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adamworu · 4 years

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The Subtle Horror of Evangelion

What keeps us all hooked to Eva time and time again? You get through your initial, confused watch of either Evangelion endgame, probably sometime in your adolescence wondering what the hell it is you just watched. The original source material is suffused with unsettling imagery, and sometimes too-close-for-comfort shorts. It’s so much to process that one watch is never enough. The imagery isn’t enough, however, because the mid-to-late-90s series comes with things you’ll pick up the more you focus on certain characters’ struggles or the interesting world-building. They arise little by little with every re-watch, adding onto what interested you in Eva to begin with.

There’s always that little voice asking you “What it is that really draws me here?”

Oh. The horrors.

The tragedy of it all.

These things never leave you the second you bear witness to them, whether you become aware of them or not. You’re disturbed over it, a tad worried, no doubt, but you’re strangely hooked.

Horror works better on limitation, it’s why found footage capturing pale, ghastly, monstrosities of the deep wood will always stand as exponentially terrifying. While most all of us have taken cracks at Eva’s budget at some point, that’s what really drives these terrors home. Its low budget nature made it work.

Evangelion has commentary which forces a viewer to reflect. Most no one enjoys that. It’s the fear, however, that has its audience come back. Evangelion’s reflection alone isn’t what gives Eva it’s charm decades after its run. It’s the little things, most everyone misses, the anxieties, the terrors, all of it. Most of those things, fly over a lot of fans’ heads.

Buckle up, there’s a lot to go through…. (warning for mentions of abuse, body horror, means of suicide, nudity, blood, and gore)

Table of Contents

I. Icebergs for Dummies

Tier 1: The Tip of the Iceberg

II. The Hedgehog’s Dilemma

III. The AT-Field as a Universal Metaphor

IV. Kensuke Aida + War Idealism

V. Shinji is the Audience Surrogate

VI. Abuse in Evangelion

Tier 2: Just Below the Tip

VII. The Infamous Elevator Scene

VIII. Naoko + Casper

IX. The Other End of Existential Horror

Tier 3: The Body of The Iceberg

X. War Horrors of ‘Ambivalence’

XI. Unit-01 Berserk Scene

XII. Dummy Plugs + CNS

XIII. Kaworu + Adam’s True Power

Tier 4: Pre-Abyss

XIV. The “Nihilist” Lens

XV. The True Nature of Sync Rates

XVI. Unit 01+ MPE Gorging Scenes

XVII. Ancient Ruins of Arka

Tier 5: The Abyss

XVIII. Split Second Misato Death

XIX. Humans Are The Villains in Eva

XX. The Ultimate Paradox

XXI. Conclusion

I. Icebergs for Dummies

For those unaware, the iceberg image illustrates that things are much deeper than they appear, just like an actual iceberg. You’ve probably seen this selfsame iceberg--- separated by tiers--- a few times looking through late night internet rabbit holes (Putting it out in the open: I’m personally guilty of this!), fictional or non. It helps you understand why you’re so enticed to certain material, that you’d revisit them. The highest parts of the iceberg are the things in the material most everyone knows, the surface level stuff. The lower you go, however, the lesser known the parts of the material are. These are the things the person are aware of.

Eva has some iceberg illustrations if you look around, albeit they don’t go through the more saddening, sometimes graphic factors of Eva, only theories navigating through Eva’s universe. Evangelion is so deceptively packed with blink-and-you’ll-miss-it subtleties that if an iceberg were centered on that, the diagram would be packed. And I’m being generous as I write this.

A few ground rules, before we begin: The iceberg will deal with the more obscure and dark material as the tiers get higher rather than it only being relegated to obscure bits. The lower the tier, the higher the iceberg and the more subtler the anxieties which graduate into horrors the deeper you go.

Yes, Evangelion is occasionally horrifying. No, Evangelion is not lovecraftian. I think people use the term lovecraftian way too freely. It’s not enough to see something with (sometimes too many) limbs twisted in ungodly angles. Or legs where legs shouldn’t be. The same applies for creatures assuming forms we don’t entirely comprehend. Eva has never delved into the angels being incomprehensibly terrifying specifically because they come from a cosmic expanse.

Some of these actual horrors, big and small, hit you after adolescence, something that makes you feel deeply for the characters’ dilemmas. It’s a feeling that grows and sometimes aches, rather than fades over time for many of us.

Tier 1: The Tip of the Iceberg

II. Hedgehog’s Dilemma

III. The AT Field as a Universal Metaphor

IV. Kensuke Aida + War Idealism

V. Shinji As the Audience Surrogate

VI. Abuse in Evangelion

II. Hedgehog’s Dilemma

Evangelion has its hand in so many psychological and philosophical cookie jars, from Freud, to Maslow, Johari, as well as Dostoevsky. The very tip of the Subtle Horrors of Evangelion Iceberg is something viewers are introduced to in the fourth episode of the series. It is one of the many psychological concepts dotted throughout the original show. Out of all those psychological concepts, this is the most explicit and most recurring.

The Hedgehog’s Dilemma describes the conundrum of two hedgehogs. The closer two hedgehogs become to one another, the more they harm each other with their spines. If you want to properly live, you need the closeness and intimacy of others. By allowing yourself to be close, however, you end up at great risk of being hurt. It’s the very reason what drives those who live to become guarded. Being perpetually apprehensive or building up walls isn’t a remedy for pains, however. The Hedgehog’s Dilemma isn’t just about why people become guarded after relationships ended on bad notes. It’s about the overall inevitability of pain.

Life is a continual push-pull of relationships, because we’re all creatures of comfort. We guard ourselves to varying degrees and sometimes even tell ourselves we won’t get close again, but personal comfort is one of our most ultimate drives.

The Hedgehog’s Dilemma not only describes that harm happens to us anyway, but illustrates that because comfort is universal we seek companionship regardless.

III. The AT-Field as a Universal Metaphor

The AT-Field is the most crucial rabbit hole in understanding the largest meta-narrative of Evangelion.

If Hedgehog’s Dilemma explains the what and the why people become more or less guarded, then AT-Fields explain the how. People build up walls around themselves all the time. You walk away from someone because they crack a smile at you... and it seems off.

Because you feel an anxious pang.

That’s an AT Field.

AT-Fields, or Absolute Terror Fields bear a few metaphors, one of which being boundaries. You see it as Shinji’s fear of becoming intimate, knowing the future implications or Asuka’s masculine protest (putting up a front). We can see an excellent example of the AT Field used by Asuka, her “Wall of Jericho” in episode 9.

You also see it manifested through the angels, the strange creatures in Eva who supposedly desire to merge with Adam, their mother. Seeing this in the angels makes you realize that the AT Field is actually a metaphor for boundaries which implicates us all. In episode 22, Arael, 15th angel, seeks to understand Asuka. The angel uses its AT-Field (a beam of light) no, its boundary, to breach Asuka’s boundaries.

AT-Fields can be used to not only build up personal walls but to breach them as well. The irony of Arael’s action is that Arael’s AT-Field being erected while it floats just over Earth’s gravitational field makes it immensely similar to the Second Child; they’re both guarded.

The AT-Field is a funny sort of thing because it also sometimes explains how two people who are so alike can be guarded from one another. Sometimes you gain contempt for someone because they’re too much like your least favorable traits. You see this with Shinji and Asuka, both children without their mother desiring validation. Shinji calls Asuka a child midway into episode 9 and Asuka isn’t shy on voicing ideas of Shinji as dense or immature. They’re throwing stones in glass houses.

AT Fields are used to get the user out of dangers both physical and perceived. Sachiel, 3rd angel in the original series’ pilot episode, uses its AT-Field, in the form of flotation, to get itself from enemy fire. It never shows this until it is attacked first.

AT Fields are also responsible for one’s identity and physicality in Eva. Without the AT Field you don’t really exist. When Rei assumes the form of the person the character being cast into Instrumentality loved most in End of Evangelion, she’s causing the character to give up their AT Field. With that gone, they lose their physicality, turning into LCL (given the lovely term ‘tanged’ by fans). The ‘tanged’ individual suffers metaphorical death. Evangelion argues that in order for one to exist, others must perceive you and you must perceive you, a point best illustrated in episode 16. Since everyone is converted to LCL, no one really ‘exists.’ Rei describes this unnerving state as the inability of differentiating who you are and others, since everyone lacks a physical state without AT-Fields. Metaphorical death can be argued as worse than physical, since we all exist to make an impression of some sort. It’s what ties all the Eva cast together and the cause of their dilemmas. Validation. You can be living, yet very much forgotten or simply unknown.

