#I genuinely love drawing the human figure so much every time we get to do a live model study in class I jump up and down and go yippee!!!!!!

[sunnibits]

I may not have had a hyperfixation for like a whole year but by god I swear to you all, with the power of art school by my side, when I finally get a hyperfixation again I will come back drawing lustful images of shirtless old men bigger and better than ever before baby ‼️‼️

[signanothername]

hhhhhhh i love your art so much man it's just so rrrrrrrrg words can even describe it 💥💥💥

butt like like genuinely how do you figure out poses and shit that fit who you draw so well likeee

idk me personally i just struggle with that stuff, yk always stuck with the -looking front on with hands in pockets- or the dreaded -peace sign with hand in pocket- fjdjdj

sorry for the yap sesh butttt any advice would be like so cool

also the way you portray killer and nm is like godly just 💥💥💥💥💥💥💥

HDHDHHDHD THANK YOU <333333

And oooh that’s a very valid struggle, cause the thing is, I used to struggle a lot with posing characters in a way that actually satisfied me, going for the stiff front look a lot dhdhhdhdh

But the thing is with art, is that it isn’t just lines on a page y’know? At least, I stopped treating my art as such, every time i draw an artwork i want the artwork to tell who sees it something, I treat every artwork as a story in of itself

Ok imma generally give you what I learned from my art journey so far, i’m gonna start with a more general advice and then get to how I choose poses for certain characters, and imma try to explain the best I can but I can be really bad with wording things so bear with me

Art can be difficult cause different art concepts are interconnected with each other, so sometimes you need to think of so many things just to be able to do something as simple as posing a character

Before we start tho, here are 2 tips:

-everything you know about anatomy? Throw it out the window, no i’m not joking I’m being completely serious

The reason many artists suffer with making dynamic poses is cause they think too much about anatomy, they think the anatomy should look correct and perfect, and no, anatomy is the biggest reason the pose you draw is going to be stiff, you need to forget “correct” anatomy if you want your poses to feel alive and dynamic

- practice gesture/figure art, IM ON MY KNEES I BEG YOU, cause it teaches you to let go of perfect anatomy and actually learn how to draw figures in motion (which is extremely important for fluid and dynamic poses!)

———

With that in mind, here are a few things i keep in mind when posing a character:

1- line of action

You hear these three damn words a lot yet no matter how much you research them you can never find a good explanation for what they mean (me after i researched this bullshit so much shbdhdhhs)

But simply put, think of the action line as the spine in a human, the more you bend it outta shape the more dynamic the pose is going to be

And it’s genuinely so important cause it can make a very simple pose such as a character standing doing nothing much more dynamic when you put line of action in mind

Even a very slight bend in the line can make the pose more natural/dynamic, because an action line dictates the movement of a character

So if you want to avoid a stiff pose? Avoid a straight action line (you gotta make that action line Queer af💅✨✨✨✨)

But here’s a mind fuckery, the tricky thing with action lines is that it’s better if you keep them in mind but not consciously think of them if that makes sense

You gotta understand them and implement them and practice them, but when you draw a character posing a certain way, thinking too much of the action line can actually make it difficult to maintain and in turn, makes your art stiff af too

Like you got to internalize this concept and to keep it in your subconscious rather than actually consciously think about it when you draw your artworks

Ok Anó, how the fuck do i do that? Start with practicing them consciously by actually drawing the action line and then the pose in art studies, and then level yourself up by practicing them by drawing characters posing a certain way WITHOUT putting an action line first, i’m sorry to say there’s no way around it, there are no short cuts

Here’s a helpful visual guide/summary of what i mean by the paragraph above cause words suck

(but sooner or later, what you learned gets burned into your muscle memory, and your hand would start doing all the work without you consciously thinking about it, then congrats!! Action lines are now part of your subconscious)

Ok but does that mean straight lines are bad/should never be used?? NO

I can never emphasize how important straight lines can be

One thing that’s beautiful in art is that there’s no such thing as “bad” or “wrong”, art is subjective, and something that’s perceived as “wrong” by one artist, can be right/ something implemented in another artist’s artstyle that makes it unique

In fact, straight action lines can be great to use depending on what you wish people to take/understand from your art (a simple example: a turn around reference sheet for a character tends to use straight lines, cause in a reference sheet you focus on clarity, and drawing with queer lines can cause that clarity to be thrown out the window)

But I especially love to use straight Action lines with Killer, I sometimes make him stiff as a fucking rock and it’s completely intentional on my part, cause i love to use stiff poses to enhance the uncomfortable/unnatural atmosphere Killer gives, or to further emphasize an already uncomfortable situation

So to summarize, if you wish your poses be more natural/dynamic and to avoid stiff poses, use queer Action lines, but straight lines are also great to use depending on what you want people to understand from your art

———

2- perspective (camera angle)

Variety is key!

What is the perspective you want to focus on? I know this seems like it doesn’t have anything to do with posing a character, but it does, (remember, art concepts are interconnected!) cause the perspective you decide to draw from can also influence the pose you decide to draw or vice versa, and help you make the pose more dynamic

Hell sometimes, perspective can do the poses justice even if they’re literally the most boring stiff poses you’ve ever drawn chchchhcch

Like are you going to draw the character from an upper perspective? Lower? Fish-eye? Third person? First person?

Is the perspective tilted? Is it normal?

What is the perspective you want and why did you choose it? What are you trying to tell the people who see your art?

Here are a few tips when it comes to perspective:

-More dynamic perspectives (upper/lower) are good for artworks that have tension in them, or have some sort of stakes going on (fights, horror, uncomfortable situations)

That of course doesn’t mean they can’t be used to simply make your artwork look cool :D

-choosing how many vanishing points there are (one,two or three points perspective) can also make your art tell a different story depending on the situation you’ve chosen them for

-and most importantly, when you draw a pose, foreshortening is going to happen to the body depending on the perspective!!

But my point is, I make sure i draw in variety, sometimes I draw the character from upper, lower, tilted or even a mix of all of them, all to enhance my poses to look more dynamic/natural

Ok Anó, got it, but what if I don’t care to include a crazy perspective and i want to draw in a normal perspective? Then how do i make my poses more dynamic?

That brings me to my next 2 points

———

3- camera shots

Same as perspective, there has to be variety!

Your art doesn’t always have to be full body, try to draw different shots, draw a headshot, draw closeup shots draw half bodies

If you go for different shots then you’ll be forced to think of different poses to fit such shots :D

———

4-bodies are like little toys, break them

One thing you can do to bring more variety to your poses is to have different body parts facing different directions, not all limbs have to face the same direction >:)

Generally the characters don’t have to face front! Try to mix it up and draw from the side or back

———

5-emotional weight and a story to tell

And this is where i’ll bring my point about treating my art as a story back

A really good way to actually put variety in your poses is to treat any sort of artwork/sketch you make as a story you’re trying to tell

Before you draw a character posing a certain way ask yourself, why is this character posing this way? What are/were they doing before that pose? Are they alone or are they reacting to something/someone?

Is there a point to them posing this way? (It’s ok if there’s no actual point to it! But the poses still would need to tell a story regardless)

Cause if you’re posing them reacting to another character (off screen for example), you pose them in a way that makes sense for their emotions of the other character right? (So if the character has negative feelings towards the other one then it makes more sense to draw them in a defensive stance or a fight or flight pose)

If you’re drawing them all alone then what are they doing alone, are they doing something important or is it their off time? If it’s their off time what are they doing for their off time? Do they like to spend it reading a book for example? What are they reading? Is it a horror novel that makes them scared? If yes then how do they deal with fear? Do they throw the book across the room or do they hide under a blanket?

Cause a pose also holds emotional weight, it shows you what emotions the character is exhibiting, it’s not just the expression of the character that tells you about their emotions, it’s their body language, and body language can be translated through poses

Let’s say they’re doing a peace sign pose for example, why are they doing it? Are they taking a picture with someone they love or are they doing it to annoy someone? Hell maybe they’re being forced to do it, and so they do it half heartedly maybe?

Get what I’m trying to say?

———

And now with all of the above in mind, time to get to the most important thing and the main point of this post

How do I choose poses for certain characters?

6- personality

who am I sketching? Cause each character is unique and each character is gonna act a certain way other characters won’t, and depending on the situation, the poses change too

Understand the character and how they act, try to analyze them and take in their quirks and behaviors, and before you draw a pose for them actually ask yourself, would this character EVER do this pose?

Like you say you fall in the peace sign trap right? Now think about a peace sign pose, but with Nightmare… it doesn’t make sense right? Cause the pose is an absolute striking contrast to Nightmare’s personality, like Nightmare would never do a peace sign till the day he dies, hell i’m sure if he’s forced to choose between death and doing a peace sign he’d choose death (it’s a lot more mercifull than the humiliation he’d feel making a peace sign hcchchch)

See what I’m getting at?

