#I have more authority on this than most of the people I've seen actually ranting about it: I have seen only one singular person who was als

[makerofmadness]

I decided for fun to show my dad (iranian and muslim) the stuff about the crob update and ask for his thoughts and the fact that he wasn't offended by it either had me convinced that the outrage it's been getting has been primarily by people who aren't middle eastern or muslim

btw I have the screenshots:

I'll update when I ask my mom for her thoughts too but for now: please, don't just throw around terms like that at innocent things, you only end up weakening their impact and people will take you less seriously when something actually offensive shows its ugly head

edit: got one reblog in fudging December and like Can we please move on this stuff is long over I just want to enjoy the funny centipede lady that I kinda kin and tbh I was a bit TOO defensive during this but I still feel like people didn't handle this well like this is basically just like. If you feel the need to boycott the entirety of cookie run for just one update but can be an encanto fan despite Aladdin also being a Disney movie (and being worse than the Yogurca stuff in my opinion) as well as being made by westerners while CR is an eastern game (albeit Korean specifically and not like Middle eastern) then like. I question your priorities and why you're being harder on this game. I guess. Idk maybe I'm just an idiot I'm not some big media analysis expert (but I do have my own problems with Yogurca as a setting don't get me wrong I didn't really talk about this much but. Like I'm never gonna try to claim it's perfect I just don't think it's unsalvageable or that anyone who likes the characters is bad)

[corkinavoid]

Hogwarts??? So you hate trans people then, if your supporting jk

First of all, it's 'you're', not 'your'. If you want to accuse someone of something, then at least do it in a grammatically correct way.

Second, that's a lot of conclusions for no apparent reason.

Third, don't like - don't look, the 'block' button exists for a reason, and I'm not here to provide a comfortable experience for you. You're the one responsible for that part.

With that out of the way, let me rant about how much I fucking despise J.K. Rowling.

Let me get this straight, though, her stance on trans rights is not the first or the main reason for my dislike. In all honesty, I don't have enough care in myself to touch internet drama with a ten foot pole, so all I know about it is that apparently Rowling hates trans people, which, yeah, fuck her.

By the way, what do you even consider 'supporting an author'? Buying their books or merch? Liking their Twitter posts? Defending them on social media? Because I've done literally none of that. I haven't even watched the movies, and I've never read the last book, because at the time it wasn't published (or written yet), and by the time it was, I was already into Eragon series and didn't care about Harry Potter.

Now, to the important part.

I fucking hate J.K. Rowling because of her absolute lack of comprehensive worldbuilding. She sucks at creating a logical system of magic, at her own world's history, economics, and politics. Nothing in her books makes sense.

Why do the wizards need wands? Why do they write with quills on parchment when there's paper and notebooks and goddamn ink pens and color pencils? Why don't they teach math in Hogwarts? Why don't the teachers have, like, some introductory lessons or at least books for muggleborn or muggle-raised students? What the fuck was that 'power of mother's love' bullshit? Where did that story about Peverell Brothers and Death come from, and why didn't anyone think to mention it when Harry first got the Invisibility Cloak? Why in the world is the entrance to the Chamber of Secrets in the girl's bathrooms of all places? Why is there a subject for Ancient Runes but no one fucking uses runes? Why didn't Harry sign up for Muggle Studies, it would have been an easy grade? Why was Hermione the only one to have a time-turner in the whole school, she was fucking thirteen, what was McGonagall thinking? Where are any kind of PE lessons? Why the everloving fuck was Triwizard Tournament held at a school, with teenagers participating? What's more, why couldn't they choose the champions beforehand so the visiting schools didn't have to transport their whole student bodies over for a year? Why were they fighting dragons when it's common knowledge that no sane adult person would dare to do that alone by themselves? What was that arch in the Ministry where Sirius died? What the fuck was even going on for the most part of the series?

None of it makes an ounce of sense. Every fucking event in the books is a product of poor imagination and lack of logic. Rowling is fucking dumb as a brick. I've heard five-year-olds come up with stories that had more reason than the whole Harry Potter series.

Have you seen the 'map of wizarding schools' she came up with? That thing makes me feel the rage of a thousand men. One single school for the whole damn Africa? Bitch, there are over fifty countries there, each with their own language, how do you expect them to communicate? Not to mention India and China having one school for both of them, do you have any idea of the population of both of those countries? That school must be, like, a size of a city, not to mention culture differences and language barriers again.

Also, what was that fucking thing about kids flying on whole ass trees instead of brooms in Koldovstvorets, that one offends me personally. Not to mention the actual name of that school, because it translates to 'magic palace', are you kidding me?

I can keep ranting about this for hours, and never run out, but this is getting rather long, so I'm going to wrap this part up. Just know that the whole of Rowling's worldbuilding is a ton of bullshit that has no right to be as popular as it got.

Yet, I do like the general idea that she had. The magic world that is hidden inside the real one, the whole charms and spells aesthetic, a castle full of secret passages, and all that old classic English vibe to it. It could have been good. It could have been marvelous, if Rowling had, like, a few more braincells. Alas, she didn't, and here we are.

A few years ago, I've found a fic on ao3, 'survival is a talent' by ShanaStoryteller. It's a Series Retold, and it's incomplete. If you haven't read it, I really advise you to, it's perfect in a way the original will never be. Ever since I've read it, I decided that that fic is my canon version of Harry Potter.

On a different note, I think that at this point, HP fandom and J.K. Rowling exist in two different dimensions. That woman had created a world, yes, but it doesn't belong to her anymore, it belongs to everyone who enjoys it. She clearly doesn't, she only enjoys the profit she is making from it.

If you've made it this far through my Harry Potter related rant, thank you, and have a beautiful day <3

[atopvisenyashill]

What are your thoughts on GRRM’s new notablog post on HOTD S2?

omg i'm sorry so i did not get notified that i had a few new asks, i didn't even see this until i logged in on desktop. tumblr eat shit smh.

ANYWAYS.

I actually agree with Xiran Jay Zhao, here, where they said this was a warning shot. It feels like a warning shot. Like a "hey I'm being nitpicky and pedantic now but if you think I won't go scroched earth you got another thing coming." I've seen so much "this is unprofessional" "this is annoying" "why is he complaining" and I think it is not only mind boggling to side with a corporation and the idiots running these shows (and we know I mostly like Condal and Hess, but come on Condal was the mastermind of Sansa Bolton why are we defending him right now!!), I think everyone is blowing his comments wildly out of proportion. He didn't take a dig at anyone but the writer's room and more specifically Ryan Condal, who he has had a working relationship with for well over a decade. He didn't shittalk any casting, he didn't shittalk any specific writers or directors except one of the main showrunners, he compliments the special effects, he has consistently had (and imo is careful) nothing but praise for the actors, even minor roles like Blood & Cheese. This was an incredibly milqtoast "please remember that every change has huge affects on the narrative later" critique and the people handwringing over his behavior are absolute losers, I'm sorry.

And beyond the fact that he didn't make any huge digs, I think this conversation also wildly ignores the way authors have no control over their own characters once they sign the rights over. They can be completely bamboozled by changes and they have no recourse to go "what the hell are you doing." And yet, signing your book's rights away (even if the production sits in developmental hell for decades) is usually what nets these author's the most money - GRRM surely makes a shitton off his books, but most authors get paid absolutely nothing even when they're wildly popular because of how book deals work now. Take, again, Xiran for example - Iron Widow was a huge runaway hit, a good and fresh take on this new boom of culturally based sff. And yet Xiran has talked about how they immediately set to work writing a middle grade novel because they desperately needed the money because they got paid 16k over two years for their runaway hit that made their publishers significantly more than 16k. I think George is not only mad for authors with less control than he has but also, obviously, for himself - I've said time and again, but I do think Dark Daenerys is where we are headed, and the fact that they completely botched showing it has got to smart. And if the ending for Dany is anything other than Jon killing her, that has got to smart too. So he watched these people fuck up his original series and push him completely out of that writer's room as they made more and more changes, and now he's watching s2 of HOTD and seeing some changes and getting some real bad vibes. It's not doomerism to think s3 is going to go massively off the rails when we have seasons 6-8 of the main show to show us just how off the rails it can go!

So anyways, that part of my rant over (and please believe me when I say I checked myself here because I could rant for hours about how it's genuinely so upsetting to see people call him unprofessional over this when not only did he write the fucking series, but he's lived in this series for three decades!!!!! this is his whole life, this is his legacy, of course he's feeling some type of way about how it's handled jesus christ on a cracker, there's people who have said worse about their mediocre nyt pushed bestsellers getting adapted badly!), when it comes to the actual meat of his post....I'm sorry idk how anyone is annoyed by this post because it was hilarious to me. He spent a whole blog post whinging about how Dead Baby #4 and Kingsguard Man #12 are gonna get cut out of the show. I think he framed it in that goofy way on purpose to hide how annoyed he is but you can see where the real annoyance lies - the changes to Helaena, losing one of his grisly death scenes, and being willfully mislead about potential changes to the plot. I think a lot of people missed those points but EYE am not a goofy ass like those people and I can guarantee you that Condal and HBO got the point too.

