#I know it’s absolutely a first world problem but my problems are still my problems.

[alagaisia]

This is true, and it’s especially true for the people that I think most is us probably encounter in our own social circles and daily lives. But I don’t think it’s true for everybody. Remember how there was that stat showing a spike in google searches for “did Joe Biden drop out” on Election Day?

I think it’s sort of like how you can’t know what you can’t know. If you don’t know that you’re missing information, you can’t go looking to educate yourself on it. And while most of the time when people talk about “living in a bubble” they tend to mean it in a bad faith, paradox of tolerance type of way, I’ve realized lately that it’s a concept that’s absolutely applicable in a lot of ways. Of course we make our assumptions about the world based on the very limited and biased sample size of people we interact with in our daily lives. You can’t talk about the benefits of being able to curate our dashes on tumblr and then say you think the people who interact with the same political posts as you make a representative sample of the American public.

I am someone who tries to be pretty aware of environmental issues in my personal habits. My family isn’t zero-waste, granola, organic everything, but we haven’t used a plastic shopping bag or water bottle since I was in first grade. As I start forming my own adult habits and thinking about having more control over my consumption, I’m identifying ways I could move towards more environmental consciousness. I know that I’m not doing the absolute most I could be doing, and that I think about this more than the people around me, but not by that much, right?

Except I work now for an organization that sends plays on things like proper sorting of recycling to teach elementary students two counties from where I live. The county pays us to bring these programs, because the residents are simply not recycling. I’ve gone along on one or two of the programs and seen kids ten and eleven years old participating in the interactive “help us sort the recycling” activity in the show who were terrible at it. Because it’s just not something their community thinks about. These aren’t rural areas, these aren’t devoid of civilization or waste management infrastructure, this is a suburb 45 minutes from the largest city in our state.

It’s hard for me to wrap my head around it, too, but trump did not win because more people voted for him. He won because record numbers of people did not vote at all. And we can blame that on individual leftists becoming cynical and disillusioned, but something like a third of the country has never voted in any election. There are people who are and always have been disconnected from and disinterested in the government and electoral politics and anything happening in this country.

And it’s wrong! I’m not saying it isn’t. Each of us has a responsibility to our communities, and the civic responsibility of voting and being at least minimally informed on what’s happening in the country is a part of living in a fucking society. It’s disgraceful. But many of those non-voters didn’t consider all of the available information and then choose not to educate themselves and not to vote. It simply didn’t occur to them. Just like the kids I encountered who don’t know how to recycle, a lot of people have grown up in families and communities where electoral politics were somebody else’s business, or for any number of other reasons I can’t begin to guess at, something that just wasn’t a priority. I come from a very politically motivated family, and I’m sure most of you do too. I don’t know anybody who doesn’t vote. I don’t know why each of them didn’t. But there are millions of people who don’t.

These problems have been building since long before 2016, but at the very least that election should have been a wake up call for the democratic party on a national level. What we needed and still need is community and individual level action on a national scale to reach non-voters and educate them on political issues and why this shit does actually affect them and does actually matter. Democrats need to stop folding to random criticism on things like fracking and instead have some fucking backbone, stick to their morals, and work to get votes through education and changing people’s minds and convincing them that these values are worth voting for, rather than changing their policies every other week based on what they think might appease people who are not going to vote for them anyway without a concentrated effort for a societal change of mindset.

Yes, there’s lots of information available, and people do have a responsibility to use that. Obviously there are plenty of people like the ones OP alludes to who are shirking that responsibility due to apathy. But those of us who know all of that know it because we are part of communities that care about accessing and acting based on that information. There are people who don’t know and don’t care and to whom it would never occur to seek that information out, because in their community, it doesn’t matter. And those are the people who I think the democratic party does have a real responsibility to try harder to reach. Politicians also obviously live in a social bubble where everybody cares about politics. But somebody needs to look at the numbers and realize that that’s just not true for the country as a whole. And then they need to do something about it.

I STILL sometimes see people argue that Trump's victory is the fault of Democrats for not being good enough at messaging, and not making it clear enough to Americans all the good Biden was doing.

I knew. Lots of people I know knew. I don't have a secret line to the white house. I'm around average intelligence. I'm not excessively seeking out news, constantly getting news updates. And yet I knew. And so did many others. The information was there for you to get at any time. It found its way to me without my actively seeking it out. Kamala Harris cannot personally come to your house and slap the tiktok out of your hands. You have to take a crumb of responsibility here.

[essektheylyss]

idk I kind of feel like I'm an idiot bc I actually enjoyed cr 3 from the jump to the end but like the blogs who follow bc I feel they are definitely more articulate and insightful than me are like "the whole thing was meaningless and pointless! matt fumbled everything!" so maybe I'm wrong to have liked it all? I'm not really sure where I'm going with this sorry

I think one thing to keep in mind is that many (and in fact, I would argue, most!) people who are critiquing the story and construction have also generally enjoyed the campaign as a whole! Certainly I don't know anyone who stuck it out through the end who did not overall enjoy watching it, for various reasons; I know there are people who hate watch, which I think is an absurd and honestly really stupid waste of time, but from my experience they are normally making snide and vicious tweet-length posts rather than long considerations of what isn't working for them.

There are also a lot of levels of critique—I've greatly enjoyed a lot of moments in isolation that I simultaneously felt weakened, contradicted, or even actively undermined the structure of the story as a whole, but those moments were still really fun and interesting beats. The Arch Heart's cameo comes to mind, as does, in hindsight, some of the construction of the post-Solstice split, but there are plenty of others of higher or lower impact on the story. In the finale the Raise Dead falls into this place very strongly, so I'm going to talk about it at length for a moment, since it was an absolutely stellar moment for me personally and as such I do think it serves as very illustrative of an example where I simultaneously fucking love a moment while finding it worth significant critique. I think it also touches on the critiques you're referring to, which I would summarize overall as the idea that many of the outcomes feel influenced negatively by pulled punches on the part of the DM rather than a flaw of one player or another. (Also, I want to talk about it cuz I love it. :3) This got very long but I think that to your point, it is worth examining in this amount of depth.

First, the good: it is an absolutely phenomenal culminating point of an arc that was only really concluded in summary; I have, as noted earlier this week, written at length about how Essek is never situated as a protagonist, which is functionally fine and even good. He ends up tied very strongly to Caleb's arc, and moves in the narrative in such a way after 2x97 that allows Caleb to reach a concluding note, and strengthens that narrative. So we only really hear about the outcome of Essek's choices, his inevitable leave from the Dynasty, in the summarization of the campaign 2 epilogue. This is not inherently a problem, because he is not a protagonist. But this moment does functionally create a material representation of that denouement, and in particular the tension between the outcomes of his poor choices and the better—potentially even good!—person he is trying to be as a result of the Nein's influence, which does strengthen his arc in its own right.

This moment also, hilariously, bears out my argument from this post. That the resurrection should only work with this intervention, particularly while the Nein are involved, does follow through on the Nein's general positioning within Exandria. Essek's leave happening without a fight (and, frankly, with only one attempted Counterspell) both makes for a very well-paced moment and also maintains the overall sense of story that the Nein impart when they are on screen; I'm thinking again of how their Ruidus episodes feel, much like their campaign and their post-campaign one-shots, like an intrigue action thriller series, and this fits well in that framing.

So overall, it is a fantastic moment... for the Nein. The Nein are not the protagonists of this story. They exist in the world, and are such active agents that they do continue to develop and exert motion on the narrative into this campaign, and frankly, I think this would have been fine if the party given ownership of this story and campaign did not abdicate their responsibility for it with unfortunate frequency. They do not exert a strong control over their story, which is at odds with the fact that the Nein do, and are present and also involved by the nature of their ending. It completely overshadows Ashton's heroic moment, in that the culminating action beat of this sequence is Essek getting away, which kind of takes the wind out of the sails of the Hells' involvement in the gods' outcome. It doesn't negate it, certainly, but it does refocus the story from them to, for some reason, Essek. So in this sense, it occurs at the expense of the Hells.

I find that while the handwaving of using dunamantic intervention to push Raise Dead beyond its limits (if indeed the reason it didn't originally work was because Ashton's brain was essentially gone) fits fine and even well within the framework of the Nein's story, and an NPC being able to do so without a roll is fine, since NPCs are vehicles the DM uses to guide the story, this is a significant divergence from the overall mechanics of the world at large; even the Nein had to do a full ritual for the resurrection of their tiefling. Matt put those mechanics in place specifically to create narrative meaning behind resurrections, which can feel very unmotivated and like a get out of jail free card in D&D, and while it's been noted that this would've really strained the runtime beyond its existing length, prioritizing it at the cost of, for instance, more truncated end notes for the Nein and Vox would've bolstered the Hells' presence in an ending to their own story that even many of their fans felt was ultimately lacking.

Giving the resurrection full weight would've also given Ashton's sacrifice and the Hells' involvement more narrative weight; the reason the other parties are involved at all is because the Hells were truly running on fumes by that point, but any lack of involvement this created could've been alleviated by having them directly involved through pre-established ritual elements that are not contingent on them having any mechanical offerings. So this moment sits within the context of critique that I agree with: that it felt like a pulled punch that ultimately also served to decenter the Hells within their own narrative, when it could've been used with more deliberate narrative force.

At the same time, I fucking love it, and watched it four times in a row yesterday, because it is so good—and it is, as I described, narratively and thematically coherent in one sense! And I think that is one issue of the campaign: many, many great moments are excellent and coherent in a certain framework but are weaker to varying degrees when considered as one piece of a larger whole. There are so many frameworks at play in this narrative, and not enough direct intervention to manage those as frameworks rather than as a single story, but at the same time, I think those frameworks are far more apparent if you're really looking for them, and that's much more difficult, if not impossible, when you're in the midst of them and telling the story.

I also don't think this means one cannot critique this; in fact, I would say this is more an issue of being a serialized narrative than an improvised one, which is often how critique of it has been pushed back against within the fandom. I was thinking about this as I'm currently in a course on, quite literally, how to critique comics, and we discussed this week how Marjane Satrapi said in an interview after making the film adaptation of Persepolis, which was first a serialized comic, that she ended up preferring the film, and I speculated that was because with a film, one has the ability to make a more cohesive narrative purely by virtue of the fact that with a serialized form, you cannot go back and make retroactive edits when new developments come to light. This is something that long-running comics must constantly navigate (as do many long TV shows), and in extreme circumstances such as decades-old comic franchises, ends up resulting in infinite timelines and hand-waving, which becomes so ridiculous that at this point it's a meme. In that scenario, though, it is not presented as a non-contradictory story, let alone a cohesive one.

Many of the critiques of campaign 3 are operating within the idea that this is presented as one overarching narrative. (And honestly, comics and other narratives that don't utilize that presentation are also still critiqued on that merit by people who greatly enjoy the texts they're critiquing anyway.) Within that context, I feel that the framing of the Raise Dead, as well as much of what would be my critique of the other pieces I referenced (the Arch Heart's cameo and some of the party-split sections) if I was to do the same kind of rundown of those, actively undermine this presentation by introducing and forefronting too many conflicting frameworks that are not interwoven well enough to create a single, cohesive overarching narrative.

This is a very long-winded way to illustrate my point, which is that I would really encourage reading critique not as a lack of enjoyment of the campaign, let alone a suggestion that no one should've enjoyed it (and if you did, then you're not smart enough to know better), but as a way to engage with the text(s) as presented within one framework or another. I think this is sometimes obscured in online fandom spaces, where we're not engaging in critique in as formal of a sense as one would in, say, an academic setting, where the norms generally dictate the framework one is using is explicitly stated if not fully delineated within the critique, but it is, more often than not, still implicitly present within the critique.

