#I know there’s other examples

[allieinarden]

The one comedic quirk of Seinfeld that I have yet to see another show imitate, but enjoy so much is when one of the characters will be in a mood with one of the other characters in a way that is not influenced by the events of the plot, has no bearing on the events of the plot, and is not oriented toward any punchline. It’s so true to life.

[aphel1on]

i have such a love for characters who descend into madness or villainy out of deep, deep empathy. characters who fundamentally cannot cope with the cruel realities they find themselves in and blow up about it in spectacular fashion. fallen angel type characters with tears of outrage in their eyes. characters who break before they bend, and break so badly they splatter blood all over their noble ideals. every variation on it gets me so good

[mythicalcoolkid]

You don't wish your disability was worse or more visible, you wish your disability was taken seriously. Please stop confusing the two, I guarantee you would not get the support you need JUST by being more severe or more visible. Please listen to visibly disabled people when we tell you it isn't better on our side

[bixels]

this is coming from the position of a student, so don't take my word as gospel, but i want to strongly encourage people to prepare for the coming years and look outward to find communities in real life. this can be big like getting involved in fundraisers or organizations or small like going to poc/queer/art social spaces and talking to people. making friends and connections will help you and others build support networks, something you will need as we enter the new term. i know talking to strangers in real life can be scary, unfamiliar, or difficult (depending on where you live especially) and it may take a lot of compromising and work –– and i don't want to condescend –– but we have to try starting now. this is about your safety and welfare, as well as the most vulnerable people's.

if leftists/progressives/minorities want to survive and beat back what's coming, we need to do our work offline too and take up space. an example of getting involved would be (if you're an artist) reaching out to fundraising organizers and making prints of your artwork to donate for raising funds.

[fisheofviolence]

i fucking LOVE creating things with my friends!!! let's talk about our ocs and put them in situations!! let's make a song together or share our writing!! let's connect on a meaningful and artistic level!!!

[a-most-beloved-fool]

makes me a little sad when star trek ignores IDIC. like. vulcans are logical. that is true. But 'logical', for vulcans, does not amount to 'without compassion,' and it definitely doesn't amount to 'racial superiority.' Belief in 'infinite diversity in infinite combinations' should NOT result in the weird racist/speciest stuff we're getting in some of the newer treks. It does make sense that some vulcans are discriminatory. They're still flawed. But that should not be common or expected, like it seems to be in SNW. If it is, then it's a race of hypocrites, which. doesn't seem very true to Star Trek's message.

I think TOS Spock does a pretty good job of embodying this. Not always, it was the 60s, after all, but mostly. He was often trying to find non-violent routes, and get by without killing - even if they were in danger or had already been attacked. (See: the mugato, and the horta (until Kirk was the one in danger, lmao. t'hy'la > IDIC), the Gorn ship). Kirk, in his eulogy, calls him the most human soul he's ever known, and I've always read that as Kirk calling out Spock's overwhelming compassion.

It's just so much more interesting when Vulcans get to be radically compassionate. I want them to believe that everything and everyone has value. I want them to respect all ways of being. I want them to find ways for even very non-humanoid aliens to exist unfettered in society. I want them to see hybrids and think that it's amazing. Also, like, disability rep. I want Vulcans to have The Most Accessible Planet and available resources because they want everyone to feel accepted and valued. It makes for better characters and more interesting stories.

[poorly-drawn-mdzs]

I know those eyes.

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[inkskinned]

i think one of the reasons glass onion is so fun is that it just... loves the audience back.

so many popular movies and shows these days thrive on a sort of bitter engagement with their fans - where the fans are dismissed as being stupid, annoying, and needlessly angry. we are constantly positioned as being less intelligent as the writers.

so much of "spoiler-free" movie-making relies on writers getting away with one twist in their work, regardless of if that twist was earned. the work doesn't actually have any rewatch value or interesting writing - because they think "good writing" is about "pulling one over" on the audience. they don't focus on making interesting characters or storylines or good endings - they focus on fooling you. glass onion, meanwhile, has faith that the audience has figured the ending out, and that we'll watch anyway, because we love the characters.

so many adaptions of older works... kind of seem to hate the original work. they're done without passion. they're done almost as if checking off a box. so many of them openly mock the audience for enjoying the original, almost directly telling us that we are fools for ever having loved something.

but glass onion. loves the audience. it knows that many of the people watching are mystery-lovers. it is an homage that feels love towards the original works it references. it knows we also love those works; and instead of trying to disparage those works, it allows us to celebrate them.

one of my favorite things about it - and maybe why i found it so satisfying - is that this movie isn't trying to tell you it's the smartest, bestest, most-clever detective story. instead, it asks itself what is satisfying and exciting for the audience? and actually gives us that payoff. it's bright, colorful, and fucking fun.

just... more of this please. i'm very bored of nihilism and grittiness and "shock value" writing. put the love back in. let us love unironically. have your work say i love you too. thank you for sharing this story.

