#I feel like I'm not articulating my point well

[rendellstreet]

Might we hear a little about your interpretation of Varian and what you plan to put out for fanworks? I've kinda seen how he's characterized by a relatively active section of the fandom not just while tts was running on air but very recently as well, and it's all... oddly very similar. Like so many people seem to agree and the fanbase is huge for him.

I am curious to know because I don't interact with the TTS fandom or Varian fans at large so what is a consistent theme going on

I don't know if you call it an interpretation, but I just need a break from all the angst and throwing characters under the bus for said angst like how many times do we need to reiterate how Rapunzel is apparently the bane of his existence and blah blah blah?

To me, he's a lot more chipper and excitable. Loves to info-dump on interests and stuff he's good at. Does break every now and then to apologize for info-dumping too much. Bit anxious. He's autistic your honor. Very social and inquisitive. Like for me personally, if he was in season 2, he would have a journal like Rapunzel and just fill it with all kinds of nature and scientific notes as they travel to the Dark Kingdom.

[tleeaves]

There are two wolves inside me. One wants to embrace a new hobby in dance so I can be active and feel elegant and graceful and strong. This wolf wants to try something new and exciting, finally indulging in something I've always had an interest in.

The other experiences such frustrating emotions on a near daily basis that I want to go back to boxing, which is arguably easier to break into since I've already done it before. This wolf doesn't think of elegance, she just wants to fuck shit up until her body's so overworked and warm it fogs up car windows without having to do anything but sit inside.

Which one do I fucking feed??

[incomplete-ruler]

Okay now that I've awakened and had some good (but late) sleep, I can finally share my thoughts on 29 verse (mostly (there's probably some stuff I forgot to add)).

Well firstly, I do like how this song was made with the 2nd gen groups in mind, as well as it basically being an opener to the third season (since the main verses are split between the two units). As much as I grew to love the new content in rap guerilla, you can really tell that the new groups were sort of stuck onto a song originally made for the 1st gen groups (even with buraikan honestly). However, with this song they're all very much integrated into the song (I mean that should be obvious but still thought to mention it). I also think this is the first alternate 'all units' song that features the new groups+buraikan. If the stageplay ever adapts rtl, I'd love to see this performed by the stage actors at some point (probably after the first half tho).

I'd say that my favourite verses overall (at least right now) are cozmez, AMPRULE and VISTY. VISTY's verse in particular I thought was a nice way to end the revengers section, especially Kantaro's part (I'll bring them up again later). Individually I'd say that Reo's and Shiki's verses are some of my favourites too. Reo's verse is literally so addictive and there's just something about the way that Shiki delivers his (more specifically this line at 3:26) that I'm obsessed with for some reason (Ryuu's verse is also starting to grow on me as I'm listening to this song on repeat while writing this).

Also as a bonus I'm glad that Anne has a better verse in an all units song that's not just "fuck the racist, I don't need no fake ass" (minus the songs from the stage adaptation).

As far as the group order goes, I'm pretty sure they were planning to alternate between the 1st and 2nd gen groups (using the order given for the revengers and avengers teams of course). However with the avengers team, I think they just decided to put BAE at the end right after they'd already swapped them around which put 1Nm8 at the start of the avengers section...which also brings me to my next point.

So as mentioned before VISTY ends the revengers section, but do you know who is right after? 1Nm8 and as we all know they'll be going against each other in battle of unity. But ALSO do you know who starts/ends said verses? Kei and Kantaro.

So in conclusion: THE QUEERS ARE FIGHTINGGGGGGG (and the battle hasn't even started yet)

[babblish]

when ur brain and body and stars align i would love to know about your arcane order powerpuff girls ideas :3c

Hello~ Sorry for putting this off for a billion years, but truly my brain and body and stars have not aligned as promptly as I would've liked. And also full disclosure I haven't watched the powerpuff girls since like... 2005. 😩

Basically my first thoughts was that it would be easy to 1:1 them based on colour coding alone. HOWEVER on second thoughts I don't think this actually lines up with my understanding of the characters.

Sure it would be easy to say Skrael was the Bubbles, but in my opinion Skrael is the kind of person who presents a very prickly persona and his softer side is exclusive unlockable content to a select few. Which is more of a Buttercup thing. And while you could easily say that Nari mapped up to Blossom with her "everything nice" (and also arguable being the ultimate decision maker for the trio prior to her leaving), I think it's more fair to say that Nari has more in common Bubbles who is more genuine and nicer, but also very likely to underestimated and infantalised while also have that more hardcore aspect of herself completely ignored.

And also a strong argument could be made that Bellroc also lines up with Buttercup, I personally see them as being more of a Blossom, not that they see themself as the Leader, but rather they seem uniquely burdened by the weight of their own need to be perfect, and would literally rather die than ask for help or mitigate this burden to anyone beyond the Specialist Three. Which is my rambly motivations for why; Skrael = Buttercup Nari = Bubbles Bellroc = Blossom

[kuromi-hoemie]

bleh

[datastate]

please think before promoting a post that - while having an understandable critique of people who remove themselves (through headcanons) from a media to a degree that they may as well make ocs - includes “race headcanons” in this criticism.

[cathymee]

man why is mskm not biting as i thought it would be....

