#I know my writing is BRILLIANT

[canisalbus]

Hi, hi! I just came by to say hi and just say I absolutely love love love your art and art style! It is absolutely ethereal! I don't know how to describe it but it genuinely feels like I'm standing outside on a hill during a warm day and a nice breeze just happens to blow by as a sun beam hits me. That's the best possible way I can think to describe your art and artstyle. It just fills me with so much joy!

(on a side note, I tried looking and I couldn't find anything, I was just wondering if you had commissions?)

That's such a poetic way to say it ;_; Thank you!

It's genuinely such a massive compliment to tell an artist you like their specific style, since for many it's a deeply personal part of their identity, how they see the world and what they find visually appealing.

When it comes to commissions, I'm afraid I've never been a very commission-oriented artist ´v`' The short reason for that is that they stress me out disproportionately. I get immense performance anxiety. I'm not totally opposed to the idea, I just don't think I have what it takes right now. Maybe in the future.

[glitterslag]

ok this is my last one of these. maybe

[omegalomania]

we do not know and might not ever know the full story behind mania and the circumstances under which it was produced but we know enough by now to understand that there was a lot of strife and frustration involved in the way it came about. the band has been clear on this much. the divisive reception upon release didn't help any. and we know the last time that happened with folie, it led to that record essentially being forgotten and aggressively sidelined for years afterward. the roughness of its reception was explicitly one of the things that patrick especially cited as difficult for him to look back on, and one of the reasons it took so long for him to embrace those songs again.

it took mania five years what took folie a full hiatus and double that time.

this too is healing.

[burning-sol]

You know what? I realise why the Sinsmas episode is pissing me off so much, it's because it's juggling so many different ideas that it doesn't spend enough time committed to a single one. Let me just break it down the way I see it...

The first idea we're introduced to is one about Stolas' depression but then when he sits down with Blitz we're introduced to the idea of Stolas' poverty.

The previous ideas are what you think that the episode might focus on until you get hit with the Octavia B-Plot. Okay! A-Plot is about depression and poverty, B-Plot is about Stolas not being able to contact Octavia... (I might be using those terms incorrectly, but you get the idea,)

But THEN you get Sinsmas introduced which is about the idea of indulging in your sins, which is shown to be important to the audience because it's expressed in dialogue, right? Wait, no, it's about Stolas's depression/poverty, okay then....

But THEN you cut to the office and we get a Millie and Moxxie bonding scene, so you think, "wait, is there going to be another DIFFERENT plotline introduced into this episode about their relationship??" AND YOU GET MORE ABOUT SINSMAS, multiple shots about the holiday and the idea of indulging in your sins!! So wait, the idea of Sinsmas IS an individual idea from the depression/poverty point? Or isn't it??

Stolas sobs on the phone, there's a very obvious depression/poverty breakdown, but then we get MORE NEW SHIT introduced because it's about Stolas' cheating. And I understand that that's meant to tie into Octavia's B-plot, but there's a subtle difference between that and THIS that adds another layer of shit on top (elaborated on later).

Which, BTW, I just wanna point out how this idea is contradictory to the Sinsmas idea since CHEATING is about INDULGING in LUST - as is established in your PREVIOUS. IMPORTANT. SEASON ONE FINALE... So WHY would you make a character shame a sin that's meant to be in the process of being celebrated which confuses the Sinsmas idea and was also the CORE of the Stolitz will-they-won't-they before now?? If it was to trigger Stolas' breakdown you already HAD the poverty story beat, this is just needless and confusing redundancy??

So then we actually get to Octavia and we get a scene about the idea of Stolas and Octavia not being able to get in contact with each other - the B-Plot - and followed by her introspective song and the discovery of Stolas' pills. And now we suddenly feel like we're back to where we were MEANT to be, with the Octavia B-Plot taking a pause to cut back to the Depression A-Plot. This builds up tension as we naturally feel the two characters drawn together.

And theeeen it cuts to the I.M.Ps and I'm banging my head against the wall because you're like, "Oh! The Millie and Moxxie relationship idea! This is going to be about them!"

But then OH MY GOD a NEW idea is introduced about Blitz wanting a FAMILY WITH STOLAS. I want to shoot someone because the cheating was a set up for Blitz to fantasise about wanting a family??? Is this meant to be a parallel to episode 1??? Am I meant to feel like Blitz has developed as a character?? In an episode that has been about every character OTHER than Blitz???

