#I get that it's a mental preparation thing. I'm the same way
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wing-ed-thing · 2 years ago
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“Wing, why don’t you update your Might Guy content?” “Will you ever update your Might Guy content?” “You didn’t finish the last series, I want to see this one finished.”
Every so often, when I resurge from hiatus, I’ll get these questions. I’m going to be real so I can link this whenever someone asks.
Are the works abandoned? No, not really. But do understand that my Might Guy works are some of my least popular. He’s an underrated secondary character, and it comes with the territory.
But do understand my surprise when I do update these works, and they get 20 notes or less, and then I have multiple people coming into my inbox asking for an update. 
I put out Cabaret over 2 years ago now, and the first chapter has less than 50 notes, as does the “last” chapter. I perceive this to mean that there is no audience for this content, so it’s confusing when multiple people tell me that the story's reader base is so large. If so many people enjoy a story, I would encourage those people to interact with the post(s).
Chapters to series take me a long time to write, especially considering that I’m a creator who has been posting daily. It’s hard to justify the schedule when these long stories get, what I perceive to be, few reads.
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non-un-topo · 1 year ago
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Daily November crying sessions start today
#why. who. how. how tf does my professor think it's okay to assign 4 major assignments in the same amount of weeks + 4-6 readings every week#all of which are ~20 pages.#i've got all that to do and another big assignment for a different class. plus the weekly readings and reflections for that one.#and i have work.#i've stupidly decided to volunteer for a thing on saturday in the hopes of bulking up my resume + rubbing elbows with the administration.#and i have a medical thing on friday and i'll be looped out and likely will have to sleep half the day. probably won't get ANY work done.#what else..... some fairly easy stuff for my other class thank GOD. but a lot of reading and preparing for a few big essays.#november is the month i hate the fucking most. i always lose my mind in november. and no wonder!!!!!!#meanwhile people are bugging me to hang out. i will be in a student-coma until approx. the first week of december. see you then. peace.#oh and my BIL + SIL sitting me down and showing me all their europe honeymoon photos for 2 HOURS last night is also not helping my mood.#fuck you lol#like i'm happy for you and nice photos but also? Fuck You.#if i can offer some dark humour though.....#my fic axis exists because of a legitimate smidge of insanity i experienced last year. it shifted the way i looked at the world and at grie#sooooo i wonder what kind of fic my mind will crank out this time?#i don't think i'm at risk of losing it this year though. doesn't seem that way. but we'll see!#i can write/draw good things without sacrificing my mental health first i can write/draw good things without sacrificing my mental health f#rst i can write/draw good things without sacrificing my mental health first i can write/draw good things without sacrificing my mental heal
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laughingcatwrites · 1 year ago
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As a reminder that good exists out there, a coworker recently confessed to me that he found out his child is questioning their identity (kid's gender redacted for this post). The kid is keeping it from him, so he can't say anything to them or show that he knows, but he's doing his best to get mentally prepared and educated so that he'll be ready whenever his kid does feel comfortable enough come to him.
For context, this guy is a big, bulky middle aged dude who loves sports and typical outdoor "manly" activities. As his coworker and friend, I know he's a kind and sweet teddy bear of a person, but his kid probably views him as a stern, authoritarian figure, the way most teenagers view their parents. His family lives in a conservative area, so I'm sure between that, their dad's looks and interests, and the fact that their dad is a Figure of Authority, the kid is worried that they won't be accepted.
But you know what? When he found out about his kid, the first thing he did was reach out to his closest queer friend and ask for resources for parents of questioning children. His biggest fears are that his kid will be bullied or discriminated against and won't feel comfortable enough to be themself. His second action was to find himself a mentor in another parent who went the same situation (kid coming out in a conservative town). The other person is preparing him for some of the struggles his kid may face and the fights he may need to take on as a parent to make sure his kid is safe and treated well.
Something I want to emphasize for people focused on language as the primary method of allyship is that when we spoke, he used some outdated terms and thoughts about gender and sexuality. That does not make him bad. These were the terms and thinking used about questioning teenagers when he was growing up and he never needed to learn more current ones. But now that he does have that need, he's throwing himself in head first because that's his kid and he's darn well going to make sure that his kid feels welcomed and has a safe place to be themselves even if they never come out to him.
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vitiateoriginator · 1 year ago
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I've been going thru a major creative block recently and I'm really depressed over it
#there's so much stuff I want to do but can't#I'm trying to finish some valentines adopts that I want to sell but Im struggling to finish the linearts as well as find good colors#for the characters#I've also gotta publish the next chapter of my book which is late AGAIN#but every time I open the word document to write I cannot put down anything interesting or coherent#I tried to switch to preparing some draft one shots for ockiss week but even with that I'm facing the same issues#I talked to my therapist about my creativity block and she said I just need to carve out time for myself#like. alone time where I can be creative in a way where it also doesn't feel like a chore to make things#but I don't have the ability to make that time#between work and my datemate almost constantly being around I have no way to get that#and even during the times I do get to be alone all I want to do is scroll thru tumblr and reddit or watch videos#I can't even imagine amvs to music anymore for fuck's sake!#I'm literally always fucking tired and mentally drained#I can't do the things I once loved anymore because it feels too overwhelming to put in the energy#I've tried ti meditate too to see if that would help but my brain is constantly thinking#so that doesn't help at all#and I have nobody to talk to or interest in any media to help get the creative juices flowing again#AND on top of that everyone in my life just seems set to make sure I'm as miserable as possible 24/7#ok maybe that last part is just the depressing talking but it does still feel that way#I feel so lost man. I just want to sleep for 2 months straight#sam's rants about life
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so-many-ocs · 6 months ago
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practical writing advice
part 2
avoid writing in bed if you can. writing in bed is the mind-killer. writing in bed is the little death that brings obliteration. you may think "but i can write AND be cozy" you will get sleepy so fast. 98% of the time when i try to get a nighttime writing session done in bed i go to sleep. maybe 70% of the time if it's an afternoon writing session. also it fucking kills your wrists.
STRETCH before writing. stretch as many parts of your body as possible ESPECIALLY YOUR WRISTS! i have chronic tendonitis in both of my arms from not doing this and it is manageable but it is Not Fun!
plug your phone in on the other side of the room. better yet, plug it in and leave it in another room. better yet, power it off and leave it in another room. "i'll just check one quick thing" do not underestimate the power of the doomscroll.
do a warmup. look up writing prompts (i like one-word prompts or prompts that focus on a general theme as it's easier to integrate into my writing style), set a timer for fifteen minutes, or ten, or five, and go ham. make it shitty or incomprehensible, as long as you make it. create a dump document for all your warmups. i currently have two novels in the works that started as one of these fifteen minute little warmups.
pick your background noise ahead of time if you use it, and look for something long. i listen to 3-hour-long silent hill ambient mixes on youtube dot com.
take breaks. around every 45 minutes, as i'm noticing myself begin to lose focus, i get up, grab a drink, get my blood flowing, and give myself some space to breathe.
sometimes i sit down to write and i think "every atom in my body is averse to doing this right now. i would rather dance barefoot on a bed of nails than open my laptop and start typing." and you know what i do? i go do something else instead. don't force it! it will become a chore.
that being said! write as often as possible. try to write every day. try to write at the same time. don't beat yourself up if you can’t, BUT the more often you write, the more often you'll want to write.
if you're stuck on a scene or a page or a chapter, go back to the last place where you felt like you knew what you were doing and start writing from there. keep a copy of your other writing in case you want to reuse it or refer back!
i don't know if this is something that will be helpful for other people but i start mentally preparing myself for my writing session a few hours ahead of time. i will say to myself, "today, at this time, i'm gonna sit down and write that scene where mina walks out on her book club, and it's going to be awesome and i'm looking forward to it." then, by the time i actually begin, i basically have the whole thing written out in my head and can just put it down to paper. it's a good way to at least kickstart the session !
ok thanks bye
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sirfrogsworth · 6 months ago
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A few of the comments on the Megyn Kelly tampon post said something to the effect that periods aren't gross and we should stop treating them as such.
I agree with the spirit of that.
But I also think periods are gross.
I think pooping is gross. I think peeing is gross. I think spit is gross. I think all of the fluids involved with intercourse are gross. I think childbirth is just about the grossest thing that ever gross'd.
I think humans are big gross bags of various goo.
I handle all of the gross things my body does by accepting the grossness. I deal with gross things as quickly as I can and then I don't think about it anymore. Our varied assortment of bodily goo is a byproduct of being a human and living a life and just something we have to deal with from time to time.
There is no shame in it. We should not shame others for it. And I don't think we should go out of our way to hide the icky parts of the human experience.
But I also don't think we need to tell ourselves that gross things aren't gross.
It's similar to how I feel about stretch marks. I really do not have the time or mental bandwidth to convince myself they are actually "tiger stripes" and some beautiful aspect of my body. I view them the same as I view my knuckles. They are just there. I don't try to tell myself I have pretty knuckles. I don't think they are ugly either. I assign no aesthetic value to my knuckles.
I personally think this is a more healthy approach than lying to my brain until it believes something. I'm not saying everyone has to take this approach, it's just what works best for me.
But I can say from my experience dealing with an elderly dying person for over a year, it only gets grosser from here, so you should definitely prepare yourself for all of the extra goo in your future.
Sometimes things are gross and that's okay.
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wifelinkmtg · 1 year ago
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TUMBLR POST EDITOR WON'T LET ME TITLE THIS POST ANYMORE SO I GUESS THIS IS THE TITLE NOW. WEBBED SITE INNIT
So let's say you grew up in the nineties and that The Lion King was an important movie to you. Let's say that the character of Scar - snarling, ambitious, condescending, effeminate Scar - stirred feelings in you which you had no words for as a child. And then let's say, many years later, you're talking about it with a college friend, and you say something like, "oh man, I think Scar was some sort of gay awakening for me," and she fixes you with this level stare and says, "Scar was a fascist. What's the matter with you?"