[crossbackpoke-check]

Fixed point (mathematics) // The History of Perspective // "Point of Disappearance", Dennis Held // How the Hughes hockey family stays grounded // Fixed Point Photography-- // "Portrait of A.", Tung-Hui Hu // Mic'd Up | Hughes NHL 25 cover shoot // "Burnt Norton", T.S. Eliot // "Circuitry", Janine Joseph // Bruce Bennett // Nick Wass // from obedience [maybe one day, during a point in time], kari edwards // Bill Rapai // "Errand Upon Which We Came", Stephanie Strickland // Benchmark (surveying)

art kid luke hughes

[hedgehog-moss]

I usually buy one stere of firewood per year, one and a half at most, but this year I saw an ad at the farm store promising a discount if you ordered 5 or 10 steres and I thought, well, I have a brand new wood shed, so let's go, five steres, why not!

Then a big truck came to my house and threw up this lava flow of wood in front of my shed and I realised that my mental representation of 5 steres, in terms of volume, was a bit off.

But that's okay! My friend D. was coming to visit. She's very convenient to have around in early autumn because she enjoys the real-life Tetris aspect of stacking wood—not only that, but she's uncannily talented at spotting blackberries, and September is blackberry season. (I do also invite her in other seasons so she doesn't feel exploited for her gifts.)

I was a bit concerned about the wood-stacking part of her visit though, partly because of the truckload of wood awaiting us and partly because this year's wood is completely shapeless and looks like whimsically sea-sculpted debris from an ancient shipwreck.

(On the left: the pretty logs that /I/ cut, which are shaped and easy to stack. On the right: the nonsensical wood that I bought.)

(My friend saw this and almost went on strike. She was like, "Not a single log has a shape that makes sense with the others... it sucks. That's not Tetris 😠") (Me: "Think of it as having reached a higher, more challenging level of Tetris." Her: "😠")

On top of that, because of the cold and rainy summer we've had, blackberries were very scarce this year, like everything else. Brambles are so ubiquitous in my woods I used to think I would always get more blackberries than I know what to do with, but last month I actually had to go look for them which I'm not used to doing. Every fence is usually covered with blackberries in September, and in some parts of the woods there are hazel trees taken over by brambles so that blackberries are dangling in front of your face temptingly and you don't even need to bend down to pick them. But not this year.

I feared this visit would be quite disappointing for D. if the wood stacking and the berry picking were less fun than usual—but the fact that blackberries were much harder to find than the previous years made her amazing berry-dar all the more necessary and appreciated, and she enjoyed our blackberry hunt. We'd get lost in mazes of giant broom bushes and I'd be like, let's go somewhere else there are no blackberries to be found here, and she'd stop dead and go, "Here!" And here they were!

I don't know how she does it.

One fun thing that happened is that at one point, while D. was somehow finding kilos of blackberries in a field I'd already searched two days before and which had seemed empty of berries, I wandered away into the forest to photograph some pretty mushrooms. Then I heard a strange bird call which, when I looked up and paid more attention to it, sounded more like my friend calling my name from afar. I figured I was being called out for getting distracted from the berry harvest, so I returned to the field. She was crouching down at the other end of the field with her back turned on me and didn't look like she'd just called me.

Half an hour later, when it was getting dark and we were about to go home, she told me, "Hey, did you have something to show me earlier? When you were in the woods." Me: "No, why?" Her: "You called my name."

...

Me: "I didn't call your name. You called MY name." On second thought, she said that it sounded quite shaky and high-pitched, not like my voice, more birdlike. Me: "I initially thought it was a bird too!" Problem: our names sound nothing alike.

We stood there mystified for a minute, wondering if there could be a bird capable of articulating both of our names, or if it was some other animal or thing that somehow knows our names. (We were quite sure there were no humans in the area, because Pandolf is very good at sensing nearby people and always wants to go say hi to them.)

We looked at the woods, then at my car parked nearby, then went, "Okay! Time to go home and never investigate this further 😊"

My friends are a good influence on me—there were people a bit concerned about my sanity in the notes of that post where I talked about going out into the woods at night because something was screaming, and I think they'll be happy with the moral of this story! We went home and sat by the fire eating blackberry tart and talked about what a great decision it was, all things considered, to not try to figure out what sort of creature wanted us to wander deeper into the forest at dusk. The end.

[in-class-daydreams]

Imagine ex-husband Gojo doing things for his new love interests that you begged him for while you were married.

After a joint meeting between the sister schools, you overheard Suguru asking him who he was texting during the meeting.

Satoru replied, "Just letting my date know I'll be a bit late tonight since we ran long here. Todo can yap, huh?"

"Seriously!" Their voices faded as they walked down the hall.

You stood just outside the meeting room watching the corner the disappeared around. If you had to pinpoint the number one reason your marriage failed - more than clan pressure, more than the strain of being young parents, more than back to back to back missions - it would be the fact that Satoru can't communicate for shit.

Part of it wasn't his fault. His brain just didn't work like that. An inconvenient side effect of limitless is that everything makes sense in your head, but it's hard for a person with the gift to explain their thoughts to others.

So the no-call, no-shows to dinners was technically a side effect of limitless, as was his inability to articulate his feelings like an adult or the fact that he would just do things without even telling you there was a problem in the first place.

"Quit doing that with your face, brat." Sukuna emerges from the meeting room. He's out of his Ryomen form at the moment, as he usually is during meetings so that he can actually fit in his chair. "How long are you gonna let what he does affect you?"

"It doesn't!" you insist.

Sukuna rolls his eyes. "If that helps you sleep at night."

Imagine reminding yourself that you can't be mad at him.

You're seeing other people now, too. Hell, you've been divorced for over a decade, it's insanity that you care at all.

