#I guess that’s important to

[osc-brainrot]

Reminder that Mephone4 is canonically living inside of his own dead bothers body ❤️

Also that he only has 9 fingers because the talking hand thing was annoying him so he cut off the finger it’s brain was in

Man I love ii

[catmask]

does anyone have like an anti aesthetic. like something you look at and can recognize as a complete fashion/interior design/artistic movement and understand it but it makes you shudder seeing it. i am not talking like “its morally bad” “its poorly structured” like just sheerly devoid of joy for you actually invites a repulse response.

[insomniphic]

I saw a peak of @gigizetz’s Warrior Penelope au and the first thing I thought of was angst. Not a dope design 😔

[duckdotimg]

Got tired of seeing moeblob young catgirls. Give me butch and GNC catladies in their 40s and 50s (more will be drawn)

[tubbytarchia]

I told you I never stop thinking about merpearl

[warriorbarnes]

this had me crying real tears

[marinebiologyshitposts]

[one-real-imonkey]

I cannot emphasise enough that I love Billford for the message it delivers.

The ship itself is toxic yes, Bill was manipulative and awful and ultimately using Ford. For fictional angst, that’s great. But it’s more than that.

Because Ford gets out.

Ford gathers his courage and cuts Bill out as best he can. He reaches out and it’s not easy but he gets free of Bill. He gets his family back, he gets his life back, he gets to move forward. There are bumps in the road ad setbacks but ultimately he wins. He gets to have an after.

And it shows just how scary that can be. The paranoia and the setbacks and the trust issues. The way people in those situations lash out and close themselves off and the way it takes time to recover and move forwards.

It’s a powerful message, and an important one, and that’s why I love the ship.

[violent138]

When the Robins were too young to convincingly pass as drivers, they'd always insist that Bruce drive them to school or anyplace they were running late to, because Bruce's extensive illegal racing experience meant they were guaranteed to make it there on time. Or even early sometimes.

[starryeyesmasc]

okay you got me 🙄

I’m thinking about my legs wrapped around your waist as you thrust your strap obscenely deep and I’m so fucked out I can’t do anything but moan each time 🤭

but don’t tell anyone…

[asleepinawell]

me wearily opening twitter: please show me just one nice thing for once

twitter: baldur's gate 3 lets you fuck a bear

me: you know what? good enough

[idiotsonlyevent]

it is completely understandable to be uncomfortable with the sexual assault in dandadan. it's important to discuss how it's framed, whether it's handled poorly, or if it could be been portrayed better. but the number of people - even fans - stating that it is only fanservice, irrelevant, or could be removed is frankly bizarre to for SO many reasons, starting with the fact that this parallel exists.

the anime made it even more obvious by interpolating cuts from the first scene into the second one.

i thought this scene showed that momo gaining her powers by believing in her relationship with her grandmother gives her the strength to fight back against what is basically a horrific, much more aggressive and abstract (maybe even absurd?) representation of her shitty gross ex - who was demanding she 'put out' and pay for the love hotel in very first scene.

while the escalation from one scene to the next is surprising, it's not something that comes out of nowhere. this first scene is meant to be a set-up to what will happen later. it sets the tone, though significantly more lighthearted at this point. it tells you that sex, sexuality, etc. is something dandadan will touch on - though you don't know what the scope and depth will be until later in the chapter.

i cannot recommend this video enough, as it discusses some interesting interpretations of what the serpoians and turbo granny represent in their respective assault scenes, as well as how right now the treatment of both scenes is unfortunately uneven.

more notes about plot and thematic relevance below the cut. spoilers for anime-onlies (up to chapter 8, will probably be covered in episodes 4/5).

momo was assaulted, and almost cut up by the serpoians, much like the other victims turbo granny appeared around. this is an intentional parallel. turbo granny goes to momo because that is what she does. again, SUPER unclear how that factors into turbo granny's assault of ken, but if we keep the video's interpretation of cynicism in mind, it could be related to that; maybe turbo granny has a cynicism toward men - similar to momo in chapter/episode 1 - and this is why she chose to attack ken. unfortunately, it's still too early to really understand and explain a lot of her motivations.

again, completely understandable to not like how the sexual assault was handled or portrayed, and it's important to keep discussing it. but this is what dandadan does for many different types of trauma and difficult life experiences. this is a huge part of dandadan's identity. if you don't like it, that is fine, but calling the sexual assault 'just fan service' is blatantly untrue.

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[manesvoid]

wayne Family making me want to draw stupid things

[iiping]

Light of the Kshahrewar ✨

[goldensunset]

when people refer to canon story-relevant kingdom hearts games as ‘spinoffs’ it makes me sad not only for the obvious reasons i always say but also bc like man i WISH this series had spinoffs. imagine what they could do if they had permission from nomura to truly go off the rails and ignore the greater canon for a second and just do some fun whimsical plotless thing in an alternate universe. imagine a fishing/boating game on destiny islands. kh fighting game. it is an injustice that we have been deprived of kingdom karts. can anyone hear me