#I like their first album and emotions a lot..

[watchingsunrises]

Ziam is real, climb on board

For the first time, we’re experiencing a genuine influx of people looking into Ziam, the real relationship between Zayn and Liam. And honestly it’s about time. It’s always been so beautiful and devoted and consistent and visible to those willing to invest and find out for themselves. It’s also been so unseen and dismissed and a bit buried by Larry too. I’m a Larry too, but right now I’m all about Ziam. I’m really happy Ziam is getting there deserved time seeing some light.

I’m not here to convince anyone. Ziam isn’t new, it has been around and discussed and real since 2012 when we believe their relationship started extending beyond friendship. There is an existing treasure trove that can be sought out by people willing to open their mind and examine it, especially from Zayn and Liam themselves. Right from the start and up until present day. 

The truth is we are experiencing a moment we weren’t expecting. First with Liam’s death. Now with Zayn touring for the first time ever as a solo artist. 

People are interested in Liam and that is a normal reaction. People are noticing a lot of things that don’t make sense and are curious and questioning that. People can’t make sense about his relationship with his “girlfriend”, the public PR performance at his funeral of a select group of celebrities (all aligned with Modest, Simon Jones PR or existing narratives regarding the boys) and of course the narrative around his “son” Bear.

Usually when things don’t make sense, there is a good reason, we know this with Larry too, and so in the same way people should look and critically engage. Gaps can’t always be filled when we are dealing with public media narratives that then clearly don’t align with who a person really is consistently as a human. It's pretty hard work for all involved to contain a decades plus closet, in times like this. That is a big part of what people are noticing with Liam. They should question public narratives and media. Liam wanted to be seen and heard for who he really was, and celebrating and talking about Ziam right now is one of the biggest parts of seeing and knowing Liam. Its not disrespectful if you've done the work to see and know, just like with Larry.

Now we also finally have Zayn touring for the first time ever as a solo artist. Seeing him on stage after a 10 year wait is kind of exhilarating and like any of the boys you get a reminder on stage of who the person really is, really leaning in and hearing the lyrics live and seeing his being. Zayn is very definitely coding to us in a way that he hasn’t been able to do so before. He knew we would be looking and he wants to be seen. He is literally telling us that he is honest and truthful in his music. Zayn’s public narrative has never made sense either, it's all the same closeting stuff. Copy of a copy of a copy.

The narrative set up for Room Under the Stairs was actually quite strange, and in reality it translates very poorly to the lyrics and the emotions. So many gaps and things that don't make sense. In the future I will share some analysis on RUTS. I’ve been immersed in the album non-stop since May. The album to me is mostly about his closet - the pain it has caused him, the effect it has had on his relationship, the pain and effect it has had on his long term partner, the ways in which he has had to reframe his mindset to live within the reality of his closet, the ways he has changed his lifestyle to focus on the simple things in life to help his mental health impacted by his closet (and other things). Yet throughout all that heartbreaking pain, he still talks about his person, his lover, he refers to 'they' in many key lyrics, he brings his partner into the lyrics clearly, lyrics that clearly refer back to past and present times. Its the same person, it always has been in Zayn's lyrics. He tells them and us that he wouldn’t change anything despite all that pain, that their love has been worth it, that he is devoted, that their love was like stardust from the start until forever. The most specific songs relating to his person haven't been included on the tour setlist - How it Feels, The Time, False Starts, Something in the Water and of course Stardust. They are the strongest songs on the album, the ones that have made me cry non-stop for the last 6 months. I suspect he rearranged the setlist, they would have been too hard to sing live. Instead we see a few B sides we wouldn't have expected on tour. I hope more people will listen to RUTS, it's absolutely devastating, empowering and life affirming and you can really see and feel who Zayn is.

Enjoy your Ziam journey if you decide to take it.

[ksksksrahrah]

Artfight attack

[iambecomeafangirl]

The first half of "The Great Impersonator" was like a start of a breakdown, crying and gasping for air; the second part - it's the numbness that comes after hours of crying.

[chirpychipslive]

i think one of my favourite things about wearing the inside out is that the lyrics aren't written by rick - someone else came onto the album, specifically to psychoanalyse one guy, and honestly they did a really good job at it

[basingstokemercury]

Serious question what's up with everyone making fun of country nowadays and invoking tropes I don't think I've even seen

"it's backwards and conservative" Do you have any familiarity with Johnny Cash? An activist for Native American rights whose iconic image is the Man In Black as a symbol for the disadvantaged? The songs Folsom Prison Blues? Man In Black? And I know Tumblr loves Dolly Parton as a person, for good reason - 9 To 5, her signature workers' rights protest, isn't quite country, but most of her discography is.

"it's too religious" Fair - several musically excellent songs lean too heavily into Christian themes for me to enjoy as a Jew (though I'm sure Christian audiences love them, progressive ones too). But many of those religious songs evoke more universally applicable ideas of brotherhood, hope, and justice - and are those really things worthy of mockery?

