#I know there's a scary one out there

[imminent-danger-came]

MY NEWS LETTER CARDS WERE SO GOOD Y'ALL

[thelaurenshippen]

watching bridgerton and obviously there were a lot of things wrong with the way socializing has worked in the past, but honestly the idea of a "calling hour" is so appealing. office hours for friendship. you can show up unannounced at my home between 1 and 3pm. you must leave by 3pm. I may give you a pastry. lets bring that back

[gallusrostromegalus]

Might I inquire as to what, precisely, a Mustain't is? (Aside from a string of letters I hesitate to Google in that order.)

In October 2014 I went on a road-trip to the Driest Place In America.

I was having a rough year, very depressed from having dropped out of college for the third time. I decided a road trip was in order to re-set my brain and get a little distance. Being that it was October, and therefore all the campgrounds in the American Southwest were filled with people who have the good sense to camp in reasonable temperatures, I elected to take my parent's minivan so I could car-camp anywhere suitably isolated, and looked up some of the southwest's geographic extremes- the highest place I could drive to (Pikes Peak), the lowest place (Badwater Basin), and for fun, the Dryest Place in the continental US, which turned out to be the Pinacate Volcanic field just west of Organ Pipe Cactus National Monument. It gets rain maybe twice a century and has no standing water, despite being less than 100 miles from the gulf of California.

It's a startlingly beautiful and alien place. The ground is a deep chocolate brown to black volcanic sand, and in mid October, the rabbit brush is turning bright yellow as it shifts to autumn, the organ pipe cacti are a dark green and stand, partially concealed in the brush at exactly human height. The air is alive with birds and insects and bats at night. The stargazing is like looking into the eyes of God.

You get there by driving down a little dirt road called "El Camino Del Diablo", or "The Devil's Road".

I drove out about three hours from Glendale, AZ to get there, arriving at sunset, and felt a profound sense of peace. I stargazed, listening to the bats hunt and sing, and slept peacefully for the first time in months.

I stayed out there for three days, sketching and painting the landscape, taking strolls through this almost alien landscape, and enjoying the light and sound and total absence of human intrusion besides myself.

On the fourth night, it was a new moon, and I awoke in the middle of the night. Something was amiss, and it took me a while to realize it was because I could NOT hear the bats. I was sleeping inside the van with the rear windows rolled halfway down rather than trying to set up the tent, so I when I sat up, I looked out of the van's reflective windows to discover what at first appeared to be A Horse.

It was something between pale gray and bright white in the starlight, standing maybe a dozen feet from the van, sniffing curiously. It made sense- I was in the middle of mustang country and there was quite a bit of foliage in the area for it and it did look like a truly wild horse- lumpy where the bones were jutting out, dusty about the hooves and face.

I was instantly seized by the sort of paralytic fear Sleep paralysis is made of. I couldn't move. It wasn't quite looking at me because it couldn't quite see through the windshield into the shadowy into the shadowy interior, but I had the distinct impression that if I looked away, it would know, and get me.

I already had problems with horses. My beloved Aunt Helen's Prize mare tried to kill me on two separate occasions, and the year before I had to carry my sister-in-law backwards out of a slot canyon whilst reciting the Saint Crispin's Day Speech as loudly as possible to keep a mustang from trampling us to death.

This is approximately what it should have looked like:

Instead, it was... off. like trying to draw a horse from memory.

The waist tapered in.

The legs were slightly too long or the torso slightly too short, probably both.

The ears were Triangular.

The head wasn't quite right- Too narrow and the jaw wasn't heavy enough.

The tail was too long and arced unnaturally away from the body.

The neck arched.

The nostrils were too high and close

The mouth too long.

Whatever this is, a Mustang it Ain't.

I watched it from the back seat as it sniffed around the front of the van, curious with about the side mirrors. It moved around the van, nibbling experimentally on the front door handle. It came up to the side windows, sniffing like a dog, and it's breath didn't fog up the glass.

Finally, it came up to the rear window, which was rolled halfway down to let the fall night air in. Not even half a pane of glass and two feet of air between us, and I could clearly see it's bright blue eyes.

Horses have Elongated pupils to give them a wide field of vision, and eyes that rotate sideways in their sockets so the pupil remains parallel to the ground. Rather creepy to watch, especially the ones with blue eyes.

A real horse that was curious about the interior of the van would have come up to the window more or less sideways, and looked at me with something like this:

Instead, the damn thing walked up and faced the back window head on, staring back at me with this:

I'm not sure how long we watched each other like that, eyes locked. My eyes burned. I couldn't blink. My mouth was dry. I couldn't swallow. My throat began to ache. I couldn't make a sound. My skin began to twitch, like I was severely dehydrated. I couldn't move. My lungs burned. I couldn't move. I couldn't move. I couldn't move. I couldn't move.

Something was touching the side of my hand on the seat next to me. It's my water bottle.

The realization must have broken the terrible paralysis in the lower parts of my brain first, because by the time I consciously realized I could move again, I was already flinging my water bottle out the window at it.

The top was open, and splashed out the window at the Mustain't.

I've never heard such a scream out of an animal. Something halfway between the sound of unquenchable rage vibrating in someone's chest and the way rabbits cry out to God when the dogs catch them.

