#I feel like this had a different vibe to the first one

[amoebab22]

I completely agree with this. I feel like this is one of the worst parts about Veilguard. My Inky is in the South, and while I firmly believe Orlais is the devil, it's very weird that Tevinter is just super chill about my elf Rook when my elf Inky had constant micro-aggressions as well as just out and out slurs hurled at her. Also I'm going on a rant about Mythal.

SPOILERS BELOW

Bellara also seems to just...kind of ignore that I'm an elf? Davrin makes more sense. He left his clan and joined the Wardens because he just didn't really vibe with the Dalish. He'd think of himself as a Warden first, I think. Wardens don't seem to give much of a shit about your race or religion or sexuality or whatever. In The Calling, they canonically don't give a fuck about the gay couple in their little group, or that Fiona is a mage and an elf. Absolutely irrelevant. So Davrin could start to fall into that mindset because frankly, it's a nice way to live. It's just not real outside the Wardens.

So when Bellara is like oh my god our gods are evil and Davrin is like eh, fuck 'em, that's actually about the most realistic reaction we've got re: elves. Davrin is just out here like yo I'm a little busy saving the world fuck them gods. Love Davrin.

Also, in Inquisition, there's concern that knowing Corypheus's artifact is Elvhen will cause violence against elves. So knowing it's the Elvhen gods causing all of this? The consequences of that, even if an elf Rook saves the world, should be looming for a Shadow Dragon in particular. Clearly Inquisitor Ameridan's race did nothing for the elves of Orlais. It was covered up over time. His sacrifice meant nothing to the humans. This should make Solas's plans to restore the elves much, much more tempting.

The way the Crows were presented REALLY bothered me as well as someone who romanced Zev. The Crows *tortured* him, sexually assaulted him, made him feel worthless, because it was seen as necessary. Sure, Lucanis being blood family might give him a very different perspective and experience, but Jacobus is just allowed to be a Crow and start his own house when he wouldn't kill? I mean, I totally agree that prolonged, public shaming and imprisonment is worse for this individual, but like.... That's not how the Crows work. They kill stuff for money. Sure, they run Antiva and would be pretty pissed off about the Antaam taking their territory I'm sure, and they might work with Rook since Rook helped Lucanis and he's a big deal to the First Talon. But like... It should be a hard choice to work with them for Shadow Dragon Rook, because SLAVERY.

I feel like the pullback on slavery is to make Solas's actions seem more ambiguous, and to make it seem like there was some equal power between him and Mythal. But I have a very hard time believing he was never Mythal's slave. Also, a spirit of BENEVOLENCE? Get ABSOLUTELY fucked. She was fine with SLAVERY. Thought she could just slowly phase it out, maybe. Yeah, no .

Because here's the thing: slavery is evil. Whatever you have to do to stop slavery, short of participating or killing slaves, is pretty easy to justify. Maybe I'm just John Brown-pilled from living in Kansas a good chunk of my life, but killing slavers and slave owners and freeing slaves is MORALLY CORRECT. FULL STOP. A "kind" master is still a master. Sure, you can give them a chance to free their slaves and make reparations first, but waiting to vote slavery out didn't work. The US had to go to war. Haiti had to rebel (and give basically all its GDP to France for like two hundred years. Fuck Orlais AND France).

The only reason my Inky was able to befriend Dorian, at first, was their shared trauma in going to the future. That changes people (that whole quest fucked me up the first time I did it) and I think my elf Inky was looking for reasons to trust Dorian and ignore the system he participated in. She didn't have to see it so it seemed less real. He's an altus so he doesn't own the estate. He seems open to other opinions! And some part of him knows it's wrong, or he wouldn't be so awkward upon talking to Inky the first time.

But Solas's inherent and never fully overcome distrust of Dorian isn't wrong. Solas needs to see action; words aren't enough. I don't blame him.

This is the same softening we saw of the Templars in DA2 and Inquisition, but if you read The Stolen Throne and The Calling and play DAO, it's very clear that mages are oppressed by the Chantry and live in horrible conditions. The ones in Lake Calenhad are described as pale and kinda sickly looking (or something like that) because they don't get any fucking sunlight. Fiona is happy to go to the circle at first because she was a SLAVE in Orlais (Honestly Loghain's hatred of Orlais is justified even though his actions aren't). If you decide to allow the right of annulment or whatever in DAO, Zevran calls it genocide. Zevran isn't one to mince words. He doesn't pretend he isn't a killer or that he wasn't tortured.

My Inky and my Rook are both 'no gods no masters' types, which is why I think clan Lavellan sent their First on a risky mission supposedly by herself (got real sick of her shit lol). As a result, she heavily sympathizes with Solas's cause, and would have happily joined him in bringing down the Veil if he'd just agreed to spend time making sure as few people died as possible, particularly after she meets the Avvar and sees how spirits really are. She knows Solas better than anyone, and even without a full explanation, she'd know that his reasons for doing this were morally right. He freed her people. He never meant to hurt them. He can't live with his guilt. Inky (who in my game was more like 30 because I don't think she could have made decisions or led on her own at 20, nor would she have been a studied enough mage) wants freedom for everyone. She's chaotic good.

Rook is a Shadow Dragon who killed slavers a little too hard for an organization dedicated to killing slavers (based Rook). They're also chaotic good, and a bit of an idiot, bless them, who kinda sees everything as a nail because they have a hammer. They see slavery, they fight it. Fuck the consequences. Solas did the same.

So why is Rook not bringing up slavery a lot? Why is Rook only finding out that Solas freed slaves on the regular at the beginning of the game? Did Varric just decide that wasn't worth bringing up to a person whose entire life revolves around ending slavery? Why is Rook not having an existential crisis after talking to Solas and finding out the truth of his past in his memories?

Look, all I'm saying is that I don't understand why more people aren't angry with Mythal and why no one is talking about slavery and racism. The whole point of fantasy and sci-fi, and the point of Dragon Age, is to critique modern society through thinly veiled references. That's why people get so passionate about Star Trek. And yeah, yes, it's necessarily going to make a piece of media more niche, or people are going to bitch about it (especially gamer bros my dude calm down, sorry something is very briefly not about you), but it makes a game *good* and lasting

BG3 did a good job of exploring the themes of trauma and power imbalance, and while some characters I think needed more fleshing out (Wyll my beloved, I owe you a lengthy fanfic for the injustice done to you), it was particularly powerful in Astarion. The people are ready for real exploration of real issues. We always have been. Backing off was a mistake.

ANYWAY I have feelings and none of my friends share my special interest. Here you go.

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[lucy-mclean]

hi sole! your sharpening is always so soft and pretty, i was wondering if you would be open to share it? hope you are having a wonderful november so far <3

Hi, Anon! Thank you so much <3 Yeah, sure, tutorial under the cut:

What you'll need:

Photoshop (I use Photoshop 2023)

Basic knowledge on how to make gifs

Camera Raw filter installed

Okay so, first of all, I use two different methods depending on the size of the gif. Let's start with the one I use for most of my gifsets which are big gifs (examples: x x x x.)

METHOD #1: Smart Sharpen + Camera Raw

I started using the Camera Raw filter last year and let me tell you, I'm obsessed! It completely changes the game of sharpening. I use this method for all gifs with a 540px width.

We're going to work on timeline so get your gif ready and convert it for smart filters. I'm using this scene from my last set as a base:

Here's the gif after I color it (I usually sharpen my gifs before I color them but for the sake of the tutorial I'm showing you this so you guys can see the difference):

(1) Smart Sharpen Layer: Let's start by adding a Smart Sharpen layer (Filter > Sharpen > Smart Sharpen) with these settings:

Disclaimer: I didn't come up with these settings myself I got them from these sharpening actions forever ago so I don't know which one it is :/. I also wasn't able to find that person's new blog (if they even have one since they've been inactive since 2021) so if anyone knows please let me know and I'll give them proper credit!

Now we're going to go to the 'Layers' panel and click on this little thingy:

This window will pop up and we are going to change the Opacity to 50%.

(2) Camera Raw Filter: Here's where the fun begins. Go to Filter and click on Camera Raw Filter (you'll need to have the plugin installed for it to show up.) I don't know how the Camera Raw window will look like the first time you open it but good thing you only need to change a couple of things!

If it isn't opened yet click on 'Effects' and we're going to change the Texture and Clarity:

Depending on the scene/show/film I'm giffing, or if I want a stronger or softer sharpening, I'll use two different settings, but 99% of the time they are these:

First setting: Texture (+20) Clarity (+10)

Second setting: Texture (+40) Clarity (+20)

As you can see the difference isn't huge but the first setting gives a "softer" look. As I said I'll use one or the other depending on how I see the scene (it's almost always about the vibes yk.)

Feel free to experiment with these two and see what works best for you (although I wouldn't go higher than 40 on texture because the sharpening will look too fake imo.)

Also this filter is soooo good at making low quality videos look 1080p! Every time I've had to use 720p videos the Camera Raw filter has saved me 🫡

METHOD #2: Smart Sharpen

I use this method for smaller gifs. For example, 8 gifs of 268px x 180px sets (like these) or small-ish gifs in complex sets (like the second gifs in this set.)

This process is much simpler since it's the one I explained before but without adding the Camera Raw filter. That's it that's the method. Just a Smart Sharpen layer with the Opacity turned down to 50%.

As I said this method looks best on smaller gifs but to be honest it looks good on big gifs too? Depends on what you like most!

Anyway I hope this was easy to follow and if anyone has any questions please feel free to dm me or send an ask! ♡

[cheshiresense]

Hello Anon, I hope you won't mind if I screenshot pieces of your ask, I read it but my muse vaulted over your first 3 questions and then took off on your 4.1, and now here we are, so I'm just going to chop these up and post them depending on what I can come up with.

This started out with TBTP!Shunsui never getting his memories and then kind of spiralled. He still doesn't get his memories but... well, you'll see. It really ran away from me lmao. No thoughts behind it, just vibes, I hammered this out in like fifteen minutes and it felt like a fever dream.

Starrk would definitely have complicated feelings about it. Like at the start when he agreed to go back, I think a part of him even then expected for the entire thing to end with his death, even if they manage to neutralize Aizen and defeat the Wandenreich, but whether or not he manages to survive it all, he definitely has no plans to get together with TBTP!Shunsui.

For one, obviously they're not the same person. I wouldn't say they're completely different, and I imagine TBTP!Shunsui would be a lot closer to Winter War!Shunsui, whom Starrk had met first. But TYBW!Shunsui is the one Starrk knew best, and TYBW!Shunsui suffered quite a few losses in a very short time. Like to Shinigami, even a hundred years probably isn't that much, especially to one who's already lived over a thousand years. But TYBW!Shunsui lost everyone he'd known for a thousand years in like the space of a week, he lost his mentor, he lost his closest friend, and on top of all that, he had the weight of a war fuelled by a grudge a thousand years in the making dumped on his shoulders, he had the duties of Captain-Commander of the Gotei 13 dumped on him, he had the deaths of literal thousands of Shinigami dumped on him, and then in this AU he had to be the one to carry everyone else through another 7 years of waging an endless bloody war that after a certain point neither side was ever going to win, but he had no way of stopping it either.

That sort of thing would take its toll on anyone. TYBW!Shunsui was a man changed by loss and grief and more responsibilities than he'd ever wanted. I imagine he would've had very little time or cause to still remember how to be the person he was before the Quincy War when he still had it in him to relax and enjoy life.

But I also imagine that Starrk being there had helped. Starrk has always been a quick learner, and it's not like he'd really known anyone there save Shunsui. He stuck close to his Shinigami, watched and learnd the way Shunsui strategized for each assault and skirmish, contributed what he could where he could, pitched in by keeping the Fourth Divison alive and functioning, shouldered some of that weight by finally wielding all his strength and mowing down entire battlefields of Quincy on his own just so other Shinigami wouldn't have to and Shunsui would thereby have one less thing to worry about.

And in the precious stolen moments in-between, Shunsui had someone to go home with, someone who guarded him while he slept, someone to distract him from the war (from his failure to protect yet more Shinigami fallen in battle under his command), someone to sit beside who knew the same kind of loneliness and didn't recoil from it, who was content to hold him and share in his silence when he just needed a moment to breathe.

I imagine there wouldn't have been many things to be happy about, but I think they'd still manage to carve out some happiness between them. Starrk had known very little of things like human food and clothes and games and books. Shunsui had been delighted to introduce whatever he could to him. They learned about each other, about their similarities and differences, about their strengths and weakness and hopes and fears, secrets exchanged in the dead of night in the safety of a shared office, a shared bed, a shared home. And even in the midst of a war and so much death and destruction, they managed to build something beautiful and strong, something that would've been long-lasting too under any other circumstances.