For example, I draw Nightmare with his hands behind his back a lot, but you won’t see me do the same with other characters often, not cause other characters would never put their hands behind their backs, but because it’s a quirk in Nightmare’s character, Nightmare TENDS to do that a lot, he acts so formal and royal like, and so i draw him do it a lot

But here’s the thing, if i draw other characters having their hands behind their backs like i do with Nightmare, i do it in a way that makes sense for them! An example is how i draw Nightmare and Dream with their hands behind their backs :D

But I also keep in mind Nightmare’s character, so whenever I pose him a certain way, I ask myself “would Nightmare actually stand/sit/lie down like that?” If the answer is yes, then I continue, if not then i change it to fit Nightmare

To further explain, I tend to think Nightmare is defensive in nature, so you’d see that I also pose him in a way that reflects that, with his hands crossed in front of his chest for example or generally his hands close to his body, sometimes hunched in on himself, I also think Nightmare is egotistical and self centric, but most importantly, he sees himself as an elegant King, and so I draw him crossing his legs or generally have him sit in such a formal manner or a hand on hip kinda pose etc

So when you draw a pose ask yourself if it fits the personality, mindset, and pattern of behavior for said character!

———

With all that being said, while it’s amazing to be able to do a variety of poses, I think it’s also important to keep in mind that art is supposed to be fun, take your time trying to learn, don’t overwork or frustrate yourself with learning new things, and it’s completely fine to not do poses that have meaning sometimes (do that peace sign to your heart’s content <333) it took me 10 whole years to get where i am today, and compared to many other artists my own progress is extremely slow, and it used to bother me cause I treated art like there was some sort of deadline above my head and that I should learn things in a timely manner (which is absolute bullshit), my point is, take your time with learning poses, even if it takes you years, the important thing is that you will get there eventually <33333

———

Finally, here is one art resource for poses that i think is really good/useful

Keep on creating and hope my endless ramble helps a lil chchchchchch <33333

[herefortheships]

Adding to the heap of evidence that Betelgeuse never intended to force Lydia into marriage (or Astrid into step-daughterhood) in BJBJ.

BJ, holding up and tapping the Handbook: Part of the deal is you can never ever say my name. Ever!

Astrid: What deal?

BJ: The deal [Lydia] made to save you. By the way, you can call me Dad.

He had no reason to hold up the Handbook and draw Astrid's attention to it. Their deal wasn't in the Handbook at all. That part of their deal was in the stipulations of the written contract.

Only a possible legal objection to the deal was in the Handbook, and even then only if that bit in it had said "voids any marriage agreements", though that might've been an oversight by the props department.

If that was supposed to be Delia's Handbook, she could have carried it and put it down on the seat near her once she started dancing and the movie could have gone on exactly as it did minus Betelgeuse saying that the Handbook had details about the deal. Astrid still could have accessed it to look up Sandworms summoning and seen the info on Code 699 again on the previous page.

And I think he already knew that Astrid had seen the relevant page before, because she had said his name twice before visiting Jeremy and opening his handbook on that page then, and mention of his name seems to let Betelgeuse find you (he found Delia in the waiting room) or observe you or whatever, and we know he knew she was seeing a boy without Lydia ever mentioning it.

I hadn't thought about the book being Delia's! It makes sense that that was her book.

And yes, I agree. It's like Beej was telling her "all you need to know is in here". He was never going to push Lydia into the marriage, if she didn't want to, but he wasn't going to say anything if she didn't notice (our Betel is no saint either 🤭). I just think he hoped they could officialize it all the way this time, but he also didn't want to have Lydia by force. Yes, I think he knew Astrid would figure out how to stop the wedding; he was likely keeping an eye on her from afar too.

I think all this sappy romantic display Betelgeuse put on this time around screams at his feelings for Lydia being genuine. He's not only lusting after her, as Lydia's initial thought of him "stalking her" implies; he is in love or at least completely infatuated with her. It may be tough for him to show it in a way that Lydia can understand (the man has been dead for centuries and a "demon" or super-powered ghost for who knows how much of that time); oftentimes his attempts will only scare her. (I have a feeling that if this was Lydia from the first film, still unscarred by decades of seeing all sorts of ghosts and having God knows what scary interactions with the dead every now and then, she might actually get Betelgeuse and maybe even like him, but who knows. Anyway, the Maitlands wouldn't have let her ever call him again. But I digress here.)

But I think it's safe to think despite his bad reputation, Betelgeuse is honest about how he feels about Lydia. And if his feelings are indeed genuine, it's only natural for him to want Lydia to reciprocate those feelings. He wants her to love him back, is what I mean. Right now he knows she doesn't love him back, so the entire affair is one-sided on his part. And surely, the "trickster demon" part of him might want to have her by force if he has to, but his human side, that part of him that truly cares about Lydia, stops him from doing anything rash like speeding the wedding like he did in the first film and tricking Lydia to say yes. His love for Lydia has sort of mellowed him out a bit and keeps him human. I think that's sweet. 💕

But yes, if she doesn't want to, this time around, he's not forcing her to do anything. He went to great lengths to prove himself to her this time, so I'm really curious to see how Lydia's thoughts and feelings around Betelgeuse have changed, after everything that was said and done in BJBJ, and how their interactions will be, moving forward.

[biceratops7]

… let’s talk about “Arrival”

So I was fully intending on making a more general but thorough peruse through the new Good Omens title sequence, because my FUCK aren’t those always a gold mine. But then I thought to myself, “hey wait a minute, I can be even more unhinged and on brand.”

Something I’ve seen nobody talk about yet is that the movie that the procession is marching into is The Arrival, which is a 90’s movie that draws a pretty straightforward parallel. But I think if it doubles as a reference to 2016’s Arrival, THAT has some much more interesting implications. Either way this reference is doing some heavy lifting.

For those who haven’t seen the movie (or that one philosophy tube video about it lol), the basic plot is that a group of aliens later named heptopods arrive on earth scattered across the world, and just kind of invite humanity to check them out. Each country hires a team of linguists who are all tasked with figuring out what the visitors are here for. But the thing is, it’s only about aliens on the surface level. This is really about communicating, cooperation, and how language holds the power to alter your very fabric of reality.

Spoilers for the movie:

Two major revelations occur towards the end of the movie. The first is that an element of fluid time is revealed. Throughout the movie, the main American linguist has been having flashbacks to a daughter that passed away of an illness. But since the heptopod language has no regard for chronological order, we learn that these are actually flash-forwards when she becomes nearly fluent. In other words, learning heptopod, having a genuine curiosity and even compassion for these vastly different beings. has given her the ability to perceive reality in ways thought previously impossible.

Even before noticing the Arrival reference, I’ve been side eyeing these “flashbacks”, but this and the image above confirmed it for me. Any instance of the word “becoming” when talking about the past indicates some sort of fluid time nonsense. The past is fixed unless something ✨happens✨. I don’t think these are simply memories, I think something rather cosmic instead is afoot.

But it’s more than just “there’s probably time travel in this” though. Simply having Aziraphale as a companion has changed Crowley. It’s given him an ability that he’s not meant to be capable of as a demon. He already had it in him to be good and have mutual relationships based in trust and kindness, I’m sure all demons can if given the right nurture… but Crowley is experiencing love. In the show, something tangible to the senses and distinctly angelic. I’m very much hoping that that whole element of things is going to somehow be a driving factor in what’s occurring over all, and possibly involved in time going screwy.

The other element of Arrival’s ending that’s of import, is the heavy emphasis on the importance of cooperation. First of all, we learn at some point that not every country has the same message to decipher, they each have one piece of a whole. Some of the countries begin using games to communicate with their heptopods, and this poses a problem because it causes messages to be more easily interpreted as hostile. For example, the phrase “we brought a tool” can be easily misconstrued as “we have a weapon.” Eventually, the world gets impatient and scared, and a war is imminent. What finally leads to everyone putting down arms and cooperating, is the American linguist sending a message to the Chinese linguist saying “in war, there are no victors, only widows.”

Something noteworthy about this particular march is that the procession never splits like it does at the end of the first season’s. Not only are both angelic and demonic figures marching into the light atop a mountain as a United front, but this actually seems to be a theme this season. Heaven and Hell aren’t working together as far as we know, but they are at least working towards the same goal, which for some reason is getting Gabriel’s ass. There is also a heavy emphasis on mending broken relationships, with Crowley and Azirphale trying to fix a (probably) lesbian couple literally being the B plot.

Now this is where we bring in what’s actually on the movie screen, which is that damn box. So at this point we know basically nothing about it accept for it probably being a Mcguffin. But we DO have the imagery of three feathers, a black one, a white one, and a bluish grey one, falling into it… and it sure as fuck looks like a moving box. So back to arrival, what actually was the message? The heptopods told the linguist that they’re here to help humanity (via giving them a tool or new tech I think?) because in 3,000 years, they will need humanity’s help. So with this and the world eventually being inspired to stand down and share their pieces of the message, it’s this over arching theme of setting aside fear of the other and cooperating indefinitely for the benefit of the whole. The black feather, the white feather… and then something that is somehow both yet entirely unique.

I think… somehow, someway, this season may culminate in Heaven and Hell reconciling. Whether it be against a common enemy, for a shared goal, or in love, there seems to be many clues both symbolic and literal that show them learning to be one again. Learning to understand eachother’s language and see new ways of being neither before could fathom.

[rockybloo]

Ive recently just started doing art, and i apologize in advance if you've gotten this question before frequently, do you have any tips for beginner artists and how did you find your art style? I'm constantly amazed by how you do anatomy and expressions, their so distinct and expressive!

Thank you!

And I actually don't get asked a lot of questions about myself when it comes to art. Many come to this account so I can put my OCs on the phone for questions, so this is lowkey a new question. I might have been asked it before years ago but I am better at drawing now.