Of course, I do think he is also irked about Maelor and Ser Rickard's scenes being cut out. He wrote a long ass, highly meticulous, near unadaptable work, and I think when he handed the IP over he assumed he was giving it to people who would rise to the challenge and only make cuts when absolutely necessary. And that just clearly hasn't happened. Incredibly important characters get cut, main characters get their plots wildly changed for no reason, and people get personality transplants on a near constant basis for no other reason than D&D and Condal thought it would look cooler. I think if there was more dedication to keeping him in the loop and keeping true to the story, he wouldn't have bitched so much. But Hess is on record saying she doesn't feel loyal to the story and at a certain point, you reach your breaking point there and I think he has finally reached his. AND GOOD FOR HIM. LET THAT OLD MAN GO APESHIT THEY'VE COMPLETLEY FUCKED HIS WORLD UP!!!

[theheirofthesharingan]

If you care, do you have any thoughts on Obito? Like him? Dislike him? Neutral? Any character analysis?

I don't really feel anything strongly about Obito. I like to write him in my fics, but only his Madara personality because it's so badass. The rest, I wish I cared about him enough. It's also because his whole story unravels in the war arc which happens after Itachi's second death. And at that time, I'd lost interest in the anime (and then manga altogether). I genuinely can't remember most of the things that aren't about Sasuke or Itachi. I would have cared about him more if the story focused a bit on him and Sasuke. That doesn't happen at all.

My opinions (ranging from indifference to criticism) come from the fandom's perception of him, where people en masse tend to either overlook or justify the horrible, unforgivable things he did, while also piling hate on Itachi. I've seen plenty of people here on Tumblr with the opinions "I love all Uchiha except for Itachi." or "All the Uchiha are hot, except for that Konoha bootlicker."

So this response will be a rant for all that I've seen.

I'm very much aware of his trauma which founded the base of all the things he would go on to do in the future. He was a good kid, who had a lot of kindness in his heart. But he didn't want to be the Hokage because he was good and wanted to change the world. But to prove himself to Rin. Not a bad motivation, considering he was just a kid, but nothing heroic about it too. Although, Madara took advantage of his love, innocence, and goodness to turn him into the bad guy whom we met in the story.

The problem with Obito is that he thinks he's the first person to acknowledge the world is a messed up place, and he needs to change it. In the process, he ends up making it much, much worse than it was before he pulled the things he does in canon.

This moment reeks of something more than the acquaintance both the men shared. Were they working together? Were they co-conspirators? There was something more going on with Danzo and Obito, and I have a theory that kind of works. Kushina's pregnancy was supposed to be a secret. It's likely Obito learned it from Danzo. But it is also likely Zetsu helped him.

Either way, there's more to his and Danzo's relationship than what we think.

The Akatsuki were founded to establish peace and end the conflict. But Obito, who wants to actually change the world, had Akatsuki's founding members manipulated too.

He also controlled the Mizukage, becoming the de facto leader of Kirigakure.

So, the man had the authority, the powers, the strategy, and all the resources, but he still uses his pain to make the things worst, just because he went through it.

He also knew the reason that Kakashi was not responsible for Rin's death. His anger is understandable, because the person he loved the most died at the hands of the other person he cared about the most. But he rationalises his actions and thinks he's doing the things for the betterment of the world where he and everyone can live happily.

Meanwhile the things he does are:

He's the reason Minato and Kushina died. Naruto becomes orphan and Jinchuriki because of him.

He was planning a war on Konoha, unprovoked. Conspiracy with Danzo is very much a possibility.

Itachi's entire life was destroyed because of him. Sasuke's entire life was destroyed because of him. Naruto's entire childhood was made miserable because of him.

Nine tails attack was totally unnecessary and killed a lot of people.

Fourth World War which killed thousands of people.

Akatsuki is said to have destroyed a lot of villages. All at his orders?

He also slaughtered the Uchiha clan along with Itachi.

Have I missed something? Let me know, please.

He was basically, I suffered so much. Why not make everyone else go through the same pain as I did?

I give Naruto characters a lot of benefit of doubt. A lot. But it doesn't work for Obito in my head. Madara and Pain becoming villains had a strong reason, but Obito, nope. You can't always let your childhood trauma drive you and make decisions for you, especially when you're an adult, but Obito did. He continued to justify himself until the very, very end.

Nearly all the evil things Danzo does have an unequivocal involvement of Obito too. In fact, while their goals might differ, their reasonings are the same. Danzo spent all his life manipulating and using vulnerable kids. Obito does the exact same thing. I'm going to sound like I'm high, but the evil things we see Danzo do were, in fact, a response to Obito's evil.

It's just Danzo had no reason to do the things he did and Obito was manipulated. But, like I said, you have to grow up at one point in your life, which he never does.

Many people consider him a good villain, but I find Pain better. That's just my preference to him as a character though.

I'm mostly indifferent towards him, until some Uchiha fanboy/fangirl on Tumblr (I'm active on Tumblr only) sprouts the "Obito wanted to change the system" and "Itachi was a Konoha bootlicker" bullshit. Then, I am going to come up with these opinions, because no, Obito was THE man responsible for Itachi becoming who he was.

Obito was a villain for a reason. His sob story personally does nothing to me because of the reasons I mentioned earlier, and also because it's "my crush died and it's the end of the world for me", when we also had Sasuke (who had stronger reasons to be worse than Obito) or Itachi, whose pain could have turned him into someone entirely a different person, but he not only had a self-awareness, but also lacked the tendency to prioritize his pain.

And then, this, this is the way his story concludes?

Well, imagine all of the lives he willingly took, all of the lives he deliberately destroyed, all of the pain he caused, only to have been forgiven for all the horrible things and have this kind of ending? And then also be a beloved character most of the fandom views as a "broken hero."

Not everyone is as lucky as him, you know?

Anyway. Like I said, I don't hate or like him. This is just the critique based on what Manga says. I haven't included anything from the novels, in which he's much more sinister. If one has anything to say, I'd like to hear it, but insults won't be tolerated.

[imagine-shenanigans]

I've got severe brain worms from @391780 's fic Into Your Veins, and now I'm thinking of all the different scenarios where the 141 are also monsters in the apocalypse. like. obsessively. Also fat/chubby reader because mmmmmm yaes <3

Also this is basically just rambles and ranting over ideas for like, however long this got i didnt actually check teehee

We already have vampire simon so I won't touch on that because that is Specifically Their Brain Worms but I can't stop laughing every single time over the sunflower seeds incident (and every other similar one).

//

Soap as a werewolf is soooooo funny to me. Like he's constantly in this battle of "Don't swallow don't swallow don't swallow" whenever he rips a zombie in half with his teeth in wolf form and then confusion as to why people would think he's possibly infected. "Wdym I'm infected I'm just a little guy. I'm so cute. I wouldn't ever do anything. Smiles." He can't cover distance like Ghost or Gaz can, and sure he doesn't have the same authority that Price does, but he's a damn good soldier, and he's got some of the most sheer brute force on the team. So when Price tells him to start scouting in an area for survivors, he does! He's very thorough, combs over the area with a precision that would make most soldiers weep with jealousy.

He ends up scenting reader before he sees them, watches their little house from a distance. He's not patient like Simon, but he does watch reader for awhile, watches them surviving, all on their own in this little plot of land. Ends up watching your plush hips sway as you set out the laundry to dry. He's mesmerized, as he watches the sweat drip down your skin while you reinforce a few of your traps, go over the house with a fine toothed comb. You can't see him in the shadows, but by god is he seeing you. (And your ass - god he can't stop staring.)

He's not nearly patient enough to wait, so he waltzes right up, thinking his charming smile and accent is enough to win him some brownie points. He's halfway through a pickup line, maybe, when you level a shotgun at his face, completely unamused.

He's in love.

You refuse to go with him, but Price gave him orders and there's no WAY he's letting you go, not after he's seen your thighs and imagined himself using them as earmuffs. Not after he's thinking of a cute domestic life, providing for you like a good mate, and look at how precious you are, threatening him and -

and you shoot him.

Right in the chest, and thank god for the fact that it takes more than a few bullets to kill him because he's tearing through his skin in an instant, bones cracking and sinew melding as he quickly drops into his wolf form (which, jesus christ he's fucking HUGE) to help ease some of the pain and kickstart his healing process. He snarls right in your face and snaps your damn gun in half with his teeth before he tells you he'll be back in a week. (later, he feels bad, certainly, but only for frightening you)

You freak out, because JESUS CHRIST WEREWOLVES ARE REAL TOO????

Johnny's back in a week as promised, after spending a few days in bed and eating anything he could get his hands on all while gushing about the pretty little soft thing he's bringing back. He even goes out of his way to bring you a gift!!! He hunts down a deer on the way through the woods near your home, bringing dinner so he can butcher it and you can cook it because of course he's bringing you back for practical reasons but if he's going to court you no you don't need to know that.

You're gone when he comes to the home, every last item packed away and shoved into the back of the car he'd seen you drive. He's furious that his hard work will go to waste, so he helps himself to the rest of what you've got in the house and decides to store everything away for when he's on his way back to base. Fights his urge to track you down only for long enough to be practical, and then he's on the hunt.