"the emotions are shallow" I See A Darkness is one of the most authentic portrayals of depression in music I know of. Many country songs have themes of love, heartbreak, and drama/tragedy - but those are common to music across nearly all genres, even if specific songs don't land for everyone.

At the end of the day it's just a music genre, yes, but one that does have emotional significance for many people, cultural significance for many others, and as much diversity in content and performer talent as any genre of entertainment.

And it's not very fun to have cherished childhood memories and music that genuinely resonates with you mocked just about everywhere you turn aside from people who are actually fans of it.

[daddy-long-legssss]

listening to ‘suck it and see’ makes my soul feel like it is being covered in warm golden syrup

[louismygf]

girls when they just finished watching aotv

[northwestofinsanity]

Might be an unpopular opinion, but I think Strange Times is an underrated Moody Blues album. They got back to being a bit experimental and unusual on it, after getting a bit more mainstream in the later 80s and early 90s, and it had some really cool tracks. Justin Hayward had some great guitar leads in there, too.

[wp100]

for some reason i can just imagine bolvar listening to blue oyster cult while sitting outside, watching the sunset, with his daughter, cooking something in a campfire or grill (or, yknow, with his bare hands)

[bookishdiplodocus]

The Neurodivergent Writer’s Guide to Fun and Productivity

(Even when life beats you down)

Look, I’m a mom, I have ADHD, I’m a spoonie. To say that I don’t have heaps of energy to spare and I struggle with consistency is an understatement. For years, I tried to write consistently, but I couldn’t manage to keep up with habits I built and deadlines I set.

So fuck neurodivergent guides on building habits, fuck “eat the frog first”, fuck “it’s all in the grind”, and fuck “you just need time management”—here is how I manage to write often and a lot.

Focus on having fun, not on the outcome

This was the groundwork I had to lay before I could even start my streak. At an online writing conference, someone said: “If you push yourself and meet your goals, and you publish your book, but you haven’t enjoyed the process… What’s the point?” and hoo boy, that question hit me like a truck.

I was so caught up in the narrative of “You’ve got to show up for what’s important” and “Push through if you really want to get it done”. For a few years, I used to read all these productivity books about grinding your way to success, and along the way I started using the same language as they did. And I notice a lot of you do so, too.

But your brain doesn’t like to grind. No-one’s brain does, and especially no neurodivergent brain. If having to write gives you stress or if you put pressure on yourself for not writing (enough), your brain’s going to say: “Huh. Writing gives us stress, we’re going to try to avoid it in the future.”

So before I could even try to write regularly, I needed to teach my brain once again that writing is fun. I switched from countable goals like words or time to non-countable goals like “fun” and “flow”.

Rewire my brain: writing is fun and I’m good at it

I used everything I knew about neuroscience, psychology, and social sciences. These are some of the things I did before and during a writing session. Usually not all at once, and after a while I didn’t need these strategies anymore, although I sometimes go back to them when necessary.

I journalled all the negative thoughts I had around writing and try to reason them away, using arguments I knew in my heart were true. (The last part is the crux.) Imagine being supportive to a writer friend with crippling insecurities, only the friend is you.

Not setting any goals didn’t work for me—I still nurtured unwanted expectations. So I did set goals, but made them non-countable, like “have fun”, “get in the flow”, or “write”. Did I write? Yes. Success! Your brain doesn’t actually care about how high the goal is, it cares about meeting whatever goal you set.

I didn’t even track how many words I wrote. Not relevant.

I set an alarm for a short time (like 10 minutes) and forbade myself to exceed that time. The idea was that if I write until I run out of mojo, my brain learns that writing drains the mojo. If I write for 10 minutes and have fun, my brain learns that writing is fun and wants to do it again.

Reinforce the fact that writing makes you happy by rewarding your brain immediately afterwards. You know what works best for you: a walk, a golden sticker, chocolate, cuddle your dog, whatever makes you happy.

I conditioned myself to associate writing with specific stimuli: that album, that smell, that tea, that place. Any stimulus can work, so pick one you like. I consciously chose several stimuli so I could switch them up, and the conditioning stays active as long as I don’t muddle it with other associations.

Use a ritual to signal to your brain that Writing Time is about to begin to get into the zone easier and faster. I guess this is a kind of conditioning as well? Meditation, music, lighting a candle… Pick your stimulus and stick with it.

Specifically for rewiring my brain, I started a new WIP that had no emotional connotations attached to it, nor any pressure to get finished or, heaven forbid, meet quality norms. I don’t think these techniques above would have worked as well if I had applied them on writing my novel.

It wasn’t until I could confidently say I enjoyed writing again, that I could start building up a consistent habit. No more pushing myself.