And as a final note, I would also really urge everyone reading others' opinions on something they enjoy to resist the urge to elide their own opinions from the conversation, even if you don't feel as articulate or as well-versed in critique. Critique is a trained skill, so it is certainly something one can pick up if they are inclined, and at the same time, someone doing it does not mean they are inherently right—and in fact, with all argumentative writing, it is up to the reader to consider the argument and decide whether or not they agree with it. (You can decide that you disagree with me about the Raise Dead! Just because I wrote a thousand words on it does not inherently make my interpretation truth; it's just an interpretation. You get to say whether or not you think my interpretation makes sense based on the evidence presented.) Even here I'm using the framework of some critique that others have made, but I don't delineate in full myself. In doing do I'm not presuming that you agree, but I am presuming that you've read it and know what I'm referring to. Strictly speaking it's also not even saying that I take that critique as true; it's saying that I feel the conclusions drawn are applicable as a basis for my argument. If you wanted, you could even say that you feel that my argument is irrelevant to you because you don't feel those critiques are true! But you ultimately do have to be the one to decide any of that, which does involve a balance between a confidence in the formation of your own opinions on the text and an openness to entertaining others'.

[mymoshangthoughts]

cumplane thoughts: (lots of nsfw LOL)

airplane in shen yuan's lap, cockwarming for him while he writes and shen yuan looks over his shoulder, sharply criticizing his writing

shen yuan using his advanced knowledge of pidw to wifeplot the fuck out of airplane (its not his fault that airplane doesnt remember that flower is an aphrodisiac or this cave is the "ohno now we have to get married!" cave. really, it was irresponsible of airplane to forget such things and this was the forgone conclusion of that hack author being so forgetful)

cucumber and airplane being enemies online, but crushing on each other irl without knowing about the online handles (classmates? workmates? that cute guy i see on the train?)

shen twins au where shen yuan notices that disciple shang is kinda sus and investigates (thinking that its bc of the mobei jun thing and now that he's grown up in this world he's sort of invested in NOT having demons attack his sect-mates), but the more he gets to know the skittish disciple, the more he's sorta catching feelings and this is a problem! bc shang qinghua is gonna be a traitor! ....but is he really? sure, qinghua is a lil asshole, but he's not really the bloodthirsty type? maybe with some proper guidance from his shixiong he'll turn out better? no, jiu-ge, i am not being naive and no i dont think my dick cures evil, its not like that! it's just that--why are you calling him my boyfriend?! I SAID IT'S NOT LIKE THAT, JIU-GE!

cumplane frenemies since their school days and current roommates. shen "i'm not gay so the sex isnt gay" yuan and shang "you're not fooling anyone but sure" qinghua. they're just 'friends' according to shen yuan. it's 'no homo sex' apparently. shang qinghua is fine with this, he is, his stupid boyfriend might have the most internalized homophobia in the world but like... they live together and shen yuan is mostly nice to him and they've been together for years and this is something real, right? except shen yuan's mom starts pressuring him to "finally settle down and marry a nice girl" so shen yuan is talking about it and the sinking realization finally hits shang qinghua that shen yuan never really considered their relationship to be a real thing. thats... fine... this is fine... he'll be fine. he is not fine. nope. not one bit. and he is not gonna be the bigger man about this. fuck. no. he is absolutely going to fucking destroy that stupid piece of shit EX boyfriend who never deserved him!! he is going to avenge himself and ruin shen yuan's life and he is going to be super shitty about it! but first, he's going to run away from home and cry with a tub of ice-cream bc wow that is the most painful breakup he's ever had haha. except after shang qinghua disappears and leaves behind a "fuck you, i want a divorce" note, shen yuan looks for him and asks friends and gets dressed down for being an idiot and also realizes oh fuck he actually totally was in love with his not-boyfriend and now he has to win back a very vengeful and very bitter shang qinghua, who also knows all of his weaknesses and darkest secrets

cumplane sex where cucumber is struggling to comprehend just how fucking shameless airplane is. that man can ride his dick while moaning pathetically and then still look cucumber in the face and smile while asking for round five and cucumber knew that airplane wrote porn, cucumber READ that porn, but nothing quite prepared him for just how horny and sexually expressive airplane is. SHEN YUAN'S THIN FACE WAS NOT READY FOR THIS SHIT

shang twins au: the shang twins have been pretending to be one person, for vaguely evil reasons, and shen yuan notices solely bc he Is A Very Observant and Smart Person and it's not at all because he's memorized the pattern of airplane's freckles or anything gay like that, nope, that's not it at all!

cucumber starts talking to one of airplanes various troll alts that he uses to stir up drama and airplane replies, fully intending to further agitate one of his loudest anti-fans except.... they just kinda... keep talking? and airplane is really enjoying himself? and they're taking it to the dms and now they're kinda friends and shit, it's bad if cucumber finds out he's airplane, right? the entire basis of their friendship is a lie then. which is totally fine, haha, this friendship prolly won't last long. except it totally does and now theres like irl meetings and cucumber is Fucking Handsome and that isn't fair AT ALL bc now airplane has a crush on his (best??)friend and ohwow, cucumber can srsly NEVER learn abt his identity as the author. cucumber is a super bitter and grudge holding person but also he HATES the author and airplane rreeeallly likes having someone who kinda likes him in his life aND OHFUCK IS THAT CUCUMBER LOOKING AT HIS PHONE!?

shen yuan making airplane endure Every Single sex position that he wrote those poor wives in the harem having to endure. partially to make a point of "that CANT be possible", partially bc he's still annoyed at the hack writing, and partially bc it's rrreeeeeaallly nice to see airplane fucked out of his mind like that

airplane accidentally wife-plots himself and cucumber is a good bro about it and fucks away the fuck-or-die pollen. except now he's accidentally gotten airplane addicted to his dick??? bc now airplane is seeking him out constantly. was there something else in that fuck-or-die pollen? bc airplane is acting weird. was there some freaky love potion or something? ahh, it's really hard to think of the answer when he wakes up to the peak lord of an ding sucking his dick

airplane accidentally gets transformed into a magical beast and before he can find his way back to humanity, he gets beaten up and hauled off by liu qingge to be presented as a gift to shen yuan. which oki, fine, maybe he can communicate to his bro. but shen yuan is really nice to him when he's in this form (like a hamster monster) and wow, he never knew how much he really liked shen yuan being nice to him??? maybe he should just let it be for a bit longer??

shen yuan, recently trasnmigrated into the body of an ice demon, does not know what to do about the sobbing an ding disciple clinging to his thigh and begging for his life (bc i refuse to kill off mobei jun, this is a body swap au and now mobei jun has to live in modern day china as shen yuan LOL)

cucumber decides that he likes airplane best when he's too fucked out of his mind to keep talking shit. also, on a related note, airplane decides he likes when cucumber talks shit when they're in bed the most. does he have a degradation kink? he might have a degradation kink.

sugar baby airplane and his very grumpy sugar daddy shen yuan. yes, airplane is spoiled rotten, but he also has a strict writing schedule and his harshest critic tormenting him in bed. but ohwell, shen yuan also nags him to eat properly and makes sure that he does and the kitchen is always stocked and sometimes shen yuan just pulls him into a hug and rests his chin against airplane's head and yeah, he can live with sometimes getting fucked while cucumber growls in his ear "that was a shit chapter, you completely forgot the continuity from chapter 24 and now you created a big stupid plothole with the most interesting monster you made--". its a good life

airplane first meets shen yuan as a coworker. he's a rich trust-fund baby type who has impeccable fashion and a poser attitude. clearly a thin face and probably boring as fuck. airplane meets shen yuan for the second time at a convention while signing autographs, dressed in binghe-merch and clearly Way Too Invested. and airplane immediately thinks the gap moe is AMAZING. he's gonna have so much fucking fun with this. especially since airplane was wearing cosplay and his coworker didn't recognize him >:D

[kayselyn-axe-the-third-goddamnit]

If parasites used to be eliotropes, now it's iops!)

Well, the release of Bestiale is just around the corner, and as a person who was waiting for it and was very upset with how this project looks now, I am going to express my opinion. I apologize in advance if my language is rude - I only have complaints and do not want to offend anyone. Also, in this post, not only the Bestiale series will be mentioned, but also other works by ankama, including animated series, games and comics.

Unfortunately, I do not have the opportunity to get acquainted with many of them now due to studies and health problems, so feel free to point out errors that may be in the text - I will be very grateful. And now - let's go!

Narrative plan:

🥇🥈🥉1) W12 races and favoritism among them;

🥊2) Iops characters;

❗3) What's the problem

🌊4) Bestiale;

🐉5) "Year of Osamodas";

🥇🥈🥉1) Races of the World of Twelve And favoritism among them;

The World of Twelve is a planet, a fantasy world where the events of all (with rare exceptions) stories of the krosmoz universe take place. This world is inhabited by people of many races/classes, which are revealed to varying degrees. Despite how Tot has recently abandoned the old canon and is having fun with fanfiction, I still suggest using marks that will indicate the degree to which we know about a particular race. (Important: the table is quite subjective and was compiled by me as an average consumer of content, so it does not claim to be absolutely accurate. I only write what I see.)

Marks: ❤️ = good, 💚 = not bad; 🩵 = little information, 🖤 = unknown / very little information;

Races:

1) Sadida ❤️;

2) Feca🖤;

3) Cra🩵;

4) Eniripsa🖤;

5) Osamodas🖤;

6) Sacrier 🖤;

7) Pandawa🖤;

8) Ecaflip💚;

9) Ouginak🖤;

10) Xelor🖤;

11) Iop🩵;

12) Enutrof🖤;

13) Zobal/Masqueraider🖤;

14) Foggernaut🩵;

15) Huppermage💚;

16) Rogue🖤;

17) Sram🖤;

18) Forgelance🩵;

19) Eliatropes and Eliotropes (formerly) ❤️;

20) Classless Humans 🖤;

21) Monsters and Others 🖤;

Even though we don't know much about Iop culture, they're literally everywhere because for some unknown reason Ankama loves them almost as much as Elia(o)tropes (Eliotropes were a waste of time and resources - are you ready for this conversation or not). Almost every project in the krosmoz universe has at least one Iop, and they look REALLY bad. I'll explain why I don't like them later, but first I'll give you a list of characters to back it up.

🥊2) Iop Characters;

When I say Iops are literally everywhere, I mean it. I want to point out that I haven't read the Dofus manga or the Ogrest manga, so I might be wrong in some places. I apologize in advance. Here's a list of Iop characters and roles, I think that's it:

1) Tristepin. Wakfu series (main characters), Wakfu manga (main characters), OVA (main characters), Waven (main characters). Also appears in other works as Iop God;

2) Goultard. Wakfu series (minor character), Waven (minor character), OVA (background character), Dofus Magna ( main characters), the protagonist of his own short film;

3) Eleley. Wakfu series (minor character), OVA (minor character), Wakfu manga (minor character), Waven* series (main character);

4) Pin. Wakfu series (minor character), Waven* series (main character);

5) Iop God . Wakfu (past incarnation of one of the main characters), Ogrest manga (minor character), Savara* (minor character or npc);

6) Khan. Dofus: Julith (minor character), Dofus mmorpg (npc), Welsh and Shedar* (minor character);

7) Bist. Lance Dur series (minor character), Lance Dur webtoon (minor character);

8) Karn. Bestiale* (main characters), Savara* (npc);

9) Savara. Savara* (main character);

*The featured animation/game product has not yet been released at the time of writing or has been abandoned;

As you can see, there are quite a few iops in important roles.

