#I just think ab him a lot

[nightcorecarseatheadrest]

The one that got away

[thou-babbling-brook]

I think both TURN: Washington’s Spies and Assassin’s Creed III could’ve been cut in half if these three were allowed to be the trio they were destined to be

[dendroaspis-viridis]

I'm begging you, BioWare... Learn from the mistakes of Baldur's Gates past...

[mollypaup]

i think a really great aspect of oofuri is how much it gets mihashi's ass for being overly timid and dependent. it would be really easy to write off the way he and abe interact as being abe's fault because he is overbearing, and a lot of people do, but it has some really great moments of going "hey, you cannot hide behind abe or depend on him to make every decision. it's not good for you, or him, or the team."

[clowningcrows]

hot take i guess but when i watch the scene with billy and agatha where she finds out for sure he’s billy maximoff and starts tearing up, i perceive it as being bc she’s still a bit (read: significantly) heartbroken that he isn’t nicky. he isn’t hers. sure, she might’ve known from the beginning to some degree that he was wanda’s, but she doesn’t know for sure. we see that every time she panics because he’s hurt. we see that in the way she refused to leave his side when he was asleep. we see that when rio herself has to shake agatha out of it, saying, “agatha… that boy isn’t yours.” like YES logically i think she knew he wasn’t nicky, that he couldn’t be but we CAN see how painfully, hopelessly desperate agatha is to think that maybe he could be. so in my mind, she sees billy maximoff standing in front of her, finally being met with indisputable proof that he could not possibly be her lost son. how could she not tear up at that?

[tiredandoptimistic]

Fresh off a rewatch of Geothermal Escapism and feeling emotions (this turned into an overlong Troy Barnes analysis post and I'm inviting you on the journey)

The thing that really sticks with me, especially when you consider the rest of season five (and also the show as a whole), is how truly I'm convinced that Troy did need to go on that voyage. He went from a guy who wore his letterman jacket to college and bragged about being prom king, to somebody who was unapologetically himself and content with being judged for it. Despite all this growth, Troy still wasn't his own person; not entirely.

I keep thinking about the bit in Repilot, where Jeff argues that Troy's life was ruined by Greendale because he now revolves entirely around "another man." Putting aside the blatant homophobia, Jeff is kinda right. When asked what he's doing with his life, Troy excitedly talks about what Abed is up to. Now, there's nothing wrong with being supportive and it's clear that Troy feels content with putting Abed's goals first, but it is concerning when you think in context of his arc. In season three, there was the pillow and blanket war as an extension of Troy's frustration with always being the sidekick. Even though they work through a lot of their issues and have an honest discussion about how Abed never saw Troy as lesser, there's still clearly some level of fear that one day he will. We see this in season four, during Inspecticon, when Troy is genuinely afraid that Abed will leave him for someone who (in Troy's mind) is a better match for his intellect. Once again Abed proves that he wouldn't want anybody else, but that's not the end of it. By the start of season five it's great that Troy is comfortable playing support to Abed's goals, but he still hasn't fully resolved the base issues. Yes, he's confident in his worth as a supporter rather than a leader, but he's still never figured out who he is alone.

Looking back at Troy's season one characterization, it's clear that his main struggle as a person is not knowing who he is or what he wants. He defines himself entirely as a quarterback and prom king, even when it's clear that nobody else actually takes that seriously. Even Annie, who knew Troy as the untouchable king of the popular kids and is seriously crushing on him (in a comphet way but that's another post), sees his jock identity as something that's holding him back. In the pilot, Troy has a chat with Jeff about his letterman jacket; expressing how insecure all the jokes make him. It's clear from this that he has no confidence in his own identity. He wears the letterman jacket because he's Troy The Quarterback, doesn't know how to handle that being seen as a bad thing, and goes to Jeff for advice because he needs someone else to tell him what version of himself to become. Whatever choice Troy makes for how to dress, it's about finding the quickest way to balance likeability with the illusion of his own convictions. Like Jeff tells him, "either way, it's for them."