I lowered my definition for success

When I say that nowadays I write every day, that’s literally it. I don’t set out to write 1,000 or 500 or 10 words every day (tried it, failed to keep up with it every time)—the only marker for success when it comes to my streak is to write at least one word, even on the days when my brain goes “naaahhh”. On those days, it suffices to send myself a text with a few keywords or a snippet. It’s not “success on a technicality (derogatory)”, because most of those snippets and ideas get used in actual stories later. And if they don’t, they don’t. It’s still writing. No writing is ever wasted.

A side note on high expectations, imposter syndrome, and perfectionism

Obviously, “Setting a ridiculously low goal” isn’t something I invented. I actually got it from those productivity books, only I never got it to work. I used to tell myself: “It’s okay if I don’t write for an hour, because my goal is to write for 20 minutes and if I happen to keep going for, say, an hour, that’s a bonus.” Right? So I set the goal for 20 minutes, wrote for 35 minutes, and instead of feeling like I exceeded my goal, I felt disappointed because apparently I was still hoping for the bonus scenario to happen. I didn’t know how to set a goal so low and believe it.

I think the trick to making it work this time lies more in the groundwork of training my brain to enjoy writing again than in the fact that my daily goal is ridiculously low. I believe I’m a writer, because I prove it to myself every day. Every success I hit reinforces the idea that I’m a writer. It’s an extra ward against imposter syndrome.

Knowing that I can still come up with a few lines of dialogue on the Really Bad Days—days when I struggle to brush my teeth, the day when I had a panic attack in the supermarket, or the day my kid got hit by a car—teaches me that I can write on the mere Bad-ish Days.

The more I do it, the more I do it

The irony is that setting a ridiculously low goal almost immediately led to writing more and more often. The most difficult step is to start a new habit. After just a few weeks, I noticed that I needed less time and energy to get into the zone. I no longer needed all the strategies I listed above.

Another perk I noticed, was an increased writing speed. After just a few months of writing every day, my average speed went from 600 words per hour to 1,500 wph, regularly exceeding 2,000 wph without any loss of quality.

Talking about quality: I could see myself becoming a better writer with every passing month. Writing better dialogue, interiority, chemistry, humour, descriptions, whatever: they all improved noticeably, and I wasn’t a bad writer to begin with.

The increased speed means I get more done with the same amount of energy spent. I used to write around 2,000-5,000 words per month, some months none at all. Nowadays I effortlessly write 30,000 words per month. I didn’t set out to write more, it’s just a nice perk.

Look, I’m not saying you should write every day if it doesn’t work for you. My point is: the more often you write, the easier it will be.

No pressure

Yes, I’m still working on my novel, but I’m not racing through it. I produce two or three chapters per month, and the rest of my time goes to short stories my brain keeps projecting on the inside of my eyelids when I’m trying to sleep. I might as well write them down, right?

These short stories started out as self-indulgence, and even now that I take them more seriously, they are still just for me. I don’t intend to ever publish them, no-one will ever read them, they can suck if they suck. The unintended consequence was that my short stories are some of my best writing, because there’s no pressure, it’s pure fun.

Does it make sense to spend, say, 90% of my output on stories no-one else will ever read? Wouldn’t it be better to spend all that creative energy and time on my novel? Well, yes. If you find the magic trick, let me know, because I haven’t found it yet. The short stories don’t cannibalize on the novel, because they require different mindsets. If I stopped writing the short stories, I wouldn’t produce more chapters. (I tried. Maybe in the future? Fingers crossed.)

Don’t wait for inspiration to hit

There’s a quote by Picasso: “Inspiration hits, but it has to find you working.” I strongly agree. Writing is not some mystical, muse-y gift, it’s a skill and inspiration does exist, but usually it’s brought on by doing the work. So just get started and inspiration will come to you.

Accountability and community

Having social factors in your toolbox is invaluable. I have an offline writing friend I take long walks with, I host a monthly writing club on Discord, and I have another group on Discord that holds me accountable every day. They all motivate me in different ways and it’s such a nice thing to share my successes with people who truly understand how hard it can be.

The productivity books taught me that if you want to make a big change in your life or attitude, surrounding yourself with people who already embody your ideal or your goal huuuugely helps. The fact that I have these productive people around me who also prioritize writing, makes it easier for me to stick to my own priorities.

Your toolbox

The idea is to have several techniques at your disposal to help you stay consistent. Don’t put all your eggs in one basket by focussing on just one technique. Keep all of them close, and if one stops working or doesn’t inspire you today, pivot and pick another one.

After a while, most “tools” run in the background once they are established. Things like surrounding myself with my writing friends, keeping up with my daily streak, and listening to the album I conditioned myself with don’t require any energy, and they still remain hugely beneficial.

Do you have any other techniques? I’d love to hear about them!

I hope this was useful. Happy writing!

[no-144444]

wingman paul- c.leclerc

summary: charles leclerc takes a liking to you at your brothers movie premiere... paul makes it happen!

pairing: charles leclerc x fem! mescal! reader

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Did you want to go to the Gladiator 2 premiere? No, not really. Was Paul forcing you to anyways? Yes, very much so. 

