#I just want anti to respect it as well

[kirkwallguy]

i rly think DA's companions peaked with rivalries lol, like that can create such interesting dynamics, when rivaled these people are still following hawke and you can still romance them, Interesting!! THat's cool! why are they doing that, staying with someone who's disagreed with them the whole time or done things they find objectionable - you get different dialogue in cutscenes too, they react to how you treat them (thinking with Merrill you can just chose to not give her the thing to fix the eluvian and you get a different scene after the quest) You can be mean, you can support them or not and they respond to that, it feels like your choices are affecting the characters around you. (diff game but alistair confronts you about Isolde and if you killed her, the kid, or got help, i'd have loved more of that!! more characters going "hey this was fucked up of you, why???" or "I'm glad you handled this" and then you can talk about it more, the companions having Thoughts on your good or bad behavior and actions and voicing it!) also I think not being able to just chat with the companions was a silly choice, especially with the fact that rook can be a crow or shadow dragon etc, wdym we cant just talk about that with the gang??? ask for their thoughts on it all and they ask for rooks, rook could voice support or question what the group is and what they're doing (kinda like with Wynne and mage warden, you can talk about the circles and voice your dislike or support for them), rook could ask for more information and if they know they could share, or they won't if rook isn't a part of that group and it's all meant to be secret or something - and maybe if you ask again when they have high approval they'll tell you anyway cause they trust you, more opportunities for lore and worldbuilding as well as exploring the characters a little more??

idk im :/ rambling lol, i just really enjoyed how much you could say and do in other games, dav feels limited? And like nothing was perfect in the other games but I feel like there were so many more opportunities to learn about everything and the characters felt so much more involved? I do love that the companions talk to each other at the lighthouse like thats great we get to see those dynamics more outside of party banter!

i LOVE the rivalry dynamic and it really helps with each playthrough feeling unique, a hawke who is besties with merril is so different emotionally to a hawke who rivals merril, and it feels like there's a near-endless number of combos? also being able to push back on companions is something people have been complaining about a LOT in dai and dav, being able to spend the entire game disagreeing with a character and still see their entire story (WITH extra dialogue and sometimes entirely different cutscenes to acknowledge the fact that you don't have a good relationship?) it solves such a fundamental problem with relationships in rpgs and i don't get why it isn't more frequently used lol

and yeah i can understand if they wanted to save money not doing chats in the lighthouse (tbh. the inquisition skyhold dialogue options were just annoying and useless to me especially when you had to exhaust them to trigger certain quests), but it just feels like it creates a distance between you and the companions when they can all have conversations with each other at the lighthouse but you can't speak to them? it just feels like such an important feature for the genre and the only other game in the series that doesn't have it is the one that was made in like a year

[noheteroexplanation]

Toward Annihilation: House of the Dragon and Anti-War Television

And that’s where House of the Dragon’s second season manages to transcend itself— yes, these characters are hopeless, beaten down, destroyed by the wars they’ve wrought and fought, but they’re still scrabbling for life, for freedom, for a way out. Fruitlessly, painfully, they’re still human. They know well enough that none of it matters. Their fragile peaces can’t last. They were reared as sacrifices to a hungry patriarchy, and there’s no way out of the dragon’s gullet no matter their protests and machinations. But they’re alive. What else can they do?

“I do not wish to rule,” Alicent confesses, “I wish to live.” It’s performed as if it’s the first time she’s ever admitted that to herself. Aegon, in his painful throes, laments there is no point to his survival, as crippled as he is. Larys says, quietly, like he’s just now realizing it, “It’s best to live, I think. However you do it.”

Anti-war cinema (and in this case, television) succeeds on its determination that life, in all its fragility, has meaning. That is why we must witness its most wanton destruction, its systematic devaluation, the horror of its obliteration. At its best, it’s a sharp wailing cry of no more.

[alaynestcnes]

It's 2024 and there's still those who feel the need to tell people who ship Jonsa that all the evidence is a reach. Why is that? Why are they so preoccupied with a ship that they think is delusional?

I think Sansa and Sandor is delusional, there's zero chance of it happening but I'm not sending anons to the people who ship it saying it's never going to happen.

The antis just need to admit that they're terrified that Jonsa is going to happen. GRRM has subtly sprinkled Jonsa dust and it's the critical reader who sees it. That's why you have people who don't ship any of the characters and aren't interested in any of the fandom ships who see the links between Sansa and Jon and wonder what it's about and why it's there.

we got that modern day cassandra curse. no matter how much evidence we have, the greater fandom will ignore it. but that’s ok, half the takes this fandom comes up with are terrible so i would rather keep them away from jonsa as long as possible.

[rise-my-angel]

I love how you phrase it. I criticise ships for being toxic and I get told "it's fiction. Stop being a puritan" and really it's a criticism of them striving for such a harmful thing to happen to the characters. "Oh well it doesn't reflect on my character". I mean, as an example, who wants to see Robb die the way that he did? Nobody sits there and goes, "oh boy, i'm going to watch the most soal destroying scene in Game if Thrones history and I'm going to enjoy it". Nobody enjoys that scene. It's so good exactly because of how much nobody enjoys it. But it's the tropification of such media that makes people think they can list off their demands for the story and expect everything to happen, playing out like a map that gives them a pass through every hurdle for this stuff, so they think they should want these fucked up dynamics to happen, but they also don't want the soul crushing that is involved in those scenarios, like Jon realising he fucked his aunt. They just want the drama without the consequence. Like... Guys you're doing media wrong. I don't know any other way to put it.

I am of the opinion, that there is nothing wrong with taking your own morality, ethics and life experiences, to better connect with a story.

The reason we tell each other stories, is so we can truly bond with one another about the complexities of human life through fictional stories. We do not have to worry about perfectly related to it, because it was never real. But parts of it will always be real to someone in some way. We will always connect to characters through our own lives and morals and it is important that we respect that.

Enjoying dark stories or disturbing content does not make you a bad person, only when you let those disturbing contents dictate how you see the real world is it bad, not the other way around. We can enjoy a show when characters go through bad things they do not deserve, because if it is well written, filmed, acted, it puts you in that scenario and make you root for that character to escape it and get better. It's good not because of the bad, but because we all hope for them to escape the bad before it's too late.

I like that it took a series of traumatic events for Jaime Lannister to reach the point where he was capable of turning his life into something meaningful. But I do not enjoy watching him suffer, nor do I wish it took that trauma in the first place. I like that he fought against a horrible situation, but that doesn't mean I wanted Jaime's hand to be cut off in the first place, or for him to be humiliated and beaten into the mud and mocked. I like watching it, because I hate what is happening. I want to see him get up and fight back, and watching him go through that journey is worth it for where he ends up on the other side.

I like the concept of Jon getting to the exact point Jaime Lannister did, of sacrificing what is considered honorable, to do the right thing. Killing a Queen he is loyal to, to protect his family, his people, and to protect the other millions of people in Westeros from suffering the same fate he just watched one million people brutally perish from. I like the realization that as much as his father raised him to value the right things, Jon comes to his own conclusion that Jaime sacrificed ever having that image in order to do the right thing, instead of the honorable one. That your loyalty and oaths mean nothing if you just stand by and watch as millions of men, women and children burn alive.

I hate the journey that took him there. And not in the same way as Jaime. The journey Jon took was traumatic to the point he will never truly recover. Sleeping with a woman who has kept him hostage for weeks if not months, only to soon after find out that he was related to her in the exact same way he previously thought he was related to his mother? Jon likely would never be capable of a normal relationship after that, he would be traumatized for life and be extremely messed up about it. Likely in the same way that Theons torture and mutilation left him unable to pursue a normal relationship after that trauma.

I do not think anything a shipper could've gotten out of that relationship is worth the harm that it caused. I think, that it is reasonable for me to use my own sense of morality, and my own life experience of relationship based sexual trauma, and determine that it is unhealthy to WANT to see Jon go through all of that, just to get to the few parks that were "romantic". It was not worth it in Jons eyes, so why should it be worth it in mine?

Jon Snow is one of my favourite characters, and I shouldn't want to make him suffer and feel trauma just to see the outcome I want. I don't connect to Jon because he is a prop for my entertainment, I connect to Jon because of my own life experiances make me feel like I relate to his struggles. Why would I ever ENJOY or LOOK FORWARD TO his suffering, just to get him to an end goal I like?

I'd rather Jon not reach that end goal, if the only way is to put him through life changing trauma that he likely will never truly recover from. No one should want that, and they don't. But they refuse to acknowledge that in order to get to that goal the way it did, Jon had to go through those things. Jon had to be put in a complicated amount of pain and suffering that ultimately did not improve his life. But they do not want to look at it. So they ignore the reality of what is being shown, and focus on the small moments that they can ship.

This happened with Ygritte too, they share a scene of banter when south of the wall and it is the only proof they have to point that it was all worth it, when Jon clearly was actually suffering the entire time.

Small pockets of good are not proof it is all good. Abuse is a cycle, and part of that cycle is there are good moments. Moments that remind you why you like this person, and they are by design so that you are not pushed too far too often and decide to leave them. The good does not wash out the bad. Nor the bad, the good. It all adds up to a full image of was this worth enjoying for the pain it put Jon through, and my answer for both his relationships is no.

I don't get to just ignore the suffering it takes to get somewhere for a moment or two of ship worthy content. I can't ignore it and I won't ignore it. Because in my life, I would not be able to ignore the suffering I was put through, so I will not ignore Jons, because my ability to relate to his trauma is part of why I am attached to him. So I do not consider so much harm to be worth such small outcomes when the outcome in the end of the big picture, was just more harm.

