#I hate that myth so much man

[sarafangirlart]

I like how everyone ignores the fact that Persephone (and also kinda Aphrodite) groomed Adonis. Let’s keep it that way.

[tamaruaart]

The thought of Odysseus telling Menelaus how he saw Agamemnon in the underworld augh no one talk to me

[sunfloralchaos]

So last session huh (d&d brain rot rant incoming)

A couple of interesting things happened I guess,,,,

Ayre and Halryn had another kind of awkward conversation that ended really sweetly with them pretending to introduce themselves for the first time, an acknowledgement that they've been separated for 40 + years and don't know eachother that well anymore, but would like to start again

While travelling they encountered a shambling mass and Ayre was briefly restrained/captured by it and proceeded to freak out

Halryn might be starting to piece some things together because of it, and asked her if she needed to stop and recover. In her panicked and shaken state she got snappy and said no she just needed to walk it off and decided chugging a healing potion would be enough

Halryn also ended up incredibly injured during that fight though, but was ready to power on ahead prompting Ayre to ask the same of him. To which HE started argueing against. Ayre admitted she was being an idiot in doing that and asked what he was then before forcing him to also chug a healing potion.

Throughout last session both admitted they cared about the other whilst the other disagreed/was shocked ; although Halryn did it gently and Ayre was willing to hedge her bets at physically fighting the man to stop him walking into a fight already profusely bleeding because she's significantly more angry/impulsive as a person.

Halryn ready to play the self sacrificing hero and Ayre ready to refuse to let him.

[jvzebel-x]

"After, in the torchlight, he wondered at the marks on me, the red around my neck, and the purple on my arms and chest where he had gripped me. He rubbed at them, as though they were stains, not bruises. 'The color is perfect,' he said, 'look.' And he held up the mirror so I could see. 'You make the rarest canvas, love.'"

x. "Galatea", Madeline Miller

[kirbyddd]

despite only briefly playing it at some random time in a hellish past i dont even remember, oreshika tainted bloodlines really had something unique that's made it subconsciously stick with me through the years, so that i always recall it when certain elements of old japan are invoked

among all the more serious high-art/historical depictions and commentaries I've encountered, oreshika has been the one piece of media that naturally feels the most rich and comprehensive illustration of that era of medieval japan to me, despite not even using a true historical setting.

the myriad swirling paradoxical counterpoints of culture and history in an era of total commodification of the human being... the way oreshika uses a fantasy setting and mechanics to bring that essence to life firsthand through game experience rather than try to depict it conceptually has been more effective than any other historical fiction ive encountered.

[astronicht]

Okay I'm almost done with Fellowship, here's an incomplete list of shit I noticed and thought was buck fucking wild on my first ever read-thru: medieval edition.

In literally the second line of the book, Tolkien implies that Bilbo Baggins wrote a story which was preserved alongside the in-universe version of the Mabinogion (aka the best-known collection of Welsh myths; I promise this is batshit). This is because The Hobbit has been preserved, in Tolkien's AU version of our world, in a "selection of the Red Book of Westmarch" (Prologue, Concerning Hobbits). If you're a medievalist and you see something called "The Red Book of" or "The Black Book of" etc it's a Thing. In this case, a cheeky reference to the Red Book of Hergest (Llyfr Coch Hergest). There are a few Red Books, but only Hergest has stories).

not a medieval thing but i did not expect one common theory among hobbits for the death of Frodo's parents to be A RUMORED MURDER-SUICIDE.

At the beginning of the book a few hobbits report seeing a moving elm tree up on the moors, heading west (thru or past the Shire). I mentioned this in another post, but another rule: if you see an elm tree, that's a Girl Tree. In Norse creation myth, the first people were carved from driftwood by the gods. Their names were Askr (Ash, as in the tree), the first man, and Embla (debated, but likely elm tree), the first woman. A lot of ppl have I think guessed that that was an ent-wife, but like. Literally that was a GIRL. TREE.

Medieval thing: I used to read the runes on the covers of The Hobbit and LOTR for fun when I worked in a bookshop. There's a mix of Old Norse (viking) and Old English runes in use, but all the ones I've noticed so far are real and readable if you know runes.

Tom Bombadil makes perfect sense if you once spent months of your life researching the early medieval art of galdor, which was the use of poems or songs to do a form of word-magic, often incorporating gibberish. If you think maybe Tolkien did not base the entirety of Fellowship so far around learning and using galdor and thus the power of words and stories, that is fine I cannot force you. He did personally translate "galdor" in Beowulf as "spell" (spell, amusingly, used to mean "story"). And also he named an elf Galdor. Like he very much did name an elf Galdor.

Tom Bombadil in fact does galdor from the moment we meet him. He arrives and fights the evil galdor (song) of the willow tree ("old gray willow-man, he's a mighty singer"), which is singing the hobbits to sleep and possibly eating them, with a galdor (song) of his own. Then he wanders off still singing, incorporating gibberish. I think it was at this point that I started clawing my face.

THEN Tom Bombadil makes perfect sense if you've read the description of the scop's songs in Beowulf (Beowulf again, but hey, Tolkien did famously a. translate it b. write a fanfiction about it called Sellic Spell where he gave Beowulf an arguably homoerotic Best Friend). The scop (pronounched shop) is a poet who sings about deeds on earth, but also by profession must know how to sing the song or tell the story of how the cosmos itself came to be. The wise-singer who knows the deep lore of the early universe is a standard trope in Old English literature, not just Beowulf! Anyway Tom Bombadil takes everyone home and tells them THE ENTIRE STORY OF ALL THE AGES OF THE EARTH BACKWARDS UNTIL JUST BEFORE THE MOMENT OF CREATION, THE BIG BANG ITSELF and then Frodo Baggins falls asleep.

Tom Bombadil knows about plate tectonics

This is sort of a lie, Tom Bombadil describes the oceans of old being in a different place, which works as a standard visual of Old English creation, which being Christian followed vaguely Genesis lines, and vaguely Christian Genesis involves a lot of water. TOLKIEN knew about plate tectonics though.

Actually I just checked whether Tolkien knew about plate tectonics because I know the advent of plate tectonics theory took forever bc people HATED it and Alfred Wegener suffered for like 50 years. So! actually while Tolkien was writing LOTR, the scientific community was literally still not sure plate tectonics existed. Tom Bombadil knew tho.

Remember that next time you (a geologist) are forced to look at the Middle Earth map.

I'm not even done with Tom Bombadil but I'm stopping here tonight. Plate tectonics got me. There's a great early (but almost high!) medieval treatise on cosmology and also volcanoes and i wonder if tolkien read it. oh my god. i'm going to bed.

edit: part II

[okwonyo]

KISSES’ REMAINS , 或 𓈒𓈒 leaving lipstick stains on them.

( 𝒷 ) INTRODUC𝓲NG 𖥔 엔하이픈 ୨୧ f .. r 12OO fluff established relationship pouty and dramatic jakewon cautions ˚ non-idol au kissing skinship flirting

jiah says ： making this was really fun, i hope you all have ad much fun reading this ♡ㅤ

( ˊᗜˋreblogs&feedbacks · C𝑙𝑖CK )

HEESEUNG

would love anything, even when you are just doing your makeup. he would love seeing your focused face and the way you smile after finishing the little thing your were doing. seeing you getting dolled up makes his heart stutter— you are always so beautiful.

“what are you looking at like that?” leaning on the doorway, your voice would cut him in the contemplation of you putting on your lipstick. your eyes would meet in the mirror and he would watch you turn around.

“at the prettiest girl in the world,” he would assure, while walking toward you. you would roll your eyes fondly, turning around to take a tissue and kiss it— to remove some lipstick from your lips. but he would lean over, his cheek offered to you, “no need for that.”

you would give him a puzzled look before realizing what he is asking for and kissing him, “is it better?” he would turn his face to you with a grin.

without even looking at the mirror, gaze focused on the lipstick stain you left on him, you would smile. “much better.”