HOWEVER, I have to state that I am simply a hobbyist artist and not a freelancer or professional so my tips will be kinda off brand compared to their word. ANYWAYS...

THINGS THAT I FIND HELPFUL FOR ARTING (besides practicing because I mean...we all know the only way to get better is to practice so it'd be kinda redundant say it - we all know to do it)

Practice drawing in pen. Pen can't be erased. So instead of sketching and erasing and sketching and erasing, it is nonstop sketching. It helped me a lot with speeding up my sketching, even in digital, because I got used to making little goofy mistakes. It also helps to fight perfectionism

Use references. I know that's just as redundant as saying to practice but references are genuinely underrated. Whether they be colors or poses - references are your friend. I use them whenever I am having a hard time drawing something.

Redraw things. I occasionally redraw memes or scenes from animated movies with my OCs. It's stranger really helpful, especially if there is a certain expression in the original image because it lets you play around with how to draw it to catch the correct vibes. PLUS redrawing funny stuff helps take the stress off creating art because it reminds you not every drawing has to be amazing.

Don't neglect your body when you draw. STOP DRAWING WHEN YOU ARE HUNGRY, THIRSTY, OR NEED THE BATHROOM! THE DRAWING CAN WAIT - YOU WILL HAVE A MUCH EASIER TIME CREATING ART WHEN YOU ARE NOT SUFFERING FROM THE HUMAN CONDITION.

Stretch your hands. Drawing puts strain on them and your fingers will ache and your hand may get stiff. Practically hand and finger stretches keeps your hands happy. I do them all the time just because I use my hands a lot for art AND my day job.

Numbers are the devil and the algorithm is a warlord. If you post your art online, it's easy to get into the mindset that you aren't good enough because you have low interactions on your work. THIS IS FALSE - NUMBERS DO NOT EQUAL QUALITY. It's better to draw for yourself and the enjoyment of art rather than drawing to attract a fanbase and attention

As for how I figured out my art style, what you all see is the result of me taking bits and pieces from things I like and blending it all together. An art style is really just figuring out what stuff you like from other people's styles and doing your own thing with it.

To break down some of my own style, the way I shade the underside of noses is something I got from Soul Eater since I loved how the anime marked noses with little dots.

The way I draw lips was a journey. I used to only line the top lip like how the manga for D Gray Man would. Then I saw how Steven Universe stylized fuller lips and sort of started playing with that. Over the course of me exploring - I found more online black artists and learned from how they shade and render lips.

Style is very much something that takes a long time to develop. I've been active online since 2011 and it took me until this year to finally figure out a style I really vibe with.

[pillowspace]

Hi! So sorry to get sentimental in your ask box, especially considering you don't even know me. But! I wanted to thank you for you unknowingly helping me get better at art! And to think I started getting better because of the catboy Sunna sketch of all things...

I actually have been looking back at the art I drew when I first got this phone compared to my most recent sketch and... And oh my god, the amount of improvements within like... A month??? I don't know what it is about Sunna, but ever since I've started drawing her as a warm-up sketch I've ACTUALLY been able to draw and enjoy drawing. I've always loved art, but I've never REALLY enjoyed it until I got my grubby little hands on that god. I feel like I've accidentally spawned a separate fandom with me and my friend (of which has no idea about any of the dca "lore", much less the existence of the csd fic) because of how much we love this goofy little guy. Every time I draw Sunna I fuckign study ANATOMY of all things. It's a fictional guy and he don't even got human bones ! Yet here I am. Getting genuinely good at art because of you and your stupid little... backpack-loving fool... Curse you and your cool storytelling & art.

I think I'm legally obligated to learn how to draw Meno now... But it's just so aha'rd to figure out their outfit, can you blame me? (No I haven't been rewatching the life series, I don't know what you're t-aha-lking about.)

Anyways. Enough rambling. Keep doing cool things, cool internet person! I've gotta go. Do school now because it's midnight and i forgor

AWW I'M SO HAPPY FOR YOU!! I'm so glad my silly little blorbo can do that for you :'Dc sobsob

Meno is tricky, but here's some help if it's any!!

[spectralsleuth]

Saw you were lookin’ for some asks dont mind if I do 👀

To start off, I’m such a big fan of your writing! I genuinely look forward to every single update of yours and find myself rereading a lot of work in the downtime. You are such a good writer!! My never ending praises aside, here are some asks!

-You incorporate OC’s into your fics so seamlessly! They feel so natural in your fics that I legit get excited anytime they show up (srsly can’t wait for Lou Jitsu vs Hidden City, Sal’s my boy) lol how do you find the right balance when introducing and maintaining OC’s in your fics? I feel like that’s a particularly difficult balance beam to tread but you absolutely crush it.

-A previous ask you answered about Cass and Raph in LSoW got me thinking; how do the brothers handle humans crushing on them? Would they be receptive or dismissive? Do they develop crushes on humans- and if so, how is that perceived (by family or the general public)? The drama 👀

Last ask, I promise:

-I absolutely loved your crossover with Empathy is Learned! Got anymore crossovers planned in the future? Oooor if you could do a crossover with any other fic, which one(s) would it/they be??

Thanks for taking the time to even look at this! I hope these are some fun asks for ya :) I hope you have a lovely day!!

Omg thanks so much... I'm so happy people enjoy my writing it's crazy to me. I've written before, but it's always been just for myself so I never really know if it was good or not. (Years of text based DnD is to thank lol.) (Okay I got carried away answering this so sorry in advance.)

On OC's:

I got a lot of comments on LSoW from people who say "generally I don't like OC's BUT-" which is so funny and flattering. Because I am absolutely one of those people who don't care for OC's in fic.

Let me be clear: I LOVE that people write self indulgent self-insert of OC based fic, where they make the craziest off the wall story etc. Every time a fifteen year old writes a story about the cringiest Mary-sue/stu self insert, or non canon character, an angel gets its wings and I mean that one hundred percent. It makes me so happy I literally grin when I see it. I HOWEVER generally filter out the OC tags on AO3 when I'm looking for something to read myself.

So when I started posting LSoW I was expecting to get maybe like, 100 kudos MAX, maybe one comment or so. Which is great! I love writing niche fic just for me, and one other person who I assume I must be drift compatible with. I just could not figure out a way to write the story I wanted without a few OC's- Rise didn't have a big enough character catalog for me to draw from!

When I went to write the OC's, I knew that they had to have a very simple backstory, that was also very fleshed out. (Xander and Sal have full family, Dr. Heo and Carter have full jobs and history together, etc.) For another contradiction I wanted them to be interesting enough that someone reading wouldn't just be skipping ahead to when they weren't present, or just simply plowing through to get past the part where they were doing exposition. They had to be enjoyable! While also forwarding the story!

They also had to be distinct. Anyone who's ever watched a Whedon show or movie (Buffy, Firefly, Avengers-) knows what I'm talking about. It drives me nuts when the characters in a show are constantly the funniest person in the room, with the same personality traits, and the same girl boss/badass tendencies.

(Fandom challenge Impossible: Give a female fan favorite character another trait besides 'girlboss/mom/lesbian'. I'm dead serious.)

(Also a disclaimer: I LOVE making jokes and doing bits. I FANCY that I'm pretty funny, and I love making people laugh. But you can do that without making it a character personality trait. For example: Xander doesn't really crack any jokes in LSoW! He's just funny because we the reader know more about the situation and his thoughts than he does.)

But the BIGGEST THING I kept telling myself while writing the story, was DO NOT TAKE AWAY FROM THE TURTLES. Because the whole point of the story is the turtles! And Yoshi! The OC's are there to facilitate that. It's a hard balance to hit. I have all sorts of touchstones I keep in mind while I'm writing, and that's a big one.

(A SUPER good example of this done super well is @faiakishi 's Bella from Dawning of the Hour. She's a great OC that's super interesting, and a super important narrative element, but she never detracts from the main story. Big Bella fan here lmao. There's also the rest of the OC's/interpretations of franchise characters (TIGERCLAW), but Bella stands out as truly original.)

On the Turtles dating Humans:

(CW: CSA mention, SA mention, non graphic talk of minors dating etc.)

I actually talked a lot about this to @/tangledinink in feverish discord chats lmao.

When the boys were growing up they got a very detailed talk from both Yoshi, and their Doctors. ONE: Because nobody will know better than themselves if something was medically wrong with their bodies, TWO: The boys are all intersex (minus Mikey) and they had to understand that there was nothing wrong with them on TOP of the turtle thing, and THREE: Because Yoshi knew the boys would be getting a lot of attention, and you never know what kind of attention that form will take.

THE BEST WAY to protect children (any child) from being sexually assaulted or abused, is making sure they know what that abuse LOOKS LIKE. You don't have to make them terrified of being sexually assaulted, but them knowing how their body works, and also how to say NO and set boundaries, will combine to help make them safer.

Yoshi didn't know what would happen in the future and in a perfect world the boys would never leave his line of sight, but that's not always how things happen. (In a Short Season, Xander parroted Yoshi's instructions before going out to make sure the boys knew what to do if someone grabbed them (in any way) and it was to bite and be loud.) So the boys grew up knowing their bodies, knowing how to say 'no', and knowing that there was probably going to be people out there who would treat them as a novelty, and who wouldn't be appropriate to them as celebrities OR non-humans.

