#I hit the limit again | Explore Tumblr posts and blogs

bayeis · 2 months ago

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I've joked about it in the tags a lot but I've decided to sit down and actually compile a list on why I'm only half joking when I say my job is conditioning me to be the next Jonathan Sims

The Buried: A lot of my job involves putting people in small confined spaces, often with no windows and and a single, locked door. We frequently have people with claustrophobia that realize agreeing to be locked in a small space means being locked in a small space. 9.9/10 times they are peer pressured into doing it anyway, and have a miserable time

The Corruption:

The Building is rotting. There is no nice way to put this. The walls are slick with mold and soft to the touch, the ceiling drips despite us being on the ground floor of a two story building, the carpets squish with unknown water, and yet people's eyes just glaze past it. Our landlord for the building is a thick accent russian man who, for the past 4 years I've worked here, has changed his name on the emails several times, despite it undoubtedly being the same man, who I have met in the flesh twice before. The first time was to come into the building, shake my hand, and leave. The second time was to ask me to bring him upstairs (not apart of our business but we still have the key for some reason), which I did, and then have not seen him since. Speaking of upstairs, the handful of times I've been there it's just. Bizarre. An entirely furnished office space, completely abandoned. There's everything from paintings on the walls to files still in the cabinets and scattered across desks. I could not tell you what the office space used to be, or whatever the employees that worked there used to do, but I do know it was officially, genuinely abandoned because it was deemed unsafe to be in, from the sheer amount mold and rot. How it is somehow safe for us to work directly below with leaking ceilings I have no idea. I've occasionally had to dart up there with our key to snag a pair of scissors off one of the desks or some other office supply we can't locate in our own half, though I always disinfect them the second I bring them downstairs, and always wear a mask when I'm up there. There's also the bugs. I am so genuinely serious when I say one day I swept the lobby of our building and discovered the shelled corpses of around 300 dead superworms. Like the kind you would feed a pet lizard. I have no idea why they were there, how they got there, or anything. I just swept them up and disposed of them as my coworker watched in horror. Weird worm sightings aside, the building is frequently swarmed both in and outside with bugs, despite weekly exterminator visits. The stairwell to the second floor (located outside) spends about half the year covered in what has to be hundreds if not thousands of moth caterpillars and cocoons. Walking in that back porch area is near impossible as you cannot look anywhere without seeing the walls, floors, stairs, doors all bumpy and withering with the sheer amount of caterpillars (of the not so friendly verity as well. They feel like shattered glass to the touch and will frequently leave a rash). My old manager once found one in her ear. There. Are. Bugs. Everywhere.

The Dark:

Fairly self explanatory. The building gets zero light. The lobby has full glass doors, and walls of windows facing multiple directions but no matter how many blinds you open or what time of day it is you'll find your eyes slightly straining in the just slightly too dim setting. It's never bright enough. When we can get our lights to work (frequently blow out, and when they are attempted to be replaced we find that nearly every light fixture required a different kind of special bulb, meaning that to fix it requires hunting down that kind of random bulb, which will be different from all the others. An effort frequently left undone, dotting the building with random spots of shadows) they don't really help, not because they aren't bright enough, but because the building was designed with weird corners, so all the light the fixtures could be potentially giving, is almost immediately blocked out with odd shaped walls and randomized corners. Some rooms just don't have windows to even attempt to sap out some of the sunlight. The room the employees are made to sit in (about an 8ft by 8ft room) for the majority has no overhead lights, no windows, and like the rest of the building, the walls are painted solid black to sap any remaining light out. The only way you can see in there is from the glow of the monitors and two dim lamps shoved in opposite corners. We get complaints from customers that it's too dark and they can't see well, and we've tried everything to fix it, a desperate combination of lamps LEDs, and fairy lights, but no matter how hard we try, how many blinds we throw open, it's never bright enough.