It jumped back, pivoting away from the van, snarling at the water bottle. I don't think you're supposed to be able to see All of a horse's teeth at once, no matter how angry it is.

I watched it run into the night for some distance, it's pale body visible against the black sand and the dark gray shadow of the ancient volcanic cone it was headed for.

When the blood stopped pounding in my ears, I could hear the bats again.

I debated leaving right then, but I didn't want to get out of the van with that thing in the area, nor litter by leaving the water bottle out there. I also had the awful idea that if I left now, it might somehow be able to follow me home. I ended up staying up three hours to watch the sunrise, shaking and trying to figure out if I'd woken up from a vivid dream, if my meds had stopped working, or if that had really happened. I didn't dare move until I actually felt the temperature rise, before stepping out of the van to grab the bottle. I had my camera ready- I was still using a DSLR back then- to take pictures of the hoofprints, to show how close it had gotten to the van.

No hoofprints.

Beetle tracks in the soft sand around the van, and the clear foot-and-wing prints of a bird that had hopped around then taken off. But no hoofprints.

I went over the entire campsite with the tent broom, to make sure I removed every scrap of evidence I had ever been there, including my footprints, grabbed my water bottle, and drove the three hours back back to Glendale, then decided to do seven more hours of driving to Moab, Utah just to put more than 500 miles, the state line and at least nine things that could be considered "running water" between me and the Mustain't.

-

I still have that water bottle. It has a dent in the bottom from hitting something, but that could have happened at any time. Strange thing though. I can't drink that bottle dry. I'll have it on me, drink whatever I've put in there- water, juice, iced coffee- and eventually feel like I've drunk the whole think and that it's empty. But I open it up and it's still at least a quarter full. I drink that. I get thirsty. I open it up again. ...and there's always a mouthful left.

Not sure what the side effects of drinking from a bottle cursed by a Mustain't to always have some left are, but it lives in the Emergency Breakdown Kit in my car now, just in case I meet another one.

---

(I'm a disabled artist and make my living telling stories, please consider supporting me on Ko-Fi or Pre-order the Family Lore book on Patreon)

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[chyarui]

Commander Wolffe, no introduction needed.

I had so much fun with his tattoos, if you couldn’t tell. After Fox’s depressing ones and Cody’s cute but simple one, I needed to go all out with Wolfy boy’s tat. Honestly, this man deserves a cool tattoo after having to deal with the torture of interacting with C-3PO. I could FEEL his annoyance through the screen (that sassy fucking eyeroll I swear you could feel it though his helmet)

[nidbaesenpai]

Paper flowers seem beyond you now but you can always go back to the basics, paper cranes are easy enough...

[inkskinned]

she says he won't let her get a dog, which is fine, because they're in an apartment, and that's the kind of thing people say about their partners. he won't let me get a dog. and you're at a dinner party and you tilt your head a little to the side just like that dog he won't let her get, because is this the thing that's going to upset you? you don't know every corner of their relationship, she could be joking, they could have had so many healthy conversations about the dog, right, and maybe she's not letting herself get the dog because of money and time and whatever. but, like, she did say let

and she wants to move away from his hometown and he wants to stay and then he tells you with a wink and a conspiratorial stage whisper don't worry i'll convince her and she laughs about it - so clearly this is something they laugh about. but you do just stand there and stare at him like what the fuck, man. you can't say what you want to say which is why do you get the final say on everything because they're both obviously aware of the other person's stance on this and have obviously had private conversations about it and what are you going to do about it except make a scene and then he'll be mad at you and call you one of those bitches behind your back and she'll cut you off, which is a loss that doesn't feel worth it just because he makes you a little skeeved out every 3rd comment

and they both agree he just isn't the type to get flowers which is fine because everyone shows love differently, and are you really gonna judge someone based on their sense of individual relationship responsibility? maybe he's constantly cleaning her car and writing her poems and making her furniture or something. maybe she doesn't even like flowers and this is perfect, actually. and no you couldn't date him, obviously, ew; but like, she tells you she's happy. you almost send her a tiktok that says don't be 25 and the cool girl that doesn't need anything, you'll hate not getting flowers at 30, but that's like, starting drama & you shouldn't start drama needlessly.

and you're a little older than her but not so much older you can pull the whole trust me on this one babe thing and besides that wouldn't have worked anyway (when does it ever) and besides you have trauma so you and your therapist both agree that you're always looking for a problem even when there isn't one. and you tell yourself that just because you see them for 15 minutes every month does not mean you can identify every single red flag based on a single shitty half-joking(?) comment

and besides, what are you going to do? she says i actually wanted another stand mixer but thankfully he stops me when i'm about to spend too much money and you're standing there like are you okay? is this normal? is this just something people say? and again - what are you going to do?

to your therapist you try to language it - it's not, like, any of my business. but sometimes, doesn't it feel like - you should do something. there's got to be something, right? you've tried dropping little hints but they sail right through and you've tried having a single serious conversation and she got upset because why does it matter to you, yes it's different but we're happy, it doesn't need to make sense to you and you're like. really unwilling to push a boundary about it anymore; because the truth is that you know logically it shouldn't matter to you, as long as both parties are happy.

and besides, you've been wrong before. it's just... like, every time you see them both, something else happens, some kind of shiver down your spine like do you even hear each other when you talk. it's their strange, bickering orbit. just the way he's on his phone through dinner or watching sports instead of helping in the kitchen or, fuck, another one of these little throwaway comments he makes about we'll see about that, babe. she laughs when he calls her passions stupid shit and meanwhile she gets him tickets to see the knicks and he tells you well at least she's smart about something and still! it's none of your business.

you say get the dog anyway and she laughs. like, this is is you being funny. and not you saying - no really. get the dog. get the dog and get out of here. pack up and start running.