(Remember Emma Watson having to deal with that countdown to her turning 18? Or any other amount of child stars who had to deal with adults being predatory to them.)

But ALSO THIS IS HAMATO YOSHI. His sons are HANDSOME and HEARTBREAKERS! Leo has dated a lot but never anything seriously, and his inability to be intimate with anyone but family kind of puts a damper on any more permanent relationship. (He is gay.) He's the number one turtle people ask out because he's the most approachable. Because he made himself that way!

Donnie is in a sort of relationship with Kendra. (THIS WILL BE A FIC I'm working up to it lmao.) I have a head canon that Yokai and other empyrean based creatures are capable of having rivalry based relationships. IE Yoshi and Draxum in the canon show, the unhealthy dynamic between Yoshi and Big Mama, etc. (Caliginous relationship) Donnie is in a puppy love version of that with Kendra, while also lacking the context of yokai society to understand why he wants to punch her very badly, but also if anything happened to her he would die. They hate each others guts and also she was his first kiss. She is not a nice person I am not a Kendra apologist she's terrible I love her. (Donnie is bi!)

I know a lot of people head canon Mikey as ace, but he is a thirteen year old child you don't have to be head canoning him as anything. it is the very rare 13 year old who knows their orientation, and even if they DO I bet you donuts to dollars it will change eventually. This is normal and healthy. Mikey in LSoW has had puppy crushes on boys, girls, teachers, Violet, the mailman, Adam, and Rupert Swaggert. (Eugh eugh eugh.)

Raph is absolutely irresistible to the entire student body and is completely unaware of it. He's not stupid but he's face blind and bad at picking up subtext in conversations. He's gone to multiple people's houses and spent the whole day with them, without realizing they were trying to make it a date. (Raph is bi.)

All the boys have considered identifying as girls since their Dad is the martial arts equivalent of David Bowie and Fine With That, but have settled (for now) on being boys (age 10 the last time they considered this) because quote 'Lou Jitsu and Jupiter Jim are boys and they're awesome' unquote.

They don't get any fucking privacy for their relationships, and Leo in particular had a very bad experience that closed him off from dating big time. (Stamps 'THIS WILL BE A FIC' on this as well.) But also, as of the LSoW canon they are like, 12-14 and not doing a lot of dating ANYWAY. They are BABIES.

(Enter Casey Jones)

ON CROSSOVERS:

I have one crossover with my white whale of authors (you know who you are) I have pecked at with them that I think everyone will go fucking nuts for and love, but I won't mention it in case we can't get it off the ground! (A completely okay and normal thing to happen lmao.) I think that one will end up happening though because I am too excited about it, even if it's not any time soon.

I am super open to crossovers and cowriting, especially since writing with Li because I learned SO MUCH it was like speed running improvement.

The thing is it has to fit! There's some crossovers that wouldn't have a lot of substance because there's not really a lot to cover. When it came to EiL for example, there was PLENTY to cover and do, it was so fun! But other fics might not have a lot we could do for each other. (At least, not until I get some more world building done.)

That being said I do love talking crossovers with other creators it's so fun...

If you guys ever want to use my OC's feel free, just ask me in advance! I don't mind pings.

THESE ASKS ARE FUN THANKS FOR SENDING THEM I feel like you just threw a steak into my zoo exhibit. I am recharged and rejuvenated my crops are watered my skin is clear. This felt very pretentious to write I am mortified.

[crumchycow]

a get to know you better meme

thanks for the tag @thestrangeillusion

do you make your bed?

Nope never, if something doesn't need to be tidied it will not be tidied, have left a bucket in the middle of my room for 9 months because of this.

what's your favourite number?

Don't have one

what is your job?

Currently just a student I kinda need to get a job but studying and working is a lot for me and acquiring a job is annoying and hard so uethggghhhh

If you could go back to school would you?

Um will I continue studying? Maybe....

can you parallel park?

No

a job you had that would surprise people?

None? Probably the most interesting way I have earned money is the only commission I've ever had, which was my mum commissioning me for her work (kindergarten) because they needed 30 little icon drawings that each kid has at like their bag hook and on their stuff to identify them, she didn't like the person who used to do it because they were weird about it for some reason and the designs were kinda cluttered and ugly so my mum was like my child can draw? Yes! and this way I can be really fussy and specific with it.

(dw she paid me quite well)

do you think aliens are real?

In the sense of any life existing outside of earth? yes 100% would be weird if there isn't. In the sense of complex or intelligent life? probably. In the sense of there are human equivalent creatures that have achieved space travel and are equally or more technologically advanced than us, unlikely but possible. Just thinking about how much time life has existed without humans and how long humans have existed before any ideas of space exploration and the very specific technologies and discoveries that were necessary for space exploration I wouldn't be surprised if we are the only ones. Also just like how incredibly difficult space travel beyond our solar system is I think it's unlikely we will truly know or make contact.

can you drive a manual car?

No :) do not care to learn. fuck cars and driving is boring i only learn to drive because its kinda necessary where i live :( get me good public transport government please

what's your guilty pleasure?

im guilty about alot things like drinking milk, eating too much sugar, spending too much money, doing literally anything i will find a way to feel guilty about it but thats just my general state of being since i was a child and i mostly ignore it or work around it.

I guess in the more traditional sense of things i like that are embarrassing and i wouldnt want people to know, it would be reading fucked up smut. Particularly my fondness for incest ships? Don't know why I suspect it is the codependency. but yeah umm...

Tattoos?

Not yet but I wanna get a spider (not decided which) on my back soon.

favourite colour?

Peach

favourite type of music?

Um I mostly listen to kpop because uh autism? idk, but I genuinely like a lot of music. Some of my favourite music is like objectively awful and difficult to listen to, I think I often like music that is complex and has lots of things.

Some of my favourite artists trying to include multiple genres I like:

Mamamoo

Stray Kids

Taemin

F.T. island

Jeff Satur

S3rl

Enaria

Chopin (I'm learning one of his preludes atm it's v pretty)

Vivaldi

BabyBeard

GHOST (vocaloid producer)

also gregorian chants slap (not christian, vocal harmonies just make me feral)

do you like puzzles?

Yes! I just recently was like y'know what I haven't done in years but suddenly really need to do:

But also just generally like I LOVE maths and figuring out things and patterns and stuff so fun.

any phobias?

Nope

favourite childhood sport?

Um not that into sport, I guess I wanted to play netball when I was like 8 (but that might've just been because that's the thing you do) but I missed the trial periods 2 years in a row but kinda glad I didn't I know multiple people with permanent injuries from playing netball as a kid/teen and my joints are not the most functional in the first place. Do still enjoy playing casually every now and then.

do you talk to yourself?

Yes my favourite hobby, I have the best conversations with myself, will stay up for hours just talking to myself. Also great for preparing for real conversations. I love it when a topic I fully thought about and talked to myself comes up in conversation and it's like fuck yeah gonna ace this one.

what movie(s) do you adore?

Hmmm not the biggest fan of movie as a story format but uh have seen how to train your dragon at least 20 times and I need to watch it again sometime soon, been craving that animal/human enemies to deep emotional connection best buds.

coffee or tea?

Love coffee, but over half of my daily water consumption is through tea (usually multiple kinds)

Would be less alive without tea also its just like so diverse, green tea!black tea! rooibos! masala chai! rosehip! liquorice! peppermint..... camomile! and so much more with sugar! with milk! with honey! or lemon! hot! cold! literally my favourite, shoutout to whoever invented plant in water. Also soup different kind of plant in water but still absolutely banging humans peaked at plant in water best things invented.

and caffeine doesn't affect me like at all? so i only drink these things for taste.

first thing you wanted to be growing up?

Idk the first but I know at some stage I wanted to be an author or a marine biologist (why is this so common who put it in our heads? Actually maybe David Attenborough....) probably the first was an animal or something

egh its rambly and may not make sense but whatever, also revealing any information about myself on the internet scares me even though literally nobody could do anything with this information like guys pls dont dox me through knowing my mum is a kindergarten teacher

tagging @gaylittlepieceofsh1t @mousydentist @mr-bazongos @wildelydawn @thestarscanalwayslookatus @fiddlepickdouglas @ae-azile and any one who wants to, no pressure tho <333

[galaxythreads]

Why not just write a fic of the path u wish they took after thr dark world instead of making a video to tell the world why u personally dislike a movie? Why waste talent?

Anon, I want you to read the next words with as much compassion and gentleness as you can muster from text, because I do believe you're asking this genuinely, but do you have any idea how much time it takes to write a fic? I spend hours on a single chapter. I mean that. Usually, it's about ten, then I have to edit it. That takes another five hours. That's fifteen hours-ish per chapter. I usually average about 10-15 chapters per fic.

I have to plan it. I have to think about it. I have to figure out why the story is going the way it's going. I have to replan it. I replan most of my fics 3-4 times. that takes hours. Then there's usually the demon chapter per fic which takes 1-4 rewrites, which tacks on more time. I spend probably 3-4 weeks of time straight on a multi-chapter fic, which this would be.

Every time I start a fic, I have to be ready to devote that length of time or it gets abandoned or updated once or twice every year because I just don't have the energy.