Fiction is meant to be related to through your own life and morals, that is how we connect to characters and stories. Because of what in our own lives do we see in the fiction, and how that makes us feel. So I think disregarding the fact that certain ships are the result of putting a character through unfair and unnecessary harm, is not okay behavior.

If you're someone who is not bothered by the trauma Jon goes through in a Jonerys ship, that is your experience of that ship, but you should recognize, that the harm does exist. And you should not want that harm to happen to that character willingly, or turn a blind eye to the harm just to pretend everything is alright and always was.

I respect the art of storytelling to much to pretend that not caring about the harm a character goes through, doesn't somewhat reflect on who you are as a person. It doesn't say everything about you, but I think it says enough.

I think Jonerys is a ship that harms Jon more then it could ever benefit him, and I think it is unfair to the character he is, to want him to go through that inevitable harm just because you enjoy what little good there was, if there even was any in the first place. Because the harm is there, even if you pretend you're not looking at the harm, it's still there, and you know it.

You are just choosing to pretend it's not, to make yourself feel justified.

[cannibalismyuri]

coming out as a passive jopper hater bc the insane level of capitalist pandering they did with s3 (with ERICA who is like. one of the worst, stereotyped portrayals of a black girl ive ever seen, bless her heart) was truly crazy. combine that with the copaganda and the general attitude of hopper in s3 which was played off as 'awkward loser guy doesnt know what to do with Feelings more at 8' was a bit .... Eh :/ to me. because it is so obviously a fictional character and show but like. disliking hopper/jopper bc of the ideals st is perpetuating and the fact that they arent compatible at All in s3 (to me, atleast) is valid. some ppl might just think that jopper is unhealthy and/or 'overrated'. because they do sort of pay a disproportionate amount of attention to jopper, compared to the other canon romantic ships (afaik, bc of the screen time counter) and that can be Weird, esp with the... how should i say this? balancer/savior role hopper takes in the relationship (we constantly see him placating joyce, sometimes even being slightly patronizing, and also they place a lot of importance on him saving joyce from a lot of stuff, which is cool and sick if it wasnt for the fact that it directly correlates with him being a cop, yk). and the general power imbalance bc he's a Cop and abuses his position of power constantly, and that is exactly Why anything that joyce does is seen as a #insane girlboss category 5 woman moment because she simply has the short stick in the power race and when she does manage to make an impact DESPITE her economic/social/'general uselessness in say in Major decision-making when it comes to authorities' shortcomings it is seen as an amazing win. hopper on his own is extremely fleshed out as well, because we get to see his arc play out with his relationships with his daughter and ex-wife and el and re-learning how to be a parent and how to not let love allude him, and that is lovely! it's so great to see the adults in the show being focused on! but joyce is absolutely disregarded and underdeveloped as a character of her own right outside of her relationships with hopper or her kids. we see that she is determined and a force to be reckoned with and that she cares very deeply for the people she loves and would go to insane lengths for them but all that doesn't Mean anything, because we never see a backstory for her. we never figure out who she is without her family or hopper, or what her motives and aspirations and emotional shortcomings and stumbles and mistakes are. for a character to be fully fleshed out, they need to be an interesting, refreshing and palatable character On Their Own without their relationships with other characters, and we just don't see that with joyce. like u have Thee winona ryder on ur show, and u forsake developing her character in favor of developing hopper's character with /not the best taste/ and causing her to be a blank slate of a mother, lover, woman and friend, but not a PERSON. all she's been reduced to is a Mother and Hopper's Girlfriend, and honestly, that's the worst decision they could've made in relation to her and her relationship with hopper.

anyway, all this to say; these are my thoughts on the matter, but i'm definitely not hating on people who enjoy jopper passively and DEFINITELY not any by/ler (the most predominant fandom im part of in the parent fandom of st) who enjoys them as a ship with their own dynamic separate from canon. because the by/ler fandom is NOT a monolith and nobody is obligated to agree with me or change their opinion if it doesn't align with mine or be forced to look at my opinion and feel bad for shipping anything. im not going to act Holier Than Thou for expressing my opinion and u should definitely continue shipping jopper if it makes u happy! as long everybody recognizes the copaganda and capitalist mindset grind propaganda shit in st (which is Pretty Obvious) and respects that while shipping what they want, i have no problem with it. all that is to say; peace and fucking love. can we (the by/ler fandom) stop fighting abt jopper we all have our own opinions this is bc we are Not a hivemind or a monolith and not obligated to have the same opinions relating to all aspects of st just because we happen to ship one thing. i am a hater and a lover

[ltleflrt]

can i ask - what are you thoughts on the current anti-shipping phenomenon in fandom? I've recently gotten into SPN fandom and fallen in love with your fics, but the state of the fandom puzzles me a bit.

Anti-shipping is not a SPN fandom phenomenon, and maybe it seems to be a bigger deal to you because it's a bigger fandom? Wincest and Destiel shippers have been at war since episode 04x01 aired lol...we even have derogatory names for each other: Wincels and Hellers.

(Jokes on the Wincels, because Heller is a fucking awesome name.)

(Wincestiel shippers are fandom unicorns, and they deserve love and respect.)

I've only been involved in fandom since 2011, so most of what I know about anti-shippers comes from piles and piles of posts talking about fandom history, but the gist of it is that this is not current, it is ongoing since the dawn of fandoms, we just have names for it now. Think about Spirk back in the 60s...there were lots of rabid fangirls who saw nothing romantic between them too. We just don't hear as much about them, because they lost their fandom war lol

It's just really loud right now with the rise of conservatism, fascism, and terfs. And social media amplifies all of the above.

Anyway, my thoughts on anti-shippers is that they need to grow up and mind their own business. I am a pro-shipper, which means I believe that anyone has the right to love any ship, no matter how problematic, no matter how much it squicks me out. I believe everyone should be allowed to read whatever vile smut they want, because thought crimes are not real.

Unless a real person is being hurt, have fun.

Antis claim that problematic ships and kinks hurt people, but I think it's important to understand that there's a big difference between accidental and deliberate harm. And harm mitigation is highly important in a world with 7+ billion people and 7+ billion different lived experiences.

If an anti-shipper is hurt by a ship they don't like, they need to learn how to block and filter content so they don't see it, and on the opposite side of that, the vile shippers/kinksters need to tag their nonsense so that they're not accidentally burning someone's eyes out. Which most people ARE kind enough to do. They sit around in their little ficcing circles and cackle over the evil things they're putting their blorbos through, and they put up warning signs, but the antis come barging in to bug them anyway.

In my opinion, many antis are big fucking bullies and do a lot more harm than they claim to try and prevent, and they can all go fuck themselves with something hard and sandpapery.

So uh... yeah, that's how I feel about it 😁

(okay actually I'm not done, there's a lot of anti-shipping discourse about age gaps and what counts as incest that are just... really fucking stupid, and I honestly believe that shit started out because people were grasping for straws to justify why their ship is better than the ship they don't like. unfortunately, the youngins have been soaking up that moral purity language as Objective Truth because they're little sponges. i hope they outgrow that bullshit eventually. i will forgive and forget if they leave behind their purity police badges.)

[sinnbaddie]

You know it’s illiteracy when people start trying to seriously apply poetic and emotional love to Sukugo like it’s not one sided entirely

[prickly-paprikash]

Kendrick doesn't just hate Drake as a person. He hates the very idea of Drake.

Hip-Hop is rooted in revolution. In defiance. These are the songs of an oppressed group of people, and decades upon decades people have hated it. Accused of being meaningless and invalid. Media outlets took steps to belittle hip-hop and make sure it isn't recognized as an art form and as a means to fight back.

2Pac spoke of wealth disparity and inequality. Tupac was literally a member of a communist organization when he was younger and never stopped speaking against capitalism.

Lauryn Hill spoke of the struggles a woman faces. Not just women, but black women. Salt-N-Peppa. Queen Latifah. MISSY FUCKING ELLIOT.

N.W.A made sure people knew about police brutality and violence against the Black community.

And now, in this day and age, we're also experiencing an explosion of Queer Hip-Hop. Lil Nas X is at the forefront of this. Lil Uzi Vert came out as non-binary and uses they/them pronouns, even when they knew that a lot of their fans would never use it or even respect them for it. Auntie Diaries, a song about a young man who grew up in a transphobic environment and bought into those beliefs, but could never fully do it because his Uncle loved him so much and taught him a lot of life lessons, and that wisdom translated to him accepting his cousin as a woman as well.

Drake is none of that.

He's the perfect representation of what people think hip-hop is. Flexing. Posturing. Objectifying women. A fucker so insecure he bought 2Pac's ring just to feel like he's part of the black community. Rejected by Rihanna publicly. Tried to groom Millie Bobby Brown. Kissed and inappropriately touched an underage girl during his concert. His songs have inspired so many young boys to treat girls like shit. His belief that the amount of rings and chains and cars he has is the true meaning of success.

Additional Edit: This is my fault. If this post gains more views, then it would be remiss of me not to add to this. It was my fault to begin with, not stating this beforehand because while I did know, I got lost in celebrating Hip-Hop in a place that doesn't usually do so, and rightfully so.

2Pac did fight for wealth equality and better social living for the black community. He also has a long, long history of battery, domestic abuse, and sexual harassment against women. Specifically against women of color. He made a song to celebrate his own mother, but outright refused to give the same show of respect to other women in his life. His hypocritical nature was brushed off in later decades, just the way I did now.

N.W.A is the same. Sexual assault charges, violence—they spoke of Police reform, but refuses to give the same treatment back towards the women in their lives.

50 cent refuses to backtrack on any of his misogynistic lyrics.

Modern rappers of today, such as the dead XXXtentacion. 6ix9ine. Kodak Black.