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The immediate feeling is not unlike missing a step: hang on, what's happening, what did I miss? You knew there were goose-stepping hyenas in "Be Prepared," but you didn't think it mattered that much. He's the bad guy, after all, and the movie's just pointing it out. Your friend says it's more than that: the visuals of the song are directly referencing the Nuremberg rallies. They're practically an homage to Riefenstahl. This was your sexual awakening? Is this why you're so into peaked caps and leather, then? Subliminal nazi kink, perhaps?
And then one of your other friends cuts in. "Hold up," he says, "let's think about what Scar actually did in the movie. He organized a group of racialized outcasts and led them against a predatory monarchy. Why are you so keen to defend their hereditary rule? Scar's the good guy here." The conversation immediately descends into a verbal slap fight about who the real bad guy is, whether Scar's regime was actually responsible for the ecological devastation of the Pride Lands, whether the hyenas actually count as "racialized" because James Earl Jones voiced Mufasa after all. Your Catholic friend starts saying some strange and frankly concerning shit about Natural Law. Someone brings The Lion King 2 into it. You leave the conversation feeling a little bit lost and a little bit anxious. What were we even talking about?
INTRODUCING: THE DITCH
There is a way of reading texts which I'm afraid is pervasive, which has as its most classical expression the smug obsession with trivia and minutiae you find in a certain vein of comic book fan. "Who was the first Green Lantern? What was his weakness? Do you even know the Green Lantern Oath?" It eschews the subjective in favor of definitively knowable fact. You can't argue with this guy that, say, Alan Scott shouldn't really count as the first Green Lantern because his whole deal is so radically different from the Hal Jordan/John Stewart/Guy Gardner Corps-era Lanterns, because this guy will simply say "but he's called Green Lantern. Says so right on the cover. Checkmate." This approach to reading a text is fundamentally 1) emotionally detached (there's a reason the joke goes, oh you like X band? name three of their songs - and not, which of their songs means the most to you? which of them came into your life at exactly the right moment to tell you exactly what you needed to hear just then?) and 2) defensive. It's a stance that is designed not to lose arguments. It says so right on the cover. Checkmate.
And then you get the guys who are like "well obviously Bruce Wayne could do far more as a billionaire to solve societal problems by using his tremendous wealth to address systemic issues instead of dressing up as a bat and punching mental patients in the head," and these guys have half a point but they're basically in the same ditch butting heads with the "well, actually" guys, and can we not simply extricate ourselves from the ditch entirely?
So, okay, let's return to our initial example. Scar is portrayed using Nazi iconography - the goose-stepping, the monumentality, the Nuremberg Lichtdom. He is also flamboyant and effete. He unifies and leads a group of downtrodden exiles to overthrow an absolute monarch. He's also a self-serving despot on whose rule Heaven Itself turns its back. You can't reconcile these things from within the ditch - or if you can, the attempt is likely to be ad-hoc supposition and duct tape.
Instead, let's ask ourselves what perspective The Lion King is coming from. What does it say is true about the world? What are its precepts, its axioms?
There is a natural hierarchical order to the world. This is just and righteous and the way of things, and attempts to overthrow this order will be punished severely by the world itself.
Fascism is what happens when evil men attempt to usurp this natural order with the aid of a group or groups of people who refuse to accept their place in the order.
There exists an alternative to defending and adhering to one's place in the natural order - it consists only of selfish spineless apathy.
Manliness is an essential quality of a just ruler. Unmanliness renders a person unfit for rule, and often resentful and dangerous as well.
And isn't that interesting, laid out like that? It renders the entire argument about the movie irrelevant (except for whatever your Catholic friend was on about, since his understanding of the world seems to line up with the above precepts weirdly well.) It's meaningless to argue about whether Scar was a secret hero or a fascist, when the movie doesn't understand fascism and has a damn-near alien view of what good and evil are.
There's always gonna be someone who, having read this far, wants to reply, "so, what? The Lion King is a bad movie and the people who made it were homophobes and also American monarchists, somehow? And anyone who likes it is also some sort of gay-bashing crypto-authoritarian?" To which I have to reply, man, c'mon, get out of the ditch. You're no good to anyone in there. Take my hand. I'm going to pull on three. One... two...
SO PHYREXIA [PAUSE FOR APPLAUSE, GROANS]
We're talking about everyone's favorite ichor-drooling surgery monsters again because there was a bit in my ~*~seminal~*~ essay Transformation, Horror, Eros, Phyrexia which seemed to give a number of readers quite a bit of trouble: namely, the idea that while Phyrexia is textually fascist, their aesthetic is incompatible with real-world fascism, and further, that this aesthetic incompatibility in some way outweighs the ways in which they act like a fascist nation in terms of how we think of them. I'll take responsibility here: I don't think that point is at all clear or well-argued in that essay. What I was trying to articulate was that the text of Magic: the Gathering very much wants Phyrexia to be supremely evil and dangerous fascists, because that makes for effective antagonists, but in the process of constructing that, it's accidentally encoded a whole bunch of fascinating presuppositions that end up working at cross-purposes with its apparent aim. That's... not that much clearer, is it? Hmm. Why don't I just show you what I mean?
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Atraxa, Grand Unifier (art by Marta Nael)
In "Beneath Eyes Unblinking," one of the March of the Machine stories by K. Arsenault Rivera, there's a fascinating and I think revealing passage in which Atraxa (big-deal Phyrexianized angel and Elesh Norn's lieutenant) has a run-in with an art museum in New Capenna. The first thing I want to talk about is that, in this passage, Atraxa has no understanding of the concept of "beauty". A great deal of space in such a rushed storyline is devoted to her trying to puzzle out what beauty means and interrogating the minds of her recently-compleated Capennan aesthetes to try and understand it. In the end, she is unable to conceive of beauty except as "wrongness," as anathema.
So my first question is, why doesn't Atraxa have any idea of beauty? This is nonsense, right? We could point to a previous story, "A Garden of Flesh," by Lora Gray, in which Elesh Norn explicitly thinks in terms of beauty, but that's a little bit ditchbound, isn't it? The better argument is to simply look at Phyrexian bodies, at the Phyrexian landscape, all of which looks the way it does on purpose, all of which has been shaped in accordance with the very real aesthetic preferences of Phyrexians. How you could look at the Fair Basilica and not understand that Phyrexians most definitely have an idea of beauty, even if you personally disagree with it, is baffling. This is a lot like the canonical assertion that Phyrexians lack souls, which is both contradicted elsewhere in canon and essentially meaningless, given Magic's unwillingness or inability to articulate what a soul is in its setting, and as with this, it seems the goal is simply to dehumanize Phyrexians, to render them alien, even at the cost of incoherence or internal contradiction.
Atraxa's progress through the museum is fascinating. It evokes the 1937 Nazi exhibit on "degenerate art" in Munich, but not at all cleanly. The first exhibit, which is of representational art, she angrily destroys for being too individualistic (a point of dissonance with the European fascist movements of the 20th century, which formed in direct antagonism to communism.) The second exhibit, filled with abstract paintings and sculptures, she destroys even more angrily for having no conceivable use (this is much more in line with the Nazi idea of "degenerate art", so well done there.) The third exhibit is filled with war trophies and reconstructions from a failed Phyrexian invasion of Capenna many years prior, which she is angriest of all with (and fair enough, I suppose.) But then, after she's done completely trashing the place, she spots a number of angel statues on the cathedral across the plaza, and she goes apeshit. In a fugue of white-hot rage, she pulverizes the angel heads, and here is where I have to ask my second question:
Why angels? If you are trying to invoke fascist attitudes toward art, big statues of angels are precisely the wrong thing for your fascist analogues to hate. Fascists love monumental, heroic representations of superhuman perfection. It's practically their whole aesthetic deal. I understand that we're foreshadowing the imminent defeat of Phyrexia at the hands of legions of angels and a multiversal proliferation of angel juice, but that just leads to the exact same question: why angels? To the best of my knowledge, the Phyrexian weakness to New Capennan angel juice is something invented for this storyline. They have, after all, been happily compleating angels since 1997. We could talk about the in-universe justification for why Halo specifically is so potent, but I don't remember what that justification is, and also don't care. Let's not jump back in the ditch, please. The point is, someone decided that this time, Phyrexia would be defeated by an angelic host, and what does that mean? What is the text trying to say? What are its precepts and axioms?
Let me ask you a question: how many physically disabled angels are there in Magic: the Gathering? How about transsexual angels? How many angels are there, on all of the cards that have ever been printed for Magic: the Gathering, that are even just a bit ugly? Do you get it yet? Or do you need me to spell it out for you?
SPELLING IT OUT FOR YOU
There is a kind of body which is bad. It is bad because it has been significantly altered from its natural state, and it is bad because it is repellent to our aesthetic sensibilities.
The bad kind of body is contagious. It spreads through contact. Sometimes people we love are infected, and then they become the bad kind of body too.
There is a kind of body which is good. It is good because it is pleasing to our aesthetic sensibilities, and it is good because it is unaltered from its (super)natural state.
A happy ending is when all the good bodies destroy or drive into hiding all of the bad bodies. A happy ending is when the bad bodies of the people we love are forcibly returned to being the good kind of body.
Do you get it now?
ENDNOTES
It's worth noting that the ditch is very similar to the white American Evangelical hermeneutics of "the Bible says it. I believe it. That settles it," the defensive chapter-and-verse-or-it-didn't-happen approach to reading a text, what Fred Clark of slacktivist calls "concordance-ism". I don't think that's accidental. We stand underneath centuries of people reading the Bible very poorly - how could that not affect how we read things today? We are participants in history whether we like it or not.
I sincerely hope I haven't come across as condescending in this essay. Close reading is legitimately difficult! They teach college courses on this stuff! And while it is frustrating to have my close readings interrogated by people who... aren't doing that, like. I do get it. I find myself back in the ditch all the time. This stuff is hard. It is also, sorry, crucial if you intend to say something about a text that's worth saying.
I also hope I've communicated clearly here. Magic story is sufficiently incoherent that trying to develop a thesis about it often feels like trying to nail jello to the wall. If anyone has questions, please ask them! And thank you for reading. Next time, we'll probably do the new Eldraine set.