Because then Shunsui dies, a year before the true end of the war, and Starrk had perhaps not seen it coming even though there was never any real guarantee on a battlefield, but it had also been an unspoken certainty of his, something he knew the way he knew bones were breakable and blood was red and murder was easy--the day Kyouraku Shunsui dies would be the day Coyote Starrk would also fall. With any luck, Shunsui would only die over his dead body, but fortune has never favoured Starrk, and he'd figured the other way was fine too. That way, Starrk wouldn't be yet another person in a long line of people to have left Shunsui behind and alone once again, and he'd thought it would make no real difference. If Shunsui dies, Starrk would surely be minutes behind, by his own hand or otherwise.

That doesn't happen. It doesn't happen because the rest of the Gotei had gotten over any qualms they might've had about working with an Arrancar or even Aizen's former Primera Espada years ago, and besides, Starrk had already broken all the known rules and beliefs several years back by becoming a whole soul and evolving into something no one had ever seen before. He couldn't really be considered a Hollow anymore, for all that there was no other name for him either. And with all that he'd done - following Shunsui into battles and meetings and everything in-between with the kind of steadfast devotion the tide held for the moon, burning the midnight oil right alongside all the other captains and lieutenants because even a hopeless war generated paperwork and headaches as much as it did low supplies and emergency triage and lists and lists of dead, powering through enemy forces to save even just one more Shinigami with the kind of firepower rivalled only by the likes of Kurosaki Ichigo and Aizen Sousuke, and carrying the Fourth on his back by sheer force of will and a truly terrifying mind that had soaked up every medical text he'd had time to read and every medical procedure he'd had time to learn or extrapolate or straight-up invent out of fatal necessity - Starrk had long become a pillar the Gotei 13 couldn't do without, a figure at their helm as familiar and reassuring as the long unwavering shadow Kyouraku had cast. And in the devastating wake of even their Captain-Commander's death, with only a handful of captains and their squads remaining, they couldn't afford another titanic loss on its heels.

And, as Hirako had been the one to point out, all glittering ruthless eyes borne from desperation and pragmatism--Kyouraku Shunsui had protected Soul Society with his very last breath; if they were to ever meet again, would Starrk even be able to look Shunsui in the eye if he wouldn't even stick around to try and defend the place and people Shunsui had loved enough to die for?

(A year later, Mimihagi would use the exact same argument to receive the answer he needed to send the second envoy the Soul King had chosen back in time to save the world.)

(Perhaps the lesson Starrk had learnt best at Shunsui's side had been the one of duty. Or perhaps it had been the one Shunsui hadn't even meant to teach but Starrk had learnt anyway, had held closest to his heart, the one of love.

They were about the same thing in the end, when it came to what Starrk would do for Shunsui.)

Hirako had even dragged Ichigo to stand before him, Isane too, each and every last person Starrk would even nominally call a comrade and was still alive--Hirako had put them all in front of him, and then he'd asked if Starrk could really go to his grave in peace.

The bastard had gotten his way in the end, and Starrk had never come as close to hitting someone unprovoked as he had right then. He'd been left the sole survivor once again, left to soldier on alone, and some days, he has no idea how he keeps going.

(Some days, Starrk had wondered, still wonders, if Shunsui had known his death was coming, or had known what would happen should his death come to pass, so he had made… arrangements accordingly. Most days, Starrk knows it's best not to know the answer because it would probably be the one thing he would never be able to forgive Shunsui for.)

So Starrk had hung on for another year and done his best for what was left of the Shinigami, for the dwindling pockets of civilians, for Kurosaki Ichigo. Anyone with eyes could tell though, that he'd just been waiting until the war was over one way or another, until the day he could lie down and not wake up again.

Of course, as it turned out, he wasn't even allowed that much, and a lifetime later, Starrk is still alive because death just won't take him, or he just won't die.

He has zero desire to even look at TBTP!Shunsui. The first time he has to anyway and sees two eyes instead of one, it's like a knife to the gut. They're lighter too, somehow, without the void of grief and exhaustion and quiet despair bruising their depths. His gaze still holds a weight to it, he's still loved and lost before, he's still lived a thousand years with all the joys and sorrows that entails, but he hasn't lost everything, hasn't lost those dearest to him, hasn't had to pick himself up and force himself to march on anyway towards a dead-end future, and for a moment, it's like Starrk is looking at a stranger.

He thinks, randomly, bizarrely, in those first few minutes of their second first meeting, that it's a good thing he always wears gloves when he goes out.

He thinks, madly, nonsensically, that if he were to touch this Shunsui now, it would stain him black with desolation, or red with blood that would never run dry.

He thinks, abruptly, hysterically, that he'd somehow forgotten the hole Shunsui had left behind with his death, as if the past year had numbed him so thoroughly that it had frozen even his grief in its tracks, except it all comes roaring back now, an empty pit that's always been waiting for him to remember it, threatening to drown him whole. Frankly, he would welcome it if he thought it would kill him once and for all.

It's frighteningly easy to pretend nothing is wrong. Perhaps it shouldn't be. He's never been one to emote outwardly, always been good at displaying nothing but impassivity without even trying, to the point where Shunsui had remarked more than once that it was difficult to read him (and then pouted and asked what Starrk was thinking - don't leave him out, it's hurtful - and he'd always want to know even when Starrk was clearly thinking of nothing important at all).

He greets this Shunsui politely, with the courtesy an Academy student should afford a captain, he makes smalltalk as necessary, he doesn't look at anyone in particular but also doesn't avoid anyone's gaze, and then he lets himself fall silent as Ichigo draws everyone's attention again with no deliberate effort whatsoever when he blows up at something his cousin says.

It's easy to fade into the background after that, to fade into himself, retreating into his own mind with the ease of long practice. Once upon a time, he could spend years like this, buried so deep in his own head that when he surfaced and became aware again, the sand dunes would've shifted and changed, and new mountains of bones would've already formed around him.

The few times eyes turn back to him, he nods in all the right places and responds at all the right times and pretends the world hasn't become white noise in his ears.

(He'd had these episodes a few times during the war, never when there was immediate work to be done or a fight to be fought, but in their downtime, it would sneak up on him. It had never lasted more than a couple hours at a time, but he'd scared the hell out of Shunsui the first time, had found himself at the Fourth when he'd woken, but then he'd explained, and Shunsui's expression had been unreadable but his eyes had looked pained. He'd shaken his head when Starrk had said he could leave him alone or just smack him out of it, either way he'd come back sooner or later, but Shunsui had refused, and every time it had happened after that, Starrk would wake with his head pillowed against Shunsui's shoulder or chest or thigh, Shunsui's arm wrapped around him or his bulk at his back and a blanket draped around them both, warm and comfortable and never alone.)

(He is alone again now, and he doesn't understand why it's so difficult to relearn something he had known for far longer than he hadn't.)

He's here to check Fujiwara's Hohou - Shunsui's cousin, Shunsui never mentioned her, she must've died long ago in the future - so he does that when he's cued and works her through the problem and suggests a few exercises, and that's that. He practically sleepwalks through the rest of this little gathering, barely manages to feel vaguely relieved when it looks like they can all finally part ways, and hazily wonders if he can get away with booting Ichigo back to his own room for the night. He's pretty sure he's going to end up scaring the kid if he falls even further into his own mind.

Then Shiba Kaien does him a favour out of the blue, nagging Ichigo until the kid snaps and irritably agrees to spend the night at his family's compound. Distantly, Starrk is aware of being invited as well, but that's easy enough to refuse, citing an exam in the morning - or maybe he says assignment due, he's not sure - and the Clan Head says next time then, and- and-

He blinks and it's time to go. Nothing seems amiss so he inclines his head at the captains and lieutenant, bids Ichigo and Fujiwara farewell, and then takes his leave in a flash of Shunpou.

Starrk has seconds to feel nebulously pleased with himself, another second to remind himself to avoid the Eighth like the plague from here on out, and then even that's gone as he locks himself in his room, and the rest of the night is lost. He is more than happy to lose it.

He'd had exactly zero presence of mind to catch the way Kyouraku Shunsui had been staring - if discreetly - at him the entire time, from under his hat or out of the corner of his eye, and by the end of the entire encounter, the man had even shaken his kimono over his hands to hide the way they'd slowly curled into white-knuckled fists.

Shunsui doesn't know how no one else had felt it, bleeding into the air like a severed artery--a bottomless chasm of loneliness and grief that had felt like it should've been screaming with the agony of it, except there'd only been the deafening silence of barren wastelands, an emptiness reflected in Starrk’s perfectly blank eyes and perfectly sculpted non-expression, and Shunsui doesn't understand why he alone had evidently just taken a metaphorical dive straight into the man's very soul.

(Starrk would've, if he'd noticed. After all, a lifetime ago, Kyoukotsu had loved bringing his wolves back to her soulscape to play with, and Katen had often visited his soulscape in turn for tea and conversation. His and Shunsui's souls had long learned to recognize each other, mingling in a way that had transcended all possible boundaries, and in the face of that, what did a little thing like time and space matter?)

When Starrk had left, Shunsui had almost followed, had wanted to with an instinctual sort of urgency he couldn't even explain to himself, let alone anyone else. Several times, he'd almost reached out while the others were talking, to provide comfort perhaps, or to take some of the pain even, and it had only been the equally intuitive certainty that doing so would break something in Starrk that had ultimately stopped him each time.

"Kyouraku, is something wrong?" Ukitake asks once the others are all gone, because of course his best friend had noticed something off with Shunsui, even if not with Starrk.

Shunsui reaches up and tugs on the brim of his hat and doesn't know how to explain that wrong could not even begin to cover whatever the hell had just happened.

His insides are still shuddering like they've been ripped out very slowly. He still wants to run all the way to the Academy this instant. And he feels-

He feels inexplicably like he's lost something beloved and doesn't know if he'll ever get it back.

[ysaona]

— Spoilers. Season 2, act 3 arcane. ⟡ ݁₊ .

First of all, Jinx is alive, and nobody can tell me different—end of story. I’ll post why after this (or before). Second, I CHEERED when Maddie, you know, because who does she think she is for real? Like, she actually had me heated.

Next up, I’m so happy Caitlyn and Vi are happy and safe and are living a sweet little life. It actually makes me so happy I could CRY. I can’t even explain it, but getting FREAKY in a jail cell? Oh, y’all are SLUTS—. Like, I had to click off to understand what I had just watched. I was literally in fricking shock, bro.

I’m also so sorry this is like thrown everywhere, but guys, I just am feeling so many emotions. I literally just finished this, so it’s raw emotions, like oh my god, the way Viktor and Jayce went out. They are literally so FRICKING GAY; like holy HECK! You homosexuals are so dramatic. Mel was so COOL this season; like I’m glad we got to see more of her being a Badass other than her just being a warrior's daughter. I think she deserved that title.

Arcane, the animation, to the art palettes, to the fricking characters, to the top and fricking bottom, holy heck, it was beautifully written. It was illustrated amazingly; it was gorgeous, it was heartbreaking, it was everything. This show deserves every award they could possibly earn. It was so beautiful, and I am just so honored to have even watched it.

Also, at the end, Caitlyn says something that gives off the vibe that’s like, “Our story is not over; this is just the beginning.” I have hope that they will continue Arcane, even if it’s a spinoff or a movie. I just think it’s not finished, and there are so many questions left unanswered, and they did that on purpose for only one reason, which is to somehow continue it. I pray they do because the storyline, the characters—it’s all so beautiful.

So I have HOPE! That we will somehow get a continuation very, very later lol okay ily thank you all for almost 1000 you guys are my babes. ALSO, COMMENT I WANNA HEARRRR ALL THE THEORIES AND ALL THE THOUGHTS!

— @juptology !! <3

[grayve-mistake]

It's good to know how to protect yourself, but I agree that a lot of people take it way too far. I think the best general rule is; Like the first person said, highly populated areas during the day are generally safest for the first few dates. Cafe, movie, restaurant, picnic at the park, whatever suits you. As long as there's cameras and people and it's not the middle of the night. Shoot someone a text about where you are if it makes you more comfortable but it's generally not necessary to be too stressed about it. NEVER go to a bar or a club with a guy/date without telling anyone. Yes, even if you're gay, mlm and wlw dates aren't always safe either. Tell people where you are and when you plan on coming home, don't take your eyes off your drink. Common sense. Never go to a house or secluded location unless you know the person REALLY really well. Shoot someone a text letting them know where you are beforehand. If you get a bad gut feeling to the point where you feel the need to use a million extra security measures, just listen to your feelings, make an excuse, say "sorry i have to go, thanks for your time", and politely leave. Don't try to push through it or make it work if you're getting a bad vibe. Just end the date early, don't bother with a million extra paranoid measures. You're better off just going home if you feel unsafe. If you think someone's following you home, drive around a block a few times to confirm they're actually following you, then drive towards a police station. Usually they'll back off.

