#I guess. Though for the life of me I can't figure out what it's spoilers of.

[releasing-my-insanity]

Well, I'm pretty sure this is how Siegfried got hurt. The question is, what is he doing? And why? Photo by Ros Clarke. (Closed Facebook group.)

[raven-at-the-writing-desk]

🎃nightmare suit groovies~🎃

***Spoilers below the cut!! Please note: The R cards (Azul, Epel, Vil, Malleus) do not have new illustrations.***

OH MY GOD STOOOOP 😭 NIGHTMARE BEFORE CHRISTMAS CHARACTER CAMEOS IN THE GROOVIES??? ?? ?????? ??!???!? ?? ??? YOU MIGHT AS GFWELL WALK RIGHT UP TO ME AND IRiP MY FRIGIGN HEART OT RIGHT NOW

wWAHASL,ADFJHHDUPGFFI42T69O38QGPEGBIP;DGN;GDN;J J WORD SQUASHED U P IN THE AMYOR'S LITTLE CAR.. . . ....... . . . ... . . .. . ...... . . . OTL With the hair pushed back like that, teeth out, and eyes lidded, Jade almost looks like Floyd here. I THPOGU TI WOULDN'T BE sURIRPISED BY HIS SMIELS ANYMORE BUT I GUESS SI AWAS WRONG... This smile's very different than his unhinged/suspicious/evil ones and his pure ones, it's charming but more on the relaxed side. I also noticed the teeth are wider than usual (again, very Floyd-like), Jade's are narrower/smaller.

I like Trey's Groovy a ton! A lot more than I thought I would, actually. The blueish lighting and him looming over Sally's pot reminds me of his Club Wear card. ahdbasdlai There's also a slight sheen to his eyes, so Trey comes off like he's fascinated by her cooking and wants to learn more about Sally's techniques. He looks slightly shady too though, like some drug dealer inspecting the goods...

FHLBOQYW8QYFAFWI LRIDDLE'S RIDING IN THE CURSED CHILDREN'S BATHTUB... It's a little terrifying how hyperdetailed Lock, Shock, and Barrel's faces are and how they're all staring right at the camera. Riddle seems so calm, glancing at you over his shoulder with a little smirk. I usually don't use this adjective for him, but it makes Riddle feel cool! And since the image is shot from a slight worm's eye view angle, it gives him the illusion of being taller than he actually is--

Go figure, you slap the mad scientist character with the mad scientist of Halloween Town. Perfect pairing, honestly. I get very similar vibes between Idia and Dr. Finkelstein as I did with Trey and Sally; Idia is showing a real interest in the good (?) doctor's work and they appear to be deep in a discussion about it. The way Idia is bending over the table adgvkadsdval it kinda gives his body a more... triangular shape... that I just KNOW bro doesn't actually have. His face here seems more elegant than usual, almost Vil-like.

Thanks for the uncalled for viewing of the underside of your boot, Sebek 💀asjldboaysvyfevfeq I CAN'T DEAL WITH THIS, he's trying so hard to come off as intimidating but I cannot see him as "the boss", even if he is posed like one. Give that jack 'o lantern some credit though, it sure is doing a fine job of supporting Sebek's big ol' beefy arm. Jack Skellington in the back is also sending me... Is he supposed to be intimidating??? That positioning just makes me think of someone leaning against a doorframe and trying to flirt by calling you their babygirl. GHBLIABFYIABFIAF ANYWAY I DON'T THINK THIS GROOVY WAS FOR ME

... wHAT THEFUCK. That was NOT what I expected of Jamil's Groovy. First was the weird pumpkin stroking, now bro's dancing with skeletons?????? IS THIS JUST WHAT HAPPENS WHEN YOU'REEMOTIONALLY REPREssED YOUR ENTIRE LIFE... YOU POP OFF AND DO THE MOST OUT OF PocKET THINGS FOR FUNSIES?????? Jamil looks so smug as he's doing it too, it feels like he's shittalking you like a Mean Girl while he's busting a sick dance move. (Cameo: his toof) Jack in the background also looks the most sinister of all the SSRs. That combination of laughter and showing off his teeth... Unsettling.

.

.

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waht the hell. What HTBbr heLL. WHAT THE ACUTLA EHLLMIS THIIISISISISISSJISISISSSZ>/>?????w?f>fwlwkwfkfwjfwjkqljirtfyqnNOEGWOQG.,P57KIRJEI0RW08J:????>f>>fw>f>fw<wf<q>:q?q>v?v?v?v??gogibopobfuiibadh wnethuhw

WHYT THEUFKC FDUCC DOES THIS SLAP SO HARFZD OTL

ADSHJFIAGVTFVUOQEFVUBKQDWLGYQERGYOQF evyEROYNTHING AB OITU T THIS IS JSUT.... AKJBFLIUHADFIADFLF RIGHT UP MY lallEY... The extreme bird's eye view angle????? Jack with his arms crossed and that skeletal smirk??? Zero's little duck beak-shaped mouth?? The eerie green glow emanating from the fountain water below them? NLBVHDSKIUEGFABOGVSAEFYIPodp D nad HE WHOS HALL NOT BE NAMED V,NJ DBIOADFVIYOADFOTVFE8AYPFIEGWOBPFQEBOVGWIPEGBSNMVPOADVBN;DDBK;RWHOUGWBIQEPGNJQEG TH wE WHAYT THE FUCKCING ANGLR FRAMES HIS TITS AND MAKES HIS LEGS LOOKN EXTRA LONG, THE GRIBGKDJULBADFLBAFD CAPE WSWISHinG EVEYRWHERE, THe LIGHTONIGF FON HIS AHDNNEOMS E DAFACE, THE FUIDFSLBDFBKHAEFLBHQEFALBFEAL FA HADN TTHE FEGRIIGGING HAND HE'S OVFFERINGF TO YOU7? ? ???????? ? ?b?@??gb ? ? ? ? ? ?b>b>KNBNRIOBIGEBOYVDOGY8EANOapnjbgywt80pboqegwp,m iS THIS FUCKING BITCH ASKING FOR OUR HAND??? ? ?? ?? ?DOOahaaHAHhhghghghhghhgHHHHHhhhHHHHARRHRHGHGHGHGHHHHGHGHGHGHHHHHH HH H HHHH H H H H H I WANNNA bE SANDED TO BE PUT ouT OF MY MiSERY, I'M TAKING SO JCMUCH PSYCHICHDAMAG E I CAN'T TAKE IT I';N M GOINC CGATRAZXY. .. . . .BVL;,DFIPTOTO OT LTLTKT FLFL BHIVUASFOVUAFSA

gGUSY I THINK TI',M GDON E FOR, IT'S LEoVER FOR ME I SPENT SO LONG DENYRINH IT I DIDN'T WANNA ADMITR IT FOR MY OWN PRIDE BUT I'M DONE fRO I'M A GONRER BYE IT'S JFDAUBIADGOVUAFODUTVEFTI7EFWOIAVD;LIVOYGPGWEFQOIGYEQPgkjd TIUFQETO3R1QEFOTFQEG.5OIMH903GW9UPBAfpjFOVHDN;./'[;,KP[K,[LN,,L>:c<<l:LBHIDABIOUFPAOYGVEQBFPGWBPGHLGWBPQEFPGIAE whnEN YOU YSEE ME DNEXT I'M OGNNA BE LAid OUT IN A PIUMPKING PATCH DECATINGF CUZ THSI GROOVFY KILELD ME

[elixrr]

ᴄᴜᴅᴅʟᴇ ɴɪɢʜᴛꜱ! ☆ ʜᴏʏᴏᴠᴇʀꜱᴇ ᴍᴇɴ¡

ʙᴇᴄᴀᴜꜱᴇ ᴏꜰ ʏᴏᴜ, ɪ ʙᴇʟɪᴇᴠᴇ ɪɴ ʟᴏᴠᴇ.

ꜰᴛ: Xiao, Wriothesley, Lyney, Dan Heng, Argenti, Blade.

ꜱʏɴᴘᴏꜱɪꜱ: Headcanons about their cuddles with you!

ᴀᴜᴛʜᴏʀꜱ ɴᴏᴛᴇ: I considered adding Alhaitham into the mix, but I figured that I didn't know his character well enough for his part to be accurate and good. Apologies to all of the Alhaitham fans! Also, new format for my fanfiction posts, inspired by many creators! (Namely iheartganyu)

ᴘꜱ: pretty little spoiler warning if you haven't caught up with anything in either game 😭😭

✰ xiao ✰

— An adeptus of Liyue, the Vigilant Yaksha. It's easy to guess that cuddles with him are rare. Mostly due to his job, but he's too... awkward. Xiao has been touch-starved for the great majority of his life, so it's easy to assume that he's inexperienced, much to his dismay.

Don't get me wrong. He'd love to cuddle more often, but— while inexperience is one part of it, Xiao is ultimately insecure. He strongly believes that he's tainted. He believes that he's a disgusting, vile creature that lives only to slaughter, but he thinks of you as an angel. Xiao thinks that too many cuddles would taint you, alongside the fact that he worries about his Karmic Debt situation.

Nevertheless, when you do convince him to cuddle with you, he'll be awkward at first; hesitant to put his arm here, overthinking how he put his hand there, etc., etc. He doesn't emit much body warmth, but he finds you to be really cozy and warm to the touch, thus finding comfort in the closeness once he moves past the insecurities and hesitation. By the way, unless you like to initiate and contribute to conversations, most of the cuddles will be in comfortable silence, excluding the occasional comment about the scenery or compliments about each other.

Xiao would cuddle on the condition that it's in a secluded area and nobody else is present except for you and him. He'd prefer to book a bedroom at Wangshu Inn, but if not, then he'd prefer to cuddle on the rooftop of the inn, late at night when the stars shine from the heaven-blessed galaxies, the subtle natural light kissing your features to give him a little bit of an extra view. He doesn't think too much about how he looks to you, but he could only hope that he's at least bearable to look at. (Which he very much is.)

☆ wriothesley ☆

— He's so touchy and extra cuddly that sometimes that extra cuddly can be too extra, resulting in a near impossible mission to get out of bed in time for you to even get ready. Wriothesley loves holding you close to him. You're his love, and so he wants to treat you like it, but sometimes cuddles can transform into something a little bit more than just a cozy night, wrapping one's arms around the other.

Speaking of, good luck to you if you prefer being the big spoon, because you can't be the big spoon anymore. Wriothesley will always be the one to hold you, always the one to just wrap his arms around you and cherish you like never before. As previously mentioned, you're his lover, and he wants to treat you like it! Wriothesley wants to make you feel special, like you're the most important person in his life, so he'll do his best to give you that.

Also, I feel as though he'd whisper to you a lot. Even if there's no need to be quiet, he finds it intimate to just lean in and whisper compliments in your ear while holding you close. It doesn't matter what situation you're in; it doesn't matter where you guys are, even if you're talking about your day or the constellations in the skies above, he'll interrupt you, lean in close and just say something about your eyes, maybe your clothes, but preferably your lips.

Wriothesley would also love kissing you at random whenever you cuddle. Not to say he doesn't already do that outside of cuddles, but it's just, to him, you look amazing. You look cute, and why wouldn't he kiss you when you're his gracious lover? He hopes that he doesn't go overboard and accidentally make you uncomfortable, but at the same time, he knows you enjoy it— that smile on your face every time he pecks a kiss on your nose or cheek tells him everything he needs to know.

Before I forget, he doesn't prefer cuddles during any time of the day, but given his job, it's mainly during his afternoon tea breaks, and 100% at night in bed with you. To be honest, if he could, he'd take a full day off just to hold you tight and spend the day with you, wrapped like burritos in a blanket and sipping the day away with refreshments and love.

Some day, he might as well do just that.

☆ lyney ☆

— If it weren't for his job as a magician and as part of the fatui, he wouldn't let go of you. When Lyney can, he clings to you like a lost child who had finally found their parent in a big city. He holds your waist with one hand and performs little magic tricks with the other to impress you. Lyney's a very clingy, touchy lover.