This is completely disregarding the fact my mental health problems, which often cause set backs and delays as I try to cope with that. Fic writing is fun, but it's exhausting.

And this is just one part of it.

Another is that, anon, I genuinely just don't want to. Ragnarok has been out for almost six years. I've written multiple IW/Endgame rerwites (or at least IW-adjacent things, Porcelain, Drawing Keys With Water, Withering Away, We're A Mess Now, Huh? Empty, We Drown Together, the last half of Append) and almost nothing for Ragnarok except for Discolored. I have Avengers 1-adjacent things.

If rewriting Ragnarok was something I had any interest in doing, I would have by now.

And honestly, I don't know what I would put there instead. I don't hate the concept of Ragnarok. I own the movie on DVD, and have since like 2018? I don't hate it. It's actually really, really hard for me to loathe something entirely. Usually I'm like "I didn't like this part", but "this part was good!" All stories have nuance.

That's why there are a lot of people who like Ragnarok and the Loki series who follow me despite the fact I post anti stuff for both of them. Because I recognize there are good things about xyz and I'm not afraid to talk about that. So this is not going to be a video about everything wrong with Ragnarok.

I can get where you'd get that idea. My 3 part essay about the Loki series was extremely brutal and rarely brought up any positive, and I'm not happy about that. Honestly, I wish I'd taken a different approach with the essay and I probably will make another one about the series. But please have some compassion for me. I've had a YouTube channel for less than six weeks. I have no idea what I'm doing. I'm still getting my feet underneath myself and I'm human so it's not going to be perfect.

I can understand why you'd feel really confused about why I'm bothering to make a video essay when, to you, it seems like it would be easier for me to just write a fic and shut up about it. Because fanfiction is often very quiet and private. YouTube is much more public. I get the impression you're a little frustrated with me, if not a little embarrassed that I want to explain why I didn't like the movie publicly, which is fine.

I love Justice League 2017 and it's often regarded to be a horrible movie. I have a Shrek 3 myself. I have a lot of them. It's impossible to love only perfect movies because there are no perfect movies.

Recognizing where stories failed is not passing moral judgment on them. Realizing why other stories work does not mean they're superior in some way. How To Train Your Dragon is a masterpiece, and I mean that genuinely* But WHY. WHY did it work when something like Netflix's Seabeast was less beloved, but had no less heart? The WHY is what I want to address in my video essays and I haven't quite figured out the formula just yet on how I want to go about that. Because, again, it's been like six weeks.

(*and for the record, HTTYD still has a lot of people who don't like it, but that's more so because it's not their type of movie, not because they think that it was written wrong. And YES HTTYD has its' faults because every story has its faults)

There are a lot of unhappy MCU fans who didn't like Ragnarok. WHY? why didn't they like it? Are they not allowed to discuss it just because there are people who liked it? No. You like Shrek 3, but that doesn't mean there can't be discussion about why Shrek 3 isn't a good story. Ragnarok fans and those who don't like it can coexist and it's okay that not everyone likes something. Sometimes a movie isn't for everyone, and that's definitely a factor, but for THIS MANY fans to have not liked Ragnarok, that means that Ragnarok did do something major wrong.

And it's not just og Loki fans who don't like it. It's og Thor fans, too. A lot was done right with Ragnarok, but just enough was done wrong that it bothered a lot of people and I think it's okay to explore what it was. Declaring Thor Ragnarok a masterpiece with no fault is ignoring a lot of people and I don't think that's fair. I'm going to talk about what Ragnarok did wrong because I find it interesting and I think it does deserve to be poked at. What I hope my essay will do is a) provide a little more compassion for people who didn't like Ragnarok and b) offer insight as to what Ragnarok could have done better.

[nixzeroz]

universal artist pet peeves, non-artists take notes!

"Can you draw me?" It baffles me how entitled people are sometimes. It's fine if you're paying for a commission obviously I'm not talking about people who paid, I'm talking about the people that genuinely think they can get away with asking for a free self portrait.

"You're so talented." I wasn't born with natural talent, I've been drawing since I was a little kid. It's years of practice.

"I can barely draw a stick figure." Please just compliment me like a normal human being...

"That's too expensive." Most artists' prices are more than fair. Sure, to you it might just look like pixels on a screen or pencil on paper but to us it's taking time out of our day for you, we could be doing anything else but we're not. If you wanna complain about your $35 full body commission then do it yourself.

"They look like (character name)" For the love of god stop comparing original characters that took hours to draw to stuff that already exists. It's rude. "Oh haha that's cool but that looks like this thing that already exists so basically you're not creative at all." You get me? It's annoying as hell. Unless they're a blatant ripoff just stop.

"Your art style looks too much like (artist name)" It's true some artists like to use other styles as reference, I personally used to really look up to Hiro Mashima's art style but then it developed into its own thing. Unless someone is literally tracing another artist please just stop, nobody "owns" a specific art style just because they're more well known than other artists. We all start somewhere, referencing other artists is a good thing. It gives you an idea of what your goal is.

"Rendering process..." We've all seen certain drawings be memed to hell and back like that one Kaeya drawing, however a lot of these "oh..." "rendering process" comments are directed to actual kids and baby artists, it's gross. You know how many 12-13 year olds have literally quit drawing because of assholes on the internet? If you don't have anything nice to say, shut the fuck up.

"Personally I would (unsolicited advice)" Unless someone asks for constructive criticism, stop. We all have opinions but that doesn't mean you need to express them. Giving random "advice" when it isn't asked for is rude and backhanded as fuck, and really discouraging.

take a shot every time I wrote "unless"

[even-disco-baby]

SAVOIR FAIRE — You might not get another chance to talk with him like this. Ask him about himself! Get to know him!

ELECTROCHEMISTRY — *Really* get to know him.

YOU — “So… you’re an artist?”

SMOKER ON THE BALCONY — He looks at you with genuine surprise. “I… was a student. How did you know that, gendarme?”

YOU — “Your Sunday friend mentioned it.”

SMOKER ON THE BALCONY — “Did he, now?” He lifts an eyebrow. “And what did he tell you?”

EMPATHY — He seems skeptical, but it isn’t aimed at you.

YOU — “He said you were deeply enmeshed in all of the fine arts.”

SMOKER ON THE BALCONY — His smile turns a little wry. “How very… characteristic of him.”

DRAMA — By which he means, “That prick really doesn’t listen to anything I tell him,” sire.

YOU — “Is that… not true?”

SMOKER ON THE BALCONY — “No, gendarme,” he says, and despite his smile, he sounds sad. “I wouldn’t say I’m *enmeshed* so much as hanging by a thread. The atelier school across the river holds public figure drawing sessions, and I make the trip when I can, but… I haven’t been enrolled as a proper student in a long while.”

YOU — “Why not?”

SMOKER ON THE BALCONY — He chuckles, tapping his cigarette on the edge of the railing. “Take a wild guess.”

LOGIC — There’s a reason that this man and the atelier school are on opposite sides of the river.

YOU — “…Money?”

SMOKER ON THE BALCONY — “Beautiful. Got it in one.” He shrugs lightly. “Art costs money, artists have none. It’s a tale as old as time, gendarme.”

EMPATHY — It hurts him more than he cares to admit. He feels foolish for ever having dreamt of anything more than this. He’s long since accepted that this is as good as it gets: a cigarette under the stars, a skyline that fills him both with fondness and resignation.

INLAND EMPIRE — Have you ever loved anything like that? Past the point of resentment. Falling and loving the pit for how it catches you. For all the people at the bottom alongside you, trying to make it feel like home.

“I’m sorry. I hope you can go back someday.”

“Art shouldn’t be about money, anyway. A hungry artist is an artist with integrity!”

“Maybe you should consider a career change? Maybe I should, too. I’m even more broke than you are.”

“Is art not, at its core, about sharing an experience with others? Is every moment that we connect with another person not a performance of love and humanity? Is every sketch you hold onto not an experience that you are hoping to share with your future self? Your connection to the arts can never truly be severed. You are forever enmeshed.”

What the hell is up with that last one? Can’t I say it in a less pretentious way?

CONCEPTUALIZATION — Pretentious?! That came straight from the heart, you hack! But fine. If you want to sound like a total pleb, be my guest.

YOU — “I think you can be an artist even without the fancy atelier. A thread is still a thread.”

SMOKER ON THE BALCONY — He considers you for a long moment, his expression difficult to read with the city lights behind him. Then his eyes slide down to the cigarette butts at his feet, and he smiles again.

“I didn’t peg you as an optimist,” he says with the barest trace of a chuckle. “But… maybe you’re right. I’m not sure I could do the whole art career thing if it meant…” His sentence trails into the night with the smoke from his cigarette.

EMPATHY — “If it meant becoming a Sunday friend to Martinaise.” That’s what he was going to say.

YOU — “Maybe it doesn’t have to be a career. Maybe you can just be your beautiful self in beautiful Martinaise.”

SMOKER ON THE BALCONY — He laughs suddenly. Not his usual knowing chuckle, a *real* laugh. One that even he wasn’t expecting. “You think Martinaise is beautiful, gendarme?”

EMPATHY — He isn’t making fun of you. You just took him aback. In a good way.

YOU — “I do.”

SMOKER ON THE BALCONY — His smile reaches his eyes this time. The deep lines around them crinkle into crow’s feet. “I do, too. I wish everyone could see it…”

YOU — “I think they will, someday. I think something beautiful is going to happen.”