[shima-draws]

I'm rewatching GF since the whole world seems to be into it right now (thank you Alex and the Book of Bill) and AGHHH I FORGOR about the body swap episode when the twins find the secret room and Stan picks up Ford's glasses and later we see him sitting on the couch looking at them wistfully...

Shut up shut UP that's NOT okay

[premamelody]

lord, give me one more chance

[dykedvonte]

Jimmy only commits his worse moments when he’s alone with each individual character.

It’s implied he corners Anya in her room. He brutalizes Curly when everyone else is busy under the guise of medicine. He convinces Daisuke to go into the vent when Swansea can’t stop him. He kills Swansea after everyone is dead. It really highlights the type of violence he commits. He is a coward, he won’t take his chance if there is a possibility of active conflict, yet, he jumps on the opportunity to do so when there’s no risk. Not just when there’s no one to stop him but when he knows there’s no one to witness it. To judge and directly call out his faults.

No one outside himself to really see him as the monster he would never admit he is.

[fatedroses]

Some body type references and notes I wanted to make, especially before I redraw some of my old pieces (plus, a bit of him as an adventurer having a crisis of a realization), and also just personally how I HC the change between stormblood to now based on some in game refs I've been looking at.

[sluckythewizard]

PART OF A BIGGER DOODLE PAGE. WHEN ITS DONE ILL TUCK THE LINK INTO THIS LITTLE X RIGHT HERE ----> [X] I REALLY REALLY LOVE THE TOM N JERRY DYNAMIC W EMIZEL N VEX. IMAGINE BEING SO SO HAUNTED BY A LITTLE GUY THATS JUST SSSSOO FUCKING ANNOYING.

[ghost-proofbaby]

never love an anchor (e.m. x reader)

"On some level, I think I always understood that a ship could never really love an anchor."

warnings: severe hurt/brief comfort, suicidal ideations, severely depressed reader. again: detailed recount of suicidal ideations. dead dove: do not eat.

wc: 5.8k+

an: i cannot emphasize this enough - this fic deals with a severely depressed, and blatantly suicidal reader. it is extremely heavy. it is extremely triggering. it is extremely self-indulgent. the romance aspect is ambiguous and the comfort aspect at the end is brief. this is a genuine, and sincerely personal piece of writing. it is an outline of how suicidal ideations may present themselves to some people. of these 5k words, 4k is deeply littered with reader's ideations without sugar coating. please, please, please do not read this unless you're in the state of mind to read it. you've surely heard it before but i'll say it just to be sure: it is a permanent solution for temporary feelings. and, just in case no one has told you, i'm glad you're alive. if you're reading this, i'm glad that you're alive. you're enough.

if you find yourself feeling like reader, i urge that you find resources such as those linked. hotlines, therapists, friends, your doctor, your family - please. i do not wish these emotions upon anyone, and they should never be taken lightly.

that being said, here are my guts from a very vulnerable moment, spilled out across the page. please handle them with care if you choose to read.

Technically speaking, the pressure that the human body is capable of handling almost seems infinite. When introduced slowly, and time is given to adjust, there is no pinpointed amount of pressure that dooms the human body. Like a crab in slow boiling water, your body should be theoretically able to handle a steady increase, bit by bit, and never truly notice. 

So why does it currently feel like you’re dying?

The pressure was never an overnight thing. It was a conglomeration you’d gathered, piece by piece, collecting little souvenirs of all the responsibilities you can’t currently remember if you’d ever agreed to along the way. It hadn’t been sudden, it hadn’t been with lack of adjusting, it hadn’t been a pressure suddenly unloaded upon you all at once – you’d done this, brick by brick, all with your own two hands. 

Keeping up with friends, keeping up with work, keeping up with expectations. Always trying to run ahead of the curve, always trying to be better. You should be fine. You shouldn’t even notice. You shouldn’t be sobbing on your bathroom floor, clutching the edge of your porcelain tub, every single breath a labor of survival. 

It feels like every bone in your body is splintering. It feels like the world has cracked open your ribs, one by one, just for show. You don’t feel poetic like the movies, you don’t feel like a valuable lesson learned in the books. You feel as though you’ve become nothing more than some crude display in a contemporary art gallery, and you were the one to hang yourself on the wall. 

Needles prickle across your skin with another heaving sob, as if you can feel the push pins you’ve used to spread yourself out for consumption. 

We still on for tonight? 

The text from Eddie glares at you from your phone discarded on the floor mere inches away. You’re lucky the screen hadn’t broken when you’d thrown it down on the ground on your way to the toilet, dry heaving through all your tears. 

He wasn’t a part of the issue. If anything, he was part of the solution. 