Throughout season one, Troy struggles with his own identity through his friendships with the entire study group, most notably Abed. Despite his meathead persona, Troy's silly side starts to come out in the very second episode, when he and Abed do their iconic Spanish rap during the end card. After that, we see their friendship gradually develop through these short comedic bits. During this time, in "Football, Feminism, and You," we see Troy caught in a conflict between Jeff (who wants him to go back to football) and Annie (who wants him to become more academic). In the end, Jeff and Annie both feel bad for trying to warp Troy to fit thier ideals, and Troy settles on playing football purely because he enjoys the game. After that, Troy and Abed's friendship finally comes out of the end cards and into the show itself. The example I wanna talk about is "Environmental Science," when Troy is once again forced to choose between what he wants to do and how he wants to be seen. At the start of the episode, he embarrases himself in front of his science class by freaking out from fear of Fievel the rat. For the rest of the episode, Troy is unwilling to commit to helping Abed find Fievel by singing their romantic duet because he's already admitted weakness and that highlights his insecurities. He's been getting more comfortable goofing off with Abed, but suddenly he feels all the ways in which his expressions of his actual personality have opened him up to ridicule. Of course the episode ends with Troy joining Abed in their duet to save Fievel, and he even faces his fear of touching the rat to get him back to his cage. From that point onwards, Troy and Abed's friendship is more or less firmly established. I could go into all the ups and downs, but this post is long as hell already and I've still got more to say.

During seasons two and three, Troy almost entirely gives up the tough guy act and accepts that he's a big softie who thinks Abed is the coolest guy in the world for being so unapologetically himself at all times. He's always denied his interests for the sake of appearing likeable and tough, so meeting Abed and seeing that it's possible to be happy and loved a weirdo who never pretends to be anything else is kinda groundbreaking for him. He still has his ups and downs (like when he ditches their matching costumes for the sake of attracting girls in "Epidemiology"), but for the most part he's found a comfortable new role as Abed's Best Friend. Hell, during Shirley's wedding in "Urban Matrimony and the Sandwich Arts," Troy is the one who decides it's not worth trying to be normal when they can be themselves. In "Early 21st Century Romanticism," Troy gives up a date with a girl (something he supposedly really wants) because she won't accept Abed's weirdness. What I'm getting at here is that Troy has given up his high school identity and adopted a new one, but that brings with it some of the same old problems.

By the time season five rolls around, Troy is not an individual. He is one half of a pair: TroyandAbed. This isn't an inherently bad thing; we are a communal species and it's normal and healthy to embrace the fact that you can't function independantly of others. The problem is that he transitioned so smoothly from Prom King Troy to Abed's Best Friend Troy that he never had time in the middle as just Troy. It's wonderful that Abed helped Troy discover one way to express himself and be genuinely happy, but he still only really learned how to do that on Abed's terms. The only thing we see Troy do without Abed is build a blanket fort, which is still fundamentally about Abed. He also dates Britta, but that feels more like Troy trying to prove that he can have an adult relationship and Britta trying to prove that she can stay with a guy who isn't the fucking worst (I love you Britta but your taste in men is rancid). It's clear that both of them are more in love with the idea of a stable relationship than with each other. For their entire relationship Troy is more invested in Abed and Britta is fine with that. He may be sleeping in a separate bedroom, but he's still living in the blanket fort, y'know?

This brings me back to Pierce's will, and his final gift to Troy; a chance to become his own man. Pierce may have the worst opinions on everything, but I still think this opportunity is what Troy needed at that point in his life. He finally gets a chance to explore everything the world has to offer, entirely detached from other people who can warp his opinions. Troy is a mirror, he reflects what's around him. He needs some time on his own to figure out what it is he really wants for himself. Plus, getting to dock in places all over the world gives Troy the chance to be whoever he wants without fear of meeting expectations. He can do anything, try anything; comfortable in the knowledge that he's not impressing anyone. And, at the end, he is able to look back on everything he's experienced and decide once and for all what his happiness looks like. I choose to believe that it's going home to Abed, fully informed of the alternatives and aware that playing support doesn't mean giving up your own identity.

[kronehaze]

had to draw @arcadeology s coffee witch boi

[mercury-and-scry]

more of this guy.

(edit because I forgot to say it last time. I am 100% aware Tetsuo wears his kimono "incorrectly" folded right over left and I ASSURE you that's on purpose and has an in-lore reason,,, I'm not just fucking it up)

[lemongogo]

why do i love the conflict more than anything else . the misery . the incompatibility that spreads like oil slick . wanting so desperately for resolution that never comes . hmmm

[squids-and-waffles7]

thinking ab him...