And then it's meant to be likeee like about Millie's pregnancy because she wants to kill the family instead of leaving them be, but it's also about Moxxie's relationship with her, but it's ALSO about being "demon enough" (WHATEVER THAT IS, IT'S NEVER ELABORATED ON), but it's also ALSO about Sinsmas.

Okay! Okay, back to the REAL plot except- Wait, Octavia walked in??? Wait, so this plot is now about Blitz wanting a family and he's going to bond with Octavia?? No! NO because they don't have any emotional connection and so there is no reason for this scene to exist if either way Blitz was going to know where Stolas went and Octavia was going to end up there as well anyways.

And can you tell I'm tired of writing at this point? Cus I'm losing my mind. FINALLY the A-plot and B-plot that should have been the center of the episode all along gets a fuck ton of screentime and it's beautiful and it's the peak of the episode.

And theeen it's back to Millie and you think, "Okay, so a big part of the pregnancy plot is clearly meant to be about Millie and Moxxie's relationship based on all the scenes we've gotten between them! That means that Millie and Moxxie are going to have some sort of important dialogue-" And then she WALKS OUT on him and she has her emotional moment with her sister! Which isn't a bad thing but need I remind you she isn't even in the center a FULL LENGTH episode, she's from a SHORT... WHY would you NOT integrate Sallie into a proper episode if she's going to be key to a future INCREDIBLY important plotline??

The episode ends with Blitz and Stolas and the credits roll blah blah blah...

This post is basically expands on some of the points of my post about my first impressions, because I just wanted to give a run down of the structure properly so you can understand why this episode is making me feel like I'm losing it. And I get it, if you put in the effort you can get an idea of how all the ideas were meant to tie together... But it doesn't! It's badly written! It makes me want to rip my hair out!

Ideas are established and then sit there uncomfortably without resolutions to them! Like even the shit. That was meant to be the main shit. The poverty and depression stuff? NO conclusion. Stolas says, "you don't have to refer to me as your highness" I guess?? But like, nothing to show him settling in with everyone else in the celebration to show he's like. Poor? And okay with it? By partaking in the holiday of those that are meant to be "beneath" him? No mention of his medication???

Just!! Okay. To understand the way shit in the writing could have been better, let me list some ways you could change the episode to be more coherent or cut down on redundancy if my points have so far not landed.

Establish Sallie towards the BEGINNING of the episode and her dynamic with Millie, and show how that compares to her relationship with Moxxie, and show WHY she would call Sally instead of talking with Moxxie first. If you're going to make the episode about family btw, this would be the point where Millie could bring up HER family and how much she values them or something in order to establish that as being important. Also, use this to explore what Millie and Moxxie's feelings on having a baby WOULD be, so that if there's conflict there then you have more understanding of why Millie made the decision she did.

Use the actual environment in the background of the montage to show the passage of time instead of it suddenly being Sinsmas. Have demons setting up holiday decorations, in the stores put up discount signs about a "Sinsmas sale!" This makes the story flow more naturally, as well as adds characterisation and makes Stolas' depression more real as he's shown to be so absorbed in his own world he doesn't even realise it's the holiday until Blitz brings it up.

Octavia's phone and the device she listens to music on is the same (I checked S1E2 to confirm it), which causes a sloppy writing issue. Like. If the episode is meant to show Stella is controlling and it's not Octavia's choice not to get in contact with Stolas, then you need to explain why she hasn't called him despite having access to her phone when Stella isn't around. If it were me, I would have had Stella lock it in a drawer that Octavia picks the lock on so she can listen to her music. THEN you can keep the original scene, OR (this is what I would have done) have her check her phone logs so you can see not only how many times Stolas has called but how much time has passed. Maybe this could also be used as another reason to drive her towards the closet as she hides from Stella and Andrealphus. Maybe this could be used as an interesting metaphor about her desire to leave but she doesn't know what she's going to do once she picks the lock on the door... Like how she could call her Dad now that she has her phone but she doesn't know what she'll do when she does... Something like that.

DON'T have Blitz and Via meet up if they're not going to interact. That entire scene is fucking pointless as is and I hate it. Either dedicate a PROPER amount of time and dialogue into making Blitz want to and try to connect with Via, or have them not talk at all. Cut out the whole thing about Blitz wanting a family with Stolas honestly, it's just not well explored enough.

