#I honestly don't care who I get

[shadowingfas]

85 pulls

I have pulled 85 times since getting aventurine, maybe more and nothing....

no 5 star

no robin

no topaz

nothing.

[cerise-on-top]

Heyyy! And could you write ghost and price with a chubby reader? :))

Hey there! Of course I can :-)

Price and Ghost with a Chubby!Reader

Price: It genuinely does not matter to Price whether you’re chubby or not. However, if you are chubby, then you better believe this man will not leave you alone. He loves you so dearly, he just wants to be with you whenever he can. And if you’re chubby? Oh, he’s never letting you go. He’s gonna hold onto you like a koala because you’re honestly just so precious. Will put his head on your tummy and use it as a pillow. This is an incentive for you to run your fingers through his hair so he may snooze for a little bit. If anyone ever dared to make fun of you for your size then he will throw hands. He’s a captain, he demands respect wherever he goes, so naturally the same goes for you as his partner. That fucker will end up with a broken nose, if not with a few broken ribs as well. And when you’re home? He’s gonna make you a nice and lovely meal. I feel as though once he’s gotten a taste of your chubby self he would become someone who genuinely likes chubby people. They’re just really soft for holding, you know? What’s better than putting your weary head on the lovely and soft thighs of your partner? Besides, he’d probably take the “if you have thick thighs you can fit more kittens on top of them” post to heart and might put a few kittens on top of you to see how many you can fit. Overall, he has heart eyes whenever you walk by. You’re beautiful, gorgeous, showstopping, and he’s gonna show you that he genuinely thinks that way about you. Besides, he’s kinda chubby too. So, you know, solidarity and all. However, he will blush if you ask to see his tummy. He won’t say no, but he’ll be embarrassed.

Ghost: Another man who thinks he doesn’t care about your size, but in reality he loves chubby people. He’s a big, rough, and rugged man, so would he really complain about his partner being soft? Do you really think he would? Like Price, he also has some chub around his tum. A healthy amount that makes him cute as a button, for a man his size, that is. He’d love to pick you up and throw you onto the bed or couch just to hold onto you. He’s probably gonna learn how to become an even better cook just to be able to cook you nice meals and keep you nice and fed. It’s his way of saying “You’re so fucking gorgeous, I love you, please never change”. And if it comes from Ghost you know it’s genuine. If anyone ever hurts you then he’s going to plan their murder in his head the second those insults leave their mouth. You’d need to hold him back so he doesn’t just kill that asshole. When you get home you can count on him being all over you, kissing you oh so gently everywhere you let him. He’s gonna do everything he can to make you feel like the royalty you actually are. You’re precious, you’re wonderful, he loves you. All those things are final. Besides, no one would ever dare to make fun of him for having some chub, right? So why would they make fun of you? Ghost usually isn’t a man of many words, but he’ll say whatever comes to mind to help you feel better. Overall, I kind of feel as though you’d help him feel better about himself as well. He’s not self conscious about his tummy per se, but you being chubby yourself, and him being so attracted to you and loving you this much, makes him feel better about himself.

[solarpunkani]

"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

[thedreadvampy]

sometimes I forget that my experience has been. um. not 'your experiences are not universal' vibes but more like 'your experiences are EXTREMELY atypical'

[nebulouscoffee]

The thing about Kai Winn's storyline ultimately being a tragedy is, it's not only a tragedy because her fate (in the eyes of the non-linear Prophets) was already known and nothing she did or said was ever going to make them acknowledge her- not only because she wanted so badly to have a big role to play in the grand, historic story of the newly independent Bajor and just couldn't handle the fact that she was never meant to- not only because the Prophets spoke to Sisko and Bareil and Kira and literally even Quark but not her- not only because she was deceived and raped and killed in the end- but most of all because, it was partly her love of Bajor that killed her.