There is living and there is “living.”

You can’t “die” unless someone knows you. You were never there. AT Fields are the thing that make us live, but as a drawback, prevents us from understanding each other fully. Kaworu states in episode 24 that AT Fields are the wall of the mind and the heart of the soul, an unapproachable piece of sanctuary. When all else is taken from us, all we have left is our place of respite.

I’d also like to pitch the saddening reality that the AT-Fields are what prevent us from understanding angels as a whole, our genetic siblings as scared of this world as we are. The psychological angels want to understand us, that much is true. The angels, however, use forms of communication at the expense of our boundaries. Because people greatly value boundaries it makes it hard for us to comprehend angels. The creatures are hardly malicious when you realize they wonder why we all do things that actually hurt us, as well as the fact that they do understand our minds. But, because they breach our boundaries, we become even more wary of the (mostly) unknown. Angels may be us, but the strange forms they take are something we aren’t familiar with. The feeling is mutual with angels, wondering why there are many of us, our forms and outward appearances so identical. It’s a truth as old as time that we all fear the unknown.

The anxiety of an AT Field means comprehending that there’s very little chance to 100% get others. Because we’re all wary in some degree, because we’re set in an idea or perception of someone, even if the someone in the past no longer applies. It’s not healthy for you to continue dwelling on relationships not meant to be, keeping yourself up at night asking why, because both of you have closed off each other for good. There’s always that chance the other can come back and if they do seek to understand despite past hardships, that’s good. If they don’t, all you can do is move on and accept it.

IV. Kensuke Aida + War Idealism

Kensuke is one of Shinji’s classmates, a supporting player in the series. He’s close with Toji Suzuhara, a boy who takes his anger on Shinji, after finding out that his sister has been injured during Shinji’s fight with 3rd angel Sachiel. As Suzuhara beats him down, Kensuke downplays the incident. Kensuke’s and Toji’s relationship is particularly interesting because the latter is affected to some degree by war (the war by humanity to prevent our destruction by angels). Kensuke glorifies the sentient, implicitly eldritch, multi-armored war-machines.

Kensuke can be best described as the ‘wow, cool robots’ drawing you’ve probably seen floating around. This is in relation to Gundam’s war commentary, but replace Gundam with Eva. Kensuke is enamored with the Evangelions and totally, willfully ignorant to the war horrors. Adolescents are forced to be the salvation of humanity, feeling every bit of damage to their own bodies whenever the Evangelion takes any hurt. Even after the war for humanity is long over, the pilots will be afflicted with traumas that will always hang over them.

Kensuke’s glorification is also what draws him to be Shinji’s friend. He uses Shinji’s status as a way of becoming a pilot himself by meeting up with Misato, putting himself at the cockpit of a strange creature magnificent machine.

When Toji becomes hospitalized after his battle in a hijacked Unit-03 vs. A Dummy System-controlled Unit-01, Kensuke expresses discontent at not being a pilot. He’s annoyed because “everyone” but him is a pilot.

Thing is, Kensuke isn’t heartless, just ignorant. Idealism is one of the uglier things that runs thick in the heart of Evangelion. His is one of many cases of unhealthy idealism in Eva, another example of making it difficult for those living to understand one another.

V. Shinji as the Audience Surrogate

Shinji as the audience surrogate isn’t always touched up on, but is sort of understood subconsciously by a lot of the viewers. Shinji’s character is specific, yet so generalized that him being a surrogate for the audience just… works. Don’t believe me? Shinji gets two psychological exploration-based episodes whereas Asuka and Rei each have one. Episodes 16 and 24 are both psychological angel episodes, albeit the latter is more in-series subversive. The 24th episode doesn’t involve a breach of subconscious boundary, but the pilot (Shinji) is in the hot-seat, being made aware of their issues. Leliel, 12th angel, contacts Shinji in the former of these. Both characters talk to one another, shown as a series of horizontal lines and vertical lines, sometimes intersecting. These lines are a strong reference to the Johari Window, a tool in psychology which helps someone become more aware of themselves. The Window’s quadrants are as follows

1. the part known to the self

2. the part known to others

3. the part known to the self and others

4. the part known to no one

Leliel also states that the self only exists of one perceives themselves as well as others. The angel also states that Shinji could better his reality, to which Shinji absolves himself of responsibility by arguing the horrible state of his reality. It’s a subtle pushing to Shinji and by extension the viewer into free will. Kaworu builds up on these concepts with Eva’s in-universe concept for boundaries. Free Will versus Determinism is brought up here, with the idea that AT-Fields are brought up because the living (again, not people – emotional complexities aren’t only human) will them into existence. By exercising free will, it means enduring pain, one of Shinji’s, and again the audience’s greatest fears. Any relationship has pains and conflicts. This is all a buildup of free will, determinism, self-awareness, and the Hedgehog’s Dilemma. Understanding all of these means swallowing the “pain is inevitable” pill. The problem with much of us is that we like the idea of relationships rather than being in one. We want to feel validated but without the conflict, even if the conflict can be solved. We’re all Shinji because we’re all aware to life’s hellish catch-22s, so we run. There’s times in our lives where we run as far as possible from these woes, these truths, but there’s pain in running too. It’s why escapism seems like such a viable action for some of us.

Pain is inevitable, but pain can be mitigated.

More damning evidence to Shinji being a viewer stand-in lies in either endgame of Evangelion (pun intended). In EoE, after the Komm Susser Tod sequence of everyone on Earth being tanged, we’re treated to a shot of EoE’s live audience.

We hear Shinji’s voice about his reality while he talks to Rei toward EoE’s end. There are shots of the city, of people going about their daily lives cementing that this is about us. End of Evangelion shows us a less favorable side of Shinji, a departure from the lauded end series “Congratulations” scene, in which he does understand free will rather than perpetually dwell on negatives. Shinji reacts unfavorably toward Asuka in EoE after his mother’s speech to the audience that ‘anywhere can be paradise’ and Shinji stating he doesn’t know where his happiness resides. Shinji (We) still has a ways to go if he wants to be a better person.

It’s probably why many of us are either inclined to champion Shinji or harangue him, and either reaction is fair. Many of us are aware of audience surrogates, but never to this extent. Shinji isn’t his best person, but he can be. Being his best means self-reflection. Droves of people who first were exposed to Evangelion were teens, and again many of Shinji’s woes are specific yet so generalized, hence our feelings of defense and possibly disgust.

No one likes scathing, yet accurate call-outs on their person, but they’re paramount for us to understand ourselves and others.

VI. Abuse in Evangelion

One of the worst things recurring in all of original Evangelion is a bevvy of abuses.

Abuse comes in many shapes and forms and it’s many characters’ realities. Abuse happens not because the universe ‘wills it’ (determinism aka, ‘that’s just how people are’). Abuse, be it conscious emotional absence, actual neglect, among other ungodly acts fly though the cast.

Abuse is cyclical and a lot of those doing it often get away with murder because they have power.

Much of Eva is comprised of children being forced to sort through adults’ emotional baggage. Those children become adults and the cycle continues.

We all know a Gendo. Or even perhaps a Misato. Hell, even a Ritsuko.

Anno states that Gendo’s character is of a societal meta-text, which explains many viewers’ ire in relation to the character. He’s responsible for many of the seedy goings-on in Evangelion be it the financial (see: Jet Alone’s orchestrated out-of-control nature to give NERV more funding) or abuses (see: Rei, Shinji, Ritsuko, and, Naoko). It’s for this reason why Gendo’s actions are a sore spot for a lot of fans.

Anno: I’m not sure that it’s a real father [that Gendo represents]. Well, not a father in the sense of a parent with a blood relation to his child, but more, I think, [in the sense of being] a representative of society or the system. That’s why he has that expression.

Takekuma: So, he’s kind of amorphous.

Anno: The angels are the same. I made them appear amorphous in that way because, for me, society is unclear, the enemy is unclear.

Takekuma: Gendo is [a representation of] the boundries or the pressure of society itself.