Again with the sloppy writing, the gang did NOT need to stumble into a room of weapons to have weapons. That's pointless. They're assassins, they've been established to bring a stash of weapons with them to fights before. I can think of something much funnier where Moxxie is surprised by Loona's transformation and there's a joke made about her being a noble steed and Moxxie pulls out a sword only for Millie to be like, "Why did you bring that?" And Moxxie says something about how it's a posh weapon cus that's his thing. OR you could have some badass impromptu weapons the gang makes from the ice or they use Sinsmas decorations scattered around. IDK.

Already made my point about Stolas and the poverty idea. Show him settling in with the others during the celebration and him opening up to the idea that he's no longer rich or well respected. The "you don't have to refer to me as your highness" would work if the text bothered to show his mental state properly, instead of him just looking depressed and like he kind of hates everyone there.

Have Blitz PLEASE react to Stolas' depression. Like. Acknowledge it. And share his feelings about it. AND GIVE STOLAS HIS MEDICATION FFS he clearly has clinical depression!! Blitz is sooo head empty in this episode, PLEASE give him more internal thoughts other than :) I'm holding my head in my hands.

And I'm so tired of writing at this point I'm going to stop it there but I hope that was thorough enough to get across my points. And if not then I guess that speaks to how loopy this episode made me that I can't even articulate myself 100% because dear god.

[lilacerull0]

My Brilliant Friend // 4x07

[softmangoes]

*steps closer to the mic* okay but what if the ivory wraith had w-shaped pupils, like that of a cuttlefish. what if its skin shimmered, silver and opalescent, pulsating in rainbowlike fractals in anticipation to devour, to consume. what if while you swam in the lake, the water would echo with the sound of the wraith's hunger and its need to feed.

because finally, after all this time, it has found you.

[sieglinde-freud]

oh im obsessed with this actually… who ever wrote this one i am kissing u on the forehead and hugging you real tight… inigo is such a loverboy im kkkhhhhhhijnsdnfng

[bluvlet]

like literally just saw stage/fright!! so so good!! will post thoughts when i’m back home, maybe..

[panther-os]

Okay, I also have a scene - not fic, not plot, just scene - in my head of the Junior Quartet trying on Liusan's glasses like "Wow everything's so blurry!" And he's like "Yeah, I'm nearsighted and these correct my vision to normal. Like right now you're all just blobs of color to me. But if your vision is already normal, they have the opposite effect on you."

And then Sizhui puts them on and is like "Wait. You're supposed to be able to see individual leaves on trees? You're telling me you guys see like this all the time?"

[fallen-goldfishcracker]

The important thing to remember with Astarion is that yes, he is elegant and seductive and charming, but he's also a fuckin' weirdo, and if you have to default to one of the two, go with weirdo.

[sol-arium126]

hyperfixation so bad it’s got me writing fanfic for a writing club i’m in

[brunettemermaid]

Lenù and Nino's relationship and also the soulmatism factor Lenù thinks they share can be summarize in the famously "you took my sadness out of context, on the mariner's apartment complex, I am no candle on the wind". It's the way Lenu thinks that all that matters to them is books when its not the case, not for Lenù herself. But again, she has fictionalised everything so much she's detached from her own feelings!! She has given Nino the power of deciding who she is, so she believes she's the good girl, the bookish girl. But she is only that cause she hasn't had the chance to be who she really wants to be. She wants to live a full rich life. She wants to be the actor, not the narrator. That scene where Nino is telling Marisa and Lenù about the Dostoyevski book he's reading at the beach, and Marisa goes, "boring" and Elena laughs and looks down. She laughs cause even though she loves literature and listening to Nino talk about it, deep down she knows books are not that important. For instante, Nino is more important, people are more important!!! And that's what Nino fails ro realize over and over again, he is the embodiment of superficiality after all. Elena might have trouble living in reality but she knows it is there, it lives in Lila, and everyone around her that she cares about. And if Elena does something is care. Point is the only thing she loves more than reading love stories is to have a love story of her own!

[teapot-of-tyrahn]

My payment for the ficlet:

Could I just get Zedaph being a silly? Thanks!

S.O.S / 88

words: 2,587 warnings: implied robot injury / abandonment a03 link! (i have an a03 now!!)