It doesn't take him long to find you - he can run faster than your car can go cautiously while trying not to attract attention from a horde of zombies, and even though he's living he doesn't attract the same attention from the freaks that you do in a car with a gun. He tracks you down in no time flat, smiling as he taps on your window where you're parked inconspicuously to catch a few minutes of sleep.

When you scream, he laughs and waves, threatens with one clawed hand to slash the tires if you don't come out. Practicality wins in this case, and he has a long talk with you about coming back with him. He's sure he's just about convinced you when you slap him, throwing something at him that has him howling in white-hot pain. He can hear your apologies through sobs as you push him and he tangles with whatever you've thrown at him, trying to get it off in a blind panic, and you've driven off before he can stop you.

When he finally has a moment to breathe, the damn thing off of him, he realizes you'd tied together a small net of necklace chains - silver. necklace chains.

He's as angry as he as endeared, really. It's a game now, of fetch, of tag, he's not sure - he just ends up changing pace, gently herds you back in the direction of the base like a cattle dog. You're furious when he finally pops your tires when you're a good two days away from the base, just hefts you up on a shoulder and pats your ass while he walks with you. He's so smug about it too, and by all accounts, he's won your hand in marriage by finding you, whether or not you agree yet.

//

Now, I'm not as familiar with Gaz as I'd like to be (because I got introduced with Ghoap stuff for my entry into the fandom) so please pardon if my characterization is off but I do love him dearly and eat up all content I end up seeing of him.

I'm slightly biased with Gaz being a harpy because I just love the idea of him being a bird of prey like a peregrine falcon (and i think its bluegiragi who has the monster au of him as a harpy?) or a shifter of some sort like a panther or a cheetah (i'm biased towards cheetah actually, because I love the pictures/videos of cheetahs getting emotional support golden retrievers).

Since my idea for this isn't EITHER of those options, please consider reader putting spike traps on the roof for a bird Gaz like stores put up on their signs. He gets real angry about it for a couple days and then figures out exactly how/where to land so he can perch on your roof anyway, scaring the shit out of you when he's just sitting there, chin in his hands, with a shit eating grin when you go to make sure everything's alright on the roof.

Anyway, for this I'm actually thinking fae Gaz - he's been living amongst humans for as long as he can really remember. He's not a changeling, but his mum was fae and she loved his dad. He's visited the fae realm once or twice (and, as convincing as his mum is when he visits her, he nearly forgets about the time dissonance every single visit - none are as bad as the first time, when he had no clue about it, and ended up being gone for fifty years.)

He's sent to greet you when Ghost majestically fails, and Cap'n doesn't quite want to set Soap loose on the poor reader (yet). Ends up falling in love with how clever you are, soft hands slipping into gloves as you pile leaves over the thin nets over the punji pits and bear traps. He's military trained across multiple decades, he's seen all kinds of war (even though he's still relatively young in comparison - he stopped physically aging somewhere in his twenties, but he's barely been alive for like, fifty years) and he's seen all kinds of tricks.

He watches you pour over old books that you've either scavenged or already had, learning how to make simple, but effective traps. The older types of traps are such a clever idea when combined with new ones. The type doesn't matter much to zombies, but the combination of different types will keep humans (and others) on their guard.

He really really really intends to talk to you, instead of lingering in the shadows like a creep.

You end up seeing him, and through sheer luck (or wit, Gaz isn't honestly sure) when he asks that you give him your name, you say; "Give me your name first."

He's stuck at that one, because Gaz has spent years talking around subjects but this pretty little human just points a shotgun at him and demands his attention. He can't even think to talk around the reason he's there when he changes the subject awkwardly, and you insist on his name.

He can't give you his name, his power, not even his nickname, so it ends with him awkwardly leaving.

He's the absolute butt of the joke when he gets back to base after slipping into the trees (so embarrassed that he doesn't take the time to make sure you can't see him do it) and goes straight back to base utilizing a mushroom circle and the sheer willpower to not get distracted as he slips between realms. Makes a week long trek into an hour's worth of walking.

When he returns, he knocks politely, eyeing the newly replaced doorknob.

When he touches it, out of curiosity, he's gobsmacked to find out you've either found a new knob, or cast the old one in cold iron. He touches it three full times in complete disbelief, watches the skin on his hands grow irritated and blister.

You smirk when you open the door, make some shitty joke that he's pretty sure is a twilight reference that would make Ghost furious, and then you tell him you figured it out pretty quickly.

In comparison to Ghost and Soap, his romance is altogether extremely easy - he just keeps visiting every single day, calls you a nickname when you won't give him an actual answer.

He admires your caution, and falls just a little more in love when you call him something stupid like mushroom man.

In the end, what ends up convincing reader, I think, is that he fully gives them his name. It's akin to a proposal, and Gaz isn't quite sure how he feels when you don't realize it as you roll his name - Kyle Garrick on your tongue, testing it. You ask if you can keep calling him Mushie Man and some other stupid nickname and he laughs, presses a kiss to your temple for it. Says it's only fitting, and whispers your full name like a prayer.

He lets you stay in your home a little longer, as long as you need really, laces a misdirection hex into the branches that'll really only work on humans. He comes by every day, no matter what.

When you finally agree, he grabs your face and kisses you like you've given him the sun and stars and hung the moon just to illuminate his way.

//

For Price, I'm going to say dragon price because mmmm hot. Anyway I like to think it's a little bit of everything.

Ghost is the first - you find out really quickly that he fucking hates the counting trick you pull, so you're sure to carry a pocket full of something small just to piss him off if he gets too close. When you don't make eye contact (whether intentional or because you hate it) he's absolutely bewildered that this Soft Little Thing in the woods has so effectively blocked him from getting his job done initially that when he complains to Price, he puts his foot down. Says if Price thinks is so funny, he should send Johnny or Gaz out, see if they can do better.

And Price, sides hurting from laughing so much, agrees to make it Soap's problem next.

Soap returns, a net-like burn across his forearm from where you'd thrown tied together necklace chains at him. He's pissed, whines and moans for hours about how bad it hurts, and Price just snorts and tells him Shouldn't have tried to drag them out, then.

When intimidation and brute force don't work, Price lets Gaz have a go at it.

The man is practically radiating smugness as he goes to win, and Price is crying with laughter when Gaz comes back, his hands blistered and pride bruised. He clears his throat and says I think ah, I think they've just gone ahead and put every guard on the house they can think of. He does not tell anyone that the human ended up catching him in a net for half an hour afterwards, chiding him for the full thirty minutes about trying to open someone's door without asking.

(But Price knows.)

He ends up saying he's going to go deal with it himself to "Show them how it's done."

Really though, he's absolutely smitten with the idea of you. He knows that, given the time and will, his boys would absolutely bring you back - but he doesn't want that anymore. He has to see for himself the cute soft little human in the woods that's managed to catch all three of his best soldiers off guard because all three of them underestimated you.

He can't very well let anyone on base know (especially the civilians) what he is, so he waits until the dead of night to start flying - only does so when he's well past the point of being seen, even if it means he has to fly in his hybrid form, which is a little awkward when he doesn't do it as often.

He's a perfect gentleman when he walks up to your home at daybreak, letting his form go back to human.

He avoids every trap, tripwire, and camera that Simon and Johnny and Kyle had all warned him about so you don't have to spend your precious time and energy fixing them. He knocks on the door and waits until you open it, introduces himself as Captain John Price, love.

Apologies for the heavy handed attempts of his men as he stands on your doorstep. When you slam the door in his face he simply sighs and knocks again. And again, and again, until you finally relent and open the door back up.

He smiles, and asks if he can come in - you say no, and he smiles.

Love, if I wanted to I could push past you, I'm asking to be polite.

You freeze at that, trying to think, trying to evaluate. You're clever, he thinks with a pleased hum, half lidded eyes staring down at you. You sigh, and relent, finally - knowing that whatever battle that you'd be fighting uphill could at least be done over the breakfast you were starting to cook, and you didn't want to waste it.

Something twinges in John's chest as he sits at the table, and decides, like the rotten, greedy bastard he knows he is, that you're his. And not his like the rest of the people he's got, but his. You'll be his, no matter how long it takes him.

He lets you cook in silence, enjoying the mundane domesticity of it all, tucks into the plate of food gratefully, and feels like he's home.

After breakfast, John takes the time to ask you questions. About your past, about your hobbies outside of survival, how many things you've got that'll be coming with. When you remind him you haven't agreed, he chuckles and smooths a hand over your hair and reminds you that he hasn't asked.

You finally ask him what he is, and he blows a mote of smoke at you, watches the realization hit you before you go blank. A fucking dragon? You ask.

A fucking dragon, he responds.

John is extremely amused when you tell him to wait on the doorstep, and you go upstairs for something. When you come back down, you hand him a box full of jewelry (he almost laughs when he notices the amount of silver chains missing.)