JAY

would come back, with a relieved sigh as he feels himself get swallowed by the warmth of his home, to you looking at you with a funny face before and after kissing him.

he would study your face for a while as you study his. he would narrow his eyes as he would still hold your waist with one of his arms, “what?”

the laugh you would be fighting to keep will not reassure him in the slightest, “have you seen yours in the mirror today?”

he would thinking about it, looking up while pulling you closer. “no,” a pause, you would open your mouth a bit in sudden realization. confusion would take over him again, “why?”

you would give a smug grin, kissing him on the lips again. “nothing at all,” you would say as you look at the proof of the kiss you landed on his neck this morning.

and he would accept your answer, who he is to question you anyway?

JAKE

separation anxiety is not a myth, and you out of all people would know it— as your boyfriend has been diagnosed with it several times.

“why do you hate me?” he would dramatically whine, his hands gripping onto yours for dear life, as if you would disappear if he lets go; which you would.

you would giggle, “i have to go take some clothes at mine,” he would try to protest but you would cut him immediately. “and no, i can’t just wear your clothes.”

his lips would form a pout, his star filled eyes looking up at you and pleading you to stay here with him.

you would stare right back at him— he would really make it harder for the both of you.

one if your han would come cupping his cheek, he would lean into your touch still all sad. you would give him a kiss, right after on his nose, “here,” you would say while staring at the lipstick stain, “a keepsake from me. i will be back in a bit.”

(he would then insist on coming with you anyway.)

SUNGHOON

“you have lipstick all over your mouth,” you would tell him breathlessly as you pull away from the miss you just shared— although the end of your sentence would be a bit muffled due to the man following your lips.

he would hum against the corner of your mouth, “i heard this is what happens when you make out with your girlfriend,” he would final pull away with a smirk on his face, “i’m not sure, though.”

you would chuckle at your boyfriend’s words, while absentmindedly staring at his rose tainted lips, all red and sticky. at the way he wears the remains of your kisses so beautifully.

his words would snap your out of your daydreaming, “be careful at who you look like that, babe,” and you would shoot your eyes back to his, before rolling your eyes.

you would bring your thumb to his lips and he would stare down at you during the sweet time you take to wipe the lip product off his face.

his mouth would fall agape and he would lick the side of his lips, “we are definitely kissing again.”

SUNOO

it would be a dream come true.

just him sitting on a chair, looking pretty as usual and minding his own business. then you, staring at him because, well, he is beautiful.

while sitting on his laps too. with one of his hands on your lower back and the other on your thigh. so close from each other that you would be a few seconds away from melting together.

you would cup his face and he wouldn’t budge, liking to be held by you, “you are so cute,” you would say before kissing his cheek.

he would smile, his adam apple moving along the movement, “guess we have that in common,” and you would not restrain yourself from kissing his other cheek.

he would find himself with two lipstick mark on his face, multiple pictures will be taken.

JUGWON

“this is not fair,” he would say, crossing his arms under his chest. “do you prefer me or you lip combo?”

and you would give him a judgemental glare to which he would dramatically gasp, his arms falling to his sides. you would snort, teasingly, “stop hurting your own feelings.”

he would sigh, stepping closer to you. his wide eyes looking directly into yours, pouting a little as he speaks up, “can i have just one kiss?”

you would stare right back at him, your whole defense arguments and initial morals slipping through your fingers as he keeps on waiting for your answer— who even looks at anyone like that?

he wouldn’t need an answer to slip one of his hands on your cheek and other one on the back of your head. his chest would press into yours as he mouth messes with yours. he would pull away when he is sure both of you are out of breath.

you would push him away playfully, “see now you are the one with a lip combo.”

RIKI

would not even aim to be kissed at first. just dropping his arm on your shoulders as you both walk in the streets.

the sun would be bright, but not as brighter than you are to him. his eyes would often draft from the road in front of him to your face. he would study your features attentively.

“i like your lipstick,” he would say without thinking much of it and his heart would skip a bit when your eyes would look up to him.

the wide smile forming on your face would make him flustered, “yeah?” and he would nod.

then you would warp your arms around his shoulders, pulling him down towards you and, as you still walk, pepper multiple kiss on his face; on his cheek, his mouth, his mouth, the corner of his lips. he wouldn’t be able to not laugh.

“now you have some too,” you would say after pulling away.

ㅤㅤ𓈒ㅤㅤ𓈒 taglist open.

[iamyourdailydoseofbi]

DON'T TOUCH WHAT IS MINE. ( HOTD x Reader )

author note: I wanted to do HOTD x Greek Myths cause it's fun. If I get enough like or requests I'l do a HOTD x Greek Myths book on wattpad. pairing: Jealous! Aemond Targaryen x Noble Wife! Reader prompt: Aemond contemplates murder. word count: 1, 000+ words

You were supposed to marry Aegon, a way to secure allies in the North for when Aegon took the Iron Throne. But, when his Mother planned on marrying him to Helaena. Aemond swiftly made his move, knowing that the loss of an ally would upset his Mother. It was supposed to be only for duty. You were supposed to be his duty to his Mother and family. But, of course the Gods were cruel and he fell for you. Hard and fast. He practically fell flat on his face for you, like someone had punched him in the groin with a club named ‘love’. 

You were just so perfect. You were a proper Lady in the Court, weaving your way through politics with a cunning grace. You smiled and happily listened to Helaena as she rambled on about whatever popped in her mind, never judging her. You played with Helaena and Aegon’s children, always so patient with the toddler’s. You were cordial, yet stern, with Aegon⎯keeping him in line for the sake of his family when you could. You understood the want for revenge after the loss of his eye. You were just so perfect and kind. He hated how much he fell in love with you.

Watching you chat with some Lord from the Reach, Aemond grits his teeth, shifting around in place. He wasn’t particularly thrilled about you speaking to that Lord, but he would not tell you nor drag you away. He knew that you had some ambition or plan behind speaking to the Lord, one he did not know yet but knew that you would tell him soon enough. You were smart like that. 

Looking you over for any sign for him to interfere, he inspects your appearance with a subtle look of love. Your gown was more simple in feature, but a similar green to his Mother’s. Your hair is decorated with pearl and gold dragon hair clips. Your fingers decorated in rings, the sapphire one shining a particular bright. A smug smirk spreads on his lips at the sight of the ring.

“Yes, my lord husband, Prince Aemond is everything that I could ask for.” You nod, “I am content, actually I am more than content Lord Wormwood.”

“I am happy to hear that, your grace. But, I am just suggesting that…should you ever find yourself in need of some company whilst visiting the Reach⎯” Lord Wormwood suggests, making his blood boiling. 

“No, now I must return to my husband’s side.” You cut him off, eyes shifting away.

“Just a moment longer⎯” Lord Wormwood tries again, attempting to keep the conversation going.

Watching you straighten up your back and fiddle with your wedding ring, he instantly catches the subtle signal from you. You needed him. Holding his head up a little higher,  Aemond saunters over to you, attempting to hide his slightly faster walking pace than usual. Reaching your side in an instant, he gently places his hand on your hip, tucking you into his side.

“Aemond.” You whispers, a subtle glimmer of appreciation in your eyes. 

“I do believe that my wife and I have other more important matters than you, Lord Wormwood.” Aemond cuts in, his voice cutthroat. 

“I, uh, I well..” Lord Wormwood stutters out, shocked by the sight of Aemond lurking over you like some kind of protective dragon.

“Goodbye, Lord Wormwood.” You nod, dragging him away.

Feeling the tension within the room grow with each second, you softly intertwined your hands with Aemond, to prevent him from reaching for his blade. Tightening your grip on him, you start to drag Aemond away, knowing that he’d make some comment or at worst do something to Lord Wormwood. The last thing you needed and wanted was for a fight to erupt because some stupid old man couldn’t take a hint that you were married. 