Being his sister (and emotional support person), he always brought you on set, to premieres, and anywhere else. That was usually fine. The rest of his projects' premieres had either been in the Lighthouse (your favourite cinema in Dublin), or small enough that you wouldn’t get too overwhelmed. You were famous in your own right, following after your sister and writing music. You didn’t go on stage, but you’d garnered over 10 million listeners, and your album had just been nominated for a grammy, though you had no intention of going. It’s not that you were scared or shy, you were just entirely uninterested in going out in public as a ‘public figure’. It stressed you out, having people know who you are in such detail, so you just kept to yourself. You had no public social media accounts, you didn’t allow your label to post about you unless it was about the music, and you only let Paul or Nell drag you out in public for one of their events. You liked it that way, it was comfortable. 

“I’m going to go say hi to some people, you just wait here, yeah?” Paul explained as you two entered the theatre. It was huge, and every celebrity or influencer in the world must’ve been there. You nodded as he walked off and allowed yourself to fade into the background, people-watching as time passed. You noticed the beautiful architecture of the building, the way the celebrities around you mingled, the way-

“Hello.”

You whipped your head around, startled, only to be met with a face you knew quite well. “Jesus, Charles, you scared me,” you chuckled. He blushed slightly as you turned around properly to greet him. “Hi.”

“How are you?” he asked, joining you in your secluded corner. 

“I’m fine, thank you. How are you?” 

“I am very good,” he smiled, showing off his dimples. “I thought you didn’t like events.”

“I don’t, Paul just asked me to come,” you explained. “My mam would’ve killed me if I didn’t go, so here I am.” 

He nodded, understanding. “I tried to find you online, but… you are not a fan of that either?”

You chuckled. “No, not really. Sorry.” 

He shook his head. “No, it is ok. I just… wanted to talk more. You are very interesting to me,” he smiled. 

“Well, thank you for the glowing review,” you chuckled. “Are you enjoying the evening so far?”

“I am enjoying it a lot more with you here,” he smiled. “But yes, I only watched the first one a few days ago and I thought it was very good, so I am excited to see how this one compares.”

“You’re sure a charmer,” you chuckled. “I hope you enjoy the film. Where are you sitting?”

“Beside Carlos?” he shrugged, an awkward smile on his face. “Carlos knows, but I don’t know where Carlos is.”

You laughed. “Are you always this disorganised?”

“Only when I’m nervous,” he winked at you and the lights started going down, you just offered him to sit next to you, hoping that Nell wouldn’t mind. 

You two sat together, enjoying the movie as the night went on, and after you found yourselves at the bar, still chatting. He walked off to find Carlos at one point, looking back with a smile as he waved, promising to come back soon. 

“When are you going to realise he’s trying to flirt with you?” Paul laughed. Your face was bright red and your jaw dropped. 

You gently (roughly) hit his chest and scoffed. “Shut the fuck up. He is not.” 

Paul laughed. “He’s totally into you! Come on, go out with him, please! I want free tickets to Grand Prixs!” 

You rolled your eyes as he giggled, and then startled when you bumped straight back into Charles. “Fuck, sorry-” you started apologising but he just shook his head. 

“All good,” he smiled. 

Paul silently slipped away with a wink, and you were faced with Charles, once again. 

“Hi,” you breathed out. 

“Hi,” he chuckled, his dimples on full show. “He was right, you know.” 

“About what?” you questioned. 

“I am flirting with you-or, at least trying to,” he blushed slightly. 

“Oh,” you nodded, unsure what to do in a situation where someone was as brazen and blunt. “Right.”

He laughed. “Can I take you out sometime?”

You stared at him, total deer in headlights, then nodded. “Yeah, yeah, sounds grand. Thank you.”

You internally smacked yourself in the face for that. But he just laughed, unfazed by your awkward demeanour. 

“Great!” he smiled bashfully. “When are you free?”

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navigation for my blog :) (masterlist)

[gay-dorito-dust]

(Idk if ur rq are open bc I can't find any indication of it being, but I hope it is and if it isn't km sorry and h can just ignore this until they are!!)

Maybeee bat boys x reader who zones out a lot and tends to make faces according to what she's thinking abt. Like a smile or frown. And sometimes when they ask her what's up she's all secretive and what not.

Thank you!!

I dunno if I did this right but here ya go!

Dick makes a game out of it and tries to guess what you were thinking about.

Even if you don’t tell him why you’re smiling or making a face of thought, he is surprisingly good at being able to figure it out regardless, but for every expression he gets wrong you’d have to give him double the kisses for the ones he gets right to make up for it.

He loves watching your face contort like a ventriloquist through a rapid fire of emotions depending on what your mind has decided to remind you of, and today it was the memory of Hayley in her Halloween costume of Nightwing, just to match with Dick in his Nightwing suit as he prepared to enter the bloodhaven annual Nightwing contest.