I do love Hip-Hop. I love rap. And the music itself has always been anti-authoritarian at its core, because those are its roots. And I was happy that circles that did not normally know of it or enjoy it were getting into it, even for one thing like this rap feud.

Lil Nas X, Little Simz, Childish Gambino, Missy Elliot, Queen Latifah, Lauryn Hill—rappers who have at the very least consistently tried to put their money where their mouth is. Who have tried to act in accordance to what they rap and write and sing for.

@shehungthemoon @ohsugarsims finnthehumanmp3 were the ones who rightfully clarified in the comments. I know an apology won't correct my hypocrisy or my stupidity. I should have added all of this before making this post, but I wanted so badly to celebrate a genre of music but failed to do my due diligence in showing a better, holistic view of it. If anyone felt triggered, offended, troubled, frustrated or any other intense negative emotions surrounding this, please do block me. I'm sorry.

[thebisexualwreckoning]

Not be a nasty mean disgusting aromantic on main but I hate the prevalence of puritanical anti-sex culture in queer spaces. Stop demonising casual sex or fucking your friends or in general just getting it on with whoever you want without wanting to pursue a romantic relationship as well. Stop calling people who don’t want romantic relationships but like sex ‘fuckbois’ or ‘afraid of commitment’. Stop treating all aromantic people like they’re not valid unless they’re also asexual. Aroallo people exist and deserve just as much respect as the rest of the community regardless of their views on sex. This involves cishet aroallo people as well because I know how weird yall on tumblr are about them. You don’t get to judge someone just because they don’t match up to your image of what a respectable queer looks like. Unless you’ve forgotten we’re all perverted dykes and faggots and trannies in the oppressors eyes and helping keep the myth of sex being something disgusting that should only ever happen between “two people who love each other very much” just helps them. Stop fucking putting your own head under the guillotine before the extermination has even started

*note: do not tag this as ace or aroace. This post is about the specific experiences aroallo people face and I will not suffer derailing.

[gumii-bearr]

Alt!Megumi who fucking hates you but has to tolerate you bc you’re Yuuji’s best friend. Yuuji drags both of you to a party and abandons you, leaving the two of you to get drunk off your asses and insult each other. Until Megumi starts getting handsy and leads you off to a room for a nice hate fuck 😇😇

YEEAASSS BOOM SHAKALAKAAAAA–

thinking about... ❝ hate sex ❞

featuring... megumi fushiguro

content warning: MDNI (18+), afab!reader, alt!megumi, hate sex, rough sex, mirror sex, swearing, dirty talk, HELLO SAILOR–

author's note: u have awoken something in me i hope ur ready for my wrath, also i made them actually fucking hate each other it's so funny.

── alt!megumi who has hated your guts from the start.

── yuji was your best friend and was always bringing you around, and it always pissed megumi off because why exactly did you need to be involved in everything?

── you were a rude, insolent brat at the best of times, always had a snarky remark or a smart ass comment loaded in the chamber ready to fire when you could sense megumi was even slightly irritated by your presence.

── it became a thing. everyone knew you hated each other, always bickering and arguing over stupid shit.

── alt!megumi who is normally a very chill and somewhat anti-social guy. but you just bring out this hot-headed, unbridled anger in him. and you do it all with the flutter of your lashes and a cheeky fucking smile on your face.

── you always had something to say. like when yuji and nobara were taking forever to pick a snack at the convenience store down the road from your college campus:

── megumi was cranky, "jesus christ, just pick something, you're taking forever"

── "you'd know all about finishing fast, huh, fushiguro?"

── alt!megumi who simply put, cannot stand you. if looks could kill, you would be so dead. and you, who is equally bothered by him and his fake tough-guy persona and how he's always pretending to be this big scary guy who is just so unbothered by everything.

── except for you, since you always manage to wriggle under his skin and piss him off.

── or when yuji dragged you both along to a party, telling you two to "be nice" to each other then promptly ditched you because, well, he's yuji, a social butterfly who makes friends wherever he goes.

── alt!megumi who isn't a big drinker, but if he has to stay at this god forsaken party, he may as well drink.

── alt!megumi who is chatting up a girl when you appear, bumping shoulders with him drunkenly as you scare away whatever little piece he was talking to because you're you and you make his life difficult for your own enjoyment.

── "why don't you just fuck off?"

── "you'd miss me too much."

── the two of you becoming progressively more drunk at this house party, and the alcohol seems to thicken the sexual tension between you and megumi.

── you're the only person he knows here other than yuji and vice versa, the two of you unintentionally gravitating toward each other no matter how much you try to avoid one another.

── you, who is dancing and grinding up on some guy and megumi is standing by the stairs just fucking watching you and he's clenching his jaw and staring daggers at you because don't you have any fucking self-respect?

── and you're wearing the tiniest mini skirt he's ever seen and a low-cut top that your tits threaten to spill out of and the gawking of these useless frat guys is pissing him off.

── and when you bend over to pick up a drink off the table, megumi just loses it because he can see your lacy black panties and your plush ass from under your skirt.

── and alt!megumi who drags you upstairs and away from all the prying eyes and wandering hands by your arm before laying into you about your lack of self-respect.

── "you want everyone to think you're some fucking slut?"

── "yeah, but you were looking too, weren't you, fushiguro?"

── alt!megumi who just stares at you, absolutely seething before the tension between you two just fucking snaps and he slams you against the closest door, his mouth on yours in mere seconds.

── alt!megumi who's tattooed hands grab and knead at your hips and ass and your tits over your shirt.

── alt!megumi who pushes you into the closest bathroom, his hand squeezing your throat as he kisses you but it's not gentle, it's mean and it's hard.

── and you, who tugs at his hair and at his belt buckle because the two of you just need to fuck out whatever the hell your problem is.

── alt!megumi who is pulling your skirt over your ass and forcing your panties down your legs and you're fucking helping him because there's something seriously wrong with how much you want him to fuck you.

── alt!megumi who bends you over the bathroom sink and squeezes your heated cheeks together as he forces you to watch him fuck you.

── "always acting like a fucking slut."

── "you've wanted to fuck me so bad from the beginning. don't lie."

── alt!megumi who is thick and long and heavy, and his pace is fucking brutal. he's forcing noise after noise out of you as he forces your hips back onto his cock, your knees buckling as he basically holds your lower body up while you brace your hands against the counter.

── and the two of you hate how good it feels.

── hate how good he's fucking you, hate how soaked you are, hate how hard you've got him.

── you hate it all so much you fucking love it.

author's note: HAHAHAHAH I NEED TO MAKE THIS A FIC IM FERAL HELLO– help i'm gnawing at the bars of my enclosure like a rabid gorilla.

[starcurtain]

Comparing Phaidei and Other Hoyo MLM Ships (Part 1)

I barely know how to begin, honestly, because I'm still so taken aback by the absolute Phaidei feast that was 3.1. But perhaps because we were so overfed by the patch, I was actually jarred a little out of the story itself--too busy turning over the broader ramifications of such blatant queer-coding of two male characters in a modern Hoyoverse game.

Of course, Hoyo isn't remotely new to queer-coding their characters (or to queer-baiting, either, gacha games gotta hustle at all times). They absolutely have a history of hinting at both WLW and MLM ships and of including fanservice between the player's MC and other playable characters regardless of gender. Strangely enough, due to the unique confluence of their target audiences' tastes, the Hoyoverse team has an active profit motive to create gay characters:

WLW ships are appealing to heterosexual male players.

MLM ships are appealing to heterosexual female players.

Simultaneously, WLW and MLM ships are appealing to queer players.

Heterosexual ships with characters other than the MC are unappealing to a large percentage of the game's playerbase, particularly to heterosexual male players who want to keep their waifus to themselves but also to female yumeshippers.

Hoyo's market is literally telling them that 1) male characters sell better when they're ship-baited with other male characters, and 2) players don't actually want heterosexual ships between playable characters if the MC isn't involved. (Hell, look at Firefly--players hate romances with the MC too lol!)

But at the same time as the market is telling the devs to keep making queer characters, Hoyoverse also faces immense social pressure to avoid including actual queer content.

Let me hold off on the political and legal consequences of including gay characters in Chinese media for just a second, and look at the situation from the perspective of Hoyo's target audiences first:

Take this data with a grain of salt though; I'm not sure where they got their numbers.

First, Hoyoverse games are increasingly global and surprisingly popular in conservative/religious countries such as Russia, Malaysia, and the UAE. The western world as a whole is shifting increasingly right on LGBT+ issues. For the games to be marketed well across the globe, they've got to avoid challenging the morals of these highly varied audiences. (Perhaps this is why past Hoyoverse titles seemed more open to LGBT+ content than present Hoyoverse games do; a broader audience actually means more restrictions on content.)

Second, even though conservative heterosexual male players are actually surprisingly fine with MLM ship tease, that only applies so long as it stays at the level of "I can pretend I don't see it." As long as anti-LGBT+ players can write off any MLM content as "just close friends," the dev team can get away with frankly shocking amounts of queer interaction between male characters. (I'm sorry to any straight male fans reading this [could there possibly be any?], but half of y'all could win gold medals if mental gymnastics were a sport. The lengths I have seen some male Genshin players go to try to explain away Haikaveh are honestly awe-inspiring. 😂) However, the boundary must be respected. The moment a male character's queerness exceeds subtext and becomes text, when even mental gymnastics cannot come up with a heterosexual explanation, and the plausible deniability goes out the window, it is no longer acceptable to anti-LGBT+ players, and they will be "turned off" from pulling that male character en masse. In essence, the market is telling the devs: 1) Huge amounts of queer-coding = a-okay, but 2) Actual canon queer content = that's gayyyy, no wayyyy.