When cuddling, he loves getting super close to the point where there's almost no space between the two of you. But on the occasion, he'll snuggle so close that it's basically just a tight hug—the only difference is that you're both lying down. The only times he isn't super, mega close to you, is when he's making rainbow roses appear randomly around your body. Most of the time, it's all fun and innocent, but other times, Lyney enjoys the look on your face when he does something quite bold.

Also, Lyney's very talkative while cuddling. Even in moments of relaxation, he'll take the time to just stare at you, even if he can't get the full view because of the ungodly lack of space, Lyney will look at you and start complimenting you. He loves you so much, and that's another huge way to show it. He's a romantic kind of guy. If there's a way to show his affection, he will take and use that way to show his affection. He loves your smile; he loves it when you blush, and it slowly grows more evident by the second because he starts to blush, too. Also, Lyney would immediately just hold you more at the sight of your reaction.

Nevertheless, his need to be close can change. Whenever he's out on a mission given by Arlecchino— more specifically, an assassination mission— you won't see him for a good three days. Even when the mission's complete, he'd want to seek out your love, comfort, and affection, but he stops himself. Lyney believes that his hands are still painted with the blood of the murdered, no matter how many times he washes or scrubs them, he'll still see the visible darkening red blood stains. There's no way he's even going near you with those kinds of sins straight on his body. It's sad, and you might have to seek him out yourself if he doesn't show up for the next few days. When you do find him, the moment he sees you is when that wall of guilt shatters, and he nearly breaks down seeing you again. Seeing you every day made him used to you, and just a few days of deprivation made him feel miserable. The simple, mere sight of you had him almost sobbing, running back to you and holding you tight, finally reunited with the one he loves most.

Were he not guilty of association with the fatui, he wouldn't have ever needed or wanted to let go.

☆ dan heng☆

— Blushing little mess. He's never a fan of PDA, so even when he does want to hold you outside of his or your room, he doesn't. Hence why the moment you both enter the private space of a hotel room or a bedroom, Dan Heng takes your hand and leads you to the bed for cuddles. He loves them, really, but he's a flustered mess of a lover because of how embarrassed he felt about being so clingy.

He's a big spoon, too, so he holds you close to him while cuddling. He likes the closeness, but he hates how visibly red his face gets, so he buries his face into your shoulder to hide. Sometimes, he just lays there listening to you or simply calming down in silence, but he does like hearing your voice before bed. It helps him sleep, and it somehow prevents nightmares of Blade. Quick note, your comfort and warmth make him feel safe through the night, and you accompany him when he'd usually be alone, either on his phone or reading a book.

PS: Dan Heng prefers to sleep in your room and/or in a hotel room because your bed and the hotel's provided beds are much more comfortable than a sleeping bag. He loves wrapping a blanket around the two of you and holding you like that. He says it's so you both get an even amount of warmth, and neither of you takes more of the blanket than the other, but he really does it because he feels a bit closer to you.

In his Imbibitor Lunae form, sleeping with him gets a bit harder, simply because he finds it harder to control himself. But when he can control himself, he'll let you run your fingers through his long hair, maybe even letting you touch his horns. Still, he doesn't allow the latter too often for reasons left unsaid. Anyway, he dislikes using this form because of how it reminds him of his former's past. He feels as though he's trapped in the memories and sin that are not his own. Yet, you make him feel comfortable in his own skin. He feels free with you; he feels alive, and he loves you for your ability to make him feel that way. Dan Heng will do everything in his ability to make you feel the same way.

And he likely already has.

☆ argenti ☆

— The most proper and romantic. Compliments littered across your entire figure, his hand in yours kissing your knuckles constantly with the addition of the most rosey and romantic sweet nothings. Argenti is old-fashioned and the most romantic, as he believes that this is the only way to live for his adored Aeon. The most comment compliment you'd hear between kisses is, “you're the most exquisite person in my world,” and Argenti would always wink with his compliments. Sometimes, it's wonderful to be the subject of his rose-colored words, but other times, it gets old; you become slightly lovesick.

The solution to that is conversation while holding each other in bed, or perhaps it's simply ushering Argenti to cuddle with you beneath the stars at night. It's beautiful to see the galaxy in its brightest moments, hovering from the dark skies. Argenti would silently pray to his Aeon, thanking her profusely for letting him see this wonderful view in person.

Still. You are his lover, and sometimes the weight of fear and trauma gets to him. Argenti often looks to you to confide in, and usually, nights like these are rarely cuddle nights, but sometimes, when it gets bad, you'll hold him in the night while he talks about his past— the wars, the music, the old friends, the worries— and how terrifying it can be if he would succumb to the same fate as his once so honorable friend. In exchange for your comfort, he holds you close and vows to protect you in your dreams and from the moment you wake to the moment you sleep again.

Argenti prefers to cuddle in bed, during a picnic, or beneath the stars. He seldom makes exceptions for heavy PDA, but when it comes to cuddling in public, even if there are people around during the day or at night, if it's stargazing or a picnic, he doesn't care as much. He'll smile, his eyes set only on you, not the eyes that may linger on your cuddles.

He doesn't care enough to look at anyone else, not when the embodiment of beauty lays right by him.

☆ blade ☆

— He's cautious. Blade's name takes after his weapon, and though he himself is not a sword, he still worries that he'll hurt you through cuddles. Blade is marastruck, and if it starts to get to him, he's terrified that it'll strike you, too. He admires death and the concept of it, but for you to die and for him to live with that? Impossible.

Anyway, convincing him is still 100% doable. When you do cuddle with him, he holds you with hesitation and care. He doesn't show it, as he masks his emotions with lips pursed to a line, but he feels relief. He feels happy, even, but he can't really tell. The Mara has calmed, and he can catch a break from the trauma. Something worth noting: Blade's trauma might cause him to cling to you, holding you close for comfort and reassurance— but that's only when he finds himself to be desperate for your love and affection. It's the one thing that keeps him together; your smile alone can mend all of his wounds, physical or not.

That can happen at any time of the day, but he'll typically seek you out at night. Blade will— without a spoken word— hug you from behind with a sigh of relief, and he'll take you to the nearest spot with the most privacy, and he'll hold you tight once more without a sign of letting you go. He loves you, and without even saying that he does, you already have all the evidence you need to conclude that he does. Holding you feels like heaven, in Blade's eyes. Once he gets past his fears of hurting you, he'll wrap his arms around your waist, but if he cuddles with you from behind, he'll wrap his arms beneath your chest, all with a sigh of relief and the tiniest hint of a smile.

The two of you cuddling is cute, so cute that Silver Wolf just had to stream it and broadcast one of your cuddle sessions to all of the other Stellaron Hunters.

Of course, you and Blade will never cuddle near any of the Stellaron Hunters ever again after that.

[jellieland]

(Spoilers for. Real life?? I guess???)

---

Five figures stand, solemn, at the celestial summit of nowhere. They discuss matters of great import, and observe the fragile gossamer thread that is all that surrounds them, and-

Oh. No, nope, nevermind. They're just arguing again, aren't they.

"-don't know what you expect ME to do about it!" snaps the Red One.

"I don't know, Grian, how about literally anything?" asks the Scarlet Moon, raising an eyebrow.

"I mean, you could at least tell us what's going on out there," says the Ruby Star. "I don't think that's too much to ask, Grian."

"Riiight, like that'll help," says the Bloody Victor, rolling his eyes.

"Oh, for goodness sake, Martyn, do you have to make this difficult every single time?" snaps the Red One. "Anyway, we've got loads of time to work this out. It's only just started, even if it was a bit earlier than I thought it would be," he grumbles, irritated.

"Oh! Look!" calls the Coquelicot Loner, from where he is peering away from their circle at something that would look, to anyone but the five present, entirely indistinguishable from any other patch of the universe. "They must be done! Someone's coming!"

"What?" The Red One frowns. "Don't be ridiculous, Scar, there's no way-"

A brilliant beam of starlight shoots down from the heavens, and tears through their little circle like a formula one car cutting through the middle of a picnic.

It leaves behind...

Huh.

What. What is that.

There is... a. Person? But the proportions are all wrong, nothing this world has ever seen before. The limbs are mismatched, twisted, not quite connected. The movement is... disturbingly smooth, except when it jerks and jumps at seemingly random moments.

Whatever they are, they regain their balance, look around, and... laugh. "Oh, hey guys!" they say. "You know, I really didn't think this counted. But here we are, I guess!"

"Mom?" says the Coquelicot Loner, squinting at her. "Why are you short?"

"Oh my god, Scar, you can't just ask people why they're short," says the Ruby Star, apparently on autopilot.

"Yeah, and, uh, not to be rude, but more like why are you an eldrich horror? But, like, more so than usual?" says the Bloody Victor, backing up and looking rather alarmed.

They raise an eyebrow. "Oh, we're doing this now, are we?" They shake their head. "You know what this is perfectly well. We did another game, and I won. Deeply surprising, I know, but here we are!"

The Scarlet Moon tilts her head. "I mean, not that it's not nice to have you here, I guess, but that seemed real quick for a whole game, Cleo."

"Yes, thank you Pearl," says the Red One, narrowing his eyes. "I quite agree. Just how violent WAS this one that it's already finished? And WHY was I not informed?"

Cleo laughs. "To be honest I don't think anyone expected it to matter. And, I mean, sure it was violent, they always are, but it was all pretty light-hearted to be honest! Not a lot of drama, you know." She looks around, and seems to remember something. "Oh, Scott, I let a zombie kill you at the end! Sorry about that, I didn't realise quite how low you were. It was pretty funny, though."

The Ruby Star blinks, and shrugs. "I mean, fair enough. Hey, that means Divorce Quartet is all here, now!"

The Coquelicot Loner squints. "...Does that make you my stepdad, Scott?"

"No," says Cleo.

"God no," says the Ruby Star. "For, just, so many reasons."

"Yeah, I am not doing that again," says Cleo.

"So... So, hang on," says the Red One. "You're saying, in your game, it was all just. Cool and fine and calm. No pain or blood or sacrifice. No agonising entangled web of alliances. No cold-blooded, cold-hearted backstabbing?"

("Hey!" says the Bloody Victor.)

"I mean there was plenty of blood, technically. And Martyn did sort of try to stab everyone in the back and then run away."

("...Yeah, ok, fine," says the Bloody Victor.)

"But no, not much emotional turmoil, all in all! It was pretty chill, really!" They glance around the circle. "It was nice to see Ren again, too! I think he was off roleplaying with Martyn most of the time, though."

"I'm going to kill you," says the Bloody Victor, despairingly. "How is that fair?!"

"Life isn't fair," says the Scarlet Moon.

"Oh, you-"

"Can you shut up for five minutes," snaps the Red One.

As the bickering continues, the Coquelicot Loner and Ruby Star sidle up to Cleo, avoiding her wavering, eldritch outline.

"So!" says the Coquelicot Loner. "How's dad?"

Cleo gives him a look. "Scar," they say.

He holds up his hands. "Ok, ok! Just asking!"

She shakes her head, not without affection. "Is this really all you do here? Just stand around and irritate each other?"

"No!" says the Coquelicot Loner, seemingly deeply offended.

"Yeah, pretty much," says the Ruby Star.

"Ok well that's stupid," says Cleo.

"Yes," says the Red One, having extricated himself from the continuing altercation between the other two. "This is extremely stupid." He claps his hands, drawing everyone's attention and finally ending the argument, for now. "All in favour of erasing the past few minutes from existence and pretending none this ever happened?"

"Aye," says everyone but Cleo.

"What," says Cleo.

"It means you get to go home and you don't have to stands around in a circle with us lot for the rest of eternity," says the Scarlet Moon.

"Oh. Yeah, definitely do that," says Cleo.

"Wonderful," says the Red One, and clicks his fingers.

...

Five figures stand, solemn, at the celestial summit of nowhere. They discuss matters of great import, and observe the fragile gossamer thread that is all that surrounds them, and-

The Coquelicot Loner speaks. "Well, that was fun, wasn't it! Do you-"

"I thought we just agreed that didn't happen, Scar," snaps the Red One.

Oh, ok. Alright, they're arguing again.

Yeah, we probably don't have to stick around and listen to this any longer, either. I don't expect it's going to change anytime soon.

