#Dad powerscaling notes: Kunishige > John > power gap > Samura > Kyora

[hestzhyen]

Chapter 66 Trepidation Posting

Well, dear void... I begged for Seitei War lore and a finger curled on the monkey's paw. Where to even begin?

Rough TL of the editor's notes:

First Page: 封じられた記憶… [fuji rareta kioku...] "Sealed memories..." Last Page: 妖刀も妖術もなくただその剣技で- [yoto mo yojutsu mo naku tada sono kengi de-] "No enchanted blades, no sorcery, just swordsmanship-"

Iori Lore and Dad Stuff

What a cute creature.

Her fake last name is Yoshiura (吉浦): 吉 (yoshi) for good luck/joy and 浦 (ura) for bay/creek/inlet. Nothing particularly interesting or exciting about it but it has a nice sentiment.

I'm in a better headspace now so I can do some thinking that needed to be done last week. Let's take some notes about the current arc and it's continued focus on one of Kagurabachi's key themes: Daddy Issues™.

Chihiro: lost his dad through tragedy, memories haunt and drive him. Was loved dearly and loved his father back in return. Acting on his grief in violent ways.

Hakuri: lost his dad through abuse, let go of his memories and found closure on that front. Was loved dearly then discarded but never stopped loving his dad.

Iori: lost her dad through his own guilt, trying to recover her memories of him. Was loved dearly and seemed to love him back in return. The memories she had with him were so upsetting that she passed out when she got them back.

Hiruhiko: mostly unknown right now, but clearly special to John and spoiled a bit by him. Surprisingly wholesome relationship despite how unhinged he is. If he was truly adopted like many fans think then John was probably a doting dad from the start.

So the "similar" traits based on what we know are...

Lost Their Dad: Chihiro, Hakuri, Iori

Dad Murdered/Killed: Chihiro, Hakuri

Dad Deliberately Abandoned Them: Hakuri, Iori

Were Always Loved by Their Dad: Chihiro, Hiruhiko, Iori

Dad was Burdened by Guilt: Chihiro, Iori

And the "unique" traits are...

Abused by Their Dad: Hakuri

Clings to Memory of Dead Dad: Chihiro

Dad Forgot About Them: Iori

Spoiled Brat Thanks to Dad: Hiruhiko

Chihiro and Iori are the ones being directly compared right now. They both lost their fathers, but Samura's a real piece of work compared to what we know about Kunishige. He chose to forget her in order to protect her whereas Kunishge went into hiding to stay with Chihiro. One child forgotten on purpose, one clinging to memories because that's all he has left.

Yeah, Samura's not winning any "Best Dad" awards any time soon- but it's hard to blame him when we see what the family was enduring because of his reputation after the war. Any half-decent parent wants their kid to grow up without having to see that kind of stuff. Samura just let guilt have too much influence over his choice on how to manage it, in my opinion. Kids should have a bit of say in how they're raised too. Not a lot but at least enough be able to feel seen and heard.

As for the other two, Hakuri and Hiruhiko are in pretty good shape. Hakuri's still smarting over the loss of his dad most likely, but he got the catharsis he was craving when Kyora finally acknowledged him right before he died. That particular wound can start to close up and heal as Hakuri moves on through the story, unlike Chihiro and Iori's at present. And Hiruhiko seems to be in the best spot out of the four as John's special little guy who can do whatever he wants. Spoiling kids isn't being a good parent but Hiruhiko's in a pretty good state all things considered- probably the best out of the four. We have plenty more to dig in with him so this'll get revisited once development happens or new information drops.

But yeah. Chihiro being rightfully angry at Samura for deciding to sever the parent/child bond so lopsidedly tracks with his unresolved trauma. Of course he thinks he wouldn't want to change a thing about living with his father. He's still deep in mourning and floundering in the morass of grief he uses to push himself forward. I wonder if we'll get commentary on this at some point... it's such a core aspect to his personality and the story that it might be saved for the end.

Iori's choice is left for another chapter but I have a feeling she'll agree with Chihiro and keep the memories despite the pain and danger they bring. Samura's guilt needs to be addressed and the daughter he chose to forget should have the biggest part in confronting him about it! The story can become an escort mission of sorts to keep Iori safe until that happens, which leads to easy action so hooray for us.

Perception and Being Perceptive

Yeah, he is. But that's not all.

And here we go, we're back to how people look at Chihiro and judge him without knowing the truth. Samura, Kunishige, and the other Bearers are "heroes" who seem to have some rather serious crimes buried in their pasts. Chihiro is a "murderer" stricken with grief killing those who try to destabilise society. Simple, no-frills parallels between guys drowning in guilt that anyone can pick up on.

What else is going on here? Well, those who were saying the hotel was inspired by John Wick are almost certainly correct with sorcery and fights being forbidden within it's walls. The Manager and his staff/followers enforce this with his own sword technique: Reigen One Sword School/Style (no relation to Reigen Arataka of Mob Psycho 100 fame). 礼 (rei): salute, thanks, gratitude, etiquette 玄 (gen): mysterious, occultness, profound

How... polite?

No, that's not Kumeyuri, and anyone who asks gets a bonk on the head for not paying attention.