Basically a contest where people deduce if anyone had a similar ass shape to Nightwing himself, a contest you find ridiculous but the imagine of Hayley in her Halloween costume was the sweetest thing you’ve ever laid your eyes on, that you couldn’t help but smile widely at.

You had albums full of Hayley in her Halloween costume with Dick photobombing in the background.

‘What’s on that pretty little mind of yours sweetheart?’ Dick would often ask.

‘Something silly.’ You’d reply with on the odd occasion as to keep him guessing, finding his attempts fun and only giving him pity kisses when he got a majority of them wrong. He had only got a handful right before but on all the other occasions he’s fails spectacularly.

‘Something silly like the time I lost the nightwing contest to Jason that one time?’ He answers wrongly but you couldn’t help but give him a pity kiss for being somewhat right but wrong simultaneously.

‘Sure darling.’ You’d say as you went back to zoning out on Hayley in her Halloween costume while dick burrows his face into your neck, murmuring about how of all people did Jason won the contest when they look nothing alike before going on about how Jason was a brick shit house in comparison to his muscular yet flexible body.

You’ll have to give him more pity kisses to ease his bruised ego by saying he wins all the Nightwing contests in your eyes. When in reality Hayley wins them all just for the fact of being adorable.

Damian found it weird at first for your face to be expressive, believing that it would make you an easy target for others to take advantage of.

Now however he finds it to be a way of expressing how you actually felt in comparison to the words that escape your mouth. He often discouraged zoning out as it would lead to unfavourable outcomes, but when you zone out and your face becomes soft Damian couldn’t help but find himself looking at you with a soft expression of his own.

‘What are you think about my beloved?’ He’d ask you as he hugs you from behind, resting his head upon your shoulder.

‘Nothing that you would find investing my love.’ You replied softly as the fond smile on your face grew the more you thought about the one time Damian chased Titus throughout the mansion because the Great Dane has somehow stole his robin suit and wouldn’t let go.

Damian kisses your shoulder. ‘Are you sure it’s not something I should be concerned about?’ He’d then ask.

You smile softly. ‘Not at all dami, just a funny thought is all.’ You told him while moving your head to kiss his forehead as though to calm his own thoughts. He hums, not believing you for a second from the mischievous glint in your eyes but was more than willing to give you the benefit of the doubt, just because he adored you so much.

‘As you wish my treasure.’ Your thoughts were your thoughts and Damian wouldn’t pry into them unless you wanted him to, so he just watched your expression carefully and deduced what you were feeling and link it to whatever memory would gain an happy, fond expression and leave it at that.

Jason loves your expressive face, he really does and will playfully pester you about what you were asking a face at while softly pinching your sides as you giggled.

Jason loved watching you as you zone out, perhaps reminiscing about a recent memory or other, and watching your face show how you felt about that particular moment.

‘Whatcha thinking about chipmunk?’ He’d ask from his place on the kitchen counter that he chose to admire you from. ‘Was it about little old me?’ He’d then ask cheekily as you playfully groan, shoving a hand to his face and pushing him away.

‘As if.’ You’d reply before walking away but Jason will continue to pester you about what you were thinking for the rest of the day. He’s just a little shit that you’ve come to love more then anything. Your thoughts were more than not occupied by how comfortable he had gotten with you over the course of your relationship and how happy you were for him.

Though you’d never say such a thing in front of him as he’ll use it against you however he could while giving you the softest, most beloved look upon his gorgeous face. Jason was your weakness and the only thing that you always thought about whether it be his autopsy scars, his white ruff of hair that you found immensely adorable and his plush lips that you want to kiss constantly.

Jason is more then content in just watching your face, but don’t be surprised that he kisses your furrowed brow when he sees your face become troubled, he wants his sweetheart to be happy not troubled because that’s what you deserve. You don’t need words to describe how happy you were for Jason to be able to read the emotion crossing your face, and Jason was more than happy to be of reassurance for when you needed it.

Bruce is amused whenever you made a face at something, or nothing in particular.

Like Damian he views it as a way of expressing your inner most feelings towards something or someone without having to vocalise it. It intrigues him as it’s not often that he comes across someone who wears their emotions across their face like you, after all Gotham if filled with some of the most guarded people to ever exist, him included.

It’s fascinating but even he got a little curious when you were smiling a little too widely one day, silently chuckling to yourself as you tried to get ready for bed.

‘What is making you laugh my dear.’ Bruce would ask as he sets aside his novel, moving to his side to look at you while the hand at your waist drew soothing patterns into your skin.

‘Nothing.’ You said as you chuckled.

‘Are you sure it’s nothing? Seems like you might be reminiscing of the time at the iceberg lounge where I mistakenly striped down to my boxers and tabletop danced.’ Bruce replied and all you could do is look at him with a somewhat shocked expression, you knew he was good but you kept forgetting just how good he was at deducting it always caught you off guard.

‘How-‘ you began.

‘Detective remember.’ Bruce chuckled slightly as he kissed your forehead.