He hands you the box back and curls a finger beneath your chin, calls you a silly girl/boy/pet and tells you that not all the stories are true. In this case, they are, of course- but he doesn't need to tell you that he hoards people, not things. That his hoard is every single person on base - doesn't tell you that his most treasured parts of his hoard are the three strong men who work directly with him, that he intends to keep them for as long as he lives, which will still be a damn long time coming, even if he's been around since before the middle ages.

You'll be his favorite of all though, he thinks.

He gives you a week, but tells you that his boys will keep an eye on you, make sure you're still there every day until he personally comes to escort you home. When you remind him, stubbornly, you are home, he laughs, and presses a kiss to your forehead while you stand there, bewildered.

In between that moment, and when you get back to base with him, I can't decide if its better if he ends up singlehandedly destroying a small horde of zombies with fire breath as the pits you've got full of traps fill up, or if it's better if he shows up with a box truck and a few men and they all end up moving you out of the house without asking. Maybe it's a mix of both - you decide!

But regardless, it ends exactly as he wants - you, tucked up into his lap as he reads reports and issues orders. He skips the dating and goes straight into being your husband - makes some sort of quip about being far too old (fashioned) to entertain the thought and goes straight to being married like "it used to be." Even though for a dragon he's still kinda young, hasn't even hit his comparative forties yet, actually. Even though it doesn't really matter, because as far as he's aware dragons don't die of old age so much as they die of other factors beyond their control. It's why he's so carefully cultivated his life towards survival thus far.

John lets you do whatever you want to keep you busy, the only real stipulation is that you come home to him at the end of the day. He's even quite respectful, really. He never touches you without your consent, aside from placing soft kisses on your temple or forehead, or cuddling up to you in your shared bed. (Which you say you only entertain because he's warm, and there's no heating in his room. But really, you love it when he holds you, and lets you hold him with no questions asked, all under the pretense of being half-asleep.)

He acts like he has all the time in the world for you to come around - and he does.

You'll be awfully sore later when you realize he's bound your life to his, even angrier when your teeth adjust and you can start seeing better. He'll pretend not to notice the changes at first to see what you think, and then he'll help you through all of them, cooing and sighing and rubbing into sore muscles as you learn how to control changing into your half-dragon form. Maybe in a couple hundred years you'll figure out how to fully transform into a dragon - maybe not.

[victimsofyaoipoll]

Round 2

Propaganda Under Cut

Annabeth Chase

I feel like fandom is kinda split on her with percabeth shippers loving her but any m/m shipper I've seen does not like her, really. She is my bae tho <3

Percabeth antis grind my gears so much because they never hate Percy, nono, even though he's arguably done more questionable stuff than Annabeth. Not everyone who hates her is doing so because of a mlm ship— the Perachel stans claim that Annabeth is a misogynist. However, basically everyone that isn't trying to ship her boyfriend with Rachel is trying to ship him with Jason, Nico, or her old friend Luke. They make her out to be this horrible abusive girlboss(derogatory) that she's simply... not. She doesn't insult Percy for having ADHD just because she's highly intelligent. She doesn't physically abuse him, and doesn't lay a finger on him outside of training. She's really devoted to him in a non-anti-feminist way. They just hate her for 'getting in the way' of Nico's convoluted attraction to Percy, or Jason's close friendship with him, or Luke's rivalry with him. But those relationships all flourish the way they were intended by the author: non-romantically. It's not Annabeth's fault for being intelligent or capable or jokingly snide or determined or any of those non-stereotypically-feminine qualities. She's just out here existing and people hate her for not being a man. Sorry for the rant.

She's canonically in a relationship with Percy Jackson for most of the books they're in, but he often gets paired in canon with other male characters, such as Nico di Angelo or Jason Grace. In fan fiction (especially yaoi focused ones) she's characterized as being a stuck up know it all, but she gets into plenty of shenanigans in canon and can be pretty goofy and sweet!

Sakura Haruno

Her husband is gay and her author doesn't know how to write women. So many people say she's the worst but she. DESERVES. BETTER!!! Save her from this franchise.

My baby girl my bestie my best friend. She committed the crime of um being written by kishimoto who both doesn’t know how to write women and somehow writes men in the gayest way possible specifically naruto and sasuke. Like the thing is naruto and sasuke ARE gay and also she gets so much hate for the crime of kishimoto writing her one dimensionally in love with sasuke. I know her personally she is a butch lesbian to me just trust me she’s in love with Ino and has a lesbian thing going on with Karin okay just trust me. My everything. She needs to divorce the loveless lavender marriage she’s in 

What is there to say, even? The OG Threat to my 90s anime brain, the only woman I've ever hated with such a passion she made me turn away from the color pink. I used to write fics with my friend where she got left behind on purpose so our OCs could join the Naruto and Sasuke team instead. I loathed this bitch until I was 16 and realized the author simply couldnt write women and decided it was time to make peace with Sakura. It is not her fault she's vaguely written and obsessive over Sasuke. She deserves better. Sasuke and Naruto still should be together and Sakura shouldnt be with Sasuke but I no longer believe this because I hate Sakura, it is because I love her. She deserves a spouse who will actually put in the time to treat her like the hero she is.

[aleksanderscult]

Today I will rant because I want to about that character and how he's treated by some

Lately the rapist comments about him and how he was selfish are getting multiplied which makes me both angry and sad.

When you have the author itself say that she saw the King and Queen as the real villains and that we can make a case about the Darkling's worst crimes then how do some people indirectly call him the worst thing that happened to Ravka and to Alina?

They only treat Aleksander as a villain, emphasizing his sexually creepy moments and selfish motivations and completely disregard the human side of him or his traumatic past.

The Darkling did not spend 500 (and possibly more) years of his life to protect his people and stop the wars for you to call him a selfish evil man. If you want to call someone selfish then look at Baghra that stays warm in her hearth and not giving a single fuck for Ravka. If you want to call someone selfish then take a look at the King and Queen who grow fat and rich while their people and starving and think that being orphaned is "marvelous". If you want to call someone selfish then look at Mal who wanted to leave Ravka and never look back (and in the meantime, it was his country that was in danger) or even Alina.

The Darkling was quite literally the only person that decided to take action for a persecuted group of people without wavering once.

You don't give a single glimpse at his tragic elements. You ignore them. But his isolated and traumatic childhood, abusive mother figure, near-immortality that made him witness people he loved die, rare powers that have isolated him further and desperation to see the Grisha being respected and accepted says hello 🙋.

You call us fans of the category "The Darkling did nothing wrong". Well, just because we don't talk about his crimes every day does not mean we don't know about them. We just decide to talk about the Darkling in our blogs as a human, tragic figure that was much more complex than his "evil" actions. If we wanted to read about the Darkling and his evilness we would read KoS and RoW everyday. Zoya, Tolya and Genya were orators of that. But maybe we just decided to look deeper than this. To cast light to the parts he kept hidden and were so human and still valid.

Some call us even misogynistic for judging Alina. I didn't know that just because we judge one fictional, female character means that we hate all women. Wow. For your information, most of the times we judge the way she was handled by the author more than the character herself.

But having people making the Darkling a simple villain with no humanity is probably one of the worst butchering of a character I've ever seen.

Some people literally took an intriguing, complex character with selfless motivations and turned him into a power-hungry tyrant. Bye guys 💀

I don't know. If you expect from me at least to post about how the Darkling was evil, a tyrant and a rapist then you are on the wrong page. I only write about the Darkling as human most of all. With tragic elements and human emotions and vulnerabilities that were actually there. But some people cannot read past the word "villain".

[starsyoungmistress]

Dear tomarrymort Authors:

You're great, keep doing what you do, you make my life (and other's) better. I love you (platonic)

But

If you change Tom's/Voldemort's or Harry’s name to something else, I'm sorry but I'm going to politely download your fic, converse it to doc and change the name back.

V-long text-V

((Disclaimer: I'm not telling you what to do, I'm just expressing my opinion. Your story is yours.))

I understand that you choose to change it because it fits your strory, or you like it better, or to say a little f u to ~her~... and I also understand deadnaming and that canonically Tom hated his name.. ((and as I'm talking about fictional characters please don't come at me about deadnaming))

But for the sake of my reading experience ((and maybe others relate too)) I need them to have their names or *very* specific ones. If not, even if I love the story and how the characters are depicted, the name would completely throw me off. Because I wouldn’t be able to see Tom and Harry in them, they would be just other characters for me, not them. And I want to read something of them not others.

For Tom: people tend to use Marvolo.. ((and oh how I hate that one..)) In my personal opinion, Tom would rather name himself Salazar than like his grandfather because I think from seeing how his uncle was, he would also associate the name with someone as disgusting Morfin was. And he already chose Voldemort as a name for himself. And... it just doesn't fit Tom/Voldemort AT ALL. Only names that I can read Tom as are Tom (obv), Thomas (more sophisticated imo), Voldemort (again obv) and Tommy (that's just cute, and there's very little fics where he's called that). And of course, the Dark Lord and My lord and other canon ones are ok too. Surname changes are mostly fine, I don't like Gaunt much because of its meaning, and I also think it doesn't fit Tom. Riddle on the other hand, even if it's a muggle name that he hates, fits him more than the others. ((Potter is totally acceptable c: ))

For Harry, the one I find most is Hadrian. I like it as a name and in very specific fics I can read it ((if he goes back in time and he names himself that, but allows people to call him Harry and Hadrian is not mentioned much / if there are two Harrys and one is og Harry)).. Harrison I guess is ok too, but again, if it's not used much and people keep calling him Harry. And the same happens to Henry.