[xvysarene]

𝕋𝕙𝕖 𝕋𝕒𝕡𝕖𝕤𝕥𝕣𝕪 𝕠𝕗 𝕋𝕚𝕞𝕖

Pairing: Xavier x Fem!Reader Prompt: “No, you can't stay here.” Words: ~1.1k Genre: Angst, No Comfort Notice: Some spoiler of Xavier's Myth, Shooting Stars, although not entirely aligned

[ᝰ.ᐟ MASTERLIST]

He staggered back, clearly surprised by how your muttered words reverberated loudly in the otherwise dimly lit room. Cerulean orbs searched for yours skilfully, eyes bright as they were when tracking Wanderers in the darkest of nights.

“What did you say?” A hint of disbelief was palpable in Xavier's voice.

You stepped away from the shadow, hands trembling as you struggled to steady them. Despite anticipating this moment, when confronted with reality, you found yourself questioning whether you could truly accept your sacrifice without harboring any regrets.

“I said, no, you can't stay here.”

Revelation dawned on him. Despite Xavier’s frequent drowsiness, he remained inherently sharp. It was one of the attributes that had made him a highly respected hunter.

“How long have you known?”

“Enough time to understand the over-complicated truth.”

Irritation briefly flickered in his eyes. He looked at the thinning veil behind him, clearly cursing the other party that stepped through it earlier. “Jeremiah told you.”

“I was the one who convinced Jeremiah to tell me everything. You shouldn’t kick his ass when you see him again.”

Xavier couldn’t help but chuckle bitterly at that. Jeremiah, though physically not imposing, could defeat anyone on mind games. That’s why he brought him along on the mission as he needed a logical partner.

He couldn’t comprehend why Jeremiah had agreed to divulge the secrets they swore to keep between themselves—especially to the one person he had hoped would never uncover the truth.

“Besides, you’re not as secretive as you thought, Xav.” You gave him a small, sad smile. “I guess that's what makes us human, right? Despite not being a normal one, having an aether core-fused heart, or having lived for a hundred years, we still can’t stop ourselves from showing our deepest desires during moments of vulnerability. I used to believe that she was your unforgettable first love or perhaps an ex who taught you a crucial life lesson. However, that’s just me shying away from the undeniable.”

As much as you had steeled yourself for this moment, your vision began to blur, and Xavier was fast to engulf you in his hug. You couldn’t help but wrap your arms around his lithe but muscular figure, feeling his warmth and further breaking your heart.

He buried his face in your hair, taking a deep breath to blanket himself in your scent like he always did.

“That’s not true,” his voice came out shakier than he intended.

“But it is, Xavier. You don’t know how many times you called out to her in your sleep. Or sometimes when you look at me, I can tell that you don't truly see me for who I am in this current existence. You can’t deny this, because in doing so, you’re also hurting her…me.”

You had to force your head up to fully face your light. Xavier wouldn’t let you step away from him.

Gently cupping his cheeks, you urged him to focus on your next words. “Face it, Xav. Your queen and I… our resemblances are solely physical. We’re two entirely different persons, made up of distinct personalities. If she was the reason why you were in this timeline in the first place, you cling to the hope of going back to her one day, don’t you? You wouldn’t abandon her eternity, right?”

His hug tightened. “I’m sorry,” he said after some time, head bowed in shame. “I’m sorry, Y/N. Truly, deeply sorry for making you feel less than your worth.”

Despite his painful acknowledgment, you found yourself relaxing, accepting your fate. Xavier's thumbs gently wiped away the tears that had escaped from your eyes.

“But you’re going to be here all alone,” his voice cracked, almond eyes cloudy. “I can’t go back and live peacefully knowing that.”

“If what Jeremiah told me is the truth, I have left you more than once. It’s your time to experience having someone be there when you’re back. This is the time to redeem myself, even when the timeline has gone haywire.”

Xavier shook his head furiously. “We won’t know if the alternative aether core would work. If I go back and learn that I will lose you again and Philos, I would rather stay here with you in the past.”

“You know it will work, that’s why you were so insistent on sending Jeremiah back alone with it, and selfishly waiting at the other end just to make sure it disappears, an indicator that Philos has accepted the aether-core. You know how much Jeremiah wants to go back there, and for everything he has done for you, you believed it was your turn to help him. I can’t take you away from her; it’s not right. It’s not my time to have you.”

“What difference does it make when I’m also willingly leaving you here? You understand that once I step through that veil, we’ll never meet each other again in this timeline.”

As if aware of its existence, the veil dimmed. You eyed it wearily, realizing that the swirling vortex of electric blue and silver had turned almost transparent.

“Xavier,” you sighed when he cupped your hand, reveling at the contact, “we both know that my time in this realm will end, I can’t be immortal here. I would rather face the certainty of our eternal bond in another dimension than linger in the fleeting confines of this world.”

You placed your fingers against his lips, silencing his upcoming argument. “You do realize that if you abandoned me in the future, I would despise you, don't you?" you made a playful comment to lighten the mood, but he was miserable. Filled with guilt and disappointment that he couldn’t control the situation.

You guided his head down to meet your lips halfway. As both of your lips touched in a bittersweet embrace, a silent farewell woven into each tender touch. The palm pressed against his heart felt its rapid beats.

“Goodbye, my light. Be happy,” you whispered those words to his lips.

Xavier should have known that whenever you were around, his caution melted away. That was his greatest weakness. He registered the force that caught him entirely off guard a second too late.

Xavier reached out his hand, losing momentum. “Y/N! Wait—!” he called out, voice tinged with urgency.

As his body was hurled into the closing veil, it snapped shut, swallowing his unfinished words. Sobs wracked your body, each wave of emotion sent your body crashing to the wooden floor.

Moonlight peeking through the windows cast its glow upon the intricate gold of the gigantic frame before you.

Where the veil had shimmered moments before, there was now only emptiness, revealing a cold cement wall that stood as a cruel reminder of the end of a chapter you could never revisit.

While seemingly nearly empty every night, a profound silence enveloped Philo Flower Store differently. Vibrant blooms began to wilt, their once lively hues fading into desolation, while the lush vines that once cascaded down nearby buildings now curled and browned.

⤷ ᝰ.ᐟ MASTERLIST

[toptophat]

2.6 thoughts!!!!

Spoilers for anyone who hasn't finished it yet!

It was a freaking blast, a rollercoaster of emotions, I honestly thought that Mr Reca, with how cuckoo he was in the trailer, was gonna be the antagonist, turns out he's a quirky memokeeper (who may still have his motives but for now he was definitely an ally) I guess, much like the galaxy rangers, there is no uniform, because I honestly thought they all would have some resemblance to Black Swan, but I can't wait to see more memokeepers, as well as more galaxy rangers

Speaking of galaxy rangers, ok!! Rappa and Boothill were the real protagonists here!!!! Poor trailblazer became a side character to these two champions and I love it!!! I've already made it clear that I adored Rappa from the moment her drip marketing dropped, I initially found her strange way of referring to everything as ninja stuff hilarious and quirky, I thought "are all galaxy rangers gonna talk funny?" But that was my first impression, now I wanna [forking] cry!!! I was already skeptical of this "Master Kucha" from the way he spoke! I didn't know that he was basically like the only parental figure she had, she's one of Dr Primitive's (Evil Ninja Osaru) test subjects in a hidden lab (Ninja capital) having to undergo harmful tests and torture (Ninja trials) this, coupled with the fact that her only source of free time and entertainment has been a ninja manga, she may have developed some sort of mental/ identity disorder, she's been living in a fabricated reality and no one can help her because they don't see the full picture, even her backstory has been distorted by her own retelling making her some sort of unreliable narrator in her own story. Dr Primitive is truly a despicable monster, torturing people and distorting an innocent girl's mind. There's a bright side to this tragedy though! That innocent girl is now our Rappa, and although her mind has been messed with, she still became a righteous galaxy ranger, kindhearted, unmatched skill, hellbent on hunting down the cruel doctor and she definitely lives up to that title too!!! So I'm rooting for her!!! And the moment we got to fight alongside her at the end after hearing "No Dazzle No Break" was gorgeous (can't wait to finish building her so she can continue to show them the way of the ninja!)

Once I finish reading her character story, I'll make a further analysis

Speaking of which, I'm actually gonna make 2!! One for both of our stars of the show, Rappa and Boothill, two people who had to revisit their past, and come to terms with their present and future, living up to the ways of The Hunt! I already deeply respect these two, the more I get of them, the more I can't help but respect them more!!! And I'm definitely excited to get more of them!! Galaxy rangers are the best!!

Boothill's up first because obviously I've already read his backstory so his POV was like an added 5 course meal!!! But I do wanna talk about his best moments (aside from the obvious highlight that blew me away) Firstly, we got more of Boothill the identity stealer (First Pom Pom now March 7th???) Actual Robinhill moments??? (I'm more of a GunsNRoses person now but it's still really cute) The way he was so relieved that he could "fake swear" again instead of the banana cussing was hilarious, Star Rail don't do this to my man, at least give him the "Ninja slang" treatment, let him swear 😭😭 And Boothill owned the dancefloor in the DJ Robin cutscene!!! We have a rapping ninja and a dancing cowboy, could this get any better!!! And obviously, there's the Lore!!!! Which was actually insane !!! I literally wanted to avoid spoilers in order to experience it blindly and it was worth it!!!! I wanted to [fudging] cry, it was so well done!! Andrew Russell and Kendell Byrd knocked it out of the park with their scenes!!! I freaking love Boothill and Rappa so much 😭😭😭 they're both life my dude!!!

This is just what I needed!!!

[thefandomenchantress]

Chapter 2 Episode 15 Spoilers below!

Since Ace being the culprit has brought about so much pain to ace lovers, including me, I figured I'd make a list of all the good things that him being the culprit brings to us. Even though Ace will (probably) be executed next episode, that doesn't mean that nothing good came out of this, right?

-Ace's backstory may be revealed much sooner than expected! Before we would've had to wait for chapter 3 or chapter 4 and so on, but since Ace will be gone soon, almost everything not revealed next episode will get told to us in a bonus episode! (I think every dead person gets one of those? Idk if that's officially confirmed). I doubt Teruko's gonna find, like, Ace's diary in chapter three detailing his life story, so if we're ever getting the Taylor Lore™, it'll be in a bonus episode! Plus, a bonus episode would come out a lot faster than the whole of chapter three, so more Ace content sooner no matter what happens in it! And there's always the chance he gets picked for an FTE, since dead people are on the list of options.

-Ace canonically has neat, fancy handwriting. Begone rumors of Ace having illegible, traditionally boy-ish handwriting, he actually writes like a 19th century scholar and I find this very funny. More evidence for my 'Ace likes reading and writing and wanted to become a romance author' crack theory, since he also reenforced his particularness about vocabulary in chapter 2 part 2. (Our only remaining question: Does Ace actually have terrible spelling ('responsibel'), or did he just think Eden would?)

-Ace is very good at being sneaky and often overhears things he shouldn't. I can't wait for this to be used as a plot device in numerous fics ("XANDER YOU'LL NEVER GUESS THE SHIT I JUST HEARD DAVID SAY ABOUT YOU WHEN HE THOUGHT HE WAS ALONE").

-Ace will have to be included in the dead (formerly a) trio posts forevermore. Get ready for Xander-Min-Arei-Ace shenanigans.

-Now that the cast has been forced to acknowledge that being dumb and angry aren't Ace's only traits and that he's just as human as the rest of them, Ace is much less likely to be seen as just those two things by the average viewer. Ace's popularity, or at least the amount of dislike towards him, seems to have shifted since the last episode, and I'm happy more people are able to enjoy what his character has to offer now. He's a cool little guy. I've literally NEVER seen the Ace Markey tag this busy before.

-We got so many cool Ace CGs guys. SO MANY. Including one where he's hanging upside down on the swing set and looks weirdly cute for someone in the middle of a murder plan.

-Also new sprites! The DRDTdev gave Ace a redesign knowing full-well that it would only get a singular chapter of use, and I massively respect that. We already got some new sprites in part 2 of chapter 2 so far, and I'm guessing next episode he'll probably have at least one more breakdown sprite before he dies.