The Eye:

Remember that employee room I mentioned with the monitors? Workers are instructed to sit in the room (control room) and watch their designated cameras. This is not a security job. Off the top of my head, our (relatively small building floor) has about 30 cameras. There is no where in the building you can be that doesn't have a camera. Even the control room has a camera so we can watch the employees watching people. Some of the cameras are on (all the cameras are always on, with the only way to shut them off being to physically rip them from the walls) but we have yet to find out how to access their feed. The cameras like to frequently switch, in that I mean their security codes, IPs, and registration numbers will jump and switch with each other to no rhyme or reason. When that happens I have to grab the notebook dedicated to writing down whatever this weeks IP numbers are and attempt to metaphorically shove the cameras back into place. We are not a security job, but we are, if you didn't know or guess, an escape room. The entire job, as I previously mentioned, is to sit and watch people freak out through the cameras. Everywhere a guest turns if they look up, there is a camera. Every word they say is recorded and logged. Every action they take is carefully judged. All while a worker sits in a completely dark room, all day, watching their designated cameras intently. I think, for the sheer inherentness of what this business does and advertises, we are the most closely working with the eye. I am one of the managers now, and there are even cameras pointed and trained at where I sit, even thought there shouldn't be anyone to watch them.

The Lonely:

This one applies less to our customers and more to the poor employees. This job is soul crushing. You can go an entire shift, sitting alone in a small dark room, watching people have fun, as you silently observe. I have thankfully graduated out of the control room into front desk, and yet I can go entire days not seeing a soul, watching people chattering as they enter and exit our neighboring buildings through windows that never seem to catch the sun. The "employee area" where we are supposed to be able to hang out in between games isn't really built for socializing. It has been overcrowded and shoved with chairs, so many fucking chairs, that it becomes near intimidating to try and navigate. The most use the room sees is when an employee shoves some of them together and takes a nap, because there is nothing to do. It's not like the employees don't like each other either, we all get along wonderfully for the most part, as well as coworkers relatively around the same age can (helps that we're all queer too), but once you're halfway through a shift, and absolutely nothing of interest has happened you start to drift. A typical lull between games (which can stretch for days in the off season) will usually result in me sitting alone at front desk, answering an occasional ghost call that hangs up immediately when I answer it, an employee sitting in the back area, surrounded by empty chairs facing the graveyard where we write old employees names, and another employee choosing to nest down in the control room, in the dark surrounded by monitors reflecting myself and the other worker being alone, angles scattered across the dozens of cameras. Even when we are busy, there's almost no time to socialize. I still sit alone at a front desk made for two, mindlessly checking people in with no altercation to the script, and the game hosts focus on their game, crammed into the control room with several other game hosts, all willingly silent as they watch whatever designated family they have through their cameras.

The Spiral:

Again, we are an escape room. The whole appeal is to present ourselves as confusing as possible. From room layouts, to our hallways, to the way the building wraps and twists, dumping people out at one door, opposite of where they just entered from, it is designed to drive people crazy. Honestly we don't help either. For our own entertainment, game hosts are particularly obtuse and confusing, partially because we don't want you to get out too early and partially because we have been watching the exact same thing over and over and over and it's starting to drive us a little crazy. People always do the exact same thing in the rooms, there's very little variation from the jokes made the to ideas brought forward. So if the game host wants to keep a little sanity, it's up to them to reek havoc on their game in hopes of startling out a new response, which, if one does occur, gets snapped up and thrown around the control room to the other employees for a slice of entertainment like a sliver of meat thrown to a starving pack of dogs.

The Stranger:

The doll room. Not a traditional "the stranger" kind of presentation, but gives that same prickling unnerving feeling.

In the exact center of the building layout there is a tiny room that is decked in as many old porcelain dolls as possible, all strung up from their necks and twisting around gently in non existent wind. Walking past the only physical door into the enclosed room, you'll usually hear the door rattling in it's frame, or one of the dolls knocking against the door. The room has no vents, no fans, no overhead lights. It's only light source is two red light bulbs, and the room was custom built by our owners. And like, I get it. It's an escape room. There's a creepy room. 1 + 1 equals 2. I cannot even being to describe the feeling this room gives or brings. Almost every time there is a group in there, one person in the group will become more unnerved then the rest, because one of the dozen of dolls looks uncomfortably similar to a doll they or a family member had as a child. The doll will sway on it's string noose as the cameras pick up the trickle of "doesn't that one look just like grandmas doll?" "this one kinda looks like my Betsy doesn't it?" with a chorus of agreements and half given glances, as the rest of the group gets absorbed with the next puzzle, and the single member who brought it up stares, and eventually leaves the room, typically not reentering the rest of the game. It is the strangest thing to watch (no pun intended). Occasionally, the similarity is met with delight, but more often then not it just seems to unnerve. The doll room also shares a wall with the control room, which means nothing, but is occasionally fun to kick.