Small note that wasn't kept in EN: Hiruhiko refers to Toto as "Toto-san", which is cute. He respects her and/or she's older than him.

Of course Toto summons Hiruhiko in so he can begin his own training arc by facing off against the hotel's staff. The bloody pin being used to tie his hair back will definitely not inspire a ton of fan art, trust me. It will be a Hiruhiko-free week everywhere (RIP my feeds). But Hiruhiko's really racking up the service industry experience between being bonded to Kumeyuri with it's geisha spirits and learning how to fight from hotel employees using a polite sword fighting technique.

Other than that, it's not clear if Kuguri's in this hotel or not but chances are extremely good that we'll get more hot-blooded action next chapter as Hiruhiko and Chihiro both learn by doing. Maybe they'll meet again, maybe not. The only guaranteed thing is that Sumi and Moku are wasting their time by prepping the seal on the roof because Iori's not going to want it even if it's finished before another dramatic escape is made.

Desperate cope theory while I'm here: maybe we can see Hakuri again soon since he and Hiruhiko have that "what is friendship, anyway" thing going on with Chihiro. That cut from Hiruhiko yapping about battling to the death as "equals" to Hakuri on the page turn in chapter 54 is still eating at my brain, yes. And Chihiro just reminded us that he feels inferior to Hakuri (he's gonna become his samurai it's canon no one can take this from me). Depends on how the next chapter plays out but I'm hoping. Dying. I'm dying without Hakuri. Please I miss him so bad just one new panel is all I'm begging for.

"Truth"?

OK. Time to let the brain worms squiggle freely over about two pages' worth of Seitei War information.

So, first... a translation note (sigh). The subject of how the war ended will probably come up now that the beginning of it was given to us (or at least, a particular version of it).

Chapter 9, if you forgot. Thank you Hella for catching this when I was all set to yap about the implications of an armistice vs. other ways to end a war.

How the war ended is still a mystery but it might not have actually been an armistice as implied by the English translation of the signboard. The word used in Japanese to describe it is 終戦 (shuusen), simply "end of war/cessation of hostilities" in a formal and pretty final way. The method could have been anything: surrender, peace treaty, and so on. An actual armistice would use 停戦 (teisen - temporary ceasefire for negotiations), 休戦 (kyuusen - a short-term truce/suspension of fighting), or 偃武 (enbu - mutually laying down arms but without the finality of shuusen) to describe both sides agreeing to pause the fight. So there might not have been mutual feelings that the war needed to stop for both sides' benefit like an armistice would imply, leaving a lot of room for the losing side to build up resentment.

Of course we all know that peace treaties coming from armistices can do the same thing if they are crafted poorly- The Treaty of Versailles used to end WWI is probably the most well-known example in the West. But the ambiguity exists in Japanese and should have stayed in English in my opinion. Folks who remember this signboard from early in the manga might be confused if it turns out the end of the war wasn't so peaceful or mutual after all.

With that out of the way, I want to talk about how fucking suspicious the story of how the war started is.

Keep in mind that Chihiro, Iori, and the Masumi don't know the truth of what actually happened- they're only recounting what they were taught or read about.

"But that all changed when the Fire Nation attacked" this is not.

小国 (shokoku): small country. NOT the actual name of the place, just describing it for what it was. "Twenty-two years ago... a 'small island nation' appeared in the south-east seas..." would be more accurate. (Thanks as always, Hella.)

So, right out of the gate, a whole damn country appearing out of nowhere full of people using magic rocks to attack the mainland sounds like something straight out of a child's fairy tale. You're telling me that Japanese Atlantis rose out of the ocean and became hostile right away, completely unprovoked? That's the kind of framing used to justify showing a foe no mercy. It's an essential part of successful propaganda- dehumanise the enemy, make them seem unknowable, monstrous, and imminently threatening.

The datenseki bit is especially interesting. How did these undersea people have natural compatibility with a stone named as if it came from a meteor?

雫 (da) - drop, trickle 天 (ten) - sky, heavens 石 (seki) - stone

And in such quantities that they could wage a war with it, despite it being rather scarce? (Only 250kgs exist per Sojo in chapter 11; same weight as nearly 12 average-sized countertop dishwashers in Freedom Units.) I suppose a giant meteor could have dropped in the ocean on their territory, or they could have mined it from the seabed, but I don't believe this conveniently simplistic version of events for a second. Not after so much emphasis was put on how shady the Kamunabi is and that they are hiding a lot of shit from the general public.

I doubt an island rose out of the sea as the story claims at all, honestly. While Japan does sit on the Pacific Ring of Fire and sees little islands pop up then vanish back beneath the waves all the time, one big and stable enough to have a whole nation's worth of people on it would not have gone undetected for so long. It beggars belief that the mainland didn't know they had a whole bunch of people living off the coast underwater unless they were using sorcery to hide from sonar and exploratory/research missions.

My bets are on this "invading" nation to have been a populated island that existed for a while and for some reason -probably related to the datenseki- war broke out between them and the mainland. Classic grab for resources, discontent with the mainland rulers vs. the island's own government, everything's still on the table. Maybe they were a long-lost fragment of society that tried to reintegrate, who knows?! But does anyone really think a war that started with such one-sided aggression out of the blue would have the population reacting to the people that saved them like this?

