#I just wanted to get this post out there before I continue working on other stuff-

[themoonlitquill]

Whispers Woven in Shadow. (1/?)

𝙒𝙝𝙖𝙩 𝙞𝙛 𝙩𝙝𝙚𝙧𝙚 𝙬𝙖𝙨 𝙖 𝙛𝙤𝙪𝙧𝙩𝙝 𝘼𝙧𝙘𝙝𝙚𝙧𝙤𝙣 𝙨𝙞𝙨𝙩𝙚𝙧? 𝙃𝙤𝙬 𝙬𝙤𝙪𝙡𝙙 𝙨𝙝𝙚 𝙘𝙝𝙖𝙣𝙜𝙚 𝙩𝙝𝙚 𝙣𝙖𝙧𝙧𝙖𝙩𝙞𝙫𝙚? 𝙒𝙝𝙖𝙩 𝙙𝙚𝙘𝙞𝙨𝙞𝙤𝙣𝙨 𝙬𝙤𝙪𝙡𝙙 𝙨𝙝𝙚 𝙢𝙖𝙠𝙚? 𝙏𝙝𝙞𝙨 𝙞𝙨 𝙝𝙚𝙧 𝙨𝙩𝙤𝙧𝙮.

𝗣𝗮���𝗿𝗶𝗻𝗴 ; 𝖠𝗓𝗋𝗂𝖾𝗅 𝗑 𝖥𝖾𝗆!𝖮𝖢 (𝖾𝗏𝖾𝗇𝗍𝗎𝖺𝗅).

𝐀𝐮𝐭𝐡𝐨𝐫'𝐬 𝐍𝐨𝐭𝐞 ; I’m terrible at summaries, so please don’t hate me for that! This is an OC that I’ve been playing around with for literal ages and I finally made the choice to really dive in and develop her, and then the ideas just started flowing in and I couldn’t stop writing! I’m already working on a second chapter for this, but let me know your thoughts if you’d like to see this continued! I don’t post my writing too often, so be kind if you don’t mind!! Oh, && special thanks to @coffeebooksrain18 for the moodboard! 🩵 Enjoy!

𝖳𝗋𝗂𝗀𝗀𝖾𝗋 𝖶𝖺𝗋𝗇𝗂𝗇𝗀𝗌 ; 𝗠𝗲𝗻𝘁𝗶𝗼𝗻𝘀 𝗼𝗳 𝘀𝗲𝗹𝗳-𝗶𝘀𝗼𝗹𝗮𝘁𝗶𝗼𝗻, 𝗽𝗮𝗶𝗻, 𝗹𝗮𝗰𝗸 𝗼𝗳 𝘀𝗲𝗹𝗳-𝗰𝗮𝗿𝗲, 𝗮𝗻𝗱 𝗷𝘂𝘀𝘁 𝘀𝗼𝗺𝗲 𝗮𝗻𝗴𝘀𝘁𝘆 𝗶𝗻𝗻𝗲𝗿-𝘁𝘂𝗿𝗺𝗼𝗶𝗹.

𝖶𝗈𝗋𝖽 𝖢𝗈𝗎𝗇𝗍 ; 3802.

Everything is different now, Ariadne Archeron blinks as she looks out the window to the clear skies of robin’s egg blue with rays of sunlight streaming through to cast a golden hue that emitted warmth and yet, she had never felt so cold, so empty. Her mind was spinning around in circles, jumping from thought to thought, never settling and making her skin itch with such an intensity that she had to refrain herself from digging her nails in and ripping flesh from bone.

It was all wrong. Every single bit of it. And she couldn’t understand what was going on and why she was feeling this way.

The simple answer was because she had been thrown into a massive pot that stripped her humanity from her without consent and replaced it with immortality, which was something she had only wondered about in the stories that Elain used to show her as a little girl; she never imagined that it would come true and become her life.

Feyre had accepted being Made into High Fae graciously, almost eagerly, while Nesta seethed and resented, focusing her pent up emotions into care and concern for Elain. That left Ariadne to deal with it alone and if she were to be honest with herself, she wasn’t doing a very good job of it.

She was broken, lost, and confused, nearly a shell of her former self. How was she to handle this? What was she to do? There wasn’t a set of rules for something like this and there was no one to turn to for advice, not that she could anyway with her inability to speak.

It seemed that magic couldn’t heal everything.

Ariadne had been born deaf and could only communicate through gestures and looks, which made everything that much harder for her compared to her sisters. She couldn’t get her mouth to form the words that ran rampant in her head, not that she didn’t try, and eventually, she gave up, coming to the realization that what she so desperately wanted to say would never be heard by anyone other than herself.

She had never felt sorry about her ailment before, knowing that Nesta understood when she was irritated by the way her eyes narrowed with a hand placed defiantly on her hip and that Elain knew when she needed a moment away from their father when a frustrated huff emitted from her nose, followed with the incessant picking at the skin around her fingernails.

And Feyre, well, she was able to decipher what Ariadne wanted before she even did.

But it was different now. It wasn’t the same and the changes she was going through had to be dealt with, with no help from anyone. It wasn’t fair.

She wanted to scream and yell and cry and throw things, but she couldn’t, and if she could, she wouldn’t want to. That wasn’t who she was and it definitely wasn’t how she acted when life didn’t go the way she wished for it to. Instead, Ariadne kept it hidden away from prying eyes and suffered in silence, because that’s what this all was.

Suffering.

Agony.

Without any end in sight.

Ariadne works to swallow the dry lump that had formed in her throat and she withholds a wince, knowing that she needed something to drink and she was already dreading the fact that she’d have to leave the bit of safety in the room, that was now hers, to go get it.

Unless she wanted to stick her mouth under the faucet again and she most definitely did not.

Downstairs it is, she gnaws on the inside of her lower lip until she tastes the unmistakable tang of copper on her tongue, the nerves already setting in. You can do this, Ari. Just stand up and walk. It isn’t that hard, her fingers clenched into a fist, nails biting into her palm. Get UP! Get up, get up, get up!

Why couldn’t she move? What was wrong with her?

Ariadne sucks in a breath and holds it for a moment, then releases, her eyelids fluttering as she struggles to keep herself composed. The tears were right there and there was no way she would allow them to fall; she had to be strong like Feyre would be, not letting anything knock her down, and if it did, she’d get back up to try again. She could do that, couldn’t she?

It’ll be quick. Start with putting your feet on the floor. That’s easy enough to do, she reopens her eyes and stares straight ahead for several minutes, working on keeping each breath steady. On the count of three… One, her skin prickles, but she manages to sit up straight, legs unfolding. Two, sweat forms on her brow as she moves her feet to hover over the carpet. Three!

The distance closes and she freezes when she feels the plush material against her skin, finding that it was kind of… nice. See, not so bad, right? One thing at a time. You can do that no problem.

A small bit of confidence surges through her and she quickly rests her arms on either side of the chair, bracing herself before pushing herself up; her knees wobble and her brow furrows, but Ariadne - more determined than she realized - finds her balance and straightens, taking a deep breath in order to calm down a little.

Hey! Look at that. You did it, there’s a twitch at the corner of her mouth, which she dutifully ignores. Now, another deep breath. Start walking, was it too soon to do this? It had only been a week since- Don’t go there, Ari. You’re doing so well. You aren’t there anymore. You’re fine, she lifts her chin and turns towards the door. Go on, she takes a step.

Ariadne keeps going, one foot at a time, and becomes more steady, making her way across the - her - room to the door and stopping to stand in front of it. Her hand wrapped around the handle, halfway turned, but she froze again. Completely immobile. Why was her heart beating so quickly? This wasn’t normal. It made no sense to feel like this and she couldn’t find a way to understand it, which was incredibly frustrating.

It’s good that you want to see something else besides these same four walls. Nothing wrong with that. No one is even going to be out there, she turns it the rest of the way. Nesta is with Elain, and Feyre, her heart clenches painfully. Feyre isn’t here right now, so you’re going to have to do this yourself, she pulls and it opens. There you go.

Ariadne peers out into the hall and looks down both ends, not seeing anything other than the rest of the doors, all closed, and the sconces that emitted a warm light. She slips through and begins to walk, her feet padding softly against the floor and she was hoping that the kitchen was in this direction or else she was going to be wandering around for a while; the House of Wind was huge.

She continues on with her hands clasped together in front of her, the pad of her thumb rubbing soothing circles onto the top and she can’t help but look around, never having seen anything like it before. Not even Archeron Estate. The amount of money that Rhysand had to build something like this? He must’ve grown up rich. Her gaze roams over the intricate carvings on the large columned archways, head tilted in quiet admiration. They were pretty.

The hallway comes to a set of stairs, only four, and Ariadne pauses before taking each one down to find a kitchen to the left that led to what she assumed was the dining room, and held a grand table in the center with multiple high-backed chairs.

Yeah, definitely rich from birth, she walks further in and flicks her eyes over the cabinets, realizing that she had no clue where anything was. Look through all of them. It isn’t going to matter anyway, she reaches up on her tip-toes and her fingertips barely brush against the handle. Oh, great, she sighs. Where’s a ladder when you need one?

She notes the sink only a few inches away and she moves to crouch down in front, beginning to search through and eventually coming up empty. Please don’t tell me I have to climb on a counter, Ariadne stands back up straight. Again, there was really no other way, was there? Of course not.

Her brow furrows as she surveys the correct way to do it without getting hurt, knowing that no one was there to help if things went awry; she finally settles on using the shelf that went across the middle of the bottom cabinet to use to give her a boost and then she’d be able to get her leg up by bracing her weight against the wall.

It seemed simple enough.

After getting into position, Ariadne takes a breath and places her hand to the left as she pushes her foot against the shelf. She grunts from the effort to lift her leg, managing to get her knee onto the counter and use what strength she had to pull the rest of herself on top.

She grasps at the handle on the cabinet to steady herself before she adjusts her knees and leans over a little to open it, only to find plates. An annoyed huff makes her nostrils flare and she carefully shuts it. I should’ve just drank from the faucet again, her arm extends and her fingers wrap around the next handle as she moves over. This is way too much to do for a cup, she keeps her spine straight and prays to whatever higher power hailed over Prythian that this was the right one.

Ariadne pulls, and she doesn’t notice the fabric of her dress shift or when she starts to slide; she peeks inside and her eyes brighten when she sees what she had been hoping for. Yes!

Her body goes to lean like she had done a couple minutes ago and her knees give out from under her, a surprised sound leaving her lips as her other arm flails, unable to find anything to hold onto. No!