You don't need a million self defense devices and gadgets. Learn some basic maneuvers, keep one or two REASONABLE self defense tools at most if necessary. You only really need any of this stuff if you're walking home alone at night a lot. You don't need a million alarms and locks in your house either, they're probably more dangerous than whatever threat you're trying to protect yourself from. Simple latches on your doors and windows will usually do just fine, especially if you're not in a high-crime area (most of the women posting their elaborate security systems online, nay, the only people that can AFFORD elaborate security are white people in a nice little middle class neighborhood with white picket fences. They have nothing to be scared of). You don't need 50 guns, you don't need a husband with you 24/7, most of you don't need 10 alarms or 100 different locks on your door and barricaded windows that'll be real inconvenient when you're in a housefire or a more realistic emergency. Let loose a little. enjoy your life. Go on a cute date without checking your phone 80 times. Live in the moment for a change. It's ok. A while ago I had to walk a mile in the dark after a long shift at work. I share transportation with someone and I live too far away to just walk home, but they had the car, and we worked in the same town so I thought I'd just walk over and ask for the keys instead of waiting around for the next few hours for them to get off their late night shift. The sun went down before I left, it was quiet, dark, and there were lots of run down houses. I passed by a few strangers on the way there. You wanna know what happened? Nothing. Well, my legs were tired and I got a few stickers stuck to my shoes. But other than that, nothing. Did I have the means to defend myself if I had to? Yeah. I keep a couple practical things on me just-in-case. But I've never needed them, and hopefully I never will.

You know the most dangerous thing I encountered on that walk? The lack of fucking sidewalks and crosswalks. Had to strategically dart across some very busy roads and watched a guy slam on his brakes past the white line because he was going to run a red light until he saw me step forward a bit. The danger was not the random guy or two I saw walking around, probably in a similar situation as me, and minding their business. If you want to make your city safer, advocate for better walkability or public transit, lmao.



i'm sorry the self-victimization of some women i see online is crazyyyyy, they're saying shit like "yeah being a woman is so crazy, if you go on a date you have to text his full name and picture to your friend, and also where you're meeting, and share your location throughout the date, and check in hourly" girl the only safety measure you need is meeting in a populated place. that man is NOT going to kidnap you from Popular Cafe on Well-Frequented Street in broad daylight at 2pm. i promise. do you go forest hiking as a first date or what the fuck.

[swoleas]

Since Veilguard was released, there is this genre of Dragon Age fans popping up who are explaining Dragon Age lore, who have been talking a lot about Qunari lore. Disappointingly, they've just been taking Bioware's qunari lore at face value for every single game, no matter how much the Qunari lore for each game retcons the lore from game before it.

And I feel like, it needs to be understood that, Qunari were designed to be "Militant Islamic Borg" -- the intent behind them is to be this oriental technologically advanced people who are violent and expansionist savages and made specifically to contrast the rest of Thedas, meant to be White and European. They are routinely called barbarians and savages, real world slurs used against people from the SWANA region, by characters the players are meant to see as sympathetic and intelligent, like Solas. The lore starts and ends with this. And even with Gaider not working on the game, each bit of new Qunari lore introduced is built on 2 things: Racism and Vibes.

Trying to explain Qunari lore without even examining the deeply racist framework within which Qunari lore exists is inadvertently reinforcing the racism and the orientalism and xenophobia in the writing. You cannot separate them.

I have been seeing people calling Qunari society "inherently violent" or "teaching violence" and that this is why they are written as having had the Antaam branch away and go to the South and join the ancient Gods. And No. That is not correct in any sense. But if you rewrite the lore of the Qunari in every single game, of course that would be your takeaway. The real reason they are written this way is so you can have a faceless orcish brute enemy archetype that you can kill in Dragon Age: The Veilguard without any guilt. It's literally not deeper than that.

Why is it that Bioware is so resistant to having us go to Seheron or go to Par Vollen and walk amongst Qunari society and view them in a context where they are just living their lives? Is it possibly because it will draw attention to how alien and inhuman they are intended to be? Is it so they are not humanized in a way that makes every previous inclusion of Qunari seem jarring and uncomfortable to see?

In Origins, we meet Sten, and though he exists to expound on this group of people who exist in Thedas, the Qunari, and introduce us to this bit of world building which isn't directly relevant to the main story, but fleshes out the world beyond Ferelden. The writing was still racist (after all "militant Islamic Borg" refers to their Origins iteration), but you got so little information that you could infer that there may be some nuance there, especially given the way Sten is written in a way that humanizes the Qunari. Later lore shows him as being someone who cares deeply about the world around him and, as Arishok, about diplomacy. And all this not conflicting with his belief in the tenets of the Qun.

And in Dragon Age 2, the game pivots into making them one of the major causes of conflict in the story. This is the first introduction of Qunari as faceless brute enemy archetypes which you can kill without guilt, without explanation of why you can kill them without guilt--at least not immediately. You do not walk into DA2 knowing who Tal-Vashoth are and why they are attacking you--only that they're violent and they yell things in a foreign language at you.

The Arishok in Dragon Age 2 is stubborn, dogmatic, and violent when opposed or crossed. He shows up, sets up a military compound, and stays there for years. Your only representation here is a military leader and his subordinates, contrasted with equally violent mercenaries who the game promises are of a completely different ideology. All shirtless muscular men, who speak in a growling menacing dialect.

Then Bioware turns around and goes. Just kidding! Those weren't the real Qunari; they're a violent offshoot! We promise they are nuanced, you just haven't met those ones yet. They give us Tallis in Mark of the Assassin, but she's an elf, and one who had to pick between slavery and the Qun, and picks the lesser of two evils. Sure, she's sympathetic, but you get the impression that Hawke feels betrayed to find out that she's Qunari, and interrogates her on this--which, is partly, I guess, you, the player, clicking the dialogue options to learn more, but Tallis is on the defensive, trying to convince you Qunari are people, just like you and me.

Inquisition introduces another Ben-Hassrath, like Tallis, in the Iron Bull. And on the surface, his inclusion is quite a lot like Sten in Origins. They both showed up because there was an unknown threat in the South that they were ordered to investigate. Unlike Sten, though, you are given the option to convert him away from the Qun. Not only that, but the game drills into you how there is no free will under the Qun. But then contradicts itself with Bull telling you that under the Qun you DO have the choice to change your role under the Qun and that there is even a word for it, Aqun Athlok, which means transgender, but, in a society where gender is directly related to the role you perform in society, that implies less rigidity and more open-mindedness than every other character wants you to believe.

However, beyond dialogue with Krem and the Iron Bull about gender (and later Taash in the Veilguard), Bioware is not interested in exploring the implications of the existence and acceptance of Aqun Athlok in Qunari culture.

And in the end, if Bull becomes Tal-Vashoth, that's framed as the outcome that is overall most positive--the outcome where he can keep his romantic relationships (whether that's with the Inquisitor or with Dorian), his friendships with the Inquisition and the Chargers, and his individuality. It's reinforced in banter with his companions and dialogue with the Inquisitor. And it all sounds a little too close to how white savior types talk about Muslims who leave SWANA and leave Islam to come to the more enlightened and liberating West.

By the Veilguard, the Qunari lore is already so wishy washy that sure I guess now we have to believe that the Antaam (literally just the Qunari military) broke away from the other Qunari because the other Qunari weren't expansionist and violent enough. I guess that's what we are going with. And that's the reason why, as a gameplay mechanic, we see the return of the Qunari as a faceless brute enemy archetype. And this time, instead of them clearly speaking in normal pitch but in a foreign language (like in DA2), they communicate in inhumanly deep, animal-like grunts and growls. Even when they're not being hostile to you, and you pass them by in Treviso just hanging out? They are still hollering and growling in monstrous deep voices, without a trace of a thought out and well-enunciated language. And how racist do you have to be for you to be more racist than the DA2 Qunari?

I don't even want to get into whatever scraps you get through Taash and their personal quest because it's so irrelevant and detached from everything it feels like putting a bandaid over a stab wound. Nevermind Taash introducing us to a brand new and innovative genre of Qunari who can sniff things out like hunting dogs. Thanks for that one Bioware -- "but nooooo, Nairuz, they're part dragon it makes sense in the lore" -- the ancient Elves can also turn into wolves and dragons and even monsters, but you don't see them growling and sniffing and prowling like animals.

All this to say. Stop trying to make sense of Qunari lore in a way that validates and justify the decisions Bioware made, when they made those decisions out of Islamophobia and racism and orientalism. I am tired of seeing this lore be uncritically parroted by Dragon Age lore accounts.

[operafantomet]

How would you rank each non-replica on a scale of creativity/original ideas?

That is a good question with many possible answers! Mostly because there are "good" creative/original ideas and "bad" creative/original ideas out there, and some of the most creative ones may also be the one I dislike the most... For example, if going by creativity and originality alone, Estonia would be very high on the list. But I'm not really loving the production overall, so I wouldn't say it's the best original take on POTO. If that makes sense. But if ranking the productions purely by how different they are and how hard they have worked on not looking like the original, I would say:

ESTONIA: Inter-war setting, rather bleak in its colour scheme and overall design, with one helluva mirror-discoball lair design, leather-coat Phantom, Vivienne Westwood-esque Il Muto, Moulin Rouge-ish Masquerade, 1990s Haute Couture Don Juan... There's so much to say. Definitely original, and not just giving "we had a low budget" vibe.

FINLAND / SWEDEN: 1980s costume vibes, gold mask, rock'n'roll, huge sets, tiny chandelier, gigantic orchestra, for the most actual opera singers in the leads. This one felt odd more than anything. But original? Very much so.

KRISTIANSTAD, SWEDEN: Definitely a production on a budget, but yet checking off all the boxes of what you'd expect of a POTO production. And with some super original ideas for some key scenes - Raoul stumbling around in the falling sets during the Overture, the elegant double staging in the boat scene, the rarities in the Phantom's lair, Red Death crashing through a mirror and later disappearing in mid-air... They had so many cool lil' details going on. In style fairly 1880s, and with a cool horizontal half-mask for the Phantom. I really appreciated this one.

SERBIA: One could maybe argue this was more low-budget than original...? At least the basic black set with few changes and the many low-key costumes didn't feel like the biggest effort out there. But different? Oh definitely.

BULGARIA: Pretty much the same comments as Serbia. However, the Phantom's fruit crown in PONR can never be unseen. Neither can the monkey musical box which seemed to have lost its will to live. Memorable for sure.

ROMANIA / NORWAY / GREECE / TOUR: Whereas the basic drum set was fairly similar to the Restaged Tour, it felt like an original production still. Some independent interpretations of the Palais Garnier (including featuring a huge window as a mirror substitute for Christine), more Edwardian flair of the costume design, and a kick-ass chandelier - grand, fun, and with some cool and independent directing ideas throughout. The idea of never leaving the opera house, for example, was interesting. Very enjoyable overall.

MEDITERRANEAN: Basing nearly the whole set design within a rectangular, turnable box on stage was a neat and cool idea. This, combined with oh-so-Victorian costumes and so many nods to Phantom history, felt original and clever. Also some stunning original visuals, like the Phantom's lair with the Piraniesi-esque labyrinth backdrop. Speaking of original, it probably looked very as expected with its heavy victoriana flair - but to me that's not a negative thing.

POLAND: One could argue this in large was a carbon copy of the 2004 movie. The costumes in particular, but also directing elements like including a sword fight in the Mausoleum scene. But the sets - oh, those beautiful sets! Also a wild chandelier crash.

SYDNEY HARBOUR: A really hard one to rank. The world's first outdoor production (ORIGINAL!), with sets looking like Bjørnson's design on steroids (not as original), with 1860s flair costumes (hello 2004 movie) with a dash of LND Australia (not as original), but then a flying gondola over burning water (ORIGINAL!), a huge cast (very RAH), and performing come rain or sunshine (ORIGINAL!). Something old, something new... But definitely a cool one for the Phantom portfolio!

RESTAGED TOUR: I was a bit in doubt on how to rank this one. I mean, the costume design is in large not new, it's Maria Bjørnson's costumes. But then new set design, new directing and new choreography. With various degrees of success. To me the most original idea is the drum set structure, and also some new magic tricks and added moments. I'm not loving the directing choices, as it makes both the Phantom and Raoul rather unloving candidates for Christine - why would she pick either of them? Also felt too much like a nod to Love Never Dies to appear truly original. So yeah, mostly for the sets.

HUNGARY and CZECH REPUBLIC: Whereas the productions themselves may not look the same, they both feel like two similar takes, to loving interpretations of the original, sticking to the same colour schemes and with a heavy Victorian flair. Directing wise they also feel like the same landscape. I appreciate both a lot, and especially Hungary has some clever ideas going on. I also loved how they picked Palais Garnier as a base - but totally different areas or angles of the Palais Garnier than what Bjørnson did. But if going purely by originality they don't move too far outside the box.

NEW ROMANIAN PRODUCTION: Nearly impossible to rank. AI design with some tweaks, which has resulted in a sort of amalgamated combo of all the non-replica production set design, with a sprinkle of Maria Bjørnson design on top. With some playing-card-odd costumes. Some visuals are stunning, some are very traditional, some are way out there. Yeah, I have no idea how to rank this one.