Think about it- her whole regression during that final arc with Dukat is so tragic precisely because she was THIS close to redemption! Throughout the show, we see that her brain processes information in very rigid, binary ways: if you are not my ally, then you are my enemy. If you disagree with even one of my opinions, you are my enemy. If you refuse to endorse and support me in this mission, you are my enemy. That's part of why she's so easily swayed by fascist rhetoric, I think- she's just unable to cope with nuance. (This is foreshadowed in 'Shakaar', where she puts the whole of Bajor under martial law just because Shakaar disagreed with her over how she was handling soil reclamators.) Her personal narrative is I am the one who will save Bajor -> anyone who gets in my way is my enemy and therefore an enemy of Bajor -> I must stop them using any force necessary for the good of Bajor because I am after all the one who will save Bajor.

But when Sisko discovers the city of B'hala in 'Rapture', she is for the first time forced to accept the truth that he really hasn't been faking this whole "talks to the Prophets" thing- he's the real deal. We learn later on (when she tells "Anjohl" about how she honestly felt nothing the first time she saw the wormhole open) that a small, small part of her actually always doubted the existence of the Prophets. Now, she is faced with definitive proof that they are not only very real, but they also really do have a bond with Sisko. And for a while, she even comes to terms with this! In fact, at the end of the episode, she and Kira have possibly their first completely honest exchange:

KIRA: Maybe we're the ones who need to trust the Prophets. For all we know, this is part of their plan. Maybe they've told Captain Sisko everything they want him to know.  WINN: Perhaps. I suppose you heard that Bajor will not join the Federation today. The Council of Ministers has voted to delay acceptance of Federation membership.  KIRA: You must be very pleased.  WINN: I wish I were. But things are not that simple. Not anymore. Before Captain Sisko found B'hala, my path was clear. I knew who my enemies were. But now? Now nothing is certain.  KIRA: Makes life interesting, doesn't it?

Like, YASS babygirl- you too can learn to handle nuance!! I believe in you!!💪💪

And later on, at the onset of the Dominion War, she comes to Sisko for advice herself. She doesn't want to see her planet colonised again, and she's even willing to put aside her desire to be the main character to ensure it doesn't happen. Driven by pride and the need for power as she is, she is also driven by the desire save Bajor (and preferably be the one saving Bajor, which is the subsection of this desire that ultimately ends up being her downfall) - and she does briefly decide that cooperating with the Emissary is the best way to do this! I think about this scene from 'In The Cards' so much:

WINN: ... I have asked the Prophets to guide me, but they have not answered my prayers. I even consulted the Orb of Wisdom before coming here and it has told me nothing. So I come to you, Emissary. You have heard the voice of the Prophets. You were sent here to guide us through troubled times. Tell me what to do and I will do it. How can I save Bajor?  SISKO: You want my advice? Then this is it. Stall. Tell Weyoun you have to consult with the Council of Ministers, or that you have to meditate on your response. Anything you want, but you have to stall for time.  WINN: Time for what?  SISKO: I don't know. But I do know the moment of crisis isn't here yet, and until that moment arrives we have to keep Bajor's options open. I'm aware that this is difficult for you, given our past, but this time you have to trust me.  (Winn holds Sisko's left ear.)  WINN: Very well, Emissary. We put ourselves in your hands. May we all walk with the Prophets.

In the earlier seasons, Winn would often casually make claims that the Prophets had "told her" something, or that she was just "doing what the Prophets asked"- and her political position as Kai always allowed her to just lie about being in contact with them all the time. Now, you can see the sheer humility- the embarrassment, even- on her face as she (for the first time) openly admits to Sisko that she has never actually heard them speak before; and that they clearly "prefer" him. Yes, there's some (understandable imo) bitterness here- but not at him, at THEM. And when she tries to read his pagh at the end- something she probably does to dozens of people every day, most of whom would unquestioningly believe anything she declares afterwards- she doesn't even try to pretend she felt anything there. It's one of her most genuine moments in the whole show, you can just SEE the redemption arc in reach and it's so heartbreaking!!