CONCEPTUALIZATION — Hey, that’s pretty good. You should use that.

SMOKER ON THE BALCONY — He tilts his head, regarding you thoughtfully.

CONCEPTUALIZATION — Almost like a painter examining his canvas, looking for potential.

SMOKER ON THE BALCONY — “…I think maybe something beautiful is already happening for you, gendarme,” he says softly.

VOLITION — Maybe so. You hope so.

[queerprayers]

what do you think of the role/presence of contradictions and paradox in belief? can one draw from multiple sources of faith if they feel spoken to by them, even if it creates these contradictions? is the truth not beyond us, is the human spirit not grand enough to grapple with a little paradox now and again?

I love this question, beloved. I love contradiction and paradox, I always have. You're right. God trusts us enough to give us so much to think about, and knows that we can learn to accept our limits, as well as continuously seek more.

There's a question often asked about the Bible, one that I've had to learn how to answer, because it never really bothered me: why does the Bible contradict itself? I know it's a genuine question, and I don't think it's silly or useless, but I always think, well of course it does! I've realized that when you go into it wanting a handbook, or a history textbook, or a step-by-step guide, you're going to be alarmed by contradiction. But when you expect a collection of mythologies and poetry and cultural history and theology discussions? It's less contradiction and more diversity.

Of course we'll find paradox when we go looking for God! God is infinite and inexplicable and fully human and the entire universe. I would be more worried if we didn't find a paradox. We are made in God's image, we are Christ's body on earth. That paradox is within us. We can be scared of it, but we can also seek it out, revel in it. The truth is beyond us, but it is also inside of us. It is more than we can know, and it is worth looking for. And the minute we think we've found it is the moment we're farthest away from it.

Connection to multiple faiths brings even more contradiction into the mix. We have a culture (or cultures) passed down to us through community/family, and many of us find other traditions and meaning throughout our lives. Many people live in the tensions of belief: Growing up one thing and converting to another doesn't erase the first. Learning turns into yearning to fully understand turns into making something a part of you.

Can one draw from multiple sources of belief? Well yes, people do every day. Even reading the Bible is drawing from multiple sources of belief! Perhaps the better question is, should we? And to that I say, how presumptuous it would be to assume I've got it right, that my culture/time/religion knows it all. How limiting it would be to only value what my parents gave me. How lonely it would be to only think one way, to only know what I knew yesterday.

Again and again, I learn how holy diversity is. And diversity includes contradiction, it has to. Yes, the human spirit is grand enough to grapple with this--what a lovely phrase! Or at least, it's grand enough to try, to seek out the grappling.

"Within the community of the Trinity, the one and the many do not cancel each other out. They lean toward one another in eternally circling, mutually inclusive love. That is the image in which the rest of us are made.

I will never figure this out, but that is good news, not bad. To walk the way of sacred unknowing is to remember that our best ways of thinking and speaking about God are provisional. They are always in process--reflecting our limited perspectives, resounding to our particular lives and times, relating us to our ancestors in the faith even as they flow out toward the God who remains free to act in ways that confound us. If our ways of thinking and speaking of God are not at least that fluid, then they are not really theologies but theolatries--things we worship instead of God, because we cannot get God to hold still long enough to pin God down."

(from Holy Envy: Finding God in the Faith of Others by Barbara Brown Taylor)

". . . [T]he opposite of rational is not always irrational, but it can also be transrational or bigger than the rational mind can process; things like love, death, suffering, God, and infinity are transrational experiences."

"If it is wholeness, then it is always paradoxical . . ."

"Life, as the biblical tradition makes clear, is both loss and renewal, death and resurrection, chaos and healing at the same time; life seems to be a collision of opposites. [Miguel de] Unamuno equates the notion of faith with trust in an underlying force so strong that it even includes death."

(three quotes from Falling Upward: A Spirituality for the Two Halves of Life by Richard Rohr)

Belief exists within contradiction and welcomes paradox. May God be with us as we try to include more than we exclude, and believe others when they believe differently, and not let ourselves get stuck. God be with us as we grapple with Their great paradox.

<3 Johanna

[carlisles-girl]

Marcus with a second mate who is really introverted, loves to read and is Bella’s sister? As a headcanon I love your blog and your Aro work but Marcus needs some love too

-

a/n: Literally so true, Marcus is definitely the most underrated of the three kings! Hope you enjoy <3

-

Marcus With An Introverted Mate

-

After Didyme - a bright soul and figure that brought optimism to even the smallest of beings - having a quiet, introverted bookworm of a mate would definitely be a change of scene for Marcus.

Though not as much, as he has been alone for hundreds of years following Didyme’s suspicious death, and him being the most reserved he has ever been.

At the beginning, it was difficult to make simple conversation as Marcus is the type to only speak when spoken to, and you mostly kept to yourself, mirroring Marcus’ actions by only speaking when spoken to.

This lead to Marcus having to step out of his comfort zone a bit.

You were usually found in the castle’s library. Reading, browsing, or you were even there sometimes just to get some peace and quiet.

Marcus followed up behind you around an hour after you arrived in the library nearly every day, not in a creepy-stalker-Joe-Goldberg-way, but in a way to show that he wanted to get to know you more, and by doing this, he usually liked to speak of the many novels that has been written and forgotten over time.

You, being the bookworm that you are, listened to every word he said, nearly drowning in his words every morning and evening.

He obviously didn’t talk about himself all the time, as he’d ask you about the book you last read, or any that you were interested in reading.

“Any pieces you’ve always been interested in, but never got the chance to read?”

Over time, however, the more you and Marcus met up in the library, even scheduling some dates here and there, you definitely opened up to him more than you’ve opened up to anyone.

And he feels the same.

You two weren’t different from each other at all, having experienced losses, either great ones or minor, and bonded over trauma, and aimed to help each other with any difficulties that may occur.

Marcus enjoys long strolls in the gardens. He likes to point out a specific group of daisies that he always seems to read by whenever it’s a beautiful day out.

“These are the daisies Didyme planted hundreds of years ago. I managed to maintain their healthiness over the years.”

“If you don’t mind me asking, who’s Didyme?”

“I don’t mind at all, Didyme was my wife. My first soulmate, and Aro’s sister. I still mourn her, of course. I’ve never loved anyone more than I loved her, until I met you.”

Reading in the gardens is something that became more regular after that.

Marcus’ stories of all the battles he was in, and how brutal he used to be.

“Some say I was more brutal than Caius at some point.”

Meeting Caius, Aro, and the guard was definitely something that stressed you out.

“What if they don’t like me, or my personality, or-“

“If they didn’t like you, they wouldn’t like me. We are one.”

Holding hands nearly all the time.

Sitting by the fireplace in Marcus’ study whilst he reads to you.

He occasionally lets you braid his hair, especially after a shower.

He likes the waviness in his hair after, it reminds him of the ocean.

He often feels a lot of genuine happiness whenever he speaks of his human life, with his family, and with the memories he got to experience.

He often prefers for you to stay in the tower with Sulpicia and Athenadora during trials, since he doesn’t want you to get hurt viciously by the vampires enduring the trials.

He knows how dangerous they can be.

His engagement ring to you is something probably simple and sweet, that doesn’t draw too much attention.

“There is nothing I want more in the world than to be by your side for the rest and all of eternity. Please, from the bottom of my soul, and to the top of yours, do me the absolute best honour, and marry me.”

[the-insomniac-emporium]

Bound Blood (Cassandra Dimitrescu/Reader, Soulmate AU) Pt. 2

Fandom: Resident Evil: Village

Rating: T+ for blood, language, nudity, and horny

Warnings: Implied pain/blood kink

Summary: Local vampire tries to give her human soulmate a bath, but the human is feral and loving it. Then it gets a lil horny, to both of their frustration.

Previous Chapters: 1: Sharing Is (Not) Caring

2: Bloodbath, Baby!

“I take it you changed your mind about the clothes? Or am I supposed to use these towels like a makeshift toga?” You asked, glancing around the bathroom, eying the ornate tub with mild interest. This certainly wasn’t where you had expected Cassandra to take you, especially not when she had somewhat promised you garments to wear. There were no pants or shirts (or even dresses) in sight, just a rack of the softest looking towels you had ever seen. It was admittedly difficult for you to resist the urge to use one to wipe the blood off of your shoulder. However, you figured that it would be best to save that for after you were given a good behavior prize. After all, it was much more fun to be a bastard if your “victim” (not that Cassandra really counted as that) knew how polite you were capable of being, and you were, under normal circumstances, very polite. Most of the time. Maybe.

“What did I say about talking?” Cassandra snapped at you, glaring at you from her perch on the counter. She was sitting on the edge, waiting for something, occasionally eying the room’s entrance.

“You told me to shut up for ‘five minutes’. It’s been eight, at the very least! I’ve been holding back, just for you, babe,” you replied, smirking as you did. For a moment your soulmate seems to consider chucking a bar of soap at your head. Eventually she thinks better of it, opting to roll her eyes at you instead. “For the record, I did count, just to be sure. Wouldn’t have wanted to make any assumptions about the passage of time, considering how fast time seems to fly when I’m with a loved one.” Unfortunately, this does not get a rise out of Cassandra, who has shifted to face away from you. Not yet willing to give up your buffoonery (and assuming that you would not, in fact, be getting a good behavior prize anytime soon), you released a loud, exaggerated sigh, before switching tactics.