It's just. You never doubted his love for you. Not for a second, not even now that your marriage failed and you largely raised your son on your own.

"Mom?"

Maybe your divorce was his motivation to be better. You're not sure. But if he's capable of change, capable of being attentive and communicative, why couldn't he change for you all those years ago?

"Mom."

Could it be that you were his childhood companion and he loved you, but he was never in love with you? Was his love for you less than your love for him?

You hardly notice your son calling out to you until he springs into action. "Mom!" Sen nudges you away from the stove to turn of the burner. When did smoke fill the kitchen? The roux you were trying to make was burnt to a crisp, stuck to the pan and emanating an unpleasant smell.

Sen gently pries your hands off the handle and drops the ruined pan in the sink to soak. Then he makes sure the burner's off before turning to you with a conflicted expression.

He may have inherited a hybrid of both your and Satoru's personal brands of emotional stuntedness, but he could put two and two together between how distracted you've been and the rumors of Satoru dating again - What with it being huge news among jujutsu society (aka power hungry clans with eligible daughters.) Your son had his own complicated feelings regarding his father and as much as he'd prefer Satoru stay away from you, it hurt him to see you like this.

Though, watching you try to keep a stiff upper lip for his sake during the divorce is the reason he doesn't want his father anywhere near you.

"I'm sorry, sweetheart." You wipe your hands on a dish towel. "I wasn't paying attention. Hang tight while I make you something else."

He could kill Satoru right now. But you wouldn't like that, so he won't.

"Mama, I--" He shuts his mouth. You've been protecting him from the details of the divorce his whole life. What did he know about comforting you? But while he may not have been able to protect you then, he can sure as hell try now.

"Mama, why don't I take you out to dinner? My treat."

Imagine that Sen decides he needs to stop having ideas.

He brought you to a local okonomiyaki that you've been going to since he was little to the point where the owners knew you well and liked to give you little extras from the kitchen. Today's treat was a side of pickled radish.

It was your happy little hideaway. Away from jujutsu and clans and curses and your broken home.

Sen insisted on cooking the okonomiyaki for you, saying that, "My treats means I'll take care of everything!" The weak smile you gave him made his heart soar.

You giggle while he jokes around and tells you about school like how Hikari fell asleep for 45 minutes out of an hour long test and still got a better score than him. Hearing about your son and his happy school days always made you feel better.

Sen was ready to give himself a pat on the back for cheering you up when he hears the front bell jungle and a woman's laughter carries over.

"Fancy places are like that, though!" the woman laughs. "They give a bite of food per plate."

Then a familiar voice replies, "Yeah, but it was good, wasn't it? And now we get to fill up at a cute place like this."

Even though he's the one facing the door and not you, the look on your face tells Sen all he needs to know. What breaks his heart is that you've sunk lower into your seat to make yourself smaller.

Sen could kill his father right now.

Hooray, angst!

Click [here] to keep up with ex-husband Gojo and his estranged family | Ask stuff about Sen and the fam [here]

[rubysparx]

Honestly I don't think I'm qualified to make this post, I just don't know if I can make coherent enough words man. But the thoughts are in there and I will try to articulate them. This is probably going to be mostly images though. anyway yeah KABRU POST.

A couple nights ago (at approximately 2:30am, lasting a little over half an hour) I had a bit of a moment about Kabru. That, too, was mostly images- most of what you see in this more concise post were presented then as well. I think my main points of the "moment" were about Kabru's trauma + self hatred, his autism and/or general otherness, and also a little labru if you'd like..

I think something easy to start with is I wanna point out Kabru's constant back and forth and conflicting opinions of demihumans and how, I believe, thats a reflection of how he goes back and forth on what he believes his purpose of living is- and the general worth of his own life. I've said it before and i've just kinda shown it in images; Kabru is "i think im a monster and it disgusts me" where Laios is "I know im a human and it disgusts me" (i could go more into the latter on another post)

the above are both from the world bible, with the left being from the section on kobolds and the right being from the section on Kuro specifically. Utaya was very near to the desert where most of the kobold population is, this is likely why Kabru is able to speak Kuro's language- he grew up around demihumans. (chapter 48 cover, kobold chapter in the world bible) I won't try to speak for how his mother or the rest of utaya felt about the kobolds but I can say that Kabru was very much othered as a child, as was his mother, purely for the way her son's (kabru) eyes looked.

I feel like its fair enough to say that both kabru and the kobolds were othered, and possibly for similar reasons (villager's seeing them as nonhuman, as monsters) and the fact that Kabru learned their language probably didn't help his case. I think his perception of kobolds (and all demihumans, subsequently himself, as he probably still views himself as nonhuman or not human enough.. deep down) was damaged by the Utaya incident. at 2:30am when I first started this ramble my main comment was that "had the utaya incident not happened kabru would have little reason to feel ashamed for his connection to monsters. and may have ended up similar to laios in that he couldve had otherkin swag" which is just a sort of silly way of saying Kabru could've learned to love the thought that he is possibly nonhuman or at least not hated himself so much for it.

in the original ramble I said, and quote, "he has been STALKING laios. laios is his hyperfixation to learn how he can ever be loved. he keeps going back and forth so harshly on wether or not he wants to kill Laios and he clearly sees his survival from utaya not as an unfortunate trauma [*] but as a necessary, deserved fate. a punishment for his mother's witchy sins, and for his sin of being non-human. to atone for it all, to apologize for being alive, he tries to better the lives of all humanity. He was set on his way to dethrone the governor of the island . do you understand? im going insane" *i also said somethings about the way he processes other people's traumas and not his own. He's able to understand and even help some people, but he struggles to process his own issues and see himself as worthy of love and life.