Everything went sideways and Ariadne began to fall, the top of her foot hitting the edge of the counter and she hisses through her teeth, eyes squeezing shut and bracing for the impact of her body against the tiled floor. But it never came. There was something looped around her waist, cool and soft, flowing like silk and holding with a gentleness that she had never felt before. What is it? Where did it come from?

Whatever it was had decided to turn her upright and place her down safely, which is when she decided to open her eyes; the first thing noticed were the wings, massive and actually really beautiful, but holding a power that matched that of the one, two, three, four… seven siphons, which reminded her of sapphires, and then it was the deep bronze skin that was littered with dirt, grime, and only the Gods knew what else, followed by a tousle of dark hair, slightly curly.

Though, what Ariadne noticed the most was the golden glow that faded into hazel. There was a mixture of guardedness, curiosity, and worry - maybe? - swirling within the shifting shades of green and brown, but she wasn’t sure if she could trust it. Azriel, I think. The other one is who Nesta can’t stand. Cassian? This is the… Spysinger, her lips pressed together. No, that isn’t right. Oh! Shadowmaster. Yeah, that makes more sense.

She blinks and realizes that she had been staring at him for longer than she should’ve and quickly refocuses to see that he had come around from the other side of the counter to stand a few feet away from her.

It looked like the Shadowmaster had been in a few fights and then slept on the ground afterwards, which was weird to her because she swore Cassian was the aggressive one. Never judge a book, Ari. People look at you and think you’re not capable of anything or that you’re stupid, she lifts her chin and finds that she could now only see his chest when she did that, so she tilts her head back further until she finds his face again.

₊˚✧𑁍.ೃ࿔*:･

Azriel watches in silence as the youngest Archeron sister - Ariadne - nearly breaks her neck in order to meet his gaze, the warm honey of her eyes full of questions, trepidation, and a sadness that was trying to hide itself and he was certain it was much larger than what he already caught. He found himself wishing he could ask her about it, but that was impossible for two important reasons; one, Azriel didn’t do things like that and two, even if he did, Ariadne wouldn’t be able to hear him.

And who was to say that if she could, she would answer?

He resorts to raising a single brow, inclining his head towards the counter as he keeps his sights set on her, surveying her expression for the slightest change; it starts with a flicker of surprise before shifting to neutral and she nods, the smallest of sighs emitting from her parted lips and she glances at the still open cabinet that held the cups, then tapping her fingers at the base of her throat.

Ah, he steps forward and reaches inside to grab one, lowering it down and handing it to her. There’s a moment of hesitation, though it doesn’t seem to be an aversion to him. It was more so of someone unsure how to accept help when they had been doing everything without it for a long time. You’d know all about that, wouldn’t you?

The ever-present shadows that swirled around Azriel became tense at the thought and he quickly pushed it to the back of his mind to be locked away.

Now wasn’t the time.

Ariadne was staring at the glass and he realized that she had no idea that the House of Wind would provide anything she wanted. After all, how was she going to know anything about a world she had been thrown into? Stories that passed over to the human lands weren’t always accurate.

Will you- He hears a quiet gasp and he cuts himself off, attention snapping back to the small Fae in front of him that was watching as… orange juice filled to the brim. Apparently, she figured it out a lot quicker than he thought she would. The corner of his mouth twitches. Smart girl.

Azriel takes a couple steps back and leans his hip against the counter, arms crossed over his chest with his wings tucked behind. Ariadne turns her head and blinks at him, observing his position before giving a single dip of her chin and he had a feeling that it was her way of saying ‘thank you.’

He returns the gesture and she begins to walk by, more than likely heading back to her room, and that’s when he smells it; cherry blossoms. It was sweet and soft, hints of creamy vanilla bean and almond with a warmth that made him want to reach out and touch her.

It’s his turn to blink now and he waits for Ariadne to pass before he looks over his shoulder, hazel returning to that golden hue as she makes her way back up the steps and disappears down the hall. His shadows begin curling around his neck and ears, whispering to him in cool breaths, some louder than others.

She is special. Yes, special. And alone. Afraid. She is lost. No way to understand. She cannot ask. She wants to understand. Must help her understand. Yes. Help her.

Azriel gives a small tug and they fall silent, though they flick against his skin in protest and to show their evident distaste for his dismissal. He rolls his eyes with a heavy exhale, giving his head a shake before he pushes himself away from the counter and disappears into the same temperamental darkness that matched that of himself.

₊˚✧𑁍.ೃ࿔*:･

Ariadne was unsure how to feel about her brief interaction with Azriel; he understood what she’d been trying to do and had even helped her, which was odd for her, but it made him better than most people she had met. He didn’t invade her personal space either, didn’t try to do anything at all that would make her the slightest bit uncomfortable.

In fact, he seemed to be a fairly decent male. She couldn’t remember a single instance over the few times she had been around him - even as a human - where he had ever acted out or caused any sort of problem. And if he did, she had an inkling that it would have to be over something important.

Her eyes lifted to the window and found that the sun had set, painting the sky in magenta and lavender with bursts of burnt orange and yellow; it reminded her of something that Feyre might like to recreate on canvas. There’s a sharp pang in the center of her heart at the thought of her sister and she winces, reaching up to rub the spot with her hand.

It was hard without Feyre. Yes, Nesta and Elain were there, but they were handling being Made even worse than Ariadne was. At least she had left the room. Granted, it was only once and she wasn’t gone for that long. It was still more than what they were doing.

And that had to count for something, didn’t it?

Ariadne had been the closest with Feyre, in age and in every other way. They were inseparable and a lot of love was shared between the two of them, along with a deep-rooted loyalty and respect for who they each were. And now? She felt like she was missing a vital piece of herself that she didn’t know how to get back and the longer the stretch of days went on, the more painful it got.

She picks at the skin around her nails and shifts her gaze to the floor, not wanting to think about any of this anymore. That was the thing about having no way to talk to someone; she tended to inner-monologue and go too into detail about things, overwhelming herself until she disassociated from it all.

Not the best solution, but it worked for her.

A flicker of movement in the corner catches her attention and she zeroes in on it, eyes narrowing slightly. Don’t tell me this place has ghosts now, Ariadne stands, noting how it was darker than it should’ve been with the way the light was streaming in. Because I will find a way to get out of here. There can’t be that many stairs.

She takes a couple steps forward, head tilted with curiosity and a bit of fear if it was actually a ghost. Whatever you are, I’m not going to hurt you, so that means you can’t hurt me either. That’s how this works.

The unknown something moves again, causing a shift in the air that her new Fae eyes are able to detect; it looked like smoke, though more refined and smooth, shimmering with an iridescence that reminded her of the stars. She reaches out. What are you?

It slithers forward and Ariadne watches as it brushes against one of her fingers, almost as if it were curious about her too, and that’s when she feels that same softness that had been around her waist earlier, silken and surprisingly strong.

You’re one of Azriel’s shadows, it curls around her finger and Ariadne hums. What are you doing here? Did he send you?

The shadow moves further up until it’s wrapped around her wrist, the end curled between her fingers and she feels something push at the back of her skull. It didn’t hurt, but it was strange; it sort of felt like someone was trying to fit the wrong key into a lock.

Ariadne keeps her eye on the shadow and takes a breath. Are you trying to get in? Feyre mentioned that before, but I can’t remember what it’s called. It’s mind reading though, isn’t it? Are you saying I can do it too?

There’s an instantaneous pressure around her wrist and she sucks in another breath. Okay, that’s… Okay, her brow furrows; how did the shadow know before she did? Was it because of Azriel being their master? But then that would mean he would know too, wouldn’t he? And he had never given any inclination that he did, so how?

She wished she knew all of the information that Feyre had given back when she first showed them that she was High Fae. Ariadne could read, some, from the few books Nesta was able to get when they lived in the small cottage and then even more so when their father had suddenly been offered a business deal that made them wealthy again, not that she remembered any of that part of their life, and was given lessons; she didn’t like them and proceeded to have a glare off with her eldest sister until it was made clear that there would be no changing her mind.

Ariadne would teach herself.

And reading turned into writing.

But it had been slow going at first and when Feyre had arrived with Rhysand, Azriel, and Cassian, she had only gotten so far and there was some of it that had been written down that she either got mixed up or couldn’t remember at all. It was all bits and pieces.

The tightening around her wrist draws her attention back to the present and she shakes her head. Right. Focus, Ari. If the shadow is trying to tell me what I think it is, I have to try, don’t I?

Ariadne closes her eyes and recedes back into her mind, maneuvering through the jumbled mess of thoughts before she comes across an opalescent wall, shimmering with a moonlight glow and she couldn’t help but think how pretty it was. Why had she never noticed this before? Her head tilts and she probes further, searching for some way to open it.

It brushed softly against her just as the shadow did and she gave an instinctive squeeze in return before the wall of light brightened, beginning to shake and shift, soon revealing a small entryway for a single person to get through. She gasps.

Whoa! How did I do that? Ariadne opens her eyes and looks down to see the little thing was weaving between her fingers. Can you hear me now?

Yes.

[hobbitkiller]

It’s not a perspective. Cait and Vi didn’t have different goals in that scene. Also, not every scene that sets up joining forces has to literally spell out that’s the intent of the scene. I honestly don’t get your insistence that everything be spelled out for you like you’re a child.

I’m also clearly going to have to explain foreshadowing to you. Foreshadowing is a literary and story telling device that is used to plant an idea in the reader’s/viewer’s mind for later. Introducing the idea that Piltover and Zaun had joined forces before was placing that idea in the viewer’s head.

You are very much reaching with your analysis of Ambessa just being there to raise tensions. You seem to not grasp how stories develop. In interesting, multifaceted stories like Arcane characters don’t show up with a moist ache to twirl indicating evil intent. That doesn’t mean it’s bad storytelling for them to become the major villain. That’s good storytelling, actually. That said, someone familiar with tropes and story structure could easily predict that she was going to become the new big problem.

Again, you keep acting like every bit of setup had to be super explicit in spelling out the two sides were going to fight together and that, if it didn’t it means that wasn’t the plan. That’s not how writing works. You’re supposed to be able to put all of the pieces together.

That said, they pretty explicitly showed where the use of hextech could lead without nuance in the second episode, so acting like that wasn’t set up as a major threat frankly feels intellectually dishonest. Sure, at the time we maybe thought Heimerdinger was being an alarmist, but everything that happened with hextech from that point forward drove the plot more toward that point he warned about. Even when they spell things out for you as clearly as they can, you don’t want to see it.

As for agency, season two was very much the “find out” part of “fuck around.” What happened with Viktor was a result of his dangerous experiments with hextech. If he hadn’t done that, Jayce wouldn’t have been able to use the hex core to heal him. Him and Jayce going their separate ways was the consequence of Jayce weaponizing hextech. The anomaly was the consequence of Piltover overusing hextech. Ambessa’s ability to take over was the consequence of Jinx blowing up the council. Season two was where characters had to deal with the consequences of the choices they made in season one.