Anno: That might be it. Perhaps Gendo is [a representation of] society itself.

http://wiki.evageeks.org/Statements_by_Evangelion_Staff

After many re-watches of certain Eva episodes, it just hit me, as I’m writing this why I’m sometimes apprehensive on an adult-exclusive lens of the show. This happens a lot in adolescence and our struggles are made trivial because of the mishandled baggage. As children, you’re meant to be subservient to parental whims. You have this sort of obligation to solve their problems. Give them closure. It doesn’t even need to be parental baggage, but just from adults in general. You see the way the adults act not just with the children but with each other. You see the way Gendo justifies neglecting Shinji, objectifying Naoko and Ritsuko or Naoko’s emotional absences as a mother to her daughter (also manifested through the MAGI). It’s these immature excuses as to why they can’t extend empathy to those around them.

It’s always excuses.

Eva’s original series has always been a show about children.

Tier 2: Just Below the Tip

VII. The Infamous Elevator Scene

VIII. Naoko + Casper

IX. The Other End of Existential Horror

VII. The Infamous Elevator Scene

The Elevator Scene is a sequence that sometimes gets glossed over due to Evangelion’s fleeting budget. It took me years to realize the true gravity of the awkward silence of both the 22nd episode and its Director’s Cut version. The Director’s Cut version has Asuka abruptly jerking in the silence, but that blink-and-you’ll-miss-it moment speaks volumes. Understanding the scene means understanding why Asuka quietly stews in her anger. Understanding why Asuka stews means understanding Asuka from her debut to her emotional breakdown.

Asuka’s appearance in the 8th episode, Asuka Strikes!, is marked by a bold persona that carries on until the end. She isn’t shy on imparting her prowess to Shinji, stating that Units 00 as well as 01 were the prototype and the test type, respectively. Her Evangelion, Unit-02 is the finished product. She even states that she graduated from university. Despite these impressive feats so early in adolescence, the only time in which they’re noted is when Asuka talks of them. Misato takes in both Shinji and Asuka, but only ever “dotes” on Shinji. Gendo pays attention to Shinji because he pilots Unit-01, and 01 contains the soul of his late wife. Rei is the clone of Gendo’s late wife, hence Gendo’s attention and overall creepy, selfish obsession with her. Asuka and Shinji’s relationship, with Misato as their caretaker strongly mimics a Golden Child and the Second Fiddle. The only difference is, Shinji gains more attention due to Gendo’s and Misato’s respective baggage. Again, Eva is a series where children are forced to handle the baggage (with no break in the cycle) and when the child doesn’t have anything the adult particularly can clue in on, they become neglected.

That’s Asuka’s dilemma.

It’s why Asuka forces herself to grow up.

It’s why Asuka is driven to be competitive to Shinji and Rei, later growing contemptible at both.

Asuka suffers a few curses, one of which being the youngest, the inevitability of being consciously sidelined dawns on her, leading to her selfsame breakdown toward series’ end. She aligns youth with trivialization, so naturally, she’d front with the opposite. She never gets help in relation to her period. Misato and Ritsuko realize something is up with Asuka but they never really offer her the support.

There’s also the flashback to her trauma in episode 22’s beginning. She’s replaced by her mother post-Contact Experiment (which led to a deterioration of her mental health) via a doll that looks like her, red hair in pigtails. It’s the leading factor to her feigned boldness, her ego. The way in which she is marginalized in the series brings it all back.

Rei breaks the silence with a few words of compassion and all Asuka can do is express disbelief. She mistakes compassion for contempt.

For pity.

The idea that anyone would extend kindness, especially now of all times, is unbelievable.

Asuka also experiences a dilemma here, a dilemma those like her face. She already knows what it means to be vulnerable and deeply hurt, but she needs to make herself vulnerable because now, more than ever, she needs the support. Being vulnerable will cause past traumas to flood back in full force, but by stewing she deprives herself of any support. Rei offers that support, but a few words of support in a wave of trivialization can’t help but feel a bit too strange.

Asuka’s greatest anxiety is realized in the twenty second episode. It’s of being and staying second fiddle, that she’s always been set up to fail. Even 2 episodes after the fact, in which she actually starves herself does she realize once more how she’s permanently ‘below’ others.

Asuka’s curse finds itself in real life, and it’s for that reason why I believe some find themselves resonating with her. Asuka’s gradual descent into bitterness is something I find myself waking up some nights thinking about after 7 years going through Eva; hers is a cautionary tale on being emotionally distant to cries of a damaged youth. Casually imparted knowledge of past achievements, and the competitive attitude mixed with embitterment, some of which from a genuine place but also a product of neglect. We were forced to play second fiddle, we forced ourselves to grow up to feel more legitimate, forced to carry an ire that stews because it seems no one listens.

VIII. Naoko+Casper

The late Naoko Akagi is a woman of multitudes. Those multitudes are compartmentalized into the 3 MAGI. They are Balthasar, Melchior, and Casper.

Casper shows itself to be the most prominent aspect of Naoko’s personality, her as a woman. Ritsuko states that, after the defeat of Iruel, 11th angel, that Casper is the part of her mother which remained that way to the end.

Balthasar and Melchior have been bested, be it by rival MAGI, or Iruel’s assault. This calls back to the fact that Naoko’s other facets aren’t anywhere near as prominent. Naoko has cited her own emotional negligence, of only showing emotions should it ever benefit her.

Casper on 3 occasions fights tooth and nail, Iruel’s assault, an attack by multiple MAGI in End of Evangelion or the defiance of Ritsuko activating the self-destruct sequence. Ritsuko does this to seek vengeance against Gendo for coming to the immense realization that he never genuinely cared for her. Gendo has always used Ritsuko for her body. This would destroy NERV, meaning killing herself and Gendo.

Then you realize why Casper overrides the sequence.

Casper’s stubborn behavior wasn’t actually to defend NERV but to protect Gendo. Casper’s defiance aka Naoko’s emotional absence toward her daughter allowed Gendo to kill a bewildered, rightfully angered Ritsuko.

The saddest part of Casper’s, no, Naoko’s choice is that Naoko got away with murder. Evangelion is a story about children dealing with the selfishness of adults and the adults never receiving justice for their wrongdoings. The relationship between Ritsuko and Naoko is an excellent example that this doesn’t just implicate the young pilots. Ritsuko dies in End of Evangelion with the truth that her mother, as a woman, in the end chose the man who manipulated both of them.

IX. The Other End of Existential Horror

Some spend their whole lives trying to make a mark. Others can’t help but be known.

People get smart sometimes to get themselves out of a current situation. Kaworu and Rei’s existences are such that they’re deadlocked from living. Their existences are the product of an experiment, to be later heavily watched and raised as the Last Messenger. The latter is the result of Gendo’s obsession with his late wife.

Kaworu and Rei’s existential crises are opposite from the rest of the cast; while others do their damndest to become known, they cannot be unknown. Rei’s character centering more around her identity than other characters is also initially and sneakily alluded in the opening.

The Johari Window is a tool encouraging self-awareness in the person, alluded to twice in the show, with the second time being in the sixteenth episode. Both usages of that illustration, for Rei, and Shinji drive home crucial aspects of the meta-text.

This would also tie Rei to Shinji in End of Evangelion forcing Shinji to reflect on his own awareness and will. Rei is an astute, young girl whose arc is about her personal relationship with identity, something she is all too familiar with due to her objectified nature. Rei’s arc is even more so entrenched in identity than other characters that she is one of the characters imparting personal and universal realities.

Ayanami Rei’s existence from start to finish is inundated with the issues of others, causing her to internalize being always expendable. In Rei’s Poem in episode 14, it becomes clear that she sees herself based on usage. She likens herself to a field of flowers, which slyly alludes to the Dummy System’s “parts” 9 episodes later, other Reis.

Rei is seen as malleable vessel which houses thoughts rather than her own person and she can’t do anything about it. So she resigns to her reality. Even if she does tell off Gendo in End of Evangelion for his objectifying, she’s not even out of the woods. She never will be.

I used to think Rei’s “slap” to the face to the man with the (most) baggage was empowering. Then I learned about abuse during adolescence, how kids who lack a support system act while away from their abusers. Even saying an emphatic “fuck you” to your abusers isn’t enough to be a happy ending. Rei is a girl who lacks a support system and she suffers from it. Start to finish.