Not exactly a "hero's welcome".

"Disappear", "Atone for your sins", and "mass murderer" painted on the side of someone's house with garbage dumped in front is not reflecting the sentiments of people who are happy that the threat to everything they know and love was dealt with. That's outrage! Probably something to do with how the enemy was "wiped out" (JP:掃討 [soutou], cleaned up/swept clean/mopped up, specifically of enemies.) Sounds like the so-called invaders from Japanese Atlantis were thoroughly eliminated...

Iori is very young here, probably elementary school age. So this is a few years after the war in an unknown location- there's a chance this was on the enemy's island, but why would he live among the remaining enemies? He doesn't need more guilt than he already has, seriously. Also, since he was reputable as the fastest swordsman alive when the blades were being handed out, he most certainly wasn't a defector from the enemy's side. Thus I believe this scene takes place on the mainland.

It seems to me like it wasn't all sunshine and rainbows after the war so the Kamunabi came up with a publicity campaign and squashed the truth somehow. But that doesn't erase the memories of the people involved, either as participants or witnesses. I'm extremely curious as to how other members of the war generation remember things. The blades themselves were only used in empty fields (according to Azami, ch. 9) so the Kamunabi could spin that any way they wanted and likely did. But if that was the case, then who saw what and told others to kick off the harassment campaign? Are there mainlanders who dissent to the Kamunabi's rule because of that information not being completely suppressed and thus help out the Hisaku- like Kyora and the Sazanamis were implied to be doing? Remember, Kyora wasn't quite manipulated as thoroughly as Chihiro recounted to Uruha in chapter 48. He definitely had some personal and/or political sympathies with our favourite group of silly bad guys:

Chapter 22. "Dissidents" aren't business rivals or competitors- they're specifically political opponents against the current regime. The term used in Japanese (異分子 [ibunshi], outsiders/alien elements) has slightly different connotations but can mean the same thing.

This is what I meant by the monkey's paw curling at the start of this post. We got crumbs that only really raise more questions instead of answering anything. For now I am still clinging on to the theory of the Seitei War being a civil war... mostly because I don't know if the author intends to tell a story with blunt commentary on the misdeeds of Imperialist governments.

Possible Real-World Influences

Hakuri has nothing to do with this, I just miss him.

So, I know a lot of people have Attack on Titan's swerve into "What the Hell, Author?!" territory still fresh in their minds and I do too. What Hokazono-sensei's setting up here has some eerie similarities with a corrupt government hiding a lot of shit and the mysterious enemies being more sympathetic than they should be... I just hope we don't take the same route of "both sides were bad, so the military needs to protect us all and destroy the worse evil" that seems to happen a lot in these WWII allegory stories.

Not to get political about an action manga, but the discussions in Japan over how to teach younger generations about what went down in the WWI and WWII eras are pretty tense right now. A great deal of emphasis is put on the suffering of the people that happened after Japan was nuked twice -which was a tragedy- but the real story is lost in the debates about what and how much to teach. There's a lot of folks who want to minimize and omit lessons about the war crimes the nation committed in China, Korea, the Philippines, and the rest of the Pacific. There are even a handful who vociferously defend them as "necessary" things that happened during wartime.

I see a lot of this reflected in Kagurabachi's arc right now. We've been told several times that the Kamunabi's version of events can't be trusted and that there's something awful that was covered up. The Hishaku want some secret to come to light and it will almost certainly have hugely negative impacts on the Kamunabi, the Bearers, and likely Kunishige too. Chihiro needs to know what happened as a core part of his character arc, and it will probably come with the realisation that the conflict he's embroiled in is much more complex than a simple revenge mission can solve. Whatever the truth of the situation is will shatter his worldview.

Where Attack on Titan failed in executing this sort of plotline was making the Titans a genuine threat that needed to be put down after revealing what they really were. You don't set up obvious real-world parallels to groups that have suffered greatly in the past just to say they were a real threat all along. You don't downplay government's corruption and cruelty with "well the other guys weren't great either". But this isn't an AoT blog so I'll stop there.

I don't see a reason to be nervous about Kagurabachi making the same mistakes right now after the sensitive writing around difficult topics from previous arcs. I'm paying close attention to where the Seitei War information crumbs lead us, though. I'm interested in most things the author has to say if it's well-told but I'm not going to stick around for justification of jingoist ideology. I also hope that the author will be able to tell the story he wants even if it happens to go against the government's prevailing sensibilities.

We don't know yet where this will go so I'll just wait and watch with a bit of trepidation. I trust Hokazono-sensei to not repeat mistakes author authors have made, but he could well make new ones as an author writing his first-ever serialisation. I just want whatever comes of this plotline to have something interesting to say like the others before it...

We'll leave it here for today, dear void. Thanks for reading all this if you got through it and let's sit tight for some awesome hotel fight action next week! Say something nice about yourself once a day in the meantime. Every other or even just one day is fine if that's all you can manage too- we all start somewhere.