-For someone who no one in the cast liked, he's definitely going to leave an impact. He's finally made at least some of the cast realize what happens when they ignore the issues right in front of them. Ace shouts about how everyone hates him and sees him as an insufferable idiot? Eh, probably nothing, we don't have to worry about that. Sure, multiple people told him he's gonna die next in here, and he almost got murdered, but that won't amount to anything. What's he gonna do, murder someone--WAIT SHIT Ace step away from the Arei I repeat step away from the Arei-- (plus Teruko parallels). I'll probably go more in-depth about this sort of thing in a different post.

-WE NEVER GOT TO SEE WHAT'S UNDER HIS GLOVES. Kyoko and Mukuro both had hand-related secrets that connected them to the plot later on, does that mean Ace will have some sort of relevance to the mastermind or overall lore later on? Like a Mai tattoo situation? (Or maybe it's another thing that may be alluded to or discussed in the bonus episode)(Or left to interpretation but I hope not because I have so many theories).

If you have any more suggestions for other good Ace-related things the culprit reveal brought us, let me know and I can add them to the list! We need as many good things as we can think of right now...

[famouscyclenerd]

"Stay out of it. She's not ready, and neither is he, no matter how many presents he brings." - ACOFAS

(Their book was not next)

"Let's focus on helping one sister before we start on the other."

"Shall I tend to my little garden forever?"

"He'd never once in the two years he'd known her found Elain to be plain, but wearing black, no matter how much she claimed to be part of this court (the Night Court) ... it sucked the life from her."

"But Elain ... The Spring Court had been made for someone like her."

"With a new war possible and Briallyn up to her bullshit with Koschei, we need a strong ally. We need the Spring Court's forces."

"We need to tell him the news, and permanently station him (Lucien) at the Spring Court to contain any damage and to be our eyes and ears."

"Lucien can't be entirely trusted anymore."

"He should have asked someone before coming here how much time remained before Vassa would be forced to return to the continent - to the sorcerer-lord at a remote lake who held her leash, and had allowed her to leave only temporarily, as part of a bargain Feyre's father had struck."

"Lucien stared out the window - as if he could see the lake across a sea and a continent. As if he were setting his target."

"Find me when you wish to begin."

-- *contains minor HOFAS spoilers*--

There are so many more quotes I could include, but yeah. I just feel like elucien's book has been set up so perfectly in SF. And from what I've read, I just cannot comprehend how their book won't be next.

Vassa's time is extremely limited and the matters with Koschei seems rather urgent. Especially Tamlin and the Spring Court! We have Lucien back in Spring, who we appearently cannot entirely trust, and then we have Elain and how the Spring Court was made for someone like her. Who doesn't fit in the Night Court. Who finally wishes to spring into action.

Yes, Azriel had his own bc. But Elain was in that very bc as well as being mentioned in feysand's bc. She and Lucien were mentioned actually. Azriel was not.

Elain was also absent in HOFAS even though (as of SF) she no longer wishes to remain a passive character. It takes place months after the events of SF and (from what we've gathered) it doesn't seem like Azriel has it all figured out yet. Gwyn also returned to to library which, to me, seems like their story is put on hold... for now. Especially with Elain (finally) wanting to take action.

So my guess is that elucien's book is next and takes place before/during HOFAS, which would explain Elain's absence due to her not residing in the Night Court while Bryce was there.

While gwynriel's book happens during/after the events of HOFAS.

Having Azriel's book last is also a smart move from a marketing perspective since he is by far the most popular character. ¯\_(ツ)_/¯

[drama-glob]

SPOILERS FOR "OOPS"

OMG TO ALL THE FLUFF WE GOT IN THIS EPISODE!!! <3<3<3 Literally squealed at how adorable Fizz and Ozzie are (which I already knew ;) ) and the fact that Fizz can't cook. ^_^<3<3<3 I also find it funny that they really weren't doing a good job at keeping their relationship under-wraps and how Fizz himself was not being low-key. XD I do love all his little fly dogs and the fact that one is in a wheelchair is absolutely adorable because he really does care about them as we see. ^_^ <3<3<3

Of course fate would bring Blitzo and Fizz's paths to cross, although I'm still surprised that we got Striker in this episode because I had heard about Crimson's men since it was in Greed after all, but dang, he must be trying to get business outside of royals since the last one didn't pan out. :/ I had a feeling that if it wasn't a hit put out on Fizz, then he'd be ransomed, so it just broke my heart at seeing how distressed he was at almost every turn; at least with talking with Blitzo it served as a distraction for him. It's still awful that he and Blitzo got kidnapped and in a way proved part of the reason for Fizz and Ozzie trying to keep their relationship secret (which admittedly didn't seem too well based on what Crimson said >_< ).

I do love that Blitzo obviously does have feelings for Stolas, and Fizz made some pretty good points about not all royal demons being the same as well as acting superior to others does cast you as snobby rich jerks; I know Fizz's been treated so well by Ozzie for over a decade, but he still came from humble beginnings and probably dealt with the same racist stuff other imps faced. :/

It was nice to see Stolas and Ozzie interact, even if it mainly was to go over the ransom demands, but I love that Stolas was empathetic and helpful in Ozzie's time of need even though Ozzie was withholding the crystal because of Fizz's hatred for Blitzo; I do hope Blitzo and Stolas will have their talk in the "Full Moon Ritual" episode because there is still so much he doesn't know about Blitzo's past. ;_;

I'm so glad that we got the confirmation that Blitzo caused the fire that cost Fizz his limbs and horns, but also the fact that he also lost his mom in the same fire...and it was all an ACCIDENT?! It was truly heartbreaking even if we were fed plenty of clues as to that being the reason why. ;_; It does figure that from there it was a whole misunderstanding that tore Blitzo and Fizz's friendship apart and I wonder who this "They" are that lied and said that Blitzo didn't come and Fizz didn't want to see Blitzo. Maybe Mammon's men if he was pick up by the Deadly Sin at that point? I do wonder why the fire was green while the sky was red like they were still in Pride. Hmmm. More to the mystery perhaps. ;) I'm guessing we'll see how Ozzie and Fizz met in the next episode. So excited!!! ^_^<3<3<3

Fizz's song was definitely VERY distracting and yes, I will look at this. O_O XD It is funny that none of the men seemed to catch on to their plan. XD

It was so beautiful and heartwarming that Blitzo and Fizz hugged and it seems to me like they're making their way back as friends, if they aren't there already. ;) I don't blame Fizz for being mad that he got blown up again, but like Blitzo said, at least he stayed around this time. ;) ^_^ <3<3<3 I'm still worried about Striker coming back though. O_O He just keeps getting more and more unhinged with each loss. >_<

When Ozzie and Fizz reunited those, I went "AWWWW" so hard and I love the way Ozzie said "Fizzy!" ^_^<3<3<3 It was really sweet though that Fizz told Ozzie to give Stolas the crystal for Blitzo as he DEFINITELY earned it today for saving Fizz's life. I wonder if Blitzo will tell Stolas? :/ Either way, seeing the amount of care the Ozzie gave Fizz and didn't blame him for anything that happened and just wanted him to take it easy, seriously kept melting my heart over and over. ^_^<3<3<3 They're so cute together and deserve all the happiness! ^_^<3<3<3

[pumpkin-patch-cat]

New Job, Who Dis?!

(Grim x Gender Neutral Reader)

Warnings:(DLC ending spoilers. Suggestive themes)

Grim is now living rent free in my brain.

After completing the DLC ending of A Date with Death, I have decided it is my favorite ending and conjured up a little dialog. This oneshot hints to the endings outcome, so spoiler warning ⚠️. This was written quickly, so pardon any grammatical errors! Enjoy!

“Hold up, start from the top. What's my job description again?”

“Your job will be to give life back to those who aren't supposed to die. Sometimes, innocent people are caught up in things where losing their life was NOT part of the original plan. Because your soul harbors the essence of life itself, with you at my side, you'll be able to attempt to save those people who are at the presepist of dying too early.”

“Attempt?” You eye him quizzically from your place at your desk. Casper is sat at the foot of your bed, long legs outstretched, hands in his lap. He nods and continues.

“Basically, when a mortal is on the verge of death, their soul has become tainted with what we call a ‘blight’ or ‘blight of death’. Similar to ‘the taint’ for reapers, though much much harder to bounce back from when the soul or a mortals very existence is overtaken or ‘infected’ if you will. Some people can bounce back on their own, while others succumb and meet their unfortunate end. I say attempt because sometimes a mortal is beyond cleansing. The blight is too far gone, and no amount of divine intervention will save their existence....so naturally, when we, no, you receive cases like this, time is of the essence.

“I see...wow, that's heavy. No pressure or anything. Sheesh.”

“Yes. The job will be difficult at times. Y/n, there will be times when a person will be beyond help. You'll want to save them desperately. Times where no matter how much effort is placed into saving them, it may not work, and you will be angry. I can't tell you how many times I've witnessed an innocent person parish entirely too early at the hands of a twisted version of fate. Those moments are out of my hands, and I have to ferry them away regardless. But that's where you'll come in.” 

“Sooo I'm basically an angel??”

“No, they're grotesque creatures. They instill fear in humans and sugar coat their acts with pretty words. You'll actually give hope. Plus, you're much prettier than they are. Who really needs that many eyes and wings, honestly??? But anyways…”

You fall silent in deep thought.

“Y/n? Why are you screwing up your face like that?”

“Can I really do this, Casper? What if I mess up??”

“My sweetest, little nightmare. I'll be there with you every step of the way.” Casper smiles reassuringly.

“Thank God. OH! Do I get a cool ass scythe of my own, too?” You perk up almost immediately, wistfully looking at his impressive weapon that is currently leaning against your wall nearest the door.

“I...I'll never get used to the way you can flip subjects so easily. But yes, I guess. Once you're settled, we will get you fitted with a 'cool ass scythe'. Or at least a decent weapon you'll use to channel your soul energy. I know a guy.”

“You know a guy? That doesn't sound shady at all, but fuck yea!”

He chuckles softly at your enthusiasm.

“I'm glad you're okay with this decision. I really couldn't think of a better way for this to work out for both of us but-”

“But you have a big, sexy brain that was able to figure it out, now you're stuck with me foreeevvver.” You beam, triumphantly.

“I suppose I am, and quite frankly, I would have it no other way.” With a smile on his face, Casper stands, reaches for your hands, and pulls you to your feet.

“Awww, little reaper. Since when did you get so mushy? It makes me want to violate yo- I mean...I could really go for some food right about now. Yea, food. That's what I meant."

“...You really are something else. We will grab something on the way to my place.”

“Bet. Finally making good on us moving in together?”

“Obviously. I can't escape you.” With a chuckle, he brushes his nose against yours playfully.

“It was inevitable, Casper” You respond. The grin that spreads across your face makes his "supposedly" cold heart warm.

“Seems so…and by the way…”

Casper slips his arm around your waist gently, leaning into your ear.

“I'll take you up on that offer of 'violating' me later, my little nightmare.”

“You just want to be stepped on.”

“S-stepped on? What..uh...I”

“The blush on your cheeks says you do. Can't take it back now. Your fate is sealed. I hope you're ready.” you wink.

“Haaa....fuck.”

[meanbossart]

Just gotta say that the way you draw facial expressions is soooo dynamic, and your art makes me grin with equal feral glee when I see it. 🥰

I love your spooky smiley deranged durge, will you tell me more facts about them?

Thank you so much! And YES i certainly can uuhhh lets see

-In my personal canon he has no name, having first assumed to have forgotten it along with everything else and later being told/figuring out that he renounced any in favor of being called Bhaalspawn, Slayer, Death Bringer, Bhaaling, and any number of edgy titles we hear throughout the game lol he did this pre-tadpole to emphasize his birth-right and deny himself any personal identity. He never picked a name for himself post-tadpole and everyone just refers to him as The Drow, Astarion also calls him his usual pet names.

-He's not necessarily one for luxuries but still likes pretty, ostentatious things, especially jewelry. Pre-tadpole DU drow wore them generously, post-tadpole doesn't understand his own fascination, but he likes wearing rings and holds some sentimentality for specific pieces. (he never threw away the "magic" ring he stole from the tiefling child in act 1)

-Every expression of love and affection he had pre-tadpole came out pretty twisted, but with this in mind he very much adored Orin, though you would never guess it from seeing how they interacted with each other.