I think 'The Reckoning' is a huge episode for her too, for many reasons- but let's talk about how it sets up this fascinating parallel between her and Kira (who Odo describes in this episode as having "both faith and humility"). The Prophets choose Kira as their "vessel" because she was "willing"- meanwhile, Winn was right there just begging to be a part of this! Here she is, with a Prophet right in front of her face- and she prays and postures and begs and prays some more, all just to get ignored. Kira's brand of faith is very, "I am ultimately insignificant and I surrender my power and my body and pagh to the Prophets"- Winn's is more, "if I do all the right things, then I will be able to prove to the Prophets that I am worthy of their attention, worthier than everyone else, and maybe then they'll appoint me the saviour of Bajor! It's My Destiny, You See!! (Why Isn't This Happening For Me??)" And the events of this episode are kind of a big slap in the face to her honestly, because they sort of prove beyond a shadow of a doubt that the Prophets have no interest in her. Maybe stopping the battle was also an attempt at regaining some kind of agency with them- I DID THIS, I pulled a switch and it had a direct effect on the Prophets, so there!! (Whatever that effect entails). She does care about Bajor. Of course she does. But her ideal configuration of Bajor involves her being a major player in its salvation, which she was just never meant to be. And this is why she's so tragically susceptible to Dukat's manipulation- he was the first person ever to tell her everything she always wanted to hear.

And the intriguing thing about Dukat's deception is, it doesn't all fall apart at one go. It falls apart in layers. And this makes for some excellent, excellent Winn characterisation imo.

First, she thinks the pah wraiths are the Prophets- and they tell her, hey, The Sisko has faltered, Bajor needs you, and only you can fix this. Good lord, imagine finally getting to hear those words after a lifetime of silence! And it's very telling that her first reaction isn't to gloat like she would've in the earlier seasons, but instead to humbly- even anxiously- pray. Bajor needs her, the "Prophets" have asked her to do something, this is her moment! Then, this random lovely Bajoran farmer comes in and tells her even more things she has always wanted to hear- that her activism during the Occupation (ignored by Kira and Sisko alike) saved lives, that he always wondered why the Prophets would choose an alien as their Emissary, that surely Sisko and his followers were mistaken- and finally, "our world will be reborn- with YOU as its leader". Sounds good, right? But THEN she finds out she's been speaking to the pah wraiths and the lovely farmer is a devil worshipper actually. And she tries the "wash away my sins" approach- she wants some kind of quick fix ritual that will "purify" her, so she can continue to be Kai the right way. She even admits to Kira that she's always been power hungry and she wants to change- and I believe her! Unfortunately, Kira then tells her something she doesn't want to hear- that she has to step down as Kai. And surely that can't be, right? She's the saviour of Bajor! She's so complex... it's not simply her love of power that this scene reveals imo, but more significantly, her inability to see herself as not a vital part of Bajor's history; of this whole larger narrative. Like-

WINN: I'm a patient woman. But I have run out of patience. I will no longer serve gods who give me nothing in return. "GIVE ME"!! ADAMI MY BESTIE MY GIRL MY BUDDY THEREIN LIES THE PROBLEM!!!

So, okay, fine, now she's swayed over to the side that maybe the Prophets aren't that great, and maybe the pah wraiths are the true gods of Bajor (because they were willing to talk to her), and maybe she's okay working with the devil worshipper. But then it turns out he's DUKAT- and at this point, she's literally murdered someone, she's ready to stop this, to go back to Sisko and set things right- but then the book of the Kosst Amojan lights up because of the blood she spilled. She did that. It happened as a direct result of her actions. She's just so desperate to be acknowledged... to have a role to play in all this, no matter who offers it to her. So the pah wraiths actually giving her a reaction isn't something she can resist. And here's where things get even more tragic.