Kaworu’s crises are much trickier to pinpoint because there’s so little to work with. He doesn’t get an episode dealing with personal, subconscious explorations. Getting his character means first getting how Evangelion re-contextualizes what “Ode to Joy” symbolizes. It also means understanding the AT-Field and most people won’t pick that up on an initial foray. Or maybe even a second. Most people don’t pick up that the AT Field implicates anything living and physical or its metaphor for boundaries and identity. There’s the common misconception that Evangelion is a “human” show.

Kaworu marks off his appearance humming “Ode to Joy” while Shinji wonders who to turn to. It’s a song generally known for its jovial nature, but most importantly, Ode to Joy is:

known also as the “Choral” Symphony. Its finale is a musical setting of Friedrich von Schiller ’s “Ode to Joy,” a hymn to the unity and freedom of humanity.

http://www.dictionary.com/browse/ninth-symphony

The Choral Symphony assumes a more horrific context later on. Kaworu is the last messenger and what his action is would lead to the mass annihilation to lilin/human or angels. ‘Unity of man’ is changed in Eva’s context – it marks either unity of man or the death of man. It doesn’t matter who Kaworu allows unity to, because his hands would be stained with death anyway. Then you realize why Kaworu deploys his most powerful AT Field during his descent to Heaven’s Door.

This is his reality.

Kaworu’s status as the Angel of Free Will isn’t about him being the only complex angel, as a lot of people think. It’s about being the sole individual handing that freedom to others.

You realize his terrifying dilemma goes to the tune of being feared for his own existence as an angel (which he notes to Shinji) and not being able to properly live.

Sometimes you ”hurt” people by existing.

Sometimes people hate you for the simple act of existing.

Kaworu’s and Rei’s terror is the other end of existential horror, that you can’t help but forced to be known. Sometimes you have knowledge but aren’t allowed to do much with it.

Tier 3: The Body of The Iceberg

X. War Horrors of ‘Ambivalence’

XI. Unit-01 Berserk Scene

XII. Dummy Plugs + CNS

XIII. Kaworu + Adam’s True Power

X. War Horrors of ‘Ambivalence’

Episode 18 is where anxieties graduate into horrors both implied and visceral. Unease hangs over the episode, with the mystery of Unit-04’s disappearance and tests being done on Unit-03. Misato tells Shinji that because tests would be done, there’d be a pilot there. Misato uneasily withholds this info from Shinji and Kensuke breaks the silence with his recurring desire of being a pilot, still ignorant of the war horrors. There’s a subtlety that Shinji picks up on with Toji but not enough to put two and two together: that the big-eater himself isn’t feeling so hot.

The continual chirp of cicadas and birds nor the peel of the school bell are enough to break the unease of the viewer or of Toji. Toji goes from indirectly being affected by war vs angels to being chosen, drafted even, a child at the first line of defense for the apocalypse. We get a flashback of him beating down Shinji, before it cuts back to present day Toji. He will be in Shinji’s shoes.

Toji balls a fist, a recurring theme in Eva, to the tune of “What is your hand for?” Toji is finally about to take things into his own hands.

Asuka takes a few cracks at Shinji to Hikari that he hasn’t quite gotten the memo, but when Shinji asks her even she’s halted in words.

Then the day comes.

Tests are being done and suddenly Unit-03 goes rogue with Toji in her (note the Evangelions have the souls of the pilots’ mothers, save for Rei). Unit-03’s’s strange behavior is revealed to be the work of the 13th angel, Bardiel. Shinji’s ignorance is made worse by Misato’s absence (with Misato telling Ritsuko she’d tell Shinji the pilot’s info after the tests). Units 00 through 02 are sent out for the new threat and Shinji sees this new threat. Anxiety rises.

The song “Marking Time Waiting for Death” accentuates the anxiety. Unit-03’s silhouette eerily contrasts with the sun, her body slightly hunched and approaching slowly.

Fear washes over Shinji when he deduces that with an Evangelion inside, there must be a pilot.

Yet he still doesn’t know.

The other pilots are aware, and show reluctance to the revelation. A hijacked Unit-03 sets herself on Asuka, Rei, and even strangling Shinji. Shinji allows the angel-hijacked-being to strangle him, because killing another human being is simply horrific.

Eva has its hand in the war morals cookie jar here because Shinji stands at a conundrum, to other let this creature take his life or to murder flesh and blood. This dilemma goes double-time in war. Gendo asks why Shinji hasn’t dealt with the 13th yet, with a somewhat horrified Shinji pleading about the pilot. Gendo commands for the unfinished Dummy System to override Shinji’s controls and then suddenly...silence….

The Dummy Controlled Unit-01 springs back and we’re treated to a close-up of Unit-03/Bardi3l being strangled.

A nauseating crunch sounds and the unit goes limp. A controlled Unit-01 proceeds to raise hell on the incapacitated enemy, resulting in the unit’s blood and guts flowing through the streets. NERV’s personnel can’t do anything save for become fearful at the Dummy System’s capabilities. Terrible, visceral noises sound one by one as blows strike, as the unit’s severed limbs and blood splatters riddle the urban battlefield. Shinji hears every second, every squelch and splat.

Imagine the pain of 03’s pilot.

But the terrors don’t cease here.

01 doesn’t stop at just raising hell on the incapacitated 03, and we’re treated to another close-up shot of 01 tightly holding onto 03’s entry plug, before crushing it.

Somewhere away, Misato receives news that Unit-03 has been dispatched as an angel. Shinji feels the weight of having actually killed someone, before Misato actually breaks the news that the pilot is not only alive but that the greatly injured pilot is his classmate.

It never really hit me until now how this scene holds another horrifying subtlety. Compare this to episode 3, where Toji’s first interaction with Shinji involved him punching him, the very scene playing at this episode’s beginning. The 18th episode ends now with ,Toji and Shinji are both joined in the same camp, of children emotionally and physically marred by war, not able to fully control their situations.

XI. Unit-01 Berserk Sequence

Shinji stands in a situation where he can no longer take the terrors aligned with the Evangelion. He’s gone from sustaining injuries great and small from combat with the eldritch angels, to indirectly harming a friend through it. He resigns from his position as a pilot, understandably running away even with the approach of the 14th angel.

After a talk with Kaji about how he can control his future and he only, Shinji once again puts himself at the forefront of further pains. He must once more thrust himself to the terrors that align with the war-machines whilst struggling with other traumas.

During his fight against Zeruel, his Evangelion dies out and it all floods back to him. Shinji once again finds himself at a position of no power, frantically pressing at his controls to no avail.

He can only hear blow after blow of the 14th’s onslaught. He and Unit-01 are at their most vulnerable.

Until Unit-01 springs back.

W hat follows is the famous Berserk sequence, a scene whose terror can be thanks to Evangelion’s low budget.

We see the Evangelion in all her terror and the sort of off-ness that carries in this scene.

Episode 19 has no problems on treating us to front-row tickets to terror.

Unit-01 snatches part of Zeruel’s appendage and adds it to her mass. A sickening squelch sounds and her new appendage contorts into place in an instant.

She moves over to her incapacitated, angelic meal and doesn’t hesitate to chow down. The shots feel too personal yet nowhere near in the sense of the show’s meta-textual reflections. It’s almost like stumbling on a cryptid and when she shoots a look at the viewer, it feels as if she’s looking at us, like we’ve interrupted her dinner. Or perhaps she did finish the meal... and she’s in the mood for seconds? Perhaps even thirds?

The bizarre and eldritch nature of the Evangelions goes full force with this imagery. Episodes 2 and 16 laid the foundation of how off the Evangelion Unit-01 was with how she openly mutilates her targets. Or even the unsettling roar of Unit-01 that’s not entirely bestial. The sound is straddles a line between the blood-curdling bestial and the human. But here? Eva Unit-01’s position, from her hunched figure, to her more feral position as she feasts, feels far too organic...and far too human.

The Evas themselves aren’t human, but the souls housed within are. Eva’s souls are souls of the respective pilots’ mothers, an example of the mother and child symbolism omnipresent in Neon Genesis Evangelion.

Shinji’s mother is Yui and as we go through the series, we realize the s2 engine appliance was intentional. An s2 engine offers infinite stores of energy and this is needed for Instrumentality. With the s2 engine within her grasp and the fact that Evas don’t subsist on anything, this would make the consumption of 14th completely recreational.

It’s super tempting to frame this scene as containing some abomination that now stands unchained and indiscriminate in its targets, but it isn’t. It’s sort of understandable because Units 00 and 02 don’t come close to exhibiting this sort of behavior nor were they in this circumstance. Neither Unit-00 nor 02 have any desires in regard to Instrumentality. In the end, we should look to Yui and her own endgame, because Yui’s running the show here.

