#I get that it's not the exact same thing

[shackleton2]

it's true and I say this as an avid binge-watcher who in the stone age had to look up transcripts of episodes because I couldn't wait THREE ENTIRE DAYS OF MY LIFE FOR NETFLIX TO MAIL ME THE NEXT DVD

Seasons of TV released as one fat drop of 8-12 1-1.5hr episodes, literally being told THIS IS FOR YOU TO BINGE IN ONE INSANE SITTING is the exact definition of my dreams and desires.

......why are they no good??

I can definitely think of exceptions, but "both of them have too much time and not enough time for the characters to struggle and grow and change," as it's well-put above, does seem to be the rule more and more. But what does that phrase really mean??

I saw something recently weighing in on this and saying series in particular seem to think every single thing depicted on screen has to move the story forward, possibly because everything is angled to encourage "binging". It's funny because that sounds like it should do the opposite of making the story feel ponderous and pointless!! So what's going on?

Maybe it's because Real Life™ isn't constantly moving towards one plot resolution, so the more you write a story where that's true, the more impossible true immersion for the viewer becomes?

But also I think actively designing a series to be compulsively watched in one or two massive sittings is hurting them as stories. Maybe it's because bingeing, especially as it's understood in other contexts, is not about enjoying something massively good, at least not after the initial part.

We all know this, right? You don't binge on something because it's just sooooo good. Are there people out there who have never done any kind of binge? Maybe so, so I'll tell you because I surely have: it's inertia. A really scary kind, to be honest, that feels, after a while of getting acclimated to nonstop-consuming the thing, like an absolute involuntary need. Because the second I stop eating the family sized bag of chips, stop taking another drink, stop lighting another smoke, reality will come rushing back in place of the comfort-stimulus. And in reality I am not experiencing joy or even pleasure, I am experiencing the kind of existential horror you get when you try to convince yourself you don't actually have to deal with your own mind. This 100% applies to letting the next episode autoplay after 5 hours of watching one story unfold.

Sorry I got kinda dark there, but the point I'm trying to illustrate is that I don't think you NEED a GOOD PRODUCT in order to get people to binge. And, well, that shows more and more with this "content" streaming services are releasing.

True Blood was a hot mess in so many ways and my mental health sure as shit was too but holy shit watching that obsessively years back was so FUN. That show and other story-loves of mine feel different from stuff getting released in full-season streaming dumps right now, and I don't think it's quality of writing or acting or effects or anything else making the difference as much as whether a show seems to genuinely LIKE itself, or whether it's counting on you finding it preferable enough to reality to let the next episode play and thus get good stats.

we need 15-20 episode seasons again these limited series have the worst pacing in the world and none of the character decisions hold any weight

[fisherrprince]

it’s not necessarily that I hate the themes most prevalent in fiction set in the real world and it’s not necessarily that I don’t like stories revolving around real people or relationship drama or interpersonal issues it’s more like im a dog who doesn’t recognize that a pill is still a pill if it has peanut butter on it. I need like the little peanut butter spoonful that is aliens or robots or monsters or time travel or something fantastical and not at all down to earth real life so that you can approach me and be like “this story is about how friendships can deteriorate over time and also how this guy feels bad for being a bad friend and causing his buddy problems with their girlfriend” and then look at me making a face at you and be like “AND! they’re all aliens who are doing all that across spacetime” and I’ll be like OHHHHHH OKAY YAY (shlop shlap shlup the sound of a dog horking down peanut butter pills) wow what a poignant story

[star-scroll]

Dannymay Day 6: Transformation

Background Reference: S1Ep18 Life Lessons, 11:07

[suntails]

touch the spindle, touch it i say!

[lazylittledragon]

what if i broke all the bones in your legs actually

[egophiliac]

Since book 7 part 5 (the part where we meet Meleanor/Maleanor 👀) is coming to EN this month, i would love to see your take on lilia’s proposal to meleanor! i mean they were like little kids right? it couldn’t have been that serious…i think the only reason she even brought it up again is because she could tell lilia still genuinely loved her…(even if he didn’t realize it himself?) but, oh well! Let’s think about silly childhood shenanigans to numb the pain! ^_^ (orz)

oh shit?! get ready for a doozy guys, it's comiiiiiing ᕕ( ᐛ )ᕗ

I chickened out of posting the whole thing (look, I get VERY carried away when it comes to these wacky kids and their Tragedy), but I do believe that it probably ended with Lilia getting embarrassed and just shoving the first thing he sees into his mouth to try and cover for it.

(we're just lucky it wasn't a frog this time)

[rocketbirdie]

current mental situation

[critterbitter]

How did Elesa get a Blitzle as a starter if she's from Sinnoh? (hang on this is ironic she could've learned about warden ingo in school back there)

Blitzle Elesa backstory under cut!

Blitzle was gifted to Elesa so she has an “easier time” integrating into Nimbasa by her well meaning dad. This is not the greatest move, since the two feel they are more obligated to stick together then, you know, actually choose each other. Blitzle’s meant to be a utility mon— he helps charge elesa’s hearing aid batteries and basically serves as an emotional support when things get rough. He’s… not the biggest fan. (I like to imagine Blitzle was originally part of a battle track, but his IVs aren’t the greatest so they shuffled him out. He’s a bit bitter about that.)