Standing up with the blanket still curled around yourself, you maneuver over to the tub, eagerly climbing inside. With how large it was, laying down was fairly easy, though you weren’t entirely flat. Wanting to be as comfortable as possible, you adjust yourself and the blanket until it covers you, while letting one end go behind your head like a pillow. It’s nowhere near as nice as you had hoped. On the plus side, however, is the attention it gets from Cassandra. Before long she’s standing adjacent to the tub, staring down with an expression of exasperation.

“What the fuck are you doing?” She asked.

“Napping, obviously. Care to join me?” You answered, without hesitation. Then you gently pat the blanket, as if offering to let her sit on top of you. This only serves to make her angrier. Now she’s leaning over the basin, bracing one hand against it, her other hand reaching to grab your throat and pull you towards her. The two of you are so close that you can’t help but blush, and the feeling of her skin against yours is weirdly attractive. “I should have known you were the kinky type. Not that I mind,” you murmured, gaze wandering a little farther south than her lips. Before you know it she’s shoved you back down and let go of you. She shakes her hand a bit, like she’s just touched something gross, but you see the pink rising on her cheeks. As much as you want to tease her, the sound of approaching footsteps takes priority. Soon the door is opening, revealing a stressed servant, a pile of clothes in her arms. Suddenly you’re glad that Cassandra pushed you away, considering you don’t think she would have enjoyed having someone walk in on the two of you in that position.

“Lady Cassandra, I have what you requested. Would you like me to draw a bath for you? Or-” she pauses when she sees you, clearly unsure of what to make of your behavior. Hell, she almost drops what she’s carrying, and makes a soft ‘oh’ sound. Presumably dying inside, Cassandra quickly takes the bundle from her. Then she stands between the two of you, blocking line of sight, looking as tense as could be.

“Just get back to work, and don’t mention this to anyone,” she growled, gesturing towards the door. As soon as the maiden closes it behind her, Cassandra is turning back to you. “Get rid of that stupid fucking blanket or I’m forcing you to wear wet socks.” Understandably, you start giggling at her request, hardly able to believe that she had really just said those words out loud. “Would you prefer I cut up the soles of your feet? I’ll heal long before you do, asshole.” Now that makes you pause, trying to figure out whether or not her threat held up. Even though everyone had a basic understanding of how blood bonds worked (the less romantic, and more historic, way to refer to soulmates), the specifics were confusing for most people, including yourself. Would your aching wounds bother her? Or only the initial injury?... Somehow you had a feeling you’d figure out the answer within the next few days.

Until then, you decide to err on the side of caution, for once in your life. Still, you roll your eyes before you pull the blanket up and out of the tub. Again you spot a faint rosy tint on Cassandra’s face, and her gaze most definitely lingers on places other than your eyes. In the end you have to bite your lower lip to stop yourself from calling her out on it. Gotta get some clothes first, you think, then back to being a dick. Holding back only gets harder from there.

Wordlessly, Cassandra takes a seat by the front of the tub, where your feet are propped up on the edge. Giving you a judgemental look, she pushes them aside so she can reach the controls knobs easier. You give an exaggerated pout in response, only for her to ignore you completely, trying very hard to look anywhere but at you. It was in stark contrast to how she had looked at you a mere half an hour earlier. There were several interesting things to note about her behavior, and you found yourself almost excited to figure out the puzzle she presented. Did she care about you now? Simply because of your blood bond? Did she have a genuine soft spot for romance?... Those sorts of questions were all you could think about, even as Cassandra turned the handles, letting cold water splash into the tub.

“I’d say ‘fuck you’ but honestly, were I in your position I would likely do the same,” you said, shivering a little. Cassandra raises an eyebrow, staring at you like you were stupid, before turning the handle a bit more. Eventually you figure out what she meant by it. “What, you guys don’t have a quality water heater? This is Romania for fuck’s sake. I would have figured the water would be a hell of a lot hotter by now,” you added, only for her to splash some still very much cold water on your face. “Is this fun for you? Are you enjoying this? God, I hope you assholes have Legos somewhere in this maniac menagerie, so I can step on them while you sleep.”

“Do you always spit in the face of kindness?” Cassandra asked, moving towards the other end of the tub as she spoke. Once more you laugh, though this time it’s much more of a hollow sound, and your smile doesn’t reach your eyes. “My sister wanted to kill you, but I pulled your pathetic corpse out of the basement, now I’m letting you use my bath, and you’re mocking me. This is why I don’t bother with this shit,” she growled, even as she wets a washcloth and starts dabbing at your wounds. On one hand you understand her frustration… but on the other you couldn’t get the image of her past victims out of your head.

“Don’t get me wrong, I’d rather be clean than not,” you started to say, pausing to think for a moment. Then you reach out, putting your hand over Cassandra’s, making her freeze in place. It’s soft enough of a touch to surprise her. Which is why it’s so easy for you to snatch the towel from her hands. “You ‘don’t bother’ with this ‘shit’ because you’re a fucking sadist, who thinks all humans are beneath you, who acts like she has every right to bleed innocent people dry, who thinks she’s God’s gift to this goddamn hellhole we call Earth. Do you think this makes up for your sins? Do you-” her nails dig into your arm and she grits her teeth in pain- “think that I can forget listening to the screams of your victims? Whose graves is this castle built upon? Whose fucking bones am I standing on? Who died to keep you alive? How many other versions of me have you killed, in other timelines, in other lives, where the universe didn’t demand that we be together? I’ve seen your heart, girl, and it’s as raw as they come.”

There’s a brief second of intense, furious eye contact. Then a flash of movement, a rush of pain, tears filling the corner of your eyes. Blood pours from the new hole in your shoulder, but Cassandra is quick to lick it up. She’s groaning in between each run of her tongue across your skin, clearly feeling it every bit that you were, yet she shows no signs of stopping. If anything, her pain seems to spur her on harder. Even you can’t help but blush a little as you struggle beneath her grip. Why did vampires have to use their mouths? Why couldn’t they get blood transfusions, like the rest of society? This way, your pleasure mixes with your misery, leaving you confused, and the fact that you’re still naked is not at all helping.

“Oh fuck off, please,” you gasped, trying to push her off of you. To your surprise, she does as asked, pulling away after one last lick. When you turn to look at her, you see your blood covering her lips and dripping down her chin. “You’re a mess, Cassie. Hot water?” With that you return her favor from earlier, splashing some of the (finally above room temperature) water in her direction. Most of it misses her. A few drops, however, do manage to hit their mark. Then she’s wiping her face on her sleeve, scowling the whole time. There’s still plenty of blood on her face afterwards, but it’s nothing compared to what’s gathering on your shoulder. She eyes the wound, nostrils flaring briefly, a predator dying for one more bite. “If you bite me again, I swear to whoever that one lady y’all worship is, I will bite you. My teeth aren’t made for that shit, but I don’t care. We’ll both be miserable and that’s it, baby! That’s love! I’m threatening you with an unhealthy perception of affection, dipshit!”

This time you expect her to move away, or hit you, or do anything other than what she does. Calling your bluff, she moves around the ever-filling tub, pausing to turn the water off, before hiking the edges of her dress up and… oh. Oh. Somehow she’s in the tub with you now, legs on either side of your waist, presenting the side of her neck to you with a knowing smirk. But you are not known for your cleverness. Nor your ability to make good decisions, at that. Perhaps your blood loss was starting to affect your cognition. Whatever made you so feral, so beautifully unhinged, you embraced it with utter glee. Soon enough your teeth find themselves on Cassandra’s throat, digging in enough for you to feel your blood bond reacting. For a moment she stiffens in response. Then she relaxes, even takes in a rush of air that sounds oddly content, leaning into your touch. What the fuck? You think, almost shocked enough to let go. Almost.

“What’s the matter, pet? I thought you wanted me to know what it felt like on the other side of things?” Cassandra teased, voice quiet and low. Something about her tone sends a familiar, although unwanted, feeling to your core. Still, her words egg you on, and you find yourself biting harder, tugging at the skin a little. More tears gather in your eyes, but you fight through the pain as best as you can. You drag your teeth across her skin, wishing for sharper canines, before letting go to inspect your work. There’s a clear outline where your mouth had been, but not a single drop of blood. Frustrated, you go back in for seconds, choosing a different spot to target. Again you go through the motions, only for no crimson to stain your lips. This cycle repeats several more times, with you running your tongue along her neck in between bites, so focused that you don’t realize that she’s grinding against you until she stops.

“I need to file my teeth,” you mused, trying to forget about what you had just done. Now that it’s over, Cassandra seems to feel the same, and she quickly climbs back out of the tub. She’s refusing to meet your gaze, instead focusing on arranging the clothes the servant had brought earlier. By the time she’s facing you again her blush is almost entirely gone.