“Come, come, Aemond. I am sure Helaena will be happy for us to join her.” You lie, tugging at him a little harder.

“Yes, let us go, my wife.” He nods, his voice sharp.

“Come, Aemond.” You grit your teeth, “Let us go, now.”

“Yes.” Aemond glares down the squirming Lord, like he hoped that he would burst into flames.

Cringing at the tension in the air, you tug him a little harder, struggling as he was practically glued to his spot. Sighing as he refuses to move, you press a kiss onto his cheek, using it as a way to soften him just enough to drag him away. Smirking as he instantly melts like a dragon burning a piece of wood, you drag him forcefully, weaving your way through the sea of Courtiers. 

“You kissed me.” He mumbles, a faint hum of pink on his cheeks.

“I did.” 

“You kissed me, in public.” He repeats, “You have never done that before.”

“Yes, well, I cannot exactly carry you over my shoulder to stop you from killing that man. So a kiss is what it was.” You counters back, a hint of wit in your voice.

Looking over his face in an attempt to see his reaction, he doesn’t really display any emotions, just this flatness which was typical of him. You liked to think he was born with a stone face and that Alicent had mistaken him for a statue instead of a babe. Cocking a brow up at the lack of anything from him, you softly squeeze his hand, attempting to get his attention or something from him. 

“I do not like him.” He grumbles, the disdain clear in his voice.

“Oh, really? I had no clue that you disliked him.” You jest, rolling your eyes playfully. 

“Do not jest. Tis’ not a jesting manner.” He sulks, “He propositioned you to visit his bedchambers.”

“I know, tis’ why I had you infer. I do not intend to share a bed with any other man than you. So do not even think of entertaining any doubt’s, Aemond.” You argue, quickly dismissing any doubt he may have.

He goes quiet for the longest time. It almost looked like he was actually accepting your words without any possible argument or disagreement. Relaxing for a moment, you watch as he licks his bottom lip, his eye narrowing for a moment.

“Let me kill him.” He mumbles, almost like he was begging you to allow it.

“Not in public.” You argue, not taking him seriously.

“That can be arranged.” He smiles, a rare smile tugging at his lips. 

Shaking your head with a gentle scoff, you look over his face for a moment, seeing that he was being serious. The look on your face shifting into one of annoyance. Whilst other men would have lashed out and caused a scene, Aemond was cunning and waited. Like a snake hiding in the tall grass. Smacking his arm softly, he lets out a soft snort, a cheeky little grin spreading on his face. 

“No.”

“Fine.” He mumbles, rushing away from you. “I will not be the one to do it.”

“Aemond Targaryen, don’t you dare.” You scold, chasing after him.

---

@lovelykhaleesiii

@fragileheartbeats

@danytar

@nightvers

@zaldritzosrose

[not-the-cheese]

one sentence summaries of every TMA episode

(1-60 i'll add more soon)

part 2 up!

world's most effective anti-smoking PSA

man DOES NOT open coffin. everyone claps.

woman is judgemental towards neighbor even though she has hobbies that are just as weird.

book makes multiple people fall off chair.

man finds bag of teeth and decides he absolutely needs to fuck around and find out.

worm sti.

there was a SCARY MAN in the WAR.

fuck this tree

well at least ted bundy was a great father :)

i'm like 55% sure vampires are real and i'm willing to take those odds

bitches be dying. you're next.

we kill this man because he made the soda too warm.

sorry ur husband's dead. maybe get some help.

Unbox with me ! (GONE WRONG)

hah i'm safe from this one because i have decided to Never Go Into a Cave Ever.

man is so annoying about this spider that even his cat can't be bothered

man's bully finds a book about a Bone Turner and subsequently begins turning people's bones.

this guy sucks at DIY home improvement

aw maybe this priest didn't do anything THAT bad!

oh fuck nevermind

THE SKY ATE MY SON.

the worms stole my identity. i haven't left the house in days.

man beats german children at game of bravery and wins a coin (he later loses this coin)

my ex boyfriend gets casted in the muppets and dies

sorry mom, i've abandoned jesus for a new religion : jesus in the dark.

tall squiggly and HANDsome

old man arm wrestles demon through door knob

the buzzfeed unsolved guys finally catch a ghost but it's their sound tech

immortality but at what cost

working at the big meat factory was so traumatizing it made me vegetarian

i go to america and get almost killed by a furry

well if you love that wasp nest so much why don't you MARRY it (and then she did)

antisocial boat crew bands together to exclude one guy from a midnight party. he dies from the rejection.

bone apple teeth

remember when that norwegian guy threw a tantrum about us not digging a hole? turns out we were right to not dig that hole.

babe come over my parents have taken ill and passed away

man fucks around and it costs him everything

HOMOPHOBIC CHINESE VASE

oh god oh fuck the worms are here

thank you for participating in worms! please rate your wormsperience from 1 to 10.

the wormsperience has left me deeply scarred. i'm going to get lost in a tunnel about it.

🎸music makes me loose control🎸

spooky stories to tell at the next police slumber party

child threatens to run away and join the circus one too many times, and now the circus has come to cash in.

these mosquitoes are mad sus

man frequents local barnes and noble and then dies(?) after liking a book too much.

realtor gets eaten by the backrooms twice. it's a terrible shame.

both me and this weird goth dude have an unsatisfying italy vacation

guy who turns people's bones gets a new job where he continues to turn people's bones.

man who should never be allowed to build prisons builds a prison.

Something Big Is In The Water.

what if u heard me about 15 feet behind you fumbling around and calling out ur name 😳 (and we were both prison guards)

i'm going to be honest i didn't retain anything from this episode except that this guy has the silliest old man voice ever

everybody hates the tax man, including these creepy taxidermy animals

hmmgh. ant house.

so turns out being only 55% sure that vampires are real in my career as a vampire hunter has had some consequences.

the only thing keeping you company in space is your abandonment issues

🎶 the snack that smiles back 🎶 (my husband!)

maybe the real treasure was the house siblings we encased in spider web along the way.

your dead brother wrote books about ancient myths and WHAT

Part 2

[msbunnat]

🌾~𝘕𝘰 𝘮𝘢𝘵𝘵𝘦𝘳 𝘩𝘰𝘸 𝘮𝘢𝘯𝘺 𝘵𝘪𝘮𝘦𝘴 𝘵𝘩𝘦 𝘩𝘢𝘳𝘷𝘦𝘴𝘵 𝘪𝘴 𝘣𝘶𝘳𝘯𝘦𝘥, 𝘪𝘵 𝘤𝘰𝘮𝘦𝘴 𝘣𝘢𝘤𝘬 𝘵𝘰 𝘭𝘪𝘧𝘦

The golden hair Demeter, with wheat hair that blows in the wind and soft grass skin (like, fuzzy I guess). I imagine she loves mortals very much and is a survivor of the kind who is not ashamed of her past or the vulnerabilities she has experienced. Farming is such a hard job that requires quick thinking and even faster problem solving, so I imagine her always getting her hands dirty too. But this natural appearance camouflages her connection with death, that it is still present due to the fact that the wheat in her hair 'dies'/'dries out'.

Demeter made me think a lot about how we focus on Zeus, Poseidon and Hades, as if they were 'bigger', the big three… But man, she was very worshipped, she was the goddess of fertility and agriculture and DEATH. Was she left aside in the modern era due to pure misogyny perhaps? Because so there re many myths and tributes to her make me think that the real 'big three' were her (Earth), Zeus (Sky) and Poseidon (Sea). Or that there wasn't even a big three at the end...

As for her approach as a controlling mother to Persephone, I don't hate it, sometimes it's interesting, but it seems like just a shadow of Demeter… She's not perfect, but what mother is? Even so, I can't see her as controlling, but rather desperate just to know how her daughter was doing. And it's good to remember that she had more children!! And she was a great mother to them ;w; so, let's see what I'll do with her… but she's a crucial piece!