XII. Dummy Plugs + CNS

Ritsuko states the Dummy Plugs are machines which imitate pilot’s thinking. There’s a bit more than the possibility of this being 100% AI due to the apparatus Rei is in.

This very likely implies the respective person’s thought processes added with AI programmed in a way which best “describes” the pilot (basically how they are perceived). In episode 17, Rei is situated in this apparatus strongly resembling the central nervous system, the brain and the spinal cord.

{The central nervous system CNS is responsible for integrating sensory information and responding accordingly. It consists of two main components:

1. The spinal cord serves as a conduit for signals between the brain and the rest of the body. It also controls simple musculoskeletal reflexes without input from the brain.

2. The brain is responsible for integrating most sensory information and coordinating body function, both consciously and unconsciously. Complex functions such as thinking and feeling as well as regulation of homeostasis are attributable to different parts of the brain.

https://mcb.berkeley.edu/courses/mcb135e/central.html

Ritsuko imparts the unsettling revelation about Rei and by extension the Dummy Plant itself (after Misato coerced her into learning about Rei). The Reis are the core of the Dummy Plugs (and the System used to brutalize a hijacked Unit-03 and its trapped pilot). This scene adds more to the extent of Rei’s objectification, of her being replaced. It adds on to Rei III’s comment of being ‘the third.’

Rei isn’t savage by any means but the sheer brutality of Dummy System’d Unit-01 5 episodes prior may hint at her straightforward nature.

I’d like to pitch that Ritsuko’s approach to Rei’s Dummy Data was also the product of her subtle animosity toward Rei. When she refers to the Dummy Plug as a machine which mimics human thinking, she’s talking about Rei. She also refers to her similarly in episode 23 by referring to Rei as spare parts, as if Rei herself is some soulless machine whose parts can be switched out if need be. This could also call back to Rei’s poem, in which she calls herself a vessel which holds human thoughts.

Another question remains: how does Kaworu play into this?

The MPEs (the Mass Production Evangelion series) use Kaworu’s Dummy data, meaning that there are cloned Kaworus stored off somewhere, perhaps floating with soulless smiles the same as Rei has.

Treated as spare parts.

This also implies that Kaworu is more or less reduced to an object.

What’s more disturbing is the nature of the MPEs gratuitous method of ravaging and mutilating Unit-02 and by extension Asuka.

Kaworu hasn’t ever demonstrated any degree of malice, so this can’t really insinuate a ‘Kaworu is secretly evil’ narrative. But this can tie back to a recurring theme of humans fearing and despising angels. It’s because of this that the revelation of our genetically identical nature or the fact that they can comprehend our psychology is framed in-show as kind of shocking. It is because we’re so disturbed at the angels’ existence (or anything else we don’t comprehend) that we view them as inherently savage in nature. Kaworu’s quick-to-perceive personality most likely translated itself along with the AI. This would also rule in the somewhat strategic way in which the MPEs act against Asuka, exploiting her attack patterns through surprise attacks.

Some of Kaworu’s as well as Rei’s Dummy Data are the product of universal (Kaworu) and personal (Rei) contempt by people. Let that sink in.

XIII. Kaworu’s + Adam’s True Power

The bottom of the fridge horror portion of this iceberg is something that has subtly plagued me for years. We’ve only ever caught glimpses of Kaworu’s abilities in his debut episode. I picked up on it little by little with each re-watch of the episode, with every other time his abilities dawning on me. If I wasn’t focusing on how his character fits in the greater framework of Evangelion, I was cluing in on his abilities.

One of his abilities is being able to block out light, magnetism, and subatomic particles. Some of the forces which make up the universe. This witnessed by the viewer when he realizes the whole of humanity’s welfare hangs by a thread, due to the coexistence of angels and Adam.

Adam.

Adam’s soul lies within Kaworu. Adam. Who utilized an Anti-AT Field which caused Second Impact. An Anti-AT Field, which killed off much of the Katsuragi Crew in Antarctica.

This makes Kaworu the most powerful angel in the original Evangelion series.

Eva has shown that ownership of an angel’s soul (or partially, if you’re onboard the Rei I is in Unit-00 theory) allows the person to inherit the angel’s abilities through Rei. Rei blocks off Kaworu’s immensely powerful field with one of her own, canceling out both as a result. As we know, AT Fields for people are a figurative affair. People lack the physiology to exhibit a physical AT Field because they don’t have cores like angels do. Angels’ souls when possessed by humans have a sort of ability to circumvent parts of human physiology (if you’re looking for the whole package, you should eat angel’s flesh too). Rei also shows the ability to float, implied in episode 24 and shown explicitly in End of Evangelion.

But this raises a few questions about the last messenger is the ability to block out some of the forces of the universe Adam’s powers or Kaworu’s? Another ability that continues to plague me the more I think about it is Kaworu’s AT-Field usage on Heaven’s Door to bypass its lock.

We haven’t actually seen Adam’s other powers (if the angel has any) because the it’s anti-AT Field was halted via Lance of Longinus. Other than its ethereal appearance in flashbacks, we only see an incapacitated Adam in embryonic form. That’s it. We don’t know if Adam exhibits any other powers due to this impediment. If Adam does have more powers, this would add onto both the fridge horror factor of Adam and Kaworu.

Tier 4: Pre-Abyss

XIV. The “Nihilist” Lens

XV. The True Nature of Sync Rates

XVI. Unit 01+ MPE Gorging Scenes

XVII. Ancient Ruins of Arka

XIV. The “Nihilist” Lens

There’s something that implicates the whole cast. Something that goes beyond the meaning of the AT-Field, and the all-too-known Hedgehog’s Dilemma.

Eva is filled to the very brim with psychological concepts, but there’s one thing which ties this all together. It goes much larger than the desire to become validated or cycles of abuse and unresolved issues to a newer generation.

Free Will Vs. Determinism ties the entire cast together and is disturbing in its own right. It not only ties the cast together but also contributes to Eva’s meta-narrative.

Episode 16’s sequence with Leliel, Shinji, and the Johari Window gives little breadcrumbs to this psychological dilemma. Leliel teaches Shinji about his own identity as well as slowly ushering him to a sense of self-awareness. Leliel also attempts to usher Shinji out of filtering reality with only convenient parts. Shinji argues that he can’t really be held culpable for his actions, because the one and only reality is that reality is awful, bar none. Not his reality, but reality as a whole. This deterministic stance becomes ever more blatant 8 episodes later with the appearance of Nagisa Kaworu.

Kaworu’s designation is the angel of free will. The irony of this stands in the fact that Kaworu isn’t the only angel who can exhibit free will (with some of the angels before him taking the time to try comprehending people). Kaworu’s status comes from his identity as the last messenger, bringing about freedom for one species (humans/lilin or angels) at the expense of the other. Kaworu knows his reality well and in the end, seeks to better the reality of those around him. Eva doesn’t romanticize the prospect of free will, however, because Kaworu is so aware of his own person and how he can hurt those around him that it greatly bothers him.

The metatext doesn’t just position Shinji as being in the wrong, but also the audience. Remember the point I made before about Shinji being the audience substitute? It’s further hammered home from the series’ tail end and into End of Evangelion.

“That’s just the way things are.” is a common response to things in life we feel resigned on changing, because we don’t know how to change them. This quote is a parallel to Shinji’s “humans aren’t made to float!” in episode 16.

Shinji does know how to change much of his reality, but by doing so he’d be pushed into free will. Free Will is the solution and it means holding yourself accountable rather than believe that it’s everyone else with the problem. With the idea that you can change your reality, it offers you the opportunity to love yourself.

If you love yourself, then it becomes much easier to love others.

Eva’s free will and determinism metatext hammers home the extension of empathy.

Shinji/the viewer’s greatest problem is that because we don’t love ourselves it makes it difficult to extend the love to everyone else. Shinji’s love translates as idealism. Because of his unhealthy idealism, he is hindered from understanding people.

By ascribing your beliefs from determinism to free will, it opens your mind to an entire world of possibilities, but therein lies the terror. It is because of these possibilities that Shinji and by extension, the viewer, likely fears free will. Shinji finds ways make himself validated, but with free will, the argument could be made that it doesn’t matter. There’s the anxiety-crippling likelihood that none of it actually matters, because your existence doesn’t matter. If we’re going on this bent, acts of making an adequate impression on others are acts of personal denial. In the end, these are what they are, possibilities.