None of these consequences were forced. Yes, they had big fantasy/Sci Fi fallout, but that’s because the show is Sci Fi/fantasy. That tends to be what happens in the genre. You could easily replace the implications and fallout of hextech with nuclear power or similar technical advancements that created massive problems in the real world, and an imperial power like the US, or Noxus in the show, taking advantage of social and political division in a smaller country to try to control its land and resources is a common refrain throughout history.

You’re right, the arcane isn’t the main focus. The main focus also isn’t the political strife. Both are devices used to tell the story of the characters. The show is not about Piltover versus Zaun. The show is about how that conflict has shaped the characters. Feel free to read my other posts on the subject.

Not sure wha t your Warwick point is. Yes, he is there to retraumatize Vi in the end. Yes, his agency is taken away. That would be the tragedy right there.

As for Mel continuing the cycle, that’s up for interpretation, I guess. I think the cycle she’s specifically breaking there is the one where “Medarda’s only take.” She ended the cycle where her family raises itself up by taking from others.

Your argument against the acceleration rune doesn’t make sense because the device that could only be made with it was Ekko’s which was, in fact, the difference. Pointing out how everything else is the same actually hurts your argument there.

Also, a big lipped alligator moment is something that comes completely out of nowhere and serves no purpose. Neither of those describe Viktor and Jayce. Do they have to explain the exact mechanics of what happened? Would stopping to go into some technobabble have made the show better? Because we always pay close attention to characters doing that in media right? We’re really in it for the made up technobabble.

Your desire for the show to end in a civil war makes it neither better writing nor what the show initially intended. You like to reference what actually happened in the Jayce Silco scene to try to say it wasn’t foreshadowing (again, because I can only assume you don’t know what foreshadowing is)? What did Jayce say would happen if they actually went to war with each other? Zaun would have been crushed. Yes, it would have been a blood bath on both sides, but a Piltover army with hextech and the Noxians would have either won or would have claimed victory and been dealing with insurgent attacks from Zaun for the foreseeable future.

There would be no reconciliation at all unless the show wanted to really abandon one of the ways it was most grounded, which is how violence and vengeance feed each other. There’s a reason why, after most revolutions and wars throughout history, the country is drawn into another war pretty quickly after. One conflict breeds another.

There’s a reason why regions like the Middle East are seemingly caught in endless cycles of violence—because people don’t generally forgive losing a war easily, because wars are costly in lives and resources, and because generational traumas and wrongs often come back to haunt us. Even if the war ended with a miraculous agreement on both sides to lay down arms, there will be people who lost family who will still want justice—to feel that their loved one’s death meant something.

If, however, people’s loved ones died fighting together, that’s a powerful reason to try to make a positive change. Because, again, people want the sacrifice to mean something. It supposedly partly why Britain and other European countries established services like the NHS after WWII. After living through the Blitz and the destruction, it made them want to create a better future.

You keep complaining that the show largely drops the class conflict story after episode four, and that would be a problem if that was what the show was about. However, given the show is about the characters and episodes five and six are mostly about bringing Jinx and Vi and Vi and Caitlyn back together, it made sense to narrow the focus back down to that family unit. The conflict is still there in the background—it’s in the tragedy of Vander, Silco, and Felicia. It’s in the fact that Noxus and Piltover feel entitled to take Vanwick, but it’s not the focus.

I’m honestly not a huge fan of episode seven, because I’m not a huge fan of TimeBomb, but that was an interesting take on what else could have helped bridge the divide between Piltover and Zaun—the tragic loss of a child and the loss of the technology that further drove Piltover and Zaun. The episode is about the class conflict in the sense that it introduces a world mostly without it, showing that, just like it’s possible to have “good” versions of Jinx/Powder, it’s also possible to have a works where Piltover and Zaun have peace. That was the lesson Ekko took away from his AU adventure, to not give up on a better world—that things aren’t “too far gone.”

I also find your point about Jayce not talking to Viktor weird…you do get that he wasn’t really in his right mind there, right? We also can’t say for sure what would have happened if he hadn’t shot him. Maybe the fallout would have been worse. Maybe Viktor would have made more followers so that there were even more dolls when it came to a head. But, again, Jayce wasn’t in the mental state to have a rational discussion right then.

The conflict does come back in the last two episodes because it is somewhat a question of whether or not Zaun will help—which would be Piltover suffering the consequences of its actions. Now, you’re right, arguably the question would be what choice did they have in the end, but that’s again honestly true to many real life conflicts. You’re stuck working with the lesser of two evils.

As I said, what would have been completely unrealistic would have been if everyone hugged and kissed and had a huge barbecue together with fireworks after the Noxians left. We know from history that old prejudices often return once the battle is over—take how Black soldiers were treated in the US after…I was going to say WWII, but really every American war.

I also honestly can’t help other people deciding Sevika being on the council is supposed to be a resolution instead of a first step. It was clearly not framed as a resolution with everyone sharing mistrusting looks and her looking, frankly, uncomfortable. If people decide to be obtuse and not read the overt visual language of the show, that’s a them problem.

And guess what? The show isn’t about class conflict. Yes, it’s an essential element, a major theme, and vital context. It is not what the show is about. Just like unchecked scientific progress is a theme, but not what the show is about.

You bring up what Silco said about the cycle continuing. My point is not about how all violence will always and forever be no more; it’s about how these specific characters are breaking their cycles. Again, this show is about the characters first, which is why it makes sense that they didn’t solve class inequality in a year. It’s about these characters and their stories.

Really, though, much of this conversation has strayed from the original point, which is that this was the direction that was set up in the first season. You may not like it. You may have wanted it to go another way. But it was, in fact, set up. The memory Heimer has of the horrible fallout from Arcane is essentially what happened. They deliberately planted the seed (which, again, is the purpose of foreshadowing—not explicitly stating what’s going to happen next, that’s just exposition) that the thing that originally brought the cities together was a common enemy. They had this conversation one episode after Ambessa, a war monger from an imperialist nation, was introduced.

Even if the show did what you wanted and went with a civil war, there’s a very good chance it would have developed into Piltover and Zaun versus Noxus anyway. Cait/Jayce would be trying to stop the war on Piltover’s side, but Ambessa would refuse to give up the fight and leave with nothing. This would have caused Noxus to turn on Piltover, and then it would have been up to Zaun to either help or let them take each other out first and then fight the survivors. Maybe that would have been better. I personally would be asking, “Hey, what happened to the existential threat posed by hextech that was also being built up in the first season?�� But maybe you’re fine with dropping the whole “arcane” bit of arcane.

“What happened to rebel Vi? Season 2 destroyed her character!”

“What happened to rebel Vi” is that Vander took her to the bridge where her parents died in his revolution and asked her what she was willing to lose. Then she meets Cait who is gentle and kind while still being tough and it makes her rethink how she sees topside. When Jinx tells her she changed too, that’s what she’s talking about.

I’m sorry if you thought Vi was going to be a topside-hating revolutionary in Season 2, but that’s clearly not where her character arc was going. Remember how she forced her way between Ekko and Cait? It seemed very straightforward that was the role her character was taking on.

I feel similar about people who act like the show was betraying its premise because it ended with reconciliation/Zaun and Piltover working together. Again, the fact that two of the most important relationships were between characters from both sides and that they made a point of talking about Zaun and Piltover first coming together against a common enemy was a pretty clear indicator that was the plan.

Now, I get being annoyed that that was what they chose to do. You don’t have to love the creative decisions of media, just like media doesn’t have to compromise its creative direction to satisfy you. But not liking that they went that direction is not the same as the show having bad writing or engaging in character assassination.

Everything Vi did in season 2 was very much in character with how she changed and who she became throughout Season 1. Hell, she used enforcers and Hextech to raid Shimmer facilities before Commander Kiramman ever threw on a beret. So, yes, actually wearing the uniform was a huge and complicated decision that she was definitely not happy about, but it also fell in line with what she had been doing.

There’s meat for another post at some point about the three different Zaun/enforcer partnerships we see in the show: Vander/Greyson, Silco/Marcus, and Cait/Vi; but I’m not going to go into that now.

TLDR: “Rebel Vi” who wants to fight all of topside hasn’t existed since the end of the second episode of the show.

Editing to add that Vi doesn’t see attacking Chem Barons as attacking Zaun; she’s taking down the people who are destroying Zaun.

[deepamuthukrishnan]

We Listen and We Don’t Judge

Pairings: Nico Hischier x OC

Warnings: Spoilers for That Sik Luv, King of Wrath, King of Sloth, God of Wrath, and God of Malice but just a lot of fluff.

Summary: You are a viral booktoker and after seeing the we listen and we don’t judge trend with couples, you put your own twist.

—————————————————————————

It’s not a joke that you are mildly addicted to TikTok. After all, by day, you worked for the New Jersey Devils as a social media girl but by night, you are one of the most viral booktokers on BookTok.

Currently you were doomscrolling on TikTok, waiting for your boyfriend, Nico, to come home from hanging at Jack’s and Luke’s place.

You suddenly come across a video of a couple doing the We Listen and Don’t Judge trend which you weren’t that completely unaware of because you had seen it on your for you page for the last few days.

“We listen and we don’t judge.” The couple both said before the woman started to talk.

“I sometimes don’t wash our fruit because I feel lazy.” She said, trying not to laugh.

The man burst into laughter. “Jesus we’re gonna get worms! We probably have worms in our bodies!”

“Well we listen and we don’t judge!” She clapped back and you began to laugh.

After about three minutes of watching that video, an idea popped in your head. You walked to your massive bookshelf that Nico assembled for you for Christmas last year and got out your copies of That Sik Luv, King of Wrath, King of Sloth, God of Wrath, and God of Malice from your shelf before walking back to the living room.

As soon as you walked back, you saw Nico walk in, taking his shoes and beanie off.

“Hey Schatz.” He said, wrapping his arms around your waist, giving you a kiss.

You pulled away to greet him back, Nico pouting a bit. “Hey baby. How was the hangout at Jack’s and Luke’s place.”

“Same old same old.” He said, his Swiss German accent being prominent.

You chuckled. “Why don’t you get changed.”

“Okay.” He gives you a quick kiss before walking into your shared bedroom before walking out in grey sweatpants and a devils hoodie.

“Hey Nico?”

“Yeah?” He asks.

“You love me right?”

“Are you breaking up with me?” He asked and you look at him gobsmacked.

“Okay no. I’m not breaking up with you-“

“Thank god.”

“I was literally gonna ask if you wanted to be in a TikTok baby.” You say.