❗3) What's the problem

In short: iops are CtrlC+CtrlV dummies that the creators of the universe play with instead of developing the universe (the same goes for eliatropes/eliopropes).

With rare exceptions, all iops look something like this: proud, very strong, sometimes not particularly smart, fight well and love to do it. Of course, each of them will have some individual traits, but they all remain a set of the above qualities (with rare exceptions). I won't even talk about the design - it's decadence and boredom (especially hairstyles - most often they are LITERALLY THE SAME).

Iops, as a rule, are needed to please the viewer with their image and it works, but apart from their charm (I still don't understand why they are loved so much) they bring nothing else. No lore, no interesting information, which will tell us something new (besides the character itmself). I can forgive mistakes in creating a story, but I don't forgive monotony.

And it would seem: if so, then you can create a character of another race and start revealing other peoples. Give content for fans of another class that are part of your own audience too. Even if it was never the main goal of the show, it would be cool to have some variety even in small amounts, right? NO! Every time we get a red-headed goof created for crowd entertainment. What about the other races? I'm not interested in watching iops - I want to understand what the world of twelve is, we barely know anything about it! Have you even seen the official map of the world of twelve? There are a HUGE number of regions and places that you can ONLY learn something about if you play Dofus/Wakfu/ect.! Moreover, Ankama still creates new classes, but they do not get enough attention, only the basic minimum. What about the old ones? How much, for example, do we know about srams or zobals?

This universe has been around for ten years for sure, and I want to know more about it, about the others, not read another Tot fanfic about some silly-billy! Ankama. What. Is. This.

And don't get me wrong - I don't hate Iops, I actually like some of them. But they get TOO MUCH attention and because they bring so little new to the table, it's very hard to take Iops seriously. You just see wasted potential and every new character starts to irritate you.

Okay, I'm starting to get too angry, so let's move on. Sorry for the bombing.

🌊4) Bestiale;

Ugh, there will be a lot of complaining here too.

In fact, I didn't have any strong complaints about Karn's character until he was announced as the second main character. I don't mind him having having lots of fans' attention at all - let people enjoy what they like. But the creators of the show already give preference to him - he got the status of the main character, he is in the trailers, has some kind of biography, appears in the game and it is him, and not Yrehn, that we see in the videos advertising the series. Although there was no need for this. At all.

The main character herself appears only in the trailer and apart from the notes from the designer, we know nothing about her at all (well, she also has a special connection with Ilanthe, you could guess about it from the trailer, thanks). Are you serious?? I was expecting a cartoon about this girl saving her friend from a poacher, but it looks like they're making a cartoon about a POACHER guy who gets in the way of a teenage girl. I don't have any expectations for Bestiale, but as an osamodas fan, I was really looking forward to this series specifically because of Yrehn - and now she's being overshadowed by someone who used to only appear in an early poster. And I don't care if he's cool, a good father(yes, fatherhood doesn't mean anything, it's a cheap trick), and can cook - now I'm not going to like this character, even though his type's one of my favorites.

It would have been so much cooler if he stayed a villain (hello, i am a villain enjoyer) - but apparently Ankama lacks guts i guess. Plus, he would have been fresher and more interesting if he was a sacrier or a sram instead of the typical Iop. Remember the sacrier fight scenes? I think those two would have had so much more potential!

Anyway, I just hope Yrehn's arc doesn't get overshadowed. I'm really upset

🐉5) "Year of Osamodas";

And as a conclusion, I will add that this year Tot declared the year of Osamodas, deciding to start with a series where Yrehn (osamodas) shares the place of the main character with an iop, who is given so much attention that there is no budget left for the animation of the FIRST PROTAGONIST's tail. Oh, and there is also a whole game about iops coming out, where the main character is Karn's daughter, also an iop, obviously (but she also could be any other race since she's adopted) .Perhaps Yrehn will appear there. Happy year of Osamodas, thanks for your attention!))

(Sorry if it's too emotional or too many mistakes ,my English is not so good)

[moeblob]

Karen has four older brothers and this is Ross! He's the second oldest and he looks rather polite and smiles a lot and when he's at work he can behave most of the time... but he really has such a foul mouth it puts Right to shame.

And Karen when she was a kid couldn't pronounce S's and they sounded like Z's. So when her brothers would be leaving for school she would say "enjoy zool" and just. Could NEVER say Ross's name correctly so he told her to just call him Oz. And it stuck but only with Karen. She's the only one to use it and no one else is allowed.

[appolojustice]

Yeah I don't even really know what to say honestly

[orcelito]

Ykno the suckiest thing about being broken up with for someone else is that like. Well I'm doing generally fine, all things considered, but I Am kinda sad thinking about the things I've lost and all the casual affection that I can't have now.

But she's out there having all the affection she wants from her coworker, and it's just like. Damn this feels so skewed and SO unfair.

[walking-loather]

Will never forget being a kid and telling someone i was south african only to have them ask:

"Did you have clothes in africa?"

"Had you ever had a bath before coming to Australia?"

"Did you live in a house with walls and bricks?"

Like. Yeah, I guess we were 8... But also i feel like a lot of people's understanding of "Africa" has never really progressed past that point.

[windfighter]

This is just bad user interface! Who on the howrse team looked at this and went "Yeah this is perfect I'm sure they'll like this"????

(talking about the suddenly appeared top greek god horses-list over there)

Sure you can move it out of the way if you're a VIP but you know what happens then????

More bad UI

*grabs bat* listen howrse I just want to talk

[drchucktingle]

three point tether

the reason art with ai at the creative helm will never get traction in any long term or meaningful trot is because art is more than what is in the text of the book, or notes of the song, or runtime of the movie. art is whats OUTSIDE of the medium, a performance piece between creator and experiencer

i say this all the time and i think most buckaroos think im off in the clouds as eccentric ART WEIRDO (theyre NOT WRONG) but in a practical BUSINESS sense what i am saying is true. folks want to pretend art is in some lab where art and artist and viewer are separate things. but they never will be

art exists outside of a vacuum. it is not static. it grows and lives and evolves based on culture its in and who is experiencing it. whether you know it or not, what you LIKE or DISLIKE has just as much to do with the story AROUND the art than the art itself.

you carry what you know about me to my tinglers, you carry what you know about the beatles to the beatles, you even carry what you DONT KNOW to artists and THAT changes your experience. the STORY outside of the art is unavoidable because the lack of a story is still a story

so what does this have to do with ai art? my point is, the STORY of ai generated art is potentially interesting when it FIRST happens, or when its a one of one, but when it is co-opted by corporations to make slop, or when you consider the ethics of data scraping and theft, the story becomes sour

in other words, REGARDLESS OF WHAT AI GENERATED ART ‘MAKES’, the STORY outside of the story is derivative and unethical. what is even more important, and the greatest problem of all, is that its very very BORING. ‘oh wonderful someone made a painting from a prompt CANT WAIT to dive into this world’

so fundamentally these projects from tech goofs only serve to show that they have absolutely no understanding of art in the first place. the starry night is not just a painting, it is a three point tether between van gogh, the painting and us, which is constantly breathing and moving and living

if i was to give advice to any artist about how to stand out in their field i would say this: figure out what YOUR STORY is, not just within your chosen medium, but OUTSIDE of any medium. THAT STORY is your art, and it is infinitely cosmically unique. USE IT. EMBRACE IT. that is your power buckaroo

[niteshade925]

Saw these tags in a reblog of my Chinese museum posts, and thought I have to make a response just so everyone is clear on how archaeological studies are carried out in China:

^Well, the Shaanxi Archaeology Museum is a Chinese museum displaying artifacts found in China, it's not the British Museum lol.

But anyway just so everyone knows, modern Chinese archaeology has a rule, which is that unless it's absolutely necessary, an ancient tomb/mausoleum should not be disturbed. This means that many of these artifacts in the museums are found in a few main ways:

Tombs that absolutely had to be excavated because there were clear signs of grave robbing present, for example when tunnels left by grave robbers were found near a known tomb. This is called "excavating to rescue" (抢救性发掘), it's done by teams of archaeologists, the artifacts found will then be studied and eventually find a home in museums in China. In comparison, actual grave robbers would steal artifacts and sell them for money; many stolen artifacts would end up in auctions, mostly outside of mainland China. This is why there is no "general positive sense" in the phrase "grave robbing with grant money" when it comes to archaeology in China. Modern Chinese archaeology and grave robbing are simply not comparable in any way whatsoever.

Tombs that absolutely had to be excavated because new infrastructure will be built in that location. Such exacavations are also included in excavating to rescue. Examples include tombs in Xi'an city that had to be excavated because a metro was being built. Since Chinese people and Chinese culture are native to China, there are no ethical problems whatsoever, this simply a question of what matters more, the welfare of living Chinese people or the abstract afterlives of ancient Chinese people. Obviously, the welfare of living Chinese people is a more important matter. As for the argument of "but this goes against traditional culture", first, a culture is only alive if the people of that culture is alive and doing well, otherwise that culture is as good as dead; second, a major part of traditional Chinese culture IS focused on the welfare of descendants (ex: the belief that the spirits of ancestors will protect their descendants), so I'm sure our ancestors would be proud to see us doing well.

Tombs that were excavated because archaeologists were absolutely sure that artifacts discovered within would make major contributions to the study of Chinese history. This is pretty much the only exception to the rule of "excavating to rescue", and it is very rarely allowed. An example is the Xia-Shang-Zhou Chronology Project (夏商周断代工程), where the main focus is to gain a clearer picture of the timeline of ancient Chinese history, when dynasties began/ended, when major events may have happened, etc.

Artifacts that were found when arresting grave robbers. These are called "recovered artifacts" (追回文物).

Artifacts that returned to China from foreign countries, these are called "returned artifacts" (回归文物). A big portion of these artifacts ended up in foreign countries precisely because of grave robbers, and another big portion were and are still lost for the same reason as why the British Museum has so many artifacts from around the world.

Artifacts that were discovered scattered throughout China. There are three facts to consider here: 1) China has a long history and as a result, there are vast amounts of existing artifacts; 2) tombs are material things and thus are subject to the elements; 3) not everyone is an archaeologist. Combine these, and you have situations were valuable artifacts were found in places like the chicken coop of a farmer (this is how the eagle-shaped pottery ding was found).

Donations. Some artifacts were family heirlooms that were donated to museums.

[megumiluvv]

Strongest Sorcerer Virgin

Includes: established relationship, Satoru Gojo x fem!reader, oral (m!receiving), unprotected sex (pls use protection!!), Gojo is cocky until he actually has to do it (lolll), kissing, pet names (baby, princess, babycakes), praise (always), creampie I suppose, mentions of satosugu?? (His first kiss), overstimulation (only two orgasms)

Word Count: 1,421

Masterlist

A/n: I have been thinking about virgin gojo for months. It's not funny. I’m so obsessed with him. The voices said “write Satoru Gojo as a virgin” and I will indeed listen.

〰︎〰︎〰︎〰︎〰︎〰︎〰︎ ❀ 〰︎〰︎〰︎〰︎〰︎〰︎〰︎

You didn’t know when you started dating him, but Satoru Gojo is a virgin. Absolutely no experience, despite his claims.