^some examples of Kabru being understanding of or helping others who have suffered greatly. I think its also worth mentioning that with Rin (called "Lynn" in that translation) he says "I wish there was a way to get her out of this" though he's insisted and pushed for himself to go into a dungeon;

In chapter 94, Mithrun says "The desire I had left wasn't revenge. All I wanted.. was for it to finish devouring me." and I don't feel like it's a stretch to say Kabru was in a similar situation. Mithrun sought out the demon with no plan on how to kill something like that because deep down he wanted it to end his (Mithrun's) own life, to finish the trauma it caused and kill him. I think Kabru went into the dungeon in part with the hopes that it'd kill him. That the same thing that destroyed Utaya and caused him so much trauma would just.. finish him.

I just think Kabru is a beautifully complex character, I have a lotta thoughts on him and I don't see nearly as many analysis posts for him than I do Laios (despite labru being such a popular ship)

there is no tldr for this post idk how to summarize it. do what you will with this collection of images. have fun. go crazy

fun fact the woman in the bottom left corner is his mother, she is labeled here as "witch"

[danieyells]

@yuri-is-online @jadeleechsupportgroup

Taiga, Romeo, and Gluttony

NOTE: This post contains spoilers for the entirety of the recently released Auction chapter. Read at your own risk.

So the recent chapter was everything to me. It was the shortest, but in my opinion it showed us a lot about Taiga and Romeo and their relationship to one another, and it also helped me refine a specific thought I had about Taiga and his whole deal he has going on.

To put it shortly; I think Taiga has a gluttony curse, and I think it functions as a mirror to that of Romeo's stigma, and is part of why they had a falling out, and why they can't seem to get away from each other.

To put it horrifically, horribly long....

So what do I mean when I say Taiga is cursed? Well, exactly that. I believe he's cursed in a similar way Rui or the MC are; he has an insatiable need to eat anomalies. I believe that this grants certain side effects like the MC and Rui's curse, and that one of them is a sixth sense for anomalies and anomalous circumstances.

I want to explain this before the Romeo part, because it's the basis for my analysis and thoughts on the two of them.

To start from the very beginning; I think Taiga, during one of his missions, was cursed by something like a jikininki as punishment for his 'gluttony' — the rapid rate at which he completed missions in his first year. This left him with his insatiable need to eat anomalies, but more specifically, is the reason he doesn't seem to want to eat them.

While I'm not certain the anomaly is for certain a jikininki, especially because there's certainly other similar folk legends out there, I chose that one specifically because they are noted for their sharp teeth and for not liking the insatiable need to eat corpses.

Now, what does this mean for Taiga? I think he's stuck between being a ghoul and being a jikininki, or whatever anomaly it ends up being, and I think this has given him a sixth sense that messes with his perception of time, self, and memory. But why would it do that?

Jikininki are immortal creatures, and wish to be freed from the torment they're in for the most part. If one was cursed to be part Jikininki, it would make sense for their existence to be similarly excruciating, with a difference being a lack of full immortality.

Remember the Mortkranken chapter, with the failed mermaid flesh? How their bodies continued even as their minds didn't? Taiga has multiple lines detailing how his 'body' remembers, even if his mind doesn't. Yuri and Jiro also explain that part of the side effects of the reaction are rapid mental deterioration. If Taiga had gone through a similar deterioration, it would explain his seemingly sporadic memory loss (not total blackouts like Jiro, nor specific category based amnesia either, just like. Random shit) and the fact that he doesn't have a concrete sense of identity (showcased through his constantly shifting first-person pronoun choice in Japanese). His cells of his body are reverting to their pre-aged self, and his mind is attempting to do that too, but it's imperfect and messy.

The key to the idea of the sixth sense comes from the fact that he's specifically cursed for anomalous gluttony. I think that he can sense anomalous material or anomalies themselves, and as demonstrated from Ed, this includes some sort of future sense. While we don't know the full specifics of what a sixth sense grants, we can see him utilise it in multiple different places. It's also, in my opinion, why he was sent on the Prologue mission.

Some examples of his supposed sixth sense are how he intuitively understood the anomalous dealer's entire thing, the scenes where he knows the Like Dove will appear before it does, when he senses Romeo approaching (Romeo is carrying an anomaly: his artifact), how he understands the auction is an anomaly, when he gets the mask under unknown circumstances, when he directly knows there's no anomalies... the list honestly could go on forever.

There's one other fact that I personally believe sealed this theory for me; his association with Haku.

In the recent chapter, when the MC is thinking about who to talk to about curses, Taiga instantly knows who we're thinking of, and rejects it on the basis that '[He] can't get rid of curses unless the anomaly that did the deed's right in front of him.' and that he's a 'Simp for the rules anyway.'

... Which is interesting, since it seems like Taiga has tried to ask him about this before. But if you think of this as Haku's stigma, and imagine Taiga trying to get his curse cleansed before, it makes sense! It would also be a good reason to put Haku and Taiga together in the prologue; Taiga can track the anomaly with his sense, and Haku can cleanse whatever curse it gives so long as Taiga manages to capture it or subdue it for long enough.

(Which, side note, is so tragic for the MC...)