(and of course this is just my impression of them - have in mind that I've only seen three of them live, and if I see more of them in the future I may feel different about this ranking)

[arcane-ish]

I know it's not a fun thing to think about it, and we have one more arc to think about it, but my worry is that the correct take from this is that the writers just have a different, more negative read on the relationship of Silco and Jinx.

Some interviews with cast members give me the vibe that they weren't that comfortable with the too positive read some fans had on Silco. (ie Ella Purnell for example)

My read on Silco as a character, as a person is that he was a guy who suffered trauma, who hardened, and it was important for his character development to grow to care about Jinx. But he's not the subject of this season. Jinx and Caitlyn and Vi are.

And it's not so much that there isn't enough time to do a montage to show Silco's softer side, it's that from Jinx's point of view, from her character development, Silco just isn't as positive a factor. (for the record, this imo doesn't just affect Silco. With Warwick we also didn't really get much about his torture and what it means to him to become the beast, his role also is heavily dictated by what his existance means for Vi and Jinx, like when the flashbacks of his past seemlessly roll over into the montage becoming about Vi's point of view of her mother and sister)

I read the writers interview with things like:

SCIFI VISION:   Yeah, it's definitely going to make a change, it sounds like. Talk about the fact that Jinx doesn't, I guess, at least right now, have anybody, now that Silco's gone, too. I mean, is that a good thing? Is that a bad thing? I mean, his influence isn't there, but I do think he actually cared about her, as crazy as he was. CHRISTIAN LINKE:   Yeah, I mean, it's the first time in Jinx's life where there isn't someone else telling her who she's supposed to be. In the beginning of her game, it's Vi, her big sister, who she really wants to impress and please. Then it's Silco, who really wants to make her, like, the most potent version of the talented weapons tinkerer that she is.

So, suddenly, the voices are gone, and she has to figure out for herself who she wants to be and what she wants to do, and that is a true first for her.

This reads like they see Jinx being "free" of Silco and figuring herself out as the positive aspect and I think in the show this being represented as her forming relationships and having some happiness and maybe even glipses of "Powder" showing up (when Silco insisted Powder was gone) or Jinx trying to reject being Jinx.

I think there's a good chance that it can't stay that way and Jinx goes back to being Jinx, but the issue is whether that is being portrayed as a bad and tragic thing. Because Act 2 certainly seems to feel wistful about the way Jinx is in it. (that said, there's certainly maybe some meta meaning to be mined on how Viktor's community seems beautiful but it's likely the wrong path/not the real deal)

From the show it's still clear that Jinx cares for Silco, but again in regards to his influence on her it seems to be a more mixed bag. Or even the show leaning towards Silco represents Jinx represents violence and it's something that makes Jinx unhappy and that she tries to back away from a bit.

Now there's a good chance that the death of Isha might put her in a vengeful state and have her go deeper into Jinx as a personality. But again with the open question being whether that makes her happy or actually unhappier.

Right now it feels like going deeper into Jinx seems to be more liked to her losing emotional connection from others (because she's withdrawing deeper into herself and becoming more abrasive with others).

I guess we will see in Act 3 if she goes more Jinx if she comes to enjoy it more and if Silco shows more up in connection to it. (I could see maybe a glimpse of Silco and Jinx's past relationship showing up at like a fundamental transition moment, like giving fully into Jinx or when she is close to death)

I think the problem is that for fans of Silco his relationship with Jinx represents a softening of his hard stance, while the writers from Jinx's point of view seem to mostly be casting as him representing her hardening. Rather than let's say, the softer aspects of their relationship being something that is guiding her out of a dark or hopeless moment.

(which again doesn't mean that Jinx feels negatively towards Silco or that what she takes from it is negativity. And I think there's still plenty of room to tell a story of his having positive influence on her. It starts with her letting go of him and one can argue that having the strenght of let go is an important thing to teach a person (especially if I see Jinx being haunted by the ghosts of Mylo and Claggor being symbols of her inability to let go). And even when Silco fans joke about Jinx's line about how things might have been different if Silco had found the letter, to me that is still a representaiton of Jinx having softer feelings, a softer read on Silco. Maybe it's an unrealistic take on him, but it's a softer take on him rather than her reading him as a negative and oppressive force in her life)

Okay, I'm rambling and not making much sense and we will know soon enough if Silco's role in regards to Jinx becomes more pronounced as she maybe embraces her Jinx side more. Or if the writers have just an a lot more mixed or negative view on his role in her life as it relates to her development. Or if they want to specifically write a story of her emancipating herself from both Vi and Silco and if she makes her choices towards violence or whatever she decides on they want it to be on her own terms rather than just being what Silco wanted. Because they want it to be truly HER story and her choices and not "actually this is the story of badass Silco who formed attachments, sacrificed himself for his daughter and triumphs from beyond the grave because she is finishing what he started because of his badass influence on her".

I guess what I want to say is that I don't think that there being no young Jinx & Silco flashback so far doesn't have to do with lack of time, but them going with a specific characterization for Jinx where her might for whatever reason (too fresh, emancipation, Silco being associated with violence and she is still in the grief phase, her memories not being as positive [people might not like it, but I get the impression if we compare how Jinx interacts with Isha if maybe her childhood with Silco she felt lonely despite his best efforts]) doesn't want to go there yet.

Can I get something off my chest? I was really hoping we'd get more flashbacks of Jinx and Silco together.

their backstory holds so much potential for deeper exploration, expanding on how he raised her after Vander's “betrayal” could have given more insight into how Jinx became who she is, and the complexity of their bond.

Scenes that truly delve into how he cared for her, how their bond was built over time.

I wanted to see those tender, fractured moments where he helped her navigate the chaos in her mind, whether through tough love, quiet support, or simply being there when she had no one else.

Moments where his stern but protective demeanor softened just for her. Maybe a glimpse of him patching her up after a dangerous mission, or the way he'd indulge her quirks when no one else could.

He wasn’t just her dad, he was her anchor in a world that had abandoned her, and it would’ve been fascinating seeing more of how he filled that role. Their bond was so complex god

There’s so much we don’t know, and so much that could have been shown, and I can’t help but feel like more flashbacks could have given it even greater depth.

[estellesdoll]

Hii can you do a Matt Sturniolo imagine where like the reader (us) is Eminem’s daughter and they like meet at an event and are like super into each other but they Matt doesn’t find out we’re eminems daughter until a little bit later. Please and thank you <3

∿ 𝜗 𝐈𝐧 𝐭𝐡𝐞 𝐒𝐡𝐚𝐝𝐨𝐰 𝐨𝐟 𝐚 𝐍𝐚𝐦𝐞 𝜚 ﹐

𝒔𝒖𝒎𝒎𝒂𝒓𝒚: At an event, Y/n, Eminem’s daughter, meets Matt while picking a drink. They connect easily, and when Matt learns who she is, he treats her like anyone else. By the end of the night, there's a spark between them, hinting at something special.

𝒓𝒆𝒒𝒖𝒆𝒔𝒕𝒆𝒅 : yes

𝒑𝒂𝒊𝒓𝒊𝒏𝒈: older!matt x fem!reader | Eminem's daughter

𝒘𝒂𝒓𝒏𝒊𝒏𝒈𝒔: fluff, mentions of alcohol consumption

𝒘. 𝒄.: 3.1k

𝒏𝒐𝒕𝒆𝒔: I hope you like it! 🎀🤍 It's my first request, and I'm pretty nervous! SEND ME MORE REQUESTS, AND IF YOU WANT TO BE ADDED TO THE TAGLIST, LEAVE A COMMENT ON THE POST:

౨ৎ𝒕𝒂𝒈𝒍𝒊𝒔𝒕 | ౨ৎ𝒏𝒂𝒗𝒊𝒈𝒂𝒕𝒊𝒐𝒏 |

| ౨ৎ𝒎𝒂𝒔𝒕𝒆𝒓𝒍𝒊𝒔𝒕 | ౨ৎ𝒑𝒊𝒏𝒏𝒆𝒅 𝒑𝒐𝒔𝒕

The event was in full swing, a sea of people gathered in the extravagant venue. The lights flickered in sync with the beats of the music, and the air was thick with excitement. But, as always, you tried your best to stay in the background, away from the spotlight that seemed to follow you wherever you went. After all, being Eminem's daughter wasn’t always as glamorous as people made it out to be. Tonight was no exception, your goal was to enjoy the night without drawing too much attention.

You bit your lip as you read over the menu for what felt like the tenth time. A Tommy’s Margarita? A Negroni? You had no idea what the difference was between them, and the last thing you wanted was to look completely out of place by ordering something that tasted awful. You loved a good drink, but you weren’t exactly a cocktail expert. You shifted on your feet, trying to decide, and that’s when you heard a voice next to you.

“Having trouble deciding?” he asked, his voice light and friendly, with a hint of curiosity.

You blinked, trying to shake the feeling that you knew him from somewhere. Maybe a friend of a friend? Or just someone you’d seen in passing? You didn’t know, but his face definitely wasn’t unfamiliar. Maybe you had seen him in a video or an Instagram post? He had that vibe, someone you might come across on a popular account. You couldn’t quite place it, but there was something about him that felt so familiar.

“Yeah,” you admitted with a small laugh. “I’m a little lost here. I was thinking of getting a Tommy’s Margarita or a Negroni, but I don’t even know what the difference is.”

He glanced at the menu, his smile not fading. “Ah, well, the Tommy’s Margarita’s actually a pretty straightforward drink. It’s just tequila, lime juice, and agave. No triple sec like a regular margarita. It’s refreshing—tart, but not too sweet.”

You nodded slowly, trying to absorb the information. “So, it’s like a cleaner version of a regular one?”

“Exactly,” he said, his eyes twinkling as he spoke. “It’s pretty smooth, too, so it’s a good choice if you’re looking for something light and easy to sip on.”

You felt a little more confident now, but your attention still wavered between the drinks on the menu. “And the Negroni? What’s that one like?”

He chuckled softly, as though amused by the contrast in choices you were considering. “A Negroni is, uh... definitely more of an acquired taste,” he explained, his voice gentle and patient. “It’s gin, vermouth rosso, and Campari. It’s very bitter—herbal, strong. Not something I’d recommend if you want something refreshing.”

You wrinkled your nose at the thought of something so bitter. “Yeah, I think I’ll pass on that one. Not feeling the bitter vibe tonight.”

He laughed, a warm, easy sound. “Smart move. The last thing you want is to be stuck with something you can’t even enjoy. You want something light, right?”

You nodded, relieved that he was guiding you through the options without any judgment. You were starting to feel more at ease in this conversation, even though you couldn’t quite shake the nagging feeling that you knew him from somewhere.

“Well, in that case,” he continued, his gaze still on the menu, “the Tommy’s Margarita is definitely your best bet. It’s the kind of drink that goes down easy and doesn’t make you regret your choices later.”

You chuckled, appreciating the reassurance. “Okay, I’ll go with that. One Tommy’s Margarita, please,” you said, feeling like you could actually get through the night without too much embarrassment.

He grinned, clearly pleased with your choice. “Good pick. You won’t regret it.”

As the bartender started preparing your drink, you turned to face him again, feeling like the conversation had flowed so easily. There was something about him that made you feel comfortable, as if talking to him was just... natural. Still, you couldn’t help but wonder where you knew him from.

The more you thought about it, the more his face seemed familiar. Maybe you’d seen him on social media, or in a video—he had that type of presence that made you feel like you’d come across him online before. It was like a faint memory that was just out of reach.

“So, are you new to cocktails, or just trying something different tonight?” he asked casually, his voice relaxed.

You laughed, feeling the lightness of the moment. “I’m more of a wine or beer person. But, you know, fancy night and all that. Figured I should try something new.”

He nodded in understanding. “I get it. Sometimes the fancy drinks aren’t just about the taste. They’re about the experience, right?”

“Exactly!” you said, warming to the conversation. “It’s like, why not try something new while we’re here?”

“Right,” he agreed, his voice softening. “Life’s too short to play it safe all the time. Gotta make the night memorable.”

You smiled, feeling a little more connected to him. There was something about the way he spoke—so laid-back, so easy to talk to—that made the whole event feel less overwhelming. Maybe you had made the right choice coming here tonight after all.

“Plus,” he added with a teasing grin, “if the drink ends up being terrible, we can just blame it on the drink and call it a learning experience.”

You laughed, and the bartender slid your Tommy’s Margarita toward you. You picked it up, raising your glass toward him. “Well, I’ll just blame you if it doesn’t taste good.”

Matt raised his own drink, his eyes locking with yours as he smiled. “You can blame me all you want. I’ll take the hit.”

You both clinked glasses, and you took a sip of your drink. It was perfect—tart, refreshing, exactly what you needed. You smiled at Matt over the rim of your glass, feeling a little lighter now that you’d figured out what to drink.

“This is really good,” you said, your smile genuine.