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thepitlanepress · 1 month ago
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I DON'T LIKE IT –
↳ lando norris + bestfriend!reader
⌗ :: masterlist
⌗ :: a/n: im actually in a lando phase (maybe its bc i f1 is gone for months) but its effecting me so much so im blessing you all with JEALOUS/POSSESSIVE LANDOOOO AHHEHE. merry christmas my lovelies <33 (also if this is bad im sorry i was extremely tired when i wrote this lol)
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usually you don't like going out with lando. the clubs, partying, drinking it wasn't exactly your scene.
so when he insists you come out with him to celebrate the constructors championship, you can't exactly say no. hence, the short fitting black dress, and nicely done, hair and makeup that you've put on. when you go out, you go out, it just doesn't happen very often.
"are you nearly done?" lando's voice calls out from the living room as he waits for you.
"yeah, i'm coming now," you call back, walking down the stairs and mentally preparing yourself to talk and interact with people.
you grab the car keys off the small table in the hallway and make your way into the living room your footsteps announcing your presence to lando, he turns around and slightly falters in his movements when he sees you.
"uh, wow, okay," he says looking you up and down slowly, his eyes raking over your body.
"what?" your brows bunch and you look down at your outfit. "i thought it looked good, is there something wrong?"
"uh... no, no, you look amazing, i just wasn't expecting you to look so nic-"
"you weren't expecting me to look nice?" you raise your voice playfully.
"no, no, no i- uh- no- look... shit," lando mutters looking down and shaking his head. "you look amazing, seriously. i just forgot how well you can pull off a black dress."
you smile, and chuck the keys towards him, "i can pull off anything lando norris, even you. and that's not something everybody can do." you wink and walk back out through the hallway to the car.
"you can pull off me?"
"yeah, not every girl can have lando norris on her arm and still be the centre of attention. there are perks to being your best friend you know."
"and there are perks to being yours," lando says unlocking the car and sliding into the drivers seat. you feel the safest when he's driving, always trusting him when he's behind the wheel.
"oh really?" you ask looking over at him. "like what?"
"you," he murmurs backing out of the driveway. you don't hear him though, too distracted by a text you received from your sister.
–––
he didn't like it, you could tell. was it the murderous looks he was sending in the direction of the guy's - who's name you've already forgotten - or was it the looks he was sending you, heated and something else? both probably.
he wasn't even focused on the crowd around him dancing and drinking their nights away.
when the guy started getting too handsy that is when you felt lando's hand wrap around your waist and causing butterflies to erupt in your stomach - which you promptly ignored.
"leave her alone, mate. she's mine," lando's voice comes out harsh his anger directed towards the man who steps back apologising - typical of him to only step back when another man steps in.
"oh sorry, i didn't know," he slurs and walks off, most likely to go puke in some poor person's handbag.
you're about to spin around in lando's arms and thank him for rescuing you but you stop short at the expression on his face. "what?" you look down at your outfit. "is it the same thing from earlier? what's wrong?"
"i don't like it."
"don't like what?" you ask furrowing your brows.
"when other people touch you," he responds quietly his voice low and tempting. thats new.
"oh," you reply slightly dumbfounded. in all your years of knowing lando norris you've always had hidden feelings for him, sure there were points when said feelings were buried deep deep down, but they were always there.
and you always thought they were never reciprocated but they way lando is looking at you right now is... something new. something you like... a lot.
"i don't like people thinking they can just touch you. they can't. because you're mine not theirs. you're my best friend. you're my person. you're not theirs to touch or hold or flirt with, because you're mine."
his arms tighten around your waist as if he's expecting you to run away at any moment.
"oh my," you breathe. "i don't know what to say."
"tell me you feel the same way, tell me that i can be yours, because you're mine, and i'm not letting you go anytime soon."
"possessive are we?" you chuckle trying to diffuse the tension because he's probably drunk, he's going to wake up in the morning and apologise about this insisting he doesn't know what he was talking about and how sorry he was.
its happened so many times before.
your heart gets crushed every time. so you don't go out with him to avoid it.
but tonight this feels different.
"i haven't had a sip of alcohol tonight, this is the most clearheaded i've ever been in a long time... please talk to me."
"lando," you whisper. your heart is teetering on the edge of being shattered to pieces and finally telling the truth. you're walking a thin line between the two hoping to fall on the right side. "i don't want this to be like those other times when you wake up in the morning apologising for what you say."
"i never meant those apologies. i remember all those nights, i lied," he breathes swaying with you to the music. "i freaked out in the morning because you would always want to talk about what happened, and your face was always so distrusting so i shut it down pretending i didn't know what happened."
"really?" you're tilting on the line, swaying from side to side waiting for the words that are going to make or break you.
"really. i've been in love with you ever since the day you stopped to pick a flower that reminded you of me."
"lando," you give him a look. "that was like the second time we met."
"and i've been yours ever since." he smiles at you, his eyes filled with clear adoration, which quickly turns to a pissed off look when someone steps up behind you and asks for a dance. "piss off mate, we're clearly talking."
you smile and don't even bother to look back at the man, everything you've ever wanted is standing in front of you and offering himself on a platter for you. and you're tired, so tired of staying on the ledge between friends and more,
so you take the leap.
pulling him imperceptibly closer you wrap your arms around his neck and hug him tightly whispering in his ear, "i'm yours too."
you can physically feel his body relax and mold around yours - a perfect fit of course.
if you fall, it will hurt for sure, but this moment, right now; flying with him, together, will be worth it if you do.
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2024 © thepitlanepress | please do not steal, use, translate or repost any of my works
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sheeezu · 1 month ago
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.Shift by channeling.
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Go to your DRs by channeling, again, step to step guide.
This can be used as a separate method, or you could use this when you need a final push.
This isn't the spiritual type of channeling, nor do you need to use AI or something, nor do you get possessed.
Step 1:
Before attempting to shift, choose a person from your DR. It could be your S/O, you can choose to channel multiple people, if you have a friend group or something, but i recommend picking someone whom you have a close connection with in your DR.
Have a voice claim ready, take some times to look at the person's pictures, remember their physical attributes, focus on their personality.
(You can listen to songs which remind you of your relationship with that person)
Step 2:
Lay down, when you're prepared to shift. You're going to start off saying affirmations like it's a normal shifting method.
If you can visualize, i recommend you think of visual affirmations which relate to your DR.
Its a method to affirm, where you go around your DR, whether it's your DR house, room, or a memorable or nostalgic place in your DR, and see your normal shifting affs, carved, written around, for example, your affs formed by clouds, carved into pillars and tables, written on your clothes, finding papers or letter which say your affirmations (so Affirmations ∝ Your DR)
You should try to be hype fixated, so if you are fidgeting, can't stay still, you're too engrossed in what's going on inside your mind to notice your body itching or twitching.
Do this until your symptoms intensifies or reach a peak, everyone feels differently, for some it's more physical (seeing light flashes, tingles, floating) for some it's mental (having a gut feeling, feeling euphoric) so don't get discouraged.
You aren't doing anything wrong.
Step 3:
This is where we come across our special person. While you're seeing your affs, make yourself meet them. Now, if you're confused and going to say this isn't channeling, then just stop. You're creating this reality and undoubtedly every moment you're experiencing, so when you're in a deeply concentrated phase, the only thing that could possibly stop you from having a very real and authentic meeting with your SP is your own self-doubt (anyways, if you're having self doubt then say an aff or two to combat them)
Your SP is standing right in front of you, let yourself loose at this point. No need to force anything scripted, but if you want then you can.
Have a conversation with your SP, whether it's initiated by you or your SP.
Maybe even invite them to drink tea, sit outside, take them to a secret spot.
Now you're having a conversation with them, starting off with your conscious thoughts doing the talking from your part, whatever your SP says is your subconsciousness speaking, or you're directly channeling them (both of which are the same thing, i hate being repetitive, you're creating reality if you believe you're being channeled by your SP, then that's what's happening)
Start off with a normal conversation, like how'd you talk to someone, someone you love and know very well.
Right now, you're going to say a very specific affirmation:
"(your SP's name) is just about to ask me what i was doing in my OR/void reality."
Then let the conversation take a natural turn. That question will eventually be asked, your loved one is just very curious about why you were away from them.
Now, what you will answer back will be the way how to shift.
"Oh, must be a fever dream, i had never had a dream so real, i was touching everything, each and everything felt legit." (best for permashifters, don't be afraid of using this if you intend to come back)
"I guess it was out of responsibility, but don't worry, i'm here now."
"I don't know myself, all i know i didn't like being there."
"I was curious, that's all; you know i like exploring new things, and come on, it was a whole new universe, but now i want to rest at home."
Whatever your SP says in response, whether they're asking you to come join them, or how they're glad you're back, just nod back.
Step 4:
Go to sleep in your DR, if you recall, you're in your home. Go towards your bed, crash down, close your eyes.
From this point onwards, you're going to embody your DR self and fall asleep acting normal, completely abandon the fact that you were shifting, or that you have shifted to your DR, act like a person (your DR self) living in any other world (your DR)
I described this in details in the third phase of my pinned post, you're supposed to do all that.
You'll wake up in your DR.
Why is this method supposed to work?
Connection to your DR environment ✔
Logically explains your involvement with your previous reality, why you were there for so long ✔
Reminds your consciousness that you've successfully shifted ✔
Connection to your loved ones in your DR ✔
Most importantly, connection to your DR self ✔
...
That's the method, you can also shift in between the method as well. There really isn't any reason for you to wake back in your CR, listen to some subliminals to remove intrusive thoughts, then you're good.
You could also make it so your SP had more control over your shift, like they brought you back, you can modify the method according to your wishes.
It's a short and sweet method, believe in your abilities and you'll be out of here faster than lightning.
...
This method is heavily focused on visualizing, if you have aphantasia then your DR SP can just speak to you, when you eventually cross over to your DR self's state of mind (if they can visualize) you'll get the ability to visualize like them, or get flashes of images.
...