In fics where Harry is female, Harriet is the most common one I see.. and that one is good, I like that one. But because the first fic I read of fem Harry he was named Holly I just keep going back to that one.. but unless it's a name I don't particularly like, with fem Harry I don't have much problems.

Harry’s surname unless it's a timetravel fic where he can't be a Potter I don't see why even change it, but as long as he's still named Harry I don't have much problems with his surname being different either.. I can perfectly read fics where he's Harry Evans or Peverell ((or Riddle c: )) I even read one where he was Hawthorne ((The fic that brought me into tomarrymort actually, and it wasn't even tomarrymort xD it was Harry x Narcissa))

And again just because in these fics they tend to make them kind of ooc, and that's completely fine, I can read most ooc fics, but if the characters are ooc and they're named differently, then they are different characters for me. And what I want to read is Harry and Tom, not other characters.

As a suggestion, a tag saying the name changes would be appreciated. Because I've seen some that do tag Harry’s name change, but most don't have any, and especially for Tom.

Anyway,

Sorry for the rant.. I still love your fics even if I don't like the name changes

💖🫂☁️

[sparkling-pink-lemonade]

I've been curious to look into Springtrap and Deliah, as I've seen some of the art of it and really liked the style, and hadn't previously heard of it. All I knew was that the relation between the two title characters was suspiciously close, and I was down to see more.

So when I see a video called "The DISGUSTING Truth About Springtrap and Deliah", I just think "oh good, an anti, now I know I'm gonna get all the juicy, hardly censored, invasive details". And I was so fucking right. Not only do I get a summary of the comic so detailed, that I honestly don't even need to read it for myself, but I get to see the drama around it in one sitting.

I just wanna rant about the stupidity of the video~

The creator of the video just keeps going and going about how abusive and creepy springtrap is, and how that would be fine if it was portrayed as a bad thing, rather than trying to "guilt trip" the audience into feeling bad for springtrap. Like honey, honey noo. That's the fucking point. This may be surprising, but even the most horrific people are still fucking people. They aren't one dimensional, mustache twirling villains. Plus, don't forget that unreliable narrator is a thing that is commonly used in storytelling. Not to mention, you want the comic to show how the relationship is bad, and springtrap needs to get far far away from deliah? Why the fuck then do you think the light/good ending features springtrap leaving her life for good, and trying to figure his shit out without her?

Also, when getting into the "dark truth about the author", it's fucking hilarious to see this warning not once, but twice. The second time, censoring the word "proship" with a zero. I get that "demonetization" is a thing, but if you had even half an ounce of respect or maturity for the topic you're approaching, monetization shouldn't matter, and you'd use the full and correct spelling of the subjects you are warning about, rather than using L33T SP34K to censor yourself.

Continuing, between these warnings the youtuber goes "the creator really liked to draw them and roleplay them in romantic and sexual relationships that were extremely violent and often non-consensual in nature. Yeah, absolutely disgusting".

That's like, just your opinion man.

"And cause I know there's gonna be at least one person that's gonna say something like 'oh but it's fictional, they're just characters, it doesn't hurt anyone,' first of all shut up. It's still weird and I don't like you."

Why? Afraid of a decent argument? You just gave two opinions and one opinion was directed at your opponent, rather than backing your claim of why this is disgusting. And anyone who uses weird as an insult needs to grow up.

"Second of all, [proceeds to describe how the author was manipulative towards friends, and used their fame to pressure others into doing erp, while showing a screenshot of someone claiming the creator would threaten to self harm for attention] And if you think THAT'S okay by any means, shut up, I double don't like you."

Holy shit man, first, correlation =/= causation. Just cause the creator was extremely mentally ill, and wrongfully hurt people due to their insecurities (everyone is sooo supportive of being there for the mentally ill, until they actually start showing symptoms that aren't pretty), doesn't mean that the depiction of fictional characters in taboo fantasies causes an inherent harm or encouragement of toxic behavior.

Seriously, if you think the author didn't know these negative traits were so wrong, and desperately wanted, yet feared, being held accountable for their actions, feeling trapped by their own issues, why the hell do you think they projected onto springtrap so hard, only for the good ending to have them lose their first and only friend in order to open up the door to accountability and self improvement? The creator was fucking 16 at the time! A time where more often than not, many teens suffering from mental illness find their issues taking a sudden nosedive in severity, drowning in the deep end, desperately searching for any coping mechanism. Being able to show that level of self awareness and desire to improve while navigating their darker thoughts with art is amazing. Even if they were far from perfect and were a terrible friend at the time, it's still something for a 16 year old.

So get over your fucking high horse and stop justifying your disgust towards dark fiction with your thinly veiled ableism.

Also youtuber really said they'd be heavily censoring the more nsfw screenshots, but they are hardly censored, only blurring half the words that could refer to erogenous body parts, while keeping the others in. Plus the blurring is a weak gaussian blur, so you can still easily read the words that are blurred. It's a pathetic attempt to play the better, pure role-model, while putting in 0 effort to what you claim.

funny at the end that they ask proshippers not to interact, watch their videos, and respect their boundaries

like damn, you sure couldn't respect the fact that sharing 7 year old private sexual dms of someone who was 16 definitely violates several boundaries

anyway that is all, time to remove this from my watch history so youtube doesn't recommend me more of their shit

[xerith-42]

Stop blaming characters for bad writers

Seriously, stop fucking doing this. While this is a post that could certainly be applicable to MANY fandoms, I'm mainly directing this whole rant at my target audience which is mentally ill minecraft obsessed freaks.

If a character is written badly, gets badly fumbled by the creator, or has the ball dropped in regards to their arc in some way, a lot of people will blame the character, as if they're a real conscious person making these decisions. When they aren't. They're a block man literally being controlled by two people who just aren't very good writers and one or both of them are incredibly sexist, kind of racist, ableist, and just bad writers in general.

Yeah, Laurance does some pretty shitty things through out Season 2 of MCD, actively crossing lines he wouldn't have previously crossed. We as fans can cope by saying something something calling, or just saying Laurance is a bad abusive person, but the reality is that the writers wanted to force the series to fit a specific vision and as a result were willing to do anything to get the series to that point. In order to make Aaron the most favorable suitor for Aphmau, her previous suitors need to be out of the picture, or clearly inferior options.

Garroth suffered the out of the picture, being mostly absent outside of a few cutscenes here and there until episode 81 of season 2, but episode 81 is the culmination of the writers goals to make Aarmau happen. By the time Garroth has returned to the series, the damage has already been done. He's not getting the life he wants. And Laurance is written out of the picture as well, but only after being shown to be inferior because Jesson were pushing an agenda.

Laurance didn't deteriorate as a person due to neglect of his physical and mental well being after a severely traumatic experience. He deteriorated as a character because the writers stopped giving as much of a shit about him and instead were using the series as self indulgent fanfiction of alternate versions of themselves. That's not Laurance's fault.

And this applies to any character who was completely fumbled in MyStreet due to this similar focus on wish fulfillment from the writers. Jess has stated that the relationship between Aphmau and Aaron in Phoenix Drop High is reflective of her relationship with Jason, we all know this. This means that any characters who come off as total fucking creeps in that series (namely Gene), are not actually acting on the whims of their own autonomy or desires as characters. They are acting in service of telling a predetermined story that they are retroactively being added into for author fulfillment.

In this regard I fully support fandom cope and say that you should rewrite your little guys to your hearts content. But if you're going to criticize these characters for their actions, don't criticize them. They didn't do anything wrong. All characters are just puppets in service of the story or themes a writer is trying to push. If a character acts in an objectively terrible way, especially a way that isn't in line with their previous characterizations, that is a failing of the writers, not the character.

And I feel like largely a lot of us can and frequently do this. We're actively criticizing Jesson for being terrible low-key bigoted writers all the god damn time, it's like half of the content here. But when we get into character discourse I feel like some people cling onto bad actions of the canon too closely and I've seen more than a few posts presume some pretty terrible interpretations of characters based on these actions. Obviously Laurance is a character I and a lot of others are fixated on so a lot of discourse revolves around him, and it was seeing some... interesting takes on him that prompted me to start writing this post.

But this happens to everyone. Quite personally based on the character I was shown in MyStreet, it feels really weird that Garroth would make an insensitive comment about his brother's weight. Yeah siblings poke fun at each other and often cross lines, but if that was something Zane was seriously insecure about (which it seems like he might be) then it does make Garroth come off as a really insensitive brother, which just doesn't gel with how hard he tries to bond with Zane despite their tense relationship. And I don't think Garroth should be criticized for making those comments.

Whoever wrote those lines (Jess and/or Jason) should be criticized for writing a scene where a character is mocked by their older sibling over a physical insecurity even if said sibling would not normally do that. It's not Travis' fault that Jesson never decided to give him more of a character beyond "funny pervy guy" that's not funny in every anime they've watched until Season 5 of MyStreet. It's unfair to try and say Travis should be scrutinized for his borderline sexual harassment of some characters when it's not his fault that happened, he was written by writers who don't think this sort of behavior isn't all that bad if they make it out for comedy and punch him in the face.