When Zedaph had first found her in the scrapyard, she’d been little more than a telegraph sounder. She wasn't even capable of making dihs or dahs, just dots and dashes. She was, by every definition of the word, useless; discarded, unuseable, utterly inutile… Broken. But Zedaph had never believed in such a word. Things were never really broken; just… temporarily decommissioned! They could be in states of disrepair, but never beyond repair. Everything could always be mended, rebuilt, improved; everything could always be fixed. That was why he came to the scrapyard in the first place. Zedaph knew what it was like to feel broken. He felt sympathy for every machine discarded by its creator in a wasteland of flotsam and jetsam, deserted and dejected. And so, whenever he wandered across one of these poor orphaned apparatuses, he felt it was his duty to try to give them what their inventor had not: A home. A purpose. Besides, it was much easier to fix an abandoned machine than to make one from scratch, especially back when he hadn't had the funding to afford his own materials. Upon closer inspection, it looked like her developer had intended for her to be a translator of sorts. A humanoid polygotic interpreter AI which had been designed to serve as an assistant to foreign diplomats and ambassadors. Scavengers had had their way with her, however, and so she didn't even have the tools left to serve as a functional morse code transliterator, let alone a functional world-wide translator. There was a twisted sort of irony in the fact that the AI meant to translate for others was unable to even properly translate her own thoughts and feelings into words, able to process the words being spoken but never able to understand them. Able to talk but never able to speak. A translator who couldn't even translate herself.

For the first few weeks when Zed had been working on fixing her transmitter, she always kept repeating the same string of sounds: Dot, dot, dash. Dot, dot, dash. She made the noise so often, it became an association, and Zed decided that was just what he would call her in meantime - a bit of a mouthful, sure, but wasn't Dot Dot Dash a better name then Unnamed Abandoned Appartus Number 21? It was just a temporary title until he found a way to get her communications sorted and she could come up with their own name, anyway. Though it turns out, she had been saying her own name, in a way: Dot, dot, dash. E-E-T. Ease-Enhancing Translator. Her hostname. He'd only figured that out when he found the marque on her forehead about three weeks into her repair. For a genius, he could be a little bit stupid, sometimes. Maybe really stupid. When he did finally figure out how to repair her transmissions, for about a month she was stuck only speaking in Dutch, because he'd accidentally selected the system's default of Netherlandic as his preferred language instead of his own of English in his excitement to get her up and running. And, with her operating system now in a foreign language, it was incredibly difficult to figure out how to turn on her bilateralism. Not his brightest moment. But it didn't mean it didn't lead to bright moments. Even though they couldn't communicate, at least not through language, that didn't mean they couldn't communicate in other ways. That didn't mean that, over that month, he didn't learn that she was an absolute menace at Mario Kart (Guess the Dash part of her name really rung true!), that she'd become an immediate fanatic of Hamilton, and that Sesame Street was her favourite comfort show. Just because they couldn't exchange words didn't mean they couldn't exchange glances, exchange touches, exchange laughs, exchange smiles. Just because he couldn't understand a word she said didn't mean he couldn't understand that he was falling head over heels for her. It took an embarrassing amount of time and effort, but eventually, inevitably, he finally managed to repair her communication system. And, finally, they managed to have their first conversation.