A shining clean slate, pristine whites and a scratch-free surface for you to press your cheek to when it all got a bit much. An abyss of freedom and openness for when the world was all a bit smothering. An anchor to cling to, a rope to tie around your wrists to keep from floating too far. The willow tree in a graveyard to rest your back against, the caress of a warm sun even if only momentarily as you stared out across headstones of all the pieces of you that you can never get back. Every version of you that has long since buried, a few even with newly churned dirt resting upon them. Something soft, something sacred, to rest your hands upon. 

Why does he still let you rest your bloodied and dirtied palms on his shoulders? Did he ever agree to that to begin with? 

You can’t remember. Or maybe your brain is simply refusing to recall. 

I hate to cancel, but I’m sick. I don’t think I can come out tonight :-( 

What? Is everything okay? Are you okay? Do I need to bring you anything? 

Please don’t.

The please is what gives you away. You should have forgone it, should have offered him a lighthearted response instead. 

But there is a pit in the bottom of your stomach, and seeing all the question marks across his text only made it more terminal. Only gave it more reason to swallow you whole. Only gave it more reason to grow and to tangle up and to restrict each stuttering breath of yours that you can’t seem to steady. 

Another buzz comes from your phone, but you don’t look to read it. You resort to resting your forehead against the lip of your toilet, all attempts at a deep breath futile as you finally taste the salt across your lips. 

Were you too much? Were you not enough? Was it possible to be an odd juxtaposition of both? 

A harrowing thought crosses your mind, and you know if Eddie could read minds across the intricate webbing that connects cell phones, he’d grab you by your shoulders. Maybe shake you until you see sense, or maybe cling to you until the thought has faded into nothingness. As if he could squeeze you hard enough to press together all the splinters that are left of your bones, forming a new body – a better body. One that can handle the pressure. One that isn’t imploding upon itself. A more durable mind, a more capable suit of skin to occupy. 

Does it even matter anymore? Would it even matter if I simply vanished? 

Would it be so bad to let the pit finally consume you? To just give in, to let it erase you from existence. To finally wave your white flag and let the awfulness inside of you finally win the battle, erasing you from existence and leaving behind an empty space in the world that could be filled with someone better.

Someone who could be a better friend. Someone who could be a harder worker. Someone who wasn’t choked up on their bathroom floor, beginning to contemplate if the painful gasps were even worth it. 

Were you worth it? Were you worth the air in your lungs? Or could it better serve someone who could handle all the pressure? 

And it wasn’t even that much pressure to begin with, if you pick it apart thread by thread. It was the natural weight of the human experience, and you were still crumbling. 

There was a full bottle of ibuprofen in the cabinet. There was a busy street not far from your home. There was a bathtub that could easily be filled with water – you’d never been good at holding your breath, unless someone counted the last few months, in which that seemed to be all you were good at. 

There was even a bridge, 5.27 miles away from your house exactly. You could already envision the patch of grass you could park your car at, feel the drop in temperature as you stood and overlooked the tame waves of a man-made lake.

Maybe your feet didn’t even have to leave the pavement. Maybe it would be enough to just stand in the silence and see the jump with your own two eyes. 

You felt like nothing more than a ghost of yourself, yes, but maybe. Maybe, just maybe, there would still be a broken shard within you that could stir awake at it all. Maybe if you got up off the bathroom floor and set yourself into motion, it would open its eyes just in time to scream no. 

Ghosts don’t just appear. They were a vibrant soul once – they were somebody once. 

But it’s hard to imagine that you ever were. When it gets like this, it’s hard to push through all the tumultuous thoughts and loathly emotions to remember that. A version of you vibrant, a version of you that might have been worthy, if only for a moment. 

A version of you that wasn’t insulting to compare to others. That was capable of progress, of earning your blip of existence. 

You don’t want the bottle of ibuprofen. You don’t want the busy street. You don’t want the overflowing tub. You don’t even want the calm of the bridge. You just want it to stop. 

There’s a knock on your front door that echoes through the entire apartment. You dread that you already know who it is, but you can’t get up to answer. 

You can’t move from this very spot. You’re terrified of what will happen when you do. 

Will your bones collapse into ash upon the floor? Will you make one wrong move, and in a fit of pressure, make a terribly permanent decision for what feels like a terribly permanent feeling? 

Maybe you were born with the pit in your stomach. Maybe you were born with that black hole inside of you. Cursed to always be yearning, always be a juxtaposition, always be a ghost of what could have become. 

You think you hear the click of your front door opening. You think you hear heavy footsteps across the hardwood floors. You think, you think, you think. That’s the issue. 

The tears are still coming and going in erratic tides. The salt is drying out your lips, your cheeks, the corners of your eyes. You’d thought you’d been incapable of any more emotions like this, but your tear ducts have managed to prove you wrong. 

Does it even matter anymore?

You’d left the bathroom door wide open. 

Were you worth it?

You’d been home alone – past tense.

A more durable mind, a more capable suit of skin to occupy.

A soft gasp of your name has you microscopically lifting your head from the toilet seat. You know what the scene looks like; it looks like nothing more than the excuse you’d used. You look as though you’re ill, like you’ve been spilling your guts across the bathroom floor all night. 