Nico has been your biggest supporter and even though it was a mutual decision to keep your love life private, along with the occasional post of each other on your birthdays, anniversaries, and reposting posts of you guys in them.

“Oh okay. What TikTok?”

He plops down on the floor and looks at the pile of books on the coffee table. “What TikTok is it?”

You get your phone and open TikTok, going to make a new video, propping your phone on the little fake bonsai tree.

“Okay so we’re gonna do the we listen and we don’t judge trend except it’s with the books I read last month.” You say to your phone before stopping the recording.

“I say we listen and we don’t judge and tell you something about the book.” I explain.

“So I sit and look pretty?”

“Pretty much.” I answer.

I get out the first book, That Sik Luv, from the pile before clicking the button to record.

“We listen and we don’t judge,” you say, trying so hard not to laugh. “In this book, she’s in a religious cult, she doesn’t know that she is. Either way, the church that runs their town are trying to kill her so they hire this mercenary dude who becomes obsessed with her and stalks her and shows just how corrupt the church is. So one day, when she has to go to confession and he’s waiting for her in where she’s supposed to sit and they get their freak on when she’s giving her confession to the deacon and when he pulls back to curtain to pew pew her, he acts quickly and pew pews the deacon and they continue to get their freak on in front of the deacon’s now dead body.”

Nico mulls over what you said before saying, “I would read this book Schatzi.”

“What?!” You look at him horrified. “Like you’re not playing with me are you?”

“I mean I would skip over these kinda scenes but it seems interesting.”

“Oh my lord.” You muttered before grabbing King of Wrath.

“We listen and we don’t judge,” you said, forming her thoughts. “So in this book, both the characters are in an arranged marriage situation for reasons I can’t say. Anyway, one thing leads to another and he’s,” you mime fingering to him and he raises his eyebrows, “her and calls him an asshole and he replies with ‘I’m an asshole, yet youre dripping for me.’”

“Is this what you’re reading when your jaw is dropped?” He asks.

“Well like, you signed up for this.” You say.

“I love you too much.” He said, pulling you into him.

“I love you too.” You say and you grab King of Sloth.

“We listen and we don’t judge. So for context, her ex cheated on her-“

“He’s a dead man.” Nico fumes, his Swiss German accent becoming even more prominent.

“If you’ll let me finish.” You say, trying not to laugh at his outburst but you crack a smile. “Anyway, because of that, she has trust issues and when she’s telling him, so the mmc, her trust issues, instead of reassuring her, he sits her on her desk and goes to town with his mouth on her. He then proceeds to bend her over and goes to town on her and he puts duct tape over her mouth because she’s apparently loud.”

A beat of silence passes before Nico says, “If your ex cheated on you and you said that, I’d do the same.”

You whack the book on his head. “No you won’t.” You reply, both of you laughing.

“What, I need to remind him what he missed out on.” He responds chalantly.

You roll your eyes before grabbingGod of Wrath.

“We listen and we don’t judge. So in the first chapter, she wants to kill herself because her best friend killed himself and she on the edge of the cliff and she jumps, but then the mmc grabs onto her and he said that the only way he can save her life is if she performs a certain sexual act down there.”

“Like what do you mean?”

“He’s holding on to her and he’s like oh the only way I will save you if you do this certain sexual act down there for me.”

“And she does.”

“Well yeah. If we were in this exact situation, I’d do it because I value my life.” You respond.

“Okay true.” He says.

You get out your last book, God of Wrath, trying not to laugh.

“We listen and we don’t judge. In this book, she’s walking home at night with her headphones in and these two creeps are like following her but then, the mmc, who was stalking her, bears the guys up because in his eyes, he’s the only one that allowed to stalk her.”

“Oh.” He says. “That’s kinda stupid though.”

“What is?” You ask.

“Walking alone at night with headphones in. Like does she not have any sense?”

You burst into laughter at his words. “Literally the mmc asked her the exact question and it is pretty stupid.” You look at your phone before saying, “Guys, remember to not walk alone at night with headphones in. But also let me know if yall want a part 2.”

You hit the stop button and he pulls you further into him. “You know I love you, but this is the weirdest TikTok you made me do.”

You chuckle and kiss his jaw. “I know babe.”

[evamame]

could you perhaps do something with boyfriend Argentina Tooru Oikawa and reader? can you make it where reader is in university as well? thanks!

yess i can. i kinda got lost in thought writing this so this is what my brain came up with ig. hope you like it nonetheless!!

making up for lost time with oikawa tooru

synopsis: on a small romantic date with oikawa tooru, a rare occasion where you can relax and make up lost time together due to both of your busy schedules.

cw: sfw, fluff, post time skip!oikawa x university!reader, fem!reader, you’re a busy uni student, pet names, established relationship

word count: 1,495

masterlist

you’re sitting on your bed in your dorm, scrolling on your phone as you wait for oikawa to arrive. just then, you hear a knock on the door.

you open it to see oikawa in front of you, grinning lovingly with a bouquet of flowers in his hands. “hello beautiful,” he says in greeting before placing a kiss to your cheek. you step to the side to let him in, and he closes the door behind him as he enters.

you take the bouquet from him, your hands brushing against each other. you pull it close to your chest, inhaling the flowery scent you always adore. “thank you, these are gorgeous,” you say as you look at him with a soft smile on your face, and he gives you one of his own in return.

“you’re welcome baby. you ready?”

“i’m ready. give me a second,” you reply, taking a few steps over to your bedside table on the other side of your incredibly small dorm room. you grab the scissors on your desk and snip the ribbon holding the stems together, then put the flowers in an empty vase already filled with water.

you grab your bag hooked onto your bed frame, then go back to oikawa’s side, holding out your hand for him to take, “let’s go.”

he gladly takes your hand into his, intertwining your fingers with a gentle but firm grip. he opens the door and leads you down the hall and out of your dorm complex.

it isn’t often that you two have time to go out on a small date like this. ever since you two came to argentina for him to play volleyball professionally, his schedule is jam packed with training. he’s in the gym almost every single day from morning to evening. and as for you, you’re handling the responsibilities of a typical university student. taking classes during the day, and then going home to spend hours on homework and assignments.

you try your best to find a middle ground, but it doesn’t work a lot of the times. you’re always grateful to have more than a few hours to spend with him. the busy schedule wasn’t something either of you wanted, but eventually it happened and there isn’t much either of you can do. but you’re both chasing your dreams, so it’ll all be worth it in the end.

you walk through campus, looking around at the scenery and listening to oikawa ramble about his practices and anything else that’s been going on in his life since you two last got to meet in person. you two aren’t able to avoid stares, though, since oikawa’s face has been plastered on headlines since the team started tournament season once again.

as he finishes his long speech, he turns to you, “how about you? how’s university going?”

“it’s good. the same classes as usual, and the same load of homework.”

he nods understandingly, a soft smile and a loving look in his eyes as he listens to you speak, “i expected you to say that.” as you continue walking, his thumb runs mindlessly over your knuckles.

you eventually reach your destination, a small, locally owned argentinian style coffee shop on the outskirts of campus. oikawa rushes in front of you to open the door for you, letting you go in before following behind you. you both place your orders at the counter, not without oikawa and you getting a surprised look of recognition from the barista, before taking a seat in the corner.

he places his hand on top of yours on the table, a lovey grin plastered across his face. “what’s the grin for?” you question.

“nothing. i’m just really happy to see you again.”

you smile, a light flush of pink forming on your cheeks, “me too. it’s been so long. i wish our schedules would work at least a little bit better.”

he nods in agreement, “yeah, it really sucks. as much as i love volleyball, i am a bit excited for it to be over so i can spend more time with you.”

“after i graduate i’ll finally be free from writing papers until midnight. and then i’ll have a more flexible schedule.”

a knowing smile forms on his lips, “yeah, that would be nice.”

the order number for your food and drinks are called, and oikawa pushes his chair back with a small scrape to stand up. he walks up to the pick up end of the counter, taking the tray to the table. he places your drink and pastry down for you, before helping himself.

you take a sip of your beverage as oikawa takes a bite of his cake, and his eyes widen instantly as he takes in the flavor. he quickly takes another spoonful and puts it infront of your mouth, “try this. it’s really good.”

you scoff in amusement at his attempt to feed you, “you’re such a cheesy romantic. i can feed myself, you know.”

he grins playfully, “my cheesy romance is how i show my love. just try it.”

you try the cake, and your eyes widen just like his did as you swallow, “it is really good.” you then offer him a bite of your pastry, and as he tries yours with a pleased reaction you give each other knowing looks.

“trade?” he asks, already knowing the answer.

“yes,” you say as you two slide your plates across the table to each other.

after chatting for a long while, you’ve both finished your food and drinks. oikawa places your empty dishes on the tray and carries them to the drop them off at the end of the counter. as he returns, you stand up and hook your bag on your shoulder, then leave the café with him.

he holds the door for you again as you exit, and then rushes to catch up with you. he laces your fingers together, and you two look around at the scenery. the streets in argentina are bright and lively, a change from the view back home. the culture is a bit different, but you’ve both gotten used to the new lifestyle by now.

you two make your way back to your dorm room, exchanging easy conversation. talking with oikawa is second nature. it’s not something you’ve ever had to put any thought into, although that’s expected with his extroverted and flirty nature.

you two walk up the stairwell in your dormitory when oikawa lets out a tired remark, “why are there so many stairs? you couldn’t have picked a room on a lower level?” his voice feigns dramatic exhaustion as he speaks.

you scoff, “there are only three levels, for one. and for two, i thought you were a world famous athlete.”

“that’s not important,” he replies with a tired pant, smiling playfully.

you reach your floor, and take out your keys to unlock the front door of your dorm room with a click. the door peers wide open and you sling your bag over your bed frame before taking off your shoes. oikawa follows suit, quickly taking off his own shoes and flopping onto your bed on his back with a sigh.

“make your self at home, i guess,” you say with a jokingly annoyed sigh.

a small smile tugs at his lips, ignoring the teasing tone in your words, “thanks. i will. your bed is so much more comfortable than mine.” he takes one of your throw pillows, propping it under his head.

you sit on the edge of the bed, looking down at him with an amused smile, “what are you so tired for?”

“nothing. i just feel relaxed.”

“relaxed?”

he nods, “yeah. we never get to have alone time like this. it’s calming.”

you frown a little at his comment. it’s true, how overbearing your schedules are. you wish this type of intimate time was something the two of you could enjoy more often.

you decide not to dwell on it though, replying with a soft smile, “that’s true. let’s enjoy it while it lasts.”

and with that, oikawa scoots to lay on one side of the bed, patting the space next to him. you move to rest next to him, and he quickly wraps his arms around you to pull you against his chest. he envelopes you from behind in a warm embrace, his face buried into your shoulder. he tilts his head to breathe in the scent of your hair, a content sigh leaving his lips. the familiar smell of his cologne and shampoo fills your senses and brings a feeling of serenity.