Also thanks for everyone who gave me compliments in my inbox I have no clue how to receive them, but I am very grateful (:
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parfaitblogs · 3 months ago
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baby it's halloween ❀ s. reid x reader
in which a mutual friendship leads to a run-in with your ex, and it's halloween, which means you can be anything. even normal with him right?
pairing: ex!spencer reid x fem!reader genre: smut (18+ mdni) tags: garcia party in rossi HOUSE 💜. alcohol consumption. reader's dressed as a swan (stunning gorgeous amazing). pre established friends with benefits (don't fuck your exes). s10 bau team is there in spirit i think. crazy spare bedroom hookup. brief nipple play. oral (f receiving). fingering. p in v. he dresses you afterwards. porn with plot. oral fixation. soft dom!spencer.  word count: 3.8k a/n: ex spencer reid makes a comeback. this is separate from bad idea right? but same pairing same sitch kind of same everything. LOL. thanks for giving me costume ideas guys. parfaitblogs revival!!! happy birthday spencer reid!!! happy halloween criminal minds tumblr!!!
"Penelope, what the fuck are you wearing?"
It was a very loud exclamation, over the sound of party music that certainly didn't match the overall theme of Halloween. It was only nine o'clock but the fox eared blonde in front of you had lip liner painting her chin, a pink flush on her cheeks barely hidden beneath a layer of makeup, and two cans of some multicoloured premixed vodka drink you weren't sure about trying (despite her holding one out to you). 
"Fox costume. I'm Agnes! From Fantastic Mr. Fox!" Penelope says, cheerfully, urging you to take the drink she had in her hand, not relenting until you did.
"We agreed on swans," you huff, feeling awfully stupid now, in your all white costume, a pair of fluffy wings settled on your back. 
Penelope looked genuinely apologetic for changing her costume idea on you with no warning, and so as she rambled about how she got excited after seeing fox makeup on her phone, you decided it wasn't actually that big of a deal. She finished her spiel with a comment about still technically matching because you're both animals, and it was enough for you to accept. 
She led you further into the house. House, because she had convinced one of her coworkers to let her host a Halloween party at his, claiming her apartment was far too small for such a thing. Apparently he was very easy to convince. 
It was a quick tour of where all the most basic of amenities on the first floor were, before she was shoving a shot glass of vodka into your hand, and encouraging you to take it. 
So you did. 
Perhaps it was a loosening up technique she was using in an attempt to keep you from ripping her head off when she began another conversation with you with the words,
"So, I need to preface before you get too drunk—" a sentence you really had never hoped to hear in your life "—that Spencer's here."
You're not too sure why your world begins to crumble around you at that fact. You figured he would be. In fact, when you were choosing the articles of clothing for your costume a week ago, you had the idea of Spencer Reid seeing you in mind. You had mentally prepared for seeing him. And yet; panic. 
However, instead of making a scene about how anxious that thought made you, you force a small smile onto your face and murmur out, "That's fine."
"Are you sure?" Penelope presses. "You can hover around me the entire night to avoid him, if you want. I'll stay away from him. I'm really sorry for inviting him."
You didn't like that. "No. Pen, it's okay. He's your friend."
"So are you."
Your heart stuttered in your chest at her words, a warm feeling spreading throughout it. But, ultimately, you were not the person who wants perfectly good friendships ruined because you're too scared to hold a relationship together. 
"I'll get drunk enough and start talking to him anyways. It's fine," you reassure her. 
And get drunk enough you did. 
You had bumped into him a few times already, making awkward eye contact when you passed him on your way to the kitchen for another drink, or to the bathroom to fix your corset that felt like it was getting tighter every breath you took. 
Yet here you were, stuck between the fridge and him, a collection of things you wanted to both beg him for, and cuss him out because of, sitting delicately on the tip of your tongue, waiting for the right trigger word from him.
Unsuccessfully, for he was rocking back on his heels, clasping his hands around the glass of water he was nurturing, keeping the peace between you two and staying silent. 
And you couldn't have that. 
"Hi. How are you?" you chirp after closing the fridge, a can you were getting for Penelope and not yourself now settled between your hands.
"Hi. I'm good," he says, sending you an all too familiar tight lipped smile. One he always did when he was feeling awkward. "How are you?"
"This is really formal," you say, tilting your head to the side. "I'm good."
He nods his head in agreement, and you find every curse word you had ready to yell at him dissipate in an instant. "I like your costume. Swan?"
"Yes," you nod your own head, forcing the flutter of your heart to stop.
You weren't sure what he was when you had first arrived to the party, but a few short exchanged words between the two of you revealed the fake teeth he had settled in his mouth, confirming Penelope's earlier guess that he was a vampire. 
Fitting, you had almost said then. 
"I like yours too," you say after a few beats of awkward silence and you realising you hadn't said much after his compliment. 
"Thank you."
It was an awkward song and dance around the elephant in the room (your relationship, or lack thereof). An even more awkward interaction of him reaching behind you into the fridge to get out a drink for Morgan, and then a breathless apology when he had gotten a bit too close and you hadn't had a conscious enough mind to step back.
"I don't like this," you blurt out.
"What?"
"This. Us," you clarify. "Being awkward. Not talking. We talk fine when we hook up."
Because yes, there's that secret you were keeping hidden away from Penelope. 
"We're preoccupied during that."
"I'd argue seeing each other naked once a week is much more awkward than bumping into each other drunk, at a party."
"I'm not drunk."
Right. You knew that. Spencer Reid didn't drink. It was why the cup in his hand was only water, and the alcoholic beverage in his other wasn't for him. 
If you were any less buzzed you probably wouldn't say the unfortunately very embarrassing sentence you let leave your lips, that sounded a little foreign even to you. 
"Then do we need to see each other naked tonight to make this not awkward?"
His lips parted and he froze, rightfully so. You weren't sure how you'd react to somebody asking you that either. It seemed awfully blunt for even you, and if you were any sane person, you'd probably be backtracking to take it back. Instead, you were just as frozen as him, fearful for how he would respond. 
"No," he says, but there was a strain in his voice that told you otherwise. Thankfully, you had enough self restraint to not call him out on that. 
"No?" you tilt your head to the side.
"No, we don't need to. Do you want to?"
Does it make you a horrible person to say yes? To take advantage of one of the many rooms littering the Rossi house, and use a situational run-in to have sex with your ex-boyfriend?
Probably.
"Yes. Do you?"
"I like how you look tonight."
Your heart rate speeds up. "That isn't an answer."
"Yes," he says. "I do."
The kitchen was left empty with a glass of water and two unopened cans on the countertop, that Derek Morgan was no doubt bound to discover when Spencer never returns. Followed closely by — probably — Penelope discovering the same about you. Which would probably lead to the discovery of the friends (were you friends?) with benefits situation the two of you had. 
You've barely stepped into the spare room he had located before he's kissing you. Feverishly, devouring you whole, as your back is pressed up against the door. Your wings dug into your shoulder blades, the feathers tickling your arms, and yet you couldn't find it in you to care. 
"Spencer."
His response to your plea of his name is to kiss you harder, fingers entangling in your hair, and you think if he pushes against you any more, you'll meld to the atoms of the door. 
"You taste like alcohol," he mutters against your lips. 
"Funny that."
"Are you drunk?"
"I'll remember this all in five minutes, if that's what you mean."
"Sort of."
His mouth detaches from yours, and there's a desperation in the way he kisses down your neck you don't think you'll ever get used to, no matter how many times he does it. 
It was a heartbreaking reality of the difference between how he would have sex with you then, and now. 
It's his grumbling that forces you to focus on him again, and not the comparative thoughts you have whirring in your brain. His fingers are fumbling with the lacing on your back, as he says, irritation you find almost hilarious in his tone, "I hate corsets."
"You said you liked it earlier."
"I liked it when I wasn't trying to take it off of you."
You smile. "I'll wear something more convenient for you next time."
"Yes. Thank you," he nods, successfully loosening the lacing enough so he could take the corset off of your body. "T-shirts are good."
"Duly noted." 
"Or nothing. Nothing's better," he adds, leaning in to kiss you again, his hands dropping to your chest — completely bare, considering you couldn't justify the wearing of a bra beneath the corset. 
"I'll ask the board."
You feel him smile against your lips, his hands cupping your chest, thumbs delicately running over your nipples to elicit a breathless whine from you. Ever so careful, he uses his thumbs to circle them, amused with just how easy it was to fluster you.
His lips trail down from your lips again, his hands dropping to your waist, using his hips to nudge you towards the bed.
The backs of your knees hit the edge of the bed and you wince, although any pain dissipates as he murmurs a gentle apology and lowers the two of you to the bed. 
It's quite amusing; the articles of clothing you're removing from your bodies. You didn't think feathered wings and a Dracula-esque cape piling together on the floor would be a sight you ever saw in this context, and yet. 
"What do you want, honey?" he asks you, though your brain is a little preoccupied with his pulling of your skirt down your legs, fingers brushing against your skin. He forces your focus back onto him again with the calling of your name, and a kiss to your inner thigh. 
"What're you willing to give me?" 
"You know I'd do anything."
Your heart soars. Yes, you do know that. He loves to prove that feat to you. 
"I don't know," you shake your head. "Whatever you want. You choose. My gift to you this Halloween."
It was a tradition you had started with him three years ago, on your first Halloween together. You knew how important the holiday was to him, and so you had bought him a plethora of decor for his apartment (on top of what he already had). You had helped him set it up, and later that week he had gifted you a charm bracelet with a pumpkin clasp. Every Halloween since, you bought him more decor, and he bought you a Halloween inspired charm for the bracelet. 
This was your first Halloween where you weren't together. 
"I didn't get you a charm."
"That's okay," you reply, earnestly. 
"You're so wet," is voice is breathless, changing the topic of conversation awfully quickly. For his eyes had dropped to the only item of clothing you still had on, and his fingers had trailed far enough up your thighs to brush over it. 
"Do something about it then," you retort, bluntly, and he smiles amusedly. 
He probably murmurs something about you being a brat, but his hands were pulling your underwear down your legs, and you should not be expected to focus on two maddening things at once. 