The Web:

There's the obvious ones, our rooms are meant to trap people, the game hosts jobs besides watching the cameras is to manipulate the line of thinking the customers have, ect, ect. The most unnatural thing to note here isn't the standard workings of an escape room however, but the sheer vast amount of spiders in this goddamn building. I have never seen so many spiders in my life. We can't shake them. From how disgustingly rotted our building is at this point I think the spiderwebs are one of the only things keeping our building together. Again, we have an exterminator come by every single week both in and out of the building. The spiders refuse to let up, every day is a constant battle of knocking down their webs only to turn around and see they've put several more up. We've all but given up on trying to get them out of the employee only areas and now focus our war to the battle grounds of where customers can see to only mild success. This isn't even a regional or habitat thing, no other building I have lived or stayed in in this town has ever even come close to touching the spider infestation happening here.

In terms of other entities such as the Hunt, Slaughter, and Desolation, I can think of a handful of things that might align my job and them, but nothing solid enough that's worth mentioning. There has not yet been anything that reminds me of the End, Vast, or Extinction.

Other things to note,

Quitting is weird? People do, don't worry it's not a genuine hostage situation, but once they leave they are very rarely every sighted by coworkers again. I don't just mean not visiting the building, I mean like going completely off the grid and moving states if not in some cases countries. The entire time this business has been open and operable I've been the longest standing employee, at a record 4 years of the 7 it's been open. I could not name a single employee that has ever truly quit and has been easy to contact again by anyone. If you are able to, it's usually polite conversation with any mention of how you know each other (meeting at the job) being laughed and shut down quickly. No one whose left this place wants to talk about it and I get it, believe me. When we get an influx of summer employees to help with the rush the heat brings, I'm no longer allowed to help train because I would try warn the employees to pace themselves so they didn't experience Game Host Death too early (what we call when a game hosts snaps, having watched the same thing over and over and eventually loosing their mind over it, resulting in crying when told they have to run a game, weird twitching/manic-esque break downs, or in some memorable cases, game hosts just walking out in the middle of hosting a game). This is incredibly ironic considering the majority of employees have admitted the only reason they stick around is because they like working with me but I'm not here to toot my horn. There's also a large collection of employees who are neither employeed nor not, who have moved an hour or so away and have gotten a different, closer, better paying, and enjoyable job, and yet inexplicable will show up once in a blue moon asking for a shift at the escape room for no other reason then they felt compelled to. Typically anyone whose worked here for more then a season falls in this category. Currently we have four official employees for the off season (including myself) and yet if I count this stragglers who all genuinely hate this job (also including myself) our employee numbers easily go over 20. I cannot even imagine what the owners taxes look like for that (all paychecks and stubs are handled by a women who I have only ever emailed and never met). The owners themselves actually don't even live in the same state as us, and we are not apart of a chain. This is the only escape room they own. They're main business? Sheep farming. Which actually, that might be the slaughter right there. Despite working for them for so long, the amount of times I have met them can be counted on one hand. They are completely uninvolved, this business is no mans land. I've thought about quitting multiple times, even briefly lived in another city states away, and yet still found myself back, inexplicably every time I think about leaving again a nice little bonus or raise hits my paycheck, a system I can't really complain about. As for the other managers, I've outlasted several. The only way I have ever seen anyone on the management team leave is to have the biggest mental breakdown known to man and disappear. That's literally it. I've watched it happen so many times. The only employee that came close to being here as long as me was my original manager, who, a couple of months before she left, started loosing her mind, twitchy, paranoid, at her wits end. She isolated and locked herself in one of the rooms for about a month, only emerging at the end of the shift. I tried to approach her once about it and she shaved her head as a panic response. This fucking job, it was choking her from the inside out. Eventually she couldn't handle it and left, effective almost immediately. In the span of a month I watched several new managers cycle in and out, from the women who would sit behind me and silently cry, to a previous employee who realized the jail cell of a role she was being forced into an dipped before the owners could lock the door on her. The current manager is the ex fiancee of the women who locked herself in a room for a month. The horrors are a cycle fr

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galactic-glamour-girl-posts · 9 months ago

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The Animaniacs Shared Universe (A.K.A The Tooniverse)

It goes deeper than you think!

(I put way too much thought into this lol)

Tier 1 - Mutually Canon (They definitely share a universe)

I'll be separating each property mentioned into tiers (hey I told you I put too much thought into this). This tier is for properties where characters from Animaniacs have shown up in them as themselves, and vice versa. These have to be more than just references. No parodies, knockoffs, cases where the characters exist but are fictional in universe (as in they're not toon actors, they're fictional cartoon characters with no thoughts of their own), etc. These are part of the ASU, no question.