“Finish cleaning up, then bandage yourself and get dressed. I’ll have a maiden wait outside to bring you back to my room. Don’t even think about trying to run,” Cassandra said sternly. You’re too distracted by the thought of what happened to give her any snarky response. So she simply nods to herself, then leaves, slamming the door behind her. Though you had expected to be relieved by her absence, you find yourself groaning, holding your head in your hands. Why is she so attractive? This is probably illegal, you think, in at least several countries. Or it should be, at least. Now that she’s gone, there’s nothing to distract you from the price of her attention, with your shoulder and neck aching horribly. Cleaning up was going to hurt even worse. Still, you think, at least I’ll have some time to think of new insults. With that in mind, you begin to wash away the blood, thoughts entirely consumed by your newest ‘partner’.

[tamago-tamago]

little acts of love

what are some little things that the genshin boys would do to show that they love you? sometimes, there are acts of affection that aren't so obvious to the human eye alone.

characters: diluc, kaeya, xiao, albedo

genre: fluff, gender neutral

a/n: hey, hey, this is my first genshin headcanon, please let me know your thoughts:)

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Diluc ❣

he would pat your head

whether he's simply passing by or watching you work hard on whatever task you have at hand, he always feels inclined to give you a pat on the head

it's nothing extravagant, really

but, he finds that it delivers a sense of reassurance and the pride that swells in his heart when he sees you — feelings that he normally finds difficult to convey through words

as he's quite a tall person, i think it also comes naturally to him

he wants to protect you, and the way you always lean into his touch reminds him that you understand that

it's almost become a thing between you two, whenever you'd run up to see him, he'd greet you with a smile and a small pat on the head

whenever he holds you, he feels like he has the whole world in his hands (which he firmly believes he actually does)

and you, you love the warmth of his touch

he would leave small gifts

diluc may constantly be absorbed in his work, but there's almost never a moment where you leave his thoughts

he'd be walking down the streets or around the winery and suddenly think, "ah! they would surely love this" or "huh, this reminds me of that one time they stupidly tripped down a hill"

and he would promptly be reminded about the million reasons why he loves you

up until today, there's hardly been a time where he came home without something in hand

sometimes it's a small flower that he thought would match your outfit today, sometimes he goes out of his way to buy you some materials that he knows you've been needing recently

whatever it is, the effort that goes into getting you these gifts is always worth it if he gets to see the bright smile on your face

Kaeya ❣

he would keep an arm around you

oftentimes it's around your shoulder, sometimes it's around your waist

wherever you go, kaeya loves to keep you close to him

maybe it's because there's a deep-rooted fear that you may disappear if he doesn't cherish you enough, yes, that point still stands

but! more than that, it's simply because he loves being near you

he can't get enough of your beauty, your lovely voice and cute smile — he's absolutely drunk on you

he would openly admit that he also likes showing you off too

he wants to make sure that everyone knows just how great of a person you are, so that they could shower you in the praise that you deserve

this man would never leave your side unless he has to

he would let his guard down

everyone knows kaeya for his smug personality, there's almost never a moment where he's not acting haughty

but there are times where even he gets tired of keeping that act

and those times are when he's with you

of course, he still pulls out a joke and teases you from time to time (he can't help it, it's practically in his blood), but he's also a lot calmer and relaxed when you're together

or should i say, he becomes soft

he doesn't feel the responsibility of being the cavalry captain or the pressure of being, well, kaeya

at least the kaeya that the rest of mondstadt thinks he is

he knows he's popular and that some people have mixed feelings about him, but he has complete trust into you, knowing that you love him for who he actually is — both the personality he projects, and the quieter one he keeps hidden

Xiao ❣

he would watch you as you leave

xiao's primary job is to protect liyue, so this makes sense

you are just as important (if not, more) to him, so he would do anything in his power to keep you safe

but of course, there is an extent to his doting, he understands your individuality and knows you're very capable of taking care of yourself

though that doesn't stop him from sitting on the roof of wangshu inn and watching your figure retreat into the distance

he'd sit there and watch you until you were out of his sight

this means even if you stop to talk with other travellers or merchants along the way, or if you get off track because you've spotted the resources you've been needing recently

xiao's a patient man, and not a single ounce of him would complain about that; all that matters is that you're safe

he also finds it cute when you spot a familiar face and get all happy, though he can't understand how you could possibly be excited about meeting someone

he would kiss you when you're asleep

or maybe... you weren't actually asleep but he thought you were asleep !?!?

speculations aside, i think this is the vulnerable side he would only show in private

we all know he doesn't really care for relationships or as he calls it "mutual understanding", so falling in love was already something really big for him

but seeing you asleep, sometimes on his lap, or against his chest, or next to him in bed, he can't stop the urge to plant a soft kiss on your forehead

he literally cannot stop it; the warm buzz in his chest and the way his heart warms as he kisses you

only being near you quells those feelings

sometimes you stir in your sleep because of him, so he'd spend the next while gently stroking your head to lull you back to sleep

Albedo ❣

he would trust you

okay look, that might not sound like much, but to an alchemist who's always making sure that everything is precise and accurate, it's difficult to find someone that he doesn't have to be wary of while conducting experiments

add on that internal battle he's constantly having with himself, it's relieving to finally have someone that he can be himself around; he doesn't have to keep his guard up

whenever you enter the lab, he doesn't have to pause his current experiment to accommodate to your presence

usually, he'd have to stop, so that he could focus and discuss matters with whoever came in without interruptions

however, you both have this mutual agreement that if you came in while he was working, he didn't have to worry about diverting his attention — he could finish it and as soon as he does, he would give you all the attention in the world

he appreciates that you genuinely listen to his speculations about life as most people tend to brush off his rambling and nonsense

he would constantly draw you

as an artist, albedo knows the importance of occasional practice and warm-ups to ensure his skills don't get rusty

so why not practice on you?

to him, you were the perfect model, he was fascinated by every single detail of your body and he thought you always moved with elegance

he doesn't think he would ever get bored of drawing the same thing over and over again, because he learns something new about you every single day

and most of the time, you aren't even aware that he's sketching you

he'd quietly sit at a distance and watch as you carry on with your own work

by the time you're done, his page would be full of small sketches

if you nudge him, he might give in and show you those drawings, but oftentimes, he keeps them to himself

he's sure you already know how beautiful you are, and if not, then boy oh boy is he whipping out the sketchbook

[thecarnivorousmuffinmeta]

to make things a little more lighthearted than usual, what things do you think the cullens would enjoy doing in their spare time, if they could? (i say if they could, because they’re kind of limited in what they can do, and characters like jasper don’t seem to have a lot of hobbies in the books, they’re just there when smeyer needs them.) what hobbies would emmett have other than wrestling the others? would jasper go back to riding horses but as a hobby? all of the characters are so bland when you actually try to look deeper into them and your metas always provide better insight into the characters. have a great day!

Pfft, I see what you're doing there, anon.

Luckily for me @therealvinelle answered this not too long ago. But you asked what they would prefer to do if all options were open, which is a bit of a different ask than what they do do (which is eat animals and sometimes wrestle).

So with that, let's get into it.

Alice

Shopping, party planning, and more shopping.

I think Alice is living her best life. She gets to design her family's outfits and get them to wear them, she has unlimited financial resources, and when Bella comes into the picture she gets to plan for parties and events that are suddenly actually meaningful.

Alice is having a grand time and I suspect Renesmee will have spectacular birthday parties from here to eternity.

Carlisle

He would never leave work.

Carlisle's an absolute workaholic in part because he a) doesn't sleep and b) this is his passion in life. He really enjoys being a doctor, so much so that his life in this modern day and age revolves around being a doctor. He could spare himself a lot of hassle and trouble if he didn't want to live in human society and just wanted to go hiking.

Carlisle's job should be impossible given his vampire condition, against all odds he made it work.

Beyond that I think Carlisle enjoys spending time with his family. In other words, even though Carlisle's that dog in a house on fire, on the surface he's living his best life and certainly loves what he does/wouldn't have it any other way.

Edward

Well, Edward has his music, which he does seem to enjoy once he's crawled out of his depression. Beyond that... While we never see Edward draw or write or act or do anything besides the music I can see him pursuing the arts if only because it makes him more sophisticated.

Otherwise...

In every town they move to, Edward would meet a human whose thoughts he cannot read, who smells utterly delicious, looks fragile, and is in desperate need of his protection. He'd tell himself that oh, he is unworthy of them, but they desperately need him in their lives for they are hated by the gods.

For some reason, all of his family members (including Bella) are perfectly fine with this just as Edward himself is (because this is all very platonic) and "Twilight" basically plays out infinite amount of times with Edward leaving Love Interest 456 at every town, for he is that noble.

Emmett

I think Emmett genuinely enjoys wrestling and eating bears. These are his hobbies, he loves them.

Esme

Esme bakes, she can't eat the food, doesn't stop her. She also enjoys both building the house and keeping it clean. Nothing's stopping Esme from picking up other hobbies, I think she's perfectly content with what she's got.

Jasper

As you point out, Jasper's a bit of a mystery. However, I'm not sure he's that attached to horses. Hard to say. To him they could have simply been a mode of transportation and now, well, he doesn't need them anymore.

I think Jasper's still in the process of trying to figure out who and what he is without war, that's part of his trouble.

Rosalie

Rosalie loves her cars, going on vacation, the family in general, and pursuing her education. The girl has a million degrees, is constantly fixing up cars, and seems to enjoy these hobbies.

Basically, anon, while there's a lot the Cullens can't do there's a lot they can make work. All of them seem very content with their hobbies and interests and I don't necessarily see them pursuing others even if it were possible. They're doing what they like.