Okay, now that the basis of 'Taiga is cursed' is out of the way, how on earth does this relate to Romeo?

Simple. I think Taiga's curse directly mirror's Romeo's stigma, and it's what caused their rift.

Romeo's stigma, as we learn in the new chapter as well, is dependent on his attachment to the items he throws. This, thematically, works with Romeo, who is known to be greedy. Everything he does is motivated by a profit of some kind, whether that profit is social or monetary or whatever. He wants special privileges so he does special missions. He wants money so he raises fees and coerces people to gamble. He wants popularity so he dresses nicely and pampers himself. It doesn't always mean he is money grubbing and stingy (because we see he's willing to spend lavishly on grooming and decor!) but it means that he's attached to what he has. His stigma requires him to give up that attachment. It is a punishment, a sacrifice, as a result of the pact. Similar to how Luca lost his brother (and gained a protective stigma), Romeo has to lose what he feels is worth something in order to fully utilise his ability. Call it a sort of pride.

I think, on the other hand, Taiga's curse is one of envy. He has a desire to eat anomalies, yes, but the desire becomes stronger the more attached someone else is to the anomaly. He doesn't need any interest in it, really. If someone else likes it he will need to eat it.

Taiga covets Haru's Peekaboo to eat instead of the wild one that we also know is in Jabberwock. He's composed about the Like Dove (barely, but he restrains himself!) until Romeo wants it. He steals the plants from Rui's BAR, not the ones in the garden outside (both are Rui's, but his bar is arguably the more loved thing of his since it was fully his choice). He covets Mortkranken's anomalies, and becomes mildly obsessed with the immortal one as soon as it becomes a major research subject. He's also completely fine holding and handling the mask, presumably for a long time, up until Romeo sees it as valuable and worthy.

Now, this doesn't necessarily make them instantly incompatible. But when you take one of Romeo's core traits being 'Greed towards anomalies' (He wants to collect them and frequently complains that other houses are 'stealing' them from under him; he sells them; he gets missions from Hyde to get them; etc), it becomes evidently clear that Taiga's curse is directly oppositional to it.

I think it's pretty obvious by now that Taiga and Romeo have a pretty turbulent relationship now, but were extremely close in the past. Multiple characters state that it would be nice to see them on good terms again, and it's certainly worth mentioning that Romeo is one of the few people Taiga consistently remembers. They both know each other exceptionally well, too. Taiga knows how to get under Romeo's skin and Romeo knows Taiga's habits.

Going back to the idea of this curse causing their rift, if Romeo was constantly on the verge of an important capture, or even if there was just one mission that was important, and Taiga ruined it by eating the anomaly, I doubt Romeo would easily forgive and forget. I think it could very easily cause a massive rift that just kept growing with each new snack Taiga picked up.

I think a moment that gets its nuance overlooked a lot is the scene just before Taiga eats the dove. The Japanese line emphasises that Taiga is referring to HIS heart, that Romeo could shoot through HIS heart, not just a general appraisal of sharpshooting. He even points directly to his heart as he says this, and it makes Romeo hesitate. They're BOTH in pain in this scene. They're both conflicted; this is their ex-partner (which I don't mean in the romantic sense, just in the general sense) who they were very, very close with, and who is now literally at arms length with a loaded gun. Romeo could just shoot him. Romeo could put an end to all of this supposed pain. And Taiga might even let him. And wouldn't that be karma for all he's done? But he can't. He hesitates.

And you know what appears after that? The dove.

This dove that symbolises both general desire (flies over peoples' heads when they're thought about) and Romeo's desire. His desire to escape probation. His desire to make money. His desire to capture, not kill. His desire to reconcile instead of fight. His desire to shoot.

And Taiga kills it. Eats it.

I think this is the most tragic scene between the two of them. This is the crux of it; they both want to reconcile. They want to be friends, to be close, to stop the war raging between the two of them that has done nothing but hurt them both AND hurt the wellbeing of Sinostra, but they can't, because Romeo will ALWAYS desire, and Taiga will ALWAYS take that from him.

It's a cycle they can't escape. The auction chapter shows it too. Taiga is almost disappointed at Romeo's greed. He seems jaded by it, and seems proud and happy when Romeo gives it up for once. Romeo is happy too; MC goes out of her way to say that Taiga handing him the mask makes him look more peaceful than he ever has before. It is quite literally a perfect ending for the two of them and a perfect way to reconcile.

And then Taiga eats it! Again! But I think the most horrifying part of it is that he tries to warn Romeo.

The comic doesn't translate or even transcribe it, so it's so, so easy to miss, especially if you don't speak Japanese, but Taiga grunts out the words 'I', 'Eat', and 'Next' as he approaches Romeo and the mask, and it's the direct reason why Romeo is able to realise that Taiga is about to eat it before it actually happens. He basically just grunts out 'I'm gonna eat that next' as he's fighting against it! But inevitably, neither of them can stop it. The cycle continues.

As long as Romeo is greedy, and as long as Taiga is gluttonous, they will never be able to fully reconcile, no matter how much they both want it. Both of them have to change, but I want to point out that at this moment Romeo is the bigger active obstacle between the two of them. Romeo can't let things go, he holds onto everything and lets it build until it explodes in one way or another. Tiris, his stigma, is symbolic in that sense, that he has to learn to let things go, because if he lets it build too much it will explode spectacularly.

(All of the ghouls have this sort of symbolism with their stigma, so it's not just a Romeo thing, but it's definitely important to his character.)