If you had been, would it all feel a little less heavy? 

“Hey, Eds.” 

You’re tired. You’re exhausted. Your voice is nothing more than a drag of a whisper as you look up at your anchor standing in the doorway, his face painted with concern. 

Maybe you were an anchor – maybe being an anchor wasn’t a good thing. After all, what use does an anchor have beyond weighing down the ship? 

“Jesus,” he mutters as he rushes to your side, falling to his knees carelessly as his hand flies out to brush back tendrils of your hair, “You look like shit.”

You felt like shit. 

Selfishly, you lean into his touch, desperate for comfort. Desperate for those caring palms to soothe the ache you’d carried since birth. Desperate to hear him tell you that you’re wrong – hands to promise you that you’re worthy, fingers to wrap around your bones rather than these burning ropes. You’re bloodied and raw, fully on display, and you just want to be okay. 

You don’t want the bridge. You want Eddie. You want him to magically make it okay, and that’s unfair. 

You’re not his weight to carry, not his burden to shoulder. 

After far too long of a silence, one in which he sits patiently in with you, all you can really reply is a broken, “Yeah.” 

Immediately, he knows something is wrong. Because of course he does. 

Because he’s a good friend. He’s a good person. He has the right words more often than not, and his hands were always formed to heal rather than injure. Create rather than destroy. Those warm palms are made to hold the space he’s earned in the grand scheme of the Universe, and it almost makes you nauseous as the jealousy spreads. 

He’s good. 

And you’re simply rotten.

You used to lie to yourself and say it was simply one rotted bit amongst plenty of good, but tonight, it all seemingly comes to clarity. You can’t dig out the bad, cleanse yourself of the rot, because it’s all decay. 

You don’t have to let the pit consume you – it already has. You were born with it, and it had swallowed you whole from the first cry that had ever left your lips. 

He makes himself a bit more comfortable, and you almost feel bad for reducing him to nothing more than the bathroom floor, “You wanna talk about what’s really wrong?” 

“I’m sick.” 

“This isn’t just some stomach bug.”

Your throat begins to tighten again, and suddenly, his gentle touch across the crown of your head burns. Your eyes water ferociously, and your chest caves into itself.

You can’t make a better body or a more sound mind out of the mess you’ve become. You can’t pull gold from tarnished rubble. 

Confessing to him will only be handing over something heavy, something terrible, that he shouldn’t have to struggle with as well. But not offering him a sliver of the truth almost feels more dishonoring. 

“Do you ever feel like a waste of space?” you croak, leaning back, finally accepting that the small space of the toilet that had been cooling your face has gone warm. Another thing you’ve ruined, in hindsight, “Like, this world is filled with great people, and I just… I just, I’m taking up the space- I’m wasting the space-” 

You can’t get out the proper words. You don’t know how.

How do you say you want to cease to exist when you’re not really sure if that’s the truth? You’re miserable, and you’re selfish, and you’re not entirely sure your feet would have ever left the pavement if you had driven yourself to the bridge. You’d be too scared to do it.  

Too scared to miss the day that science announces it’s found a cure to all your rot, a miracle drug to erase the pit, a way to reverse all the damage you’ve been comprised of your whole life. 

His brows furrow and his hand stops all the calming movements, “What? Are you- are you saying you feel like a waste of space?”

It feels silly to admit it to other people. To try and describe how it all feels. Like a child trying to convince their parents the Boogeyman is real, you have to make him see that you’re right. You have evidence, you have proof, and it’s not just a feeling. 

“I don’t feel like I’m a waste of space,” you finally correct, both yourself and him, “I know I’m a waste of space.” 

“Bullshit.”

“Eddie, don’t-”

“No,” he cuts you off. And somehow, in only a way that he’s capable of, it’s not offensive, “You’re not. I’m not going to sit here and listen to my favorite person claim they’re wasting space-”

“I am!” It’s your turn in the cycle of interruption. You pull away from him entirely, chest heaving with the weight presenting itself once more, tears starting to fall all over again. You can’t even distinguish where the old tears stop and the new ones begin, “I really am. All I seem to do lately is just exist. And that’s such a- such a- that’s such a waste. I can’t read any of the things I should enjoy these days, I can’t even write. All of the words feel like they just come out wrong. I’m letting everyone down left and right, I’m never living up to whatever pedestal you’ve put me on. I don’t even know what I’m doing with my life. I don’t even know where I’ll be in a year from now – I can’t even see that far in the future.”

Heaves become sobs, and the crumbling has begun once more. A cycle of breaking, a cycle of demolition. Even leaving behind the rubble feels like a crime. A waste of space. 

“I don’t think I’m a good person,” you manage to spit out between all your visceral reactions, “Every year, I tell myself the same thing – I’ll be better, I’ll be kinder, I’ll be worth it. And every year, I fail.” 

Can he see it? All the fractures and splinters and pits and metaphors? 

Can he smell it? All the rot and the destruction and hopelessness?

Can he feel it? All the pressure? 

Through your sniffles, you press your back to the tub, knees to your chin as you wrap your arms around your legs, desperately trying to shrivel up. To take up less space. To waste less space.

“I used to think I could make up for it,” you whisper, “I could offer people things that made them forget I’m… so useless. But I don’t think I’m even capable of that anymore.”