"So… what's your name?" It was a bit odd, asking the question; such a simple, innocent question, but it felt wrong. It was the sort of thing you asked somebody you just met. But they hadn't just met… not really. It felt like they'd known each other for years. All their lives. And, yet, these were the first words they'd ever spoken to each other. He - literally - knew her innerworkings inside and out, and yet, he didn't even know her name. They knew everything about each other, but at the same time, nothing at all. The robot replied with a simple answer to a simple question: "Dot, Dot, Dash." "Oh — oh my goddess, oh dear, oh no — did I accidentally set you back to Morse Code again?!" Oh, this was horrendous, he'd been trying to help but he'd put her back all the way back to square one— "No, no," A jittery, high-pitched sound came out of the android's voicebox, a soft laugh as she reeled Zed's hand away from her inner panel. "That's my name." "It is?" Zed asked, baffled and still slightly breathless from the scare, before he jumped slightly with the startled realisation, "Oh — oh! Oooh, Because, that's what I've been calling you — no, no, nonono, that's — that doesn't have to be your name, you see, I just… well, it felt awful drab calling you by a model number, and you always used to go dot, dot, dash!, So I was just using it as a placeholder, which, I… which I am realising, was perhaps slightly insensitive, it's little better then calling you boop beep bop, now that I'm thinking about it, it would be like naming a dog woof woof… Oh my gosh, I am so sorry—" "— I like it." "—Oh, I'm such a dunce, imagine calling a duck quack quack, or a chicken cluck clu— wait, you… what?" "Yeah!" She smiled. "It's silly! Who cares if it's a bit on-the-nose?" She booped his nose for emphasis before she continued, "It feels like me." "O—oh! Well… well, in that case. It's… It's nice to meet you, Dot Dot Dash! I'm Zedaph." He held a hand out for her to shake out of cordiality. Dot stared at his outstretched hand dubiously, her features almost betraying offence at his attempt at courtesy, enough to make him almost begin to worry it had been a test to see if he'd fall for calling her such an offensive name and he'd fallen for it, like an idiot… and before he had a chance to profusely apologise again and retract both his hand and his statement, she abruptly grabbed him by his offered hand and pulled him in… …to a hug. "Zedaph… I've watched you fling an oreo from your forehead into your mouth on multiple occasions, you once bit into an onion like an apple and then rubbed it on your face to make yourself cry, you sleep with a mint condition package of Minions playing cards underneath your pillow, your favourite colour is red even though everything you own is pink… I already know you, Zed. And you know me. Just because we didn't know each others' names doesn't mean we didn't know each other… and it certainly doesn't mean this is our first time meeting. This isn't an introduction… it's just… finally getting a chance to say hello." "O—oh." Zed felt his voice crack. There was nothing between them now, no barrier, language or otherwise. His voice was soft as he whispered, "Hello." Her voice was softer, a smile on her lips, as she whispered back, "Hallo."

Not another word fell from either of their lips. They didn't need words. Sometimes, actions were more powerful than words. And their lips' actions spoke louder than any sentence they could have strung.

.. / .-.. --- …- . / -.-- --- ..- .-.-.-

Safe to say, everybody on Hermitcraft loved Dot. And not just because she was one of the most talented people on the server - which she was, indisputably. She'd been built as an interpreter, but her skills were far from confined to linguistics…. she made the most thrilling commercials and logos for the shops in the Shopping District in all of it's history: Lookie Lookie at My Bookie, Shade-E-E's, Beefy Stores, Lamps Plus, ODEA… that was just to name a few successful bussinesses' whose success could wholly be attributed to Dot. She was also an absolute marvel when it came to the political field, somehow simultaneously making adverts for both Mumbo, Scar, and Plopper's mayor campaigns without either party realizing she was also advertising for every opposition, playing every side of the spectrum. And then, later, she pulled the exact same thing with HEP, The Podzol Party, and The Mycelium Resistance… This feat was one that could either be attributed to her astounding intelligence or the Hermits' astounding lack of intelligence. She was also a stupefying film director, and, in a similar vein, a stupefying music video director! Maybe too stupefying of a music video director. He still had nightmares about Bohemian Keralisody. And he couldn't help but still be a little lingeringly offended that both Poultry Man and Iskallman got their own fan edits but Wormman, the significantly cooler superhero of the server, got ziltch. Not that it was personal, just an astute observation from an outsider with no stakes in the superhero business whatsoever. He really didn't get why Poultryman of all people was her favourite superhero… to the point she'd requested he manufacture her a pair of bionic chicken wings. She even had him provide her with a chicken soundboard so she could communicate with her new brethern… which she had specifically requested not be made with real chickens' voices, as they could not consent to being recorded and doing so would infringe upon their rights, so the soundboard ended up just being Zed going buck, buck, buckawk! into a microphone for her at various pitches and inflections to use as she saw fit. She even ended up making an alter ego by the name of Stanley in an attempt to become Poultryman's sidekick, despite the fact there were much cooler superheroes out there to sidekick for besides a chicken in a trenchcoat. For completely random example: Wormman. Wormman was much cooler! And actually looking for sidekicks! Not that Zed was jealous. Not at all! Just a third-party observation.