[ ID: Digital illustrations of Manny Noceda from The Owl House. In the top left is a headshot of him with a neutral expression, looking off to the side. The doodle beside that near the top is another headshot of him. He is looking sideways, a mischievous smile on his face. Below that is another headshot of Manny, laughing with his mouth open and eyes closed. The writing to the left reads, “Manny Noceda”, with scribbly stars around it. The drawing to the right of the page is of him holding a baby Luz. He looks at her sweetly, with one hand on her back and the other holding her up as she sleeps on his shoulder. End ID. ]

[ohnoitsz1m]

Okay furry Bec design done. I did not mean to make a full ref but uhhh here we are

He really is just Some Guy to me. I love him dearly.

[spaghettiandart]

Charlie and the Puppet. Charlie kind of gives me 80's goth teen energy tbh so I drew a lot of her design from goth fashion trends at the time.

[bayofwolves]

here's how we can still win. the dragon rhaena finds in the vale is actually grey ghost, not sheepstealer. this would make sense of why rhaena spent so long, certainly a few days at least, searching before she even caught a glimpse of him -- grey ghost was notoriously elusive and could evade humans for long periods of time. this also explains the relatively small size of the dragon we see in the finale, as grey ghost is implied to have been young at the time of his death. rhaena can claim grey ghost and fulfil her quest as she deserves, and nettles can still appear and have sheepstealer, a larger, browner, entirely different dragon. this is how we win.

[fujobritta]

weird storytime and an abed analysis (abednalysis ?)

in s1e17, physical education, abed says that he didnt mind changing for other people because hes comfortable with who he is . a season later, in s2e19, critical film studies, he says instead that he doesnt like change . and now i realize what he really meant when he said that he didnt mind changing .

when i was younger, around 11-12, i would pretend to be other people online . more than five different separate identities in one discord server . because i wanted people to like me more . i made these alt accounts and assigned each one a personality, a different typing style, a reason for joining, a region, and a timezone . and for the most part, they were people who were nicer and just generally likeable . because im not someone who is any of those things . i am not a nice person . i dont even think im a good person . and god i am not likeable . at all .

so i played these characters . most of them only being active for short periods . i would have full back and forth conversations with these alt accounts to sell it . i had these weird insane elaborate plans . a 16 year old former drug user, lives in manitoba, somewhat parental . 13, california, liked minecraft and drawing -- completely different artstyle (and different software) too . etc .

i would let these accounts bake (make them and then not use them) so that it didnt seem suspicious with a brand new account joining the server . then i would spend a week making the account and forming a character to go with it, sometimes asking people to help me out . it was so fucking crazy . i was insane . might still be .

…yeah i probably still am .

i was such a better person on those different accounts . because i didnt know how to change on the inside, i just started over and over again . different account, new me . like i was experimenting with who i really wanted to be like . formulating the perfect person to act like when i finally decided that i wanted to become a better person .

i gave up eventually obviously . im not a tween anymore . i was a really weird tween . obviously . but i think about it a lot .

honestly i only went back to being myself because it was comfortable . i felt better being a fucking douche . and i still am a douche . im not a good person . i dont think ill ever be a "good person" . what the hell is a good person, anyways . all i know is that im fine with myself like this . even as much as i not-so-secretly hate myself, and deny it out of fear of seeming like an "edgy attention seeking loser" .

its not that abed doesnt mind change, he just doesnt mind changing the persona . he doesnt mind changing the person showing on the outside . a separate identity . but ultimately, he wouldnt ever fundamentally change as a person . because hes fine with who he is, even if other people might not like him for that . and i want to be like him . i want to be someone who is fine with who they are, even if that someone is a socially inept ass who learned tenth grade math at age ten but cant figure out when their own face is making a smile or not .

[redr0sewrites]

i need to write more for switch eris this is not a drill

as usual im yapping in the tags 💀

[s4pphoiduser]

in a world with an aftg show (because it Has to be a show, not a movie) seth would have a Pretty Guy actor playing him who looked even prettier when he was sneering or scowling and people would make edits of him with the velocity + slo-mo effects and be like "i can fix him"