“would i be right to guess you’re going to spend the night again?”

“can i?” he questions, and you can feel him smiling against your neck as his breath tickles your skin.

“of course you can. i said we should make the most of our time, didn’t i?”

“then i’ll be here by your side as long as i can.”

like what you read and want to read more? here’s my taglist

tags: @scoupsworld

© evamame 2025. all rights reserved. please do not repost, modify, steal, plagiarize, or translate my work.

[hestzhyen]

Chapter 66 Trepidation Posting

Well, dear void... I begged for Seitei War lore and a finger curled on the monkey's paw. Where to even begin?

Rough TL of the editor's notes:

First Page: 封じられた記憶… [fuji rareta kioku...] "Sealed memories..." Last Page: 妖刀も妖術もなくた��その剣技で- [yoto mo yojutsu mo naku tada sono kengi de-] "No enchanted blades, no sorcery, just swordsmanship-"

Iori Lore and Dad Stuff

What a cute creature.

Her fake last name is Yoshiura (吉浦): 吉 (yoshi) for good luck/joy and 浦 (ura) for bay/creek/inlet. Nothing particularly interesting or exciting about it but it has a nice sentiment.

I'm in a better headspace now so I can do some thinking that needed to be done last week. Let's take some notes about the current arc and it's continued focus on one of Kagurabachi's key themes: Daddy Issues™.

Chihiro: lost his dad through tragedy, memories haunt and drive him. Was loved dearly and loved his father back in return. Acting on his grief in violent ways.

Hakuri: lost his dad through abuse, let go of his memories and found closure on that front. Was loved dearly then discarded but never stopped loving his dad.

Iori: lost her dad through his own guilt, trying to recover her memories of him. Was loved dearly and seemed to love him back in return. The memories she had with him were so upsetting that she passed out when she got them back.

Hiruhiko: mostly unknown right now, but clearly special to John and spoiled a bit by him. Surprisingly wholesome relationship despite how unhinged he is. If he was truly adopted like many fans think then John was probably a doting dad from the start.

So the "similar" traits based on what we know are...

Lost Their Dad: Chihiro, Hakuri, Iori

Dad Murdered/Killed: Chihiro, Hakuri

Dad Deliberately Abandoned Them: Hakuri, Iori

Were Always Loved by Their Dad: Chihiro, Hiruhiko, Iori

Dad was Burdened by Guilt: Chihiro, Iori

And the "unique" traits are...

Abused by Their Dad: Hakuri

Clings to Memory of Dead Dad: Chihiro

Dad Forgot About Them: Iori

Spoiled Brat Thanks to Dad: Hiruhiko

Chihiro and Iori are the ones being directly compared right now. They both lost their fathers, but Samura's a real piece of work compared to what we know about Kunishige. He chose to forget her in order to protect her whereas Kunishge went into hiding to stay with Chihiro. One child forgotten on purpose, one clinging to memories because that's all he has left.

Yeah, Samura's not winning any "Best Dad" awards any time soon- but it's hard to blame him when we see what the family was enduring because of his reputation after the war. Any half-decent parent wants their kid to grow up without having to see that kind of stuff. Samura just let guilt have too much influence over his choice on how to manage it, in my opinion. Kids should have a bit of say in how they're raised too. Not a lot but at least enough be able to feel seen and heard.

As for the other two, Hakuri and Hiruhiko are in pretty good shape. Hakuri's still smarting over the loss of his dad most likely, but he got the catharsis he was craving when Kyora finally acknowledged him right before he died. That particular wound can start to close up and heal as Hakuri moves on through the story, unlike Chihiro and Iori's at present. And Hiruhiko seems to be in the best spot out of the four as John's special little guy who can do whatever he wants. Spoiling kids isn't being a good parent but Hiruhiko's in a pretty good state all things considered- probably the best out of the four. We have plenty more to dig in with him so this'll get revisited once development happens or new information drops.

But yeah. Chihiro being rightfully angry at Samura for deciding to sever the parent/child bond so lopsidedly tracks with his unresolved trauma. Of course he thinks he wouldn't want to change a thing about living with his father. He's still deep in mourning and floundering in the morass of grief he uses to push himself forward. I wonder if we'll get commentary on this at some point... it's such a core aspect to his personality and the story that it might be saved for the end.

Iori's choice is left for another chapter but I have a feeling she'll agree with Chihiro and keep the memories despite the pain and danger they bring. Samura's guilt needs to be addressed and the daughter he chose to forget should have the biggest part in confronting him about it! The story can become an escort mission of sorts to keep Iori safe until that happens, which leads to easy action so hooray for us.

Perception and Being Perceptive

Yeah, he is. But that's not all.

And here we go, we're back to how people look at Chihiro and judge him without knowing the truth. Samura, Kunishige, and the other Bearers are "heroes" who seem to have some rather serious crimes buried in their pasts. Chihiro is a "murderer" stricken with grief killing those who try to destabilise society. Simple, no-frills parallels between guys drowning in guilt that anyone can pick up on.

What else is going on here? Well, those who were saying the hotel was inspired by John Wick are almost certainly correct with sorcery and fights being forbidden within it's walls. The Manager and his staff/followers enforce this with his own sword technique: Reigen One Sword School/Style (no relation to Reigen Arataka of Mob Psycho 100 fame). 礼 (rei): salute, thanks, gratitude, etiquette 玄 (gen): mysterious, occultness, profound

How... polite?

No, that's not Kumeyuri, and anyone who asks gets a bonk on the head for not paying attention.

Small note that wasn't kept in EN: Hiruhiko refers to Toto as "Toto-san", which is cute. He respects her and/or she's older than him.

Of course Toto summons Hiruhiko in so he can begin his own training arc by facing off against the hotel's staff. The bloody pin being used to tie his hair back will definitely not inspire a ton of fan art, trust me. It will be a Hiruhiko-free week everywhere (RIP my feeds). But Hiruhiko's really racking up the service industry experience between being bonded to Kumeyuri with it's geisha spirits and learning how to fight from hotel employees using a polite sword fighting technique.

Other than that, it's not clear if Kuguri's in this hotel or not but chances are extremely good that we'll get more hot-blooded action next chapter as Hiruhiko and Chihiro both learn by doing. Maybe they'll meet again, maybe not. The only guaranteed thing is that Sumi and Moku are wasting their time by prepping the seal on the roof because Iori's not going to want it even if it's finished before another dramatic escape is made.

Desperate cope theory while I'm here: maybe we can see Hakuri again soon since he and Hiruhiko have that "what is friendship, anyway" thing going on with Chihiro. That cut from Hiruhiko yapping about battling to the death as "equals" to Hakuri on the page turn in chapter 54 is still eating at my brain, yes. And Chihiro just reminded us that he feels inferior to Hakuri (he's gonna become his samurai it's canon no one can take this from me). Depends on how the next chapter plays out but I'm hoping. Dying. I'm dying without Hakuri. Please I miss him so bad just one new panel is all I'm begging for.

"Truth"?

OK. Time to let the brain worms squiggle freely over about two pages' worth of Seitei War information.

So, first... a translation note (sigh). The subject of how the war ended will probably come up now that the beginning of it was given to us (or at least, a particular version of it).

Chapter 9, if you forgot. Thank you Hella for catching this when I was all set to yap about the implications of an armistice vs. other ways to end a war.

How the war ended is still a mystery but it might not have actually been an armistice as implied by the English translation of the signboard. The word used in Japanese to describe it is 終戦 (shuusen), simply "end of war/cessation of hostilities" in a formal and pretty final way. The method could have been anything: surrender, peace treaty, and so on. An actual armistice would use 停戦 (teisen - temporary ceasefire for negotiations), 休戦 (kyuusen - a short-term truce/suspension of fighting), or 偃武 (enbu - mutually laying down arms but without the finality of shuusen) to describe both sides agreeing to pause the fight. So there might not have been mutual feelings that the war needed to stop for both sides' benefit like an armistice would imply, leaving a lot of room for the losing side to build up resentment.

Of course we all know that peace treaties coming from armistices can do the same thing if they are crafted poorly- The Treaty of Versailles used to end WWI is probably the most well-known example in the West. But the ambiguity exists in Japanese and should have stayed in English in my opinion. Folks who remember this signboard from early in the manga might be confused if it turns out the end of the war wasn't so peaceful or mutual after all.

With that out of the way, I want to talk about how fucking suspicious the story of how the war started is.

Keep in mind that Chihiro, Iori, and the Masumi don't know the truth of what actually happened- they're only recounting what they were taught or read about.

"But that all changed when the Fire Nation attacked" this is not.

小国 (shokoku): small country. NOT the actual name of the place, just describing it for what it was. "Twenty-two years ago... a 'small island nation' appeared in the south-east seas..." would be more accurate. (Thanks as always, Hella.)

So, right out of the gate, a whole damn country appearing out of nowhere full of people using magic rocks to attack the mainland sounds like something straight out of a child's fairy tale. You're telling me that Japanese Atlantis rose out of the ocean and became hostile right away, completely unprovoked? That's the kind of framing used to justify showing a foe no mercy. It's an essential part of successful propaganda- dehumanise the enemy, make them seem unknowable, monstrous, and imminently threatening.

The datenseki bit is especially interesting. How did these undersea people have natural compatibility with a stone named as if it came from a meteor?

雫 (da) - drop, trickle 天 (ten) - sky, heavens 石 (seki) - stone

And in such quantities that they could wage a war with it, despite it being rather scarce? (Only 250kgs exist per Sojo in chapter 11; same weight as nearly 12 average-sized countertop dishwashers in Freedom Units.) I suppose a giant meteor could have dropped in the ocean on their territory, or they could have mined it from the seabed, but I don't believe this conveniently simplistic version of events for a second. Not after so much emphasis was put on how shady the Kamunabi is and that they are hiding a lot of shit from the general public.

I doubt an island rose out of the sea as the story claims at all, honestly. While Japan does sit on the Pacific Ring of Fire and sees little islands pop up then vanish back beneath the waves all the time, one big and stable enough to have a whole nation's worth of people on it would not have gone undetected for so long. It beggars belief that the mainland didn't know they had a whole bunch of people living off the coast underwater unless they were using sorcery to hide from sonar and exploratory/research missions.