WINN: But the prophecies! They warn that the release of the Pah wraiths will mean the end of Bajor.  DUKAT: The old Bajor, perhaps. But from its ashes a new Bajor will arise and the Restoration will begin.  WINN: Who will be left to see it?  DUKAT: Those the gods find worthy. It will be the dawn of paradise. And you, Adami, are destined to rule it.  WINN: You're sure of that?  DUKAT: It is meant to be.

Again with the ease at which she's swayed by fascist rhetoric! Let's be clear, she was (and is) absolutely against the Cardassian Occupation. But her worldview is built on the pursuit of being "worthier" than everyone else, of being "closer to god" than everyone else- her expectation of faith is that it's some sort of determiner of who's doing it The Most Effectively, rather than it being a practice- and she just completely misses that any sort of plan that executes masses and spares whoever is deemed "worthy" is... literally exactly what people like Dukat did to her planet. Something something faith as competition, faith as determiner of inherent superiority, faith as a way to gain power via proximity to god… never faith as submission. And the worst part is she’s self-aware. It’s heartbreaking.

And it's about to get even more heartbreaking, because she truly believes she has arrived at her girlboss moment in the finale (I think the tragedy of her being a rape victim and knowing this and having to hide the body of the one (1) person who was looking out for her while being stuck with her rapist speaks for itself.) After kicking Dukat out on the street (lol), she studies the eeevil texts and realises that to set the pah wraiths free, you need to make a sacrifice. So now she gets to deceive him in return. And she does! The look of shock on his face when he discovers she poisoned him is priceless imo, and her triumph as she taunts his dead body, the sheer joy on her face as she casts off her Kai robes, when she recites those incantations and something actually happens- and that too such a large pyrotechnic spectacle- is so sad knowing what's coming. Because ultimately, the pah wraiths want to destroy Bajor, right? And Winn just doesn't. Of course they don't choose her. Of course they choose Dukat over her! She really thought that by tricking and murdering him, she'd made him the unimportant piece of the puzzle, that she was stealing back his thunder- but tragically, it turns out even the pah wraiths see her as disposable. Of course they resurrect Dukat (a man who's proved time and time again that he wants to see Bajor & Bajorans destroyed) and turn her into the sacrifice. The way she screams "NO!" here breaks my heart- she's betrayed her planet, and it was all for nothing. (Dukat's "are you still here?" is particularly devastating.) I think it's very significant that her final words are "Emissary, the book!"- it shows that in her last moments, she's owning her mistakes- she's stepping away from power and putting Bajor first, and leaving her own fate in the hands of the Prophets. Who, of course, once again ignore her, and choose to save Sisko instead. God.

The utter tragedy that even in the pah wraiths' plan, she was just a pawn. That she died at the hands of the gods she thought chose her, but used her, all while the gods she'd coveted her whole life stood by and did nothing. The Prophets chose Sisko because they believed he would put Bajor's interests over even his own- and now they ensure he will be back one day to see the new Bajor. She never will.

Yes, it was her pride that got her here. Her mean streak. Her inability to cope with nuance. Her inability to see herself as ultimately insignificant. Her inability to surrender to a higher power in any way that didn't involve becoming more powerful herself; more relevant, more "close to god". But it was also her love of Bajor. Because if she'd cared about Bajor less, then maybe the pah wraiths might have chosen her- or at least spared her, or taken her to their realm after she burned, the way they did with Dukat. Now, she ends up being the one thing she never wanted to be: insignificant.

Honestly if I had to summarise the tragedy of her arc in one sentence, it would probably be Kai Winn: Too Evil For The Prophets, Not Evil Enough For The Pah Wraiths. She and Dukat are not the same! She is a perfectly pathetic, sad and wet blorbo and I am holding her gently in my hands while apologising for her crimes <3

[alicelufenia]

The Court of Eilistraee

The Drow City Imberlur

When the fuck was anyone gonna tell me Ed Greenwood had a youtube channel [x] where he does shockingly well produced lore videos on little tidbits of the Forgotten Realms, straight from his home campaign to the greater rpg community.