He grinned, pleased with your reaction. “Told you. You made the right choice.”

For a moment, you just stood there, both sipping your drinks and enjoying the quiet comfort of each other’s company. The event felt a little less like a formal gathering and more like just two people getting to know each other.

"So, are you always this good at making cocktail recommendations?" you teased, a small smile curling at your lips. "Or is this just a one-time thing?"

Matt chuckled, his eyes lighting up as they met yours. "I’m just a guy who knows his drinks. But I think I’m also pretty good at reading the room," he said with a playful glint in his eye.

You raised an eyebrow, intrigued by the confidence in his voice. "Oh really?" you asked, leaning in slightly, just enough to make the space between you feel charged. "And what does that say about me?"

He took a small step closer, his gaze never leaving yours. "It says you’re someone who appreciates a good recommendation—and someone who knows how to enjoy themselves when they’re out," he said, his voice lowering slightly, as if the words were meant only for you.

You smiled, the compliment making your pulse quicken a bit. There was an undeniable energy between you two now, something that made the rest of the world blur out of focus for a moment. "I like the sound of that," you murmured, feeling a little bolder now that the conversation was leaning into something more intimate.

Matt’s lips curved into a grin, his gaze softening just a touch. "Good, because I’m just getting started," he replied, his tone warm, yet there was a challenge in it, like he was daring you to keep up.

Your heart fluttered, the playful back-and-forth making everything feel more thrilling. The connection between you was undeniable now, and you could tell he was just as drawn to you as you were to him. The night felt suddenly filled with possibilities, and the conversation was only just beginning.

"So, what’s next?" you asked, your voice soft but curious, wondering where this would lead.

Matt leaned in just slightly, his voice quieter. "Whatever you’re up for. I’m all about keeping things interesting."

You couldn’t help but smile, the tension between you two building with every passing moment. The night had just begun, but you already felt like it was turning into something unforgettable.

As the conversation continued, the easy chemistry between you two only grew. You felt yourself relaxing, laughing more easily with him. There was something so natural about the way he spoke, like he was genuinely interested in getting to know you for who you were—not just as someone famous, but as you.

He leaned in a little closer, his eyes locking with yours as he asked, “So, you never told me your name…”

You hesitated for a moment, feeling the subtle shift in the air. "It’s Y/n," you replied, your voice soft, not fully sure what kind of reaction he might have. "But, um, I guess you could say... it’s a bit of a... family name."

Matt furrowed his brow, a playful grin tugging at his lips. “Family name? What’s that supposed to mean?” His curiosity was clear, though there was no judgment in his voice.

You smiled, looking down at your drink for a second before meeting his gaze again. "Well... my dad’s kind of a big deal," you said, your words casual but laced with a hint of hesitation. "You might’ve heard of him... Eminem?"

Matt blinked, processing the information. The realization slowly dawned on him, and his expression shifted from playful curiosity to something more awed. "Wait, Eminem’s daughter?" He leaned back slightly, eyes widening. "No way."

You couldn’t help but laugh at the surprise in his voice. "Yeah, I know, kind of a shocker, right?" You shrugged, trying to downplay it, feeling the familiar discomfort of being tied to that name, though it wasn’t the first time someone had made that connection.

But Matt’s surprise wasn’t off-putting. He didn’t seem impressed in the way people usually were when they found out who your dad was. He seemed genuinely... intrigued, and something in his expression softened as he continued, “I never would’ve guessed. Honestly, I don’t even know why I didn’t put it together sooner.”

You smiled, appreciating his reaction more than you expected. "I like to keep things low-key," you said. "It’s just easier that way."

He nodded, looking thoughtful. “I get that. It must be tough sometimes, though, right? Having everyone always know who you are...”

You shrugged. “It’s not that bad, really. I’ve always kind of just... been me. The whole fame thing is something I never really got used to.”

Matt’s eyes softened, his voice quieting. “I like that about you. You’re not trying to be anyone you’re not.”

There was something in the way he said it, so honest, that made your chest warm. His sincerity was refreshing, and it made you feel even more at ease with him.

"So, um..." Matt began, his smile returning. "That’s pretty cool, though. I’m not gonna lie, I was kinda shocked when you said your name earlier, but you’re nothing like what I expected."

You raised an eyebrow, intrigued. “Oh? And what did you expect?”

Matt chuckled, a bit of shyness creeping into his demeanor now that the mystery was out. "I don’t know, maybe someone who’d be all about the spotlight? You’re just... normal. And honestly, it’s kinda nice."

You smiled at his honesty, feeling your heart flutter a little. “Yeah, well, sometimes I’d rather just enjoy the night like anyone else. No cameras, no interviews... just a drink and a good conversation.”

“Exactly,” Matt said, his voice almost conspiratorial. “And it feels like that’s what we’re having right now.”

The way he said it made your pulse quicken. He wasn’t treating you like you were some celebrity—he was just treating you like someone he was genuinely getting to know, and that felt... nice. More than nice, actually.

"So," you said, leaning in a little, your voice soft, “what do you think about the rest of the night? You up for a bit of an adventure?”

His smile widened, and you could see the same spark in his eyes that you felt. “You know what? I think I’m up for whatever comes next... especially if it means more time with you.”

The air between you two crackled with potential, and for the first time in a while, you felt like you weren’t just the daughter of a famous rapper—you were just Y/n, having a fun night with someone who was clearly drawn to you, not the persona attached to your name.

As the night stretched on, you two continued to talk, laugh, and enjoy each other's company, both of you discovering more about the other in the most genuine way possible. By the time the event started to wind down, you realized how much you were looking forward to what might come next.

And for the first time in a while, you didn’t feel like Eminem’s daughter, just a girl who had met someone she couldn’t wait to see again.

As the event began winding down, the crowd starting to thin out, you found yourself not wanting to leave just yet. There was something about Matt that kept you there, drawn to him in a way that felt effortless. His presence was comforting, like a quiet anchor in a world that could sometimes feel overwhelming.

The music was quieter now, the lights dimmer, but you barely noticed any of that. Your focus was entirely on him, the way he smiled when he caught your gaze, the way his hand rested just a little too close to yours on the bar.

“So,” Matt said, leaning closer, his voice soft, “I’m really glad we talked tonight. I know we’ve only just met, but it feels like... I don’t know, like it’s been longer, you know?”

You smiled, your heart skipping a beat at how sincere he sounded. “I feel the same way,” you admitted, voice barely above a whisper. “It’s like everything just clicked, like we’re... meant to be having this conversation right now.”

Matt’s gaze softened, and he smiled at you with such warmth that your chest fluttered. There was something undeniably sweet about how easy it was to talk to him, how comfortable he made you feel despite the weight of who you were. He didn’t treat you like you were someone special just because of your last name. He treated you like you were... you. And that felt like a breath of fresh air.

“You know,” Matt said, his hand moving just a little closer to yours, “I’ve really enjoyed spending time with you. I can’t remember the last time I met someone who made me feel this... easy.”

You reached for your drink, your fingers brushing against his hand by accident, but the small touch made your heart race. “Yeah,” you said softly, “it’s rare to find someone who just gets it, isn’t it?”

Matt smiled, his thumb brushing lightly against your hand as if to reassure you. “Yeah, it is. But I’m glad I found that someone tonight.”

Your breath caught in your throat at the way he looked at you, the warmth in his gaze sending a flutter through your chest. He didn’t need to say anything more for you to understand what he meant. The connection between you two was undeniable, growing with every passing moment.

“Matt,” you said softly, your voice barely above a whisper, “this... it feels really nice, just being here with you. I didn’t expect to feel like this tonight.”

Matt's eyes softened even more, and you could see the shift in his expression—a kind of vulnerability that made your heart ache in the best way possible. He leaned a little closer, his voice gentle. “I didn’t expect to feel this way either, but I’m glad it’s happening.”

Your heart skipped a beat at the sincerity in his voice. You felt your pulse quicken, and before you knew it, you were leaning in just a little, drawn to him in a way that felt almost magnetic. The tension between you two was palpable now, the air thick with the anticipation of something that could be even more than this easy conversation.

“You know,” Matt murmured, his voice low and warm, “I can’t stop thinking about how beautiful you are, Y/n. Not just because of who you are, but because of how you carry yourself. You’re... real. And I like that.”

You felt your cheeks flush, your heart swelling with the warmth of his words. “You’re making me blush,” you whispered, but there was a playful smile on your lips.

Matt chuckled softly, his hand brushing against yours once more, his fingers intertwining with yours. It was a simple touch, but it felt like everything in that moment. “I’m glad I could make you smile,” he said, his voice so sweet, it made your chest ache with affection.

You looked into his eyes, the connection between you two feeling more real with each passing second. "I like this," you whispered, your voice steady but soft. "I like us."

Matt’s expression softened, his thumb gently brushing over the back of your hand as he smiled at you, a little shy, but genuine. "Me too, Y/n. Me too."

For a long moment, you just looked at each other, the world around you fading into the background. There was no pressure, no expectations—just two people sharing a moment that felt... perfect. The warmth in your chest and the soft smile on Matt’s face told you that this was only the beginning of something good. Something that felt right.

And as the night drew to a close, neither of you seemed eager to part ways. It wasn’t just the drinks or the event that made this night special. It was the connection that had formed between you both, something sweet and real that you couldn’t deny.

"Maybe we can continue this... sometime?" Matt asked, his voice low, filled with anticipation. "Like a real date?"

You smiled, the flutter in your chest growing. "I’d like that," you whispered back, your heart racing a little faster at the thought.

Matt grinned, a warm, sincere smile that made your heart skip a beat. "Good. Because I think I’ve already decided—I’m not letting you go that easily."

And with that, you both knew that tonight wasn’t just a fleeting moment. It was the start of something new, something sweet, and perhaps even the beginning of something more.

﹒◟send me your requests and use an emoji if you want to stay anonymous. 𓂃

@estellesdoll

𝒕𝒂𝒈𝒍𝒊𝒔𝒕: @gemzyy

[butterflydm]

some thoughts on spirits (DAV)

I feel like the game has done a good job making Rook feel like someone with natural leadership abilities. And while I do love the companions in the previous games, I feel like DAV's companions are my favorites (at least currently; entirely possible that a replay of the older games would make me feel different!).

I also really like the different dynamics between Rook and their companions. Just... idk good vibes.

Also, here is Rook being very relatable for me:

I am just really loving all the characters so much -- Lucanis stole my heart as my favorite (he's my 'personal demon' now in the character screen lol) but I'm very attached to all of my companions. I love how the game has made it easier to know when they have something new to say, and I like that they distinguish between 'conversations' and 'outings' in the companion quest section. I've really been enjoying getting to know them and I feel like this game has done a really good job appropriately gating dialogues and areas.

It feels like they found a good compromise between 'open world' and 'mission-based game'. Each of the areas feels really big but it's also gated in natural ways that get unlocked as the story goes on, so you can't bum-rush the Crossroads and do literally everything the first time you're there, for example. In DAI, I would sometimes have to impose my own pacing to make sure that things flowed well for me, and I haven't needed to do that with DAV.

One thing that leaving the Fereldan/Orlais area did is really let us get to know a lot of mages who don't have the same sense of shame and self-hate that mages are taught in the Chantry of southern Thedas (or the even more extreme way they are treated by the Qunari!). We got hints of this approach in earlier games, but getting to dive more in-depth into several cultures who do not have the same "let's toss all the mages into prison" approach to magic that southern Thedas has has been very illuminating! Obviously we've always had exceptions like the Dalish clans, but they were very much depicted as deliberately on the outskirts of society, and going against the Chantry-defined norm.

And to contrast, in DAV, I recently had a long conversation with Emmrich on the potential merits of lichdom! Basically an unthinkable conversation in either Ferelden or Orlais. Nevarra doesn't burn their dead and they don't have such a deep fear of the dead, demons, or magic itself. And it really just to illustrate how much the oppression of mages that was so much at display in the Circles is just... nonexistent in places like Nevarra. The oppression is cultural and it's religious -- it's not actually something that's necessary to 'keep magic in check'. (which, yeah, is obvious from the outside, but always nice to have reinforcement from the actual games!)

I'm also watching a let's play of DAI on the side and the person just got to Solas and Cole's personal quests and, yeah, they resonant so hard after the additional Solas revelations in DAV. And it really does feel so much like DAV is in a strong conversation with DAI (as makes sense). Solas and Varric are talking about Cole but Solas is also talking about himself.

Varric: "A spirit who is strangely like a person!"

Varric: "He came into this world to be a person. Let him be one."

Solas: "We cannot change our nature by wishing it." Varric: "You think?"

Solas: "You would alter the essence of what he is." Varric: "He did that to himself when he left the Fade."

[if Cole is made more spirit]

Varric: "...could have been a person." Solas: "Would that have made him happier?"