Anyways. You'd think, surely, being the top graphic designer, commercial producer, film producer, and music video producer in the game was impressive enough of a resume… no, her awesomeness didn't stop there, not even close. She also dabbled in the armour stand business, and even further, became one of the server's best castle architects. Which was quite was a feat, given it seemed every season at least somebody had to build a grand castle of some sorts. But her castles were better than all of them - better then the NHO Castle, The Red Sky Bay Castle, Coe's Quest Castle, Wels' Cathedral, Bdubs' Castle, The Area 77 Castle, Stress' Ice Castle, RentheKing's Castle, The… wow, Zed was just realizing, Hermitcraft really did have a lot of castles. But, digressing! Her castles were the best castles. And that wasn't even just him being biased in his girlfriend's favour - that was just a fact. If monarchy on Hermitcraft didn't have a reputation for ending with a HoTgUy to the face, he would have crowned her Queen of Hermitcraft. It seemed the only thing she couldn't do was hit the high note in Hamilton's Burn… an feat she was coming closer and closer to achieving every day, which terrified Zed, for he was sure once she did so she'd become the epitome of perfection on all fronts and would transcend this mortal plane in a state of sublime quintessence.

Luckily for Zed, though, Dot had no intent to transcend. As much as Zed raved about her accomplishments, which were impressive in their own right, she wasn't going anywhere while she hadn't completed her greatest accomplishment of all. Her life's mission. Dot wanted to make sure nobody ever struggled like she had again. Words, vocabulary, verbality… Language itself was it's own 55-pin ladder puzzle. She was built to be a translator, and a translator she would be… not just for other languages, but for languages within languages, for inflections and undertones and connotations and implications that might as well have been their own language. She didn't want to let linguistic barriers to prevent somebody from living their best life… from saying hi to the love of their life. If she'd given up trying to speak English, she'd have never gotten the chance to tell Zed she loved him in words he would understand. And if he had given up on repairing her auditory processor, she'd have never gotten the chance to understand when he told her he loved her in words she'd understand. She still had a long way to go to be the global translator she was built to be, she didn't speak near seven-thousand languages nor with the fluency she would have liked, but that was okay. Because one of the languages she could speak was English - and, if anybody struggled with the language, just like she used to, she wanted to be there to help. To be what Zed had been to her — a teacher, a friend, and a crutch. The first person she helped, of course — coming full-circle — was Zedaph himself. The conversation went a little something like this: "Zed, dear, could you bring Danny's leash downstairs?" "Hm?" "I asked if could you bring Danny's leash downs—" "Come again?" "I SAID COULD YOU BRING DANNY'S LE—" "PARDON??" And that was how they learned that being in constant proximity to loud industrial machinery and exploding himself for comedic effect on a near-daily basis was not very good for his eardrums. It didn't take her long to diagnosis him with partial hearing loss, prescribe him with proper ear protection, and invent something to help. CCs she called it, or Closed Captions. Not a very original name, but it got the point across! She never really understood Zed's tendency to give things elaborate names like The Chickenerator, or Zombie Plinko, or The Celestial Cosmodrome… well, actually, she supposed she couldn't blame him for that one, but, the point with the first two still stood! The CCs were a simple device; a pair of contact-lenses that provided real time, accurate translations of what was being said in the corner of the wearer's vision. It was even toggleable! A subtle way to get subtitles in your subsidiary. And it wasn't soon after she'd made Zedaph his pair that word spread, and GeminiTay appeared at her doorstep to politely inquire what it could cost to have a similar device manufactured for herself. Gem didn't suffer from quite the same plight as Zed, but instead with an auditory processing disorder, which made Dot realise how helpful her invention could actually be to the Hermit masses… whether hard-of-hearing hermits, second-language hermits, hermits with auditory processing disorders, or even just hermits who preferred reading over listening… She was helping people. Even if only two, the fact she could even just help two people struggle a little bit less with the language she had struggled with for so long made it worth it. It made it so, when Zed praised her for how indisputably awesome she was, she could smile, and say, without hesitation, "I know!"

[whatt-the]

Unsurprising news: I've been incapable of writing this whole time. My writing? Actually mediocre at best. I need to go become good at writing, like, fucking yesterday. Noticeably better content to come in the future‼️

[borealing]

god torchwood was such a shitty gritty dark little show with a budget of £5 and all the sets that abandoned london underground stations had to offer but godamn theee most phenomenal cast godamn eve myles picked that show up on her shoulders and moulded this awful unlikeable brilliant character in gwen that i rooted for and hated and rooted for and wanted to fistfight like every other episode and it was brilliant and the supporting cast were so fucking phenomonal and i just. god. if only it had been better

[non-un-topo]

People just don't want to write fan fiction that's creepy and violent and gloomy :/