Oh, according to him, he’s made every girl he’s dated cum at least ten times before putting it in. Little do you know, you’re his first girlfriend. And unfortunately for him, you’re about to find out he’s still a virgin.

He got off easy with convincing you he could kiss fine, having jokingly practiced with Suguru in the past. But he didn’t want to get that far with his best friend, that’s embarrassing!

You’re making out on his couch, the soft pillows sinking under your combined weight, sappy romance movie forgotten in the background. Your hands move to push his sunglasses off his face and he holds your cheeks. You laugh into the kiss when his hips press against yours and you feel just how hard he has become.

“Is tonight finally the night we fuck, Satoru?” You tease and kiss his nose.

“Wanna see what I’m all about, princess?” He chuckles, cocky til’ the end.

“Mhmm, show me that talented dick you claim to have, Satoru.”

His smirk falters. It’s barely noticeable, but you still notice.

“Satoru? Are you okay?”

“Pshhh, whatttt? Of course I am!” There’s that lying voice.

“Satoru…” You have that warning tone to tell the truth.

“What, babycakes? I’m fiiiine.”

“Gojo.” Now he’s done it. He gulps as you refer to him with his last name

“…Okay, okayyy, I miiight’ve lied…”

“About…?”

“I, uhhh, I’ve neverhadsex.” He mumbles super fast.

“What?”

“I’m a virgin! Okay?! I said it!” He pouts and looks away in embarrassment. You almost want to laugh.

“…say something?” He mumbles shyly.

You do laugh. The strongest sorcerer, the most talented man in the world, is a virgin?! That’s absurd! It’s insane! You can’t help but laugh.

“Heyyy, stop laughing!” He whines, face red from embarrassment.

“Sorry! Sorry! I just can't help it! It’s crazy that you were so confident! I never knew!” You giggle. “Don’t be embarrassed, Satoru, I can help you out!”

“That’s even more embarrassing…”

“Oh, come onnnn, it’s just me! I’d be honored to pop the strongest sorcerer’s cherry.” You giggle at your own words and he keeps pouting.

“You’re so mean. And don’t say it like that!”

“Please?”

“…Fine, but only because you caused this problem.”

You look at his bulging pants and grin. “Mkay!”

His porcelain skin is so warm. The two of you had moved to his room and he’s on his back, your plush thighs straddling his lap. You’re both nude and he’s staring up at your body as if it’s sculpted by those sculptors that worshiped the gods. Hands rubbing your thighs nervously as you kiss down his body, stopping at his happy trail.

“You ready?”

“…mhm.” He swallows hard as you kiss his tip.

His body jolts, nails lightly digging small crescent shapes into your thighs. You grin and kiss down his shaft, lightly licking his balls before taking him down your throat.

He gasps from the sudden warmth and bucks his hips. “Shit, that feels good, so much better than I imagined…”

His whimpers fill the air as you fondle his balls and bob your head. You swirl your tongue around his shaft and pull back when you feel his cock throb in your throat and lightly blow on the tip, the cool air making him jolt.

“Fuck, you’re really edging me, princess?” He whines and rubs your hips.

“Come on, can’t have you blow your load so soon.” You giggle.

“I’m not blowing my load…” he mumbles shyly.

“Mhm, sure. Now, since it’s your first time, do you want to do it all or do you want me to just ride?”

His face is beet red. “Wh- I- uh- I can do it myself!!”

You can’t help but giggle. You lay on your back and spread your legs, showcasing just how aroused you are. He rubs your thighs gently and looks into your eyes for approval. You nod and guide his hips.

“Move your hips and slip it in.”

It takes him a while to actually react, shy from your bluntness. He shifts over you, lining his hips up with your body and looking at you for reassurance.

“Like this…?”

“Yep, you can go slowly or quickly, but push in.”

Satoru swallows hard, Adam’s apple bobbing in his throat. He slowly presses himself into you, gasping at the warmth, better than your mouth. His hands grip the sheets on either side of your head, struggling to keep from busting right away.

“I-is this okay so far…?”

You smile. “Just like that, you’re no longer a virgin.”

He lets out a huff of air, laughing slightly at your words. He swallows again, unsure of what to do. You intertwine your fingers with his.

“Move, set your own pace. I’ll let you know if it’s not enough or too much.” You speak gently, encouraging him.

He swallows again and nods, slowly drawing his hips back and hissing at the way you squeeze him.

“So tight, you feel so good, baby… Does this feel good?”

You nod when he thrusts slowly back in, gradually building up in tempo and in turn moving deeper. He hits particularly deep into you and his tip kisses your g-spot.

“Right there! Do that again!” You gasp and hold his hands tighter.

He looks at you with wide blue eyes, pupils blown as he moves harder, eliciting a moan from your lips.

“Th-that good? Does it feel good for you too?” He manages to say through gasps and grunts.

“Yes, Satoru, so so good…”

He clearly likes the praise, moving faster and now at a constant pace, hips barely stuttering from how close he really is. He has to see you cum first. He needs it, needs you to feel good because of him.

“Satoru, my clit, rub my clit.” You whine, guiding his hand to the sensitive nub.

“Do I just-”

“Just rub it!” You buck up into him as he keeps his pace and finally moves his hand too.

His calloused thumb rubs circles into your sensitive clit, and he catches how your folds seem to flutter around him. He bites his lip and watches your face contort into the cutest expression.

“C-close, ‘toru, please…”

“…T-tell me what to do…”

“Just keep up like that, please…”

He nods and fights back every urge to cum, not wanting to miss when you reach your orgasm. You finally cum with a cry of his name, gripping him impossibly tighter and he finally releases as well. Spurts of his seed fill into you as he keeps fucking it deeper.

“C-can’t stop, it’s too much, I can’t stop!” He borderline cries into your shoulder as he keeps overstimulating the both of you, refusing to slow down or stop.

His sloppy thrusts won’t relent on your poor weeping cunt, white forming at the base of his shaft. You dig your nails into his hands, holding impossibly tighter at the overwhelming sensation.

“Satoruuuu! Too much! G-gonna cum againnnn!!” You cry out and clench tighter around him.

He moans and gasps in your ear, too out of it to hear your cries, only focusing on how you’re sucking him in and won’t let go. Not that he plans to ever leave. You reach another orgasm and thrash against the sheets at how intense it was, and again, he soon follows, this time stilling his hips as he whines out your name and so many praises.

“Thank you, thank you, baby, feels sooo good, princess, I love you, I love you…”

He collapses onto you and buries into your neck. You slowly come down from the overstimulated high and play with his hair.

“Satoru, get off…”

“Nuh uh.”

“Come on, Satoru, we gotta shower.”

“Tomorrow, we can do it tomorrow. Can’t move, if I pull out, I’ll just make us cum again.”

You giggle a little and let him cuddle into you. “You’re such a big baby, ‘toru.”

After a moment of silence, you speak up again.

“Was your first time good?”

“So good, you have the best pussy in the world, babycakes.”

You roll your eyes at the nickname and kiss his forehead. “Thanks, idiot.”

“Your idiot.”

“Mhm, my idiot.”

You both fall asleep, not a care in the world. As the moonlight shines through his window, the only thing that matters is that he’s with you, and you’re with him. Satoru Gojo is no longer a virgin. All thanks to one gorgeous girl: you.

[orangeblossomsintheair]

RULE #2 | CS55

summary : "You promised," he choked out. "You promised you wouldn’t break rule two."

warning/s : sickness, vomiting, hurt/no comfort, death

an : yall have been begging for angst so 🤷🏽 here’s pt 1 of my dead wives series

Carlos Sainz loves you. It is inevitable. It is woven into the fabric of who he is. Just as the earth revolves around the sun, just as a fire burns.

Some things in this world are simply destined to be, and his love for you is one of them.

He remembers the first time he saw you like it happened yesterday.

College had been a blur of stress and sleepless nights for him, drowning in a relentless tide of engineering coursework, circuits, and mechanics that left no room for anything else.

Then you walked into his life, unannounced, unassuming, and shattered the monotony with a force he couldn’t comprehend.

You had been a medical student, your schedule just as demanding, yet you carried yourself with a lightness that seemed impossible.

He remembers watching you in the library, bent over your notes, your lips moving slightly as you memorized terms he couldn’t begin to pronounce.

He hadn’t meant to stare. But then you’d looked up, catching his eye, and smiled. It was the kind of smile that stuck with him, that sank its claws into his mind and refused to let go.

The first time you laughed at one of his jokes, something about thermodynamics, of all things, he had stared at you, stunned, like the world had stopped spinning for just a moment.

And when you’d matched his nerdy humor with a quip of your own, so quick and sharp that he was left speechless, he had known.

That night, he went home and called his sister, still dazed, still unable to believe what had happened.

"I've met the love of my life," he’d told her, voice shaking with an excitement that bubbled over uncontrollably.

"You’re being ridiculous," she’d replied, unimpressed, as always. "You don’t even know her."

But he had known.

—

It had started as a joke.

One of those silly, late-night conversations in the library, where exhaustion made everything funnier than it really was.

The campus was dead silent that night, save for the faint hum of fluorescent lights and the occasional rustle of pages being turned. It was nearly 2 a.m., the kind of hour where the world felt unreal, where time stretched and blurred, where reality felt softer at the edges.

Carlos had been sitting across from you, his laptop open to a problem set he wasn’t even pretending to understand anymore.

His fingers drummed against the table as he watched you work, hunched over your thick textbook, scribbling furiously.

You looked up, catching his stare. “What?”

Carlos smirked. “Nothing. Just thinking how much easier my life would be if I had your brain.”

You snorted, rolling your eyes. “And I was just thinking how much better mine would be if I had your charm. You could probably flirt your way into a free degree.”

“Or at least free snacks from the vending machine,” he added, grinning.

You laughed, the sound soft but rich, the kind that still echoed in his mind years later.

Then, suddenly, his expression shifted. Something thoughtful creeping into his gaze. “We should make a pact.”

You raised an eyebrow. “A pact?”

“Yeah.” He leaned forward. “Rules for life. So we don’t screw things up.”

Intrigued, you set your pen down. “Okay. Rule number one?”

“No betraying each other.”

You smiled, nodding. “Agreed. No betrayal.” You tapped a finger against your chin. “What’s rule number two?”

Carlos hesitated, then, with mock seriousness, leaned in like he was about to tell you the secret to the universe. “No one dies.”

You barked out a laugh, the librarian across the room shooting you a glare. “That’s your rule?”

“Absolutely,” he said. “It’s non-negotiable.”

Shaking your head, you held out your hand. “Fine. No betraying each other. No one dies. Deal?”

“Deal,” he said, gripping your hand firmly.

At the time, it had been a joke. Just another of a thousand little moments between the two of you.

Carlos had no idea then how much those words would mean to him.

—

The first time you got sick, really sick, Carlos didn’t take it seriously.

It was a cough at first. A rough, hacking thing that made you wince but still had you waving him off with a half-smile.

"Relax, cariño," you’d said, voice scratchy but amused. "It’s just a cold."

Carlos narrowed his eyes at you, unconvinced. “You have a fever.”

"It’s a dramatic fever," you shot back, tugging the blanket up over your shoulders. "I’m merely suffering for the aesthetic."

He snorted, shaking his head. “Dramatic is right.”

He had kissed your forehead that night, tucking you into his side, his lips warm against your too-hot skin. And you had sighed, sinking into him like you always did, like you belonged there.

It had been easy then.

A flu, he’d told himself. Something temporary.

Nothing permanent. Nothing real.

—

But the cough never really went away.

Neither did the fevers, or the way your limbs felt heavier with each passing day.