My bets are on this "invading" nation to have been a populated island that existed for a while and for some reason -probably related to the datenseki- war broke out between them and the mainland. Classic grab for resources, discontent with the mainland rulers vs. the island's own government, everything's still on the table. Maybe they were a long-lost fragment of society that tried to reintegrate, who knows?! But does anyone really think a war that started with such one-sided aggression out of the blue would have the population reacting to the people that saved them like this?

Not exactly a "hero's welcome".

"Disappear", "Atone for your sins", and "mass murderer" painted on the side of someone's house with garbage dumped in front is not reflecting the sentiments of people who are happy that the threat to everything they know and love was dealt with. That's outrage! Probably something to do with how the enemy was "wiped out" (JP:掃討 [soutou], cleaned up/swept clean/mopped up, specifically of enemies.) Sounds like the so-called invaders from Japanese Atlantis were thoroughly eliminated...

Iori is very young here, probably elementary school age. So this is a few years after the war in an unknown location- there's a chance this was on the enemy's island, but why would he live among the remaining enemies? He doesn't need more guilt than he already has, seriously. Also, since he was reputable as the fastest swordsman alive when the blades were being handed out, he most certainly wasn't a defector from the enemy's side. Thus I believe this scene takes place on the mainland.

It seems to me like it wasn't all sunshine and rainbows after the war so the Kamunabi came up with a publicity campaign and squashed the truth somehow. But that doesn't erase the memories of the people involved, either as participants or witnesses. I'm extremely curious as to how other members of the war generation remember things. The blades themselves were only used in empty fields (according to Azami, ch. 9) so the Kamunabi could spin that any way they wanted and likely did. But if that was the case, then who saw what and told others to kick off the harassment campaign? Are there mainlanders who dissent to the Kamunabi's rule because of that information not being completely suppressed and thus help out the Hisaku- like Kyora and the Sazanamis were implied to be doing? Remember, Kyora wasn't quite manipulated as thoroughly as Chihiro recounted to Uruha in chapter 48. He definitely had some personal and/or political sympathies with our favourite group of silly bad guys:

Chapter 22. "Dissidents" aren't business rivals or competitors- they're specifically political opponents against the current regime. The term used in Japanese (異分子 [ibunshi], outsiders/alien elements) has slightly different connotations but can mean the same thing.

This is what I meant by the monkey's paw curling at the start of this post. We got crumbs that only really raise more questions instead of answering anything. For now I am still clinging on to the theory of the Seitei War being a civil war... mostly because I don't know if the author intends to tell a story with blunt commentary on the misdeeds of Imperialist governments.

Possible Real-World Influences

Hakuri has nothing to do with this, I just miss him.

So, I know a lot of people have Attack on Titan's swerve into "What the Hell, Author?!" territory still fresh in their minds and I do too. What Hokazono-sensei's setting up here has some eerie similarities with a corrupt government hiding a lot of shit and the mysterious enemies being more sympathetic than they should be... I just hope we don't take the same route of "both sides were bad, so the military needs to protect us all and destroy the worse evil" that seems to happen a lot in these WWII allegory stories.

Not to get political about an action manga, but the discussions in Japan over how to teach younger generations about what went down in the WWI and WWII eras are pretty tense right now. A great deal of emphasis is put on the suffering of the people that happened after Japan was nuked twice -which was a tragedy- but the real story is lost in the debates about what and how much to teach. There's a lot of folks who want to minimize and omit lessons about the war crimes the nation committed in China, Korea, the Philippines, and the rest of the Pacific. There are even a handful who vociferously defend them as "necessary" things that happened during wartime.

I see a lot of this reflected in Kagurabachi's arc right now. We've been told several times that the Kamunabi's version of events can't be trusted and that there's something awful that was covered up. The Hishaku want some secret to come to light and it will almost certainly have hugely negative impacts on the Kamunabi, the Bearers, and likely Kunishige too. Chihiro needs to know what happened as a core part of his character arc, and it will probably come with the realisation that the conflict he's embroiled in is much more complex than a simple revenge mission can solve. Whatever the truth of the situation is will shatter his worldview.

Where Attack on Titan failed in executing this sort of plotline was making the Titans a genuine threat that needed to be put down after revealing what they really were. You don't set up obvious real-world parallels to groups that have suffered greatly in the past just to say they were a real threat all along. You don't downplay government's corruption and cruelty with "well the other guys weren't great either". But this isn't an AoT blog so I'll stop there.

I don't see a reason to be nervous about Kagurabachi making the same mistakes right now after the sensitive writing around difficult topics from previous arcs. I'm paying close attention to where the Seitei War information crumbs lead us, though. I'm interested in most things the author has to say if it's well-told but I'm not going to stick around for justification of jingoist ideology. I also hope that the author will be able to tell the story he wants even if it happens to go against the government's prevailing sensibilities.

We don't know yet where this will go so I'll just wait and watch with a bit of trepidation. I trust Hokazono-sensei to not repeat mistakes author authors have made, but he could well make new ones as an author writing his first-ever serialisation. I just want whatever comes of this plotline to have something interesting to say like the others before it...

We'll leave it here for today, dear void. Thanks for reading all this if you got through it and let's sit tight for some awesome hotel fight action next week! Say something nice about yourself once a day in the meantime. Every other or even just one day is fine if that's all you can manage too- we all start somewhere.

[comatosebunny09]

Hello! First off I wanted to thank you for posting fhe latest chapter of Carpe Noctem. Writing take so much effort and I want you to know that you are very much appreciated! I am sorry to hear about the copying thing. I haven’t come across it yet but it must have sucked especially when you have put so much effort into the concept.

I wanted to yell more about the recent chapter because the diner scene especially made me scream - it captures the reader and Sylus’s dynamic so well! And it was just. So. Cool!! And then and then and then with them in the safe house finally! Everything was so well-written!

And because I’m a sucker for angst what if his phone suddenly rings and it’s her she’s back early and he forgets where he was for 2 seconds so he pulls away from you and answers out of muscle memory because of course, why wouldn’t he, right. You’re so dumb, this was just to fill the absence and she’s your friend how could you do this so you slip out quietly, as you should, disappearing into the night so he could focus on her. It was only for a few seconds, he hurries a “sorry sweetie, I’ll call you back” out of his lips and turns and you’re gone. For days. And he’s out his mind with worry.

Sorry for the word vomit, your stories and concepts are so, so incredible and I hope you continue and keep the passion burning. have a great day!!

Hello, sug!

Thank you for being so supportive and taking the time to read carpe noctem. I’m blessed that you liked it. I was afraid to post the latest chapter because I feared it wouldn’t live up to the first few parts I shared. But I am grateful for the amount of feedback I’ve received on it. 🥹🥹🥹

It’s a shitty feeling. I tried to sleep on it last night and allow myself time to calm down before I reached out to the person who duplicated my work. I poured my experiences, feelings, and thoughts into carpe noctem and limerence, so it was very disheartening to see someone take something I’ve been working on for months that is l literally a part of me pass it off as their own.

But enough of that.

I’m glad you enjoyed the diner scene. 😭😭😭 I was so afraid to incorporate that because I was thinking, “Is this really necessary? Is this cringe?” But I wanted to provide more insight into Sylus and the reader’s relationship, as they’ve been thick as thieves since she began working more closely with him.

Sylus’ Night of Secrecy card heavily influenced the safe house scene. I wanted to write something similar but with my own twist. Again, I was terrified to incorporate this, but I feel that it was somewhat of a turning point for their relationship. Some progress where they’ve spent four years dancing around each other.

I’ve been watching so many C-Dramas these days where right before two love interests kiss, a phone rings, and one of them is compelled to answer it. It drives me insane! Like, does no one silence their phones anymore?!

But, I did consider implementing that idea for carpe noctem, where Luke or Kieran call right before things get too heated, alerting Sylus that everything following the reader’s mission has been cleaned up. And right after, the spell between them is broken, and the reader realizes what a mistake she made after retreating to one of the guest rooms. I didn’t think to have MC on the phone. 🤔🤔🤔 That’s not a terrible idea, actually. For the reader to hear her friend’s voice on the speaker and, it snaps her back into reality.

Sylus would drive himself sick with worry, wondering if he had crossed a line, if he had misread things and pushed her too far. This is the kind of pain I ache for. I will be thinking about this for days.

Again, thank you so much for reaching out to me and feeding my brain worms! Once I get out of this funk, I’ll definitely consider your suggestions for the updates. I hope you have a lovely day!

[runnning-outof-time]

K, I ran to your inbox the moment I saw you'd opened requests again! Could I pls request a blurb using this gif + the prompt "Working together again. Just like old times" as inspo? Only if you feel inspired tho, if not, feel free to ignore it.

I can always count on you to hype me up and help me out whenever I’m in need, Lee, and I’m deeply appreciative of that. 💛 Thanks so very much for sending this in! I’m sorry it took a bit for me to post it…I hope I did it justice! 😊

Like Old Times

Arthur Shelby x Reader

Summary: Arthur goes behind his brother’s back and seeks out (Y/N) for a plan.

Word Count: 1146

Warnings: none

COMMENTS & REBLOGS ARE APPRECIATED — I’d love to know what you thought of the story!

“Finally came to your senses, I see,” (Y/N) commented as she realized who it was standing in the archway of her sitting room. “Come, sit. Have a drink with me.”

Arthur Shelby stood, frozen for a moment or two longer. He clenched his peaked cap in his hands, his knuckles growing white as he contemplated whether or not was actually doing to do this. Was he actually going to turn his back on his brother?

“I…I just wanted ta…” he was a fumbling mess, his hesitance spilling out into his words.

“You can skip the explanation, Arthur,” she cut his babbling off. Her stern voice had him standing straight; almost like he’d just been called to attention. (Y/N) grinned when she noticed that she - still - had that effect on him. “Are you with me or not?” she asked then, a slight grin playing on her lips.

“I’m with you,” he nodded his head, sounding more sure now.

“Good,” (Y/N) nodded as well, “now come and sit. I’d still like to have a drink with you,” she attempted to coax him over again.

This time he listened. (Y/N) offered a closed mouth smile and a glass as he sat down in the seat across from her. Arthur accepted it, his eyes locked on her as he slowly brought the glass up to his lips and took a drink.

“So how are we going about it?” (Y/N) asked, crossing one leg over the other as she leaned back in her chair again.

“I…” he had to pause and clear his voice, hating how shaky it sounded as it came out, “I’m not sure if Tommy will, uh….I’m not sure he’ll appreciate anyone going against him,” he was finally able to voice his worry on the situation.

(Y/N)’s eyebrows furrowed as she heard what Arthur had to say. Silence hung between the two for a few moments before the slightest smile formed on her lips.

“What’s…what’s that smile for?” Arthur asked hesitantly.

“Tommy’s not going to have a choice in this matter, Arthur,” (Y/N) responded, her smile growing as she spoke.