Both of these videos related to Eilistraee and non-Lolth sworn drow settlements are a godsend. Visiting Imberlur someday would be a dream come true for my Tav, and I can totally see an astral projection trip into Eilistraee's court when she reaches the climax of her story, similar to how Gale had a one-on-one with Mystra towards the end.

Thank you Ed your little side stories are worth their weight in gold while WotC continues to do nothing with these elements that have been around for literally over 30 years.

[enemywasp]

"Don't get so upset, it's just politics" is the most privileged, white, cishet sentence ever spoken

[deoidesign]

how did u learn to paint?? like i just cant wrap my head around it

<3 I love answering asks like this!

You will have to bare with me, I don't save many of my studies, and my files aren't that organized so I don't have as many images as I would like.

The studies I've found most helpful for myself personally with painting are various master studies. (This is also, as always, alongside study of fundamentals.) And always follow a study with self-critique (and, if you can get it, outside critique!)

"Master" in this sense means anyone who you want to learn something from.

One way you can do this is by copying an artist's work directly. This is to try and understand some of their stylistic techniques. Leyendecker, Andrew Loomis, and John Singer Sargent are personal favorites of mine! I try to keep these quick, I'm not trying to get an exact copy.

I also get a lot out of copying photos. In this case, I'm not trying to glean some technique, rather, I'm trying to interpret the photo and explore my own stylizations.

(photo credit mountain men of alaska )

I also really enjoy taking a painting or piece that already exists, and making it "mine" by putting my characters in it haha, which is sort of a combination of master studies and photo studies!

(William Bruce Ellis - Covent Garden (1930)) (Barberini Faun)

And then, in my work that's not a study at all, I'm informed by all of these!

What master studies do is help me refine my style and practice my technique, but also I'm communicating with artists of the past through my art! They're teaching me! And I have so much to learn.

And of course... most importantly... I paint.

a lot.

I don't do as much study anymore, not because I feel I've learned all I need to, but because for work I draw 50+ drawings a week. 'Drawing for work' and 'study' occupy the same space in my brain and I need some fun drawing time!

So to sum up, draw a lot, reference constantly, and copy the people you want to draw more like!

(and, of course, when doing a study off of someone else's work, always give them credit. If it's your photos there's no need.)

[noivoom]

I'm normally one to not worry so much about the quality of writing with these shows because to me they've always just been "the dumbass fnaf rp /aff". But. What the hell is this character assasination.

The fuck do you mean Moon suddenly doesn't care anymore. The fuck do you mean he's okay with killing Earth.

Really?? After EVERYTHING. Everything he's done to keep his family safe and make them happy. All the character development he's gone through. All his struggles with trying to prove he's better than the old him.

He's just suddenly.

A cold-hearted villain. That's it.

I'd actually be on board with this if it weren't for the way they're seemingly doing everything in their power to just turn Moon into an irredeemable asshole- There were some really interesting lines in "Moon KILLS EVERYONE" that make so much sense, like when Moon mentioned everyone getting in his way to stop him from doing things when he just wanted to do something, and now he's decided "fine, I'll BE selfish then for once" for example. I really like that as a motivation, but why would he just stop caring for his family?? I would've been on board if it was something like how I thought it was going originally, that he's convinced this is the only way to bring Solar back, if he can just do this then everything will be okay again. He knows this is bad but it's the only way, right? He doesn't want to do this, doesn't want to hurt his family and tear his relationship with them apart, but it'll all be worth it. Maybe this is selfish, but he needs to do it. Maybe they won't forgive him, maybe Solar will hate him too, but at least he'll be alive, right? So long as they're all alive and well, he can live with that. And then the others are fighting back because they don't want Moon to go down this path, they don't want to lose him, too. We can find another way, please just stop.