[lizzyiii]

just read “his lady love” and i’m completely obsessed with your writing, i definitely need a part 2 for that please 😭😭😭

His Lady Love (2)

pairing | aemond targaryen x vampire!mikaelson!reader

word count | 3.8k words

summary | you return to westeros, to find that the young prince has become a man and his burning infatuation with you has not died out and you reconnect with helaena

tags | no warnings? usual mention of targaryen incest (but let's be real, everyone who reads hotd fanfic has now normalised targcest), and child marriage (my poor bby Helaena), filler

note | oh my god, y'all 😭. idk what I was thinking with that dramatic ass mikaelson reveal. as we all know the reader is never described, but as we all also know the mikaelsons are white af. so I'm making it clear that the reader is NOT mikael's daughter, leaving the reader's description and race unknown, esther was busy getting her freak on and her real father will never be disclosed. because in my mind the reader or y/n is and will always be a curly-haired, brown-skinned baddie....so each to their own. AND I'm pretty sure this is going to be a series cause for the life of me I am unable to make a oneshot without further exploring a story.

likes, comments, reblogs are much appreciated ✨

𝐏𝐫𝐞𝐯𝐢𝐨𝐮𝐬 𝐂𝐡𝐚𝐩𝐭𝐞𝐫 — 𝐌𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 — 𝐍𝐞𝐱𝐭 𝐂𝐡𝐚𝐩𝐭𝐞𝐫

Five long years had stretched into nearly two thousand sunrises since Aemond Targaryen last laid eyes upon you. Each passing day weighed heavily on his soul, a slow burn of a thousand bitter memories. Some days, the tempest of his emotions roiled within him, bidding him to hate you—for your departure, for the way you had vanished from court like a wisp of smoke, leaving only echoes and shadows in your wake.

But the flames of that hate flickered and faded, giving rise to a deeper yearning, a gaping void where love had once flourished. Even now, after all this time, your spirit held his heart captive, stolen under the very nose of fate when you chose to forsake the realm.

In the wake of your absence, thirteen year old Aemond had become a specter haunting the hallowed halls of the library, pouring over tomes and scrolls in a frantic quest for knowledge of House Mikaelson—a house that seemed to dissolve into the mists of myth with each turn of the page. The histories were silent, and when he turned to his elders, the lords and ladies of the court, their ignorance stung deeper than any sword. Your name was but a whisper lost amongst the louder clamor of dragons and destinies.

Desperation guided his steps toward the Queen’s solar, where his mother resided. He pressed forth, demanding answers of her, yet it was peculiar; though he sought her wisdom and guidance, she seemed to have forgotten the very reason of why she had made you one of her ladies-in-waiting. Her brows knitted with confusion as he spoke your name, her big brown eyes clouded with a nostalgia she could not place.

Yet Aemond could see it in the gentle curve of her lips, in the way her gaze drifted past him, as if searching for a phantom. She missed you, that was clear. Her heart held a chamber of memories crafted from your offered comfort amidst the whispers of court intrigue, from the grace of your presence that had brightened the darker days.

The weight of five relentless years bore heavily upon Aemond Targaryen. Through trials of fire and blood, he had forged himself anew, emerging both mentally and physically formidable. He was now the most skilled swordsman within the keep’s sturdy walls, a warrior of such caliber that even the esteemed Ser Criston Cole would struggle to match his prowess. Secluded in the dim light of solitary training grounds, he immersed himself in the ancient tomes of philosophy and the illustrious history of House Targaryen, dedicated to honing his mind as keenly as his sword.

Yet in this relentless pursuit of strength and mastery, the warmth of his heart had withered, leaving behind only the chill of calculated ambition. His facade, meticulously crafted, rendered him cold and unyielding — a visage so fierce that even the bravest souls flinched at the thought of meeting his gaze directly.

Thus, it was with a jarring dissonance that Aemond entered his sister, Helaena's solar that day. It was a ritual he had come to cherish against the backdrop of his darkening spirit, visiting her and the twins for a fleeting moment of respite. However, as he stepped across the threshold, the air thickened and his breath caught in his throat.

Helaena sat with delicate artistry upon a chaise, embroidering threads of vibrant colors while keeping a watchful eye on her children. But it was not the familiar sight of his sister that seized him. No, there, in the heart of the chamber, stood his mother, Queen Alicent, holding the hands of a woman whose features were obscured from his view. However, even with your back turned, he recognized you and your unmistakable figure.

Alicent’s large, expressive eyes caught his, shimmering with an emotion he had not anticipated. “Aemond,” she uttered softly, the sound piercing through the tension-laden silence.

With the calling of his name, you turned, and the breath in his lungs faltered. The years stretched out like an endless tapestry between the two of you, but as he beheld you standing there after all this time, it felt as if no time had passed at all.

Five long years had passed, and in that span, Aemond had transformed. His once-boyish frame had hardened, each line of muscle now finely chiseled, his stature soaring to a height that eclipsed yours. He had shed the skin of youth and emerged a man forged by the fires of ambition and vengeance, yet he could feel a familiar tug at his heart as he stared at you.

But you… you had remained untouched by time’s relentless march. Your face, flawless and luminous, bore no marks of age; not a wrinkle nor blemish dared mar your smooth skin. Your form he remembered was preserved in perfection, your hair framing your figure in the same glorious waves that had enchanted him years ago.

You were the embodiment of memories he cherished, the same as ever.

For a fleeting heartbeat, Aemond dared to believe you were but a haunting mirage conjured by his yearning heart. If not for the watchful eyes of his mother and sister resting upon you, he would have thought himself lost to despair, ensnared by the fantasies of his own making.

An eternity seemed to stretch in the daunting silence that enveloped the two of you, the world around forgotten as each of you engaged in a quiet, yet profound examination. Your eyes sparkled like the night sky in the light of the day, and when you smiled—the same saccharine smile that had once filled his heart with joy during the innocence of his childhood—it left him breathless. “My prince,” you spoke softly, your voice dancing in the air, “how you’ve grown.”

In that moment, something within him shifted—a profound balm against the bitterness he had nurtured like a dark plant within his chest. All the resentment, the stinging remembrance of your abandonment, and the shadows of sadness that once clouded his thoughts dissipated at the mere sight of your smile. His throat was dry as a winter's night, thoughts scattered like ash on the wind, and yet, the corners of his mouth began to lift involuntarily, mirroring the warmth radiating from you.

Mikaelson.

A name that struck terror into the hearts of countless souls. Yet, here, in this strange realm of Westeros, where dragons soared and the icy dread of White Walkers loomed behind the walls, such fear was but a whisper lost to the winds. No, this land, though foreign and fierce, offered you sanctuary—not the kind woven from solace and warmth, but the kind fortified by distance and the absence of your cursed siblings.

Here, there were no vampires lurking in the cloaks of night, nor were there werewolves howling beneath the pale moonlight. Instead, there were dragons, fierce and resplendent, and direwolves, proud and wild. Most crucially, there was no Mikael—a freedom that tasted of hope amidst you heart's turmoil.

True, you thought often on whether you should have brought your siblings along, for Mikael would never find this place. Yet, a heavy foreboding gripped you; you understood all too well that the Mikaelsons (Niklaus) very presence would shatter the fragile peace you sought. Westeros was far from a land of plenty, riddled with poverty and further burdened by the cruel fate of women, yet in its chaos lay distance.

So, you fled, slipping away into the shrouded embrace of night, abandoning the only family you had known—or, more accurately, what was left of it. It was the sixteenth century, a time when hope flickered dimly in the eyes of men and women alike. You had not laid eyes upon Finn since Niklaus, in his relentless wrath, had condemned him to a tormented existence, and staked a dagger in his heart. Kol fared no better; his defiance had earned him Niklaus' ire, leaving him to face the very same fate that had befallen their eldest brother.