And god dammit it's not Laurance's fault that his jealousy became the most prevalent emotion he felt. Laurance has always been a character to give into his vices and yet fight against them at the same time, it's what makes him compelling. If they were going to pull on those vices in order to make him a less appealing love interest, he never had a chance to really be his own character after a certain point. Because at a certain point in Season 2, Jesson stopped caring about the character they had been writing for over a hundred episodes at that point. They just wanted to canonize their self insert ship and were willing to do anything to get it.

Laurance isn't an abusive angry person who would have killed Aphmau if they got together. He's a flawed character being handled by incredibly flawed writers who are prone to making some of the worst decisions you have ever seen a creator make in regards to their character writing. He was caught in the crossfire of the adoration he received from a very dedicated fanbase, and the creator who would rather pretend he and his previous arc didn't exist for the sake of her fun. It's not Laurance's fault his arc was stilted, jerked around, and ultimately ended with him completely face planting. And yet still reliably dragging his bloodied body up at just the slightest glimmer of hope (Void Paradox).

It's deeply poetic and tragic that I can describe his character in universe and in the meta-textual sense that way, but we should never blame Laurance, or Aaron, or any other characters for things being like this.

They didn't write the show. Jess and Jason did.

[night-market-if]

Hi! I've seen a lot of conversations going on about the Milo x Mal poly route and heard you mention self-insert a few times. I'm not sure about others, but I feel like what is off putting is more so the elimination of choice since it's not common amongst IF's as far as I've seen, but I'm not trying to rag on you for making that decision! I just think we're used to making up our own MC's and having freedom to control a lot of aspects of the story, especially when it comes to romance. That being said, look at Soul Stone Wars and Their Majesties Pleasures. EXCELLENT poly routes and I can't imagine playing through them any other way. I think people just need to be more patient and see how it plays out. We haven't interacted at all with the 2 of them together. Books, specifically IF, is actually what opened up my mind to polyamory and I'm excited to see what you do with it. I won't lie, I'm still hesitant but I think the super emotional ending and cliffhanger of book 1 just has people having really strong feelings about it. Feel free to ignore this rant lol I don't mean to give unsolicited opinions and hope this didn't come off as me trying to get you to change your mind. I think you're doing something right if you have us going through so much emotional turmoil over your story 😂

So self insert is kind of the way I use to describe the two very broad types of IF's out there. Of course there is more going into it but I do need to make it clear that while most IF's do not consider MC as a character, I do. It's a different kind of writing than some of the other more popular games out there and I like to remind people of that just in case they are expecting the same from me.

Personally, yes I am eliminating a choice that some readers want but it is not a choice that I want to write. It doesn't feel right to my characters. And I know that is going to irritate some people but I think it is important for readers to remember (this is not directed at you anon) that authors are trying to write the stories they are passionate about. If authors just catered to what the popular vote was for what people wanted out there, we would have a very narrow field of fiction to consume.

Now, I understand that might seem a bit more of a shaky argument when it comes to a game that has choices for you to make. But if an author does not feel strongly about a choice, they shouldn't have to write it. And if I get bad reviews on my game and writing for that? I feel that is far more a reflection on others than me. It also kind of reaffirms that I'm doing what is right for my game. Because sometimes, when shaking up the status quo, people get a little up in arms about it.

I am glad you are excited to see what is to come. I am hopeful this weird poly hate will die down. I am not forcing anyone to romance Milo and have wonderful other options in the game. At this point, it just kind of feels like an attack on the community than anything else.

[annie0183]

Hating on books and other fiction

This rant came out as some friends were talking about people’s reaction and hate towards some books and authors and how the words shitty and trashy are so used towards some genres. This is going to be long….

I think calling a genre trash is absolutely stupid. BL books are equally loved and reviled by people. Simply because the main target of these stories are women, or more exactly straight women that supposedly fetishize gay relationships. It’s similar to how the books written in the past were hated because they weren’t more than written porn for women. The reason those books were called trash was because they were written by women for women. Which I see as an insult towards women, the same way calling Mame's book's trash is an insult towards those that enjoy her books.

No, I don’t deny that there are straight women fetishizing gay relationships, and let’s be honest, that’s how BL series have appeared. And I don’t deny that some books are nothing more than porn, including those past books. I read those, they were cringy, over the top but I enjoyed them. Easy to read, something to pass time. Sometimes I need that, and there are a lot of people that sometimes need an easy read.

I hate the so-called intellectuals that pretend they are better than the rest because they hate these books. You don't need epic adventures or convoluted storylines for a book to be good. What makes a book good is the people that enjoy it. As long as you take it with a grain of salt and keep in mind that it’s fiction, therefore not real, you can read whatever you enjoy. You’re not superior for hating a book the same way you’re not superior for loving that book. Different tastes people, why do we tend to forget those exist?  

I've seen people saying a book is trash because one character annoys them or is one dimensional. And I'm like... have you met people? Do you ever go out of your room and meet people? Because let me tell you, people are one dimensional, boring, and annoying. Your expectation of epic characters is absolutely unrealistic, and if authors keep their books anchored to the real world is normal to see these types of characters. Every boring person out there is the main character of their own story. You can not like a book, which is normal and, in your right, but labeling a book trash because you find annoying a character, or the plot is not doing it for you it's trashier than the book.

The hate Mame receives in the BL world reminds me a bit of Twilight and how it became a trend to hate the books and the movies, forgetting they were targeted towards teenagers and it wasn’t supposed to be a deep story.  People have criticized Bella to hell and back: she’s a boring character, why is she so obsessed with Edward, why is everyone so attracted to her and so on.

Bella is an awkward teen girl, they are boring overall, half of the girls my year in highschool were carbon copy of Bella, so what a surprise, boring teens exist… Why is she so obsessed with Edward? Hmm, awkward teen with self-confidence issues, parents divorced, a mostly absent dad, absentminded mom and the feeling of being set aside by her mom moving maybe, and look at this, the hottest guy in school is paying attention to her and she discovers that he’s actually a vampire a supernatural being so damn amazing. Of course, she’s obsessed. I mean… have you ever had a crush in your teenage years?

Oh, but why is everyone attracted to her... Small boring town, city girl moving there, she’s not described as being an ugly alien with tentacles coming out of her eyes, so she’s cute at least if not out of this world gorgeous, of course people were curious and attracted. She was the shiny new toy on the playground.

It’s easy to see that if you actually stop and think about it, a lot of those things that were seen as flaws actually had a reason to be the way they were. An adult most probably won’t enjoy these stories, which is ok, because they weren’t written for them. Why do we have to shame kids and teens for what they like?

There is a very dangerous trend of holding fiction work on a pedestal and wanting fiction to be sanitized and even puritanical, with perfect characters and perfect plot and healthy environments. If we keep doing this, we’ll end up with the same book/series/movie under a different title. Let’s not censor fiction and let artists create their art the way they want and need.

I understand not wanting to read about an abusive character or, a scummy villain, but some people enjoy the stories, and NO it's not because they romanticize toxic relationships or SA or DV, it’s because these stories bring out things that happen in the real world and aren’t talked about as they should. Sometimes these issues aren’t dealt with as they should be in the books, but it’s maybe because a lot of these issues aren’t dealt with the right way in real life either.

There are books/series out there for everyone. With boring ass characters that lead boring lives like all of us do in real life, because let’s face it, we’re not out there slaying dragons and discovering new worlds, and epic stories with three-dimensional characters going on the adventure of their life. Go, read and watch the stories that appeal to you, whichever those may be.

You’re entitled to your opinion; you’re entitled to not like a story, but there is a difference between constructive criticism and straight up hating because the books are not your style. The line is fine, but it’s there. Before you go around calling a book shit, stop and think about it. Is it really shit, or you’re just nitpicking and straight up hating simply because the plot and characters don’t appeal to you?

Dedicated to @lutawolf

[lyerra]

ROOM OF SWORDS SPOILERS

just me ranting about webtoon's comment section because I want to exteriorize some stuff

The whole Roseberry situation is so so weird to me. Tbh when I started room of swords I didn't care much about the ships, I was there for the plot, but when strawbarrow was revealed to have been canon all along I was so happy for them

However a lot of people were displeased because they thought Gyrus would end up with Tori.

I think one of the comment sections that struck me the most was right as the episode ended with Tori kissing "Gyrus" (who was actually Kodya in Gyrus' body pretending to be him) and someone commented "imagine possessing your boyfriend's body only for some girl to kiss him" which was a pretty funny comment

some people responded however that if anything Kodya was Gyrus' ex because he had been in a relationship with BB!Gyrus but New Gyrus didn't know him the same way. Which WOULD have been a good argument to make if Gyrus hadn't been making puppy eyes at Kodya since S1...

tbh it's fine not to see it, I didn't see it either at first, but to say that Gyrus was CLEARLY attracted to Tori???????? when he never showed any sign of liking her as more than a friend?

