 24 hours later I realize that I actually don't want to get into it to begin with, which is great. If it's something that is pretty serious and interpersonal with a friend, sometimes that means I have to communicate to them that I'm going to take a while to process it and then get back to them. IMPORTANT: You CANNOT do this passive aggressively or else it undermines the whole thing. You can't phrase it in a way that will make your friends think that you are guilt tripping them for "making" you feel a way. It is VERY tempting to do this when you are in the first stages of trying to form this habit and you simply need to resist the urge because it will render this step worthless. I know. It sucks.

If I am feeling fearful and insecure about friends or loved ones, I also usually try to spend some time thinking about the people that I love and care about. Because often this stuff manifest for me as insecurity that the people that I care about do not care about me, or that they think that I'm being annoying, or that they are secretly thinking mean things about me. It's obviously not good for me to constantly be imagining that the people in my life who I care about are actually avatars of my own insecurity who are here to tell me that I'm secretly fundamentally unlovable! But crucially also it's ALSO not fair to those people to imagine them as that. They are not that guy, they are their own complex human beings with their own lives and experiences and interiority. So sometimes I do thought exercises where I will imagine my friends or loved ones doing things in their everyday lives and I will think about them as people and I will think about the things that they like to do and the things that they say and the places that they go, and I will try to imagine them fondly in those circumstances. This helps to remind me that they are just people and that the scary puppet wearing their faces is not real. To this end I sometimes will have a document of screenshots of things that they have said to me that I can use to reality check myself. I personally find reality checks to be essential for a lot of this. Things can feel true when they are not true at all. Things can feel wrong when they are actually true. The point of most of these exercises is to gently remind myself that those feelings are normal for me to be having, but that I do not need to let them dictate my responses.

It is crucial throughout all of this that you are nice to yourself. You can't talk to yourself in a mean way while you're doing this, or you will not get to a point where you are feeling safe enough to react from a place of not-fear. You can't make yourself feel ashamed or defensive for your emotional reactions. This is the particular area where I find gentle parenting protocols helpful. You HAVE to be patient with yourself.

Ok that's all for now bc I ran out of steam but I will try to think of more to add on another day maybe. Godspeed everyone

[iwanthermidnightz]

When I think back on the Speak Now album, I get a lump in my throat. I have a feeling it will always be that way, because this period of time was so vibrantly aglow with the last light of the setting sun of my childhood. I made this album, completely self-written, between the ages of 18 and 20. I've spoken about how I feel like those ages are the most emotionally turbulent ones in a persons life. Maybe when I say that, I'm really just talking about myself.

I think they might just be the most idealistic, hopeful years too. At this point in my life, I had released my second album, Fearless. It became the breakthrough moment I'd always dreamt of, one that catapulted my career to new realms of success. It had brought with it a tidal wave of pressures and pitfalls and growing pains. All the while, I was encountering the milestones and checkpoints of normal teenage growth. I had cataclysmic crushes and brushes with heartache. I moved out of my parents' house and set my bags down in a new apartment. I hung photos on my own walls and decorated the space where I would sob and cackle and shatter and dream. Sometimes I felt like a grown up, but a lot of the time I just wanted to time travel back to my childhood bed, where my mom would read stories to me until I fell asleep.

In my darker moments, I was tormented by the doubt that swirled loudly around my ascent and my merits as an artist. I was trying to create a follow up to the most awarded country album in history, while staring directly into the face of intense criticism. I had been widely and publicly slammed for my singing voice and was first encountering the infuriating question that is unfortunately still lobbed at me to this day: does she really write her songs? Spoiler alert: I really, really do.

In the years since, I've developed a thicker skin about public criticism and the cynicism with which some people approach the music I make. At that time, it leveled me. I had these voices in my head telling me that I had the perfect chance and I blew it. I hadn’t been good enough. I had given it all I had and been found wanting.

I wanted to get better, to challenge myself, and to build on my skills as a writer, an artist, and a performer. I didn't want to just be handed respect and acceptance in my field. I wanted to earn it. To try and confront these demons, I underwent extensive vocal training and made a decision that would completely define this album: I decided I would write it entirely on my own. I figured, they couldn't give all the credit to my cowriters if there weren't any. But that posed a new challenge: It really had to be good. If it wasn't, I would be proving my critics right.

I had no idea how much this pain would shape me. That this was the beginning of my series of creative choices made by reacting to setbacks with defiance. That my stubbornness in the face of doubters and dissenters would become my coping mechanism through my entire career from that point forward. This exact pattern of enacting my own form of rebellion when I feel broken is exactly why you're reading these very words, and I'm re-releasing this album now.

I went through my first worldwide scandal (the mic grab seen around the world). I experienced the weirdness of trying to get to know a boy while a swarm of paparazzi surrounds the car. Media contacting my publicist for an official statement on why two teenagers broke up. These are weird experiences to have at any age, but even more surreal when you're 19.

I had the nagging sense that in the most intense moments of my life, I had frozen. I had said nothing publicly. I still don't know if it was out of instinct, not wanting to seem impolite, or just overwhelming fear. But I made sure to say it all in these songs. I decided to call the album Speak Now. It was a play on the speak now or forever hold your peace' moment in weddings, but for me it symbolized a chance to respond to the chatter and commentary around my own life.

Some of these emotional revelations were surprising to people. Some expected anger and instead got compassion and empathy with 'Innocent'. Some expected a kiss-off breakup song but instead got a hand-on-heart apology, 'Back to December. It was an album that was the most precious to me because of its vast extremes. It was unfiltered and potent. In my mind, the saddest song I've ever written is 'Last Kiss'. My most scathing is 'Dear John' and my most wistfully romantic is 'Enchanted'.

I'll be forever proud of setting a goal and seeing it through. I'lI always feel shivers all over when I remember singing 'Long Live' to close the show every night on tour. The outstretched hands of those bright and beautiful faces of the fans. Their support was like an open palm that reached out and helped me up off the ground when others were, frankly, mean.

These days I make my choices for those people, the ones who thought I had been good enough all along. I try to speak my mind when I feel strongly, in the moment I feel it. I'm still idealistic and earnest about the music I make, but I'm less crushed when people mock me for it. I know now that one of the bravest things a person can do is create something with unblinking sincerity, to put it all on the line. I still sometimes wish I was a little kid again in a tiny bed, before I ever grew up.

I always looked at this album as my album, and the lump in my throat expands to a quivering voice as I say this. Thanks to you, dear reader, it finally will be.

I consider this music to be, along with your faith in me, the best thing that's ever been mine.

Yours,

Taylor