Months had slipped by as you braved the tempestuous seas, each wave an echo of your desperation, each gust of wind whispering promises of a new beginning. You had set sail toward the edge of the earth, guided by an insatiable yearning for freedom—until at last, you had discovered Westeros.

You had arrived in Westeros with an unyielding ambition, your ethereal beauty concealing a fierce determination that allowed you to easily compel your way into the court of Queen Alicent Hightower as one of her ladies-in-waiting. The smell of dragonfire and the whispers of civil war clung to the air, a distinct reminder of the foreign heritage of the Targaryens.

The first time you had seen one of the great beasts aloft, its shadow sweeping across the land, leaving you breathless and in awe. Dragons were an embodiment of the Targaryen power, but alongside that power lurked a shocking underbelly of normalized incestuous unions and the festering decay of traditional familial bonds. For a girl raised among the Mikaelsons, who had danced among the vices of immortality, this was both familiar and grotesque.

Your new world was laced with intrigue—rumors skittered through the halls like restless spirits. The whispers spoke of Princess Rhaenyra and the seed of doubt surrounding her claim to the Iron Throne, the barbs of scandal raised even higher by her many alleged bastards. These complexities intrigued you, compelling you to observe from the outside, where the machinations of power were far more amusing than any political play you had encountered in your old life.

Queen Alicent, though esteemed and regal, bore the weight of her flaws almost indiscernibly, like a cloak of gold marred by rust. From what you could tell, the Queen wielded herself like a pawn—her father being Otto Hightower, an unseen puppeteer, tugging at the strings of her choices. Maternal instinct flickered in Alicent like the candle flames that lit the chamber at night; she faltered and stumbled but made an earnest effort to nurture her children as best she could, though in your opinion she had failed miserably with Aegon. And yet, her fund of effort, a raw and poignant endeavor, resonated with you. The Queen was imperfect, yet within that human frailty lay a semblance of motherhood that Esther Mikaelson had failed to give you.

Thus, in your role as one of the Queen’s ladies-in-waiting, you discovered a sanctuary of sorts. The court became a twisted labyrinth of alliances and betrayals, yet amidst the swirling intrigue, you found comfort in Alicent’s earnest attempts at kindness towards you.

In the two years you had spent in Westeros, you had found solace in the delicate friendship you created with Princess Helaena—a rare gem among the Targaryens, whose sweet and gentle spirit seemed devoid of the cunning that defined her kin. Helaena's quiet understanding struck a chord deep within you, reminiscent of a time before death had twisted your mind. Once, you too had lived in a world that felt like a dream, until Niklaus tore down the veil of your innocence with his ruthless reality check. He had carved fear into your heart, reminding you of the darkness that lurked within the world.

But as you observed Helaena, an overwhelming sorrow enveloped you. The Queen's decree to betroth the princess to Prince Aegon sank like a stone in her gut. Aegon—a broken soul, defined by indulgence and ambition—was a force of chaos that echoed the wickedness of their own familial bond. In many ways, he reminded you of Kol, with his infectious charm and volatile spirit, yet where Kol harbored a flicker of love beneath layers of darkness, Aegon radiated a depravity that sent shivers down your spine.

Your heart ached at the thought of Helaena being shackled to a boy so unworthy of her light. The specter of Aegon’s reckless nature loomed large, and you feared for the princess's fate. You could see it clearly: with every passing day of their union, Helaena’s spirit would wither under the weight of neglect and cruelty, her gentle soul extinguished in the fires of a loveless bond.

And then there was Prince Aemond, the second youngest son of Alicent's brood—a striking boy marked by a fierce determination to embrace his responsibilities as a prince. You often felt a pang of sympathy when you witnessed the relentless taunts from Aegon and the scornful jeers of his nephews, sorrow swelling in your chest at the knowledge that he was the only Targaryen without a dragon to call his own. And it was hard to ignore the tender glances he cast your way, his violet eyes lingering on you whenever you graced a room.

However, nothing could have prepared you for the sight of Aemond standing at your door during the elusive hour of the wolf, his ethereal silver hair, tousled and framing a face streaked with tears, the light of hope dimmed in his now singular violet eye. Fury ignited in your core when he confided the harrowing tale of how Aegon had dragged him to the Street of Silk, that dark sanctuary of vice—your heart shattered for the innocence that had been ripped from him, for the heavy shame that now clung to him, marked by his brother who should have looked out and protected him. By now, Aegon was six-and-ten, he should have gleaned wisdom from his years, yet he chose the path of cruelty instead.

In an effort to soothe the wounded prince, you opened your heart and your arms to him. You conceded to his requests, bathing him with tender care, allowing him the sanctuary of your presence as he lay beside you. Your intentions were pure, untainted by anything but the desire to comfort a boy you had come to deeply care for.

And yet, with a heavy heart, you turned your back on Westeros, your mind haunted by the echoes of family. In that fleeting moment of vulnerability, you found yourself yearning for the bonds that had once defined you. The Targaryens, ensnared in their web of resentment and betrayal, made it clear that true loyalty and love were rare treasures. Their familial discord stood in stark contrast to the fierce devotion of your own bloodline. For all the chaos wrought by the Mikaelsons, love remained their unyielding anchor.

Niklaus, with his volatile nature, was both feared and revered by you; yet, beneath that fierce exterior lay a soul tormented by the shadows of his past, perpetually haunted by the specter of abandonment. Finn and Kol, locked in eternal slumber by Niklaus’s cruel whim, lay undisputed in their coffins, yet your brother stood sentinel over them, unwavering and steadfast. The thought of returning to him was chilling; the mere sight of you would surely earn a dagger in your own heart.

You resolved to escape, to steal away before Queen Alicent could impose a husband upon you like a gilded cage. It was meant to be a brief respite, a momentary retreat from your burdens. You had once believed that seamlessly integrating into the intricate tapestry of Westerosi society would be a simple endeavor. Yet, the relentless weight of expectations proved stifling. Each encounter demanded a dance of delicate grace, a façade meticulously curated to meet the desires of those around you, and in turn, it drained your very spirit.

Thus, you sought solace in the sun-drenched lands of Essos, a realm that defied the rigid conventions you had grown weary of. Essos was a land of vibrant colors and broken norms, where the sun shone unabated and the very air seemed to sing of possibility. Gone were the burdens of being gracious and demure, replacing those restraints with the intoxicating freedom to explore the wild tapestry of cultures sprawled before you. In a realm filled with mercenaries and traders, where the scent of spice mingled with the salty sea air, you couldn’t help but feel invigorated.

Shame washed over you like a cold wave, a sharp pang of regret settling in your chest as you sat in Princess Helaena's solar, surrounded by the laughter of her twins, Jahaerys and Jahaera. The children, mere five summers old, served as a vivid reminder of your absence; Helaena had brought them into the world at the tender age of fourteen, while you had been lost in the allure of Essos. Your own selfish pursuits had drawn you away from Westeros, leaving your dear friend to navigate the tides of motherhood without your companionship.

But now, fate had drawn you back to Westeros, though the reason for your return eluded you—perhaps it was mere curiosity, or a desire to witness the Targaryens as they embarked on a path toward their own ruin. Perhaps it was simply the lingering comfort of a maternal embrace that Queen Alicent had once offered you. One thing remained certain: you were back, unchanged yet bound by the curse that clung to the Mikaelsons. You still appeared as you had, forever encased at the tender age of six and ten, the same age at which you had died nearly six centuries ago.

The twins were a study in contrast. Jaehaerys, the young prince, was somber and introspective, casting shy glances your way from beneath the curtain of his silver hair. In contrast, Jaehaera exuded a lively spirit, her laughter as bright as the morning sun. She was a sweet girl, eager for your attention, her small hands clutching her beloved dolls as she beckoned you to join her in playful realms of castles and grand adventures. Every so often, Jaehaerys would join in, indulging his sister’s imagination by taking on the role of a fierce dragon, albeit with a reluctance that made his quiet demeanor all the more endearing.