And third, the obvious: China's stance on LGBT+ people is weirdly stricter in media than it is in "real" life. It is not illegal to be gay in China but it is illegal to be gay in a video game in China. Restrictions on media portrayals of gayness are significantly more strict than restrictions on actually being gay (which is interesting cognitive dissonance for those from outside the country, but that's an essay for another day). Hoyoverse legally cannot show characters engaged in any explicitly queer behaviors--at least that can't be explained away.

Furthermore, the rules apply very differently for male and female characters. WLW content gets way more of a pass from the censors. Bronya and Seele can blush at each other, but Alhaitham and Kaveh cannot. You would never see "Rondo Across Countless Kalpas" happening with male Hoyoverse characters. The censors literally would not allow it, strictly because Chinese standards for portrayals of men are different--and more strict!--than standards for portraying women. Legally, there are strong and serious limitations on what Hoyo can do with their male characters.

Summing all of this up, in trying to create their male characters and content, Hoyoverse is actually fighting a battle of conflicting pressures: Male characters sell better when they are queer-coded, but their interactions can never rise to the level of being canonically gay.

Everything must exist in the realm of implication.

(Yes, I can hear you: "Can you please get to Phaidei already?" 😂)

All of this foreword was to lay a foundation for the actual point I want to make about Phaidei: Because Hoyoverse can only queer-code and not actually queer their male characters, they have (in their modern games), fallen into a sort of pattern with their MLM ship bait. Certain plots and personalities keeps reappearing again and again. They've developed a sort of short-hand set of traits to give to their male characters--the Hoyoverse "queer-coded MLM starter pack" if you will lol.

While not every popular MLM ship in Hoyo's games has the same traits (obviously not), certain elements seem central to creating the delicate necessary gray area between "They're just baiting fangirls" and "The devs intended these two characters to be canonically gay but just couldn't state that textually."

And yet... And yet...

You're not imagining things: Phaidei is actually different.

To demonstrate just how different though, I wanted to take the time to compare Phaidei with other popular Hoyoverse MLM ships, looking at both the similarities (the patterns that Hoyo relies on to reliably queer-code their characters) and the noticeable differences (where Hoyo pushed their own boundaries in surprising ways).

Unfortunately, in the interest of full transparency, my own Hoyoverse experience is limited, so I can only use examples from Star Rail and Genshin Impact. I just haven't played HI3 or ZZZ, so I don't feel comfortable trying to use examples from those games, although I think there may be many ships that fall into similar patterns in those games as well. (Maybe some people can share in the comments?)

Anyway, let's start with similarities:

1. A Pair of Equals

The number one "rule" for popular Hoyoverse queer-coded MLM ships is that the two characters must be evenly matched. This isn't to say they have to have identical levels of physical strength (although that is also often the case); instead, the audience needs to perceive them as being on equal footing in some way. They must either be intellectual equals (Alhaitham and Kaveh), political equals (Ratio and Aventurine; Neuvillette and Wriothesley), equal in social standing (Tighnari and Cyno), or, yes, actually physically equal their capability for going toe-to-toe against each other (Blade and Dan Heng; possibly Zhongli and Childe; for those who ship it, Diluc and Kaeya).

For modern Hoyo games, queer-coded MLM ships with noticeable discrepancies in power dynamics are particularly rare; possibly the only one that comes to mind is Ayato/Thoma (though this is mitigated by the game deliberately telling us that Ayato treats Thoma like family, rather than like a servant). And I think this actually says a lot about the devs' thought process: They are deliberately avoiding scenarios in which one male character seems capable of "preying" on another, where the queer-coding could accidentally be perceived as sexual perversion due to a discrepancy in power dynamics.

They're intentionally averting the "depraved homosexual" trope by--sometimes literally--spelling out for the players that both male characters in their queer-coded MLM ships perceive each other as, and are interested in each other as, equals.

We see this explicitly with Ratio and Aventurine in Star Rail:

And Alhaitham and Kaveh in Genshin:

Even Blade and Dan Heng are likened to "a pair" of identical objects:

So of course, Phainon and Mydei push this to an extreme. Phainon describes himself and Mydei as "friends and foes," and the game goes out of it way to reiterate over and over that they are perfect equals. Although they compete in everything they do, there is never a clear victor; their score card is constantly balancing out because they match each other's skill and power perfectly.

But there are even hints in the game that this isn't just happening naturally, but also by choice: Even when one of them triumphs over the other, they both backtrack and insist on getting on equal standing again. Whether you win or lose the "competition" in Kremnos in 3.0, the outcome is the same:

Phainon and Mydei perceive each other as perfectly matched (in strength, right, right...) and are actively working to keep it that way.

The game also goes out of its way to insist that Mydei and Phainon aren't just equals in terms of strength but also in social standing. It theoretically should be impossible to match Mydei's place on the social ladder--he's the literal crown prince of an entire nation of world-renowned conquerors. Even Aglaea is not a queen; we see her on screen being forced to contend with Okhema's Council who are fighting her for power. There technically isn't anyone in Amphoreus (at least that we've met so far) who should be able to stand on equal political or administrative footing to Mydei.

Except, of course, for Phainon, who supersedes all others by virtue of being the literal prodigal son, the "Chosen One."

The game insists on putting this in our faces over and over again: Mydei may be a king in the making, but Phainon is the "Deliverer." They are equally matched in terms of authority.

The game even goes out of its way to tell us they're perfect mirrors in personality too:

Hoyo, in the kitchen cooking up another gay ship: LISTEN GUYS, they're equals, do you understand me? A MATCHING SET.

But also...

2. Diametrically Opposed

It isn't enough for the queer-coded men to be each other's perfect equals. They also have to be opposites, typically in terms of their personalities. This is the pattern that repeats itself most consistently across Hoyoverse MLM ships with strong textual support: the two men may be equal, but they're also nothing alike. (At least on the surface.)

Alhaitham and Kaveh's entire plot hinges on their directly opposing personalities and morals, representing the clash between rationality and sensibility. Dan Feng was reserved and cool-tempered, while Yingxing was "arrogant" and brash. Hell, Xingqiu and Chongyun are "refined and clever" versus "forthright and trusting." I actually think Zhongli and Childe, despite being the most popular Hoyoverse ship in the western fandom, have very little canonical support, yet they still fit this pattern, with Zhongli as the refined gentleman to Tartaglia's blood knight tendencies.

We know how Ratio sees himself and Aventurine:

Hoyo really said "Opposites attract" and ran with it for every single MLM ship they ever teased.

And there's a logical reason for this. Making the two male characters dead opposites actually slightly decreases people's ability to argue that they're "just friends"--if they have next to nothing in common, they're not usually bonding over mutual hobbies or basing their connection on shared similarities. It becomes harder to portray two male characters as "bros who just get along great" when they're deliberately written with opposing tastes and personalities. (Real friends can sometimes be dead opposites, obviously, but most friendships are built on mutual interests rather than opposing ones, while romantic relationships hilariously have the "opposites attract" stereotype.)

There's no reason to shove polar opposites together again and again except to watch the sparks fly.

Even Hoyo's male characters' color schemes are often perfectly opposite. Plenty of people have figured out if you palette swap Alhaitham and Kaveh, Dan Heng and Blade, and Ratio and Aventurine, you end up with the same colors. Ayato and Thoma match the pattern here too ("red and blue gays" is a well-known trope).

But once again, the devs pulled out ALL the stops for Phaidei:

They're red versus blue. They're sun and moon. They're outgoing versus introverted. They're a king and a peasant (if we believe what Phainon's telling us about Aedes Elysiae). They're the "outsider" and the "golden boy." One fights with strength and the other with technique, brains versus brawn (actually they're both kind of idiots though, so take this one lightly lol).

However, what I think is most interesting about Hoyo's pairs of MLM opposites that is that the devs deliberately subvert expectations by assigning the opposing traits to the "unexpected" character. In both Haikaveh and Ratiorine, it's the rational scholar who is more overtly caring and attuned to their partner's feelings. In Renheng, it's the kind-hearted Yingxing who is consumed by anger, while the aloof, expressionless Dan Heng's voice trembles in wonder at the mere mention of Yingxing's name.

For Phainon and Mydei, this inversion of opposite traits occurs with their personalities specifically. People expected Mydei to be a gruff, hot-headed, battle-hungry berserker with a sarcastic or arrogant personality at best.

Instead, Mydei is an extremely thoughtful person, who struggles with his fate not because of what will happen to himself but because of a desire to bring the greatest good to the greatest number of his people. He's a respectful, gentle (when he needs to be), and even sentimental young man who continues to hold on to love for those who have long passed away. He's reserved around strangers but generous and warm to his companions, and struggles to express himself but has a clear desire to be considerate of others.

We also know he's deeply aware of and emotionally affected by the racism his people are experiencing in Okhema; one NPC in Okhema reports how Mydei, despite being new to Okhema himself, stood up to the very council still plaguing Aglaea in order to protect his people:

Despite having difficulties expressing his own thoughts, he even scolds Phainon for approaching their farewell with a nonchalant expression--Mydei doesn't reject emotions or shy away from becoming close with people he cares for.

Instead, it's Phainon who actually struggles to be honest. While he might connect easily with others on the surface, seeming outgoing and kind-hearted, he is actually a much more private person, one who is reluctant to show his true feelings and dismissive of questions about his past and identity. As opposed to Mydei's desire to avoid Nikador's power, Phainon is (despite his doubts) eager to prove himself, spurned on by the pressure of the prophecy telling him he needs to achieve greatness. We're told that he craved the power of strife specifically, while Mydei summarily wishes to reject it.

It's Phainon who frequently has to be reined in by others--he was ready to kill Oronyx for delaying his rescue of Mydei--and Phainon who fails to let go of his hatred and desire for revenge, causing him to fail Nikador's trial, which Mydei easily clears.