Is Solas's endgame becoming a spirit again? Or has he experienced and changed too much? (would it make him happier? is that a desirable goal?) Is it all a matter of perspective? Cole approves of the Inquisitor's choice whether they make him more of a spirit or more human. I feel like Solas would lose a lot of himself if he became a spirit again, but maybe that's a matter of perspective too.

And then Solas's DAI quest is all about dealing with the damage of a Wisdom Spirit being corrupted against its purpose -- the same kind of Spirit that Solas once was. Wisdom vs Pride (but once you're a person and not a spirit, you can be filled with both at the same time).

DAV is really making me want to do another run of DAI, and take Solas literally everywhere, lol. But the conversation about spirits in the 'real' world didn't start there either -- it started back in DAO, with Wynne. It continued in DA2, with Anders. Both DAO and DA2 are more 'standard' than what we get in DAI with Cole, in the sense that they were possessing a body (though with permission) but it's still part of the same conversation.

But the conversation really did explode into something bigger in DAI, with Cole as a spirit who was with us without possessing a body, and with learning that being briefly possessed can reverse Tranquility (via Cassandra's quest). And now, with what had been confirmed in DAV, we know that a spirit that takes mortal form can, over the generations, become mortal, as that's what the ancient elves did, so Cole could have kids who were fully mortal, maybe. And Cole did it without using lyrium (and thus taking something from the Titans to fuel himself) -- at least as far as I understand.

I am also finding myself very curious about where humans come from -- we know that the ancient elves were once spirits; we know that the dwarves are fragments of the Titans. Where did humans come from? Evolution? Or is there a magical answer for them too? Is the Maker a spirit and/or Titan who created humans specifically?

(I think it's implied that Qunari were genetically/magically engineered in some way, and possibly crossbred with dragons somehow?? iirc DAI correctly)

I'm really looking forward to removing my filters on DA-related stuff and reading other people's thoughts. I've covered my eyes and clicked on posts a couple of times so far and have been rewarded by mostly getting fanart and not spoilers, lol. Mostly.

I genuinely have zero critiques of the game so far, if anyone was wondering if I was just holding some back or whatever. I like the quality of life changes they made to a lot of little things like companion banter; I never had an issue with the art style*; and I'm enjoying the story and characters as they unfold.

(*I know that was a big thing with a lot of people but, confession time: I genuinely can barely tell a difference between DAI and DAV's 'art style'. You can change Qunari hairstyles separate from horns now in the character creator? People walk less awkwardly than in DAI? The menus are purple instead of green? idk, maybe my brain just doesn't register whatever it is that makes DAV so different, art-wise?)

I also love that I can literally just throw myself at boxes to break them open to get materials. It's so satisfying. I have a griffon that I can pet. idk, I guess I'm just a simple girl with simple desires. ¯\_(ツ)_/¯

Looking forward to playing more this weekend!

Current progress note: a Dalish clan (at least one) has been kidnapped for potential blood sacrifices, so trying to rescue them is my next main quest. I'm about eighty hours into the game.

[r0-boat]

Whb monsters part 2

+ (Bee! Beelzebub)

Since all the kings are out let's do this one more time ;)

Most of Beelzebub's headcannons and still hold up So I'm not going to go back and change those so I guess he has two choices now.

Read part 1 here

Bee!Beelzebub (monsterchange!)

Contrary to popular belief bee hybrids are not always diligent workers... Beelzebub was that exception. He was and still is a go with the flow all fun no work kind of guy

The only few times you see him act so invested is when it comes to you or anything is passionate about.

Belphegor(Baku?)

Bee!hybrids do not make their own honey but they are still attracted to sweets with their great sense of smell if they smell anything sweet they will automatically be gravitated toward it. Beelzebub found you because of that something of yours smelled so sweet he couldn't help but investigate.

That's why he was there knocking on your window And now he knows the reason why you're so irresistible.

He decides to be a diligent worker when it comes to your pleasure.

Asmodeus(Satyr)

When you felt a dip into your bed you groaned pulling the blankets over your head. You thought it was Beel slipping himself into your covers like he always does so you pay no mind. The next morning you woke up to quite a shock. You screamed but no one heard... Right. Your monsters have all gone out for the day something about important business??

There he was a strange man sleeping in your bed. His long tail tusks on his face and horns to match. Your screech woke him up as he groans rubbing his eyes as if he was just as upset as you were. You gave him a minute to explain himself as you reach over to grab the nearest object you could use as a weapon. The strange Man black hair covering his face size groans sliding his hair back before saying "What a hassle... Looked like you were having some good sleep so I came in. You have 'friends' of mine here."

When You heard him say You immediately put the object down. Yeah you're not surprised. Ever since you 'adopted' Satan the same thing happens almost every two to three months. Weird stranger breaks into your house... Claims to know your roommates and huzzah he's correct! You rub your temples. You are 90% sure he is correct And if he isn't well He might not live long enough to get very far if he does kidnap you. "All right... I believe you. Just stay right there I got to call someone..." He was already making himself at home laying on your bed with his elbow propped up His Japanese style clothes covering his body. As soon as you left the room he finally relaxed

"Damn wasn't expecting her to say yes... Welp guess I don't need this form anymore, Glad I kept enough energy for this disguise... Damn thing is a hassle..." He hissed through his teeth the previous long tail horns and tusks begin to evaporate as if it was nothing but smoke replacing his horns was pointed ears, and his singular long tail, splits into nine fluffier ones.

Yeah he could explain why he made a disguise.... But that's all too much work.

A knock at your door. You didn't expect visitors and to your knowledge you didn't order anything. But still you went to the door everyone was home, your tiger, your dragon looking like they're yet again about to fight, Your not so busy Bee and your snake trying to strangle him, Your fox is sleeping curled up next to the fireplace. Using his tails as a blanket, and even your vampire who flew in not too long ago now drinking a warm cup of coffee. That knock caught all of their attention as you went to the door.

Curled horns on his head covered with long black hair, blood red eyes that stared through you, His naked chest wrapped with vines and- you only saw a flash of what he looked like before your tiger slammed the door shut so hard, the wood cracked. Expression of worry and panic mixed with the usual rage who shared a look with everyone else who definitely saw...

Everyone knew this day was coming, They just didn't expect it to be today. You had no idea why your monsters were so freaked out. As the man no sat his hooves cross. Your monsters looked at him as if The world's biggest douchebag walked into the room. You have no idea why He's cute little tail, his cheery yet sultry smile, curled horns paired with soft fluffy ears made him look like a sheep and His hot fucking face and bod . I mean you were getting a vibe but nothing about him seemed overtly strange well no stranger than the gaggle of 6 idiots in this house already.

You broke the silence "Would you like some tea?" His eyes who had not left you for a second light up as a smile curved bigger. "Oh I think I would like something more sweeter than tea." You were a fool, living with horny monsters and you were a fool... "Oh? What would you like then I think we might have soda-" He purrs You could see his tail wagging. "Oh Sweet thing, I'm not talking about beverages~"

It was like reality shattered around you, because how the fuck are you supposed to respond to that? Your eyes go wide as your face flushes hot. Satan was gnashing His teeth already in his wild form his claws digging into the cushion trying everything in his power not to pounce, Mammon and Beel was amused by the comeback... Leviathan was about to join forces and kill this man at how flustered you got but he didn't want to take any step near that thing The thought of just touching it makes him want to puke, Belphegor stirs in his sleep, Lucifer had just finished his coffee.

[starrysnowdrop]

So I’ll go through all three of my ships briefly, starting with Hali, then Yume, and then Sohna!

Hali x Aymeric

For me, I’ve loved Aymeric ever since his first appearance in 2.4 with his meeting with Alphinaud, and Hali has been smitten with him since she first saw him as well, at the same time, but my reasons and Hali’s reasons are very different.

At first, I thought Aymeric had major hidden antagonist vibes, like he was going to betray us and he was going to be the big bad of HW, but instead I was completely wrong, and he ended up being the exact opposite of what I had expected, and I ended up loving him even more for it.

Hali always thought the best of Aymeric, and she wanted to climb him like a tree ever since she first saw him, but the “Oh” moment for her was not until the assassination attempt on Aymeric’s life in 3.1 that Hali realized that her feelings were way deeper than just friendship. A love confession wouldn’t come until 6.0 though! 🤦‍♀️

Yume x Zenos

((Yume’s side blog: @firelightmuse))

Both Yume’s and my feelings for Zenos have been, well, complicated to say the least. I’ve always thought he was hot as hell, and next to Aymeric, he’s definitely the hottest man in game for me. But I wouldn’t even think of shipping him with Yume until this year, thanks in part to a dream I had, and also a HUGE boost from @meepsthemiqo (TYSM my friend!!).

For Yume, she became obsessed with him after he had defeated her in battle twice, and spared her life twice, which drew her to Zenos, as she had never been defeated before in a one on one battle. Even though she knew he was her enemy, her feelings for him only grew over the years, and her “Oh” moment comes after their battle in Ultima Thule, in which she realized that she couldn’t let him die, and she saved his life instead.

Sohna x Alphinaud

((I don’t have any banners made for Sohna or for the ship banner yet, so have an Alphi gif instead!))

So, this is my newest ship, and many of you probably never knew this, but Alphinaud has always been my favorite Scion, and he’s overall one of my favorite FFXIV characters period. Talk about that character growth! He’s such a great character, and I even thought of shipping Yume with Alphi a LONG time ago, but I aged Yume up to 24 at the beginning of ARR, and they had a good friendship instead. I have never tried to write a ship with Alphi until now, but I have been fond of him since his character growth in HW.

For Sohna, she’s smitten from the beginning, but she has her “Oh” moment and falls for Alphi hard when he saves her life in the first attack on Tuliyollal. That’s all that I have for them for now, but I’ll be working on Sohna’s development in the meantime.

((Thank you for sending this to me @mimble-sparklepudding!!))

fellow wol x npc shippers- If applicable, what was the "oh" moment for you and your oc falling for their love interest? Was yours seperate from your WoL's?

[hinamie]

alongside someone like you

[triglycercule]

murder time trio should get to all experiment with dead bodies. why? because they can and it would be cool (okay but seriously i'll provide an explanation). all these freaks are scientists. i think it would be cool and funky if they all got to experiment! except morbidly and bloodily because none of them are right in the head now

killer like has his whole thing with wanting SOULs for some unspecified reason??? i'm just gonna steal the common interpretation that it's so he can find a way to fix his own soul through coding. but like,,,, what does he do with the desd bodies??? all the fellas he stole those souls from??? well this is where dust and horror come in

it's One Panel and i'm ABSOLUTELY reaching here but there's a (single) panel in horrortale where horror's pulling apart some sort of human limb like an arm with a device. why? what for? i dont fucking know at all man like papyrus said why is he always doing something weird in his room. anyways i'm just gonna guess its probably for rationing in horrortale (but it could also be that horror just felt like ripping apart an arm. for scientific purposes. or because he did this after ripping off aliza's arm so maybe he's doing some sort of recollection reflection or something i dunno im not a professional on this man). killer could totally send all the already dead HUMAN bodies horror's way for horrortale's food situation. maybe horror likes to dissect the humans yk maybe he's not just the type of bash (a head open) and dash. monsters dust so you cant see their guts but humans dont so horror gets prime time first hand experience on the human body! and then after he's done poking around in the brain he can give the meat and organs to papyrus for him to do his specific spaghetti confectionery

but but but what about the monsters that killer takes the souls from! surely he doesn't just take from only humans (dude idk if he actually does take from only human or monster. probably not right? he needs to study BOTH types of code so he can be most informed) so he must also take monster souls. and fortunately for dust (i do NOT think he'd quite like handling gore) monsters don't leave behind bodies or blood or allat they leave behind dust. hah. dust experiment with dust. i think its already a headcanon out there that dust likes to study dust. i cant exactly recall WHY exactly but maybe it's for sentimental reasons or just something to do to pass time between resets. so killer can just pass on whatever dust he gets to him and he can put it under his little microscope and be a little nerd what a GEEK. give this guy glasses and remove all his teeth but one i guarantee you he'll look like 🤓

and once again i hear you cry out but but triglycercule! why would killer even give the dead bodies and stuff to horror and dust in the first place??? erm number one because i said so silly. jk. and number two (if we're going in a nightmare's gang context here) it could be as a way for killer to gain horror and dust's trust. a way for them not to tattle on him for stealing souls for some unknown reason. maybe there's somehow important coding information left behind in the bodies/dust (because that's literally what utmv is made of) and killer wants dust and horror to do that work for him for some reason. maybe just a way for him to get rid of evidence maybe if theyre buddy pals and close enough just as a gift. i dunno man there's a bunch of reasons as to why he could possibly do this. i just really liked the thought of the trio all wearing fancy lab coats and goggles and i was like damn how can i make this a real possibility

[ismyteadoneyet]

Let's gooo (i haven't done a tag-game-thingy in a WHILE so it's about time I get back at it lol, thank you @squirrel-in-the-woods for the tag <33)