“I have missed you,” Helaena said softly from her place on the chaise, delicate fingers working through the intricate patterns of her embroidery, her gaze never leaving the fabric.

You met her gaze, a frown momentarily shadowing your features, your heart tightening at the sight of her. A small, bittersweet smile tugged at your lips as you replied, "As I have missed you, princess. I offer my sincerest apologies for my prolonged absence."

“But you have returned, and that is what matters,” she replied with a tranquil certainty, her expression unwavering.

With a nod, you maintained your tight-lipped smile, the corners of your mouth struggling to lift fully. “Indeed, I have, and I hope to stay here for as long as fate allows.”

As you resumed your playful moments with the twins — Helaena’s voice broke through the lighthearted chaos as she called your name. “Pray tell, how old were you when you came to court?”

Your lips pursed gently as you recounted, your tone tense but soft, “I was but six and ten years, my dear princess.”

An oblivious smile spread across Helaena's face, illuminating her features. “And yet you appear unchanged, as if untouched by time’s passage. Like a Lepidoptera,” she remarked, her imagination weaving images as vivid as the embroidered fabrics around her.

Your brows knitted in puzzlement. "A what, my princess?"

"A Lepidoptera," she patiently repeated, her eyes shimmering with youthful curiosity. "It is a classification that encompasses butterflies, which remain breathtakingly lovely until the end of their days."

A bittersweet pang echoed within you at her words, for you were destined for a far different fate, cursed to wander the shadows as a creature of the night. Yet, you offered a slight nod, managing a soft, "Thank you, my princess," as you absorbed the weight of her innocent compliment.

“And yet, I cannot claim to have missed you as intensely as Aemond has,” Helaena mused, her gaze distant as you idly threaded your fingers through Jaehaera's shimmering locks of silver.

“I’m afraid I don’t quite grasp what you mean,” you replied softly, masking your understanding with a facade of innocence.

“I believe you are quite aware,” Helaena said softly, a melodic note in her voice, her smile lingering with a teasing warmth, “Aemond has loved you since he was a mere boy.”

You cast her a sidelong glance before adopting an air of nonchalance. “Love is a weighty term for one so young, Princess. Surely, it was nothing more than a fleeting fancy.”

Helaena shook her head, her needlework a steady rhythm in her hands. “No, I do not believe so.”

Deep down, you didn't believe so either. Ever since your return to the depressive halls of King's Landing, a sensation had accompanied your every step—a watchful gaze lingering upon you. Aemond had worked to keep it hidden, but your heightened senses revealed the quiet intensity of his interest, as vivid as the summer sun.

There had been numerous revelations awaiting you upon your return to the Red Keep—the prideful births of young Jaehaerys and Jaehaera, the scandal of Rhaenyra and her uncle Daemon's elopement, and the grim decline of King Viserys's health, shadows stained upon the Iron Throne. Yet, the most haunting transformation was that of Prince Aemond.

Aegon had blossomed into the drunken sleaze you had always anticipated, a replica of the whims that dictated his every choice, but Aemond—oh, how he was the exact opposite of what you had envisioned. The youthful boy, once soft and unassuming, had unfurled into a striking figure, sharpened like the blade of a Targaryen sword, each line of his form etched with the harshness of time and expectation. His stature now towered over you, his presence immense, a tempest contained within the boundaries of a man’s body.

He seemed to carry within him a quiet fury, a storm beneath the surface, and it stirred something deep within you, a memory of that boy who had once been desperate for approval and had hope for a dragon. His boyish softness had been replaced by the resolute presence of a true dragon, a stark reminder of the power and peril that resided within his bloodline.

[lgbtlunaverse]

Fandom is so nice to Jiang Cheng's inferiority complex because in reality every single thing he gets accused of is something Wei Wuxian is better at than him.

Jiang Cheng killed Wei Wuxian? Nope. Didn't even get close. Wei Wuxian's own spirits tore him apart before jc could even get there. wwx:1 jc:0

Jiang Cheng tortures people? We get two and a half rumours and a mention from jin ling that jc has 'captured' demonic cultivators before, but who is also apparently confident that just letting wwx run off will kill the issue even though those earlier rumours said ~no one who sandu shengshou captured was ever seen again~

The word jiang cheng uses when he tries to talk big game about 'beating the truth' out of Wei Wuxian's is a word that carries the context of pestering someone to do their homework. Doesn't exactly strike fear into my heart.

Wei Wuxian? Excellent at torture. A prodigy. Did you fucking see what he did to Wen Chao? Dude didn't have fingers anymore because wei wuxian made him eat them. He ripped out his hair, burned his skin off, and then stalked him for several days just to prolong the pain. He forced Wang Lingjiao to bite Wen Chao's dick off and then made her shove a stool leg down her own throat! 10/10, no notes. Absolutely horrifying.

Meanwhile Jiang Cheng's idea of torture is getting a dog to bark at Wei Wuxian for a few seconds. Weak, unoriginal, I bet fairy was literally wagging her tail the whole time. 2-0

Jiang Cheng made the entire cultivation world believe Wei Wuxian was up to no good on the burial mounds and ultimately orchestrated his downfall? lol. lmao, even

It's a big thing in certain corners of the fandom to really zoom in one one particular phrase at the end of chapter 73, where after wwx and jc have their staged duel to make the world believe they hate each other jiang cheng tells everyone wwx has defected and become "a public enemy'' or "an enemy to the cultivation world" or whatever the translation you're familiar with decided upon.

(As an aside, something I really like about this line is that the last half of it is almost exactly the same, like verbatim, as what wwx told him to say. like, the chapter is really hammering home just how much jc is speaking from a script here. wwx tells jc to say "今后魏无羡无论做出什么事，都与云梦江氏无关." and jc says "今后无论此人有何动作，一概与云梦江氏无关" the only meaningful difference is that he says 'this person' instead of wwx's name)

I've seen it said that this bit, the use of 'enemy' was said without wei wuxian's approval, that jc deviated from the script just to hurt his ex-shixiong for leaving him. And that this is what caused all the other clans to turn against wei wuxian. Regardless of if this is what jc and wwx discussed, or if jc had malicious motivations for it (considering my conclusions above, you can guess where i fall) it doesn't really matter, because the novel tells us when the clans completely freak out and become convinced wei wuxian is out to get them (though of course they've been wringing their hands about it since the literal day wwx ran off with the wen, months before jiang cheng visited) very neatly in chapter 75!

It's when they find out about Wen Ning.

And how do they find out about Wen Ning?

Because Wei Wuxian took him on nighthunts! And they kicked ass!

...Wei Wuxian, my man, why are you on nighthunts??? Why are you showing off your incredibly cool sentient fierce corpse buddy, who is way better and stronger than all the other fierce corpses, in front of the whole cultivation world??

Whatever his motivations (extra money, maybe?? they were strapped for crash) I can only draw the conclusion wwx had already given up on appearing calm or non-threatening and didn't care if the clans thought he was a threat, because they'd believe whatever they wanted anyway. Which he seems to clearly be aware of the whole time.

Regardless, we know that this is what created the myth of the Yiling patriarch. It's literally when the title first shows up!

Even if you really believe jc was secretly plotting against wwx in chapter 73, he's clearly doing a shit job of it because nothing he said made anywhere near as big an impact as this. Flopped!

The other point people use to argue Jiang Cheng caused wei wuxian's downfall is Jin Guangyao's speech in Guanyin temple about how jiang cheng could have saved wei wuxian if only he stood by him. Setting aside that jin guangyao is trying to get into jiang cheng's head here, and isn't necessarily saying what he really believes (though it very well might be! who knows with a character like jgy. assuming he's always lying is just as misleading as assuming he's always saying the truth) the fact is, if you read the speech closely, what he's talking about is not the 'public enemy' line, he's talking about the bond between them. The fact that people wanted wei wuxian out of yunmeng jiang, because the two were too powerful together.