By inverting the traits of the characters, creating designs which visually oppose each other while assigning the actual opposing personality traits to the "mismatched" character, the devs hammer home an implicit message: These two characters complete each other. They fill in each other's gaps. What you expected to find in one of these men, you will instead find in the other. What they wish to be, they will be drawn to in each other.

(Frequently bought together, do not separate!)

3. The Distance is Artificial

Okay, so if they're so obviously written as a "pair," being perfect equals and perfect opposites, how are they just "queer-coded" and not explicitly queer? How is Hoyo keeping up the illusion of the characters not being an obvious couple when they're literally written to complete each other?

Hoyo has one major tool in their arsenal to do this: Prickly personalities.

With the exception of Renheng, which I'll get to in a second, Hoyo has a favorite method for enforcing the rule of plausible deniability, the idea that "Nooo, we promise, they're not in love; they don't even like each other, see??"--and that's giving one of the characters an intractable personality.

This can manifest, like Alhaitham and Kaveh, as constant bickering, where the pair's main method of communication is to devolve into petty arguments or sarcastic quips.

Fans who support the ship can view this as an "old married couple" dynamic; but for those who do not support the ship and choose to insist that Hoyo isn't actually queer-coding their male characters, they can lean on these arguments as "proof" that the characters don't actually love each other.

A similar pattern was recently repeated with Sethos/Wanderer, with Wanderer's prickly personality being used to keep Sethos at bay.

By placing the characters at odds with each other through bickering, Hoyo introduces just enough doubt to make the "They're only friends/roommates, we promise" argument hold some water. This allows them to get--quite honestly--a lot of queer content past the censors and past homophobic audiences too.

We see them repeat this trope with Aventurine and Ratio in Star Rail, introducing the two characters as initially "at odds" with each other and trying to pass it off as Ratio despising Aventurine.

Even after revealing that they were plotting together, the game insists on introducing some lingering doubts, suggesting that Aventurine fears Ratio would actually betray him.

This creates the necessary "gray area," the gap that Hoyo can use to hide in--no, Aventurine doesn't trust Ratio at all, see? Maybe they don't even like each other? Who knows! The doubt doesn't exist because the story particularly needs it, but simply so that Hoyo has a shield to hide behind if people begin to question how close the two male characters are.

Even in comedic material, Hoyo intentionally keeps this "necessary distance" in order to allow themselves wiggle room. Is Ratio an enamored tsundere who can't spit his real feelings out, or does he actually think Aventurine is illogical, mediocre, and ridiculous? Was the "Keeping Up With Star Rail" video an example of Hoyo deliberately baiting by making Ratio flustered over Aventurine "on air," or is he being Aventurine's biggest hater in this clip?

It's just questionable enough that those players who hate MLM to interpret it as the latter, and provides just enough doubt to help Hoyo slip queer-coding under the radar. Those who want to see it will see, while it's written just vaguely enough that those who don't want to see it will not see it.

(That's the point Owlbert, that's the point.)

When in doubt, and when stuck with a pair of characters who aren't likely to bicker with words, Hoyo sometimes has to progress to the next level: making them actual enemies.

What's better for creating plausible deniability than one of them trying to kill the other? (They definitely were not fooling around in a past life. We promise.) In an ironic twist with Renheng in particular, the fandom seems to have somehow come to the (mistaken) consensus that Dan Feng and Yingxing were "confirmed canon" (truly, I see this stated everywhere; we love when reading comprehension fails in the right direction for once lol), leaving only Dan Heng/Blade as being of questionable "canonicity." However, this still works as far as Hoyo is concerned, because only Dan Heng and Blade are left on screen.

By insisting on their present inability to reconcile, Blade and Dan Heng are able to introduce just enough doubt into the equation to offset even significant ship tease for Dan Feng/Yingxing.

Enemies to lovers 150k+ slow burn, please look forward to it.

Okay, but back to Phaidei. At first, it seems like Phaidei is going to follow this pattern to a T: When Phainon first introduces Trailblazer to Mydei, the two seem to be at odds, bickering over how Mydei is choosing to confront the enemy. Mydei even calls Phainon out for an unintentionally insensitive statement (when Phainon demands to know why Mydei isn't "protecting the citizens," Mydei asks "Who are you implying is not a citizen here?" i.e., "Are you saying because I'm Kremnoan I don't count as a citizen?" You can see Phainon practically bite his tongue to take back his words.)

Also known as: Mydei experiences a microaggression.

Mydei's very first line directly to the Trailblazer is to insult Phainon's hospitality, and we know they definitely have plenty of silly insults to lob at each other while competing.

But this is actually where we see the first deviation from the pattern for Phaidei. Although there's a few cursory lines throughout their early dialogue, that's all there ever is--just cursory attempts at suggesting the two bicker and don't get along.

Within one scene, the "tension" present in their first meeting entirely devolves into purely playful banter, and it is clear by the time we finish 3.0 that Phainon and Mydei are actually very close and get along well, with virtually none of Haikaveh's biting comments, Blade and Dan Heng's violence, or Aventurine and Ratio's questions of loyalty. Phainon and Mydei took one look at the rest of Hoyoverse's MLM ships and said "How about we skip that will they-won't they?" lol.

But I'm not quite ready to talk about the places where Phaidei departs from the normal pattern yet, so I'll leave this point by just saying that Hoyo did start Phaidei on the same path as a majority of their other MLM ships, making a vague attempt at using their rivalry to suggest they wouldn't get along--thereby allowing for the alternative interpretation to quiet the haters (and the censors).

4. The (Physical) Distance is Non-Existent

Okay, but if Hoyo uses personalities to inject just enough distance into their queer-coded pairings to avoid crossing any boundaries, then what do they do to tantalize the audience, to make it seem like the characters might actually like each other?

They use body language!

First, just to reiterate a basic video game design principle: All animations and character placements have to be programmed by someone, and that means that all animations and the physical locations of characters in scenes are intentional. Nothing happens in cutscenes by accident.

Designers are constantly making a series of choices any time they have to put together a cutscene, and one of the key choices they have to make is how to express each character through their movements and their positions relative to other characters. (I've talked before, for example, about how Aventurine frequently turns his back on people, forcing their eyes to follow him throughout his cutscenes, taking physical control of the reactions of people around him.)

Hoyoverse games have somewhat standardized scene layouts for conversation cutscenes, with characters typically being placed at different distances from each other depending on their relationships. A majority of conversations happen from a generally cordial conversational distance, which means that any time characters cross this gap and close the distance, the dev team is intentionally sending the players a message.

Like, no one mistook what this was about, right?

Heterosexual jumpscare in my queer post; I'm sorry, I was just too tired to find a video with Lumine lol.

Repeating for good measure: Unless it is with a male playable main character (where the presence of the female main character is what lends the deniability), Hoyo legally cannot show their male characters engaging in physical contact that could be construed as romantic. Male characters can't hold hands; they can't even really hug unless it's "caught you as you fell after battle" (props to Dan Heng for being the only male character in Star Rail to get a "hug" with Jing Yuan lol.) There's a boundary that Hoyo male characters do not cross, and that's almost universally the realm of physical touch.

But Hoyo can place their queer-coded male characters into scenarios of physical closeness that they don't typically show among other characters.

Alhaitham and Kaveh's table says hello.

So does Tighnari and Cyno's single tent from this same quest; Cyno's Story 2, truly the quest that kept on giving.

Aventurine, a character who traditionally keeps half a room's distance between himself and the people he's talking to, suddenly doesn't seem to mind closing the distance with Ratio:

And even Renheng, the eternal enemies, are depicted as crossing physical boundaries, explicitly "getting in each other's faces." Yes it's a battle, but also, I've seen yaoi with less domineering poses lol.

You might think these lightcone examples are a stretch, but seriously: Go look at all the lightcones in the game. Does a single heterosexual couple have a lightcone where they are in each other's space in this manner? No, because physical closeness is actually a tool Hoyo is consistently using to queer-code. (Well, there would probably be more heterosexual closeness too if the incels weren't so weird...)

Anyway, when I saw the devs might be heading the direction of baiting Phaidei, I fully expected that we would see them side-by-side more consistently and with less of a gap between them than between other characters. But I wasn't remotely ready for the degree to which Hoyo would take that.

Here is an example of Phaidei exhibiting the "normal" Star Rail conversational distance:

Andddd... here's where they spend the other 90% of their scenes together:

The unnecessarily large distance between them and the Trailblazer gets me every time. Like they are not leaving room for Jesus Kephale.

Even when they aren't standing practically on top of each other, the devs deliberately choose camera angles that frame them both in the cutscene at the same time, which is relatively rare for Star Rail (not unheard of, but usually the camera will just go for the "first person POV" when two people are speaking, allowing for a close up of the speaking character). Instead of back-and-forth close ups, many of Mydei and Phainon's conversations are framed from a "behind-the-shoulder" angle, to catch them both in the frame. This creates the illusion that they're standing closer together than they are, and also reinforces a sense of intimacy in their conversations--the camera (and thus the player) becomes an "outsider" while their bodies turn toward each other.

Again, Hoyoverse is under pressure to avoid showing physical contact between male characters that could be construed romantically. They can't show Mydei and Phainon tangoing like Black Swan and Acheron. When it comes to queer-coding male characters, they have to use the tools available to them, and their primary tool for visually signifying the possibility of romantic closeness is physical closeness.

The camera is telling you that Mydei and Phainon are close.

Anyway, just one more point I wanted to make before moving on to discussing how Phaidei completely crushed the mold for Hoyoverse queer-coding, but...