You stopped stealing fries off his plate. Stopped nudging him awake in the mornings, rolling your eyes at how deeply he slept. Stopped teasing him about the way he could fall asleep anywhere.

On a plane, in a car, once even in the middle of a club when the music was loud enough to shake the walls.

One afternoon, when you had been too tired to get out of bed, he had finally said it out loud.

"Maybe we should see a doctor."

You had smiled at him, but it was too soft, too thin. "It’s nothing, Carlos. I just need rest."

He had believed you.

God help him, he had wanted to believe you.

—

The hospital came later.

By then, it wasn’t something you could wave away with a joke, wasn’t something you could cover up with sheer willpower.

By then, you were struggling to catch your breath after walking across the room.

By then, Carlos had started waking up in the middle of the night to find you curled in on yourself, your whole body trembling, your hands clenched into fists beneath the sheets.

By then, even you had stopped pretending.

"Okay," you had whispered, one night, your fingers gripping his. "Maybe it’s not just a cold."

Carlos had swallowed hard, his throat tight. But he had smiled anyway, because that was what he did. He stayed steady, he stayed strong, even when the ground was crumbling beneath his feet.

"No pasa nada," he had murmured, pressing a kiss to your temple. "We’ll figure it out."

And for a while, just a little while, you both still believed that was true.

—

The early hospital visits weren’t so bad.

You made them an adventure, the way you did with everything.

"We should start a ranking system," you had said one day, swinging your legs over the side of the exam table. Best hospital coffee. Best waiting room magazines. Best nurses who let me steal extra blankets."

Carlos grinned, leaning against the wall, arms crossed over his chest. "That depends. Is this going to be a five-star system, or are we working on a ten-point scale?"

"Oh, five stars, obviously," you said, deadly serious. “We have to account for dramatic flair.”

"And yet you still insist you’re not dramatic."

"I contain multitudes, Carlos."

And God, you were still you then.

A little tired, a little pale, but still full of light. Still brimming with something sharp and teasing and warm.

Carlos had let himself believe it would last.

That the doctors would find the problem and fix it. That this was a detour, not a dead end.

That you were too strong for this.

That he would not have to watch you disappear, piece by piece, until there was nothing left of the girl who had once laughed in the middle of a silent library, who had once stood beside him and made a promise that neither of you ever really thought would matter.

—

Some nights were better than others.

There were nights when you were yourself again. When you teased him about the dark circles beneath his eyes, your voice carrying that familiar warmth, something alive and teasing and so you that he could almost convince himself this was temporary.

That this, this hospital bed, these wires, these endless nights of waiting, was just a phase, something the two of you would look back on one day and laugh about.

"You look like hell," you’d whisper, your voice hoarse but still edged with amusement.

Carlos would scoff, pressing a damp cloth to your forehead. "And you look stunning, obviously."

You'd grin, even as exhaustion weighed down your eyelids. "I try."

Nights like those, he let himself believe.

But then there were nights like this.

Nights when you couldn't stop shaking from the pain, your body curling in on itself as he held you, whispering reassurances you were too far gone to hear. Nights when you sobbed into his chest, when your breath came in ragged, broken gasps, when you whispered, "I can't do this anymore, Carlos. I can't."

And Carlos, who had spent his entire life fixing things, who had built his world on the certainty that every problem had a solution, could do nothing.

So he held you. Ran his fingers through your hair. Pressed desperate kisses to your temple.

And when sleep finally dragged you under, he would slip into the bathroom, shutting the door behind him before collapsing to the floor.

He would grip the sink so hard his fingers went numb, bow his head until his forehead pressed against the cold tile.

His body would shake with the weight of it, with the sheer unfairness of it all, with the grief that felt too large to be contained within his chest.

Carlos Sainz was not a religious man.

But on nights like these, he prayed.

Begged.

For a miracle. For a cure. For just a little more time.

—

One night, when your breathing was too shallow, too slow, something in him snapped.

The moment he noticed it, the unnatural stillness, the faintest hitch in the beeping of the monitors, he was out of his chair, panic sharp and immediate in his chest.

His hands trembled as he pressed the call button.

"Nurse," he barked, his voice hoarse. "Something's wrong."

The nurses rushed in, their voices a blur, their hands moving quickly as they adjusted your oxygen, checked your vitals. Carlos stood frozen, helpless, as they worked.

And then, as quickly as the panic had come, the moment passed. Your breathing steadied. The machines quieted.

And Carlos, who had spent the last several minutes standing motionless, fists clenched, lungs burning, finally let himself collapse into the chair beside your bed.

His elbows rested on his knees, his head dropping into his hands. He tried to steady his own breathing, tried to remind himself that you were still here.

You were still here

You were still here.

A moment later, he felt the faintest touch on his arm.

Carlos lifted his head so fast it made him dizzy.

Your fingers barely managed to curl around his wrist, your touch so weak he could barely feel it. But your eyes were open, heavy-lidded and exhausted, searching for him.

"Hey," he whispered. His voice felt raw, scraped down to nothing.

Your lips parted, but no words came.

Carlos exhaled shakily, reaching out to press a hand against your cheek. Your skin was too warm, feverish, but you leaned into his touch anyway.

"You scared me," he admitted, his voice thick.

You tried to smile. It didn't reach your eyes.

Carlos swallowed, his throat burning. He forced himself to hold your gaze, even as the words clawed their way out of his chest, raw and desperate and entirely true.

"You promised," he choked out. "You promised you wouldn’t break rule number two."

A flicker of something passed through your expression. Regret, sadness, something heavier than the both of you combined.

"Carlos," you whispered.

"No," he said, shaking his head. "No. You don’t get to break this one. You don’t."

Your eyes shimmered with unshed tears. He could see it, the truth you were too kind to say out loud. The truth he refused to accept.

Carlos bent down, pressing his forehead to your knuckles. His grip on your hand was too tight, but he couldn't make himself let go.

"Please," he whispered. "Please don’t leave me."

You didn’t answer.

And somehow, that silence was worse than anything else.

—

Days passed. Then weeks.

Carlos barely left your side. He learned the names of every nurse on the floor. Memorized the dosages of your medications. Knew the precise moment when your painkillers would wear off, when you'd need him to press the call button before you were in too much agony to speak.

And still, he held on.

Because Carlos Sainz loves you.

It is inevitable. It is constant. It is everything.

And even as your breaths grew shallower, even as your hands trembled when you reached for him, even as the hope he had clung to for so long withered beneath the weight of reality-

He stayed.

—

One night, when exhaustion was too heavy for you to fight, you whispered, “You should go home, Carlos. You need rest.”

Carlos exhaled sharply. Shook his head. "I am home."

You tried to argue, but he silenced you with a kiss to your temple, lingering there for a moment longer than necessary. He could feel your pulse beneath his lips, slow and unsteady.

"I’m not going anywhere."

You sighed, a soft exhale against his shoulder, and for a moment, for a moment, he let himself pretend everything was okay.

—

He lost count of the days.

There was no clear marker for when hope turned into grief. No defining moment where he realized you weren’t going to make it.

It just happened.

Like a tide pulling out to sea.

Like the quiet between heartbeats.

A promise broken, too softly to hear.

And when you were finally gone, when the world felt too quiet, too empty, too wrong, Carlos sat in the chair beside your bed, your hand still in his.

And he whispered, “You broke the rules.”

---

Permanent taglist: @papichulomacy @softhecreator @claimingharrystigertattoo @mel164 @rendezvoushn @trashyy-004 @330bpm-whiplash @lilorose25 @alilcloudy @residentdemonhunter

[luveline]

Oooooo carmy request: him being jealous of readers friendship w richie cos they re like buddys and he thinks she doesn't like him cos shes not like that w him

—you realise what Carmy wants from you. fem, 1.4k

Richie isn’t technically an upstanding citizen, but he’s a good guy. 

“I’m telling you, sweetheart, you just need to be more aggressive.” 

You’re sitting on a stool behind the counter filling the ketchup and mayonnaise bottles with the huge ones from the walk-in. Richie isn’t doing much of anything, which is fine by you; he’s good entertainment for a shitty job. 

“I don’t want to be more aggressive, I want people to be nicer.” 

“We don’t get what we want,” he mutters. 

You frown expressively. “Aw, baby, we don’t get what we want. You don’t get what you want, huh?” 

“What’s your problem?” he asks, though he laughs brightly. “You’re the fucking baby. You’re not doing that right.” 

You point at your extremely slow drip of ketchup. “No, you think? I know I’m doing it wrong, Richie. Doing it right is a lot of arm effort. Have you seen my arms?” 

“You’ve got muscle.” Richie lifts your arm up by the wrist. “Flex. Flex your arm.” 

“I’m flexing. You can’t see that?” 

“What are you guys doing?” Carmy asks. 

He comes up behind Richie and they’re almost twins. Not in appearance —Carmy’s lighter facially and broader physically— but in stance, their mussed up aprons and the rags on their shoulders a uniform. 

You flex. “Weight training.” 

Richie drops your arm. “I’m showing her how to fill the sauce bottles.” 

“And you didn’t know how to do that?” Carmy asks you. 

“I’m the one that taught Richie.” You absolutely didn’t teach Richie how to do it, that much is obvious. Richie laughs heartily, and Carmy frowns, and you realise that Richie thinks you’re both laughing at Carmy, which isn’t what was happening. Not totally. 

It’s hard to navigate The Beef without Mikey; Carmy is nothing like his brother, and Richie’s an asshole. 

Carmy nods at you. You’re worried his lip is gonna curl like it does when he’s mad and you’re gonna get told to do something you’re uninterested in, but it’s Richie who gets punished. “Can you finish Sydney’s prep?” 

“Why can’t she do it?” 

“Her stomach thing. It’s just onions.” 

Richie wants to argue, but can’t. He’s paid a wage to work. “Fine. But tell Syd I’m not her gopher.” 

Richie saunters away. 

“He’s not her gopher,” you tease when he’s out of earshot, to Carmy’s surprised delight. “God, Carm, don’t you know anything?” 

Your Richie impression isn’t your best. Carmy must enjoy it, still smiling to himself as his attention is turned to the register, where he begins wiping down the keys. 

“Is that really the way to do that?” he asks, gesturing to your sauce bottles. 

You’ve turned the cap upside down, feeding sauce into the bottle one drip at a time. It would be quicker to remove the cap entirely and pour straight from the big bottle, but that sometimes requires three hands, the big jugs are that heavy. 

“Despite what you might think, Carm, I’ve thought it through.” 

“You sure?” 

You could get defensive. When Carmy first took over the restaurant, you thought, What the fuck, Mikey. Leave your shithole restaurant to your world class brother and get your entire roster of staff fired in one fell swoop. But Carmy never fired you, hasn’t cut your hours, doesn’t treat you like an asshole. He is a jerk, that much is certain during busy dinner service, but he has yet to take it too far. (Ish.)

So you won’t defend your laziness, or expect him to like it. You get up from your stool and turn the cap right side up, tapping what’s yet to drip through the spout into the bottle. You set the cap aside, and you uncap the big ketchup to decant sauce until the bottle is full. 

Carmy glances at you from the corner of your eye. He looks at you, looks away again. 

You think he might like you. In the don’t have a choice, grown on him like moss way. He gets cagey when you and Richie are having fun, and he stares altogether too much, but he can be pretty when he’s smiling (or really yelling) and he has nice hands, and nice arms. He has a nice way of saying things. You don’t mind his attention.

There have been worse bosses to want to push you up against a wall. 