He's talking about that one time Jiang Cheng very publically kicked wei wuxian out of the sect!

Which, unbeknownst to Jin Guangyao, was in fact Wei Wuxian's idea the whole time.

final score: 3 for you wei wuxian, you go wei wuxian! And nothing for Jiang Cheng bye.

[bitterchocoo]

Golden Hour

Jing Yuan | M. Reader

----------

Reincarnation AU

----------

There's a particular painting inside the Luofu Museum. It's a painting of the former General, they say that the General never smiles and always has a blank expression. That painting is the most precious and one of a kind in the whole world...

Why?

Because it's the only time...

Where the General finally smiles...

----------

"Huh... "Wise and Brave; Jing Yuan." Hey, wouldn't it be funny if he's actually you from the past?"

"Nonsense, we just have the same name."

[Name] turn his head towards the white haired man with a raised eyebrow. "Yeah.. Sure.. But you do have the same smile as him." He said as he look back at the painting in front of them.

The General in the painting looks almost identical to the man standing beside him  down to the same smile. Then again, [Name] couldn't imagine Jing Yuan being all stoic like, a smile fits him better. "You know... They say that the General had fallen in love with the Strategist in the Xianzhou, some even say that the Strategist was the reason why he started smiling."

"Really?"

"It's just a myth though, don't know if it's true."

Jing Yuan chuckles at that statement, after all myths are just myths, there's no telling if it's real or not. It's probably fake, people usually make up things just to satisfy their own fantasies, but something in him tells him otherwise.

That maybe, just maybe... It's the truth.

.

.

.

.

.

"ARE YOU INSANE?!"

"It's the most optimal solution, General."

"BY SACRIFICING MY MEN!?"

"Losing a handful of soldiers are better than losing civilians, plus—isn't it their duty to give their live for the people and die in battle?"

"HOW CAN YOU SAY THAT WITH SUCH A CALM VOICE?!" The General huffs as he glared daggers at the man in front of him, the man who proposed the very strategy that practically sacrifices his men "for the greater good." Jing Yuan always wonder how this man is able to be the Strategist of the Xianzhou...

A man who stood to benefit from betraying others... It's not proven or anything and yet...

Jing Yuan is certain that he'd turn against the Reignbow Arbiter in a heartbeat...

There's isn't a sane bone in his body.

The other man sigh at Jing Yuan's response as he crosses his arms and spoke up with his usual calm yet firm voice. "And here I thought you'd be more reasonable, given that you're the General."

"The leader of an organization is at the pinnacle of it and, at the same time, he is its slave. The leader must be more than willing to commit any atrocity in order to ensure the organisation's survival."

He hates it.... He hates this man so much...

How could he talk about that so casually? As if these men... Were just mere pawns to him... After all sacrificing a few pawns means relatively little if it means your King's safety.

'He's not thinking about the people.. He's thinking about the Xianzhou Loufu's survival instead...'

"They were right about you... You're a wolf in sheep's clothing..." He started as he continues to glare daggers at the man. The man only gave him an unamused look as he asked in a calm voice. "And why would you think that?" Jing Yuan scoffed at the question as he crosses his arms. "Talking to you is impossible."

"But in all honesty, give my strategy some thought, General."

"There's nothing left to think regarding that. I want you to change it this instant."

The man sigh at the order he was given, he uncrossed his arms and took back the papers from the General's desk. "As you wish."

And with that... The man left his office.

Jing Yuan sigh as he put a hand on his forehead and look down at his wooden desk. "I can't believe that man... [Name] was it..?" He mumbled under his breath.

'It's as if a life meant relatively little to him.'

.

.

.

.

.

"I never knew you could be a skilled doctor.."

"I was the Head Physician before becoming your strategist, General."

"..."

The two fall silent as [Name] bandaged the general's wounds. It seems even the "Mighty General of the Loufu" can get hurt. How fascinating. Once he's done, [Name] lets out a sigh and puts back the supplies he had used. "I suggest you shouldn't go to any missions at the moment. Let your wounds heal."

Jing Yuan remains silent as he inspects his carefully treated wounds. The bandages aren't too tight, and his body isn't as sore anymore. [Name] might be a sociopath with the types of strategies he comes up with. But he's a wonderful physician. Maybe he should stay as one.

"Can't have you start bleeding out in the middle of a fight after all. Unless you wanted me to operate on you then go ahead."

Jing Yuan can't help but sigh at those words. Of course the doctor has to open his mouth and end it on that note... even if he's good, [Name]'s still a sociopath though..

"...Understood."

"Good."

.

.

.

.

.

The crowd was silent as they watched the starskiff flies to through the sky. Reaching greater heights. "Another sent of.." The doctor mumbled under his breath.

"Sad, isn't it?"

"Not really."

Oh you sociopath! Jing Yuan snapped his head towards him. He was about to argue until he saw a soft smile on the doctor's face. A soft. Melancholy. Smile.

"It's not sad. It's poetic." [Name] says softly as he watches the starskiff. "In a way, if you're at a loss, you could look up at the sky and.... remember that they're watching over you.. and there's nothing to be afraid of.." Turning his head towards the general, [Name] gave him a closed eye smile as his hair got caught in the wind. "It's almost romantic, is it not?"

Jing Yuan felt a strange and warm feeling on his chest. Without thinking, he returns the smile with his own. "If you put it that way.. it is kinda poetic.."

----------

"Well... I heard that the Strategist is far more worse than the General." Jing Yuan spoke up, making [Name] turn his head to look at him with a raised eyebrow. "Really?" He asked as he crosses his arms, waiting for am explanation. "Yup, they say that the Strategist is a sociopath. I've also heard that the General was the reason the Strategist began to have a "heart". " Jing Yuan concluded with a smirk on his face.

[Name] can't help but chuckle at those words. For some reason.. he had a feeling it was true..

[intermundia]

i think my biggest frustration with the way many fans discuss star wars is the disdain they have for the genre of the movies and the way they dismiss the context for why they are the way they are. there's almost a contempt for the stylistic choices made; they wish that the movies were more like action movies than heroic space fantasy.

i like that they are stylized. i like the genre. i do not wish they were different. it surprises people when talking to them about star wars when i'm not eager to rag on the movies for repetitive or silly dialogue or things like that. it's like a large part of star wars fans love to hate star wars for being star wars. i am not part of that group.

i think that the star wars: magic of myth exhibition book is a great read that provides much essential context. there's a quote in there from science fiction author brian aldiss who defined 'space opera' in 1974:

Ideally, the Earth must be in peril, there must be a quest and a man to meet the mighty hour. That man must confront aliens and exotic creatures. Space must flow past the ports like wine from a pitcher. Blood must run down the palace steps, and ships launch out into the louring dark. There must be a woman fairer than the skies and a villain darker than the Black Hole. And all must come right in the end.

lucas's project is not realism, he is not a character-driven director! he is concerened with cinema as the moving image, loves speed and visual impact, soaring music and clear archetypal action. his dialogue is not naturalistic patter, just as the costumes are not streetwear. it's a movie shaped by its references to flash gordon and buck rogers.

it's melodramatic and obvious in its narrative goals, there's no secret to whether or not darth vader or the emperor are bad guys, you know? it's not about parsing their intentions, it's about how their dark looming figures fills the screen and enters the public consciousness as avatars of evil. luke, leia, obi-wan, all wearing white, are heroes to inspire and emulate.

those who dislike an elevated artifical style, who only want andor rather than flash gordon, are engaging with the material in a way that's simply different from the way i am, so we just talk past each other lol

[anneapocalypse]

On the role of outsiders.