If he’s about to respond, it’s drowned out by your cries. You press your eyes hard into your kneecaps, until you see stars, and you try to swallow down all the embarrassment. Try to stop all the hurt from spilling out, to stop all your guts from painting the bathroom walls. 

He could simply sit there, let you wallow in your misery alone. Sit and stare as the artwork finally serves its purpose to the visitors of the gallery. Maybe jot down some commentary on how with your bones all spread out like this, the point the artist was attempting to make becomes oh so clear. 

And yet, he doesn’t. 

You know it’s his arms that are wrapping around you, pulling you from the chill of the tub and into the warmth of his chest.  And you let yourself smother within the fabric of his shirt the same exact way in which you’ve convinced yourself you smother everyone around you, let yourself breathe in drugstore cologne and his last cigarette rather than think about all the thoughts that had been spiraling you into dismay over the last twenty four hours – over the last twenty four years. 

He’d probably been smoking while waiting on your call tonight. Probably riddled with anxiety, if the shake of his hands pressing into your back are anything to go off of. An anxiety and waiting game that wouldn’t have to exist if you didn’t exist.

The thought makes you cry harder. 

If a ghost dies, can it even still return back as itself? Can it still find it within itself to haunt empty hallways, and watch the ones it once loved find peace?

“You’re not useless,” it sounds as though Eddie might be crying as well, if not just a little choked up, “You’re not- I swear- You’re not useless, okay? Never have been, never will be.”

His murmured words are nice, but they fuel an unimaginable guilt. It was supposed to be a nice night. A night of movie marathons and midnight coffee, of trying to remind yourself why you still stick around. A moment of incomparable joy and sweet reprieve as your stomach ached from laughter, your cheeks swelling with an infallible grin that Eddie always seems to pull out of you.

There’s no smiling, no giggling, right now. Just his favorite band shirt from the show you two had attended a few years before, soaking with a fast-growing stain from all your tears. 

When you don’t answer him, only manage to wrap your selfish arms around his waist, he continues, “How long have you felt this way, sweetheart?”

And if you hadn’t already been shattered previously, that would have finally broken you. 

You can’t pinpoint when it started. You can’t clear the smoke of memories and find an exact moment that you can point to and say, there. That’s where the hurt starts — that’s where the rot starts. 

“I don’t know.”

In your mind, it’s a wail. Loud and ferocious, efforts of all it has taken to withstand the pressure of your undoing screamed out loud. 

But on this quiet bathroom floor, it can’t even be considered a whisper. Nothing more than the spoken words lingering from a ghost who can’t give up the haunt. An echo of a memory, an echo of the piece in you that can’t let go, not yet.

Not of existing, and not of him. Your fists hold him so firmly against you, you’re scared that you’re going to bruise him. Hurt him just from the sheer effort of trying to show that you love him. 

The only way you know how to love – a violent dog who will always bite the kindest hands. Leaving behind bloodied knuckles even if you hadn’t so much as snipped this time. 

You take a sharp breath, aware of the levity of the words you’re about to say, “I don’t want to exist anymore, but I wouldn’t even make it off the bridge if I tried.”

It’s not about the bridge anymore. In all likelihood, it wouldn’t be the bridge you turn to. There’s a grand metaphor somewhere in the admittance, but your mind is just too tired to try and paint a prettier picture of it for him. 

Because exist is just a placeholder. And there’s a bigger, scarier word that should stand in its place. 

He starts to break the hold, and you nearly sob out again just at that. Losing the warmth of his chest and arms strike pain somewhere deep within you, just north of the pit that’s devoured all that’s left of you. 

“Bridge?” Phrased as a clarifying question, but when you see his face, it’s clear he knows. There are no good words left to say about it, “Sweetheart, no.”

There are worse reactions to be had. More scenarios that end in slamming doors or deafening silent treatments. Realizations that you’re right and it’s not worth it – defense mechanisms that involve them leaving first. 

“I couldn’t do it, even if I want-” 

Even if I wanted to. The words you can’t speak, dying on your tongue. 

Do you want to? Where does the pain begin? And where could it end?

“You really don’t see it, do you?” he laughs humorlessly, his hands still gripping your biceps in a death hold, “You… you just…” 

He doesn’t know what to say, and you don’t blame him. You knew this was heavy; you knew this isn’t the type of bomb to drop on someone you love. 

But if you didn’t, where would the bomb have gone? You’re not equipped to detonate it. You’re not equipped to survive the explosion. You wouldn’t want to survive that explosion. 

“I’m sorry,” your words pour out, beginning to shake beneath his palms, “I’m sorry, I’m sorry, I’m sorry.” 

Dry, cracked lips feel as though they nearly split from the apologies. More violence, more devastation, more of what you always knew you were. You can see it in his eyes – you’re dragging him down with you, right down to the bottom of the ocean. You’re being an anchor. 

He’s all stutters and harsh breaths, panic filling the space with your own as his eyes search yours, “Don’t apologize. You don’t have to apologize. Just-”

He cuts off and is pulling you close again. Slamming your bones into his, wrapping up around you as if he might be able to keep you safe from the world. From your own mind. 