Not that you think Carmy could. He whines like a bitch at you for stupid shit, but Carmen Berzatto shoving you into a wall for a rough kiss? That’s never gonna happen. 

And yet… his frown tells a different story. 

“Why do you get so weird about me and Richie?” you ask. 

“I don’t get weird about you and Richie.” 

You open the mayonnaise bottle and set the cap aside. “He’s nicer than you think.” 

“Yeah?” He sounds vaguely depressed, which isn’t uncharacteristic. Seriousness colours his voice with a strange charm. “I’ll take your word for it.” 

“He is, he makes me laugh. He makes sure I eat, he shouts at guys when they’re mean to me.” 

“Who’s mean to you?” 

“Carmy.” You give up on the mayonnaise and wipe your hands down your apron, to his ire. You’d prefer not to smell like egg and oil during this conversation, but it’s better than smelling like burnt chicken, sort of. “Richie’s a nice guy, whether you agree or not.” 

“That’s great, I’m glad he’s so nice to you.” He sounds angry now, but he’s stuck as you are —walking away is losing. 

You really don’t get it. “Is he not supposed to be nice to me?” you ask. 

“He can do what he wants. You can do what you want.”

You laugh, and hope to diffuse the situation with a joke, “Okay, thanks for your permission, Chef.” 

“Fuck off.” 

He sounds less tense, but not fixed. And you might find it harder to keep up with him, constantly wanting to impress him, knowing you can’t, but you’re not out of touch. You aren’t a huge dick. 

Carmy beats you to it. “I was kidding, about the bottles. You can do it how you want.” 

“I wasn’t offended.” 

“But you don’t– with Richie, you– I don’t know what I’m doing wrong with you.” 

You look him up and down, lengths of his arms, tattoos and the cut over his elbow. His clean t-shirt, his neck, the strong line of his nose and his bright eyes. 

“You’re not doing anything wrong,” you say, smiling at him, knowing your expression says lots of weird stuff. 

Working here in the kitchen makes a busy atmosphere normal. Richie’s telling a story at the top of his lungs, Angel’s swearing about a dropped plate, knives scratch on boards and ovens hum. Being overwhelmed is something you’re good at, and big feelings don’t scare you. 

“You’re jealous of Richie?” you ask, playfully pitying. “Get it together.” 

“Fuck off,” he says again. 

“Seriously? Richie Jerimovich. He’s telling Tina a story right now about how the last date he went on ended with her asking if he’d ever been abducted by aliens.” 

“I’m not jealous of Richie.” 

“No, I don’t think you are,” you say, taking a step too close, and refusing to take the step back. 

Carmy doesn’t look mad anymore. 

You wonder if anybody’s ever held his hand. You used to think he must’ve had a ton of girlfriends, he got so famous everywhere he went, but… He looks like he’s never been this close to someone before. Like you’re making him nervous. 

“Me and Richie are friends,” you say quietly. “Is that what you want us to be?” 

His hand twitches at his side. 

“There, cousin, I cut the fucking onions. You happy?” Richie asks, and laughs as he steps back out to the front of house, unaware of the tension. “That’d be the day, right?” 

“Yes, Richie, I’m happy you did your job. Thank you.” 

“Was that hard for you, baby?” you ask Richie with a pout. “Here, let me kiss your poor hands.” 

Richie gives you the bird with both of them. 

You look to Carmy. Making fun of Richie together isn’t quite as good as holding hands, but you hope it’s a start. 

Carmy catches on, can’t hide his grin, “There’s tylenol in the office if you need it, cousin.”  

“Are your wrists feeling tender?” you prompt. “Or is that motion one you’re used to?” 

Carmy laughs and the sound takes on the shape of his smile, nearly giddy. 

“Fuck both of you.” 

[00valentina-writes00]

Enemies to lovers sevika.

Sevika absolutely despises reader, and yet reader is still so nice to sevika always smiling at her and offering her nothing but kindness…sevika hates it.(no she doesn’t)

Could be either fluff or smutty just an idea

✞⛧ Tension and Temptation ✞⛧

Warnings: emotional vulnerability, slow burn, developing relationship, implied tension, brief violence, slight injury, angst, reluctant affection (no smut..sorry gang-)

Word count: 5.3K

The air in Zaun always feels heavier, weighed down by the grinding industrial machines and the lingering scent of decay. The narrow streets are filled with the constant hum of activity, the hustle and bustle of a city where survival is a day-to-day struggle. You've barely stepped foot into Silco's territory, but the tension that thickens the air makes you feel as though you've already failed the moment you arrived.

And standing before you, arms crossed, is Sevika.

She's a force of nature, towering and imposing, with the kind of presence that could crush a man just by staring at him. Her broad shoulders and muscular frame practically hum with power, her every movement radiating command. A scar runs down her face, another testament to her brutal world, and her grey eyes, cold as steel, meet yours with a flicker of disdain. Her hair falls in dark waves over her sharp features, partially obscuring the fierce, calculating look she's giving you. The metallic sheen of her copper-colored prosthetic arm glints in the low light, its shimmer-enhanced strength evident even in the way she holds herself.

The first thing you notice is how she's completely unapproachable, the natural aura of violence that wraps around her as tightly as the red poncho draped over her shoulders. You almost feel sorry for the fact that she's been stuck with someone like you. You're just a recruit, fresh off the streets, trying to earn your place. You can already tell she doesn't want you here.

"I don't need a damn assistant," Sevika spits, her voice like gravel scraping against metal. Her tone cuts through the heavy air, sharp and immediate. "So don't get any ideas. Just stay out of my way."

You can't help but smile—soft, almost out of place. It's your natural instinct to meet coldness with kindness, even if it seems pointless. You've always believed that if you show warmth to the right people, maybe you'll get something back in return. But Sevika? She's a brick wall. Her sharp eyes narrow, assessing you as if you were a problem she needed to solve.

"Yeah, whatever," she mutters, dismissing you with a wave of her hand. "Don't make me regret this."

You follow her closely as she turns, stepping with heavy purpose down the grimy streets of Zaun, her boots clicking against the ground in rhythm with the pounding of your heart. Despite the tension crackling between you, you do your best to keep your tone light. "I just want to help. I can handle whatever you need."

Sevika doesn't respond. Instead, her eyes stay fixed ahead, ignoring you completely. The silence between you feels suffocating, but you persist. "I know it might not seem like it, but I'm here to learn. I'm not looking to get in your way, I promise."

Her scowl deepens. "Then keep your mouth shut, and maybe I'll consider it," she growls. Her voice is low, a constant hum of irritation. But it's not just her words that make you pause. It's the way her eyes flash briefly toward you before her gaze returns to the horizon. There's something about the sharpness in those eyes, something that makes the air around you feel charged.

It's like trying to strike a spark in a cold, barren landscape. The more you try to offer, the more Sevika pushes back, her harsh words biting through your calm demeanor.

Still, you can't help but offer a small smile as you keep up with her. You've always believed in the power of kindness. Maybe, just maybe, that would be enough to crack through her tough exterior.

By the time you've reached your destination—a crumbling building where Silco's orders are handed down—you've managed to learn that Sevika has little patience for anything, let alone for someone who dares to try and offer kindness. You find yourself standing in the shadows as she barks out orders to a group of men, her posture demanding respect. There's an undeniable force behind her words, a presence that commands the room as much as her stature does. Her copper arm gleams under the dull lighting, the intricate mechanics of the prosthetic arm seeming almost alien in the harsh, industrial environment.

You're not sure why you still persist. Maybe it's because something about Sevika's rugged exterior, her unrelenting loyalty, and the way she carries herself pulls at you. Or maybe it's the fact that you can see through her cold exterior—there's more beneath the surface, and you're determined to figure it out.

As the hours drag on, the work piles up. It's hard, grueling, and entirely mundane, but you keep at it, offering help when needed, sticking close to her side. There's something about Sevika's quiet, controlled rage that fascinates you. The way she moves, the way she handles everything—each gesture calculated and efficient—reminds you of a well-oiled machine. But machines don't need kindness. People do.

Sevika finally throws you a glance as you hand her a cup of tea, carefully prepared just the way you think she might like it. She takes it from your hand with a grumble, muttering something under her breath about unnecessary gestures, but you know you've won a small victory.

She doesn't throw the cup at you. She drinks it instead, in silence.

The longer you stand beside her, the more her icy exterior seems to thaw—if only just slightly. You notice the subtle shifts in her posture when you speak, the way her lips curve in the briefest of smiles, though she quickly hides it behind her usual scowl.

"Stop smiling at me like that," she growls, her voice softer than before, yet still biting. "It's fucking irritating."

But you don't stop. In fact, you make it your mission to be even kinder, to offer more help, to make her realize that you're not a threat, that you're not here to steal her spotlight, but to be part of the team.

Later, when the day's work is done, Sevika's frustration with you seems to grow. She's angry, but it's not the same anger she directs at the people she dislikes. This one is different. It's more internal, a tension she can't shake, like you're pushing a button deep inside her. She doesn't understand it, and it only makes her hate you more.

"Why the hell do you keep doing this?" she asks, her voice rough with something unreadable. "You think your smile will make this any easier? You think I care about your little act of kindness?"

You stand your ground, though your heart beats faster. "Maybe I'm just trying to help."

Sevika scoffs, but it's not as cutting as before. She glances at you once more, her gaze unreadable, and for a second, it's almost like she's looking at you, really looking at you, for the first time.

"You're wasting your time," she mutters, her tone almost tired.

But when she turns away, there's a slight shift in her movements, an imperceptible change in the way she carries herself. You're not sure if she's getting used to you, or if she's just too exhausted to push you away anymore. But the more she resists, the more determined you become.

In the quiet aftermath of a long day, Sevika lingers at the edge of your vision. She's still rough around the edges, her anger still a flame that burns bright, but there's a small part of her that's starting to crack.

You can see it. She can't hide it from you forever.

And that's when it hits you—despite her constant grumbling, despite her sharp words and cold silences, you're not just an annoyance to her. You're a challenge. One she can't seem to escape.

As Sevika walks away, her prosthetic arm catching the light in a way that makes her seem even more formidable, you smile softly to yourself.

You won't give up on her.

The weight of Zaun hangs heavy in the air, thick with the scent of oil, decay, and danger. The city is a constant, humming machine of chaos and violence, a place where only the strongest survive. And you? You're still trying to prove yourself, trying to make your place known in Silco's ranks. But standing next to Sevika, as always, feels like a constant struggle.

Her presence is like an impenetrable wall of steel—intimidating, unyielding, and cold. Every time you speak to her, it's like your words just bounce off her, sliding into the abyss where they're quickly forgotten. But you're not deterred. You can't be. Her icy demeanor is nothing new. What is new, however, is the way you can't seem to stop smiling at her. Even when she glares at you like she's about to snap your neck, there's something in you that refuses to back down, refuses to let her coldness defeat you.

And it's that same smile you offer her now as the two of you walk through the dark, abandoned streets, on a mission to secure a deal with another faction. You've learned by now that Sevika doesn't deal well with pleasantries, doesn't like the niceties most people in Silco's empire try to pretend at. She's raw, blunt, a woman who cuts to the heart of the matter without hesitation. But despite her sharp words and colder gaze, you remain the same—cheerful, optimistic, and unnervingly kind.

"Quit looking at me like that," Sevika growls, her voice low and gravelly as her grey eyes flick to you. Her gaze pierces through you, as if she's trying to burn holes into your skin. The low hum of her prosthetic arm moving against the fabric of her sleeve is a constant reminder of her strength, her sharpness, and the danger she can unleash with a single movement.