Thankfully, he does do something about it. And quite quickly, too. Wasting no time teasing like he usually does, instead attaching his lips to your core, tugging a moan from your lips. 
His tongue licks a stripe up the centre of your folds, circling your clit, expertly so. 
"Oh God," you whine out, breathlessly, head falling backwards and digging into the mattress beneath. Sinful as it was, Spencer's tongue on you did feel like the closest thing you'd ever have to a religious experience, a thought that had crossed your mind the many times he's done this before. 
Once he's sure his tongue flicking over your clit had worked you up enough, you're forced into shock as you feel one of his fingers at your entrance. Lack of hand-eye coordination aside, he's well versed in the art of using two different body parts at once to make you come, and yet you're still writhing beneath him like it's the first time.
Sometimes it felt like it was. 
"Spencer," you nearly cry out, if not for your hand flying to your mouth to muffle how loud you had anticipated you'd be. 
He pulls his lips away at that, instead lifting his head to hover over yours, as he pushes a single finger inside you. Even when your eyes flutter closed and your head tilts back further, you can still feel his gaze on you, as if in awe of the way you looked. 
"That was so easy," he murmurs, leaning down to kiss your cheek. "You really did want me to do this tonight, hm?"
Too wrapped up in the feeling of being touched by him again, all you can do is nod your head, and you feel him smile against your cheek. 
"Yeah, I know, sweet girl."
He captures your lips again, swallowing a string of moans that leave your lips when he begins to move his finger in and out. Finger that becomes fingers, for he's pushing another one in, and you're arching your back up as you attempt to accomodate to the stretch. 
"I know, I know," he repeats when your head jerks back as your lips part in another, this time silent, moan. "I shouldn't have missed last week, hey? I'm sorry I was out of state."
You want to tell him it's okay. That you didn't really mind being celibate for an extra seven days on top of the six the two of you leave between your nights together. Unfortunately, growing accustomed to a once a week cycle meant the interruption of it left you overwhelmingly easy to shatter with the simplest of touches. You did mind, so you kept your thoughts to yourself. 
"Please," you ask him, almost pathetically, when he curls his fingers and your entire brain goes fuzzy.
"Please what, honey?"
You're not sure what. More of his fingers? His tongue back on you? You want it all. Yet, time was unfortunately of the essence, and you were acutely aware of the ticking alarm clock in view on the bedside table. You did not have the minutes to receive absolutely everything you wanted from him.
"Want you to fuck me," you murmur. 
He breathes out a laugh. "I know. I'm going to, I promise. I just need to get you ready first, okay? How're you feeling?"
"Ready." Your voice is an impatient grumble, one that amuses him greatly, which frustrates you even more. 
"I don't think so," he shakes his head, pushing his fingers back inside of you to elicit a sharp whine from your lips. "I want to do this a little longer, anyways."
"Spencer."
Your protest and attempt to bribe him with a kiss is hopeless, for he is continuing to pump his fingers in and out of you, using your arguably selfish kiss to quiet every single sound you make. 
It isn't until you're quite literally writhing beneath him and begging him with an incessant repeat of his name, does he pull his fingers out of you. Tapping your lower lip with them, you take his fingers into your mouth, despite your panting and attempts at catching your breath. 
You want to close your eyes, but the way he's looking at you as you suck on his fingers is borderline ridiculous, and you should probably be locked up for just how attracted to it you are. 
He trails his fingers out of your mouth after a few moments, but any desire to protest that is lost on you when your eyes catch his removal of his boxers. 
He disappears from above you for only a minute, though he knows you too well and says, "I'm getting a condom," before you have a chance to start complaining about it. By the time he's returned, he's kissing you again, and you've forgotten all about your irritation.
The head of his cock pushes at your entrance, and you're already a mess. He's slow as he eases into you, and you're eternally grateful for it, because your entire body tenses up, and he's forced to pause, and ease your muscles with his hands kneading your thighs. 
"I'm sorry," he says, genuinely, when your eyes squeeze shut, and you're back to remembering why you're not happy about the dreadful thirteen day celibacy he forced upon you. But he's so nice, and so apologetic, that as he bottoms out, your hands are wrapping around his neck to provide him with silent forgiveness. 
He stays still for a few more moments, his lips tickling your jawline. His breath fans your skin, warm, and just as desperate as your own, which is comforting. 
"Tell me when you're okay," he says, quietly, breathing out a moan when your walls flutter around him. 
After a beat, you murmur, "I'm okay," and he pulls his hips back, before rolling them back into you, slowly. 
You're a puddle of content and pleasure and love as he repeats the gentle motions of fucking you, moaning and squirming beneath him, despite his hands on your hips in an attempt to keep you still. 
"Doing so well for me, honey," he tells you after a few minutes, and heat warms your cheeks at the compliment. He laughs at your bashful smile. "You feel so good."
He moves his hips a little faster, and you're moaning again, hands dropping from his neck to the mattress. At that, he picks up his ministrations once again. All up until all the tender, slow motions are gone, and he's listening to your throat produce broken whines and pleas, his own presenting breathless groans.
"Spencer," you gasp out at one particular thrust, and he's instantly repeating that same deep movement. "Oh fuck."
"Like that?" he asks you, tenderly, and you're frantically nodding your head. "God, look at you. You're so pretty when I do this to you, you know?"
Vulgarity — in any form — coming from Spencer Reid's mouth should sound foreign, and yet it doesn't. Though, perhaps you're too lost in the pleasure of just how good he feels to believe he's anything but perfect.
"I want to come," you tell him, a disguised plea.
"Okay. I can make that happen."
You know he can. He's proven it a thousand times, you're sure. 
One of his hands drops to your cunt, fingers finding your clit and timing the circles onto it with his thrusts, until you're pretty sure there is no longer a coherent thought in your brain that isn't simply him.
If his aim was to turn you into a mess with very little time, he was excelling above average. Your hands had grabbed fistfuls of the duvet cover atop of the bed, your mouth producing nothing but a constant repeat of, "Please," and "Spencer," one after the other. 
He wasn't surviving very well, either, you found. His breathing heavy and his thrusts growing sloppier by the second, until he was feeling your own walls clench around him with your stomach tying itself into a knot. 
He forced his hips to keep moving, albeit much more messy now, as he moaned against your skin, his own orgasm wracking through his body, while still attempting to chase your own. 
It didn't take much more than that, to be honest, and your entire body went boneless and shattered beneath him as you came too.
Jelly seemed like an apt description for what you felt as you relaxed in the bed and your nerves began to calm down, Spencer breathing heavily above you. Up until he was sliding out of you, and standing up on legs you could see shaking, perhaps just as much as your own. 
He's disposing of his condom as you lay there, attempting to regain your breath, eyes fixated on the ceiling above you. He's shuffling around more than you'd expect for a simple trash trip, but then you feel hands on your ankles, and your head snaps down to find him kneeling at the foot of the bed, gently tugging your underwear back up your legs. 
"I know it's not ideal," he says, when your face scrunches up as the piece of fabric lands back on your hips. "But I also know your skirt is too short to not wear these."
"I'll get over it," you reply, letting him redress you with delicate fingers that leave your entire body hot, with goosebumps rising on the skin.
"Yeah," he agrees, though half-heartedly, expert fingers clasping your bra back onto your body. 
Once your skirt is back on, he helps you up into a seated position, helping to reapply the feathered head piece you had on. 
It's oddly intimate, way he's kneeling in front of you, breath warm against your face as he clips the feathers into your hair. Your breathing hitches as his hands drop back to your thighs upon finishing, and you swallow the lump in your throat. 
"Everybody's gonna know what we did," you say, quietly, for it was true. You two had been gone for too long of a time for people to not draw correct conclusions. 
"They already know we do." Hook up.
"What? How?"
"You need to stop telling Garcia things."
Your face falls, and he smiles, sympathetically, thumbs drawing gentle circles on the skin of your thighs. 
"At least you don't work with them."
"I guess there's that," you confirm with a small nod.
He's silent for a few more moments, simply staring at you and studying your face, before he sighs, and goes to pick up your corset. 
"You need to go to the bathroom after this," he instructs you, though gently, motioning for you to stand up and turn around so he could do up the dreaded lacing. 
"I know. Don't worry."
"Good," he replies, your skin tingling with every extra bit of pressure he put on your back as he laced up your corset. "You feel okay?"
"Yes," you nod your head. "Do you?"
"I do," he confirms for you, tying off the lacing and tapping your hip so you could turn back around. 
You do, and your eyes flicker up to his face. "Do you also promise not to make me wait two weeks again?"
"I'll talk to the board."
your reblogs and replies are always appreciated ♡
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brucewaynehater101 · 11 months ago
Note
After Tim rescued Bruce from the Time Stream I feel like Tim would start to favor the League of Assassins as his preferred stress ball to the point that they’ve started preparing for it with drills to evacuate a base in the same way schools do fire drills.
Tim is well aware of this and will occasionally choose a base that’s already in the midst of evacuating because that just makes his job easier.
Sometimes the ninjas think it’s just a drill and “that’s the 3rd one today, are you serious?” so they don’t take it as seriously until they see Ra’s booking it as fast as he can to the safe zone that they realize this one is real and not just a Stress Test and it’s suddenly every ninja for themselves.
The image of Ra's booking it across his base is causing me to cackle. He cares so much about presentation (you can't be an assassin overlord without a scary reputation) that him sprinting is hilarious. I know he has great running techniques, but I love the mental image of him pumping his arms as he books it across base, and a bunch of assassins get blown up in the background.
Also, I'm super curious what their fire drills would be like. I know alarm sounds differ depending on the country, so does Ra's have a different one per a base or a standard LoA fire alarm sound? I'd love to see fanart of Ra's directing fire drills.
Depending on which hc or canon you subscribe to, I could definitely see LoA bases being a favorite of Tim's to mess with. I think, if he was only feeling slightly petty, he'd do small things. Blowing up the bases is his last resort. Why destroy a place he has an address to if he can send Ra's a box of cooked spaghetti noodles and instant mash potatoes?