“I don’t need apologies,” another squeeze of your closer to him, another attempt to pull you away from the dangers that lie within, “I don’t- I just… Can I help? How do I make it better? Just say the word. I’ll do it.” 

It’s not your job. That’s not your job. 

You don’t realize you’ve said the words out loud until he’s squeezing you so tightly that you now can’t breathe. Until all you are is him. All his old t-shirts he’s lent to you that hang in your closet, all the nights spent with tangled legs as you sit across from each other on your couch, all the phone calls in which he refused to be the first one to hang up. Cologne that is too cheap to be able to cling so ferociously as it does to all your surroundings, chain-smoked cigarettes you always chastise him for because they’re gonna kill you one day, the smoke of his latest blunt resting in an ashtray as his head finds home in your lap. 

All the inside jokes. All the hugs. All the simple texts, if for nothing more than to just check in on each other. The broken reminders of having someone out there that cares. That loves you. 

How can such rotten hands pull such love from others? How have you yet to infect him? 

“I know it’s not my job,” he finally says, and you know for a fact he’s crying along with you before the first of his tears have wet the crown of your head, “It’s never been a job. You’re not a job. Okay? Get that through your head. There’s- Fuck, there’s plenty of things I wanna drill in that pretty little head of yours right now, but I know I can’t, so just get that.”

He’s trying. A little trill of his tongue that falls a bit flat when he refers to your pretty little head, a brief squeeze of your shoulders as he tries to relax a little. He wants to make you feel better. He wants to make it better. 

But he’s still holding you like he’s terrified. You did that – you instilled that fear. 

“I’m a mess,” you whisper in bitter realization, ash on your tongue as you process what you’ve done. You’ve already apologized, but you’re seconds away from doing so again, “I’m- I’m a mess, and I’m dragging you into it, and I’m sor-”

“Stop being sorry.” Definitive words, no room for argument. The smallest of shifts as things click into place. He isn’t budging – he isn’t letting go, “Do you remember when I first met you?” 

You can’t tell if the question is meant to have a point, or if it’s meant to be a distraction. You let it grow into the latter.

“Yeah,” you breathe out against him, melting into his chest, trying to focus on his voice rather than the ones in your head, “But tell me about it anyway?” 

“Two years ago. Technically, two years and seven months,” he starts in the same voice he used to take on during Hellfire sessions, before the members had scattered from coast to coast and his D&D club only became a rarity when the stars aligned. There’s still a crack to his voice from his tears, but that doesn’t stop him, “We were in some cursed fucking diner we don’t even go to anymore, in the dead of the night, and all the servers knew your name and order,” he paints the picture with a humor that should feel out of place, but it settles some of your breathing. Omitting all the vivid details, opting for triggering the memory with words you’d just get. You can feel the stick of the plastic beneath your thighs, you can smell the grease of the kitchen. You can see the cloudy night out of the oversized windows. He’s a natural born storyteller in the most subtle of ways, always knowing his audience, “You were sitting all alone in that booth, and all of Hellfire had just left. Gareth had just told us how he was going to college in California – did you know that?” 

“I didn’t.” 

“Well, he did,” his chin presses against the top of your head, a huff of a laugh escaping him, “Dropped the bomb it was our last summer as a club probably. We were happy for him, though. Real fucking happy. Got milkshakes to celebrate and made plans to get drunk off our asses the next night to keep the party going. It was dumb, and I’m getting off track, but…” 

Baited breath, you’re waiting for him to continue. No thoughts of the bridge. No thoughts of your failures. Living in a small memory with him on the floor of your bathroom. 

“Anyways, you were sitting there all alone, with a plate of fries and ranch.” 

“Oh, God,” your nose scrunches and you try to pull away, suddenly remembering how embarrassing this memory ends for you. It suddenly didn’t seem like the best way for him to make you feel better by any means, “No, I remember how this story ends, and-”

“I’m not done,” he locks his arms around you, and you can feel the whisper of a smile as it brushes against your temple, “Obviously you know where I’m going with this, but I’m not done, sweetheart. Because all the other guys had just left, and I’m sitting there, realizing the only other customer was some random person over across the diner, scribbling away in some notebook. Thought you looked cute when you were all focused like that, y’know? But then you were so focused that it became distracted, and you spilled that ranch all over yours-” 

“Please, stop.”

You’re laughing through the words, weakly, the air of desperation in the word please being far different from earlier in the night. No bridges, no failures. 

“I was probably being a weirdo, trying to run over and help you or whatever the fuck I was trying to do. I probably made it worse, right?” 

You’re there, remembering a version of Eddie that was a stranger, taking napkins to the knees of your jeans and smearing the ranch rather than really helping you clean it up. “Yeah, just a little bit.” 

“Sorry for that, by the way,” he airily apologizes before continuing, “But I just remember thinking about how focused you were on that notebook. And how you laughed with the waiter. And how you were just… lost in your own little world. And how you were so cute. You were so nice. The type of person I wanted in my life. Took one look at you with that ranch all over your lap and thought, huh. I want to get to know that person.” 

“Nice? I was not nice, I was-” you cut off, heart all but stopping as you recognize the point of it all. It wasn’t meant to just be a distraction. He was making a point. “I was a… a mess that day.” 

“Exactly.”