-The patterned scars on his chest, face and neck were mostly self inflicted (the rest he had Orin's help for). The one's on his arms were an "accident" kinda but he still put them there willingly (and gleefully lol)

-He has a borderline irrational hatred for drow women. He hates drows in general, though mostly because they're uptight and snobby and less so because of, yknow, all the slavery and child killing etc.

-Despite looking evil as hell he's very much morally neutral post-tadpole. He's pretty much a "do what you have to do to survive" kind of guy - and sometimes a "because i want to" kind of guy lol.

-He thinks very highly of himself which makes him overly bold. This got him through the whole campaign and destroying the brain but it also makes him a huge liability LOL its also a source of conflict in his and Astarion's relationship because he lowkey doesn't think Astarion can make it without him - he continuously and completely fails to realize how this is an issue.

-The only other people he has respect for and trusts are Shadowheart, Astarion and Jaheira. Ironically these are all people he didn't get along with well at all at the start.

-He's kind of a hopeless romantic, he's just weird about it. He's pretty much picked Astarion as his person and kind of devotes his life to him now, sometimes to a troubling extent.

-I'm writing a whole story that takes place post-game here where you can gleam a lot more about his character and learn things that i can't share yet because it would be a spoiler hint hint nudge nudge

[hauntingjasper]

Fionna and Marshall have their proper families...

Does your version of Gumball have a family?

If so, do you have headcanons (no spoilers from your AU) about Gumball's family?

It's Father's Day here in Brazil, you couldn't have chosen a better timing to ask me that lololol

I know you said no spoilers from my AU but the headcanon in question that I had in mind *is* a spoiler so- (⁠・⁠∀⁠・⁠) We're rambling about Gumball today, and i'm bringing my own OCs into this again, I hope you don't mind. I did some art :D

My version of Gumball does have a family, it's just,, , a bit of a complicated topic to him.

The candy people are already like his children, I guess he'd refer to them as “one big family” often, though there might be different opinions depending on who you ask. Some of them actually see him as a father figure, others as simply as their prince… I think there’s still a certain emotional distance that prevents them from calling each other a “real family”, so to speak.

Gumball still has Neddy/Nelly in my version, but she's his older sister in this. She's still a big gum dragon who needs Gumball's patience and support, though. The difference is that they didn't come out of the Mother Gum together, only Nelly did. She's the only close relative he has right now.

Gumball's backstory in this is the opposite of PB’s, so instead of coming out of the Mother Gum, he's a family member created to fill a void in his creator's heart instead. He’s a lab baby, 🎉 SURPRISE! 🎉

This is where the OC talk comes in, because I decided to create an oc to be his creator/technically parent/the other older sibling I mentioned in a different hc list about Gumball.

Meet Dulcine, this one tired gum thing who probably has coffee mugs with quotes like "don't talk to me until I finish this cup" somewhere. They also came out of the Mother Gum, and they're kinda like PB if things had gone south. And things went really SOUR-th. Get it? Hahahsgetjhhahahahshdsfs

“I want a little brother”, they said. “I'll get to have someone who's similar to me and test what I can and can't do in my lab at the same time!”, THEY SAID.

And, well, Dulcine does love Gumball to some extent, but they can be pretty mean sometimes, as they didn't have the patience required to raise a child. Or to manage having a lab with sketchy projects in it and a curious, clingy kid at the same time. Dulcine also started to test said sketchy stuff on him at one point... Needless to say that they're not really in Gumball's life anymore.

Ironically, Gumball was able to develop an interest in science and how to create people using candy later in life, despite his bad experiences. And he took over Dulcine's lab.

[fleabagsjoy]

Ok so i just binge-watched Oniisama E (Dear Brother) and i have.... thoughts. And feelings.

(SPOILERS AHEAD!)

Not super eloquent ones, I don't have any type of degree or formal education on writing or media analysis, i'm just word vomiting what i think and feel without any sources or facts to back it up so i hope that's okay. And i feel like i should preface with the fact that i didn't actually watch the last four episodes because i dreaded having to sit through Kaoru and Mariko ending up with men idgaf about, and instead read a summary of those last four episodes on Wikipedia.

With that being said, i absolutely loved this anime, i had already watched Revolutionary Girl Utena and everyone who enjoyed that one was talking about this anime so i figured I'd give it a try too and i don't regret it at all. The characters, the setting, the ANIMATION, the main plot and subplots (some of which i enjoyed more than others), i enjoyed it all.

I don't want to point out the obvious about the ending, we all know. But i was prepared, went in with the mindset of completely ignoring eps 36-39, specially the "Real Love is Heterosexual Love" speech that it pulls in the last couple episodes, so i'm not that upset by it. I will say that putting "you will only know what true love is when you find a man for yourself" is some twisted, sexist and lesbophobic stuff to put in an anime where Nanako, Rei and Mariko canonically fall in love with girls and whoever came up with that will not be seeing the pearly gates of heaven. And if that wasn't enough, they had to make the girls end up with men because uuhhh i guess they have to! But anyways, i still read the summary of what happened in those last four episodes.

I read a review from 3 years ago by medivhtirisfal that mentioned this and i'm so glad i'm not the only one but this really reminds me of a series of books that i used to collect when i was younger about an all girls boarding school and all types of adventures and mischief they got up to (the St. Clare's series) and i guess part of me always craved more of that. Oniisama E scratched that itch i suppose, i'll always crave all female casts and to see interactions and relationships that form between them, all types of relationships really: sisterhood, platonic, romantic, sexual, healthy, toxic, simple, complex... women stories matter! And i love when they're the center and backbone of the plot.

Now back to the actual anime. I haven't read the manga yet, don't think i will for a while even though i do like the mangakas artstyle from the few panels i've seen. But like i mentioned, Oniisama E reminds me of those books i used to collect, it's a string of events that happen during the first school year at an all-girls academy of our main character Misonoo Nanako.

It was very satisfying to see Nanako be a bit more submissive when everything and everyone was new to her vs. becoming more confident in her decisions and standing up for herself and others she cares about later on. She was always very caring for others, but i do feel like she let herself be shoved around in the first few episodes so seeing her stand up for Rei against Fukiko and quit the Sorority because of her loyalty not just to Mariko, but to herself and her values, made her one of my favorite characters. Also who can't relate to falling in love with Rei... Asaka Rei was undoubtedly one of the reasons that got me to watch the anime.

I gotta prepare myself before i write a paragraph for her because wow... too much to unpack. I can't elaborate better than some other Asaka Rei understanders about the intricacies of witnessing her own mother take her life in front of her daughter, after telling her to protect and take care of Fumiko, and how that pressure of committing to her mother's final wish lead to Rei's confusion of feelings for her own sister, devoting her everything to her, even her life. I suspect never dealing with the loss of her mother properly is what lead to Rei's severe depression and inability to understand all types love and bonds that she could have with other people, seeing Fukiko as her beginning and end from that moment.

Needless to say that, as much as i wanted her to realize this and free herself from this torment so she could deal with her trauma properly, she had to do it by herself so she could gain some sense of self and build an identity outside of someone she worshiped for so long and SPECIALLY before getting into a relationship with anyone (r.i.p. nanakorei). She's the most tragic character in this story to me, all of this started at a very young age and she had no way to get out of it and when she got close to that, the plot decided to say NOPE. NO CHANCES OF A HAPPY ENDING FOR YOU. Bottom line is: she desperately needed therapy. Veeery early on.

I have to follow up with Ichinomiya Fukiko, a really toxic and abusive teenage girl with too much power over the other girls at school, she lives in a bubble built for incredibly rich people (as do many of the other characters), leader of the Sorority (an academy "elite club"). One of the best things about shoujo ai like this is that all female characters are so fleshed out and have so much to give to the viewers and Fukiko is no exception. I will say that i fail to see a character that has so much (negative) impact on most of the other main characters as she was very often abusing/taking advantage of/humiliating others.

It's definitely because of her upbringing but she always bottled up her feelings to keep up a façade of composure, with Nanako's constant defiance, after confronting her feelings for Henmi and her relationship with Rei, as well as after the abolition of the Sorority, we gradually got to see different sides of her. She's... complicated. Not an evil mastermind or anything, her attempts of sabotage seemed very desperate adn half-hearted, but she could still be very cruel and take advantage even of people she claimed to love. Still, Fukiko was one of the main driving forces of the story and i can always appreciate a character like that.

Of course that leads me to Orihara Kaoru! She is probably one of the most consistent characters in the anime, loyal, determined and resolute, very sure of where she stands, oh my god... i'd crush on her so hard too if i was one of the girls at the academy. I loved the relationship she had with Rei, the soulmateism was off the charts, they had an incredibly intimate bond that no one could replicate and, besides Nanako, i felt for her the most when Rei passed away. I'm pretty sure her having to face the past between her and Henmi was also a big part of her character but again, i really don't wanna witness how that ends so i'm not gonna elaborate too much on what happens in the last four episodes, which is unfortunate because i'm sure a lot of her own development as a character happens in those but whatever...

I didn't expect this when i started Oniisama e but Shinobu Mariko is my favorite character!! It took a while for her to grow on me but i love her a lot. Mariko is mostly known for the misandrist lines (which... real) and i appreciate that she never really changed that (until #those episodes but i won't consider them strictly canon for my sake), but she had such a great story arc with facing her loneliness and facing the problems she had with her parents. I'm no psychologist but BPD is heavily implied and from what i've seen by other fans with BPD, a lot of symptoms were shown throughout the anime, which i appreciate since Mariko wasn't villainized and was instead shown as someone with her own issues with boundaries and relationships at first but that she could manage and balance in a healthier way later on... it's not something you can easily see in anime, specially not from this time. I was really happy when Mariko, Nanako and Tomoko became a great friend trio who could rely on each other halfway through, another testament to her character development.

Tomoko was one of my favs as well! A lot of other characters were very interesting and had important moments in main characters arc like Misaki and Henmi. It's been a while since i've seen an older shoujo but the animation and editing was fascinating to me, very gorgeous, over the top sometimes but we need that! What happened to that! Anyways it's very beautiful, i appreciate it. The intro song will stick with me too and the damn Academy bell... Very melodramatic, but very fun, it's a hit for me!

I'm still grieving Rei so i can't really face anything that happened in eps 33-35. We're past making the lesbians suffer, NANAKO AND REI DESERVED THEIR DATE ON THE BEACH!!

I fear i will be upset by that for the time being but hey, that's what fanfiction is for.

[misc-obeyme]

Lesson 32 spoilers below (including the hard lesson, though it is labelled as such):

My poor baby Levi. After all that, he blamed himself. It's perfectly understandable for him to be upset about MC trying to leave. And yet he was convinced that he didn't deserve to feel that way. Please my heart can't take any more of this.

HOWEVER.

We didn't even get to see his Little D at all. I wonder if we'll see him at some point after the flood? It just seems like we've met everyone else's...

ALSO.

A looooot of talking about MC's special room this time. I no longer think these are the past brothers/characters. At this point, I think these are all the same characters, even Solomon. That's why we've never seen past Solomon. Because he isn't there.

I think it's some kind of spell/curse/magic that has transported everyone back to the past. (Or a simulated version of the past.) Everyone but Solomon and MC lost their memories, making it so their memories start at that moment in the past that they were sent to. It isn't that they are past versions of the brothers. It's that they're the same versions, but sent to the past with their memories wiped. And yet despite whatever magic did that (or perhaps a deliberate flaw of it), they get vibes from MC's old room.

This is the only explanation that makes sense to me anymore. It's the only way they can have feelings about MC's room, the only way characters like Luke can talk about how it feels right to spend time with Simeon and Solomon, likely the only reason we've never met or had to worry about past Solomon. I think this truth is what Solomon told Simeon at the end of season one (I don't quite remember what lesson it was). I think Barbatos knows because for some reason the magic doesn't work on him, but he's going along with it.

It just doesn't make sense otherwise. In this lesson they discuss how the feelings they get from that room are getting stronger.

I think that when MC has made pacts with all of them again, everybody gets their memories back. And this new experience of the past is the one they remember as reality. A way to retcon the past without changing the OG story.