I've read RoS many, many times both before and after it ended (been reading it from 2019 oh god it's been so long???) and all through S1 there are these small, small hints that Gyrus has a small crush on Kodya EVEN THOUGH he doesn't remember him. They were always meant to be together.

Tori does develop some feelings towards him, granted (we do learn that it's because he looks like her beloved but that's later, people couldn't have known back then), but that doesn't make Gyrus entitled to return them.

People shipping Roseberry shouldn't make the authors entitled to change THE ENTIRE PLOT simply because some people aren't happy with their story choices.

At that point there's been many hints that New Gyrus and Kodya are still attracted to one another and I'm just sad and confused that those people were in so much denial.

On the brighter side, the next episode really starts with Tori telling "Gyrus" that she knows he loves Kodya because she's seen him LITERALLY PINING SINCE DAY ONE. AND THAT SHES A LESBIAN.

case closed, right? Kodya and Gyrus are canon and still very much in love, and Tori herself is in love with another, yet unnamed woman.

well lo and behold: s2 finale's comment section!

we finally see Kodya and Gyrus sharing their first kiss onscreen, so someone in the comment section said something like "THEY FINALLY KISSED AAAAA OUR SHIP IS SAILING" which was also my reaction and a legit reaction to it??

and since there was A LOT of dislikes (over 1,6k I believe) the op edited to say something about homophobes and the backlash was even greater

and in the answers there was actually quite a lot of people being salty because their own ship didn't sail and

I mean idk

maybe I can't understand because my ship sailed and not theirs but what the hell

first of all homophobes exist. the authors commented that they had lost about 20% of their audience when they revealed that Gyrus and Kodya were canon, and they received a lot of hate online for it.

second of all as I said it's not about ships it's about the plot. strawbarrow was always endgame and the whole story, including the romance between Kodya and Gyrus and the important role it played on the story, been planned since over a year before RoS was published. this is not your story, if you're not happy about it go read or write some fix it fanfics (it's not so bad once you get used to it). but in terms of writing strawbarrow was so well executed, I feel like being mad just because of a ship is really disrespecting the authors' intentions.

third of all, it had been made painfully clear since A LONG TIME AGO that they wouldn't end up together. clinging onto that hope was really unnecessary. they shouldn't be mad anymore, it had been over for a while now and they should have made their peace. people complaining by the time of s2 finale were really just delusional.

fourth of all, the dislikes may not all be from homophobes but if they aren't then they're from jerks. it's not because you're unhappy that things didn't go your way that you have to hate on other people because they got what they wanted and not you. that's just being mean smh,, let people enjoy the things they like in peace

[ghost-in-the-stalls]

asking for holy blue because thats my jam (this being sagemoderocklee)

Oof okay this one's rough, but I'll do it for you <3

Down below, I gave an explanation and then a small snippet, because that's the most you'll get of this fic in likely a very long time. But it turned into a pretty big rant about my insecurities surrounding this fic as explanation for why it hasn't had any progress in literal years, whoops. Sorry this is so long!

Basically this was one of the first fics I planned out back in 2022 when I really started properly writing fic. The last fics I'd written had been DC comics fics back when I was like 12. I think I said this once or twice, but your stories specifically actually inspired me to be like "no I CAN write a long fic actually!! Those non-porn-oneshot ideas don't just have to stay ideas forever!! I do have it in me!" which led to me plotting this fic.

I then got wayyyy too overzealous, posted a prequel (that I'm not super happy with now and would like to make some changes to before I continue posting), and plotted out the first half of a two-part longform series before I was really ready. It's halted for a number of reasons. Partly because I'm struggling to figure out what I want to really have happen in the second half of the story. The half I have plotted could be a full story in its own right, but it's meant to be continued, so the ending would be depressing and frustrating in an unsatisfying way if it wasn't continued in a second story after that. I'm stuck on a resolution, though, and on turning the ideas I have for the second half into a proper story.

Also, I got overthinking and made myself super insecure about characterization (especially in regards to Lee), as well as how much of the story was very directly inspired by several other big, incredible fics in the fandom by several different authors I hold in really high regard. The stress of living up to that inspiration combined with the fear that the story wasn't original enough in the form I had planned kind of put the brakes on the whole thing. And then I got distracted by a bunch of other fics that I felt more confident in. Horror is my strong suit, I think, and this is not that at all haha

On top of all this, there's a major plot point that comes to light near the end of the first half. It's the type of thing that I've seen written so well in a couple different fics, and so poorly in so many others. It's something that I know is not everyone's cup of tea, even when it's well-written. And I've been torn about how much to be up-front with this plot point and how much to hide it. I want people to know the direction the story is heading in for the sake of their own enjoyment; so people who wouldn't be into it can just avoid it from the get-go instead of getting invested first. But I don't want to spoil things too much. But also, if knowing the outcome of a story ruins the whole thing, then it just wasn't very well written, right? Knowing what happens later SHOULDN'T completely ruin the story. If it does, that's on me for not writing it as well as I should have.

This is the overthinking I've been doing lol this is why there's been no progress on this story. It's funny, because I probably have a higher percentage of this fic written than most of my other WIPs.

Basically, if/when I finish and continue posting this story, it's going to come after a great deal of planning and work. And I'm not going to continue it until I really sit down and parse through exactly what stories inspired it and in what capacity. And after that, if I feel that it's original enough, I'd still want to give links to the stories that inspired it when I post it.

I don't want to say TOO much about the premise, because there's a lot that's meant to be *dramatically revealed* as the story goes on, but I can give a general teaser: It starts with Lee, along with the rest of Team Gai, spending a year in Suna. In that time, Lee and Gaara begin a bit of a secret, illicit affair. Obviously, Gaara's position as Kazekage complicates things, but Gaara intends to make it happen for them anyway. Lee, however, has some hidden commitments of his own that puts an even bigger wrench in those plans. Then, the year is up, things have snowballed, and no one is ready to handle the fallout of Gaara and Lee's rush into things.

You get two mediocre snippets to make up for the lengthy anxiety ramblings <3 featuring Sand Sibs Bantering (+Shikamaru) and a first second kiss between Gaara and Lee.

---

Temari grinned wickedly, a look rarely seen outside the company of the family.

“Alright. We’ll be stuck with them for the next year, so get any negative comments you have out of the way now.”

“If Neji’s still got a stick up his ass, I’m gonna have to be sick for a lot of meetings down the line.” Kankurou jumped in, ready to complain at any opportunity.

“He’s way more polite when he’s in diplomacy mode, trust me.” Shikamaru had finally - after years - adjusted to the siblings’ mean streaks. He took it in stride now. “Besides, he’s mellowed out recently now that Hinata is the acting head of the clan.”

“I don’t think Tenten likes me very much.” Gaara added, unwilling to speak too ill of allies, let alone friends.

Kankurou laughed at that, “She probably just doesn’t know what to do with you, man. You know how Konoha shinobi are, they wear everything on their sleeve. Sometimes Temari and I can’t even tell what you’re thinking."

“Besides," Temari interjected, with the slightest note of griping in her tone (which Gaara knew she would vehemently deny should she ever be accused of it; Temari did not gripe, according to herself and everyone in the world, save those who've known her their whole lives.) "I’m more worried about bowl cuts one and two. There’s only so much of that energy I can take before I want to pull my hair out.”

Gaara found himself responding before he even thought about it, “Lee is just… passionate.”

“Okay we’re supposed to be complaining about Team Gai here but I honestly gotta say–” Kankurou leaned on Gaara’s shoulder, “I really don’t get what it is with you and idolizing guys who beat your ass when you were twelve.”

“I’m not an arm rest.” Gaara’s sand pushed Kankurou away, “And it has nothing to do with that. He’s very dedicated to what he does. It’s respectable.”

“What you got a crush on the guy now?” Gaara’s almost choked on his own saliva, collecting himself when he realized his brother was just – once again – taking a joke further than it needed to be.

The last thing he needed was his siblings catching wind of his ridiculous train of thought as of late.

“That’s enough, you wasted your time with it.” Temari elbowed Kankurou until he straightened out his posture, motioning to the four who had just approached the chuunin on guard duty.

“Didn’t even get a good joke in about the jumpsuits…” She muttered.

---

Lee’s rambling was cut off as Gaara sighed, seemingly fed up with the circles they were going in.

“Did you enjoy it or not?” Gaara crossed his arms and shut his eyes as he asked, almost like he was waiting for a blow to come.

Of course Lee enjoyed it. That was the problem, not that he could reveal that to Gaara at the moment. He enjoyed it far too much, and if he was smart he would nip this in the bud before it continued any further. Unfortunately, that would require lying, which he was never very good at.

“Yes…” but- he tried to say. The word stuck in his throat.

He didn’t want there to be a but.

Gaara’s eyes opened at that and his posture seemed to relax a bit. His torso shifted slightly as he breathed in, like something flowed through him, bringing him to life.

He took a step closer to Lee. Lee leaned in unconsciously. Gaara had to tilt his head up to look directly into Lee’s eyes.

“Do you want to do it again?” His eyes flicked down to Lee’s mouth, his neck, his chest, before pulling back up to his eyes. There was something there on Gaara’s face – a challenge, almost.