He pulls away again, and this time, it’s a little easier. The world has put a pause on its ending and you can handle the weight of his arms lightening for a few seconds, just so he can get a good look at your face. 

“You were a mess the day that I met you, and I still wanted you in my life,” he says each word deliberately, not breaking eye contact. Fear has broken through to determination. “And even if you’re still a mess today, I still want you. Nothing changes. You get that?” 

No bridges.

No failures.

The weight of it all had been heavy. The type of sorrow you thought was never meant to be carried by more than your own two hands. But he had taken it in his palms, lifted it from you entirely, even if it would only be temporary. One day you’d have to endure the pain again, get to the root of the problem. Figure out if all your ailments had been something wired into you since birth, or things you’d picked up along your way. But for now, you could breathe again. You could hear the drumming of your heart in your ears, and you could hear every single one of both yours and Eddie’s breaths in the silence, and that was enough. 

“I don’t want to die,” you finally quietly admit. Saying one of the bigger, scarier words. The thing you’d been too afraid to let slip off your tongue originally. “I just- sometimes it all gets a bit loud, you know? And I know you said don’t apologize, but I am sorry that I scared you. And I’m sorry that you have to take the bad to also get that little bit of the good with me.” 

His hand leaves one of your arms for the first time since he’d first wrapped you up, and it finds its way to cradle the side of your head. Holding you as if you’re porcelain still. You know that won’t go away, not tonight. “I’d rather have your bad days than have nothing at all,” he chokes up once more, and you can see tears threatening to welt in his eyes, “You get that, too. Alright? You’re worth it. Bad, good, funny, sad – give it to me. I’m asking for it. Just don’t… don’t leave me with the nothing.”

You’re worth it. 

He’s found a worth in you attached to nothing at all. He’s sitting here with you, on the bathroom floor, and his perception of you has nothing to do with what you can only offer. 

It just has to do with you. He sees you, and he’s decided you’re worth it. Even now.

He smiles softly, as if he can see the realization dawning upon you, “You wanna get up off the floor now? We can go sit on your couch or bed or something.” 

You’re quick to shake your head. Your knees are partially digging into his thighs, your breaths are matching his. 

“Okay,” his face falls slightly, but not entirely. Not entirely, “That’s okay. Do you want me…. Do you want me to go?” 

Another shake of your head. But this time, you need to offer more than just the motion of your head, especially when you can feel tears returning as your throat tightens up, “No. No, just- Stay with me? Please?” 

Your hands reach out without you even processing it, gripping his wrists, desperate and clinging and still verging on the edge of violent. The thought of being alone is terrifying, but the thought of having to watch him walk out of this room is even more petrifying. 

He doesn’t even flinch as you sink your claws in. His smile only returns, and he shuffles to pull you both to hold your backs up against the wall across from the toilet, “Of course. I’ll stay, sweetheart. I’m not going anywhere – wouldn’t even dream of it.” 

His words shake just a little less than they had when he’d first entered the room. 

He can’t fix it all magically. That isn’t his job, isn’t his role, isn’t his choice. But he can sit here with you, on the floor of the bathroom, endlessly patient and tragically caring as he urges you to lay down. He stretches his legs out and pats his lap once before hovering his hands over your shoulder, guiding you until your temple is flush with his thigh. 

He can choose to not hesitate as his fingers immediately push through the baby hairs by your temple, a soft hum in the back of his throat that sounds exactly as you feel.

Hesitantly content. Just for now. It’s enough. 

The storm is receding. As hours pass by, and noises of uncertainty become more confident hums of a song you faintly recognize, it all settles. He stays. You stay. The storm passes for the time being, and the hole tempers itself for just the night. 

It’s enough for now. You’ll worry more tomorrow, or the day after, or the day after that. You’ll talk more about why you feel this way, and he’ll offer better solutions. The weight won’t simply be passed into his waiting hands and forgotten – one day, you’ll find a way to lighten it through dissipation rather than through catastrophe. 

One day, the seas will calm, and you’ll find yourself the ship rather than the anchor. 

And the captain can be the boy who sits on the floor with you through the sadness, content to wait out the storms with you until you find the worth he sees in you.

[mkzmerryfriend]

*cracks knuckles* we know Tyler isn’t the original Clancy right? Y’all caught that? Clancy’s bishop was Keons, Tyler’s is Nico, and now “Clancy” is Tyler. Because “scaled and icy” is an anagram for “Clancy is dead” and that album was the one where dema was using Tyler’s popularity for their own purposes. Clancy failed to stop the cycle on his own, and despite already being used as a figurehead for dema, Tyler decided to take up the role of “Clancy” in the wake of what seemed like a total collapse of the Banditos. Their leader had been taken out, and now they had no one to organize them.

But Tyler taking on the name Clancy isn’t him taking on the role of leader or even organizer. He is showing us (the Banditos) that we all can be our own inspiration, we don’t need a figure to follow, we don’t need a leader to lead us. We can do this, fight dema, ourselves.

Y’all got that, right?

[fleetways]

finally. the chimera baby super form

due to her particularly strong chaos powers, mira can obtain a mini super form with less than 7 emeralds. depending upon the number of emeralds, her appearance and personality can change quite drastically. this is her with either five or six.

obligatory poll link