As it stands it just kinda feels like they're forcing things in a specific direction in order to justify whatever resolution they have planned, which at this stage seems to be bringing the Old Moon back. And honestly, bringing back the Old Moon is a fascinating concept to me, it would be so interesting to see how that would go- how would he react to everything that's happened in the time he missed, how would he interact with Sun, how would Sun interact with him now that he's started coming to terms with how toxic their relationship had been. But at the expense of whatever the hell they're doing to the New Moon? Not worth it to me.

I also have a lot of feelings about the way Earth just COMPLETELY decided "oh okay screw you then" with barely a hint of actively wanting her brother back- like come on you're telling me that when the Creator betrayed her she struggles to come to terms with it for weeks, but with Moon she gives up just like that??? But I. Honestly barely even have the energy anymore.

Why. Just why.

[hood-ex]

wait idk anything about the tevis’— why would tommy tevis call dick his son? would you be willing to give a quick rundown

After Dick failed to get himself incarcerated, he became an enforcer for a mob boss named Tommy Tevis. Tommy took Dick in and made him part of his family. Tommy considered him an honorary son and thought very highly of him.

Nightwing (Vol. 2) #107

He even told Dick that everything he had (his home, his reputation, his family, etc.) was Dick's as well. Lynette, Tommy's wife, told Dick that Tommy would let Dick do anything. The whole family loved Dick, including Tommy's 15 year old daughter, Sophia. Sophia actually had a crush on Dick, but Dick acted like an older brother to her, helping her with her homework and such.

While Dick was away from the family for a few days, the cops busted into the Tevis's home. Lynette got killed in the gunfire, Tommy got taken to jail, and Sophia got taken in by the state.

Dick, while mentoring Rose, broke Sophia out of the state home. He got Sophia to help him with the mob. Then, when Chemo fell on Bludhaven, Dick saved Sophia and left her with Amy. When they reunited at the hospital, Dick asked Sophia to leave the mob behind and join a boarding school.

So, yeah, that's Dick's relationship with the Tevis family.

[kenobihater]

23 is young and i don't wanna go acting like it isn't but sometimes i see stuff from baby zoomers and i feel fucking ancient. skibidi toilet? i have yet to understand what that's referencing. reality shifting? i was into new agey stuff as a teen and i get the whole law of attraction/manifestation thing, but the rest is all greek to me. a good half of the aesthetics i see talked about online? literally got overwhelmed when i stumbled on the aesthetics wiki last year and i feel like an idiot seeing all these kids list off like 4 different hyperspecific aesthetics to describe themselves 😭 girl what does any of that mean? patiently explain it like i'm 85 when it comes up, or don't expect me to know what the hell you're talking about. i'll just end up smiling and nodding like your out of touch grandpa who loves your energy but is frightened by cellphones and the concept of smartfridges 💀💀💀

[halojalex]

whenever people say jack and alex dated/g&c is about jalex/etc they're generally joking but i want people to know im being so real when i say that i think jack and alex were together for a brief time

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[gojosbf]

In role reversal au, do you think geto could kill gojo for the greater good? Why?

those two always used one excuse or the other to not face each other, they had so many chances to try to kill each other and yet they couldn't until the very last moment, so nope. Geto would've wanted to bring back Gojo to the right path or convince him to give up but wouldn't have killed him, just like how Gojo Satoru the strongest couldn't.

[admiral-arelami]

AITA If My Favorite Character is a Fascist?

Uh oh. The Fascsplainers are at it again. Yes, we know what fascism is, thx.

[queeraliensposts]

I can't believe I live in a reality where a white woman who was falsely accused of rape can sell BLM merch, keep the money, and be praised by tik tok, but a queer musician that everyone thinks is "cringe" gets canceled and accused "profiting from a child's death" by talking about Nex Benedict in a tik tok he earned $0 from, where all he said was "this is why I make the music that I do".