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clarabosswald · 1 month ago

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to the 10 non-israeli hostages still in hamas captivity (listed from top left to bottom right):

bipin joshi, 23, nepal. an agronomy student, bipin arrived at israel to study citrus cultivation, only 3 weeks before 7/10. he was staying at kibbutz alumim when the attack started. at first, when the rockets started, bipin sheltered in a bunker with 16 other nepalese foreigners. thinking this was a "regular" attack, and will pass soon, they've even taken a group selfie, which one of them had uploaded to facebook with the caption "bunker time". bipin can be seen in this photo.

fear settled in when the sound of gunfire was getting closer. terrorists briefly entered the bunker at first, shooting at the men. two were instantly killed - one who was filming with his phone, and one who shouted "we're nepalese!" the terrorists have then started throwing grenades into the bunker. the men have crowded against the wall - except for bipin, who jumped at the grenades to throw them away. he was successful with the first grenade; but the second one exploded before he could get to it, and left several of the men injured and unconscious. the terrorists have moved on from the bunker, and later the men heard distant shouts of israeli officers, who arrived at the active scene of the attack, instructing them to come to a nearby kitchen for better shelter. while a few of the men immediately went there, bipin and a few of his friends tried to first aid those who were injured by the grenade. it was during this time that he quickly texted his cousin, in english: “If something happens to me you have to take care of my family. Be strong and always see the future.” it was then that two terrorists broke into the bunker. one, pointing a gun at the men left inside, instructed them to come outside with him. the other filmed them with his phone - with the footage being the last time bipin was seen. bipin's phone was later located in the gaza strip.

2. sudthisak rinthalak, 43, thailand. a farm worker, he was working the orchards of kibbutz be'eri on the morning of the attack. he was murdered on the spot, and his body kidnapped into the gaza strip. his death was confirmed to his family on may 16, 2024, following an investigation of the available evidence. may he rest in peace.

3. watchara sriaoun, 32, thailand. a farm worker, he was kidnapped from kibbutz nir oz, where he was working. watchara arrived in israel back in 2020 with his brother, in order to cover their family debt and pay their father's medical bills. apart from his mother and brother, waiting for him back home is also watchara's 9 year old daugher, irada, whose mother died in august 2024.

4. sathian suwannakham, 35, thailand. a farm worker from kibbutz nir oz, he arrived at israel in 2020. sathian was seriously injured during his kidnapping. his mother found out about it via a video on facebook; she, alongside sathian's father and sister, are still waiting in thailand for any word on him.

5. pongsak tanna, 36, thailand. a farm worker, he would often livestream while working, talking to his father wilas, or his 14 year old daughter. on the morning of 7/10, pongsak video called his father. during the 10 minute call, he described the chaos of rockets and gunfire, shouting at people around him to hide from the terrorists. eventually the signal was cut. pongsak was kidnapped into the gaza strip. during the weeks after 7/10, wilas spent days riding his bike around his home province, alongside the thailand-cambodia border, looking for anyone with a relative in israel who could help him search for pongsak. he had spent thousands of bahts (hundreds of dollars) repeatedly submitting legal documents to the government, in hope for any news on his son. “if my son is alive, whenever israel can get the hostages released, I want (him) to come home quickly to (his) hometown," silas said in an interview back in october 2024. “most importantly, i want my son to be ordained (as a buddhist monk) for his mom who died when he was away."

6. bannawat seathao, 27, thailand. a farm worker, he was shot in the leg before being kidnapped.

7. nattapong pinta, 35, thailand. nicknamed "nick", nattapong, a farm worker, came to work in israel a year and a half before 7/10, leaving his wife and young son, in order to pay off a debt and help his wife fulfill her dream of opening a coffee shop. he worked the avocado groves in nir oz. during the occasional rocket attacks, nick would call his older sister, reassuring her. "i’m just saving up a little more money, then i’ll be coming back.” on the morning of 7/10, nick called him wife, narissara. there was shooting, he said, and he was running away. that was the last she heard from him. "i felt like my heart was being squeezed when i learned that he hadn't been freed yet," narissara said. "i will definitely go to the airport [when he returns]. nothing will stop me."