"Like what?" you ask, genuinely curious, despite knowing the answer. You can feel her irritation like a thick cloud around her, but it doesn't deter you. Not today.

"Like you think I'm some sort of charity case," she snaps, the muscles in her neck tensing as her jaw clenches. "If you think you can win me over with your fake little smiles, you're sorely mistaken."

You open your mouth to respond, but before you can say anything, the sudden sound of footsteps echoes in the alleyway ahead. A low hiss of tension fills the air, and instinctively, you tense up, your eyes scanning the shadows.

Sevika's hand immediately goes to the grip of her weapon, her fingers flexing in anticipation. You've seen her in action before—the way she moves, the way her presence fills a room with both fear and respect. But this? This is different. She's on edge, and that makes you on edge too.

"Stay behind me," Sevika orders, her voice a low command as she steps forward, her posture suddenly coiled with dangerous intent. Her left prosthetic arm gleams under the dim light, the cracked blue and purple veins in her skin pulsing faintly beneath the surface. She looks like a force of nature, ready to strike at any moment.

You don't argue. You've learned by now that arguing with Sevika is a pointless endeavor. Instead, you keep your head down, staying close to her as the two of you advance. But as you round the corner, you don't expect what happens next.

Gunshots echo through the alley, and in an instant, you're caught off guard. A burst of shrapnel flies toward you, the sound of the blast ringing in your ears, and before you even have time to react, a sharp pain explodes in your side. The world tilts on its axis as you stumble, your knees buckling under you as you fall hard against the cold, unforgiving ground.

Your breath hitches, the shock of the attack leaving your limbs weak. Blood starts to pool beneath you, and panic surges in your chest. You're not sure how bad it is, but you know you're hurt. You're not sure if you can stand again.

Sevika doesn't hesitate. She spins around with the speed of a predator, her metallic prosthetic arm coming down with the force of a battering ram. The gunmen are taken down quickly, their bodies slumping lifelessly to the ground, but you're not focused on them. You're focused on the sharp, burning pain in your side, the fear creeping in that you might not be able to move.

She doesn't see it at first. She's too caught up in the immediate danger of taking out the rival faction. But when she turns back to look for you, that's when she sees it.

Your hand is pressed tightly against your side, blood seeping between your fingers as you struggle to stay conscious. The shock is setting in, your head spinning, your vision blurring around the edges.

For a moment, Sevika's eyes narrow, her face unreadable as she assesses the situation. The emotions in her eyes flash too quickly to read—fury, disbelief, and something else you can't place. Her lip curls, the usual scowl deepening, but she doesn't turn away.

You try to force yourself up, to stand, but your body refuses to cooperate. Your legs shake, and you collapse back onto the cold concrete, gasping for breath.

Sevika swears under her breath, her brow furrowing in a rare display of concern. Her prosthetic arm shifts, clicking with the precision of machinery as she strides toward you, her pace quickening, her boots slamming against the ground.

"You're fucking useless," she mutters under her breath, the words as harsh as ever. But when she kneels beside you, there's a hint of something else in her voice—a softness that's quickly masked by her usual cold exterior. "Stay down."

Before you can say anything, she's already tearing off a piece of her red poncho, using it to staunch the bleeding. Her hands are surprisingly gentle as she presses the cloth against your wound, her fingers rough from years of fighting but oddly careful in their touch.

"You better not fucking die on me," she grumbles, though her voice lacks its usual bite. "I don't need another person I have to drag around."

You can feel her frustration radiating off of her, but there's something else beneath it, something that tugs at the very core of you. She's trying to save you. Despite the way she treats you, despite how cold and distant she's always been, there's a flicker of something deeper in her actions—a recognition, maybe, of your sacrifice for her.

You offer her a weak smile, the corners of your lips pulling up despite the pain. "I'm not going anywhere, Sevika," you say, your voice hoarse but steady.

She freezes, her hand pressing down harder on the wound. The faint glow of purple lights up her eyes for a split second as she injects shimmer into her bloodstream. It makes her scarred veins pulsate, the colors glowing brighter, but it's the softening of her gaze that you notice first.

"Don't make me regret this," she mutters, but it doesn't feel like an insult. It feels more like an acknowledgment of something she doesn't want to face. It's a rare moment of vulnerability, one that she quickly hides behind her usual hard shell. She doesn't want to care. She can't afford to.

But she's already made the choice.

When she pulls you into her arms, lifting you effortlessly as if you're nothing more than a weightless bundle, you feel the odd warmth of her body against yours. The clash of her cold demeanor and this rare moment of tenderness sends a shock through you, a realization that perhaps she's not as immune to kindness as she makes herself out to be.

As the two of you make your way back to safety, Sevika's hand never leaves the cloth pressed against your side. She's steady, unyielding, and yet... there's something in the way she holds you now, something that wasn't there before.

You know she won't admit it. She can't. But for the first time, you see a crack in her armor.

And you can't help but smile, despite everything.

She's still the same Sevika, tough as nails, unrelenting, but underneath it all? You're starting to see that she's capable of something more.

You won't stop smiling—not even for her.

It's the middle of the night, and you're wide awake, groaning softly as you try to adjust your position on the bed. The wound on your side, though healing, hasn't quite been fully stitched up yet, and tonight, it seems, it's decided to protest. The dull ache from earlier has turned into something sharper, something more insistent, as you shift again and feel the sting of stitches pulling loose.

You sit up, pressing a hand to the wound, biting your lip as the pain spreads. Damn it, you can't let this go unchecked. The medic has already gone home for the night, and the last thing you want to do is try to deal with it on your own. You've only been out of the infirmary for a few days, but you know that if you don't do something about it, you could risk making things worse.

So, you do the only thing that comes to mind: you go find Sevika.

She's always there when things get rough, even when she doesn't want to be. Whether she likes it or not, you're stuck with her. So, you pull on a loose shirt, the fabric brushing against your skin, and you make your way toward her quarters in the heart of Zaun's underground complex.

The hallways are quiet, and the dim light overhead casts long shadows across the stone walls. You hesitate for a moment, the familiar nervousness creeping up your spine. What if she's not in the mood for this? What if she snaps at you, tells you to figure it out yourself? But you push the thought aside, biting your lip and walking with more determination toward her door.

You knock twice, a hesitant but firm tap. The response comes quickly—a grunt followed by the sound of heavy footsteps on the other side. The door creaks open, revealing Sevika in nothing but her sleeveless top, her metallic prosthetic arm gleaming faintly in the dim light. She's standing there, as imposing as ever, eyes narrowing when she sees you.

"What the hell do you want?" Her voice is rough, like gravel grinding underfoot, but there's an edge of concern in her gaze that she doesn't bother to hide.

You take a deep breath, trying to steady yourself, the wound on your side still aching painfully. "I—uh, I think my stitches came undone." You gesture weakly to your side, a little embarrassed that you've come to her for something like this. "I need help."

Sevika's brow furrows, and before you can say anything else, she steps aside, ushering you in with a sharp, "Get in here."

You hesitate, but the pain is still there, gnawing at you. You wince as you step inside her quarters, and the familiar scent of leather, metal, and the faint, earthy smell of Zaunite air fills your senses. Sevika's space is sparse, functional—a bed, a few chairs, some scattered tools, and a small table with a few half-drunk bottles of something strong.

She gestures for you to sit on the edge of her bed, the sheets slightly askew, but she doesn't seem to care about the mess. You sit carefully, lifting your shirt to reveal the bandages around your side, only to wince again when the motion tugs on the wound.

Sevika doesn't say anything, just walks to the small table and grabs some fresh gauze, a roll of medical tape, and a few tools. You notice the way her gaze flicks to your side, her lips pressing into a thin line.

"Don't just sit there like a damn idiot," she mutters, her voice unusually soft as she crosses the room, "Take that shirt off. You're making it harder for me."

Your heart skips a beat, and your cheeks flush with warmth, even though you try to hide it. You've never been this close to Sevika before, especially not in this context. Her usual scowl is softened, but there's an undeniable hardness to her presence, making your pulse quicken.

You take a deep breath and pull the shirt off, revealing your bandaged side and the remnants of your wound. You're left in just your bra, feeling a little exposed, but you try to push the nervousness down. Sevika doesn't seem to care at all about your state of undress. Her attention is entirely on you, her sharp eyes scanning the injury as she leans over.

The air feels suddenly thick with an intensity you haven't noticed before. Her movements are methodical, but there's an odd tenderness in the way she handles the gauze and the bandages, even though her touch remains firm and practical. When she leans in closer, you can feel the heat of her body as she works on your side, her breath brushing against your skin.

For a moment, neither of you says anything. The room is filled only with the sounds of Sevika's breath and the faint click of her prosthetic arm as she moves. You focus on trying to steady yourself, your heart pounding in your chest.

"Hold still," she orders in a low voice, and you comply, not trusting your words to come out steady.

She works in silence, her focus entirely on the task at hand. Her fingers are gentle as she adjusts the bandages, her calloused hands brushing against your skin every so often. You can feel her eyes on you, though she doesn't look up. The soft touch of her hands against your skin is a stark contrast to her usual coldness, and you can't help the way your stomach flips at the intimacy of it all.

When she finishes, she steps back slightly, her gaze lingering on you for a moment before she clears her throat. "There. That should hold for now. Don't make me do this again."

You glance up at her, catching the faintest hint of something soft in her grey eyes, but it's gone as quickly as it appears. She's back to her usual self—stoic, guarded, but there's still that unspoken understanding between the two of you.

"Thanks," you say quietly, a small smile tugging at your lips despite the vulnerability of the moment. "I really appreciate it."

Sevika rolls her eyes but doesn't say anything else. Instead, she tosses the supplies onto the table and walks back to the chair in the corner, leaning back with her arms crossed. "You're welcome," she mutters, sounding almost gruff, but there's a softness in her tone that wasn't there before.

You glance at her, a small, teasing smile creeping across your face. "You sure you're not going to throw me out now that you've seen me in my bra?"

Her eyes flick to you, the faintest spark of irritation flickering before she grunts. "Don't get any funny ideas, alright? This doesn't change anything."

You smile at her, watching her try to keep up her tough exterior. It's the first time you've ever been this close to her in this way, and you can't help but feel a sense of warmth that spreads through your chest.

"Sure, Sevika," you say softly, "whatever you say."

Sevika doesn't answer, but as she watches you, her lips twitch into the smallest of smiles, just for a fraction of a second.

You never quite get used to the sight of Sevika after a mission gone wrong. It doesn't matter how many times you've seen her come back battered and bruised, bloodied and bruised, a quiet part of you always hopes the next time won't be as bad. But it's always worse. Each time she walks in with a limp, a scowl, and that dark gleam in her eyes, you know it's only a matter of time before it breaks you.

And tonight, it's the worst it's been in months. Her left arm, her prosthetic, is badly damaged, sparks still crackling from the shattered circuitry as she stumbles through the door. Her breathing is shallow, uneven. The shimmer-enhanced blue and purple veins pulse under her skin, glowing faintly in the dim light of the warehouse. The glint of her copper prosthetic, normally a symbol of her unyielding strength, now looks like a taunting reminder of the fragility that even she can't escape.

You feel your chest tighten as you rush to her side, hands instinctively reaching out to steady her.

"Shit," Sevika mutters, her voice rough from the effort it takes to stand. "I'm fine. I don't need your help." But her words lack the usual bite. They're hollow, like she's trying to convince herself more than anyone else.