Tiny Toon Adventures

First, there's the fact that Ralph debuted in Tiny Toon Adventures, before he became a recurring character in Animaniacs, although he was unnamed at the time:

Then, once Animaniacs started, characters from Tiny Toon Adventures would often make cameos, and Animaniacs characters would cameo in Tiny Toons' post-series specials:

Before I move on to the next property, although most of the properties mentioned in this post don't always adhere to continuity, I still only want to provide evidence from content that at least could be considered canon, so while I feel obliged to acknowledge the existence of "Pinky, Elmyra and the Brain", given that it isn't canon, it's depiction of how these characters share a universe doesn't really matter.

Pinky and the Brain

A pretty obvious pick, given that Pinky and the Brain were initially just Animaniacs co-stars before getting their own show:

Their spin off series has plenty of references to Pinky and the Brain's adventures in Animaniacs. Also, Phar Fignewton, Billie, and other Animaniacs characters all make appearances (with Billie and the Warners appearing multiple times):

Those in addition to the series finale ("Star Warners"), where the cast of Animaniacs reunite to do a sketch that parodies Star Wars, make it clear that the spin off definitely takes place in the same world as Animaniacs.

Freakazoid!

This show is more removed from Animaniacs than the previous two properties, but Wakko and Brain show up in Freakzaoid, and Freakazoid shows up in Animaniacs and Pinky and the Brain, so it's in the ASU alright.

Space Jam/Classic Looney Tunes

I realise that Looney Tunes in general doesn't really have a "universe", just various iterations/reboots. So the versions of the Looney Tunes I imagine exist in the ASU are the ones in the Space Jam movies/classic shorts (or pretty much any version of them that are toon actors in the modern world).

The Looney Tunes appear or are at least mentioned in Animaniacs multiple times:

Space Jam is alluded to in the Pinky and the Brain episode "Inherit the Wheeze", and the Warners are in Space Jam: A New Legacy (their water tower is even placed in Looney Tunes World in the movie).

There's also the fact that Tiny Toons is an official Looney Tunes spin off, so presumably if Animaniacs shares a universe with that show the Looney Tunes should therefore exist as toons in the ASU.

Tier 2 - Implied/Headcanon (They could share a universe)

For cases where Animaniacs or another ASU property implies that they share a universe, but this isn't done the other way round (for example, if a character from the property appeared in Animaniacs, but no characters from Animaniacs appear in their franchise). This can be done via references, cameos, mentions, etc., but they have to come off as more than just references/jokes, they have to imply characters from those properties really do exist. Basically, the Tooniverse may consider them canon, but the feeling isn't mutual (yet, at least).

Mickey Mouse & Friends

For this franchise, when I say they might "share a universe" it's assuming the context is that Mickey and Friends are also toon actors in the real world, like the Warners, Slappy, Bugs, etc. I'm also including Goof Troop stuff, Donald Duck universe stuff, etc. WB cartoons reference/take shots at Mickey/Disney ALOT, so I'll only talk about a few references that imply that Mickey, Minnie, etc. are real people in Animaniacs.

Slappy mentions attending Daisy Duck’s bar mitzvah in a season 3 segment called "Gimme a Break", so that implies Daisy, and therefore the rest of the gang, really do exist and aren't just fictional characters. She also mentions Huey, Dewey, Louie in the same episode. She mentions these characters while delirious, but one of her gimmicks is being reminded of younger versions of other cartoon stars she's met, so who's to say she hasn't actually met them?

Dot says "Why don't you go bug the kids on Goof Troop?" to a nanny in another season 3 segment called "The Sound of Warners". Again it's just a mention (and a sarcastic one at that), but it does imply that they are real people in their world.

DuckTales has been mentioned a few times; by Pinky in "Opportunity Knox" ("Egad, this is better than a DuckTales episode.") and Yakko mentions the DuckTales reboot in "Suspended Animation - Part 2".

These references alone don't imply Scrooge, the triplets, etc. are real, but alongside the previous references, it does seem to imply that the cast of DuckTales are animated actors in this world too (Animaniacs, the show, exists in-universe too yet the Warners are real people).

All these and more just seem to repeatedly hint that Mickey and his pals are toons in Animaniacs just like the Warners, but since they're from another studio we can't see them onscreen.