8. suntaya akrasi, 20, thailand. a farm worker, suntaya was murdered on 7/10 while working near kibbutz be'eri, then his body was kidnapped into the gaza strip. his death was confirmed on may 16th, 2024. may he rest in peace.

9. joshua loitu mollel, 21, tanzania. an agronomy student, he arrived at israel 3 weeks before 7/10, planning to stay for 11 months. both joshua and his roomate, clemence felix mtenga (22), a fellow student from tanzania, were murdered in nir oz. at first, the pair had managed to text a fellow tanzanian intern in the kibbutz, ezekiel kitiku, telling him that they were running for shelter. but after a few hours, the texts have stopped. joshua's violent kidnapping was filmed and posted online, showing the terrorists stabbing and shooting him several times. joshua's body was kidnapped into the strip; clemence's body was identified a month later. joshua's death was confirmed in december 2023. joshua was the oldest of 5 children, and his stay in israel was his first time traveling outside of tanzania. joshua's father told of joshua's younger siblings that they "ask me every morning and night: ‘Dad, we want to talk to our brother.'" may joshua and clemence rest in peace.

10. surasak lamnau, 30, thailand. a farm worker at first, surasak's mother, kanmee, had no idea what happened to her son. in the chaos following the events of 7/10, his colleagues in israel told her that they did not see him. but after she posted about him online, she was told that he was one of 5 people - an israeli employer and his 4 thai employees - who were kidnapped. his fate is currently unknown.

none of these 10 hostages are expected to be released during the first phase of the ceasefire deal between israel and hamas.

of the 82 foreign nationals who were killed during the 7/10 events, 46 were thai, 10 were nepalese (all agronomy students who were murdered in kibbutz alumim), 5 chinese (3 were murdered in sderot); 4 were from the philippines (3 were working as nurses in the gaza envelope, one was killed in the nova festival massacre); two nurses from sri lanka (both murdered in kibbutz be'eri); two were from tanzania; 2 were from the uk; 2 were from the usa; and the others were from germany, moldova, canada, cambodia, eritrea, india, mexico, ukraine, and geogria. 32 foreign nationals were kidnapped. most of them thai. 647 foreign nationals were injured.

#ישראבלר #jumblr #just spent a few hours collecting information and translating it #foreign victims of 7/10 draw little attention in israel and nearly non at all abroad #and the information isn't consistent. the number of dead ranges between 68-82 in the info i could find #it's infuriating #especially considering how some of the worst and most graphic footage filmed during 7/10 involved foreign workers #and their families... imagine your loved one going abroad to help you pay off a debt or just provide a living #and they get involved in a brutal war they had nothing to do with #and you're half a world away and can do nothing to help them. your government doesn't care. you don't know if they're even alive or dead #i wonder how many of the people who are gonna read this post have had no idea about any of these hostages

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ganondoodle · 4 months ago

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Not gonna lie, the "It looks like a Divine Circle but is actually just hundreds of years of superstition & propaganda"-Concept is the coolest fucking thing I didn't know I needed until ten minutes ago. It's a super cool inversion of the classic trope, opens up a million possibilities for stories and arcs and on top of that, in game, you would obviously not know about it form the beginning but slowly have to collect clues and hints that things are not quite as everyone tells you.

So yeah, very cool concept!

Not directly related, but it's probably no surprise that my favorite Ganondorf line is the "I coveted that Wind"-line from the finale of Wind Waker. He doesn't even go into detail, cause he doesn't have to, this line alone instantly humanizes him. Like, its the end of the game, we are about to fight him, there is no way this will not end in a fight, and yet, at that point, that line, just goes so fucking hard. Because you instantly know what he's talking about, that he simply wanted a future for his people, which, you know, is a very human thing to do. It wont stop us from fighting him here and now, way too much has happened for that, but it reminds us, the audience, that he has motives and reasons and thoughts and is an actual character.