The greatest terror of it all is that we don’t know.

User power-chords makes an excellent point about the inherent darkness of an internal locus of control.

User power-chords posits the idea of existential absurdity for Shinji not as a certainty but a possibility. There’s always a likelihood that our desires to comprehend the world around us, to find ultimate understanding are in vain.

Cheesy as it sounds, people fear ambiguity because we seek a satisfying end. We don’t just seek answers. We want outside closure and inner peace, but we won’t always get it. It’s why we rationalize relationships that end on bad notes. Sometimes you worry about your falling-outs...and it hurts. You never got the answers your wanted so this pain carries, for months, sometimes even for years. Dwelling on the issue serves no purpose other than to keep that hurt with you. The best thing to do sometimes is to find your own closure, your own meaning.

No, Evangelion isn’t actually pro-nihilism, but it presents us with that likelihood. That’s what makes this aspect of the narrative so terrifying: The consideration that we find meaning in the meaningless.

XV. The True Nature of Sync Rates

The nature of injuries and having them in adds onto the innate horror --be it war or otherwise-- and themes of the Evangelion. The severity of the injury is based on how high the pilot’s sync ratio is. An average rate while sustaining damage will bring hurt to the actual pilot in the respective spot. Some examples:

Sachiel makes multiple headblows to Unit-01 and Shinji in episode 2, causing head trauma.

Ramiel’s, (5th angel), particle beam attack in episode 6, an attack so severe that Shinji needed medical care.

Unit-00 and Rei being infected by a Bardiel hijacked Unit-03 in episode 18. Toji’s condition in episode 18 stands as a large example of the innately disturbing nature of sustained injuries.

Toji’s condition becomes all the more nauseating when you see Evangelion parts and blood flow through Tokyo-3.

Toji could feel every last second of strangulation, body blow, and feel the unspeakable pain of his arm being severed. Let that sink in.

Asuka receives the worst of these considering the nature of her sync rate being high. The higher the rate the more kept the damage is. The circumstances behind Asuka getting the worst of it goes back to the AT-Field. Asuka understood the meaning of the AT-Field, that the more you open yourself up to others, the more hurt you become. The realization dawns on Asuka as her mother from within the Evangelion shields her from the onslaught of JSSDF troops.

It’s then that Asuka finally comprehends what the Absolute Terror Field is. Despite her emotional needs being neglected, realizing she’s set up to fail, and going comatose she still goes on.

Asuka, despite everything, takes a chance and opens her heart knowing the double-edged nature of the AT Field. What happens next?

Asuka took a chance.

She opened her heart...

...and she got hurt all because she opened herself.

XVI. Unit 01+MPE Gorging Sequences

The brutality of both Unit-01 and the Mass Production Evas holds three layers: of visual horror, implied horror, and thematic horror. Unit-01, after taking Zeruel’s s2 engine into herself, proceeds to then brutalize the 14th angel by way of still gorging on it. The feeding was entirely recreational considering Evangelions don’t subsist on food to function. This was more about the sheer act of brutality for brutality’ sake.

The Mass Production Evas also fall under this category, the way in which they deal with Asuka after incapacitating her with a replicated Lance of Longinus is also sadistic and gratuitous. They also proceed to gorge on Asuka, her fate made worse through the simple fact that her sync rate is heightened.

The MPEs don’t even swiftly finish her off. She is in a state of tremendous and unimaginable pain. They fly above her slowly, circling above her mangled Eva.

They are almost mocking her as she can do nothing, save for writhe. Asuka’s seething, repeated “I’ll kill you...I’ll kill you….” is then silenced by the MPEs spearing her down.

The brutality doesn’t end there, as we see much darker implications of the damage sustained toward the end of the first half of End of Evangelion.

Shinji bears witness to the implications after seeing the decimated remains of Unit-02 being carried off by some of the Mass Production Units. The sickening reality of it all dawns on him and he is once more exposed to the woes of war and the nightmarish aspect tied of the Evangelions.

XVII. Ancient Ruins of Arqa

We’re ending the pre-abyssal end of the iceberg with Evangelion’s original proposal.

Eva’s proposal, a far cry to the show today, had a more sci-fi angle to it. Psychological concepts weren’t exactly pitched nor was it self-aware. The angels weren’t even referred to as the angels, but as the Apostolos. Instead of the 18 we were presented with in the original show and the movies, there were 28 Apostolos.

The Apostolos designs stand as testament to how far of a departure the proposal was to the final cut. They look far more menacing than the more amorphous, much softer defined, beady-eyed angels we’re used to. To top it all off, the Apostolos were the de facto villains of Evangelion’s prototype pitch. The Apostolos in the Proposal, toward the end, proceed their onslaught as a group rather than the series’ one by one. Toward the series’ end, the 12 strongest Apostolos begin their assault on North America, annihilating the continent in its entirety.

Only 12 of the creatures laid waste to a singular continent.

Episode 24: "Now, the Promised Time"

Rei breaks down. Her secrets are revealed. At last awakened, the twelve strongest Apostolos descend from the Moon. Both Eva Unit-06 and the American continent vanish completely. Humans acknowledge their helplessness in the face of the Apostolos' crushing power. The promised time, when people will return to nothing, approaches. A human drama in the depths of despair.

Episode 25: "Arqa, the Promised Land"

The laboratory holds the ancient ruins of Arqa, which have become key. In order to stop the twelve Apostolos, the United Nations' head members annul the Human Instrumentality Project and resolve to destroy the Apostolos. Shinji's father objects. Shinji and the others stay at the laboratory for Rei. A drama of people conflicting over incongruous objectives.

https://wiki.evageeks.org/Resources:Neon_Genesis_Evangelion_Proposal_(Translation)

The aforesaid creatures were so powerful in the original pitch that Human Instrumentality and the ancient ruins of Arqa would be the way of stopping the onslaught.

Tier 5: The Abyss

XVIII. Split Second Misato Death

XIX. Humans Are The Villains in Eva

XX. The Ultimate Paradox

XVIII. Split Second Misato Death

As the last and most explicit aspect of original Evangelion, it would only make sense that EoE specific content would take its place in Tier 5. End of Evangelion is a 90 + minute tour de force with disturbing imagery back-to-back. Split Second Misato Death refers to one of the most unsettling images sprinkled all throughout the movie. Here are a few of the many examples of EoE’s building up on Evangelion’s ugliest parts.

Everyone cites the infamous hospital scene not even 5 minutes into the film as the first proof, but user power-chords has pointed out, Shinji has actually attempted suicide (refer to the ‘Free Will v. Determinism’ part of the iceberg.)

After Misato is mortally wounded and sends Shinji off in an elevator not long after, the JSSDF blow up that part of NERV. A few people have pointed out the most disturbing facet of this scene: through freeze-framing that you can actually see Misato’s body during.

The JSSDF scene partway through End of Evangelion in which NERV personnel are summarily annihilated.

For those missing the small detail of Shinji’s attempted suicide ,Shinji’s depressed state is made more clear when the JSSDF locate him. When they do they attempt to kill him execution style. Shinji doesn’t move.

“I don’t want to die…!” during the JSSDF’s assault, Asuka is awoken from comatose state. She is protected by her mother via an AT-Field by Unit-02. She gains back her self-preservation after this realization, and multitude of images play. One of them is an extremely gruesome close-up of Asuka’s face. (extreme body horror warning, proceed with caution)

The Komm Susser Tod scene beginning with Shinji strangling Asuka in harsh coloring, Naoko’s same action toward Rei plays right after. A few disturbing child drawings follow after, predominantly featuring death. (seizure warning, body horror warning)

End of Evangelion’s flooring nature comes from the fact that it builds up on the subtly horrific and makes these terrors explicit. Whatever existed beyond closed doors becomes now available for us to see,

XVIII. Humans Are The Villains in Eva

At the penultimate point of the abyss lies a horror as old as much of time. Of the humane being more disgusting than the monsters.

That we can be monstrous.

This fact becomes known with the appearance of the JSSDF as dispatched by SEELE, methodically mowing down NERV personnel with little to no weaponry of their own. We’re treated to NERV’s personnel in their hallways, some forced with the moral dilemma of leaving their own to die while surviving or helping their own while both end up being gunned down.