I know people have speculated about this before, I am not at all the first person to think this is the case. But the more I think about it, the more this seems like the only plausible scenario?

And the only scenario in which we aren't abandoning a version of the brothers that we've come to love. Because it's actually been the same set of brothers all along.

Still have no clue who Nightbringer is or what the purpose of doing any of this is. And I could be way off base here. But I guess we'll see.

Hard Lesson:

I would also like to say that of course Solomon made the inside of the boat a freakin' castle. THOUGH. OH SHIT.

I was legit just gonna talk about how funny I thought that was, but isn't it just another example of the fact that Solomon can create entirely different worlds with magic? Though if Solomon is the one who created another world, it seems weird that his magic would also be declining in that world? Though he can clearly make entire ark-castles so maybe it's not as bad as it seemed?

ALTHOUGH I think it would be very interesting if Nightbringer is using Solomon's magic (or making Solomon use his magic) to create this alternate past. And Solomon's magic is fading because he's using so much of it to maintain that place. (MC's magic fading might be more about trying to impart urgency so they'll make pacts faster.)

ANYWAY. This is all speculation obviously lol. Solomon is a silly guy who loves MC so I think the only way he could be actually involved is if Nightbringer is somehow forcing him. (Like he might do all of that if it's going to, say, save MC's life in the end or something.)

Ugh I'm so tired of speculating lol. Any time I'm like okay but what if...? I end up writing myself in circles trying to figure things out.

This whole Nightbringer thing better be DONE by the end of this season or I am going to be UPSET.

Anyway, we all know you did CPR to save us, Levi, it's okay. You can say it tee hee. <3

[jingchu-time]

Spoilers for all of DRDT so far (all the way to the end of Ch.2 - Pt.1)

(This is my first attempt at a character analysis, so forgive me if it's a bit messy, I'll try to fit it up later. Also my first time using tumblr, intimidating but I'll figure it out.)

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(TW: Talks about parental death and neglect. Mentions of racism, not talked about in much depth)

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Intro:

Whit is one of the most interesting and mysterious characters in Despair Time. Despite being so well-loved by the fandom, his character is not taken nearly as seriously as I believe he should be. Objectively, Whit has one of the most in-depth characters, which isn't talked about with how often he gets reduced to a possible love interest for Charles. I also love their relationship (and ship it as well), but compared to Charles, Whit's other traits are ignored in favor of their relationship, which is unfair with how complex Whit's character actually is. Likes his backstory for example.

Part 1 - Whit's Backstory:

Whit's backstory is still shrouded in mystery, since it's only Chapter 2, but that isn't to say we know nothing about it. During Episode 4 of Chapter 1 Whit talks about his home life. He reveals that he's an only child, and briefly mentions that he thinks having a sibling would be cool, since he could be friends with them. This will be mentioned again later in the analysis, so keep this fact in mind. He then goes on to talk about his parents. First, he talks about his father, Lin or Steve. Whit says he doesn't see him a lot since he works overseas. All Whit is able to say about him is that he's quiet. Then Whit goes to talk about his mother, Elizabeth. Whit shows actual happiness when he talks about her. He doesn't go in depth, but he does call her pretty and sophisticated. He says he even bleached his hair to be like her. He clearly admired her a lot. He finally goes on to talk about his since nobody is ever in their house for long periods of time, he couldn't have pets. His home seems decent solely based on this information, but we have gained another part of it recently. In Episode 9 of Chapter 2 (what a jump) the secrets of all the cast are finally talked about. During the trial, Whit admits his secret is, "Your mother is dead. You always omit that truth." This isn't all that surprising when you consider how Whit deals with stuff like death (which well talks about in a different section) or his secret quote, "We tend to idolize the Dead."

So that's all of Whit's backstory, right? Insert *Sore wa chigau yo!" meme here. Is it all we've seen in the story, yes, but there was a Q&A done a while back that gave us an even greater idea of Whit's past. Anon asked if Whit was Biracial. The creator said yes, since his father is Chinese and his mother is American. It's also mentioned that for the first part of Whit's life, he was raised by his mom, so he doesn't have many Chinese experiences. What is mentioned next is what I care about the most. It's said that his father was very absent from his childhood (and life in general it seems). I think this makes it safe to say that Whit probably experienced some form of neglect from his father. He could barely say anything about him, the house is so empty that he can't even have pets, the way he talks about having a sibling. His mother is dead, and his father is never around. Whit was probably a lonely kid. The idea of having a sibling could fill the void because of his basically non-existent family. Also, regarding his mother's death, I'm gonna guess it was around his teen years, though I'm not sure.

Why mention his backstory first? Because this fandom never acknowledges anything about his past besides his dead mom when we clearly have more to look at. I also think this backstory can explain a lot of Whit's actions throughout the game. Speaking of…

Part 2 - Whit's role as comic relief, and how he (and Ace) subvert the stereotype:

Whit is easily seen as comic relief by most (I hope). Comic relief is a character used to defuse tension from certain scenes in shows/movies, plays/musicals, or video games. Whit is clearly made for the role, but another character, Ace, plays (or did play) the role as well. How can they both share the same role? You see, all roles have different stereotypes that are repaired with them. Comic relief is no expectation. I would say that comic relief tends to come in two types.

Characters who take absolutely nothing seriously. The lack of seriousness can be so bad that their jokes can fully screw over the tone of a scene, or story as a whole.

Using flanderization, which is just exaggerating a certain trait (or even sometimes traits) in a character. Character traits like paranoia, anger, happiness, or even sadness will become so amplified that you, much like the story, won't be able to take them seriously.

Whit and Ace fit these two stereotypes very well. After Whit's introduction in Episode 4 of the Prologue, Teruko calls him frivolous. A word, when used as a trait, is characterized by lack of seriousness or sense, which is a fairly accurate descriptor for Whit. Ace fits the second very well. Ace is characterized as both extremely aggressive, and as an extremely large coward through the entirety of the Prologue and Chapter 1. It's hard to take either character seriously at first glance.

Yet both Whit and Ace manage to subvert the stereotype and do interesting new things while doing it.

Ace goes through (negative but natural) character development after Chapter 1. He takes on a fully aggressive persona so that he's not seen as someone that can be easily killed off, the more intimidating the better. If he's seen as all bark no bite cowards, then he'll be an easy target. The cowardness is replaced by more anger and now the anger isn't funny now since we see it negatively affecting both the rest of the cast and Ace himself. He loses the role as comic relief by going through his natural character development. He subverts the trope by getting proper development, which leads to him losing the role entirely.

Whit subverts the trope by fully admitting that he's trying to be it. In Episode 4 of Chapter 1, Whit talks about how his constant joking is just him trying to lighten the mood. Whit wants to find a way to make the others happy, or at the very least lessen the stress they have because of the current situation they're in. He does this by joking and teasing. Whit subverts the trope by admitting he's trying to be the trope.

Both Whit and Ace subvert the same trope in vastly different ways, which are both effective for both of them. This does lead me to a question. Why does Whit do this? Well…

Part 3 - Goals vs Motive, actions, and what differentiates Whit and Hu:

When discussing characters' popularity, Hu and Whit are basically opposites. Whit, as mentioned earlier during the intro, is one of the most popular characters in the DRDT fandom. Hu, on the other hand, has gained a distaste by a majority of DRDT fandom because of how she's acted during the course of Chapter 2. This is very interesting, since the two are fairly similar. This is probably surprising to many, since the two seem so, so different. Hu is a serious mom friend, while Whit is a jokester.

I won't deny their differences, but what makes them similar is actually really important. The biggest similarity between the two is their goal. "Help the others through the killing game". This goal is special to these two because while the others are all (mostly) actively trying to find a way to either get out or end the killing game. These two don't though. They don't make any active attempts to find a way to or escape like the others, or their attempts are way more subtle than everyone else. So, if they have the same goal, why do they go about it so differently? Motive. A goal is what a character wants, a motive is why your character wants to achieve their goal.

We already know Hu's motive. Her motive is feeling useful. I'll discuss it more whenever I get to making a Hu analysis, but Hu has self-worth issues, making her believe that if she isn't doing some then she is completely useless. The idea of being useless seems to scare her. The reason Hu wants to help the other through the killing game is because it will make sure she isn't useless. Her actions to achieve her goal are by giving all her love to certain people, since she's aware that she can give equal love to everyone. She'll do whatever it takes to keep those certain people safe and happy, even excusing their bad actions. She plays favorites so that there will always be someone that finds her useful.

Whit is very different in regard to motive, since we don't really know fully what it is yet. We can make assumptions, but we can't be fully sure yet. Our best answer currently is simply, nobody can. This leads me to the next section…

Part 4 - Whit's calm persona, and it's relation to his motive:

Whit likes to make others happy. Whit also likes to help others. I believe these two traits heavily influenced his persona. Whit doesn't show emotion. We've seen happiness, concern, surprise, regret, confusion, and neutrality. He legit says "Jeez" after watching Min's execution in Episode 12 of Chapter 1, which is very tame compared to the others. Then he says, and I quote, "Oops" after seeing Arei's dead body in Episode 8 of Chapter 2. That is not a normal/socially (and morally for that matter) appropriate response to a dead body. What does this mean? Well, Whit doesn't show a real hint of sadness, or what he has is a very closed off version. Why does this point matter? Well, Whit is doing what nobody in the cast can. Whit is able to be a kind while being a reasonable/neutral force in the killing game. Hu and Eden, while kind, are both easily swayed by their emotions. Whit is less swayed by emotions like that and is shown to be logical when it counts. Like when he reminded David that they only knew Xander for a few days, so there was no real way of knowing if how Xander acted was in or out of character during the scrum debate in Episode 8 of Chapter 1. Whit can manage the role of a jokester and calm person very well. However, his calm side has grown a lot over the killing game.

Whit has always been generally calmer compared to a majority of this cast. You can take his dialogue after the killing game was revealed during Episode 5 of the Prologue as an example. However, his persona is something growing in intensity over the course of the series. When Min was executed, Whit showed off at least some form of sympathy, compared to when Arie died. He barely acknowledges her death, focusing much more on comforting Eden. This is all odder considering that while he and Arei didn't always see eye to eye, he still had more connections to her than Min from what saw. While everyone else slowly descends into madness, Whit just keeps amplifying his calm persona.

How does this relate to his motive? At the very least, for Chapter 2, Whit's motive is something along the lines, "Because someone has to". Whit likes helping others. If he doesn't help the others through the game, literally nobody else will. Mainly because this cast is extremely mentally unwell. Also, having a goal and motive doesn't mean they'll be good at achieving said goal. Whit hasn't been particularly helpful despite his efforts, but I'll explain why this is a little later. Anyway, if you compare Whit and Hu's motive to help others, then it makes sense why they're so different. It also explains why Whit is more easily likable compared to Hu. Neither of them are bad, not by a long shot, but we still have to wait for more of both. I would like to move into my next section, since this section does reference something in there…

Part 5 - Whit's ability to see the best in others:

This is one of Whit’s lesser known traits, which is so odd because this trust is seen so much in his character. Whit’s main relationship is with Charles. He and Whit have lots of interactions. Like during the Prologue, where half of Charles’ introduction is him and Whit. Or during Chapter 1, where the pairs' friendship begins to develop. And Chapter 2, where we get to watch their friendship fully develop. At the start, both of them disliked each other. Charles disliked Whit for his jokester person and how often Whit would use him as an object for humor, which didn’t mix well with how much Charles hates being looked down upon. Meanwhile, Whit didn’t like Charles for his very rude and arrogant personality, which make sense considering how much of Whit’s persona(s) are based around being kind to others. What happens in Chapter 1 is what I’d like to discuss in relation to the topic of this section.

During Chapter 1, Xander tries to pin the blame on Charles by using Charles’s hemophobia. Charles’ phobia makes him breakdown when he sees gory or dead bodies because of his unresolved childhood trauma. After Charles gets lured into seeing Teruko’s dead body and runs away, he ends up running into Whit, who was in the cafeteria, mid-breakdown. At first, Whit assumes that Charles is messing with him, but ends up realizing he wasn’t. Whit ends up making the choice to stay and help out Charles. Levi brings up in Episode 9 of Chapter 1 that Charles could have been faking it. In a game where any wrong moves can lead to your death, Whit decision to stay and help could’ve gotten him killed if Charles had been. Yet Whit choice to stay, ignoring his own opinions about Charles at that point, decided to see the best in him. He chose to see the best in Charles despite only really having his intuition as a reason.