“What do you mean?” he still wasn’t understanding what she was getting at.

“If I’m remembering what you said correctly…” she began, sitting up a little bit straighter in her seat before continuing, “he put you in charge of the Eden Club, right?”

“He did.”

“And so you’re the one who gets the final say in what happens there, right?” she asked another question.

“I am,” he was slowly starting to understand.

“And why else on Earth would you’ve come to me if not to get a second opinion on what the Peaky Blinders’d like the club to look like?” her grin was ear to ear now.

I miss spending time with you, was what Arthur wanted to say. But he couldn’t say that to her, not yet at least.

He kicked himself every single day for mishandling his and (Y/N)’s relationship. She was without a doubt the best thing that had happened to him, and yet he still managed to make a mess out of what they once had together. She stuck by him when the Shelby name meant nothing; when Arthur was trying everything he could to make sure his family survived after the war ended.

But then he chose the company over her. It was hard for him not to at the time…Tommy wanted him one-hundred percent invested, and Arthur was determined to show his brother that he also meant business. But meaning business meant personal matters fell to the back burner. (Y/N) wouldn’t have that, so she gave him the ultimatum: split his time better or she leaves. The end result was the latter.

“Arthur?” her voice pulled him out of his thoughts.

“Hmm?” the noise he made told her that he hadn’t heard what she said.

“I asked you about the vision you had for the club,” she repeated herself, not questioning the reason behind his zoning out, “were you thinking more traditional or modern?”

Arthur felt himself relax as he realized she actually wanted to get into discussion on the club’s appearance. He was worried she would want to re-hash past grievances. But she was ready to get to work, and he was thankful for it.

So get to work they did.

It wasn’t until they got to a pause in their conversation that Arthur realized he hadn’t had much of his drink. He was so engulfed in their shared ideas and her excitement for the upcoming projects that he didn’t so much as think of the thing that he so frequently used as a crutch.

“We laid a pretty adequate groundwork for the club so far, don’t you think?” (Y/N) asked, scribbling a few more things down in the notebook she’d grabbed for the occasion.

“I think so,” Arthur agreed, a grin on his face.

“Look at us, Arthur…” she started, a smile on her face as he raised his eyebrows at her, waiting to hear what else she had to say, “working together again…just like old times.”

Her smile grew as she finished her statement, watching as Arthur raisied his drink in a nonverbal agreement. He took a big swig from it then, enjoying the burn it brought as the liquid travelled down his throat.

“What if…” he started, clearing his throat in hopes he’d sound more confident, “what if I took ya to the club sometime?”

“So I could get a better idea of what we’re working with?” (Y/N) questioned, tilting her head to the side slightly.

“No, uh…” Arthur paused again, feeling silly because obviously she’d take his offer in that light, they’d only been discussing the plans on renovating the club for the last hour or so. “I was thinkin’…I was thinkin’ you and I could go there together. Like…like I could take you there and we could…”

“Arthur Shelby, are you asking me on a date?” she cut into his sheepish babbling, her eyebrows raised as a smile teetered on her lips.

“I, uh…” he let out a sheepish laugh, taking a deep breath and finding her eyes, “I guess I am,” he ended his statement with a smile, waiting on bated breath for her response.

Seconds felt like hours as they passed. (Y/N) wanted to make sure that she was making the right choice. She couldn’t deny that she had missed him. Him showing up and asking her for help at the club surprised her, sure, but she was overjoyed to be able to see him again. And now he was asking her out…maybe this was a chance to start anew.

So, her smile widened as she finally opened her mouth to give her answer, “I’d love to go with you, Arthur.”

Post note: I can’t seem to stop writing Arthur as a stuttering fool when around the woman he has feelings for….I just really think he’d act that way in said situation

MASTERLIST

Tagged: @succubaby @mystcldydrms @look-at-the-soul @mrsalwayswrite @julkaamazing

@evita-shelby @lilyrachelcassidy @theshelbyslimited @peakyswritings @watercolorskyy

@strayrockette @peakyduchesss @alexxavicry @stevie75 @dark-academia-slut

@zablife @cillmequick @letal-y-poetica @depxiety @shelundeadxxxx

@red-riding-wood @padfootdaredmetoo @crabat-the-queen @sebastianstangirl01 @everythingelseisextra

@kmc1989 @papichulo120627 @brummiereader @adaydreamaway08 @justrainandcoffee

@peakyltd @johannelis2302nely @just-a-blackhole @anotherblinder @ce1iat

@christinasyellowflowers @insanitybyanothername @daisyblinder @wotcherpeak @call-sign-shark

@sleepyycatt @novashelby

[ladyhestiaa]

Percy jackson x reader going In hot!

Percy getting overwhelmed when seeing reader get hurt by the Ares cabin in capture the flag and goes on a rampage in anger, overwhelmes, and stress

Take your time and thank you for your time!

THANK YOU MWAMWA (and I agree Percy is better than the child lover) also this is my first post so excuse my bad writing

_______________________________________

It was only supposed to be a harmless capture-the-flag game like the usual..right?

"ATTACK!" Clarisse shouted, echoing throughout the forest as the red team began to run across the forest to try and capture the blue team's flag as the ares cabin decided to gang up on me and Percy.

"Great, amazing," I muttered, blocking their attacks as best as I could. But of course, eight against two was never a fair scenario.

As I fended off the others, I didn't notice one of Ares' children sneaking up behind me. His sword goes through my shoulder, and I hear the sickening sound of metal cutting through my flesh.

"AHH!" I scrammed, the searing pain sshoutingough my veins. The wound was deep, and it felt like the injury I had a few weeks prior had once again opened up. I barely had time to process the pain before I heard a loud crunch—a bone-breaking.

"NO ONE TOUCH HER!" my voice roared across the camp as I saw one of the Ares kids stab her through the shoulder. I charged at him, my blood pounding in my veins, my ears ringing. My fury was unmistakable. How dare they touch her? How dare they hurt her? The words repeated like a mantra in my head as I felt his bone crunch under my palm. He deserved more—he stabbed my lover in the shoulder.

But then I heard her voice, and it snapped me out of my rage. I turned around, seeing her form, her shoulder bleeding, her skin turning pale.

"PERSEUS JACKSON, LET HIM GO!" I shouted. I knew he wasn't in the right state of mind. He’d been more violent since Tartarus, and I didn’t want him to do something he’d regret later. Pushing the lightheadedness away, I pulled him off the Ares kid, trying to calm him down.

"GET CHIRON AND THE WILL NOW!" I shouted to one of the Ares kids as they ran off to get them all. I continued trying to calm Percy, but his hand was fidgeting, his anger still simmering.

"...I’m sorry, I wasn’t thinking. I—" My anger was still boiling, but it faded when I saw her shoulder. The sight of the wound hit me hard. I heard the Apollo children nearby. Good, I thought to myself. I quickly ripped a piece of my shirt, using it to cover the wound, trying to stop the bleeding as I heard them approaching.

As I woke up in the infirmary, my shoulder wrapped but still aching, I saw Piece sitting beside my bed. "Hey..." As I looked at him I knew he felt guilty of course he does

"I’m sorry, I just... I can’t see you hurt. I—I promised I’d protect you, and—"

"Hey, accidents happen an—"

"But I—"

"No buts, Seaweed Brain. You protected me, and I’m safe, see? I mean this."

"I love you ok?"

"I love you too trouble"

As he kissed me, the only thing I could hear was our hearts beating in sync.

Lets just say chiron was not happy about the broken arm thing that's for another story though.

_______________________________________

-Thank you for reading, There is another story in the works!!!!

-I tried my best to make it gender-neutral!

[peanutbutterandbananasandwichs]

do u have hcs for sams post canon family life

Ok so gonna preface this with the fact that I hold opinions that I think are relatively uncommon in this corner of Samblr which is that as a general overarching thing Sam was relatively happy, he and blurry partner stayed together and were mostly happy, and Sam was on the whole a pretty good dad. Not that everything was perfect, far from it, but that generally it all worked out ok. I feel this way mostly tbh because if I didn't I would genuinely struggle to get any enjoyment out of the finale. I'm a FAKE Sam suffering enjoyer lmao. It's already deeply fucking depressing to me to imagine Sam spending eternity in heaven with Dean being squished back into The Roles, I need SOMETHING so cling too lol.

ANYWAYS that being said:

Said this before but although I am fairly flexible on identity of blurry partner my personal favourite thing to come back to is that she is Amelia. So I'm gonna run with her for the rest of these.

Related to this is that I think when we see Sam leave the bunker in the finale to go on the hunt in Texas that ended up being the last time he ever returned. He didn't mean it to be, it just happened. Maybe subconsciously he knew because he'd packed the little memory box with pictures etc in the trunk of the Impala without thinking about it. Anyway keeping this on track, he ends up staying in Texas and eventually, he and Amelia run into each other again - her having left Don again after things didn't work out a few years ago (gonna be real with you I think Don was abusive) and end up reconnecting.

Riot and Miricle are kinda grumpy but tolerant about each other.

They also eventually adopt an old lady tabby cat from the local shelter who absolutely terrorises both dogs, but dotes on Sam.

Sam ends up telling Amelia the truth about his life about 3 months into their relationship restarting, not all of it, but enough to keep her aware. She says that honestly even though it sounds crazy it makes a LOT of sense of how Sam was when they first met. This is the point at which they decide they do want their relationship to last and be serious. Amelia suggests they do couple's counselling together, given both their past issues if they really want to make this work.

He and Amelia never marry for a variety of reasons, but it works for them.

Sam ends up getting a degree - I think in something like anthropology (me an archaeologist totally not biased here lol), he does it through a distance learning program so mostly online but with some in-person classes and workshops.

DJ wasn't a planned pregnancy and it took a lot of discussion between them to decide to go ahead. Sam in particular was very anxious about the idea of being an actual dad to an actual baby, as much as he was kinda one to Jack he knows this is a whole different level. Amelia never wanted kids with Don. Amelia is also in her 40s by the time it happens so there are extra potential complications to consider. In the end they both agree that they want go ahead, and they both acknowledge that this will probably be their only kid.

Already mentioned Sam and DJ being autistic elsewhere but that's very precious to me.

Sam does struggle to find a balance between making sure he's there for DJ in a way his dad wasn't for him and being too much of a helicopter parent. He's SO conscious of DJ being an only child and the potential for loneliness stemming from that (absolutely projecting his own childhood loneliness SO hard and of course, his ideas on sibling companionship are NOT normal lol). As DJ get's older Sam does manage to relax a little, although it is still an issue from time to time.

That being said as I mentioned previously re the autism headcannon this level of worry also means that Sam puts in SO much work and research into being a supportive dad to an autistic kid.