5. Oh God, We're Turning Into Your Parents

Listen, I'm a reasonable person. I can fully accept that I play games with LGBT+ goggles on at all times. Despite being fantastically aroace myself, I love yaoi. I love yuri. I even like plenty of straight ships. I'm a fangirl first, academic second, so believe me when I say that I understand how skeptics might view some of the points above. "You're just fangirling. Being equals and opposites doesn't automatically imply romance. The devs might have intended close friendship, not a relationship." This counter-argument is valid!

So I want to end with one more point which I think is actually the lynch pin to proving that Hoyoverse isn't "accidentally" making their male characters come across as queer. Hoyo's queer-coding for certain ships is very intentional and even sometimes very overt. In a few cases prior to Phaidei, they were already skirting the upper limits of plausible deniability, and I think the modern ship that previously pushed the boundary the most is Haikaveh.

You can say what you want about other Hoyo MLM ships and their lack of canon textual support (I love you ZhongChi, even if the devs actually hate you lol), but I believe people who unironically say "The devs are not baiting Alhaitham and Kaveh as a ship" are so media illiterate that it's actually embarrassing to share air with them. Whether you think the devs are just doing it to cash in on yaoi fangirls or because they actually want to depict gay characters, it is indisputable at this point that Alhaitham and Kaveh have in-game ship tease. They just do, and one of the most obvious and unmistakable instances of this is when Kaveh's hangout paralleled Kaveh's relationship with Alhaitham to the heterosexual marriage between Kaveh's mother and father.

To draw a direct connection between Kaveh's father and Alhaitham, who is repeatedly described as not being able to understand Kaveh's artistic sensibilities and idealistic world view but nevertheless chooses to stay by Kaveh's side through his many troubles, while simultaneously reinforcing the idea that Kaveh is his mother's spitting image, both physically and emotionally, can really not be interpreted in any other way.

Hoyoverse took a queer relationship and made a one-for-one analogy to a heterosexual relationship--Alhaitham and Kaveh are a direct reflection of Kaveh's very married parents.

This isn't something that can happen on accident. This is deliberate and unmistakable queer-coding.

Which makes it absolutely wild that it happened twice.

I've posted already about the obvious parallels between Mydei's parents and Phaidei, and I'm actually almost out of room for new images here, so I can't post the images again, but I hardly need to at this point: Mydei's parents met when Gorgo challenged Eurypon at the Kremnos Festival. They fought for ten rounds, determined that they were (what do you know) perfect equals, and Eurypon proposed on the spot. Eurypon is explicitly described as a swordmaster, while Gorgo used a spear.

Later, the game repeatedly (and in various separate instances), emphasizes that Mydei and Phainon's first meeting consisted of a duel lasting ten days and ten nights, where neither of them could secure the victory, proving them to also be each other's perfect equals. Phainon's role as Okhema's swordmaster is emphasized, while Mydei wields a spear just like his mother when killing his father and after taking on Nikador's divinity.

Then there's... everything that came after. Eurypon betrayed Gorgo, effectively stabbing her in the back, and took her life. The foreshadowing that Phainon will do this exact same thing to Mydei is unmissable.

Phainon has even expressed an explicit desire to take part in the same competition where Mydei's father crowned the winner his wife:

In the (very limited) Kremnoan dictionary, I'm pretty sure this is how you say "I'm down to fuck."

Just as in the case with Haikaveh, there is no way that this parallel could have occurred by accident. The devs did not go out of their way to give us entire flashbacks of Gorgo and Eurypon's meeting and downfall for no reason. You're supposed to see the one-for-one connection between Mydei's very heterosexual, married parents and Phainon and Mydei's relationship.

Simultaneously, the devs also parallel their MLM ships to heterosexual relations by incorporating shades of domesticity normally reserved for "traditional" male-female relationships into their MLM ships--including levels of domesticity that heterosexual ships in Genshin and Star Rail usually don't rise to. One of Genshin's most popular MLM ships shares a single-family home and has a chore chart. Thoma is Ayato's housekeeper. Tighnari and Cyno are just flat-out joint raising a child. Jiaoqiu cooks and Moze cleans. Yingxing and Dan Feng accidentally(?) made a baby.

And Phainon and Mydei aren't any exception. They live an apocalyptic world that is constantly calling them away to battle, but the devs went out of their way to tell us Mydei is an extremely good cook who prepares everyone's food and deliberately ruins Phainon's when he's annoying, which is definitely old married couple behavior lol. Mydei is framed repeatedly as being good with children, not just in the distant fatherly way but in the "plays house" and follows-along-after-unaccompanied-kids-like-a-mother-hen way. Yet when Mydei has to leave, taking the classic "I'm going off to war" ancient Greek exit, he doesn't depart without leaving Phainon his people--with the camera panning specifically to the little Kremnoans. Phainon got the kids in the divorce. D; The tragic domesticity is already off the charts, and then they hit you the second punch when Mydei's last question (just one or two lines later) confirms that it was Phainon who got the ring for him. Hoyo couldn't actually have given us a more heavy-handed "parting husband and wife" parallel if someone held them at gunpoint. That whole thing was some Odyssey level bullshit. I see you devs, I see you.

You might be tempted to say that is just heteronormativity, which it could be, but I actually think it serves a very specific place in Hoyo's queer-coding repertoire. In comparing gay relationships to heterosexual marriages, the devs effectively "legitimize" their queer characters, suggesting that the relationships between gay male characters are no less real or valid than those between men and women. In demonstrating that male characters can achieve stable and healthy domestic lives with each other, the devs reiterate that players are not supposed to notice a difference between gay and heterosexual relationships.

There isn't any clearer way for Hoyoverse to legally say "We want you to think of these two men as romantic partners" than to say "Wow, isn't it interesting that their relationship is identical to a married couple's." It's on purpose; at this point, you really can't say the queer-coding isn't deliberate without looking like you can't read, and if it was intentional when Haikaveh paralleled Kaveh's parents, then it was doubly so the second time Hoyoverse pulled this trick to parallel Phaidei to Mydei's parents.

PHEW! Okay, I finally made it through the foundational traits for Hoyoverse MLM ship-bait and where Phaidei fits in with those. Thanks for coming to my Ted Talk! 😂

But... the whole reason I started this post was actually because I wanted to talk about differences between Phaidei and other Hoyoverse MLM ships, and particularly how bold Hoyo actually was in 3.1, pushing the envelop to an extreme degree to ship-tease Phainon and Mydei.

So, since the post was way, way too long, I've spit the rest of my point off into a second post.

Check out Part 2 over here. ->

[bedheaded-league]

One thing that so many people get wrong about Holmes is saying that he’s anti-social and bad with people. He’s awkward, of course, in a very classically autistic way, but when it comes down to it, he’s actually pretty good with people a lot of the time. How do we know this? He has a shocking number of acquaintances who are fiercely loyal to him.

There’s Watson, obviously, but then there are the Baker Street Irregulars, who are clearly in it for more than the pay he gives them - they always seem delighted to help him. Across various stories, Watson runs into a number of people who do whatever he wants as soon as he so much as mentions Holmes’ name. Many of their cases could only be solved because Holmes has a network of convenient people who will do basically anything for him. We don’t know what Holmes did to earn such loyalty, but we can guess - he helped them. He was kind to them. We know that he is often much kinder to the outcasts and downtrodden of society than anyone expects him to be, because we see it in his behavior.

I think that this really ties in so neatly with Holmes being both autistic and queer (however you choose to read his queerness). He doesn’t care about the rules of “polite” society, so he often insults people who consider themselves his superiors. But he is always kind to those who aren’t used to receiving kindness from the world, because he knows what that feels like. That’s why the Irregulars love working for him - he makes them feel important! Honorable! Invaluable to his heroic work! He treats them with respect that no one else in the world gives them, and it’s not just because he’s trying to get something out of them. He actually respects them.

And above all, we know that he isn’t antisocial or bad with people, because Watson loves him so much. Watson, who is by all means a much more well-adjusted member of society, is more loyal to this weird little man than he is to his own country, which he literally got shot fighting for. Because Holmes has earned his love and loyalty. Because he’s a good person. And even if he’s bad at the official rules of polite society, he’s good at being kind. And that’s what really matters.

[jellykyunnie]

Helloooo :3. I wanna know how Jin Woo deals with S/O who got bullied in high school because of her face and always feels insecure because of that. And also isolates and distances herself whenever people hurt her feelings. Requesting headcanons and one shot if u r free of course! :0

˗ˏˋ Entry : 061 - Sung Jinwoo x Bullied! Fem! Reader ◛⑅·˚ ♡ ˎˊ˗

ₓ˚. ୭ ˚○◦˚ 𝕊𝕦𝕟𝕘 𝕁𝕚𝕟𝕨𝕠𝕠 ˚◦○˚ ୧ .˚ₓ

[ BULLYING. Heavy depictions of depression, anxiety, body/face dysmorphia, avoidance of mirrors, idealization of self-harm/mutilation. I've been a victim of bullying so this is quite personal. Fluff Ending]

╰┈➤ ❝ [ When the flower wilts first instead of blooming ] ¡! ❞

Pretty privilege.

Even if you're a child, you know it's a thing. Of course, you can't quite pinpoint why you're being treaed the way you are. But there is that weird inkling that something is going terribly wrong.

The boys in class often snicker at you, making fun of you for no reason in front of your oblivious face. You can tell there is some sort of mockery coming from them and that they treat other girls in class quite differently.

With the other girls, they are respectful and even trying to suck up with them? With you? They're actively snorting and getting off on making you miserably.

It's the little things they say that slowly degraded your poor mind over time.

"Your smile is weird"

"Your cheeks are too fat"

"Hey, can you quit laughing for a bit? You look ugly as hell hahah"

"It's the freak"

With the girls? Oh it gets worse.

They wont shut up about how your features are grotesque and even downright disgusting.