So yeah, in case it's not obvious yet, I too despise the extremely flat "I'm evil because evil, waaaaaaaaagh!" Ganondorf from TOTK. Why even include him if you cant be arsed to actually write him?

Anyways, last thing, I'll have to somewhat disagree on the Gameplay vs Story thing, at least partially because I work in the field and have had experiences with this problem myself. Not saying its impossible to have both, but its a lot more difficult than one would expect.

Towards your point, yes a good story can pull people through a game, but so can strong gameplay. Take the Doom games, I dont really care about their story, but the gameplay is great. On the other hand, the gameplay of the average Telltale game would be incredibly boring without the story behind it. There are hybrids, but even they tend to lean one way or the other: The Assassins Creed or Uncharted Series have solid and fun gameplay, but would probably get repetitive or boring if we didn't have strong characters and stories that keep us interested. And all of that is before you consider that there are different player types that gravitate to one or the other and it gets even more complicated. (There's more to this but I my thoughts on the topic could easily be a full bachelors Thesis, so I'll stop here.)

I should add that I dont think that the gameplay over story (or vice versa) argument can or should be used to defend games or design choices. Yes, Nintendo does prefer to focus on Gameplay over Story. Does that mean we shouldn't expect a good story, or are not allowed to criticize a bad one in their games? Hell no! (And if my previous ask sounded like I was doing that, I apologize, that was NOT what I meant to say! I'll happily critique all of TOTKs flaws, both in gameplay & story, otherwise how can we learn from it?)

This argument can be used to understand and analyze or interpret design decisions but it shouldn't ever be used to defend them. Just like the "just for kids" argument, by using such arguments, the person in question basically admits that they are aware of the weaknesses and faults in their story/game/whatever but didn't fix or improve them. So yeah, I do agree with you on that front 100%, hiding behind such arguments is a problem.

Anyway, sorry for leaving another wall of text in your inbox, hope you're having a nice day!

thank you! that 'cycle' concept is also what destiny (zelda comic) is based on, since it takes place before skyward sword you get to see the set up for it, and, in this story, the gods have been trying to achieve it countless times, throughout the story of it its supposed to slowly be revealed- like demise already knowing some parts since hes yet another 'failed' version of that plan (im reusing that concept for the totk rewrite as well bc i am very original wahoo)

oh you work in that field! thats cool!! yeah my opinion on this sort of thing is very much a thing i formed bc i play games, though i still dream of gamedev, i guess i understood your mention of it a little too much into the dismissive argument way (though not as an attack) and its been repeated so so many times i cant help but get a little >_> at it; the point i was trying to make was more like ... they need to find a balance with it, like you can make it all about gameplay, but then dont pretend you have the most epicest story that ever storied, maybe even do it less or more subtle, like the fromsoft game i feel like are very well balanced in that regard, bc their lore and story is very neat and intertwined, but you have to look and think to get it, and the gameplay is strong on its own so much so that it kinda ends up being both soemthing for people that dont care about lore and those that do, more than about the gameplay

zelda feels like it doesnt quite know what to do (even moreso modern zelda), bc they prioritize the gameplay but then still put in a story that they want understood .. so its like, babiefied? like there is a "simple" story and its few points are repeated into your face over and over and over so the people that dont care to read into soemthing GET IT but also annoy them, bc they dont care anyway, and the people who care about lore/story above gameplay are bored bc the narrative isnt engaging enough and they dont care as much about the gameplay

especially so with totk i think, its so weird, botw wasnt like that imo, it wasnt overly complicated either but at least it left you wondering, and let you think, the more you thought about the more interesting it was (at least to me) totk feels like the opposite, it doesnt want you to think, bc the more you think about it the more it falls apart and makes less sense