You ignore her, not caring about the gruff tone or the coldness that oozes from every word. You've seen it before—the way she hides behind that wall of indifference, masking the cracks with bravado. But tonight, there's something different. Her guard is slipping. Maybe it's the injury, maybe it's something else, but for once, she's not pushing you away.

Her heavy, labored steps are slow as you help her to the nearest chair, your hands steady as you guide her down. She winces as her weight shifts onto the seat, the strain evident in the furrow of her brow and the clenched jaw.

You sit beside her, your eyes tracing the damage to her arm, the shimmer scars that mar her skin. Your stomach knots. She's always been tough, but this time, there's a vulnerability to her that you've never seen before.

"You need to rest," you say gently, your voice softer than you intended. "You've been pushing yourself too hard. It's okay to take a break, Sevika."

She snorts, her usual sharpness returning, but it's forced. "I don't need your pity."

"It's not pity," you insist, your gaze meeting hers. "It's care. You're not invincible, Sevika. You're allowed to feel things. You don't always have to be the tough one."

Sevika's eyes narrow, and for a moment, you think she's going to snap at you, throw out another biting retort, but she doesn't. Her lips curl downward, and she looks away, focusing on the floor as if the weight of your words is suddenly too heavy for her.

For a long beat, there's silence between you two. The sound of Sevika's ragged breathing fills the space, and you can hear the faint crackling of her prosthetic arm, still sparking erratically.

"Why do you always act like this?" you ask, your voice quiet but steady. "Like you're untouchable. Like you don't need anyone."

Sevika's shoulders stiffen, her jaw tightening, but you don't let her retreat into herself this time. You place a hand gently on her arm, feeling the warmth of her skin beneath the cool metal of her prosthetic. Her gaze flicks to your hand, and for a moment, you think she'll pull away, but she doesn't. Instead, her breath hitches, and she stares at you as if seeing you for the first time.

"What do you want from me?" Her voice cracks, a sharp edge to it. "I'm not some fucking damsel in distress. I can handle myself."

You lean closer, your eyes softening as you study her face. The harshness of her features, the furrow in her brow, the tightness around her eyes—all of it is a mask. A mask she's been wearing for years, hiding the truth underneath.

"I don't want anything from you, Sevika," you say, your voice soft but firm. "I just want you to stop pretending you don't need help. Stop pretending you don't need someone who cares about you. You're not weak because you need someone. You're human."

Sevika's eyes flash with something—anger, fear, uncertainty—before she looks away, her fingers tightening around the edge of her prosthetic. "I don't need anyone," she mutters, though it sounds more like a plea than a statement.

You shake your head. "You do. And I'm here. You're not in this alone."

Her gaze flickers back to you, her expression conflicted. You see the war in her eyes—the part of her that wants to let go, to accept your care, and the part of her that's terrified of doing so. You know she's been through hell, fought battles that no one should have to face, and survived in a world that doesn't give a damn about her. But you also know there's more to her than the walls she's built.

The silence between you both grows heavier, but instead of pulling away, you stay. You let the quiet linger, giving her space to process the unspoken things hanging in the air.

Sevika exhales sharply, and for the first time tonight, she doesn't try to hide the exhaustion in her voice. "You think I'm just some cold-hearted bitch who doesn't care about anything. But you don't know...you don't know what it's like. To care. To have someone depend on you and then—" She cuts herself off, her eyes flicking to the floor. "It hurts, alright?"

You don't say anything right away. You just listen. Because it's the first time she's admitted that. The first time she's let someone see the cracks in her armor.

"You don't have to carry everything on your own," you say, your voice soft but insistent. "You don't have to be perfect. Not for me. Not for anyone. I'm here. Let me help."

There's a long pause, but eventually, Sevika lifts her gaze to meet yours. Her eyes are dark, but there's something different there now. Something softer, less guarded. She blinks, the tension in her shoulders slowly dissipating.

"You really are ridiculous, you know that?" she says with a faint smile, but it's not mocking. There's something genuine about it. "You don't know when to quit."

"No," you reply with a small grin, "I don't."

She sighs, the weight of the moment finally sinking in. "You're right," she mutters, almost to herself. "I'm not good at this. At...letting people in."

"I know," you say, reaching out and placing your hand over hers. "But you don't have to do it all at once. We can take it slow. Just...let me be here for you. When you need it."

Sevika's eyes flicker down to your hand, her thumb brushing over your skin, and for the briefest moment, it feels like the world pauses. The connection between you two is palpable now, not just a shared silence, but something deeper. Something that neither of you can ignore.

Her lips twitch into the barest hint of a smile before she leans forward, her face inches from yours. "You're not like anyone I've met before," she murmurs, her voice low and rough. "And that's...frustrating."

"Why?" you whisper, barely able to keep the distance between you two.

"Because you make it hard to be a cold-hearted bitch," Sevika says, her voice laced with a mixture of frustration and something else you can't quite place.

Without another word, you close the distance. Your lips meet hers in a kiss that's soft, tentative at first, but soon deepens as the tension between you two finally gives way. The kiss is slow, exploring, each touch of your lips against hers a silent promise, a moment of vulnerability shared between two people who have spent so long hiding from each other.

When you finally pull away, Sevika rests her forehead against yours, breathing heavily. There's no more need for words between you two. The connection is enough.

For the first time in a long time, Sevika lets herself feel what she's been hiding, and you, quietly, let her.

[milkteabinniechan]

♡Tongue in Cheek - Yang Jeongin

MINORS DNI 18+ ONLY MEMBERSHIP//M.LIST

pairing: CEO jeongin x fem! reader

summary: your boss is up for a big promotion. There's just one problem, he told his boss that he's married. So he asks you to be his wife for just one night. But now this cold CEO is seeing you in a whole new light.

warnings: power dynamics, tooth-aching fluff, angst, kissing, did I mention fluff????

Jeongin slid a few papers around his desk. “Something you need?” He snapped, his tone exhausted and annoyed. His patience was wearing thin lately. You had noticed immediately, the way he moved around the office like every corner and seam of his heavy armor was starting to crack. He was stressed, he was nervous. You suppose that's why you agreed to this dinner in the first place. To help him out. That was the only reason you had agreed to be his “fake wife.”

“Sorry to bother you, Sir. But Mr. Kwon’s assistant called again to confirm that you- um, that we would be attending the dinner tomorrow evening.” You kept your eyes downcast, studying every fiber of his office carpet. A deep, intimidating red color that filled the entire room like an inferno. It's as if he wanted everyone that walked into his office to know that they were walking into Hell.

“Tell her that we'll be there at eight sharp. I want you dressed nicely. Take my card and buy yourself something expensive.” Jeongin's hand stretched out to reveal a heavy platinum credit card weaved between his fingers. You took a step forward but hesitated, your mouth parting slightly. Jeongin's eyes flashed up to you, his head still hanging down. “No arguments, just do it.”

And that was that. Because if Yang Jeongin told you to do something, then goddamn it, you better do it.

The night of the dinner was chiller than you had anticipated. The sun was going down sooner and sooner and cold air swept you up and pulled you inside of Jeongin's luxury car. It was warm inside with plush seats that hugged you better than your own mother. Was this what money could buy? You casually glanced at Jeongin's hand gripping the expensive leather of the steering wheel. He was wearing a shiny silver bracelet and a large, heavy looking ring on his middle finger. He had told you once that the ring was lucky and he would only wear it when he really, really needed it. Jeongin kept his eyes fixed on the road, focused and determined even in his driving. But soon his deep voice cut through the building tension. “Mr. Kwon is the man to impress, the man to be, the man to beat. But he is put off by the fact that I never settled down to start a family. He thinks it's abnormal for a man my age to not have someone.”

You kept your mouth closed tight. You agreed with Jeongin's boss, it was abnormal. Jeongin was young, attractive, and successful. So why hadn't he found someone? As if sensing your train of thought, he cocked his head towards you and raised an eyebrow. “It's not like I don't fuck, I just don't have time for a relationship.”

A relationship. He said that word like it was poison on his tongue. The two of you pulled into the long driveway of a sprawling manor you had only seen in magazines. The path was lined with lights and led you both to a towering front door that was painted the most intense red you had ever seen. You were starting to understand where Jeongin was getting his business inspiration. You stepped inside to see dinner already being set.

Five course meal. Five courses. There were nights when all you could afford was a cup of ramen and a few beers. This was how the other half lived. Mr. Kwon and his wife were both incredibly gorgeous. To look at them too long almost felt greedy. Mr. Kwon commented on Jeongin's cufflinks and his wife absolutely adored your dress. You found it easy to converse with her. A simple, sweet woman who meant well but was so detached from the real world that she was living in her own little fairytale. Jeongin and you had discussed a background story for how you met and what your wedding day was like in case anyone had asked. And to no one's surprise, Mrs. Kwon wanted to know every detail.

After a few glasses of champagne, you found yourself gushing about Jeongin. You spoke about his gentle demeanor when his mother or siblings call. You talked about his smell and the first time you knew you were in love with him.

Jeongin sat back in his chair and watched you. He watched you diverge from the previously discussed storyline that the two of you agreed on. He listened as you spoke honestly about your feelings and your ambitions and goals for the future. He felt a clench in his chest that he hadn't felt in years. You seemed to almost have a glow around you when you spoke. As if the roof opened up to let moonlight pour down over your entire body. And the dress you chose. Jeongin finally allowed himself a moment to admire and memorize every curve and dip of your waist and legs. He could feel his $300 slacks growing tighter by the second. Mr. Kwon stood from the table and announced that the men should adjourn to the other room for cigars and brandy. Jeongin let out a sigh of relief and quickly stood to follow the rest of the men but before he could leave you grabbed his hand and kissed his cheek. “Miss you already.” You said with a smile loud enough that the rest of the guests could hear. You gave him a quick wink before dropping his hand and returning to the dinner table.

“You got a good one there, Yang.” Mr. Kwon let out a large puff of smoke from his cigar. “Don't fuck this up. She's good for you.”

Jeongin fiddled with his own cigar, still unlit. He weaved it between his fingers. “Yes, Sir.” His mind was a million miles away. You have worked for him for three years now. He still remembers the day he hired you. The outfit you wore, the messy bun with frazzled strands of hair falling in front of your eyes. You were so nervous. But you were determined. He recognized that fire in your eyes. It was the same fire that burned inside him.

“Thank you for tonight. You were very convincing.” Jeongin had driven you back to your one bedroom apartment. You stood in the single step in front of your front door. You were actually eye-level with him now, your face just inches from his. “You're welcome. It was fun.” You confessed. You liked being a part of his world. Jeongin cleared his throat and smiled. An awkward, unsure smile that you weren't used to seeing. He gave you a polite bow and turned towards his car to leave. You felt a heaviness pull at your heart as he started to walk away. But before he got to the street he stopped. He turned on his heels to face you once again, his unsure smile now transforming into a devilish smirk. “The night isn't over. Technically, you're still my wife.” He took a few steps towards you. “Kiss me.”

The heaviness in your chest now felt like a balloon soaring high as you ran towards him without hesitation. You jumped into his arms and he held your leg with one hand and used his other arm to wrap around your waist, holding you close to him. Your lips crashed into his clumsily. Your mouths falling over each other until you slowly found a rhythm. It was the most romantic moment of your entire life and you never wanted it to stop. You kissed him over and over again. Some were slow and lingering while others were needy and impatient. You kissed him. Because if Yang Jeongin tells you to do something, then goddamn it, you better do it.

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