#I know there’s other examples

[allieinarden]

The one comedic quirk of Seinfeld that I have yet to see another show imitate, but enjoy so much is when one of the characters will be in a mood with one of the other characters in a way that is not influenced by the events of the plot, has no bearing on the events of the plot, and is not oriented toward any punchline. It’s so true to life.

[ellorgast]

The thing that I think really sets Murderbot apart from a lot of other robot media (particularly mainstream entries like the I, Robot movie) is that bots and constructs aren't a uniquely oppressed class, and humans aren't a uniquely privileged one. A lot of robot media rings a bit hollow because it portrays humans as all living a lavish, comfortable lifestyle, free from the burden of physical labor or control by their corporate overlords, and it's like. I think if the rise of generative AI has proven anything, it's that corporations and billionaires have absolutely no interest in making life easier for anybody, but will gleefully use new technology to make life infinitely worse if it means an extra buck in their pocket.

We are shown over and over again throughout the Murderbot Diaries that humans are mistreated just as badly as (or sometimes, in MB's own opinion, even worse than) bots and constructs. We see humans stripped of their rights, reduced to corporate assets to be bought and sold, sent into suicidal situations, abandoned and discarded as things. We see humans trapped in multigenerational labor contracts -- people born into an indentured servitude that requires them to pay back their food and lodging to the same company that will not let them leave.

None of these are hypothetical scenarios. These are all things that happen to real people in our world today.

And that is a huge part of why it resonates so much. The overarching theme of "capitalism is hell" actually means something because it isn't only applied to the fictional dynamic of bots vs humans. The theme is constantly reiterated through the humans themselves.

And that's also why it's so important that MB demonstrates empathy for and solidarity with humans who are themselves victims of the system. Because ultimately, that's one of the main things the series is about. It's about what it's like to be simultaneously a product, and victim, of a corporate hellscape.

That theme simply can't work if the humans aren't also forced to navigate that issue. If the story can't acknowledge that right now, in our own world, there are humans facing these same problems, and that these human rights matter quite a bit.

[aphel1on]

i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good

[poorly-drawn-mdzs]

Happy one year anniversary to In Stars and Time!

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[just-spacetrash]

the drawtectives have an incredible niche poly dynamic where they only crush on other people as a trio

[canisalbus]

For your gay little dogs

.

[biblionerd07]

I gotta gush about something from the Residence, the White House murder mystery on Netflix starring Uzo Aduba. (Spoilers ahead but as far as I know they’re spoilers for character backstory but not for the plot of the show, though I’m only on episode 4 so idk if this comes into play later.)

Okay so there is a thing that writers sometimes do when trying to convey backstory to the audience where they have the characters just explain their backstory to someone. But often they are doing this to someone who would already know, like a family member/partner/longtime friend. You know I love my man Taron, but Netflix’s Carry-On did this with his character and his girlfriend multiple times. Like who’s been dating their partner for 2 years and says things like, “You moved here to be with me. That was 2 years ago.” It’s awkward and unnatural because people don’t talk like that to each other. They both already know that! But it’s hard because you want to tell your audience the story.

So, on to the point of this post. The 4th episode of the Residence opens with Cordelia on a birding trip with her nephew, who I think is somewhere in the 10-12-year-old range. He’s discouraged and wants to give up because they can’t find the bird they’re looking for, and Cordelia tells him about not giving up while looking for a lost sock.

She tells her nephew that his mom (her sister) had a favorite pair of socks as a child. She’d wear these socks every other day, even if they were dirty. Her nephew asks what was so special about the socks and Cordelia says, “They were a gift from her brother.” Her nephew’s face gets serious. Cordelia goes on to talk about how distraught her sister was when one of the socks was lost. She wanted to skip school to find it. She cried. Cordelia promised to find it and skipped school to look for it. She says, “I even looked in places I wasn’t supposed to look” and we see a closed door that a child-Cordelia opens to reveal a boy’s bedroom in an obviously untouched state. At one point in the story she mentions a neighbor bringing food by for the family even after her dad didn’t want the neighbor to do that anymore.

Neither Cordelia nor her nephew ever say the brother died. Because they don’t need to. In real life, you don’t need to remind your 10-year-old nephew about your brother who died. He knows, and he’s not a younger kid who would blurt it out just because he knows it. Instead of going for the unnatural “let me talk at you so we get character backstory through dialogue”, the show gave us the hints we needed and trusted us to put the pieces together ourselves.

We still get the backstory they wanted to tell us, but it doesn’t stand out as a weird conversation between family members. It’s so much more natural and I’ve been thinking about it all day because it was so refreshing. I feel like so. many. shows these days spoon-feed the audience every single detail and it leaves the dialogue feeling awkward. It was so nice to have a show say “here, you’ve been alive long enough that you can understand what we’re saying.” And we can! It was not particularly subtle, despite never actually saying the words. It was just really good!

[iwatcheditbegin]

I know i’ve said it before. But this discourse about the ethics regarding taylor swift being a billionaire are so disingenuous. She doesn’t have a makeup line, clothing line, brand endorsements.

The bulk of her income is entirely from her own talent as a musician. She has not exploited anyone. She’s also not even close to being a cash billionaire when you look at the numbers it’s like half of that ( bc it’s hard to become a billionaire without shady shit) . Taylor is known to pay her employees well. By percentage what she gives away to charity and compensates her team with is unheard of. She gave 10% of her net worth away in bonuses to everyone who worked on her tour. That’s just what we know of.

I’m not even saying this as a fan, but you cannot look at someone like her and how she moves and compare that to other billionaires and oligarchs.

I’m all for wealthy people paying their fair share. I hate capitalism and the current system but I do think she’s a good example of doing the best to be ethical within the current system

[hadaldemon]

WHEEEEZE

Ofc the body is welcome too, That’s shadow Milks body he needs it XD Lmao

Yeah, the body needs it too (maybe more because he was left working his bottom off).

Thing is, guess he is very possessive, so much he won't even share with himself XD. You would expect them to get along because they are literally the two halves of the same cookie! But nooooo he had to throw all rationality outta the window when around y/n and act like a territorial chihuahua even against himself!

Thankfully, y/n, like a good mediator, reminded both that they shouldn't fight, that they are one and the same, that it's really stupid they are fighting each other, that there is space enough for one more cookie... or the two halves of one. totally not threaten to throw them both out their room so they could sleep and none would get any more cuddles for the night (y/n x good night sleep is OTP fight me)

Previous part (part 2):

[sam-sessington-the-third]

outbrust

[counting-stars-gayly]

This might be a hot take, but I actually like that Percy figured out Luke was the traitor at the last minute. There were A LOT of clues that would’ve been hard to ignore, and he ignored them for as long as he could. And it’s clear that even after accusing Luke, he’s still surprised and heartbroken at Luke’s confirmation of his suspicions. He was holding out hope, guys!!

Also, the Betrayal Scene flows better as an exchange of dialogue and a swordfight than it did, in the books, as a monologue and a scorpion sting. This also leaves a bigger impact on the viewers and characters because it’s more emotional.

[poorly-drawn-mdzs]

Burning Rotten Bridges

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[zeninix]

hey guys... ive been making cc stuff to sell as stickers on my redbubble... if anyoene is interested........ ok ty bye!!1

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[mannequinswithkillappeal]

✨FASHION✨