Tim likes installing LED lights in random places of the bases to set the mood for the occasion. The number of times Ra's has had to postpone a meeting because Tim somehow got LEDs in his meeting room is over ten. Assassination attempts on Red Robin were increased after the fourth time Tim made the LEDs blue after a "sad" report.
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soaps-mohawk · 5 months ago
Text
I'm going to be honest
I'm having a genuinely hard time making this post. I've been fighting with it for a couple weeks now, but I think it's time I finally make it.
I'm not having fun on this blog anymore.
It sounds bad, but honestly, it kind of is.
I think a lot of it started from the very beginning with the precedence and expectations I put on myself. I've always tried to respond to every comment I get. Even from the beginning. It's just a polite thing to do since those who leave comments took the time to write out what they think of my fic, even if it's just a keysmash. I've always felt the need to thank those who leave comments or reblog my writing or (now that tumblr has it) replied to my fics. It worked fine before because none of my fics were particularly popular. Even my most popular fic (at that time) didn't get as much attention as CRCB has. I've never had a "big blog" before, nor a fic as popular as CRCB has gotten.
It was fine at first, responding to everyone, engaging with everyone. I was riding that high of omg so many people are reading and enjoying my fic! I've never had anything quite like this before.
Now...it just feels more like a chore. I set this precedence on this blog that I respond to everyone and I know a lot of people have said that they're surprised I responded to them and to everyone, and now I'm getting why a lot of writers don't. I'm exhausted. I feel like I've just been robotically saying the same thing over and over trying to respond to people now. I used to love seeing asks in my inbox and reblogs and replies but now? All I feel is dread because I have to respond to all of those.
Turning anon off was a big help. It lessened the sheer volume of asks I was getting a day. And while I do feel bad for all of my anons who prefer to stay anons, with everything that happened (the multiple incidents) with anon that kind of started to suck the joy out of everything. That paired with the obsessive need to constantly have my inbox cleared and make sure everyone gets a response...I can understand now too why big blogs will have 200+ asks in their inbox. It's hard and it's exhausting and I'm burning out.
First it was the fic that was burning me out. Things have gone on far longer than I planned and I just wasn't prepared for this fic to go on and for a while there it was dragging. I'll admit that. If I could go back, I'd speed up a few things, but it's done, it's posted there's no going back. I kind of hoped I would have the mental capacity to upload more than once a week too, but I just couldn't. I still can't.
I've come to dread posting chapters because I know I'm going to have to reply and respond to everyone. The only thing keeping me posting is the fact that we're in the part of the story I've been excited about since the beginning and also because I keep leaving everyone on cliffhangers and I love torturing y'all with all of them.
So that being said, this is in no way to shame anyone for interacting with me, anyone leaving comments or replies or sending asks. Don't feel bad about doing it please. I appreciate all of you that have engaged with me and it really means so much to me. Honestly, earlier this year, if I didn't have this fic and everyone on this blog, I might not have made it to now. It's been a really rough year and it's still going to be into next year. It's just getting to the point where I need a break.
I've needed a break for a long time. I thought taking days off the blog would help, and it did for a couple of weeks, but now even on the days I'm supposed to be on the blog and engaging, I just find myself queueing stuff up and just being offline most of the day still.
I'm tired. That's the best reason I can give. I'm tired and burned out on life and I'm tired and burned out on this blog.
So...I think I need a break. I need to not keep responding to every single reply and reblog every chapter. I need to not force myself to answer every ask right away, no matter how much I want to. I feel bad, but I know everyone would rather have me here and enjoying the blog than forcing myself to interact to the point where I'm dreading it and just robotically repeating myself over and over with every reply and answer and comment.
I won't be pausing the fic, I won't be not uploading. I'll still be posting chapters, I just might not be interacting as much as I have been. It's just putting such a mental strain on me still, even with anon off, even with days off. And with things getting busier for me, it's going to be too much to try and deal with irl stuff and write and try to be super active on the blog. There's going to come a point where I have to sacrifice the writing or the blog and I'd rather sacrifice the blog to keep myself sane, and also to keep trying to finally get this fic done. I love this fic, don't get me wrong, but I'm just burning out.
I'm already burned out in a lot of ways.
I was planning kinktober this year but honestly I'm considering not doing it because I know interaction is going to be insane and it's going to be a lot to keep up on. Plus trying to write that many fics is hard and I'm not sure I have the ability to do it. I have a few done but now I'm just like...is that something I want to do on top of irl stuff and CRCB.
There's just no joy in it anymore. It's not anyone's fault but mine. I put the pressure on myself, I held myself to that standard for this long despite the fact I knew it was draining me. I've tried to push through when I should have prioritized myself. I feel so guilty not responding to everyone. I feel so guilty being a day or two late responding to everyone.
I want to be here and interacting and responding to things but I just can't bring myself to anymore. It's no one's fault, and this is not a drag on anyone, or an attempt to make anyone feel bad or guilty for interacting or sending asks or anything. I'm just airing out the truth and saying what I need to say because I feel like I've been so robotic and lifeless with my responses these last couple weeks and I feel like I need to explain why. It's nothing anyone has done. It's my fault. It's 100% my fault.
Things have just gotten to be too much and it's my fault for forcing myself to be so active. The social battery has dropped into the negatives. I'm not a social person. I can only handle so much interaction and I've pushed so far beyond that, that things have gotten to this point. I want to be here and I want to have fun and I want to use this as an escape but I just don't feel that way about it anymore. It's a chore for me, a job, something I feel like I have to do and it's my fault that I feel that way. It's my own standards and expectations I set on myself, and my expectations on what I think my followers want and deserve and now I feel like I've gone on too long like this that I can't change things without hurting anyone's feelings. I don't want people to think I'm ignoring them in favor of others because I know there's writers out there that do that. They only respond to a certain group and ignore others that comment and reblog. I don't want to make anyone feel like I'm doing that to them and that's now led me to here.
I'm forcing it and I'm tired.
It's been hard these last few weeks. The life has just been draining and draining continuously. The joy and the love I have for this blog and my followers and the interactions and the fic. The last anon bullshit that happened was just kind of the last nail in the coffin so to speak. The straw that broke the camel's back. Things stopped being fun. It made me feel bad (and not in the guilty way, though that was a part of it) and I'm honestly just over it. I'm over the blog, I'm over interacting, I'm over life at this point. August is a hard month for me and every year it seems to get worse and worse. A lot of it is unrelated to anything online and I was going to make a post about it but honestly I just don't want to. Those that know, know. Those that don't...it doesn't matter.
I'm getting annoyed by the blog, I'm getting annoyed every time I look in my notifications and see an ask or a reply or a comment. I'm getting annoyed by some of my followers and that's not fair to you. Everyone always talks about how nice and kind and patient I am when I'm really not. I'm not the person I present myself to be on this blog, the way I mask myself so I can present myself as being a normal, kind human being. The mask is coming off because I'm so tired I can't keep it up anymore. It's happening here and it's happening in real life. I'm tired and I'm frustrated and I'm angry at a lot of things and the last thing I want is to start taking it out on my followers. You don't deserve that, especially when it's not your fault, it's nothing any of you have done. It's all me.
It's not you, it's me.
So for the sake of not burning this whole thing to the ground, I'm going to take a break. I'm not replying to everyone, I'm not responding to every reblog, I won't reply to every ask I get right away, if at all because sometimes I just don't have anything to say in response and I need to learn that's okay. It's nothing against you. It's not aimed at anyone specifically, I'm just trying to put myself first and stop things from escalating. I need a break and I'm going to do something selfish and I'm going to take it.
Don't apologize because it's not your fault. Don't apologize because you think you might have contributed to this because you didn't. It is no one's fault but my own.
I'm the one that needs to apologize to all of you because I've just not been myself because I've been forcing myself to be someone I'm not. I've been very unfair to a lot of people over the last seven months that this blog has been active and I've held a precedent that is not sustainable in the long run and made everyone believe that I was capable of maintaining that kind of interaction when I'm not.
I'm sorry. I'm sorry I've been putting everyone through this. I'm sorry I've been so detached and robotic and ingenuine. I'm sorry I led everyone to believe I'm someone I'm not. I'm sorry I've dragged this on this long that it's gotten to the point that I have to make this post.
I considered just disappearing but that wouldn't be fair to you either. I don't want to put you through that, so I'm pouring all of my thoughts out and making you read through this fucking novel of a post. If you've made it this far, then congrats I guess. Gold metals to you who bothered reading this far.
Anyway, all of that aside, I'll still be posting chapters. I'll have them scheduled and I'll probably come on and add links places to keep things current. I'll respond and reply and answer asks when I feel like it. You don't have to stop sending them, but just don't expect them to be responded to right away anymore. I'll probably still be here reblogging things I want and doing things when I feel like it.
I just need a few weeks to myself. Time I don't have to care about the blog at all and keeping up with it. Anon will remain off for the sake of keeping asshole trolls away, and also so I don't open tumblr and have 200 asks in my inbox after a week. Sorry to my anons but it's just the way it needs to be right now. Maybe once this break is over and I've dealt with irl stuff, I'll consider putting it back on. I just can't after everything I dealt with recently on anon.
It'll be the same on Ao3, for those that follow here and read there. Comments will probably sit for a while. They won't be answered right away anymore unless I get the energy to burn through them. Even then I won't try to answer them all at once like I did this last weekend.
I'll try to reblog something every day so y'all know I'm alright. I don't want y'all to panic and it's not fair to put you through that, especially those that might not see this or bother reading it. Those that follow simply for the fic and nothing else. I'm here, I'm just not...here.
This week's chapter is in the queue to be posted tomorrow as usual. Chapters will still come out as planned since I'm not stopping writing, just taking a break from the blog itself.
Thank you those of you who stuck through to the end here. I appreciate all of you so much. You have no idea. I'm sorry I let things get to this point and I'm sorry to anyone that I've gotten rude or snappy with because I couldn't be selfish and put myself first. I'm sorry to anyone that got a robotic, repeated response to something they were probably excited to share. I'm sorry I've been so unfair to everyone and I hope you can forgive me.