But Romeo can't get over it yet. He can't get over his greed, he can't let go of things he can't achieve (like getting Kaito's necklace), he can't get over past betrayals (Taiga, what happened with his family, etc)... He's too stuck and stubborn, and his refusal to budge has therefore lead to Taiga's refusal to push. Taiga has stopped caring about getting on good terms because he knows it won't turn out well. He's given up and become cynical, which in turn means that IF Romeo were to change, Taiga... still probably wouldn't. They're cyclical again. Always, always missing each other. So close and yet so far.

I hope the MC can be the catalyst for this cycle to end. Or Ritsu, who is a good equalizer to the two of them. But until she learns to see her own worth in the Academy, and until Ritsu accepts that sometimes he's wrong / he doesn't always know the most out of everyone in the room, I'm afraid Romeo and Taiga will remain stuck in this loop forever...

[aptericia]

Not proud to be here.

--

Ok, here goes draft like 5 of this fucking post. I spent 4 hours tossing and turning in bed last night thinking about this, and then this morning I found a tumblr post that really helped me understand what I was trying to say.

The post talks about how aromantic "advocates" claim that "aros don't take up resources, so there's no reason not to include them!" And if that's actually what people believe, I think I can finally articulate why it is that I feel so alienated in queer spaces.

It's because aspecs in general aren't "welcomed" by much of the queer community. We're tolerated. We perhaps get the luxury of not being contradicted on our own identities, or not being specifically kicked out of LGBTQ-only spaces, but that's the whole point: what we get out of the queer "community" is people NOT doing things, not actually doing things FOR us. And that, frankly, is not enough. We deserve conversations about us. We deserve to have others consider our feelings, even when making lighthearted jokes. We deserve varied, respectful representation in media. We deserve the active deconstruction of amatonormativity in society. We deserve to have space made for us, rather than at most being told we should "go take up more space!" ourselves.

Of course, the reality is that my being aspec is a personal matter that does not inherently affect anyone else. But the same can be said for literally any queer identity. Your being gay doesn't say anything about me, so of course I shouldn't hurt you for it, but why should I help you either? Because your happiness and comfort are important. The same goes for aspecs.

And most of the time, I don't even need anyone to make space for or expend resources on me; I can live fine in everyday, non-queer-specific places without mentioning my identity at all. But it's the queer community that claims it will make that space for me, doesn't, and then acts defensive and morally pure if I call out the hypocrisy because "we're queer too, you can't erase our identities to advocate for yours!!!!"

Again, this post isn't about specifics. I have queer friends who are incredibly thoughtful and supportive about my identity, just as I have non-queer friends who are. I find more solidarity in aspec-only communities, as well as trans/genderqueer ones, although there are still many exceptions. This post is also not about amatonormative ideology, which is extremely common from queer and non-queer people alike. This post is about the reason I've felt so betrayed by the queer community.

--

On a personal note, I remember being so excited when I started identifying as aromantic (and later asexual). Fitting myself into labels has been a lifelong struggle for me; to this day I still can't confidently say if I'm White or PoC, neurotypical or neurodivergent, abled or disabled, cisgender or not cisgender. I continue to struggle making friends because I don't fall into social cliques. To discover that I officially, certainly, was LGBTQ+ lifted a huge weight off my shoulders. And now I'm just so sad to find that despite that, I'm still stuck in the middle. I didn't get rewarded with a community. I still feel alienated from both queer and non-queer people. I know it was silly to get my hopes up when there's such vast diversity in both groups, but it really was a disappointment. Going to my first Pride parade last year was really the moment where I realized this.

[sapphicdib]

I am sure you are all aware of the current state of the fandom. I have done my best to avoid all of the controversy, but seeing how others have voiced their concerns I would like to as well.

I, as an artist, do not feel safe in the Rain World fandom.

I have expressed this in the past, but I have been the victim of false pedophile and grooming allegations with the use of manipulated and doctored screenshots. I do not have the words to articulate just how psychologically damaging it is to have an entire fandom turn on you in an instant. To have your social life destroyed. To have hundreds or even thousands of people celebrate your downfall, simply because you annoyed them, because now they have a "reason" to. Watching this fandom gleefully parade around shaky evidence and happily participate in this type of behavior is sickening to me. It makes me worry that someday, I will annoy someone enough to have another false allegation made against me, and I will have to go through that again. There is a part of me that believes I would not survive such a thing. I am not trying to be dramatic when I say that, but people need to realize that "internet drama" can cause serious harm your mental health. I still have PTSD nightmares related to the callout post made about me from 3 years ago. This is not something you can just “get over”.

People need to remember fanartists are not paragons of grace, nor are they perfect. The fact that the internet has allowed people to dehumanize artists into "content machines" that must never slip up rather than human beings who are messy and awkward and can fuck up at times is sickening. I do not feel comfortable in a fandom that jumps at the opportunity to harass someone over a mistake, that stirs up a witchunt over what boils down to miscommunications. A fandom that treats every situation as black and white and doesn't wait for all the evidence to come out.

I believe nyuuronfly put it best in their post:

"It is not inspiring to sit around and get attention in an atmosphere where the more attention you get the more you know many of the eyes that are looking toward you are searching for a weak point to go after."

I understand revealing a lot of my trauma in this post is a potentially stupid decision, but I believe my story can help make people realize the genuine harm callout posts cause. It is not fun having to deal with constant paranoia that hundreds of people are praying on your downfall. I have considered not posting about, or simply deleting my rot au many times because of worry that someone will think it's too “dark” or “problematic” and decide I am the fandom's #1 punching bag for months.