Amelia is the 'breadwinner' in the relationship, continuing to work as a vet, Sam works a series of different part-time jobs over the years, mostly involving fixing stuff. After he gets his degree he works a couple of days a week at the local library as an assistant.

Related, finally stopping hunting gave him time to really catch up with and assess his body, and a lot of the weight and wear and tear of what he'd been through hit him quite suddenly. He has chronic fatigue issues in particular for the rest of his life which is why part-time work ends up being the best solution for him. Although Amelia, and DJ when he's a teenager, do still frequently have to sit him down and force him to stop trying to do too much at once.

Amelia passes away before Sam. She had been dead for about 5 years by the time Sam died.

Sam keeps very little contact with the hunting world, but Jody does still come to visit. DJ is very fond of her, much to Sam's delight.

The first time Sam had to look after DJ on his own after Amelia went back to work full time and was working a nightshift he was stuck to him like glue, Amelia came home to find him curled up on the floor asleep right next to DJs cot.

Sam loves helping DJ with his homework, and DJ loves it too - its their special time together, and its when Sam is able to be most emotionally open and present.

Sam's issues with food never go away, and its one thing he and Amelia do get into fights over is Sam (unintentionally) putting some of his issues on DJ (think Sam telling Jack he shouldn't eat sugary cereal).

Sam and Amelia both discover a love of gardening and they spend a lot of their free time together working on their garden. Amelia particularly loves roses and has a little rose garden that becomes their little sanctuary (Amelia's ashes are buried there). Sam creates a little healing herbs garden, he doesn't actively practice witchcraft but he likes to make little tinctures and teas and stuff.

I'll stop there lol

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[ratatatastic]

lmaoooo maffhew wanting the knot immediately and having to wait for sasha to catch up with that is so deeply funny like. this omega is not subtle and you’re not a stupid alpha babe! can only imagine what benny has to say to maffhew about it once he catches on and stops banging his head against a wall

idiots to lovers is always great but especially when its two people who would be hitched with 10 kids by now if they stopped being dumb for a single second like its that easy and yet...

to me they very much fall around the same time (infatuation at first scent if you will) just that sasha takes some time to get there not because he's dumb (okay he's a little dumb) but in the sense that its like "this person is very interested in me, i can see and recognise that but theres so much cognitive dissonance in my brain right now between knowing that intrinsically and finding that hard to believe so i unintentionally play dumb because obviously i'm reading too much into things it cant be me they're interested in haha that'd crazy but they're being awfully touchy and flirty with me wow"

but also it takes two to tango and we have to acknowledge that and this is when i would love to bring up the ways in which this man decides is the best way to go about that because he is a catholic school girlie... there's so much hilarity to be had here especially because his flirting is very uh how you say... a little ass backwards if you will especially considering dynamics

"I make it a point to keep the door closed when we're alone in a room together! That's basically a clear invitation that I'm down to fuck!!! Im basically asking to be ragdolled on his knot!!!"

and Benny just pinches the bridge of his nose like "I don't know how to explain to you in a way you'll understand that not everyone went to Catholic school."

But saying that Sasha does side-eye the door knob heavily when Maffhew goes over to close it the first time and he starts sweating like he just got dragged into a game of 7 Minutes in Heaven he did not sign up for and he's 13 again and oh god he got paired with a really cute girl, and he hasn't even had his first real kiss yet and-

And then absolutely nothing happens because Maffhew is just waiting with a polite expectant smile (because his work here is done, he did the heavy lifting know it's Sasha's turn) and this is when Sasha's dynamic classes training kicks in and he basically scolds himself for even assuming in the first place because this is clearly a show of trust (correct) not an invitation for extra circular activities (incorrect buzzer noise) and it basically becomes "This Omega really trusts me, I'm honoured especially as Pack Leader that I'm able to be so accepted into such a private space with the inherent knowledge that I will not encroach their boundaries whatsoever because consent is verbal, this is not in any way an invitation to take advantage of them this is deep platonic trust I will guard with my life :]"

and if you listen closely you can hear the lovely sounds of Maffhew bashing his head into a wall about how much of a gentleman Sasha is but also COME ONNNNNN... you know... once Maffhew realises what's happening which (looks at my watch) is not due for another few months really

Battle of wills: unstoppable force (maffhews catholic school understanding of dynamic interactions) vs immovable object (overseas alpha cotillion classes)

And if you think it's an Oh! An overseas dynamic thing! It's not. The Euros are watching the horrible car crash in front of them and doing absolutely nothing about it because it's none of their business, but they will stare at it... maybe judge it a bit but definitely are observing from the tall grass.

and I'm also not saying that luosty lundy forsy and bobby have a current running bet of how long it'll take for maffhew to break sasha in but i'm also not not saying that... luosty goaded lundy in the midst of a gossip session ("It has to be 3 months, right?) forsy happened to be around so lundy turned to him for advice ("7 months.") and maybeeee bobby overheard from all the way over from his stall and puts in his two cents for what it's worth ("6. Captain nice but not that nice. Very impatient." "So 3!" "No. Impatience makes him double the time, and wait longer. 6 months.") (lundy finally settles on a good 5 months because he's indecisive)

And Sasha does eventually pick up everything maffhew is throwing down... eventually... and when he does it becomes more so I want to court this omega the way they deserve I will take this slow and romance them sweetly :) *smash cut to maffhew caterwauling like a cat in heat*

but also once again its not like maffhew is helping sasha in any way this is idiot4idiot and benny would like to enjoy the car crash with the euros but unfortunately that's his soulmate, thats his bestie, his littermate from birth who has been weaned on the same teat as they climbed over each other to get to it, the first girl you kissed in your childhood bedroom because somehow you started play fighting on the bed because she was like i could totally pin you down easy and then she does and you always noticed how beautiful she was but shes even more gorgeous when she's pinning your wrists to your hannnah montana duvet you promised yourself youd changed out before she came over but you forget and well she teased you about it and you cant help but giggle about how perfect this all is and it seems that the natural conclusion to this is to taste the strawberry lipgloss of her lips because whats a kiss between besties huh its tacky and sticky and it tastes like summer and just other apt metaphors to put here about the inherent -isms of their relationship that i nearly cant put to words properly other than girls having fun (they are fucking)

and well anyways benny is watching and he has a lot of things to say about how its been proceeding so far

"You should really use your words."

"I am!"

"Right because smelling like a fucking perfume shop in the middle of October is using your words."

"This usually works with most Alphas okay!"

"Sasha isn't most Alphas."

"Tell me about it." Matthew grouses before he peeks over to Sam, looking up from beneath his eyelashes—the exact way he knows both endears him to Sam but also absolutely miffs him all the same, "Worked on you, didn't it?"

"Oh, is that what we're doing right now? We're calling getting a lapful of a preening O in preheat in the middle of a roadie a normal way to go about these things."

"It worked didn't it?" Matthew reiterates.

"It would work better if you use—"

"Okay! Alright!! I get it!!!" He does not.

like benny here is unfortunately an active listening participant in the going ons of the fuckery if not because hes involved by proxy because of maffhew because who else will hold his hair back as he calls him a dumb bitch you know

[shannonsketches]

something something foils moving in opposite directions Goku's always happy to seek and fight stronger opponents because he spent most of his life being the strongest guy in the room and Vegeta wants to be the strongest/is always exhausted to find stronger opponents because he spent most of his life having to navigate his survival around the whims of the strongest guy in the universe room and so Goku has a foundation of safety and stability and so spends his time craving challenge and adventure and Vegeta has a foundation of challenge and adventure and spends his time craving safety and stability and the overlaid section of their venn diagram is that the only way they know how acquire and maintain those things is through battle

[orcelito]

I love....... community 🥺

[neverendingford]

hardwood comb project

I forgor to buy a lighter colored wood for the spine/core so I can't keep working on it tonight cause all I've got is the walnut.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[vaspider]

Listen to me. Listen very carefully:

They are trying to wear you out.

They are trying to wear you out, and they own most major social media now, along with many major media outlets. The disinformation machine is cranking along. You are going to have to slow the fuck down and read things before you help them wear out other people, too.

So you just saw a post about a real scary bill, hunh? Republicans want to make it a capital offense to pet dogs and repeal The Sky Is Blue Act of 1793, declaring the new official color of the sky to be squant? Damn, that sounds scary.

Let's go look up this fictitious "Make The Sky Squant Again Act" on GovTracker* & on the official legislative tracker on congress.gov!

Well, let's see... GovTracker estimates it has a 1% chance of even getting out of committee and a 0% chance of being enacted, while congress.gov says this bill has 2 cosponsors who have been in the House and combined total of less than a month. The bill doesn't have any actual text, and it was referred to 5 different committees.

That fictitious bill and a hundred others like it are quite literally not worth your time, and more than that, continuing to wring your hands about it and tell other people about the scary scary squant sky bill only does their work for them. It scares people, it makes them spend time and energy on it, and it wears them out. It is a legislative Gish Gallop, meant to throw so many things at people that we can't keep up.

Even calling or messaging your Rep in this case means their staffer has to waste time responding to you and letting you know that Representative Buttzonheads definitely won't support making petting dogs a capital offense, a thing that will never, ever happen regardless.

Staying engaged in this environment is going to require protecting your heart and protecting your energy, yes, but also protecting the energy of others. This is why WWII propaganda posters also included ones taking people to task for spreading panicky rumors and undermining morale.

Do you know why most observant Jews don't eat chicken and dairy together, even though the ban is on red meat and dairy together bc you're not supposed to cook the calf in the milk of its mother?** It's not because we think that chicken might secretly lactate or Just Because. It's because the rabbis decided that if I'm sitting out in public and eating turkey and cheese together, someone might glance at the turkey and mistake it for red meat and think, "oh, well, I know that Spider is a good Jew, there must have been a change, or maybe I can just justify it to myself that if Spider does it, it must be permissible to bend the rules just that much." And I would then be accidentally leading my fellow Jew astray. We are responsible for being even more careful for the sake of others than we are for ourselves.

It's the same principle here. We need to really be careful about the information we are spreading and check things past reading a news site. Is it true? Is it relevant? Is it meaningful? Is the news site one I recognize? Can I find meaningful independent corroboration on another site, which is to say, if I find an article about it on a second site, is it just quoting or rephrasing this site?

Yeah, that is a lot. But that's how we keep them from using us to lead our fellows astray.

*GovTracker is an independent site. They explain their methodology in their About section.

**I cannot say enough how I am not at this time interested in going on a Jewish Side Quest About Dietary Laws on this post. Usually, I love it, but hold off this time, please, y'all. Let's stay on target this once.