One thing I think makes the Scions' relationship with Wuk Lamat unique isn't that they're mentoring her--I don't really see it as a mentor relationship and for various reasons I think it's better for it not to be that--but that, as outsiders, she finds that she can show vulnerability with them that she's only rarely been able to show with anyone else.

When we meet Wuk Lamat in 6.55, it's pretty heavily telegraphed that she's posturing a lot to cover up some personal weaknesses or insecurities. This made me really curious about her, who she was and what that overconfident demeanor was covering for. And when I got into Dawntrail and started getting to know her, I wasn't disappointed.

(No Wuk Lamat hate on this post, please. Any responses clearly trying to pick a fight will be removed and blocked without reply.)

Wuk Lamat has a couple of foils in this story, but a big one is Sphene, and I love @unmovingtroika's description of Sphene as "unpersoned to an extreme degree." And as a distorted mirror of our main character, Sphene reminds us that any person in a position of authority or heroism is depersonalized to some degree, no matter how down-to-earth or benevolent.

Gulool Ja Ja is really presented to us as very much a people's ruler, the charismatic blessed siblings who united the peoples of Tural through curiosity and open-mindedness and understanding. And that may be largely true, but it's also made of him a myth, a legend inscribed in stone and memory. Meanwhile in the course of Dawntrail's story we also meet the real person Gulool Ja Ja... at least, the one who's left. The man who has spent three years grieving his brother, his ever-present companion, the Reason to his Resolve, a man who for the sake of political stability has had to hide his grief and loneliness from even his own children, as he does his best to carry out the work they had begun together, and complete the Rite of Succession in his brother's absence. And if there are places where Gulool Ja Ja failed to foresee the potential negative outcomes to the Rite, like Bakool Ja Ja's actions endangering his people, we might see there in hindsight the Head of Reason's absence in the final stages of the Rite's preparation. And we see, in some of Zoraal Ja's anger and resentment and insecurity, a glimpse of the ways in which the people's Dawnservant might have failed his own son.

One of Wuk Lamat's early growth moments is when the Scions convince her that she doesn't need to try and hide her obvious seasickness--an affliction she can't help, and which represents no failure of character on her part but which is, well, embarrassing. I love that she seems to particularly connect with Alisaie, who's had her own experiences of feeling inadequate next to her sibling, and feeling the need to prove herself on her own terms.

Could Wuk Lamat have been convinced to drop the act by her allies if they weren't outsiders? The problem is that everyone else in Tural, even her own siblings, are the people she'll have authority over if she wins. Erenville frequently rolls his eyes at his old friend's posturing, and fairly so, but Wuk Lamat doesn't behave that way just because she's insecure. In the same way that her father has had to conceal the death of his brother even from his own children, Wuk Lamat recognizes the danger of showing weakness before the people she will have to rule--especially when she's already aware of her reputation as being less qualified than her brothers. But these outsiders from Eorzea are different. They're allies who will never be her subjects. In private moments, she can be a person with them. She can be vulnerable. She can be Lamaty'í.

(Incidentally, I think this is also why I found Sphene calling her Lamaty'i so unsettling. Initially it seems like a simple misunderstanding, an outsider mistaking a very personal nickname for someone's "public" name. But in the hindsight of what we learn about Sphene, I think it feels a lot worse. Sphene is, consciously or unconsciously, pushing past the walls of formality and reticence that necessarily exist around a ruler when interacting with most people--nevermind a foreign head of state whose intentions are unknown. She's positioning herself as a friend when she is not.)

As the story progresses, we learn the Wuk Lamat and Koana have always been close. Now, in the Rite of Succession, they must treat one another as rivals and can no longer share confidences--at least, at first. Koana's love and protectiveness of his sister emerges with a vengeance when Wuk Lamat is in danger--and I'd venture a guess that he, too, feels safer showing this sudden vulnerability before his allies and those of his sister, because again, they will never be his subjects. While we get only briefer glimpses of Koana's journey with Thancred and Urianger, I'd guess that their friendship has affected him in similar ways.

One of the benefits of blessed siblings is that they are never alone. They bring two perspectives to any situation, but they also have one another to confide in, to understand, to commiserate over the burdens of leadership in a way they can't with anyone else, not even family. Wuk Lamat and Koana taking on the role of Dawnservant together brings the benefit of their very different strengths and perspectives to their people. But it also means that neither must take on those burdens alone. When their allies depart, they will still have one another. There will always be someone at their side with whom they can just be a person.

The tragedy of Zoraal Ja is that he's evidently never had that kind of relationship with anyone. The myth of his seemingly miraculous birth has depersonalized him from the very start. All his life, he has carried the burden of living up to the expectations of the Resilient Son, and has never enjoyed the close relationship his brother and sister have with one another. To the very last, he attempts to live up to the legend alone--and he fails.

One of the biggest themes throughout Final Fantasy XIV is standing together. There is strength in companionship and cooperation, but for that strength to flourish, there must also be trust and vulnerability. Wuk Lamat and Koana ultimately find that in one another, as siblings and co-rulers, but the Scions play the important role of offering them an outsider's friendship in their journeys when they are cut off from one another, and would otherwise be alone. As Ketenramm and Galuf Baldesion once were to Gulool Ja Ja, the Scions to Wuk Lamat and Koana are neither mentors nor subjects, but companions and friends.

[wolfythewitch]

Hiui it is 8am and I'm on the zcholl bus and my broam has not shut up about them

There's a lot of discourse about the achilles portrayal in the song of achilles which I agree with for the most part because the sanitization I feel erases the suffering of women and slaves the period was built on by minimizing the raping and violent nature of war hero achilles that Homer wrote - - however, I don't think tsoa ought to be read as a stand alone; tsoa is entirely written from patroclus' pov and I think that idealisation of the man is brilliant because of how grossly codependent they were

I think I really liked one redditors take on it, being [in context of 'the silence of girls'; a breseis pov of the iliad, where in achilles participated in the culture which used her as a bed slave of war] The tsoa protector achilles which defended women who mattered to him and was endlessly devoted, and the achilles that was complacent in the ritualistic abuse of the women he enslaved by pillaging their homes are both coexisting, and possibly one and the same

I personally view the Greek cast as sort of vocaloids, they're tools by which we understand the culture of the ancients, the way we envision their interactions is just a means for our practicing the pragmatics of how we come to understand the period

Okay frankly I'm not the best person to discuss this because I've only read like half of tsoa, but there's two disagreements I have I guess, based on what I Have read

One, as much it's not meant to be a standalone or something like that (to me, it is meant to be a standalone), because of its popularity in contemporary media it is being taken as one, and many people will have Achilles and Patroclus' image forever frozen as tsoa' portrayal. God knows how many comments I've gotten on my videos treating tsoa as fact. I can't really blame the author for that, but it is what it is.

Two, the idealization of man through patroclus' eyes would hold more weight if himself was not changed for the narrative either. Patroclus was a soldier, he was a healer, and he also had his fair share of women (who he slept with). Both of them did. Violence was not shied from, and slave women were war prizes. There are these insidious little rewrites throughout the story to further the narrative of Achilles and Patroclus' only loving each other, and in turn erasing what they've done to the other women in the story. (Taking in slave women because they wanted to save them is. A choice.) Deidamia in the myths, they range from at best her and Achilles falling in love to the point of intimacy, and at worst Achilles raping her. In tsoa, Thetis forced Achilles to sleep with her. Deidamia also forced Patroclus to sleep with her. That flip in the narrative is kind of fucked up, seeing as how both in the myths and in tsoa Peleus raped Thetis.

Trying to make a statement that it is written through the idealized eyes of man, well it doesn't really work here. If anything, it feels more like an author writing with the intent of not having her MCs be morally reprehensible. So Patroclus cares when the plot demands it (saving briseis, outrage when she is taken away. Asking Achilles to save the other slave girls) and not when it doesn't affect him (talking about his mother nonchalantly, questioning why thetis hated Peleus when he also acknowledged how Peleus was involved in her rape).