like theres types of games that focus HARD on one or the other (like slay the princess for example, its like an interactive audio book, there isnt much gameplay but it goes hard on narrative), so obviously the balance of gameplay and story isnt applicable to every game, but for zelda in particular they say they are one but then still want the other part just as much? like the lore in skyward sword isnt great, the characters are strong though, the gameplay isnt that engaging (to me, since that needs to be said) i got through it mostly just bc i wanted to see what comes next and liked the characters, in botw the freedom and world and gameplay were like nothign i ever experienced, exploring was addictive and the story took a bit of a backseat, but it was fitting for the game and lend itself so well to theorize, in totk they .. idk what the focus was, the .. glue? the toys to glue together? nothing fits together there and each part works against another instead of together, somehow, its so weird to me

the thing is, if you do gameplay over story, you need to roll with it? if thats what it is then let the story take a backseat, make it subtle and in the background or vague, dont stuff the game full of unskippable cutscenes where a character you dont care about explains you a thing you already figured out through the gameplay; like the zelda dragon point, let the design of the dragon and its music, what its carrying speak for itself, the way the deku tree is weirded out by the sword moving, maybe a quick subtle voice line once you get the sword fading away like the last parts of her soul being whispered away- but dont mention it in one of the first cutscenes, fail to bury it in 'thats illegal though and irreversible so nono dont you do it' (why mention it then huh) allude to it multiple times, and then just straight up show it (i get people like the scene but man, it would have been way cooler to figure it out yourself)

same goes for the fake zelda thing, the weird way she said the bloodmoon text already alluded to it, have her show up here and there but vanish before you (no "omg thats zelda omg what is she dooooing") , or go even harder and make her an NPC standing around the world interacting with you all nromally but animals react weirldy to her- make the midfight against her (maybe even that she isnt talking so you are unsure if its actually her but controlled by sth else, or talk all normally while literally going for your throat) and then have her dissolve into goop and woa the bloodmoon thing is without her now the zelda you have been talking to has been fake the whole time, its creepy!! leave out the stupid cutscenes of showing it multiple times!! stop monologing at me!!

ppl that dont care about it can go and do a fight and i can think about it! everyone wins yahoo!

(actually ... if you leave out all the cutscenes in totk i feel like it improves the game by alot ...)

(what my point in the previous thing was in the end that you can repeat the same old trope only so many times without changing anything before it gets boring as hell, like what you said here, and the series seems to really be setting itself on fire bc it just wants to do the trope of old so badly and at some point its gonna drag down even the best of gameplays like gameplay over story means (to me) gameplay is prioritized so whatever narrative there is is in the background, subtle and not overtly in your face with big cutscenes etc- but what i feel like its often supposed to mean is "its fine if theres a shitty story that makes no sense pasted on top bc they prioritize gameplay so stop complaining" like to me what it should mean is more gameplay, less story, a measure of quantity not of quality, but what i feel like it often means is better gameplay, bad story, a measure of quality, not quantity )

maybe my problem lies elsewhere and im just projecting it on gameplay > story, that could very much be the case, i could have a fundamental missunderstanding about this here, im still just a guy with opinions in the end and got no knowledge about anything other than i play games sometimes and these are the things i like and dislike and would do differently *puts my head in my hands*

idk if im making sense, im usually not very good at explaining how i feel or think :/ (or i THINK im bad at it, autism be damned)

(sorry this got so long again ......................)

#ganondoodles answers #ganondoodles talks #zelda #long post #sorry :/#i can talk and talk and talk and never get to the point #or get to the end only to realize i might have been thinking about it wrong lmao #sorry sorry sorry for the spam of long ass asks #talking like this can be a good distraction and typing is easier on my hands than drawing or playing games #it took me multiple rereads of all the text i wrote until i got into words that waht i really mean #all this text wasnt necessary at aaaaaaaaaaaaalllll aaaaaaaaaaaaaaaaaah #in the end it just boils down to #what i think gameplay over story should mean is as a measure of how much of which and not of the quality of it #....... im leaving all that text in there thoguh bc otherwise i spent another few hours typing this only to delete it

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