To continue this point, I’d like to bring up Teruko and David. Teruko is fairly straight forward, as during the dressing room scene in Episode 2 of Chapter 2, Whit says he doesn’t think Teruko or anyone else in the cast is a bad person. We get a small look into Whit’s thought process. He believes that, despite everyone acting callously, they aren’t bad people. They are human. They are just human with emotions and weaknesses, and that’s fine with him. He believes, even when Teruko herself doesn’t, that there is still a good person in her. That despite the current asshole she is being, she is still a good person, even if it’s a little deeper inside. This thought process also relates to how he handles David. Whit is the one who had David’s secret. David’s secret is, “You exist to manipulate others, others exist to be manipulated.” It is very hard to see this secret and believe whoever it’s about isn’t a bad person. But Whit having it actually makes this makes sense. Whit, much like Hu, likes to see the best in others. Unlike Hu, however, Whit keeps this fact to himself unless he’s having a moment of vulnerability. It isn’t hard to believe that he, despite how obvious the secret is, convinced himself that David wasn’t a bad person. Hell, we get some confirmation of this during Episode 11 of Chapter 2, when after David’s real personality is reveled, Whit makes a certain comment. “I was keeping that secret out of concern for your career. But if this is how you really act, then your career might be in trouble for reasons out of my control.” A majority of the fandom think he’s lying, and I won’t deny the possibility, but I feel like we should look at this comment from more than one angle. If we bring up the idea of him believing that the secret was simply worded badly, then it’s no wonder he of all people wouldn’t wanna take that risk. I don’t think anybody would want to ruin someone's whole career based on a secret that could be purposely worded badly. “...reasons out of my control”, this quote basically confirms that if David hadn’t gone insane in Episode 11, then Whit would have blamed himself for David’s career. Whit is a caring person, so this idea is very plausible.

If it was anyone else, then the idea would be unlikable, but it’s not unbelievable if you consider Whit’s character so far. A person who cares for others and has risked his life holding onto the idea of seeing the best in them. Whit is the only character who would hide a secret like that. Since I brought up Charles, Teruko, and David, that brings me to a different section…

Part 6 - Gaining importance through others:

This section should be fairly brief. Whit, while has not really been a major player, keeps having connections to characters who are. If most had to assign the DRDT cast cliché Danganronpa roles, then it tends to go Teruko is the protagonist (obviously), Charles is the support (stretching but okay), and David is the antagonist. Whit, as mentioned in the section before, is connected to all three. However, that isn’t all when it comes to his connections to major characters (this wouldn’t be a section if that was the case). Let me bring up Eden, Arei, and Hu. Whit has come to Eden’s defense twice now. First in Episode 5 of Chapter 1, when Arei and Arturo are insulting the cake which she was actually really proud of. Whit makes a joke about how cake=birthday song, which is able to distract the group from the insults and everyone becomes much less hesitant about eating the cake. Then in Episode 9 of Chapter 2, he buys Eden some time, since Teruko was asking about the note (that made Eden super suspicious), by bringing up the alibis. In Episode 1 of Chapter 1, we get to see that Whit and Arei were investigation partners. It’s not big, but is still a point of connection. Finally, he and Hu had a a fairly long talk about the killing game during the dressing room scene during Episode 2 of Chapter 2.

Whit keeps being given importance because of his connections with major players in Chapter 2. No matter how big or small. I honestly don’t have a good translation to the next section, so…

Part 7 - He is very different compared to the rest:

Whit handles most stuff in a very special way. Firstly, while a majority of this cast will become aggressive or start fighting with each other. Whit, however, is very different compared to the others in this case. Whit will make passive-aggressive or sarcastic comments. He is also very conflict avoidant, which will be dissected later for reasons. And second, his method of investigation. Compared to the majority of the cast, who go the logical route of investigating the body and scene of the crime in depth, then investigating other areas. Whit is one of the three character (the others being Charles and Rose) who don’t examine the body. This is odd considering that Whit doesn’t really seem to have a reason to not too, I think I know why, but it will have to be talked about a little later (I'm sorry, but this is the last time I promise). Anyway, as mentioned earlier, Whit is a very calm person. His type of calm (yeah type) is different from that of Hu or Veronika. Hu is calm but is very easily angered by her situation and constantly struggles to keep composure. Veronika is much more similar, but unlike Whit, Veronika finds joy in their situation. She finds the killing game fun and interesting, completely fine with her situation. She’s only calm because she doesn’t find the danger frightening. She’ happy because she hates being bored. Whit is only calm because, as mentioned many times, he had to be. Someone has to be calm and kind during their situation. One is more selfish than the other, and that makes them different. All the talk about Whit’s differences reminds me of one thing that only her has…

Part 8 - Whit’s intuition:

Before I get into Whit’s intuition, I want to talk about what intuition actually is. Intuition are just gut feelings. They are ideas that, while there i no logical reason to believe it, you just feel like you do. Whit’s intuition has been mentioned during Episode 4 and 9 of Chapter 1 and during his and Charles’ FTE. He claims, using his intuition, that one day, Teruko will be happy, that Charles isn’t faking the breakdown he is/was having, and that one day him and Charles were going to be friends. His intuition hadn’t been mentioned once through the first part of Chapter 2. I think this mostly because of the calm persona, He has to be more logical. This doesn’t mean his emotions won’t influence situations, but now he had to try to rationalize his decisions based on those emotions. He can’t just say it’s his intuition anymore, not with how the group is currently.

I still don’t have a good way to transition so let’s just-

Part 9 - Whit’s social life and conflict avoidance:

Whit isn’t a fan of fights, unless it for the sake of someone else. In Episode 2 of Chapter 2 (it’s a great scene okay), Hu and Whit are discussing how much the Mastermind knows about them. Teruko, being Teruko, finds a way to twist it into distrusting others. Whit then makes one of his passive-aggressive comments towards her. Then, only a little while later, Teruko is equally rude when Whit tries to call her a good person, and this time Whit keeps quiet. Whit won’t argue with someone unless what that other person is doing negatively effects others. His conflict avoidance is seen during Episode 4 of Chapter 2, where he refuses to try and break up any of the fights. His reasoning is that his talent isn’t couple counseling, therefore he can’t be the one to break up any of the fights. This is an excuse that Charles quickly shuts down. So yeah, Whit doesn’t like conflict, which is probably part of why he became a jokester in the first place, but we’ll come back to this though after the next section. Speaking of the next section…

Part 10 - The 4th wall (and finding information):

Whit is the character that shows the most awareness of the 4th wall. In Episode 8 of Chapter 1, Whit legit tells the audience to pause to read the list, since it would be useful. There is no way that he was directing that at the cast, since they can’t fuckin’ pause their lives. Then in Episode 10 of Chapter 2, Whit breaks the 4th wall, but in a far more subtle way. Whit says he doesn’t remember which secret Eden got, which leads to us, the audience, to be shown the list. Whit gave us a direct way to relook at the secret list, which is very weird since he could have just looked up and silently read the list. Something that Ace points out (kind of). Whit is the only character to show this much awareness of us, The weird thing is why would Whit want to help us? We’re the whole reason that he and the rest of the cast are stuck there, dying for our entertainment. So why would he want to help us? This is a question we’ll have to wait for an answer, since even I’m not sure yet. A downside of only being through half of the 2nd Chapter.

This section is the one I brought up earlier during Part 9, and will be connecting some of the mysterious points I didn’t expand upon earlier…

Part 11 - How does his backstory influence him:

You’ve probably noticed that despite his backstory being brought up first, I haven’t given it much though since. This is because I believed we all need a better understand of Whit before I could describe how his backstory affected all of what we’ve discussed. Before that, however, there is one part left.

If you remember, I said that Whit was a lonely kid. Along with what I said earlier in the backstory section this is also because of his talent and love life. Whit’s talent is something others have to pay for, mentioned in the Q&A earlier. He sets other people up as a way to earn money, which begs the question of why Whit took up the talent in the first place. Since we don’t have a proper answer yet, so we’re going to move one, just keep that as food for thought. Anyway, Whit is said to have a pretty bad romantic life despite his talent. He apparently just can’t find a partner, despite his efforts. This isn’t all that surprising when you consider that Whit isn’t all that socially competent at times. It’s hard to describe, so well use examples instead. During the FTE, Whit is shown to be completely shocked at Charles’ anger toward him. Whit hadn’t even considered the idea that the stuff he did earlier could be seen as negative. Even when it’d probably become obvious to anyone else at that point. Then, during the Computer Lab scene during Episode 7 of Chapter 2, Whit makes a dark joke about Min’s death in front of Teruko and doesn’t even think of the bad implication till Charles points it out to him. He is able to apologize and fix those behaviors, which is an interesting pattern of behavior. Not understanding a wrong till someone points it out to you, and then you improve it. Unless you point it out to Whit, he probably won’t notice the problem. I think these behaviors say a lot about his past and it’s effects on him.

Whit’s past would explain his social incompetence at times. His father wasn’t there to be a good example and his mom probably wasn’t there for his teen years, which is a huge time for development in minors. This leads to him not having the proper role-models.

(This is an off section, but I felt the need to bring it up. Whit is biracial, Asian American, American/Chinese, a race that faces a lot of discrimination in America. The DRDT creator is very well versed in his research of the topic and ideas he handles. Ace is a lovely example, including the higher chances of anxiety and chances for eating disorders they have. I won’t say I know anything, but I wouldn’t completely discard the idea of him facing discrimination in the past.)

So yeah, Whit was a lonely kid, why does it matter? It matters because if he is as much of a former loner as mentioned, then that would also explain why Whit keeps people-pleasing. (I think there is a want for acceptance, but a struggle to believe that it’s possible without the personas.)

His backstory also explains his seeing the best in others' mindset. People tend to think that the only way to look at negative events in life is through negativity, but that’s wrong. When you have nothing, then you’ll leach onto anything to hold onto, like optimism. This idea was used in the canon Danganronpa games with Nagito, and I think a similar principle is shared with Whit. Whit probably attached onto something positive because he literally had nothing else. Optimism, in that case, is the easiest answer. Whit deals with life, and the killing game by trying to find the good. Whit's life might not be great, but that doesn't mean he has to see it that way. It's probably why he keeps omitting the fact about his mother's death. Why look back on the past when there is so much left to do in life. He probably thinks this is what she would've wanted, based on his idolization of her.

This all brings me to my last section…

Part 12 - His belief in privacy:

Whit is very adamant in respecting others' privacy. In Episode 1 of Chapter 2, Whit brings up the idea that everyone keeps the secrets to themselves until they have more time to work through it properly. This gets ignored by Arturo, who does it anyway. I've already gone into depth talks about privacy with Charles and David. What I wanna talk about is why Whit is so big on it. Because that is a question we haven't gotten an answer to. Why? Well, while I'm not sure, I think it has something to do with his past.

I have also lost my mom, like Whit. When I lost my mom, people wouldn't stop questioning me about it. Whit described his mom as sophisticated, so that makes me think she could've been fairly known in the community. Whit probably had a lot of strangers question him about it, despite his feelings about it. Mix this with Whit's pleasing other mentality, then his adamantly about respecting others' privacy. This is the only part of his mentality that goes against his more logical character. Charles even says he gave Teruko the secret he had because he wouldn't trust Whit to sacrifice someone's' privacy when it's necessary. Charles has a strong understanding of Whit's, so I'd trust him. This is the only part of Whit that he never changes, even when he has different personas on. It's consistent.

This concludes the final section to this analysis, so onto the conclusion.

Conclusion:

Whit is a character that gets overlooked by a majority of the fandom despite being pretty much universally loved. His past is so much more than what we've seen or is talked about. His caring nature is something that has so much hidden depths. And, unless he is the Chapter 2 killer, there is so much left to find about Whit.

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(Thanks for reading. Again, sorry if it's a bit all over the place. I hope I could shed some more light on Whit's character for ya'll. Have a good day/night.)