Take care and I'll talk to everyone when I have the energy to.
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inkedbybarnes · 10 months ago
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anything
bucky barnes x fem!reader
summary: bucky is determined to take care of you while you're sick.
word count: 1.6k+
warnings: mentions of insecurities, mentions of illnesses (but vaguely described), fluffy ahh shit bc why not, usage of pet names such as baby and doll. bucky being stubbornly sweet (it is indeed, a warning), lowercase writing.
i've been sick the past few days hence the creation of this fic. idk why my mood drops when i'm sick... once again, this is too fluffy even for my own good but i warned you and you're reading it still anyway. 🤨 haha jk, i hope you enjoy this one! 🩷
dividers by @cafekitsune!
reblogs, comments, and likes are highly appreciated! thank you. ♡
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“can you please let me in, baby?"
that was the fifth time bucky had asked the same question, never giving up on his mission to take care of you after learning from jarvis – out of all people... or robots? – that you were sick.
“bucky, i promise, i'm fine. stop trying to break the door,” you answered, your clogged nose not helping as you sounded horrible even with a concrete wall separating you from him. “go and tell steve that you're joining the mission. you can't withdraw yourself just because i'm—achoo!”
your nose began to leak, and you were now distracted with the need to find the tissue box that used to be on your bed. you didn't hear the door clicking open as well as the heavy footsteps of a certain soldier walking towards you.
“just because you're what? sick?”
you jumped, feeling the edge of the bed sink with his weight. you quickly grabbed the tissue box that was mysteriously thrown under the bed before facing bucky with the duvet covering most of your body.
“how did you open the door?”
bucky shrugged. “i broke the doorknob. you didn't say anything about breaking doorknobs.”
you sighed, not winning this argument with bucky. “you shouldn't be here, bucky. you're supposed to be preparing for a mission tomorrow, not babysitting me!”
“and let you go through this on your own? tough chance, doll. i'm your boyfriend for fuck's sake, and don't tell me that you're worried about getting me sick because we both know i'm immune," he argued, reaching out and pulling the blanket down enough to reveal your face. “are you really upset that i want to take care of you? you should be demanding things from me, baby. instead you've been hiding from me.”
“because i don't need anything, bucky. i can handle myself just fine." you huffed, knowing you wanted his attention and care so badly. remembering your face was exposed, you felt insecure again. you dragged the cover back up and turned away. “i also don't want you to see me like this.”
“like what?"
“like a mess," you muttered underneath the sheets. “you've never seen me like this before, and i swear i am the worst when i'm sick. you don't have to see me like this, okay? i don't want you to.”
you felt silly. it was completely normal to get sick, but you hated how extreme your body would act out whenever an illness would attack you. you'd always sound and look like you were fighting a battle in hell alone. the way your mind would take an entire flip and drag you to your lowest point didn't help either. so, not only were you feeling physically horrible, you were also struggling mentally.
“a mess? what mess?” he asked, lifting the cover to join you underneath it which caught you off guard. you were entirely exposed to his eyes now. “there's my girl. where's the mess that you're talking about, huh?”
with the little amount of energy left in you, you brought your hands up to cover your face. he could see how much of a mess you were now, far from the dream you've painted since the day you dated him. now, you were nothing but a nightmare of your reality.
“don't you dare hide from me. i haven't seen you all day and it's driving me insane," he complained, pulling your hands away from yourself. he brought his thumb to your teary eyes, wiping the tears away before they could fall. “i can't believe you're hiding from me just because you think i can't handle seeing you sick. what did you think i'd do once i saw you like this?”
you sniffed, hesitation holding you back from telling him the truth. it's only been three months since you've started dating bucky, and you were still in that stage where you'd constantly try impress him.
you weren't faking yourself, no. however, you still did your best to only show your good side and tuck away your insecurities. unfortunately, you had to get sick too soon and have to risk bucky seeing you this way.
“you thought i'd leave you? won't like you anymore? get turned off or something?”
you nodded, knowing that was exactly what went through your head and a bit pissed that he was able to read your mind without actually having the power to do so.
bucky's eyes softened at your confession, letting out a soft sigh as he saw how badly you were beating yourself up.
“if it's because of how you look right now, then it's true. you do look different," he answered, your chest tightening. “your eyes lost their glow, you're frowning more often, your eyes are all puffy, you are definitely grumpier than usual, your lips are dry and chapped from—”
“okay, i get it, bucky! you don't have to rub it in my fa—”
“but i won't be doing whatever is on your mind. you're sick, doll. it'll affect you. it's normal. hell, i look even worse when i used to get sick, but you? you still look so fucking lovely." he held your face gently, leaning forward to kiss your forehead. “even then, i don't give a fuck on how messy you can get. i'm your boyfriend. i should be taking care of you, helping you feel better, and bringing back the glow in your eyes. please, baby. let me take care of you.”
this time, you were looking back at him. "you mean it?"
"of course I mean it," he replied softly, his voice filled with sincerity. "i love you, doll. i don't care how you look like right now. you could look like a swamp monster and be sick as a dog, and i would still think that you are the most beautiful woman for me."
you giggled softly, his words filling you with warmth and reassurance. you felt so lucky to have a man who truly loved you and handled your insecurities with such understanding and care, and even sillier for thinking he'd leave you for such reasons.
“thank you. that really made me feel better," you told him, your arms slowly creeping forward to hold him. “i'm sorry for hiding. i was just scared to turn you off or anything.”
“are you kidding? i'm trying my best not to hold you down and kiss you all over. i haven't even hugged you for a day,” bucky said, a pout on the verge of forming on his face.
“it hasn't even been a day, bucky. now, who's dramatic?" you said, rolling your eyes playfully. “and you're supposed to be on a mission tomorrow! are you really not going?”
“when i could be here taking care of you?” he asked, as if the answer was already obvious. “the others can handle it. my main priority is to do anything you want and make you feel better.”
“anything?”
he smiled, leaning down to let your lips meet softly. "anything."
( a lil bonus < 3 )
“what is that smell?”
sam, steve, and natasha entered the compound after a quick briefing for their mission tomorrow. they joined tony and clint who were having a casual conversation in the living room about the best burrito in town.
the kitchen was an open space, the aroma of whatever bucky was cooking spreading all around the nearby rooms.
sam didn't hesitate to come closer and inspect the kitchen, finding the entire counter lined up with various spices and plates that bucky filled with his dishes.
“what's the occasion? did i miss something?" sam asked, grabbing a fork to take a little taste until bucky slapped his hand away. "ow! what was that for?"
"hands off." bucky warned, frowning at sam. “that's not for you, wilson."
“not even a nibble? come on, man. it smells amazing!”
their usual bickering caught the attention of the other avengers, immediately joining them in the kitchen which annoyed bucky even more when he saw them eyeing the food he made.
"before any of you try to ask, no. this is not for any of you."
"who's it even for?" natasha asked, the least interested to have a taste, but was curious either way.
bucky answered with your name. "she's sick."
"what? since when?" clint asked, worry flashing across his face. "can we do anything?"
bucky glanced up before hesitantly answering. "well.. she did say she wanted to watch a movie after eating."
clint snapped his fingers and smiled. "i'm on it."
"i'll get jarvis to check on her vitals every hour and create a diagnosis," tony said, already tapping on his smart watch. "assuming she wouldn't be too comfortable letting the entire team know what's going on with her body, i'll just let you receive the updates. just update me with what you can, yeah?"
"i'll talk to fury and let you both have a week free from work," steve offered. "she needs the rest and she needs you."
"oh, i'll handle fury. he can't say no to his favourite," natasha said with a smug smile. "tell her i'll bring her all her favourite snacks once we're back from our mission, and that she better be back to full health so we can go out together."
bucky nodded, chest warming with the genuine concern they shared. he was excited to let you know how loved and deserving of all this you were.
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if you have any requests for bucky, send them my way! 💌
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lunartuness · 6 months ago
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Spoilers for Book of Bill
Thoughts on Bill talking about Ford
I was not prepared for canon Billford in the year 2024 and yet here we are.
But seriously, I'm kinda surprised how much Bill actually liked and valued Ford? Obviously it's in a horrible, toxic, never come within the same continent as them kind of way but it's just, I always kind of figured their relationship (while obviously adoring from Ford's end due to Journal 3) was mainly just Bill humoring Ford long enough until he no longer needs him. Like, 'yeah, sure, of course you're special, I definitely believe in you' sort of nonsense.
But in Bill's book it's implied multiple times he had as close to a crush on Ford as he's probably capable of. I mean, the whole 'love cage' section is literally verbatim what he did to Ford (and just wait until they're mentally broken enough to confess their true feelings! Fear and love are basically the same thing!) And in the valentine's section he talks about leaving mice, which again, he did for Ford's birthday, and then when he wasn't happy about that, got him drunk enough to have a good time (implied kinda forcibly? since Ford declined beforehand). Then there's the fact he literally calls Fiddleford a third wheel (also coincidentally after we just learn Fiddleford spent hours on handmade gifts for Ford and forgot to get his wife anything).
And when Ford finally does catch on and things go bad? Bill tries first to talk with Ford through the zombies (to manipulate him, of course, but also Admit it, you'd miss me. I have missed you, and Bill actually smiles.) And then leaves little sticky notes asking nicely to talk. When he finally gets mad enough to escalate, he still does so in a very not-violent-for-Bill-way. Sure, killing Ford wouldn't help him but we know how messed up Bill can get. And yet what does he do? He leaves Ford's body to almost freeze, only to have a warm fire and a love song playing when he wakes up. He causes mild public disturbances and gives him an obnoxious tattoo. When he finally, finally snaps is when we start to see more of the Bill we got in the show when he tortures Ford a bit. But even that is mild?
Like, Bill rearranged a man's face for fun and takes joy in destroying the Nightmare Realm. But after threating Ford he leaves him unharmed. Very mentally scarred, yes, but safe and intact. He even gives him three days to get his life together. And then treats it like a messy breakup when Ford finally breaks free. Hell, it seems like he was more upset about losing Ford than losing the portal.