‘But that was too specific of a memory for you to guess correctly.’ You rebutted, wanting to know how he knew about that particular memory.

‘It’s not too difficult for me to differentiate between the facial expressions you have towards each and every time you zone out my dear, so while it maybe impossible to believe but to me it’s as easy as breathing.’ Bruce replied as he brought you into his chest. He really did take the time out of his day to memories and learn the smallest of differences between your facial expressions, so much to the point where could tell whether the thing you were zoning out on was a good memory or not.

‘I’m not sure whether to be flattered or not.’ You murmured to yourself as you rested again his strong chest, tracing the many, many scars it possessed with featherlight touches and affection in the form of small kisses pepper against them.

Bruce only tightens his hold on you and kisses the top of your head as he hums. ‘Flattered preferably as the expression you make is sweet and warm.’ He tells you with his voice heavy with sleep.

‘Flattery it is.’ You said sluggishly as you cuddled yourself into his chest, clinging onto him for dear life as he kept you close, presenting the door his back out of his need to keep you safe and secure.

[creekfiend]

I wanted to make a bonsai kitten recovery post that outlines some of the stuff that I've been doing. Because I don't think that you need to ✨see a therapist✨ to start dealing with a lot of this stuff and I get really frustrated when that is the answer that everyone is constantly giving. Firstly a disclaimer, because I know what website I am on: this is a guide for things that have worked for me! I am not everyone and if there are things on here that do not work for you or even that you think are stupid, that is fine, but please do not make it my problem. If you are reading it and you're like "that sounds like it would actually be detrimental to my specific mental health because of my specific issues" then please disregard it. Use your critical thinking skills and do what you think is right for you!

My second disclaimer is that I didn't make any of this up myself; most of these are collected from various places either in therapeutic guide books or various websites about emotional regulation etc. Some of it is stuff that I have extrapolated from those places based on experience with what works for me or does not work for me. A lot of the way that I treat myself when I need to get my body and brain into a place where I can think about stuff productively is actually directly from gentle parenting guides, because frankly cptsd recovery stuff is very often like parenting a toddler. And the toddler is you. ALL THAT SAID,

The first skill that I had to get good at, that many of the other skills depend on, is to learn how to understand when I am Reacting to something. If I am Reacting it is extremely likely that that's going to only escalate the situation and make it much worse. I HAVE to be able to tell if I am Reacting emotionally to something in a way that is coming from a place of fear and panic. This is important because it involves not being prescriptive about your emotions. You could be Reacting to something that you do not logically feel is at all justified in making you feel that way and that doesn't matter! You can't be doing math equations to try to come to the answer of how you SHOULD be feeling; you have to be observing your mind and body to see how you factually ARE feeling and then respond to THAT. This can be really hard to learn how to do especially if you were abused as a child. (If you cannot think of yourself as someone who is abused as a child perhaps it would help to think of yourself as someone who simply was not taught various emotional regulation skills for mysterious reasons that have nothing to do with your parents' inadequacies.) I need to be able to glance inward and see what the physiological reaction that I'm having is and identify whether or not I feel like this is the biggest emergency in the world that needs to be addressed right now immediately! That is a sure sign that Mr Fight and Mr Flight are in the building and it is bad to make declarative statements or important decisions when that is the case. So, I have to work on dismissing them first. That is literally the first step to any of this. One of my friends calls this "fire mittens," which is to say, if you are wearing mittens that are on fire and you try to touch stuff, the stuff will also become on fire. You have to put the fire out first before you can touch other things.

Once I have determined that I am indeed Reacting and in a physiological state of fear, I have a document in my notes app that is a "what to do when you are in fight or flight mode" guide and it has several helpful things that I will try to outline here.

Firstly, the really important thing for me for trying to get back into an emotional state where I'm capable of making decisions and being thoughtful is to feel safe and comfortable. So I actually have some stuff in my document that is straight up just like "go in the blankie nest. put on this specific music album. light this specific scented candle." etc. You might want to have a specific food or drink that is comforting to you or some other sort of stim toy that helps you regulate. If there's any calming medication or supplements for anxiety that you take as needed, now is also the time to do that. Physical sensory grounding is really important for this. This is probably especially true if, like me, you are neurodivergent, but I think it is also true for everyone because we are animals! And you can't just think about it, you have to actually do it. Which sounds obvious but is the thing that has often tripped me up in the past. Once you start getting into the habit of actually physically doing this it DOES become easier though.

One of my rules is that if I want to respond to something but I am in fight or flight mode, I don't get to respond to it for at least 24 hours. I'm only allowed to respond once I've gotten myself out of fear mode. If it is some kind of comment on Facebook that has set me off, often this means that 24 hours later I realize that I actually don't want to get into it to begin with, which is great. If it's something that is pretty serious and interpersonal with a friend, sometimes that means I have to communicate to them that I'm going to take a while to process it and then get back to them. IMPORTANT: You CANNOT do this passive aggressively or else it undermines the whole thing. You can't phrase it in a way that will make your friends think that you are guilt tripping them for "making" you feel a way. It is VERY tempting to do this when you are in the first stages of trying to form this habit and you simply need to resist the urge because it will render this step worthless. I know. It sucks.