[kaija-rayne-author]

10.1 in review series for Dragon Age Veilguard

70 hours in, 68 actual gameplay

Obligatory I'm not an asshole disclaimer, feel free to skip to the cut.

Something came to my attention. I need to make it crystal clear that I utterly love the diversity in DAV. It's fantastic. I'm also a heavily left leaning, non-binary, queer as fuck reviewer, editor, and author.

I'm on media blackout while I play this, so I'm only getting second-hand info on how awful it is right now in the DA Fandom. Please be safe and take care of yourselves. Arguing with incels and white supremacists is completely pointless. They sea lion worse than an actual sea lion. Your mental health is important.

Though, every single time the anti-queer brigade comes out for a new DA game, I sit there thinking 'have you bozos ever played any DA game, like, ever?' My guess is nope.

Spoilers for Dragon Age Veilguard

Section 9 is here.

I haven't played yet today. I have to take my immunocompromised ass into a world that doesn't give a shit about my life to get groceries. How do I know they don't care? They don't mask. It's as simple as that. If you care about immunocompromised people, people like me recovering from almost dying, pregnant people, old people, many children, people with immune affecting issues like long covid, depression, anxiety, fibromyalgia... goddess, the list goes on, if you cared? You'd mask. It's the number one way to help us survive. And no, us masking by ourselves doesn't work very well. Everyone has to.

Anyway. Yeah. Gotta risk my life for groceries because I can't afford delivery.

I was just sitting here, and I think I figured out some of the many issues that are bothering me about this game. The great big missing I've been trying to figure out.

They didn't make Veilguard for the adult gamers who have desperately wanted it for so long. They made it for children and teens.

Epler even outright said they'd changed things hoping to draw in a younger section of gamers. (In one of the first q&a sessions after the gameplay reveals.) I wonder if he bothered to do any market studies to see if that demographic would actually be interested?

I can only judge by my two gaming kids because I'm on media blackout while I finish this game. But no matter how much they simplified it for kids, they still have absolutely no interest in Dragon age. They're far more interested in indie games than anything a triple A studio puts out. Their opinions on Triple A studios are so low it's honestly ridiculous. They don't even understand why I love games put out by them.

So, the devs chose to remove things so that parents would be more likely to let their kid play what is still listed as a M level game (ESRB M for mature).

Ooooh, no. We can't have rogues picking locks and doing all the stuff rogues are supposed to be able to do. Why? Because that means kids will be delinquents doing the same! (The trust in the ability of older kids to understand the difference between a fantasy video game and real life is astounding, I tell you. /s) This is such a boomer thought process I'm shocked to see it, to be completely honest.)

Everyone is just so... nice. Not kind, that's different. But that sugary, false nice. None of the romanceables have anything tooooo controversial about them.

Blackwall Inquisition was a child murderer and lying about being a Grey Warden. Dorian was a spoiled, enslaving Tevinter rich boy (he did actually have a growth arc in Inquisition). Sera was a thief and a Red Jenny (people who worked against the entitled, rich nobility as needed to protect people without power). Varric (even though you can't romance him) was a thief, liar, cheater, and someone you wanted at your back in a fight because he fights dirty. Cassandra was bigoted, hide bound, and intolerant of any faiths other than Andrastianism. The Iron Bull was a failed Ben-Hassrath double agent. The ben-hassrath are a combination of spies, saboteurs, and assassins, among other things. Whatever was needed to defend the Qun. Cullen was a drug addict and such a horrible person in the previous two games it actually made me physically ill to try to romance him. Solas was, well, Solas. Who we all know had a lot of bad in his background. They've certainly hammered that point home in Veilguard. With a jackhammer. The only romance option in Inquisition that wasn’t dirty was Josey. And if you do Romance her, you find some dirt on her too.

I could say the same for almost every Dragon Age Romanceable in the entire damned series. They've mostly been not the greatest of people and when the writers were doing their jobs right, there were growth arcs for them that made them better people during the game. That's part of the fun of games with Romanceable characters. Picking out which broken bird fits your type of broken to romance. (And we're mostly all broken in some way.)

But all the romance options in Veilguard are... well, boring. They're nice, safe, decent people. And since most people have some darkness in them, it's probably not working for others as epically as it's not working for me.

If they're already nice, safe, decent people (even the fucking assassin!) then there's no room for growth. No room to learn that character and feel like your presence in their lives might give them a light to help them strive to be better people. They've truncated any potential for growth arcs for all of them. I'm a Romance author. When you're designing characters for Romance, they have to have a balance of flaws to good points. Otherwise they're just poorly designed characters with little potential to get hearts throbbing and knickers in a twist.

No wonder the romanceables aren't working for me. None of them have flaws big enough to make them well-rounded characters.

Moving on.

Have you noticed there's no blood splatter? You'll get a slowly creeping puddle around enemies, but somehow it never gets on the characters. I'll check if I have the energy to play after risking my life to get food. But I don't recall seeing a toggle for blood splatter in Veilguard. Like it or hate it, the blood splatter is very much a thing in games like these. They usually have an option to turn it off, but it's usually there. Especially in Dragon Age, blood splatter was a thing. A big thing. Hells, their logo was a blood splatter dragon for at least two games FFS. Edit. Confirmed there is no option anywhere I can find that lets us have blood splatter.

And honestly, having my characters coming out of hard fights looking like they've been through a meat grinder is part of the reason I enjoy games like these.

The choices for dialogue are also usually pretty 'nice'. The 'sarcastic' option usually isn't. The angry/strong one isn't either. It's all just... boring. And I'm into Act three now, so I'm thinking my hope of 'maybe the dialogue will get better' is probably an impossibility at this point.

The simplified plot points, the puerile storylines, the lack of dirt on the romanceables, the lack of growth arcs, the completely ridiculous cutting of 90% of the dark horror elements that made these games so good... we've lost all of that because they made this game for kids. And I highly doubt kids will be interested. So they've fucked over, and at least in my case, utterly pissed off the older gamers who have loved Dragon Age for so long, and very likely failed to attract younger gamers, too.

The problem with trying that, which I really think should've been obvious to somebody. Is that Dragon Age has never been a game designed for kids. It's always been bloody, often harsh, horrific, dark fantasy made for adults.

Games for younger people need to be designed for younger people from the first moment of creation. Or it just doesn't work. You technically can transfer some concepts from adult games into things for kids, but the result is invariably something as awful as Veilguard. And something bound to satisfy few people. The condescension toward younger folks in Veilguard is pretty bloody obvious. Something I've noticed kids hate? Being condescended to.

Congratulations on learning the lesson of knowing who your fucking market is.

It's crucial in any kind of content creation to know who you're making the thing for, and to not deviate from those genre expectations toooo much. Otherwise, you just have a mess of a disaster like Veilguard. They shot for two wildly dissimilar markets and failed both. Even the cartoony look of the art style is much more like a game for kids than anything like a dark fantasy game for adults.

And like... it's still listed as a mature rated game. So what, exactly, was the point of ruining Dragon Age like this? Many parents won't let their kids play M rated games regardless.

It's just so depressing. If they'd actually made this game for the people who had been praying for it for so long? It probably would have been phenomenal. As it stands, I'll be shocked if it doesn't sink Bioware. And if it doesn't, I'd think it because of bribery more than game quality.

I do have to say that you can decorate more than I thought. But you have to buy almost everything. And they're themes, so there's no intermixing possible. Like you could have Elven windows with Alamarri rugs and a Ferelden throne in Skyhold? All gifts from either people or cultures you'd helped, which tied it all together and connected it to the world... you can just change themes for the Lighthouse. It changes everything, and again, you have to buy almost everything. That really removes a lot of depth from the game.

People call all the collectibles and gifts etc. from the previous games 'filler'. But, frankly, that's a very uneducated opinion of what that 'filler' is supposed to do in fiction. The 'filler' (which is an actual technical term in writing fiction, and those things aren't filler) collectibles and quests gave depth to the games. It tied the world of THEDAS into the world of the player character. It's called world building in writing circles. And what confuses me is that I don't recall anyone having to do any of that. If all you wanted out of the previous games (especially Inquisition) was a fighting game, you could do that. None of the world building collection parts locked you out of any quests that I can recall. If you did enjoy deeper world building and collecting things, you could collect to your heart's content. There's none of that delicately intertwined, beautiful worldbuilding in Veilguard. It's stripped down to the very bare bones of mediocrity.

At heart, Veilguard is not a role-playing game. It's a fighting game. And not even a very well designed one. My not-a-fucking-rogue should never have aggro. That's not how this is supposed to work.

Why they felt going from a successful history of role-playing games to a stripped-down, poorly world built fighting game a good idea is just beyond me? Whoever made that decision honestly needs to be fired. And you will almost never see me say that. Jobs are too hard to find. But I will say it about Veilguard. The decisions made have ruined Veilguard in my honest, incredibly disappointed viewpoint.

They marketed this as a role-playing game. The expectation was for a role-playing game set in a richly detailed, deeply world built environment. Like most of the Dragon Age games have been. Especially Inquisition.

And we got a fighting game so stripped of world building that it's sad and just... boring.

Oh, heads up if you're disabled with any sort of disability that affects your hand eye coordination or ability to move your fingers quickly on a keyboard or controller. Don't buy this game. Even on the lowest setting with no death clicked on, you need a great deal of manual dexterity to use this crappy new fighting set up they've come up with. They definitely didn't think of physically disabled gamers at all in developing this. I'm just lucky my particular physical disabilities don't affect me that way. Though my hands are in agony from keeping my not-a-rogue out of the dragon on one side, stone wall on the other situation the fucked up aggro set up always puts me in.

They did bring gifts for companions back, which would thrill me if I actually had any desire to romance any of them. Which I honestly don't. And in games like these? It's often hard for me to pick which one. I often have to install a polyam mod so I can see the other romances because I'm usually so hot and bothered and just captivated by a Romanceable character or three that I won't be able to not romance them. Meaning I need the mod if I'm going to see the other romances.

I'm physically and mentally incapable of not romancing Astarion BG3. (I've tried!) Halsin gets me every time, too. Those are markers of excellent character development.

There's none of that in Veilguard.

Emmerich, and (as much as I hated his intro story, The Wigmaker,) Lucanis are the only slightly interesting characters to me.

Bellara is sweet and awkward, but they reduced her neurodivergent qualities so much it feels... off, to my neurodivergent ass. In the autistic people on tv way of off. (To date, there hasn't been much, if any, good rep of us on TV. It's all inspiration porn.) I don't feel seen in her. And I have quite a few traits she expresses. Whoever wrote her has my version of ADHD. But the way she's written, where she's constantly telling herself she's stupid or foolish or shouldn't do things? Those are markers of traumatized neurodivergence, not the ADHD itself they're highlighting. What that says is that, in her world, people have come down on her so hard for her differences, so often, that now she's mean to herself. ADHD kids aren't born like that. People make us like that. It's a sad representation of ADHD, not a celebratory or accepting one. It makes me feel like she, and me by extension, is to be pitied. Like someone like me, or Bellara, aren't worthy of respect, love, and trust. It's not a good feeling.

Neve is so suspicious and bitchy that I have no desire to even try to romance her. I want to shove Harding off a cliff.

Davrin is really suspiciously similar to Halsin BG3. Big, more blocky than usual for an elf, wants to do good, carves wood... but where Halsin really works (because of his deep character development and darkness) Davrin, while definitely hot and with an amazing voice... just falls flat.

Emmerich is a doll of prince charming manners and adorable fussiness. He's probably the character next to Lucanis who actually has the most darkness to him.

I really wanted to love Taash. And I like them a lot, but their 'you must choose only one' thing showed up really fucking early in the game. I didn't feel like I knew them yet, so they're just never going to work for my demisexual ass unless I actually replay this (unlikely?) with a polyam mod and basically plug my nose and close my eyes and leap into a relationship with them far earlier than I'm really comfy with.

So, there's some clarity for me on what's missing and why.

Genshin Impact has more draw for me as an adult gamer than Veilguard does. And that is absolutely a game targeted at teens and early twenties folks. It's also an incredibly well designed game with good world building, balanced fighting, and devs who know who their market is.

It's an old saw in content creation. But Know Your Market is a saw for a reason.

Section 10.2 here.