As of now, I will not be deleting, nor will I stop posting art. But I have considered it many times, and this behavior as of late brought me the closest I've ever been to doing so. I love rain world and frankly, I don't want to feel this way about the fandom! I want this place to be positive, I want better for this game. I'm not mad, just disappointed.

TL;DR:

PLEASE for the LOVE OF GOD stop reblogging callout posts.

Fanartists are PEOPLE. They are giving you FREE art. Treat them better.

You are not immune to false screenshots, mob mentality, and black and white thinking.

Rain world is a gorgeous, creative, and deeply moving game. Please, let's work to make this community reflect that.

[maculategiraffe]

have been helping a bit to look after a little girl who is almost three, about six months older than my nephew, but who unfortunately hasn't been looked after as well as my nephew has.

had her in the kind of baby swing that you buckle a baby into, and she was being very very quiet and meditative. not smiling or engaging with me at all as I chatted away at her, or even looking at me. which is fine of course

but after awhile I said "are you all done swinging?" and she didn't answer or look at me. I said "are you still having fun in the swing?" and she didn't answer. I said, "do you want to keep swinging?" and she didn't answer. I said "are you hungry? ready for a snack?" and she didn't answer

I knelt down in front of her and said "let's unbuckle you and we can go get a snack, ok?" and she just stared at me. but when I reached for the buckles she whimpered and sobbed and tried to push my hands away from them

so of course I was like "oh! you do want to keep swinging!" and she didn't answer, but when I pulled the swing back to get her swinging again she smiled really widely

and it got me thinking about how sometimes, especially if it doesn't seem like anybody ever listens to you, or cares what you think or feel, it's hard to think of language-- including the language of gesture-- as a tool to communicate. because even when she started to cry and pushed at my hands it wasn't really like she was trying to tell me something, or even ask for something. she can talk, I've heard her say a three word sentence, and her speech and articulation are probably better on a purely technical level than my nephew's. but why should she? grown-ups do whatever they want. she didn't communicate her wishes to me, not because she wasn't able, because why bother? she cried because she was sad and frustrated, not because she thought I wanted to know what she wanted. she smiled because she was happy, not because she wanted me to know she was happy.

and I get it, you know? sometimes you have a breakdown because it's easier to get to the point when things are so bad or upsetting that you just have to cry out in protest, in organic despair that just overcomes you, because it's too hard / it seems too hopeless to choose to ask for something before it gets to that point. even if people are actively asking how they can help. because how do you know they mean it? what if you choose the wrong answer? better not to imagine you get to choose.

wish she'd yell "no snack!!!! more swing!!!" like my nephew. who knows I'm listening

[somewhereincairparavel]

Annabeth Chase and Jason Grace - two sides of the same coin, an analysis post.

after a long wait, I've finally posted my analysis on jason/annabeth being similar, and mirroring eachother as rivals/potential sibling figures more than percy/jason's 'bro rivalry', based on this post of mine which has crossed over a THOUSAND notes in the last week alone, and I've been getting so many reblogs and comments asking me to expand on my tags in that post and do a full analysis. so here it is. I've been procrastinating this for quite a while now for some reason but I'm glad I'm over my writer's block and I got to articulate my post well enough.

annabeth and jason have had very minor interactions throughout hoo, but the parallels and similarities in their character is jarringly noticeable, which is why I hoped for a jason/annabeth rivalry and not a percy/jason rivalry. they've both been raised at their respective camps since they were literal kids, they were well versed in their respective fields of knowledge, and were well respected/intimidated in their camps.

let's start off with the lost hero

when jason first meets annabeth, he says that her eyes were really intimidating and fierce, so right off the bat, we have jason who's pretty put off by annabeth because she very obviously looked angry, especially since she was frustrated about jason's arrival instead of percy, and looked like she could kill jason to get percy back.

-----------------------------------------------

this parallels to a lot when hazel kept going on about how difficult it was to warm up to jason because his eyes were always calculating and cold, and he gave off an untrustworthy vibe, that he'd sacrifice anyone for the sake of the mission.

both annabeth and jason have a certain similar ‘look’ in their eyes, which have nothing to do with the color. they both have the tendency to make people nervous simply with their eyes, because they always look like they're thinking of new things every few seconds. Ironically, jason first perceived annabeth, the way everyone else perceived him. scary and intimidating with an icy glare and hardened eyes.

They were both said to be ‘studying’ each other in distrust many times throughout. A part of why they didn't trust each other, was, in my opinion, because they embodied their least favorite shared personality trait of each other, secretiveness and guardedness. which is why annabeth got on so well with percy, and jason with leo/piper.

they didn't admire the closed off-ish vibe that they gave eachother. they both needed people who were open and carefree.annabeth said that jason looked like he knew too much information, but chose to keep it all a secret, very similar to her own guardedness from time to time, keeping it a secret and wanting to deal with it silently.

we also know that annabeth and jason are extremely knowledgeable in greek/roman mythology, they both love debates and were quite passionate about history. they were both assigned architecture projects by the gods themselves as a mark of honor and favour.

moving on to the next most important point, they reminded eachother of the people they missed, causing them to feel resentful.