It becomes apparent that SEELE has been gradually, intentionally chipping away at NERV’s Defense Budget, getting rid of the (little) competition they have after the defeat of the Last Messenger.

There’s a degree of contempt and casual sadism that comes with how they kill the personnel. In one instance, a NERV worker surrenders to the JSSDF, before being killed off in execution style in the distance (one headshot plus two extra shots for good measure).

When you look back at it, this sort of sheer, unabashed brutality wasn’t felt about the angels. Human attitude about the angels is largely fearing, anxious. This attitude accentuated itself through a sometimes nervous soundscape. Of observing these weird, ghastly creatures as they creep and swim. And the feeling’s mutual. The problem is that we don’t know.

But here? We do know.

When the JSSDF move in, the anxiety of angels graduates to the full-force dread of creatures that have killed before. The greatest enemy to humanity has always been with them all along, forcing them to a catch-22. The dread falls on Maya because she understands this perfectly. NERV has only ever shot at targets rather than living flesh…

...and SEELE knows this.

SEELE’s slow, but sure suppression of NERV’s budget is kicking a man while he’s down, but the man in question is a child instead. The JSSDF have more than enough firepower, calling it overkill goes beyond an understatement.

The JSSDF demonstrate the lack of remorse further with the discovery of Third Child, Shinji Ikari. One of the members presses the barrel to Shinji’s head before Misato steps in and kills the members.

The JSSDF isn’t the only damning evidence of how ugly members of humanity can be, however.

Humanity’s on-occasion grossness shows itself in small ways throughout the series, in dislike and conscious emotional distance for individuals, or beliefs of the angels being unintelligent and/or savage. Other times it manifests fiscally, in orchestrating more ethical approaches to stopping certain destruction to go seemingly haywire in order for NERV to receive more funding. This all due to a rival company of NERV challenging the very idea for its usage of child soldiers.

The worst of this damning fact is that many of the morally repugnant members exist on a higher echelon of society. There are Gendos running around, doing as they so please and they’re the tip of their echelon iceberg.

XIX. The Ultimate Paradox of Evangelion

“Anywhere can be paradise as long as you have the will to live.”

We’re treated to these words as Shinji finds himself on shores surrounded by an isolate hellscape, with Asuka next to him. The strange and altogether horrific nature of End of Evangelion has gotten fans believing on End of Evangelion’s endgame was in certain, nihilistic. But Eva dipping its hand in the likelihood of meaning in the existentially meaningless isn’t even the ultimate terror of Eva’s self-aware universe, nor is it the tendency for man to become contemptible towards itself.

Evangelion greatest terror is the paradoxical nature of free will.

Yui’s words to her son as she drifts off into the ever-expanding cosmos, her status as a deity realized, is that paradise is universal. EoE assumes this unconventionally positive approach to a whole series worth of characters’ woes. The issue is: finding paradise is ultimately conditional.

Free Will’s paradoxical nature is what gives credence to the ongoing Free Will vs. Determinism dilemma. People can use their free will to take away yours entirely and this is most evident with Rei. Her existence is the result of a man’s unhealthy attachment to his wife, her lack of self-preservation the result of being conditioned as a multi-purpose vessel; her desire to merge with Lilith to become an omnipresent mother-figure was not hers. The nature of disallowing free will exists on a spectrum, as people can use their free will not to take away the whole of others’ freedoms, but to disallow them proper emotional growth. The adults around Asuka weren’t around for her during the series, leading to her eventual downfall.

Unit-01, throughout much of the second part of EoE holds the power to give or deny people’s physicality due to her status of having both Fruits of Life (the s2 engine held by angels) and Wisdom (from the Lance of Longinus merged with the Eva earlier on). This gives Unit-01 her deity status and while within Lilith-Rei, Shinji realizes that not everyone would be there in his life, that he can’t be in the center of others’ lives. It’s for that reason why he denies people’s physicality (“They can all just die.”), which turns people into LCL.

Shinji gives allows people the ability to come back from Instrumentality after realization arises that without other people, there’s no way to tell if Shinji, himself exists or not. Kaworu and Rei also give him the reality that with people back, pain will become an inevitability once more. With all the souls gathered by Lilith-Rei, they are released after her death.

With the souls of those cast into Instrumentality dispersed, those turned into LCL now hold the ability to come back from Instrumentality if they so choose.

While the idea of anywhere being paradise rings true, it’s not entirely satisfying to say that EoE is unconventional in its uplifting message to the viewer. Evangelion is at its core a cautionary tale. It warns the viewer into extensions of empathy and openness that others would properly live. This goes double for those with power. Without that compassion, we’ll have Asukas, Misatos, Ristukos, as well as Reis, those in the world whose downfalls come from emotional absences, neglect, objectification, and forced baggage. We would have Shinjis, those wanting to be at the nexus of others’ importance because they were deprived while young.

Kindness is a powerful thing and the lack of compassion present in all of Eva implicates most everyone. It leads to yet more abusive cycles, with the only thing breaking that cycle being a hand for those in need.

XX. Conclusion

What more can be said over this juggernaut which is a host to a bevvy of darkness? Evangelion is testament that anxieties and horror don’t need to start out as blatantly shocking or visceral to make an impact years down the line. They also don’t need to be out in the open to initially hook you either. You pick up on a few anxieties as well as horrors and you realize deep down, there must be more, which drives many of us to engage in this often times unabashedly dark source material.

Some of us are doing it later in the throes of adolescences, others are doing so well into their 20s, possibly dipping into their 30s. Point is, it draws in a lot of us and for a lot of us, it doesn’t ever let go.

Some of its charm could be chalked to the visceral ways in which characters interact. Even after years of re-watches, I’m still learning new things about the child soldiers, and I’m quite sure there’s others finding small details. There’s also the possibility of Eva’s approach to terror. I think Evangelion “humanized” its horror. It didn’t make horror a universally human feeling, but made it so that the true big bads looking to cause apocalypse weren’t actually the eldritch. Many of the angels are more or less lost kids looking for their mother (I still think Ramiel’s “singing” in episode 5 was it calling for its mother!).

With those newer details after 20+ years, there will be more added to the iceberg. Hell, there should be more added to the iceberg. This iceberg is the tip of an even greater iceberg. I’m still learning about their adults and their desires as well, how cyclical their actions are. For others, the draw-in factor lies in its low budget. Personally, it’s all of these for me: the low budget helped cement these darker aspects of the series due to horror and the genre’s overall relationship with limitation. It works best on limitation and had Eva worked with a much higher budget, I don’t think the content would be as effective, or perhaps it’d be much more difficult to make it so.

Evangelion is such a well-done, deceptively compact series that each lens a fan assumes has its own interesting rabbit hole. Your circumstance shapes the experience, and this too involves how you navigate the series’ menagerie of terrors.

I’d also like to thank the reader for getting through the largest rabbit hole in Evangelion. I’d also like to thank you for getting through the whole of this meta from a fan who slowly began to resonate with the characters as the years went on!

#neon genesis evangelion #shinji #kaworu #asuka #rei #seizure warning #body horror warning #suicide mention #correct me if im wrong #credit goes to twitter user decoratedboar for the iceberg picture help #and fixes

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i finished for the holidays and i just *chefs kiss* beautiful talented amazing sajkgdkj no words i love that romance wasnt even the main point 🥺💘 anyway i love how you write reader and i wondered between her and spencer who gets jealous???

Unrivaled

Summary: In which you seem pretty close with the new intern, and Spencer is not happy about it. (ft. one of my fave white bois) “Have I ever told you how much I value your friendship?"

WC: 3.6k

Tags/Warnings: Spencer Reid x GN!Reader, fluff, cussing, Jealous!Spencer bc id like to see that, established relationships (blegh), Garvez if you squint, the lightest implication of smut ever, points to yall who can guess who the intern is before reading the end or the tags 😉

—

Spencer is not jealous. He’s not.

Why would he be?

He has no reason to be jealous, Spencer chants to himself as he sits at his desk. Even from across the bullpen he still manages to hear your voice, and while normally it’s music to his ears, even better than Mozart, now it just feels like nails against a chalkboard. Grating his eardrums, making him wince.

Because you’re laughing. Not with Spencer though. Not at his obscure references or lame jokes.

With the new intern.

Why did Emily have to put you in charge of him? She could’ve chosen anyone on the team to have him shadow, but it had to be you! Not that you’re incapable or unqualified; you’re experienced, talented, and the best person he knows.