Last song: 'Sinner' by Deaf Havana ! as a recovering people pleaser, this song is such a delight because it gives me the vibe of "I'm beginnig my villain arc now !!1!1! I'm a MEANIE now !!! I'm setting BOUNDARIES And you can't stop me !!! 😤😤😤" even though that is probably not the actual intent. It's also the song I have assigned an OC of mine sooooo there's that too jsjsjdjs

(it is also funky af lol)

Currently watching: I'm incredibly bad at watching shows and movies ?? Dunno why??? But I watch quite a bit of booktube reviews and things and lately have been softly getting into drawing/art-related youtube videos I guess??? I watch a lot of random youtube essays too

Three Ships:

- I feel obligated to say Bree×Nick×Selwyn here from the Legendborn Cycle LOL. Any combination and/or mix of the three is fine with me, and I trust Tracy Deonn to make me cry of both happiness and heartache regardless of what ends up being the final endgame HSJSJD 😌😌

- Arlecchino×Furina from Genshin Impact, for the SOLE REASON of @draconicstella88888 's fanfic. I am completely unbiased here of course

- Larkin×William from The Legendborn Cycle. Have we had criminally few scenes of them together? Yes. Am I also a tumblr veteran, used to people shipping characters from completely different medias ? Also yes. I'm just gonna be thankful there is a GLIMMER of on-page chemistry between them before one or the other inevitably will probably meet their doom in the upcoming installments and I will stay delulu and happy until that moment arrives 😌😌 (but ofc, hopefully it doesn't lol)

Favorite color: i'm tempted to say "do you love the color of the sky?" because it's funny but also? Genuinely? Yes. But other than that, I seem to gather lavender/lilac/purple-colored things at an alarming rate it might also have to do with bts but we're gonna leave that can unopened okay lol

Currently consuming: behind the phone I'm typing this on is an unopened box of delicious-looking sushi and I am STARVING but I'm waiting for my parents to join me before I can dig in LOL 😭😭

First ship: how far back are we talking LOL? 💀💀 I'm gonna say Ten×Rose possibly? I don't think I got properly into shipping culture until my tumblr days and my superwholock era

Last movie: I rewatched 'Twilight' to get hold of a screenshot of the "this is the skin of a killer, Bella"-moment for a really silly Selwyn Kane cosplay and ngl, watching the movie now as an adult hits different in the absolute best way LOL

Currently working on: fanarts galore ! Finishing the BRICK that is 'Jonathan Strange & Mr. Norrell' (i am like 60 PAGES AWAY FROM FINALLY BEING DONE !! 😭😭 IT IS 774 PAGES LONG), about 4 different cosplays, and a story I hope to maybe grow into a proper novel one day, if I manage to treat it right hdjsjsj <3

Tags, (if you want to join!):

@draconicstella88888 @peanutbutter-nutella @chyuyuuz @nakaremfarlei @solovanmoln @sparrowandthesong @ficnoire2 @k0k0p3lli @totalpanik @knaveofpentacles

Tag game: tag nine people you’d like to know better.

Tagged by: @oneshoulderangel

Last song: At the moment, I have "Losing Your Memory" by Alan Star stuck in my head, which I suppose makes it my current song, not my last song. Hm. I get songs stuck in my head very easily, but the last one I had there for a significant amount of time was a mashup of different language versions of "Les Rois du Monde" for about a week. "Lehetsz Király", the Magyar version, is probably my favorite of them. It's worth a listen.

Currently watching: Normally, the answer would be "random mostly terrible old movies/shows" or "nothing much", but I currently have a hyperfixation on the musical Roméo et Juliette and have been watching it in multiple languages. (Thus, the song).

Three ships: This is hard. Maybe as a result of being on the ace and aro spectrums, I'm more likely to care about which characters are interacting than whether it's romantic or platonic. Here goes:

Kedivere/Bedikay. It can be romantic, platonic, or queerplatonic, but whichever way, I'm here for it. I probably spend too much time thinking about how in Cullwch and Olwen, when Cai gets mad at Arthur and marches out, Bedwyr stays behind, keeps acting like nothing's happened, and isn't the one to avenge Cai's death. The feeling of betrayal on both sides has a lot of unexplored potential. And the version where Bedivere dies and Kay fights to bring his body back safely while mortally wounded himself... And the version where Bedivere survives Camlann and Kay isn't said to fight in it, so they might be left together after their world has fallen apart...

Platonically or queerplatonically, Galahad and the Grail Heroine. I really like the tragic Grail Quest friendships, but I like theirs most, maybe because there's something weird and otherworldly about them both. I like it when characters are strange and endearing and doomed by the narrative.

Ever since reading John Matthews' retelling, which I read before the original, I've had a soft spot for Caradoc and Guinier. The Story of Caradoc is very disturbing, and I have some major qualms with Caradoc over a detail Matthews cut out, but all the same, there's a reason these two have the best track record with magical fidelity tests. Each of them would go to the ends of the earth for the other, and together, they're stronger than any curse.

Favorite Color: Blue, particularly royal blue and some teals.

Currently consuming: Black licorice with chocolate.

First ship: This is a hard one, since through elementary and most of middle school, I tended to go along with whatever I thought the author's intentions were and was more likely to unship something. The first non-endgame ship I got invested in was Sonya/Nikolai in War and Peace. I didn't like Nikolai, but Sonya did, and she was my favorite character, so I wanted her to be happy. The first non-canon couple I thought was meant to be together was also in War and Peace: Marya Bolkonskaya and Julie Karagina. My eighth grade self did not think their letters could be interpreted platonically. I still don't.

Last movie: If the musical doesn't count, the last movie I watched was Quest for Camelot, which was awful. Though not Robot Monster-level bad, Robot Monster has an elegance to its simplicity which Quest for Camelot lacks.

Currently working on: Various fics, most of them Arthuriana or CotRK-related (I am woefully behind on the Badfic Bingo), and (theoretically) an epic-style poem, though I haven't gotten much of it written for quite a while now.

Tagging: @gawrkin, @emperorcandy, @wildbasil, @gorewound, @knightsofsomethingorother, @ladyminaofcamelot, @tasosotaso, @amashelle, @gingersnaptaff (I have no idea who's been tagged so far, apart from the people on @oneshoulderangel's post, so I apologize for any multi-tags)

[batsplat]

wait, is there a dovi/jorge feud???? i didn't know this!! also thank you so much for all you do for this community ❤️

not the only ask I've gotten about this and... look, rather than doing a proper write up that would take forever, I'm just gonna give my top ten fun... facts? bits of trivia. tidbits related to the two of them. quite long tidbits, on second glance. the highlight reel, if you will

(1) that time andrea dovizioso made 14 year old jorge lorenzo cry

the two of them already raced each other before the start of their grand prix careers, competing for the first time in 2001 in the cev when dovi was around 15 and jorge around 14. in riveras tobia's biography, here's jorge talking about their first fight:

I led the way at the start and Dovizioso and I escaped. It was our first head-to-head encounter, the first time we raced each other. My dad had heard that Dovi was a really clever rider and he warned me before the race. But just like in 1998 at Jerez, with Olive, I acted like a dummy and pushed for the whole race. I kept looking behind me to see the bastard still there! It was impossible to shake him off, he was watching me the whole race until the last lap. Three comers from the end I could hear his engine getting closer and I saw his shadow to my left, but he didn't come past. I thought to myself "This guy is going to try something in a second!" I decided I had to on a tighter line and close the door. Sure enough, Dovi went wider through that comer and then dived up the inside. I didn't close the door in time and tried to get in his slipstream, desperately hoping I could get him the next corner, but I ran wide and he won. I came back in tears, I didn't even want to go to the podium, I felt so cheated. I'd been on the limit for the whole race and I felt like I deserved the win more than he did.

so that's a nice and positive start! there's something charming about how even fifteen year old dovi was an absolute menace on last laps

also about that race:

'Jorge beat Dovi in Braga but in the previous race at Most, what a tantrum!' recalls Juanito, laughing. 'He didn't even want to go to the podium, he was crying like a baby! I can still see Dani (Antatriain) talking to him, trying to convince him. In the end he went but he didn't want to look at anybody.'

(2) the photo finish

in 2004, they were rivals in 125cc - a year in which dovi claimed the title and jorge was p4 in the standings. in the very first grand prix ever at the lusail circuit (pretty eventful weekend, you have to say), jorge and dovi crossed the line at the exact same moment

(3) dovi's top three favourite career win

dovi and jorge progressed through the categories at the exact same rate, and after their 125cc rivalry they continued fighting in 250cc. they were title rivals in both 2006 and 2007, with jorge's aprilia winning out both times against dovi's underpowered honda. (the general pattern was that dovi clawed back a bunch of points from jorge in the wet - jorge, with perhaps the exception of a few years in the premier class until around 2013, has never been much of a wet weather racers, while it's always been one of dovi's strongest traits.) for dovi's 300th career start in 2019, he was asked what his top three wins were - and one of his picks was from way back when in 2007

I'd recommend the race! which... well, I did in the race rec post - and I can only reiterate that these two kids do not acknowledge each other, not good vibes at all

(4) jorge's thoughts on young dovi from 2008

Jorge has a lot of respect for Andrea Dovizioso and feels that his two 250cc world titles have even more prestige because he had to beat the Italian to win them. 'You wouldn't label Dovizioso as fast, particularly, but he's much faster than he looks. He doesn't set many pole positions but he is always up front in a race, fighting to win. He is very intelligent and you can't trust him an inch on the last lap. He has been faithful to Honda, he has great belief in them. His negative side is that he tends to play the victim too much. He'll say that if his bike had a better engine or if it was a bit faster he would win. He's even said that if he was on the same bike as me he'd give me a hiding. I think he looks for excuses too often sometimes, but as a rider and a person I don't have a bad word to say about him.'

some dovi traits read as very familiar, from how he's a better racer than qualifier to the intelligence to the last lap prowess. as for jorge saying dovi plays victim too much? well

also this:

ER: Don't you think that Dovizioso wanted to be World Champion too in 2006 and 2007? Don't you think he gave everything to achieve it? JL: He will think he gave his maximum but he will be lying to himself because nobody does that. Nobody gets close to their maximum, not even me. He will think that he didn't win because he was riding a Honda. There are very few sportsmen who will say, I deserve what happened to me and there are no excuses. I didn't know how to do any better and I've done things wrong.' That is the only way to be the best, the only way. People who make excuses don't get to the top. I know riders who haven't made it for just that reason.

plus ça change

(5) jorge's thoughts on young dovi from 2018

when they were doing their thing as ducati teammates (bickering), here is one of the things jorge said about dovi:

dovi's been trying to undermine jorge's morale his WHOLE career... even when they were but teenagers... love it when you can really tell someone's been sitting on something for over a decade

(6) "also lorenzo is not my friend"

both of them moved up to motogp in 2008, jorge with factory yamaha and dovi with satellite honda. dovi had a very strong rookie season and finished in p5, only sixteen points behind jorge in p4 (who after a promising first few races had spent a lot of time that season crashing). after that, their fortunes diverged. dovi did not have a particularly happy time in the factory honda team and needed to do some shrewd negotiating to be retained by them for 2011 in that three-man squad, while jorge of course won the championship in 2010

here's a deep cut from 2011, a season where much of the excitement and drama was caused by marco simoncelli alone. jorge had exchanged tense words with sic in estoril, one race before simoncelli was responsible for a crash where dani broke his collarbone. the crash and sic's subsequent penalty meant that the three-way fight between jorge, dovi and valentino became one for the podium, with dovi and valentino eventually grabbing the two remaining spots behind casey. but during the race, jorge had executed a... questionable manoeuvre on dovi, one that did have some similarities to the sic/dani incident. given jorge's strong previous comments on racing standards, unsurprisingly the journalists pounced on this incident in the post-race presser and ask the podium sitters about it. here is the clip:

in this clip, dovi essentially says it was a dangerous move from jorge, but he wasn't sure what jorge's intent had been and he needs to watch the footage again. valentino (who had been the most outspokenly critical of sic of the three of them earlier in the presser) takes the opportunity presented to him to have a bit of a potshot at jorge. he says that dovi doesn't have the best relationship with sic but jorge had done something pretty similar in the race... at which point dovi goes "also lorenzo is not my friend"

which, you know. not exactly a major incident, but I find it very charming dovi felt the need to clarify that, actually, he doesn't like either of them. valentino also adds that by jorge's own standards, surely he too should have gotten a penalty. not exactly a meeting of jorge's biggest fans hm

(7) mapping eight-gate

well I can't leave it out, can I

so in 2017 jorge switches from yamaha to ducati and does not have a great time of it. a lot of weekends, he's just too slow, other times he shoots to the front of a race at the start (typically not great news for the rest of the field in his yamaha days) and then chews up his tyres before gradually dropping like a stone back through the field. at some point that year it became a bit of a running gag - especially when you saw he was the only big name to be picking a soft tyre and just went... buddy we ALL know how this is gonna end....