Inciting incident where they actually start taking the proper steps to becoming partners is when Elesa takes a tumble down a hill and Blitzle twists his foreleg going after her. (Local child eats shit! More at 11.)

They’re just kids, and they’re still learning.

(When Elesa decides to challenge the gyms, Blitzle’s so excited he accidentally trips their house’s circuits.)

((As for Elesa hearing about Warden Ingo, well… that’ll be a future issue.))

((DIRECTLY INSPIRED BY THIS ASK!! TY @scarftale-bryan ))

Yes. YES.

MASTERLIST FOR POKEMON CONTENT:

[bixels]

Jesus man, relax.

[kelpermoosee]

Guy who thinks his love language is gift giving, but in reality he feels obligated to give people lots of stuff in order to make them stay

[slayerdurge]

completely sold on the idea that gortash made stillmaker for durge and i really really love that although he put bhaal's symbol on it he also blatantly made it bane's signature color. classic gortash audacity. cheeky bastard.

[art-story-by-deroko]

When you’re trying to relax at home, let your demonic nature free, completely forgetting shame, and your crush comes by.

[bitchthefuck1]

I actually really love that we see Helena's palpable hesitation about going back to the severed floor. We know that this has all been a publicity thing for her and it's about helping Lumon, so she's really invested in the outcome, but like. from her POV, she's literally letting someone who actively hates her and everything she stands for, and also has a proven willingness to hurt herself if it means hurting Helena, who now knows who she is and her significance to Lumon, pilot her body for 8 hours every day in an environment where they've repeatedly failed to control her. If I were her, I'd be genuinely surprised to wake up with my limbs intact.

You already questioned why on earth she'd come back after Helly's suicide attempt, and the identity reveal explains the reasoning, but on a human level that's still a wild thing to have to think about. This person (who is you but also isn't) almost succeeded in killing you, and like a week later you let them pilot your body again like nothing happened. How could you not be terrified?

[chocobje]

If I had a nickel for everytime I got my artstyle compared to a very popular DW artist I'd be rich lol

[brown-little-robin]

PARALLEL!! In S1E8 of mp100, Reigen reveals the delightfully baffling ethic he works by. When a woman tells him that a fortuneteller told her that there was a spirit on her shoulders, Reigen instantly disapproves of someone telling her that and doing nothing about it. And of course he considers himself so much better than this fortuneteller for... also lying to the woman, but giving her a massage. So he's allowed to lie to people, but he draws the line at not helping them. That... that's perfect. That's what he does with Mob, after all. He lies to Mob constantly about being a psychic, but he considers it fine because he's helping Mob by doing so. The woman had real pain in her shoulders; Mob has real pain in his heart. Reigen helps with both by allowing them to think he's a psychic.

Shortly after that, in S1E10, Dimple makes this remark while possessing a security guard:

IT'S THE EXACT SAME ETHICS. (okay, it's slightly worse because it's just harm reduction rather than actively helping, but Dimple is on the right track, okay?) Dimple's allowed to possess people, to steal their bodies (temporarily), but he's not allowed to let them get hurt. Letting the body he possesses be damaged is a step too far. Reigen's allowed to lie, but heaven help people who lie to others without helping them.

Just. Yeah. Dimple and Reigen both use people. Reigen lies to them, Dimple possesses them. Reigen twists the mind, Dimple twists the body. And yet they're both disgusted and offended by people who would use people without care for their welfare. They're better than that. They're not irresponsible.

edit: alt text for images 1 and 2 provided by @princess-of-purple-prose! thanks!

[vikdec4i]

hey, have you noticed this?

pearls are a luxury, are incredibly rare, and have significant value. if i had a pearl necklace and my ambiguous ex broke it in a midst of an argument, i too would scramble on the dirty floor to pick them up. but that’s not the point.

“i can put it together” this is not about the necklace.

the point is, after she had sold everything, this was the last grasp mitzi had of atlas. and she was not ready to lose him again. but also, it’s important to note that this encompasses a recurring motif in mitzi’s characterisation. that this was a desperate act to regain normalcy. she feels heavy responsibility to keep lackadaisy running, and also atlas’ legacy alive.

but let’s rewind first. this happened because mitzi and zib’s understanding of the future didn’t align. she wants to revive the business, but he wants them to relive their nomadic past. to travel. to play music again. you think mitzi’s desperate? take a look at this guy.

he had one of her pearls pocketed. and it was never because he wanted to sell it for extra cash, despite him being clear of the member’s struggles. it could just be him keeping it safe, like he did plan to eventually give it back. but the way i see it, zib felt an uneasy sense of right to hold mitzi back from grief.

and THEN, he hands it back to her.

i felt that this was when EVERYTHING started to collapse. he hands her the last pearl, a symbolic surrender. he’s giving up on the fantasy that she would snap out of it and stop living so painfully in the past. but also, he caught onto his own hypocrisy that he himself had been fantasising of a different past.

and as mitzi heads home, he stays in sleazy town before spending the rest of the day in a cold cell.

THAT, my friend, is lackadaisy’s top tier characterisation and storytelling!!