Lee could never resist a challenge, even against his absolute best judgment.

If the question was that simple…

“Yes.”

The word had barely left his mouth before Gaara reached up and pulled their faces together.

This kiss was different from the first. Where the previous evening was all hesitance and sweetness, there was a desperation behind this one – a heat coming from them both, creeping down their necks and filling the room.

One kissed turned into two, three, four… And Lee found his tongue creeping out to meet Gaara’s halfway.

[mistressoftherant-blog]

TMNT Fanon

Hey all, it's me, back to (kinda?) rant about the TMNT fandom again. This isn't really a complete rant though, more just me pointing out what is popular fanon rather than canon. I've seen people getting angry at fan authors/artists who depict characters in ways that don't match popular fanon, but everyone is free to depict the characters how they want, and we don't all have to subscribe to popular fanon ideas. So I've listed out a couple of popular fanons or things that I see happen in a lot of stories below, some of which really annoy me (please let me know if any of these have actually been confirmed and I've missed it!)

1. Having the boys be different ages in series were they are confirmed to be the same age. In at least 12 and 03 they are all confirmed to be the same age, so why do so many fics insist on making Mikey a year or so younger than his siblings? It ties in to my previous rant about people babying Mikey, they conveniently forget that quadruplets are a thing so that they can make Mikey younger than the rest, really playing up the whole innocent little brother thing, which actually just completely unbalance all of their relationships (it's even worse when they make him years younger, particularly in human aus), so all the other brothers are in their mid to late teens and then Mikey is like anywhere from a toddler to 10 years old.

2. Unfortunately, for the most part, their sexualities and gender identities are just headcanons. Whenever they are canonically shown to have an interest in someone, it is a girl, and for the most part they are all shown to identify as male only. Now, I am all for giving the turtles different sexualities (I headcanon most Donnie's pretty much anywhere in the LGBTQA), but you cannot tell someone that they're wrong just because they don't headcanon them the same way as you (Rise and 12 Leo fans can be particularly rabid about this, I saw one Rise Leo fan telling someone that they can't ship Rise Leo with their female OC because he's gay, which is not canon)

3. How long 12 Mikey and Rise Leo spent in the prison dimension. They did not canonically spend years there. Quite frankly, I don't believe Rise Leo would have survived more than a few minutes in his Dimension x. And at most I would say Mikey was in Dimension x for a few days/weeks. His brothers did not take that long to follow him in, and I'm pretty sure time in dimension x isn't that screwy. I'm also pretty sure that he would have had some sort of scarring if he'd been in there for year. You can make as many headcanons as you want, but they are not canon. It especially doesn't work for Rise Leo.

4. Rise Leo being the medic. I have moaned about this before, so I won't completely rehash the same argument, but there is no canon proof that Rise Leo is the medic. There is also no canon proof that Rise Leo is an imnosiac. (It's also fanon that he is fluent in Spanish. Does he know some words in Spanish? Definitely. Is he fluent? No canon proof.)

5. Giving any Donnie apart from Bayverse, Rise, or Mayhem glasses. We... we see the Donnies as tots, and none of them except the aforementioned three have glasses. None of them have glasses as teens either (and no, goggles do not count). So why does pretty much every human au have Donatello wearing glasses? I know that TMNT is bringing back the 'only nerds wear glasses stereotypes', but we don't need to perpetuate it. And if you're not just doing it because of the stereotype, why not give one of the other turtles glasses? I don't think I've seen a single human au were any of the other brothers have glasses.

So, that's me done for today 🤣 Some of these annoy me more than others, and in some it's more the conduct of the fandom (aka when it comes to gender/sexuality fanon) that irritates me. Everyone is welcome to write the turtles however they want, and fanon ideas can become pretty popular to the point were people do act as if they are canon, but not everyone has to agree with them, or like them, and getting angry at someone for not conforming to the most popular ideas is not really beneficial to anybody.

[kyndaris]

Deciphering the Language of the Younger Generations

As someone who has always liked the concept of studying the civilisations of the past, I often wonder how future archaeologists will come to see the 21st century. Would we be seen as technophiles with unfettered hubris who sleepwalked the world to its downfall? Or will our stories vanish up into the intangible Cloud - with the only remains of who we might have been merely the physical artefacts of our time?

If so, how will they understand the evolution of our languages? Will the memes we've shared become the basis of their society or will they deem the slang we use in our everyday life meaningless gobbledegook?

I mean, let's be honest, our habit of initialising actual sentences are difficult even for someone in this era to decipher. Sure, you have the ones most commonly used: wyd, idgaf or iykyk, but I have to wonder what a future linguist will make of the below: dypynitgof!

For those who know the phrase I just put down, props to you. It will certainly live on in internet history for a good long while.

Still, why are there so many initialisms floating out on the internet?

They aren't even acronyms (or TAEA for short!)

Sometimes, though, it feels like I'm living in a real world Clockwork Orange with how new fads and memes spring into existence. I certainly don't know what skibidi rizz means. or what the designation of sigma means in a relationship though I have stumbled upon such words because I'm a chronically online Millennial seeking to be in touch with the wider societal zeitgeist.

But it's all so tiring!

And most, if not all, don't make a lick of sense (I also refuse to Google their meanings. It's certainly a rabbit hole I don't wish to go down. I've seen so many things and not all of them have made my life better.

Of course, it helps I'm not the only who is lost when interacting with the younger generations. Although, poor Sorrengail has more Gen Z staff at her workplace than I. Worse, she made the terrible error of mixing Gen Alpha lingo when she was trying to connect with her work minions. I, on the other hand, simply learn from my exposure to the occasional YouTube shorts and Meta reels I decide to watch (TikTok is not on my phone. Thank goodness for that!).

Then, of course, slang is mixed in with shorthand, thus furthering my frustrations when it comes to clearcut communication. I've seen them in emails, messages on teams, rants on Reddit...

It is maddening!

And people also have no idea how to spell! Even published authors or writers for video games will occasionally confuse 'lead' with 'led.' In conversation, people will use 'should of' instead of 'should have.' Or, just to show my age, or, at least, my curmudgeon elitism, terrible grammar. Even though English might be their first, and only, language!

Let it be known that I am one of those 'annoying' texters who use proper spelling and punctuation in all my texts. In fact, I am physically incapable of doing anything less! To use text shorthand in any shape or form is actually painful. I have to use more brainpower to type incorrectly!

Which, honestly, feels very ironic.

Then, of course, there's the prolific use of emojis! Back in my MSN Messenger days, I'd use a few like XD, :D or :( but using them as a replacement of actual sentences? Blasphemy!

I still don't understand how people can use them as their sole means of communications. When I use them, it's a means to express tone. Otherwise, people may misinterpret a sentence I send through as a form of aggression or disapproval (unless, of course, they know me very well). Although, admittedly, my use of emojis is quite boomer-esque. Or so I feel. And which my friends may attest.

Don't get me started on stickers!

Still, it's also important to realise language is ever changing. It is not static. Etymology is the very STUDY of how words have changed throughout history. For example, excitement used to mean emotional agitation and arousal. It was a synonym to being nervous and anxious. Nowadays, though, excitement usually has positive connotations.

A hundred years from now, maybe it'll mean something completely different (if we live long enough to see it). In fact, we might have other words rising in favour as an alternative!

With language, nearly anything is possible.

What was once old can be new again!

Then, of course, there's the whole concept of 'coining' new words to better express ourselves! Shakespeare, it is said, invented over 1,700 new words!

In other news, I composed a faux email for a presentation at work, throwing in as many Gen Z slang that I could. Adopting an 'influencer' voice, I read it aloud to all present on the Microsoft Teams meeting. Some praised it. Others abhorred it. But, no cap, I think I impressed many with how I skillfully managed it all!

Not to mention the variation of Do You Hear The People Sing I sang at the very end (without the support of my colleagues - still a bit miffed about this as it's meant to be sung as part of a chorus) to further sell how our work team is a great area that many should join.

But in all honesty, can we stop trying to make skibidi or fanum tax a thing?

I know I said I was annoyed by 'fam' and 'squad' and 'shooketh' before. But MY GOODNESS, THINGS HAVE GOTTEN OUT OF CONTROL!

And don't get me started on people using incorrect 'Alpha' and 'Beta' and 'Sigma' designations to describe people. It's just as bad, if not worse, than distilling people to their biological parts!

Before too long, REAL humans will start growling. Or their noses will become so sharp they can sniff out the scent of pine or a thunderstorm.

If I have to read female, male and mates one more time...

But before I sign off, though, let it be known that language is important. And while I do bemoan how FAR language has fallen, the way governments or people try to control it, is what we should be more careful of. That insidious infiltration of how we all talk, or the limitations of what words we use, can lead down the slippery slope of a dystopian nightmare. Yes, I may have namedropped A Clockwork Orange but the reality of 1984 and A Brave New World also come to mind.

These are not the worlds we want to live in. So, go forth Gen Z and Gen Alpha and invent new words as you go along.

Just maybe not 'skibidi' or 'fanum tax.'

Thank you!