jason, barely met his sister after they reunited. he was bitter when thalia said he had to go look for percy to help out annabeth with the search. he was aware that thalia and annabeth were childhood friends, getting closer to eachother than jason and thalia ever did. she found a home in luke and annabeth, not even a few months after baby jason was thought to be ‘dead’, that knowledge would've weighed a lot on jason. annabeth became the sibling to thalia grace that jason could never be.

while annabeth? the only thing annabeth thought of, after jason had a face off with his mother's remnant in boo, was the fact that jason, who looks eerily similar to luke, could've experienced the exact same fate as him. luke was jason if he had more wrath and held grudges, jason was luke if he had less anger and resentment. annabeth could connect the dots so easily, and that was truly the moment where she gained immense respect for him.

and, when jason told annabeth that his sister was thalia? she had a very odd sort of expression on her face.

annabeth also quotes that looking at jason made her feel bitter, because he reminded her of heras exchange, and the fact that she lost percy for months. whenever she looked at jason, she would only see her two childhood friends, a found family that was broken, and a love that was challenged.

whenever jason looked at annabeth, he would be reminded that thalia had a closer contact to her than she did jason, and had to accept that he would never know thalia as much as annabeth does.

annabeth and jason also appear very confident and sure of themselves, but have second thoughts all the time. they had to put on a fake facade, to live up to their expectations and lineage.

they were both also sort of people pleasers, annabeth couldn't really say no to anyone who asked her for help with things, like carrying the sky for luke especially, because not only where they giving her a chance to execute her knowledge and skill, the thought of helping someone made her genuinely happy. jason also loved seeing people happy, always wanting to say the right thing to satisfy someone, even if it meant he had to sacrifice his own struggles to help them.

fatal flaws:

annabeth’s fatal flaw, is hubris. when you are confident and sure that you can do something, and have a sense of excessive self pride.

and jason's fatal flaw is the temptation to deliberate. hesitation and second guessing, to put it in simpler words.both fatal flaws are so different, yet so similar, and they have both flaws, just in a different viewpoint.

as a child of athena, annabeth appears super confident and even conceding at times because of her wisdom, but at the same time, annabeth had to make sure she was one step ahead of everyone. she had to rethink everything and had to have a plan in her mind all the time, fearing that things wouldn't go smoothly.

she had to hesitate and second guess herself alot, despite her knowledge, like she did when she knew she had to look for the mark of athena. piper and percy had to boost up her confidence with affirmations, to let her know she's on the right path and to just follow her gut. annabeth feels obligated to have a temptation to deliberate, because, as a child of athena, she has to be all knowing and wise, and most definitely cannot fail her mother.

and jason? despite having a very low sense of self esteem and hesitation, he was so used to leading the people who were considered slightly inferior to him in camp jupiter, and basically getting treated like a celebrity for 12 years of his life in camp jupiter, that often, he thought what he did was right, he had his own perception of what a hero should be, and I quote

[“No, no,” Jason said. “I made my choice. You’re not to blame. You don’t owe me anything except to remember what I said. Remember what’s important.” “You’re important,” I said. “Your life!”Jason tilted his head. “I mean… sure. But if a hero isn’t ready to lose everything for a greater cause, is that person really a hero?”He weighted the word person subtly, as if to stress it could mean a human, a faun, a dryad, a griffin, a pandos… even a god”- Tower of Nero]

which was normal, since he had everyone basically following his lead without question as a kid. he's expanded on this in his conversation with piper in mark of athena, where he said he felt weird to suddenly be around people who were either equal/or superior to him in power, and not being in the ‘lead’ particularly.

jason had hubris, but certainly not in a way that you would call it an ego or excessive pride. he was hardwired and brainwashed into having his own perception of what is right and what is wrong, that he thought he was always making good enough decisions, at least from a roman child soldier’s standpoint. [Like when he was okay with not saving nico because it might sabotage their mission, he genuinely didn't think what he said was insensitive until hazel called him out, because he was brought up that way. he thought he was doing the right thing, by prioritising the mission and the duty, first. Like the dutiful roman he was made to be].

both annabeth and jason, have hubris and a temptation to deliberate.

annabeth and jason, also had an extremely difficult time breaking free from the thoughts that their godly parents were always right. It took on alot of disappointments for both of them to stand up to their parents (and not just godly ones, mind you)

they've both had disappointing absent mortal and godly parents with a hostile stepmother involved and monitored with each and every one of their moves. annabeth has had to deal with her stepmother playing the ‘bad cop’ with her father not even coming to her defence, just the way hera came butting into jason's life and giving him terrible memories, taking him away from thalia, with zeus not even caring.

speaking of which, they are both the only demigods who have harboured the most amount of resentment for hera. just the sight of hera pisses them both off, as it hera, stripped off so much time away from annabeth and percy, and memories from jason, which he never permanently got back.

this is sort of irrelevant but I'll add this anyway, in boo, athena also immediately liked jason for calling out zeus's unfairness to apollo, saying something like 'the boy is right' and she gave him an approving/appreciative look for his wisdom, which is pretty rare for athena to say or do to literally any demigod ever. this makes me wonder if she ever saw jason as someone who had some sort of athena legacy in him, which is why she was so pleasantly surprised with him. ugh we could've so gotten jason and annabeth as potential sibling figures bc of how many parallels they have, too bad that the percy/jason rivalry narrative was pushed too hard.

I hope I've drawn enough parallels with their characters, as a lot of you have been looking forward to this post for a while, hopefully this analysis hasnt been underwhelming for you all to read!

@thevoidcaller @karmaajr @onestorytorulethemall @newlyfoundwren @thesummerstorms