while this was happening, his teammate dovi was for the first time in his premier class career in championship contention. an extremely close title fight throughout the year with five protagonists until pretty late in the season, it eventually went to a title decider in valencia between dovi and marc. you know, the kind of year where every point counts. the race where marc put a bit of daylight between himself and dovi was phillip island, with marc winning a great dogfight out front while dovi had a bit of a horror show of a weekend. this meant that a lot would have to go right for dovi to have a chance of still winning the title... and sepang was already a match point race for marc

ducati had not won a championship since their 2007 title, courtesy of one casey stoner. after that year, their bike became steadily less competitive every season, reaching a nadir around the 2011-13-ish period. so by the time 2017 rolled around, they wanted this so so badly - even if they wouldn't have expected dovi to lead the charge. dovi had only narrowly beaten out iannone in the 'who's going to be fired for our shiny new lorenzo hire' contest of 2016, and really it was supposed to be jorge who was carrying ducati's dreams on his shoulders. but, never mind, they were throwing everything behind dovi now... no stone left unturned

which brings us, of course, to the subject of team orders. this discourse really took off at the penultimate race of the season at sepang, but was already brewing before that - and in phillip island, satellite ducati rider redding had been told early in the race to let dovi past

here from marc at sepang:

dovi had been in great form all weekend at sepang - and with his wet weather prowess being what it was, really there shouldn't have been any need for team orders at all. but he got a sluggish start, and the race unfolded from there... until eventually jorge was in first, dovi was in second and marc in fourth. in those positions, marc would have clinched the title there

and then, jorge got a message on his dashboard. suggested mapping: mapping 8. pit boards and dashboards and all sorts of boards will feature various codes during races, most of them completely innocuous - but of course they are a healthy source of all sorts of conspiracies. the timing of this one was certainly... notable, and speculation immediately started about how it might be a way of telling jorge that he should swap positions with dovi

jorge didn't end up letting dovi pass - it is questionable whether he really would have done so with what would have been his first ducati win on the line. in the end, he made a mistake that let dovi through so that dovi claimed the win anyway, keeping himself in mathematical contention in valencia. and jorge did say afterwards he was keeping dovi's title hopes in mind, kind of

jorge also said he hadn't gotten any message indicating team orders, and of course nobody at ducati confirmed that mapping eight did have anything to do with team orders

for what it's worth, this is what dovi said about their relationship at this stage:

lovely! let's see what the vibes are like a few months later

anyway, onto valencia. this race was pretty boring despite being a title decider, but the jorge/dovi bits were just unequivocally the weekend's most enjoyable aspect and rather nicely spiced up the whole thing. dovi's chances were always slim going in, given he'd have to win the race and marc would have to barely get any points at all... but still, you never know, right? marc could always crash (narrator: he did almost crash). jorge plays coy early in the weekend about the whole 'helping dovi out thing', and basically just started putting in place...? ... very specific conditions...? under which he'd help:

so during the actual race, dovi got stuck behind jorge in p5, with marc ahead of both of them. valencia is traditionally not a fantastic track to overtake at... so even if dovi had been faster, it's not like he'd have an easy time clearing jorge and cracking on. but they were beginning to drift further away from dani in p3 as ducati watched on, increasingly unamused by what was happening - and the tv cameras were of course kind enough to repeatedly show the ducati box looking deeply unamused. again, they went for the good old mapping eight message, which, hey, that could mean anything! they sure did keep showing it to jorge though, almost like he wasn't paying attention to it

eventually, they abandon all subtlety and go for a pit board message that does just straight-up tell jorge to swap positions. jorge kept ignoring the messages, lap after lap, and he never ended up letting dovi past. eventually they both crashed and marc claimed the title with a p3 finish, so it wouldn't have mattered anyway, but... still. the feeling was that this might things rather awkward inside of ducati

publicly, ducati was extremely keen to smooth over the whole controversy, saying they totally weren't mad at jorge blatantly ignoring team orders. jorge had, after all, explained to them (and the media, repeatedly) that he had totally been intending to help dovi by dragging him closer to dani

Giving his take on events, Lorenzo acknowledged that he ignored Ducati’s instruction because he felt Dovizioso’s chances would be boosted by having him directly ahead. “Even looking at this [dashboard] suggestion, I keep pushing until the end, because I knew it was the best thing for me, for Ducati and for Dovi,” said Lorenzo. “I helped him to improve his pace by one or two tenths, to be as close as possible to the first group. My intention was, and it was the case, that we arrive at the first group. If he had the option to win, I would have gone wide and let him pass. But unfortunately it was not like that. Maybe in some corners Dovi was close and I slow down a little bit his pace, but in general terms, having my wheel in front of him made him improve slightly his pace. I helped him stayed closer to the front group. “I knew Dovi was struggling, I knew his pace during all the weekend, and I knew he was making the best pace of the weekend just in the race. It was [because of the] help from my wheel. I’m happy because I was not wrong. If I was wrong and slowing him, I would be very sorry. But it’s not like that, my feeling was true.”

which, you know. is it really that easy to tell how much faster you are than someone who's sitting on your rear tyre? who's to say. dovi did certainly seem rather keen to get past

anyhow, of course there were plenty of fun dramatics post-race:

'our rider ignored team suggestions not team orders' is a great line, fairs. there's plenty more of this from ducati, some excellent spin doctoring - and dovi was extremely magnanimous about what had happened:

the whole thing was pretty undignified from all non-dovi parties, but it was also very funny so who's to say if it was bad or not

(8) runner-up-gate

let's check in on them in 2018, the second and ultimately last year in which they were teammates. remember that 'undermining morale' quote from above? those are from early 2018, after dovi says he wouldn't be surprised to see jorge elsewhere the following season. so, once jorge has complained that dovi had been trying to put him down his entire career, comes this:

so that's something. jorge, dovi and dani have a three-in-one crash in jerez, after which some fingers are pointed but it all remains fairly civil, and a bit later dovi says that jorge's approach doesn't work at ducati:

by the summer break, jorge's results had gotten better, but it was already too late to save the relationship with ducati and they parted ways. anyway, here's dovi and jorge having another go at it:

And while a rough patch for Dovizioso coupled with breakthrough back-to-back wins for Lorenzo in Mugello and Barcelona have now left the pair just three points apart in the standings, Dovizioso refused to back down from his claim when speaking to Spanish sports daily Marca ahead of the upcoming Brno race. “He’s won two races,” Dovizioso said. “Winning two races does not solve the problem of a year and a half. Lorenzo was not signed to win two races. Therefore I do not change my mind.” When the comments were put to Lorenzo, the three-time champion offered an ardent retort, stating that Dovizioso's rhetoric was proof of the claim he'd made back in April. “I'm a bit fed up with this situation, mainly because when I had trouble and he was winning, I was down there applauding,” Lorenzo told Spanish broadcaster Movistar. “What I said in Argentina - and the comments caused a big surprise - you can see that I was right. “He tried to undermine me, or downplay what I achieve or just attack me. As you can see, I wasn't lying. He's still doing it and now he says my method is not good, according to him.” Lorenzo intimated that Dovizioso was in no position to criticise him, as the Italian could do no better than runner-up to Marc Marquez in a 'perfect' 2017 season. He said: “I think my method has not worked too bad in my career. I've won three MotoGP titles and have 46 wins.” “In my second year in Ducati I'm usually faster than him, but maybe I should look at his method closer if in his best season, with everything going perfectly, he was second. Otherwise he's fourth or seventh usually. I'd tell him to leave me to go my way and to focus on his own and everything will be better, because when you have an angry Lorenzo it's usually worse for you.” 

fair to say that by this point the pretence at civility has mostly been dropped. I'm rather fond of the "lorenzo was not signed to win two races" line, though "when you have an angry lorenzo it's usually worse for you" is also really strong stuff. dovi tries to restore a little bit of peace:

Responding in turn to Lorenzo's tirade, Dovizioso sought to play down the conflict. “Jorge has his ideas and I think they are based on particular things. I don't think like him, but it's not a problem,” he told Movistar. “Everybody creates their own ideas based on what they see and how they live. “I don't think he has everything clear in his head about what's happened, but we continue the relationship that we started last year with respect, there's no particular problem. If he thinks this way, that's his problem."

so basically the classic 'idk what he's on about but it's not my problem' approach to attempting to defuse feuds

(9) twitter-gate

there's a few more on-track battles where it's nicely obvious how badly they want to beat each other, with jorge beating marc just ahead of dovi in austria and then dovi beating jorge in brno. jorge's season is increasingly derailed by injuries, which sets the stage for their next big spat:

The row was sparked by Dovizioso's comments to Sky Italia after qualifying at Sepang on Saturday, as he was asked what he thought of Lorenzo having to pull out of the Malaysian GP weekend with injury. "I don't know the details, I don't want to get into this, it's a bit of a strange situation," said Dovizioso."It happens often in Ducati or to certain riders, but I don't understand the details and I don't want to get into it and give my opinion." When it was put to him he was offering 'cryptic words', he added: "I leave things there, it's not my problem."

pretty vague, yeah. but anyway, I'm sure jorge had a proportionate response to this

Dovizioso's comments prompted a series of irate posts from Lorenzo on Twitter, with his first reaction being "Thank you very much @AndreaDovizioso! You are a real gentleman!". In his next post, he went on to call Dovizioso "an exemplary teammate", adding: "You applaud him under the podium when he wins and then... (That's right, he does not give his opinion, it's not his problem)." After that, Lorenzo labelled Dovizioso "envious" and described him as "a world champion... in 125cc."

the podium thing really bothered him, don't you think. their ducati in-fighting follows that general pattern where dovi says something... a little shady, a little ambiguous, where his intentions aren't entirely obvious... at which point jorge goes all in at fighting back and has a go at dovi - often not as much for what dovi is actually saying, but what jorge thinks dovi is implying. which is based on his understanding of dovi, the image of dovi he's built up in his head over the years, so that he is... predisposed to think ill of the intentions of the 'intelligent' dovi who always knows exactly what he's saying

again, dovi tried to downplay the argument, while simultaneously not exhibiting much patience for jorge's stance:

After the Malaysian GP, Dovizioso was asked about Lorenzo's responses to his comments, and the Italian accused his teammate of reading too much into headlines. He said: “Why should I talk to Lorenzo? I do not waste time on these things. He makes the usual mistake of giving too much importance to what is written, even without the context. "I have not pointed my finger at anyone and I have no problem with Jorge."

if I were ducati, I probably would've let the whole thing blow over given jorge was off soon anyway. but they decided the whole thing was so bad they had to organise a peace summit

Asked about the situation, Ducati sporting director Paolo Ciabatti admitted to Motorsport.com that the Bologna marque has already planned to sit its two riders on Tuesday in Milan to make it clear what its priorities are. Ciabatti said: “It is clear that the interests of Ducati come before personal problems between riders. On Tuesday we will be together in Milan, for the EICMA [motorcycle show] and we have in mind to spend half an hour to sit and talk to Jorge and Andrea. "We want to avoid similar things to what happened last weekend. "I understand that these kinds of situations can happen. Sometimes riders get nervous during a Grand Prix weekend and on a rainy day, with tricky conditions, sometimes they say things they shouldn’t have said."

god knows how that turned out

(10) wow, you guys aren't gonna let this go, huh

late 2020 and jorge's career is already over, while dovi's looks like it will be... paused, at the very least. which is always a good time to check in with riders on how they feel about their rivals - if they're still being nasty you know that shit was personal. from december:

some quality petty material here. "I can't understand his somewhat peculiar mind" vs "he was envious of me since 250cc, but I wanted to give our relationship a chance". note too jorge talking again about how generous he had been in the face of dovi's 2017 successes, and how he feels like this was not reciprocated at all. jorge's complaints don't stop there:

merry christmas!

not the only rider jorge has beefed with post-retirement, but compare and contrast with how he really hasn't been doing any of that with some of his biggest career rivals. valentino, marc, dani - sure, he still talks about the controversies he's had with them pretty regularly (to put it lightly), and he's hardly free of complaints... but mostly it's a distinctly nostalgic tone he's adopting with these guys. admittedly, it helps that none of those three have gone out of their way to say anything particularly inflammatory about jorge. still, the absolute lack of any sort of rapprochement with dovi of all people is pretty funny

bonus: that time when jorge skittled all of marc's rivals

you know how in catalunya 2019, jorge took out like? all of marc's major rivals in that era including himself in one go? with half a decade of hindsight, this was kind of hilarious, and it did also feature jorge having to eat a hell of a lot of humble pie and go to the three other blokes to apologise. anyway I have a lovingly assembled set of screenshots of all three of them emoting in their boxes after the incident, all suffering some form of an existential crisis. here is dovi contemplating the bleak realities of our brief lives on this planet:

truly one of the world's least enthusiastic waves

bonus 2: another one for old time's sake

already posted this elsewhere, but this from late 2023 made me laugh

"jorge came to ducati and thought he was going to beat everything, but in the end he didn't" uh huh