This is supported by the possible presence of…

Roger Rabbit

Ralph greets Roger as he enters the lot in the limo (presumably with Jessica) in Tiny Toon Adventures, and although we don't see Roger's face and he's wearing grey gloves rather than yellow ones, Ralph explicitly refers to him as "Roger":

He shows up again later:

OK I admit this one's kind of a cheat because this guy could count as a knockoff (different clothes), but think about it, if he is just supposed to be a knockoff, why hide his face? Why make sure we never see him up close? He's one of the only supposed knockoff characters they do this with. It just implies that this is actually supposed to be Roger, but for the sake of copyright they keep his face away from the camera, since Roger Rabbit is considered a Disney property.

Mickey, Minnie and more appear in WFRR, which goes perfectly with the implication that they are toon actors in Animaniacs. It’s also one of the only properties where both Bugs and Mickey exist (or in Animaniacs' case, Mickey is implied to exist) in the real world as themselves and not parodies or fictional characters. I'm just saying, Animaniacs and Who Framed Roger Rabbit being taking place in the same world would make sense, considering they are both about toons in the real world.

Plus, Steven Spielberg directed Who Framed Roger Rabbit and even voices the "knockoff". I think it's only fitting the movie that got him invested in directing animation shares a universe with the rest of his animated work.

Tier 3 - Reaches/Outside References (It's possible they share a universe, but unlikely)

For cases where a property implies/shows that Animaniacs/ASU characters exist in their world, but this has not happened the other way round. This tier is also for cases where the property has no canon and hence can't share a universe.

Histeria!

Some of the character models that were used in Histeria came from Animaniacs (like ones for caricatures of historical figures such as Michelangelo and Ludwig von Beethoven), and some Animaniacs characters are mentioned/seen in Histeria!:

So why isn't it in Tier 1?

Two reasons. First, in regards to the character models, this seems to be a case where they just reused background character designs rather than intentionally putting an established character in a different show. For example, the World's Oldest Woman was not given a name until Histeria! and was slightly redesigned, and Ludwig von Beethoven has a different voice in Histeria!, so they're not really official appearances of those characters as their Histeria! selves. Yes that's a similar situation to Ralph, but the difference is that the background characters have completely different roles in Histeria! whereas Ralph is the WB security guard in both Tiny Toons and Animaniacs and looks exactly the same (Frank Welker even voices him in both). In the case of the historical figures, two properties depicting the same historical figure does not mean that they share a universe.

As for the Animaniacs references, Histeria has no canon. It's not like Looney Tunes and Space Jam where there's at least a duology of films where one continues the story of the other. There are recurring characters and gags but each episode is completely standalone (different settings, time periods, etc.), unlike most of the other properties which are episodic, but do have continuity (Miss Flamiel is hired in her debut episode and continues to be the Warner's teacher in later episodes, Snowball buys Microsponge in season 1 of PATB and still owns it in season 4, etc.) Histeria! exists in it's own little reality-warping world. Therefore any references to Animaniacs are just that: references.

Teen Titans Go!

Yes, really.

Starfire mentions that the WB water tower is where "the Animaniacs" live in "Teen Titans GO! To the Movies".

(Yes they make the mistake of calling the Warners "the Animaniacs" when that name is meant to refer to the entire recurring cast of the show, but to be fair official Animaniacs media has made this same mistake so whatever.)

And before anyone thinks "Well she's an alien who probably doesn't understand that cartoon characters aren't real", TTG is yet another show where toons are actors in the real world. This is confirmed in multiple episodes, such as their Warner Bros. 100th Anniversary special:

So Starfire knew exactly what she was talking about. The thing is, the Warners themselves don't appear in any episodes of the show, neither inside or outside the water tower. However, the Animaniacs cast may still exist as toon actors in their world. This is implied by:

TTG'S ACTUAL CROSSSOVER WITH FREAKZOID. Granted, he is sort of treated as a fictional character, but in a meta way that would fit right at home in an episode of Freakazoid. The toon actor reasoning can still apply. The point is he's interacting with the real world and doesn't only exist within a TV screen. However, until TTG itself is referenced in some way in either official Animaniacs media or some other ASU property, these are just references.

I realise most of these were probably just seen as fun cameos and/or references and nothing more, but the idea of the Warners and Bugs Bunny canonically being co-workers who have known each other for years, or something like Dip actually existing in their world, etc. just feels right. Helps the world seem...larger, and more developed! (Goodnight Everybody!)

Ahem. Anyway, this was post fun to think about, and only slightly less fun to make (f#@% the 30 image per post limit).

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