That's odd, you just wanted to be friends with everyone, yet here you are being the center of ridicule— Being pushed out of every single chance to make genuine connection just because they didn't like the way you look.

Well.. It isn't too bad.

There's a boy in class who befriended you. He listened to every story you have and he even laughs at the jokes you make even if you have picked them up from everybody else. If you mimic the popular kids, everyone will like you more right?...

Right?

However that same boy you thought was your friend had been secretly mocking you with his popular friends. He had been making fun of you no matter how kind and outgoing you were with him.

From then on? You started to slowly isolate yourself from everyone.

But somehow, the bullying only got worse.

It was to the point that everyone laughs at you during class and teasing you whenever you try to participate in class. They make wild noises whenever it's your turn to report.

Everyone, everyone just wont stop hurting you.

How about the adults? Surely they will help?

"... Just, try to ignore them, yeah?" — Was the reply the adults with give.

That's funny, shouldn't teachers be taking your side? You're the one who is being wronged here. You're the one who is getting the cruel end of these so called jokes.

Why is everyone making fun of you?

Even outside of the classroom and in the schoolbus— The kids younger and older than you are all a bunch of jerks who gaslight you everytime you try to be friendly with them.

One day, you decided to please everyone and sit on the floor because the pretty girls and the boys deserve it. The reward of your obedience?

Water gets poured on the top of your head and they all cackle in joy.

You went home soaking that day, sobbing miserably as your bag's contents are also drowning in water. Of course, your family confronted the school.

But the solution? Somehow eveything goes fucking downhill even more.

You're pushed out of all social circles. You're considered a goddamn freak.

And thus, the once bubbly and outgoing you had been stripped down to an anti-social and anxious loser that everyone despises. Anyone who comes across you would look at you with either pity or ridicule.

In the end? It doesn't matter anymore.

At some point, you completely gave up on trying to be friends with anyone and chose to keep to yourself. Maybe you had a few they all left overtime.

So you chose to just... Keep to yourself. What better is there to protect your already battered heart than to make sure nobody dares come close?

If being alone is what it takes to finally have the peace you've been longing for and can avoid all sense of harm— Then so be it.

Alone may you be, but at least you're happy.

꒰ .... ꒱

Meeting you is quite odd for Jinwoo so to speak. Of course, he is well aware of anti-social people who actively avoid any sort of interaction. Even small talk is considered a pure living nightmare to go through.

He tried being friendly with you and Jinwoo can tell no matter how polite and meek you are— You are actively trying to escape the conversation and find ways to shut it off.

Well, he could always leave you alone. But somehow he didn't want to. So even if you were uncomfortable, Jinwoo always attempted to be friends with you.

Slowly, he would notice the little things about you.

Such as your hair being grown in a way that obscures your little face, how you're dressed in thick clothes just to hide your body, how you're always choosing to stand alone in a corner where there is a least amount of students.

He knew of that fact that you're making yourself more and more invisible to everyone else by doing this. And he had an inkling something has gone terribly wrong for you to be this willing to isolate yourself.

Even when he managed to make you warm up to him, he knew you were desperate in making sure you don't offend him in any sort of way. He can see that way your demeanour would change if his tone shifts to a lazier and deeper sound out of nowhere.

You're studying his every movement.

Just like he is studying you.

꒰ .... ꒱

One day, he managed to convince you to come with him to go to the mall. Everything is currently boring and dull for him since there isn't much to do on the last week of the semester thanks to both of you handing everything on time. The only reason why school is still ongoing are for those students that are on the path of repeating the grade.

Everything was going well until you find yourself staring at your own reflection in a mirror.

How grotesque.

Those godforsaken awful cheeks you have, the shape of your eyes being so infuriating to look at, how pathetically built you are, how overall unappealing your appearance were.

If you could just run your cutters all of your fucking face maybe you'd be fixed.

This is why you hated mirrors so much.

They remind you of the disgustingly horrid image you have. Mirrors have a talent of showing the god awful being one is.

Because they don't lie.

These objects are made to reflect the person facing them. Despite being mouthless beings, you always had a feeling these fucking things are mocking you just for existing yourself.

Maybe you should scratch your cheek? That way you can shape them down even more—

"Don't look there." A soft, gentle deep voice calls out as a hand stretched out to block your line of sight towards the mirror.

When you look up, you are only met with a pair of kind grey orbs gazing at you as he says; "How about we go to the park instead?"

Jinwoo then moves his hand to grasp yours, squeezing it a little before guiding you out of the place.

꒰ .... ꒱

The walk in the empty park is silent and awkard, your footsteps being the only source of noise as you trail behind Jinwoo's tall and broad back.

"Sorry..." You say, lowering your head as you paused in your steps. "I ruined your shopping day."

"I was getting bored anyway, it's fine" He shrugs, waving his hand dismissively.

"Still," You purse your lips, feeling even more awful since you know Jinwoo is just being kind to you.

"You're always working hard to not make me mad, it wouldn't hurt to be a bit mean sometimes" Jinwoo reaches over to mess up your head.

"You... Are very aware of what I did before, yet you're still nice to me?"

Ah yes, that story, that story where you sent a kid limping in the hallways leaving a trail of blood from his bleeding nose. He finds it a little funny that you think you would scare him, the same bastard who put monarchs at their graves and sending god's army packing when they tried to pull another bullshit in his regression.

Still, it is awfully cute of you in his mind.

"I don't know what they did to you, or what they said that you're this anxious and afraid of ever offending me— But I only care about making you happy." He then becomes a bit flustered as he realized his own words. "W-well, I mean, hahah... That sounds so bad, I just,... Er... You're pretty cute when you smile so—"

Jinwoo stopped talking as he feels you suddenly throwing your arms around him.

"Hey..." He sighs, rubbing your back gently as he feels your tears soaking up his hoodie.

Being called cute by someone like him feels unreal, but somehow you can tell he isn't lying or just saying it to say something. Jinwoo for one has never lied to you, sure, he keeps things to himself most of the time. But he never lied.

So it's okay to trust him, right? it's okay to give him your heart even for just a little bit? With him, it feels like you;re healing a part of yourself that got broken overtime due to the bullying and isolation you had to put yourself through just so you can make sure no one can hurt you ever.

Jinwoo could only cradle you, sighing deeply as his rough fingers card through your strands affectionately. He should've reached out sooner.

Just from the raw, unfiltered and broken sobs that you are emitting— He can tell your cries are an amalgamation of sorrow, pain and loneliness that has long been brewing throughout the years of no solace.

"Joonwoo, Ae-yeong, Hajoon, Beom-shik, Eun-ae" He starts listing a bunch of names and ten other more.

Names familiar to you.

"Those are their names, right?" Jinwoo asks softly, receiving a soft nod from you.

He keeps your head firmly pressed against his shoulder as his face contorts that of pure malice. The undead soldiers hiding inside his shadows stir and whine a bit as they sense their master's temper coming to a close boiling point.

"I hope they enjoyed their sleep these past few days, a hellscape nightmares will be coming their way after all."

꒰ 🪼 A/N: I could've been more graphic but I chose to be merciful and choose this. There's more but ehnnn,,, I wanna play hollow knight immed rn<33. To everyone who is suffering from ptsd and body dysmorphia please know you are beautiful and perfect just the way you are. It'll take a long while to heal but you're not alone and never should be. Please surround yourself with happiness and cute things. ꒱

ʚ(੭´͈ ᐜ `͈)੭ .｡✧: ~♡ —! stories written by kyunnie; translations, reposts, plagiarism are strictly forbidden.

[sexlapis]

actor! toji fushiguro thoughts 💭

actor toji would be one of those hot dilf actors that women would always be drooling over, edits of him always popping up on your fyp, the most outta pocket comments underneath all of his insta posts, he would be the number 1 dilf for all the old man fuckers.

toji rarely posts on social media. he’s at that age where he just does not care to post his whole life online, but that only attracts people to him more because he is so mysterious. he would have like 10 million followers and only follow 12 people (including you)

toji would probably be one of those actors that have no variety in their roles, but everybody would still eat it up anyways. toji as an actor would typically play a villain/antagonist or an anti-hero, typically in an action movie/series and he plays them well. toji can embody an intimidating, frightening, intelligent villain very well. he could be cast as one of the most horrendous, horrible villains and be a menace towards the main cast but because he looks like that, he is forgiven.

but there are those rare times toji is casted as a father or father figure and his character would do anything for their daughter and everyone just loses it. he plays the father role well, almost too well. he is so caring, protective and sweet towards the actress playing as his daughter, even behind the scene clips with one another, he is just so gentle and dreamy. the fans cannot handle it!

during interviews, toji can be charming. he cracks jokes and he answers questions honestly, even if they make him look unprofessional. he really does not give a fuck about that, which only makes him even more attractive. he’s a little sleazy sometimes, but that just adds to his lazy effortless appeal.

he just has such a dominant personality and not in a bad way either. like if an interviewer asked a question that made a cast member uncomfortable, he would smoothly change the subject and the mood, making everyone forget about it entirely. also, his stare is really intense…like when the interviewer or a fellow cast member is speaking, he makes sure to look at them and listen really closely, not even realising how intimidating that could be 😭

despite his unprofessional personality and wealthy background, people who work with toji cannot say anything bad about him. he is a great actor with great work ethic and is always respectful to his cast members. and most of all, he is humble. due to his background and accomplishments, other actors on set expect him to be all flashy and all head in the clouds, but toji isn’t like that. toji is very aware and down to earth and he doesn’t see himself as superior because of his wealth. he sees what that power does to some people (his family) and he wants nothing not do with it.

overall, for the most part, toji is a respected actor, with a loyal (albeit crazy) fanbase, he actually enjoys his job and lives a relatively private and quiet life. people barely know anything despite his wealth and fame and prefers to keep it that way.

a/n: this was inspired by jeffrey dean morgan lmao. also i’m thinking of maybe doing a mini one shot with actress reader x actor toji in the form of one of those youtube videos like “(reader) & toji fushiguro being a couple for 10 minutes straight” i think that would be fun 🤭🤭

edit: toji & reader being a couple for 10 minutes straight is here <3

[princessbrunette]

Rewatching season one and thinking about the scene where Wheezie walks in and Rafe quickly flips over his innapropriate magazine out of respect. Imagine him doing the same for deer!reader but because he doesn’t want to taint her innocence

waaaait why are you kind of a genius 🙂‍↕️ i see this as neighbour!rafe with deer!reader and it’s not because he doesn’t wanna taint her innocence, it’s kind of just a knee jerk reaction because he doesn’t want the hot neighbour to see his porn magazines 😒

you come skipping over, rafe barely noticing until you’re virtually right infront of him due to the marijuana clouding his brain. his hand shoots out, flipping the magazines before running a bashful hand through his floppy hair.