If I am feeling fearful and insecure about friends or loved ones, I also usually try to spend some time thinking about the people that I love and care about. Because often this stuff manifest for me as insecurity that the people that I care about do not care about me, or that they think that I'm being annoying, or that they are secretly thinking mean things about me. It's obviously not good for me to constantly be imagining that the people in my life who I care about are actually avatars of my own insecurity who are here to tell me that I'm secretly fundamentally unlovable! But crucially also it's ALSO not fair to those people to imagine them as that. They are not that guy, they are their own complex human beings with their own lives and experiences and interiority. So sometimes I do thought exercises where I will imagine my friends or loved ones doing things in their everyday lives and I will think about them as people and I will think about the things that they like to do and the things that they say and the places that they go, and I will try to imagine them fondly in those circumstances. This helps to remind me that they are just people and that the scary puppet wearing their faces is not real. To this end I sometimes will have a document of screenshots of things that they have said to me that I can use to reality check myself. I personally find reality checks to be essential for a lot of this. Things can feel true when they are not true at all. Things can feel wrong when they are actually true. The point of most of these exercises is to gently remind myself that those feelings are normal for me to be having, but that I do not need to let them dictate my responses.

It is crucial throughout all of this that you are nice to yourself. You can't talk to yourself in a mean way while you're doing this, or you will not get to a point where you are feeling safe enough to react from a place of not-fear. You can't make yourself feel ashamed or defensive for your emotional reactions. This is the particular area where I find gentle parenting protocols helpful. You HAVE to be patient with yourself.

Ok that's all for now bc I ran out of steam but I will try to think of more to add on another day maybe. Godspeed everyone

[lexalovesbooks]

We evaporate might have taken my number one spot on my wrapped due to the brain worms and also that being The vibe song for a fic i’ve been trying to write for months now, but I think my all-time favorite by them is probably actually the mighty echo

[iwanthermidnightz]

When I think back on the Speak Now album, I get a lump in my throat. I have a feeling it will always be that way, because this period of time was so vibrantly aglow with the last light of the setting sun of my childhood. I made this album, completely self-written, between the ages of 18 and 20. I've spoken about how I feel like those ages are the most emotionally turbulent ones in a persons life. Maybe when I say that, I'm really just talking about myself.

I think they might just be the most idealistic, hopeful years too. At this point in my life, I had released my second album, Fearless. It became the breakthrough moment I'd always dreamt of, one that catapulted my career to new realms of success. It had brought with it a tidal wave of pressures and pitfalls and growing pains. All the while, I was encountering the milestones and checkpoints of normal teenage growth. I had cataclysmic crushes and brushes with heartache. I moved out of my parents' house and set my bags down in a new apartment. I hung photos on my own walls and decorated the space where I would sob and cackle and shatter and dream. Sometimes I felt like a grown up, but a lot of the time I just wanted to time travel back to my childhood bed, where my mom would read stories to me until I fell asleep.

In my darker moments, I was tormented by the doubt that swirled loudly around my ascent and my merits as an artist. I was trying to create a follow up to the most awarded country album in history, while staring directly into the face of intense criticism. I had been widely and publicly slammed for my singing voice and was first encountering the infuriating question that is unfortunately still lobbed at me to this day: does she really write her songs? Spoiler alert: I really, really do.

In the years since, I've developed a thicker skin about public criticism and the cynicism with which some people approach the music I make. At that time, it leveled me. I had these voices in my head telling me that I had the perfect chance and I blew it. I hadn’t been good enough. I had given it all I had and been found wanting.

I wanted to get better, to challenge myself, and to build on my skills as a writer, an artist, and a performer. I didn't want to just be handed respect and acceptance in my field. I wanted to earn it. To try and confront these demons, I underwent extensive vocal training and made a decision that would completely define this album: I decided I would write it entirely on my own. I figured, they couldn't give all the credit to my cowriters if there weren't any. But that posed a new challenge: It really had to be good. If it wasn't, I would be proving my critics right.

I had no idea how much this pain would shape me. That this was the beginning of my series of creative choices made by reacting to setbacks with defiance. That my stubbornness in the face of doubters and dissenters would become my coping mechanism through my entire career from that point forward. This exact pattern of enacting my own form of rebellion when I feel broken is exactly why you're reading these very words, and I'm re-releasing this album now.

I went through my first worldwide scandal (the mic grab seen around the world). I experienced the weirdness of trying to get to know a boy while a swarm of paparazzi surrounds the car. Media contacting my publicist for an official statement on why two teenagers broke up. These are weird experiences to have at any age, but even more surreal when you're 19.