[counting-stars-gayly]

This might be a hot take, but I actually like that Percy figured out Luke was the traitor at the last minute. There were A LOT of clues that would’ve been hard to ignore, and he ignored them for as long as he could. And it’s clear that even after accusing Luke, he’s still surprised and heartbroken at Luke’s confirmation of his suspicions. He was holding out hope, guys!!

Also, the Betrayal Scene flows better as an exchange of dialogue and a swordfight than it did, in the books, as a monologue and a scorpion sting. This also leaves a bigger impact on the viewers and characters because it’s more emotional.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[ratatatastic]

oh ellie his fiancée made banana bread before every home game and thats what made him play well....huh well isnt that an interesting tidbit that doesn't remind me of anything at all...

Matthew Cup Day | 7.18.24 (x)

yeah this reminds me of nothing absolutely nothing at all (x)

absolutely nothing at all...

nothing really comes to mind actually...

[violent138]

The Batfam sometimes say a verb in another language and then add the English-ing ending to it and it's weird to everyone but their similarly multilingual, many mental tabs open at once siblings who are well versed with the specific linguistic idiosyncrasies that Dick Grayson introduced into the family's vernacular.

[cleolinda]

Teamsters union leaders hailed the deal, which now heads to rank-and-file workers for a vote, for its “historic” wage gains, and UPS called the pact a “win-win-win” for employees, the company and customers.

“UPS has put $30 billion in new money on the table as a direct result of these negotiations,” Teamsters President Sean O'Brien said in a statement Tuesday. “This contract sets a new standard in the labor movement and raises the bar for all workers.”

Under the new deal, 22.4 drivers would be reclassified as regular drivers and see their pay adjusted accordingly. UPS will also be prevented from requiring drivers to work overtime on their scheduled days off.

Also included in the five-year contract deal are what the union called “historic” wage increases. Current full- and part-time union workers are guaranteed a $2.75 hourly pay increase this year, the Teamsters said, amounting to a $7.50 hourly increase through the duration of the contract. Pay for existing and starting part-time workers — which UPS and Teamsters leadership described as the last hurdle for contract — will be raised to at least $21 per hour immediately, and will advance to $23 per hour.

This includes the air conditioning that had already been agreed on. The workers won.

[bluebugjay]

So when they're solving the Devlin murders and Charles says 'don't yell at her cause you're not the all knowing expert on everything' and then when Charles gets stuck in the loop and Edwin immediately admits 'he's right, I don't know everything' and then in the next scene Edwin says it took Charles years to learn how to use his backpack so he has no chance being able to use it, I think it proves Edwin doesn't actually think he knows everything. Sure he's stubborn and a control freak and he likes things done in a particular way but I don't think he really acts like a know-it-all.

And when you factor in that scene with Despair where he says he doesn't have his books as an answer for not knowing where he is/ who Despair is, it seems like knowing things, reading, writing things (everything) down is something he does to cope. He doesn't like lacking control or knowledge so he learn and he collects and he knows. He's the brains not the brawn, he can't defend himself or Charles physically but he can with his knowledge - we even see it with the museum ghost in episode one, when Charles is pinned to the ground by the ghost, Edwin doesn't rush to push him off or fight, he finds the spell book, casts the spell and saves Charles that way. And in the Devlin episode when he's explaining the loop and the stone tape theory, he berates Charles on not reading the books around the office but he doesn't show off that he himself has. I think it's more that to Edwin having knowledge is a shield, it's his protection and seeing Charles not have that same shield feels the same as how Charles feels trying to teach Edwin to throw a punch in the first episode. They're both just trying to protect the other in their own ways.

So I think Charles saying that, was maybe more of a reflection on how he seems himself, that Edwin is the clever one and he's just the one who acts impulsively and does 'stupid things' like he says when he possesses Esther. I think this is implied when he refers to 'your way' and 'my way', Edwin's way being the thought out way with theories and backed up by research and logic, and Charles' way being get straight to the source with no plan and use aggression. And obviously he's so much more than that, and Edwin believes this too but Charles was in such a vulnerable state it makes sense he'd let other insecurities of his slip too.

[mayordeas-clone]

one of the absolute funniest phenomenons in the jojo fandom is seeing an artist's style morph into being sharper and more anatomically focused as they get more immersed in the series

[dykedvonte]

Jimmy only commits his worse moments when he’s alone with each individual character.

It’s implied he corners Anya in her room. He brutalizes Curly when everyone else is busy under the guise of medicine. He convinces Daisuke to go into the vent when Swansea can’t stop him. He kills Swansea after everyone is dead. It really highlights the type of violence he commits. He is a coward, he won’t take his chance if there is a possibility of active conflict, yet, he jumps on the opportunity to do so when there’s no risk. Not just when there’s no one to stop him but when he knows there’s no one to witness it. To judge and directly call out his faults.

No one outside himself to really see him as the monster he would never admit he is.