“wha’s that?” you hum before you even get to greet him.

“dont worry, alright - why’re you over here anyway?” he drawls, inwardly wondering why his first reaction was to be rude to you. perhaps he’s simply irritated that he got caught.

“was looking for my parents because they’re not home. thought they might be here.” you shrug one shoulder, and he nods slowly, taking a huff from his bong. you stare over the porch, looking into the distance to see if you could see them, or anyone for that matter — as you weren’t so keen on being caught with rafe whilst he’s smoking weed. it didn’t really go with your image.

“y’want some? or….” he coughs, and you turn to blink at him.

“oh, um…” you swallow, overthinking the whole thing. you knew you’d sound deathly uncool. “i don’t smoke.”

rafe wets his lips, nodding exaggeratedly as if to silently say ‘of course.’ before putting it aside. “yeah, uh… good. shits bad for you. you— you know drugs in general just fuck everything up. they ruin lives, man they — they just take everything…i mean, shit.” he rants, growing increasingly more irritated with seemingly no one by the second. at the end of his mini rage, he slams his fist into the soft arm of the porch seat he reclines on, making you widen your eyes slightly.

“yes… that’s what they told us during the anti drug assemblies at school.” you converse, awkwardly wiping your hands down the sides of your plaid dress. you knew rafe enough now to not be so deathly shy, but that didn’t rid you of your social anxiety.

“hah…yeah. shit, i forget we went to the same school. i probably walked right by you, huh.” he calms almost immediately, in the stereotypical unpredictable rafe cameron way. he did walk right past you. many times. you nod, saying nothing at all as to not give yourself away before craning to look behind you at your exit.

“okay. well… if my parents aren’t here i should head home. they’ll probably be there soon anyway.” you glance at your shoes as rafe stands, nodding casually.

“yeah…yeah.”

you go to walk down the porch steps, but stop— feeling a wave of bravery, and turn to look at him over your shoulder, adjusting the tote bag that hangs from it. “oh… and you shouldn’t read those pornographic magazines. they’re objectifying and damaging to women.” you try to hold your chin high, but feel your face get hot. he leans against the porch balcony, seemingly unbothered as you continue walking away.

“yeah well the women in these magazines are gettin’ paid a shit tonne of money so i wouldn’t worry ‘bout them alright?” he calls out carelessly as you disappear away further, before turning his back and sighing, hand coming up to scratch the back of his neck. “shhhit.” he whispers, to no one but himself.

[princesssarisa]

As I've read different people's views on Little Women, I've realized that for different readers, it's a fundamentally different book.

When I see someone describe the "universal" experiences of identifying with Jo, wanting her to marry Laurie, and disliking Amy, I remember all the proof I've seen that these are far from universal. The latter two weren't even my experiences: identifying with Jo, yes, but shipping her with Laurie and disliking Amy, no!

Even people with equal amounts of knowledge of the historical context and of Louisa May Alcott's life seem to come away with vastly different feelings about the story and characters.

I suppose there are a wide variety of reasons for this. First and foremost, which of the four March sisters you personally admire or relate to the most. Then there are other factors like your gender, your age when you first read the book, your relationship (good or bad) with traditional femininity, whether you read Parts I and II as a single novel or as Little Women and Good Wives, your relationships with your own family members, your religion and ethical values...

The list goes on.

That post from @theevilanonblog that I reblogged recently about the different interpretations of Frankenstein makes me want to write out a similar list of ten different views I've read of Little Women. Here it is:

Little Women is about the March sisters learning to be proper virtuous women of their time and place. With Marmee as their role model (a role later shared by Beth as she becomes increasingly angelic in her illness), they learn to conquer their flaws, give up their wild ambitions, and settle down as good wives and mothers. This is especially true for Jo, whose character arc is a slow taming from a rough tomboy to a gentle nurturer. It's a conformist and anti-feminist message, which Alcott probably disliked, but she wrote it to cater to public tastes. (This reading seems mainly to come from critics who dislike the book.)

Little Women is about Jo's struggle to stay true to herself in a world that wants to change her. She struggles with whether to stay a tomboy or become a proper lady, whether or not to marry Laurie despite not loving him romantically, and as an author, whether to write what she wants, write what earns the most money, or give up her writing altogether. In the end, she changes only in ways that make her happy, e.g. by learning to control her temper, and later by embracing romantic love. But in more important ways, she stays true to herself: always remaining slightly rugged, clumsy and "masculine," finding success as a writer, and marrying Friedrich, a man just as plain and "unromantic" as herself, but whom she loves and who respects her as an equal.

Little Women is about learning to "live for others." That phrase is used often and could well be the arc words. Beth is the only March sister to whom a selfless life comes naturally, but the other three master it by the end of the story (as does Laurie). They learn to conquer their moments of pettiness and selfishness, to live in better harmony with each other and with their friends and love interests, and to give up their self-centered dreams of fame and wealth, building lives that focus on service instead.

Little Women is about growing up. The first half is mainly about the March girls' maturing by surviving hard times and learning to be better people, while the second half is about reaching adulthood and bittersweetly parting ways to start new lives. At the beginning, Jo is a girl who doesn't want to grow up: she wants to always be a wild young tomboy with her family (and Laurie) by her side forever. But of course, she can't stop time or womanhood, and is eventually forced to accept the loss of Meg, Amy, and Laurie to marriage and Beth to death. After grieving for a while, she lets go of her old life and willingly builds a new one with Friedrich.

Little Women is about family bonds and the fear of losing them. We meet and become attached to the wonderfully close, cozy March family, which gradually expands through friendships, marriage, and new babies. But throughout the story, the family is in danger of breaking apart, whether due to conflict (Jo and Amy's sibling rivalry, Meg and John's marital problems), or separation by distance (Father going away to war, Amy going to Europe, Jo to New York), or death (the danger of losing Father and Beth in Part I, and the ultimate loss of Beth in Part II). But in the end – unlike in reading #4 above – the family doesn't break apart and never will. Conflicts are resolved, travelers eventually come home, the surviving family members always live near each other and stay as close as ever, and even Beth isn't really gone, because her memory and influence live on.

Little Women is about femininity and each March sister's relationship with it. Meg and Amy happily conform in different ways: Meg to "domestic femininity" as a housewife, Amy to "ornamental femininity" as a society lady. Beth pressures herself to conform to self-effacing domestic femininity, until sadly, it kills her – either because she's too selfless and nurturing when she cares for the fever-infected Hummels, or because she has anorexia, as Lizzie Alcott might have had. But Jo strikes a successful balance in the end, conforming just enough to fit into society, but only on her own terms, and otherwise living a happily unconventional life as a writer and schoolmistress.

Little Women is about Jo's unlearning of internalized misogyny. At the beginning, she's a "Not Like Other Girls" tomboy, who wishes she were male, disdains feminine girls (especially her sister Amy), doesn't care enough when "her boy" Laurie behaves badly toward women, and is afraid to be vulnerable. But gradually, and without losing her strength of character, she learns to embrace the sweeter and more tender aspects of herself, sees that Amy's ladylike manners have practical benefits, and learns to say "no" to Laurie when he turns his childish, unhealthy romantic attentions to her. Then after Beth dies, she realizes how precious Beth's utterly domestic, feminine life was, and embraces a more domestic life herself. Yet by doing so, she becomes a true feminist, as she enters an egalitarian marriage and devotes her life to teaching boys to be good, respectful men.

Little Women is only what US Americans know as the first half. It's just about the March sisters getting by and learning moral lessons over the course of the year their father is away at war. Nobody gets married and nobody dies. Everything else is in Good Wives, which is a sequel with different character arcs and different themes, and which should be published separately, as it originally was and still is outside the US. Trying to tie them together into one narrative never feels quite right.

Little Women is Alcott's idealized version of her own life and family, where no one suffers quite as much as they did in real life, everyone is slightly less flawed, and Jo ends up happily married to a man very much like Alcott's lost love Henry David Thoreau. She wrote the life she wished she had.

Little Women is just a semi-autobiographical slice-of-life that Alcott wrote quickly for money.

Which is the truest to Alcott's intent? I don't know. But while some of these readings I like better than others – and some of them I despise – I'd say they're all understandable and reasonably valid. Some aren't even mutually exclusive, but can be used together... although of course, other readings are mutually exclusive, like whether the story is feminist or anti-feminist, or whether the March family ultimately breaks apart or holds together. And they're all worth using as springboards for discussion.

Alcott wrote more books than she ever realized she did, because Little Women can be many different books to different people.

@littlewomenpodcast, @joandfriedrich, @thatscarletflycatcher, @fictionadventurer, @fandomsarefamily1966