All this is to say that I think from Bill's point of view he was being genuinely kind to Ford. He gave him gifts, complimented him, and tried to work things out peacefully when Ford started pulling away (again, his very messed up version of peaceful, but the point still stands).
So when they do finally meet again? Bill still offers Ford a spot next to him. Again, I originally thought this was more playing into Ford's ego while taking a cheap shot at him (i.e. you'll fit in great with the freaks!), but by now it's obvious he wants Ford. He's petty and cruel and horribly abusive about it, but in his own twisted way he likes Ford. A lot. Enough to show mercy (or at least not be as violent as he could be) and to try and give him multiple chances to come back, no apology needed!
And the worst part is Bill knows this. Bill's trying to make this relationship work. He feels connected to Ford in a way he quite possibly hasn't felt with anyone else. And he knows its doomed to fail. In his mind he has to destroy everything he touches and everything he cares about. Any other connections he has are either superficial or dead to him (usually literally). This relationship will end the same way, it's just in Bill's nature. To him, that's all his relationships are capable of being.
All this just makes me sad and adds so much depth and I'm obsessed. There's just something about self-destructive and truly cruel characters having moments where they wish they weren't that way. Where they'll come the closest they ever can to apologizing for how they are.
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(Also Bill literally wanted Ford to get a tattoo saying 'If lost return to Bill' like we cannot just ignore that oh my god)
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winterrrnight · 7 months ago
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husband!rafe just doing the little things like turning on the car ac, tracking his wife’s period, buying her skincare products when she runs low
ouuuhhhh my goddddd I am going feral over this cause this is just so accurate!!!
part of this little universe <3
rafe is just always making sure that his lovely goddess of a wife doesn't feel out of her comfort zone at all.
she usually goes to her work before he leaves to get to the business, so while she is getting ready, he goes to their driveway to do a quick check of her car.
he checks the tires once for their air pressure, he checks the engine every now and then, checks if the car has enough gas or not (even when he got the tank full just the previous day).
if there is any issue, he gets to fixing it immediately. lets say the tank was almost empty, he would've taken it to the nearest gas station and would've bought it back before she is even done getting ready.
once he gives a green light to everything, he turns on the ac to cool the car before she comes (or the heater if it is winters).
next topic of agenda: her periods.
he always keeps a mental note of her period dates so he can estimate when she'll get them the next month.
when he knows she's going to her period in a matter of days, he does some... preparations.
preparations include stocking up on everything she craves when she is on her periods: sweets, chocolates, ice cream, candy; you name it, he has it.
if she tends to have bad cramps, he keeps hot water bottles ready for her.
at night when she feels troubled from the pain and can't sleep, he gently rubs her tummy, lower abdomen, thighs; wherever her cramps are bothering her.
if she tends to have mood swings, he stays as gentle as he can with her, always talking to her softly and just simply taking care of her.
and the last one!!!! personally I'm here for that😚he keeps a good check on her skincare products and how close they are to finishing.
he has her skincare routine memorized, he knows the steps and he knows the products and the brands she uses.
in fact I strongly hc that his wife is the one who got him into skincare too!!
"sunscreen is important and there's no way I'm letting you leave the house without it."
she only had to say it once; he always listens to his goddess.
but yeah, he keeps a check on the products, and sometimes his wife is surprised to see she has received a skincare package but then she realises she was running low on those specific products.
and if his wife likes to do make up, I feel this applies to that too!!
he heard her talking about this eyeshadow palette, and bam! it's on their porch in a few days. (probably the very same day cause he is a proud amazon prime member and wants his wife to get her gifts as quick as possible 😁).
(share any of your husband!rafe thoughts and headcanons or for drew/rafe/zach! sfw only <3)
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luveline · 1 year ago
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hi lovely jade!! I had an idea for a request: reader who’s pretty independent who hurt her back working out and now can’t walk/shower/etc on her own for a few days x any of the marauders (I really do love them all and especially the way you write them. you can also make this poly!marauders if you feel so inclined).
this is definitely self indulgent, so please feel free to ignore it if it doesn’t do the creative trick.
thank you for sharing your lovely writing with us and being lovely overall!
sending so many hugs to you!!
hi honey, thank u for requesting!! hope u get better soon <3
the boys take care of you when you hurt yourself. fem, 1.2k
You wake in Sirius’ bed with James curled over you protectively. This is not unusual. What is strange is that Sirius seems to have already gotten up for the day, his sleep shirt thrown in a crumpled mess at your feet and his phone off the charger. You scrub at your tired eyes and consider going to look for him, figuring he's probably in the den (or office, depending on which boy you ask), but your back gives a twinge, and then a throb, and you remember the night before. 
You rub James’ arm and push it off of your chest, preparing mentally for the pain. You've tweaked it a few times in the past, the next day always being worse than the actual time of injury, and yet the pain you're met with is instantaneously disarming. 
“Ow,” you can't help but whine, trying to bend forward away from the pain, and finding you can't manage that, either. You gasp as heat races up your spine and across your shoulders, everywhere and nowhere, like the press of a hot hand. 
James mumbles, “What's the matter?” with his head still buried in the pillows. 
“James, I think I've really hurt myself.” Tears squeeze so quickly out of the corners of your eyes that you don't have time to recognise the heat of them. Other sensations are more pressing. 
You don't know if he's looking at you, but you can feel his careful touch working its way up his arm, and hear the ruffle of the sheets as he gets up. “What?” he asks, his voice stretched with the early hour. 
“Last night, when we were lifting, I– I pulled my shoulder and I thought it would–” You make a strangled sound. “It's really bad, what do I do?” 
“Woah, woah, don't panic!” He leans in, your blurry view suddenly filled with his gentle face. 
James soothes it from there, so to speak. He shushes you softly when you start to sob and helps you lay back down, wiping your tears, not a lick of panic about him. “It's okay, it's okay,” he murmurs, “does that feel better?” 
It's better flat, but not gone. “I can't sit up.” 
“That's okay,” he says, bringing your hand to his lips, where he kisses your fingers. 
He waits for you to calm down before grabbing his phone from his room. It's much later in the day than you'd thought, and Sirius will be working his afternoon shift, while Remus could be anywhere. He likes to write in cafes or parks, somewhere away from the hubbub of the house, lest he be distracted, waylaid with kisses, or pestered into helping make dinner or do laundry or whatever needs doing that day. 
“Hey,” James says, hushed, “you okay? Mm… can you come home?” A startled question that betrays the first recipient, Remus’ rasp on the line. “Yeah, I'm fine, it's our little gym rat sweetheart, she's strained her back, she's a bit upset… No, not yet. You think she'll let me?” 
“I'm not going to the doctor’s,” you call to him. James smiles at you from the door. 
“We’ll see,” he shoots back. “Yep yep. Okay. Well, he's in work… Okay. Yeah, okay. Love you, see you in a bit.” 
“What can he do?” you ask. “You should've left him.” 
“Same thing as me.” He runs his hands through his hair. It's a little too long again, dark and thick, curled at the base of his neck with flicks behind his ears, though it's short compared to Sirius’ mess. When he drops his arms, the noon time sunshine kisses his brown skin with a gorgeous warmth, and emphasises the lines of veins where they run up his arms. “You look like you're in agony,” he says, covering his mouth with a hand. “Is it really that bad?” 
You nod miserably. 
He sits next to you carefully, but now you've awoken your pain it won't sleep, and each millilitre of the mattress's distension prompts a new layer of aching. “Sorry,” he says, sounding like he could cry for you, “why didn't you tell me last night?” 
James wraps his arms around you in a strange way, trying not to jostle you as he leans down to touch his nose to your forehead. 
“I didn't think it would be this bad.” 
He talks a little about the doctor's while you wait for Remus to come home. It isn't a waste of time, he insists, the GP is there for a reason. 
You're surprised when it's Sirius who shouts up the stairs. “You okay?” he calls. 
“Sirius?”
James shrugs. “Remus must've told him. We're fine!” 
A rush up the stairs. Sirius pauses by the door, frowning at you both in his bed. “What did you do?” 
“Well, I didn't mean to,” you say. 
“Not you, darling. James, I told you to look after her, all that equipment freaks me out, and Remus agrees.” 
James sighs. “He doesn't mean that.” 
Sirius goes to sit with you but stops upon noticing your wince, and instead flops down on the floor near the wardrobe with his phone to his ear. “I'll get an emergency appointment.” 
“This isn't an emergency,” you say. 
“It is for you. You'll need a sick note sorted anyways.” 
“But it's not that bad.” 
“Sweetheart,” Sirius says, smiling at you softly, an uncommon expression on him, though not unseen, “I know when you've had a big cry.” 
He gets put on hold, saving you the further ache of the line music while James strokes your temple. You attempt to hide how much your back hurts, but you're hurting bad and the knowledge that it's not about to go away soon is genuinely scary. 
Remus understands uncertain pain. He's last to come home but certainly not the least concerned, shoving his laptop case onto Sirius’ dresser, freeing his hands in favour of your face. “Is it bad?” he asks, looking between you and James for an answer. 
“Not really,” you say. James’ face must say differently. 
“What painkillers have you taken?” he asks quickly, “I have co-codamols, did you take paracetamol? You can't have them at the same time.” 
He frowns deeply at your daunted look. “You haven't taken them already, have you? They're very strong by themselves, with paracetamol as well, you'd–” 
“I haven't taken anything,” you admit. 
Sirius sighs and rubs his nose into his palm. “Jesus.” 
“Oh,” Remus says, hands especially tender, even as he laughs, “of course you haven't.” 
“I was a bit distracted.” 
He sobers, stroking the fat of your cheek and then leaning down for a careful kiss. “Of course. Haven't eaten anything either, I suppose?” 
“No, sorry.” 
He kisses you again and pulls away. “That's okay. What about you, Jamie, did you eat?” 
They take care of you in their different ways, in the same way they take care of one another. “No,” James says, “but I have it. Swap places with me, I'll make dinner while we wait for the GP to answer.” 
“You can make supper at the same time,” Sirius jokes.
You laugh and hurt your back. He is very, very sorry. 
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