I had the nagging sense that in the most intense moments of my life, I had frozen. I had said nothing publicly. I still don't know if it was out of instinct, not wanting to seem impolite, or just overwhelming fear. But I made sure to say it all in these songs. I decided to call the album Speak Now. It was a play on the speak now or forever hold your peace' moment in weddings, but for me it symbolized a chance to respond to the chatter and commentary around my own life.

Some of these emotional revelations were surprising to people. Some expected anger and instead got compassion and empathy with 'Innocent'. Some expected a kiss-off breakup song but instead got a hand-on-heart apology, 'Back to December. It was an album that was the most precious to me because of its vast extremes. It was unfiltered and potent. In my mind, the saddest song I've ever written is 'Last Kiss'. My most scathing is 'Dear John' and my most wistfully romantic is 'Enchanted'.

I'll be forever proud of setting a goal and seeing it through. I'lI always feel shivers all over when I remember singing 'Long Live' to close the show every night on tour. The outstretched hands of those bright and beautiful faces of the fans. Their support was like an open palm that reached out and helped me up off the ground when others were, frankly, mean.

These days I make my choices for those people, the ones who thought I had been good enough all along. I try to speak my mind when I feel strongly, in the moment I feel it. I'm still idealistic and earnest about the music I make, but I'm less crushed when people mock me for it. I know now that one of the bravest things a person can do is create something with unblinking sincerity, to put it all on the line. I still sometimes wish I was a little kid again in a tiny bed, before I ever grew up.

I always looked at this album as my album, and the lump in my throat expands to a quivering voice as I say this. Thanks to you, dear reader, it finally will be.

I consider this music to be, along with your faith in me, the best thing that's ever been mine.

Yours,

Taylor

[yzzart]

Tom Blyth being really fucking obsessed with actress!Reader, like constant physical contact, many kisses, maybe some moments on set? I love your writing 💖

"Oh, the lovebirds."

pairing: tom blyth x actress!reader.

summary: another compilation between you and tom? we have!

word count: 538!

notes: thank you for requesting this, anon and i hope you know that i love you and beg you to request more ideas!

"See them over there?" — Recording and switching the camera to frontal mode, Rachel pointed to you and Tom sitting under the tree, in the forest setting, together. — "Two lovebirds in love." — Tom's arm was around your shoulder, he was saying something that was, technically, impossible to identify, but then he left a long kiss on your forehead. — "Look!"

Rachel saved that video with a triumphant, happy smile on her face in an album she had made specifically for behind the scenes and it was the thousandth video of you and Tom that she had saved. — The first and biggest fan of both of you.

It wasn't difficult, and not at all complicated, to find behind-the-scenes photos of 'The ballad of songbirds and snakes'; so soon, it wasn't hard to see photos and videos of you and Tom together on set. — So much for you posting and Rachel too.

There were videos where he put Coriolanus' peacemaker helmet on you; your hands between his rough and cut hair, commenting on the possibility of him temporarily turning blonde;; a photo they took of him and him lying on the grass. — Several moments recorded, captured and saved with lots of love.

Also, the small and peculiar fact that you left written messages or just heart symbols on paper, sometimes torn up, for each other. — Hunter thought this was cute, and she even helped Tom put one of them in your trailer.

In every interview, to repeat, in every interview, Tom always tries to be in contact with you; mainly, the physical. — It doesn't matter if your chair is a little far from his, or if you or he are on the other side of the row. — Nothing can stop that man.

The cameras record, with attention and great focus, Tom holding your hand while you answered questions from the interviewer, who was also watching, and admiring the rings that were present on your fingers; and that some were gifts from him. — If Tom had the opportunity, he would never let go of you.

He contemplated carefully; distributing affection with his fingers on your hand and your palm, at certain moments, even tickling you and, sometimes during the interviews, a brief laugh accompanied your words.

And every time it happens, that passionate smile wrapped in such a strong emotion curves on Blyth's lips.

Well, it's not just the contacts and touches between your hands that are captured by cameras and the watchful eyes of fans; Tom's arm resting on the back of your chair, your leg touching his, your head on his shoulder and once again Tom's hand resting on your knee. — You looked like a pair of magnets.

Oh, and not to mention, a moment from an interview, another one from Vogue to be a little specific, in which Tom removes one of the rings that was on his fingers, the one that is always on his pinky, and decided to put it on your finger. — God, your fans went completely crazy on all social media, especially on Twitter. — It wasn't so perfect, in the right measure, but you didn't remove it in any way.

During the premieres, several photos with you kissing Tom's cheek and him kissing your hand, like a knight, spread across networks and even on the film's official accounts. — And Rachel commented on all of them. — And the photos that show Tom's hands on your waist, holding you so gently accompanied by such a sweet and intimate look and following you wherever you went became your favorites.

Flashes and snippets of interviews, videos of Tom's hand on your back, helping you with your long dress and him brushing some locks out of your face while you answered questions. — Even the interviewers smiled witnessing those acts.

And there's always a like from Tom Blyth on Instagram posts of these photos.