… Okay, he can see why she picked you.

Why do they even have interns? Unnecessary, really, when the BAU has you and him and he guesses the other teams too (it’s weird, he’s never actually interacted with them but whatever). Maybe it’s time to start making budget cuts. He’ll discuss this with Emily when he gets the chance. He’s got some influence, working at the BAU as long as he has.

But he’s not jealous.

Logically, jealousy (like an intern) is unnecessary. The green-eyed monster (like an intern) is ugly and contributes nothing productive, and if Spencer’s being honest, the world (like an intern) would be much better off without it.

At least that’s what he keeps telling himself as he downs his coffee like a shot of whiskey, trying to quell the squirming beast in him. Despite 90% of it being sugar, it still tastes bitter. He sets his mug down with a thud, and it’s loud enough to make Luke, Garcia, and JJ turn their heads, exchanging concerned glances when he slumps back in his chair.

Spencer doesn’t care. The world’s ending; you’re apparently into younger guys, with neat dark hair and forearms that can probably snap someone’s neck, and he can’t do anything about it. What does it matter if his best friends catch him in a sour mood, right?

“Hey, Spence,” JJ's tone is soft as they slink over, Garcia and Luke leaning against the edge of his desk and JJ flanking the other side. “You alright?”

“Yeah, why wouldn’t I be?” Spencer gazes past them, his eyes never leaving you. He deflates; your stance is relaxed, completely open as you nod at whatever Intern is saying, his hands gesturing spastically. It must be interesting, the way you listen with rapt attention and respond just as enthusiastic.

Spencer scoffs. Not like that’s anything special. You do the same for him. And the rest of the team.

...What the hell are you guys talking about?

“Well, you look like you’re about to throw your mug across the room. Or at an intern.”

Spencer blinks, finally breaking away from you long enough to eye the ceramic octopus. “That’s a good idea actually.”

“Don’t,” Garcia and JJ both shoot him a warning and he huffs, resting his chin in his hand. Garcia looks horrified, betrayed even while JJ has that expression on, the one she gives when she scolds Henry and Michael.

Whatever. It’s not like he’d ever sacrifice Mildred. Garcia entrusted her to him, after all.

Unless...?

No, he couldn’t… Maybe.

“You know, Reid, if you’re jealous—”

Spencer snaps his head to Garcia, eyes wide and darting to you like you have super-hearing, “Jealous? Who’s jealous? Not me.” He cringes, his voice octaves higher and cracking like a prepubescent boy.

Garcia snorts, “Okay, sure. But if you are jealous, I was going to say you have no reason to be. You wanna know why?” Spencer raises an eyebrow at her and she continues, “Sure the guy’s smart enough to get a full-ride scholarship at GWU, and he’s top of his class at the academy—”

“Is this supposed to make me feel better?”

"And he’s one of the most good looking guys I've ever met—”

"How is that relevant—"

Luke frowns at her. "And have you met me?"

“My point is,” Garcia’s red lipstick curls into the most reassuring smile, “that you have nothing to worry about because (Your Name) loves you. A lot.”

Spencer perks up. “You really think so?”

“I know so. I see the way they look at you, and if that’s not love I don’t know what is," She shrugs, "And just because they’re talking doesn’t mean they’re into him.”

There's a collective nod of agreement and Spencer sags in relief. Of course they're right. He knows they are.

If you think about it, technically, he's got the advantage. You've known each other longer, bonded and shared experiences together good and bad, and you’re emotionally and even physically intimate with each other (something he's especially proud of, considering how long it takes you both to warm up to others).

And who knows? This is probably temporary! Whatever this is, the connection you seem to instantly make with Intern (faster than when you two had met, he realizes with a needle to his heart) is short-term at best. It'll peter out eventually, like most friendships do.

It’s sad, but a cruel fact of life.

(Is this selfish, wishful thinking? Nah.)

They’re right, there is no need to worry, Spencer thinks as a weight lifts off his chest, finally able to breathe. You love him and he loves you and eventually, everything will go back to normal.

There’s nothing to worry about.

—

The world’s ending.

“It’s really not.”

Yes, it is.

“Doc, come on.”

“Do not ‘Doc’ me,” Spencer grumbles, lifting his head from the comfort of his arms. He grimaces at Luke. “You didn’t see the way they looked at him. The way they talk about him.”

Two weeks. It’s been two weeks since you’ve taken Intern under your wing, and he’s had enough. If Hell is real, this is it. For days, he’s tried to resume some form of normalcy, and he was never one to be bold but desperate times call for desperate measures as he asks you out for lunch or invites you out on dates, even stuff he wouldn’t normally do because they’re more your thing. Something, anything to get you away from Intern. But...

At work: “Hey Spence, I'm teaching Intern (menial task that a 4 year old could do). Would you like to help—”

During break: “I’m taking Intern out for lunch. He’s still new to town, and I thought he could use a tour—”

In bed: “Did you know Intern’s a huge fan of Star Wars—”

Snap, and there went his patience.

Intern this, Intern that.

Spencer could tolerate this at work. At least he’s saving lives, being productive, getting paid. But under his roof? In his bed?

That was the last straw.

Spencer's not one to wish ill on another, he's not like that. But if something happened to the guy, say, get injured in the field, perhaps from a "stray" bullet, he'd be intern-ally grateful. Heh.

"Hey, you good?"

Spencer sighs, swiping a hand over his face and turning back to Luke. "Yeah, why?"

Luke waves a hand at his face, eyebrow raised, "For a second there, you kind of had a scary look on your face."

"Did I? Weird."

"Right," Clearly unconvinced, Luke brushes it off, deciding to get to the root of the matter. "As I was saying, I still think you have nothing to worry about. Although, I do think it's a little weird that (Your Name) is talking about Intern as much as you say they are." He offers Spencer a little smile, his hand falling heavy on his shoulder. It's the most comforting touch he's had in two weeks. "I'm not one to talk, but I suggest you speak to them. I'd also be uncomfortable if my partner were talking up someone else."

Spencer blinks, squints at Luke, before gripping his hand and standing up. "Have I ever told you how much I value your friendship?"

"You can stand to mention it more often," Luke shrugs, eyes crinkling with amusement as Spencer lets go and heads for the door.

"Noted."

—

Spencer nearly goes feral when he finds you.

Of course you're with him.

He searched the floor like a bloodhound, discovering you've been on your feet almost the entire day, running around the office, up and down the elevators, finishing your work and helping around. You must be exhausted. It's because of this he tracks you to your favorite break room, mostly quiet save for the buzzing drip of the old coffeemaker. He knows you need to be alone sometimes, recharge those social batteries.

So when he bursts into the room like he would hunting an unsub, eyes quickly scanning the immediate space, he expects nothing less but you. What he did not anticipate was to find you, just as soft and pretty as ever under the fluorescent lighting, leaning against the counter and sipping daintily at your favorite mug.

With Intern standing a little too close to his liking.

“Hey, Spencer,” You chirp as you lower your coffee mug, lips glossy from your drink. Spencer's quick to shake his stupor―he can’t afford to be distracted, but it’s difficult when you’re beaming at him, clearly excited. You nod at the home-wrecker, “Me and Intern here were just talking about demonology and he’s got this interesting theory on werewolves―" Lycanthropy? Are you fucking kidding him right now?

Just when he thought he couldn't hate the guy any more.

"CanItalktoyou?" It comes out rushed as Spencer gasps between breaths, leaving no room to second guess himself.

"Sure," You blink at his urgent tone.

For a second, you watch him expectantly, and Spencer's gaze darts between you and Intern. "Alone?"

"Oh! Okay. Be gone," You wave Intern off, and when you place a hand on his shoulder, Spencer sees red. Or green in this case.

Intern doesn't resist, but the noise Spencer releases is animalistic because the guy can’t seem to read the room, questioning you as you gently shove him towards the door. "What about the thing―"

"We'll talk about that later."

"But you still need to show me how to―"

"Don't worry, Intern. Just wait for me, I'll show you once the adults are done talking."

"You know at some point you're gonna have to call me by my name."

"Nah. If we get to call Luke a newbie, we get to call you Intern. Also I do not know how to say your first name."

"You could just call me St―"

Enough of this. Spencer closes the last stretch of distance, batting your hand away from Intern’s shoulders as he kicks him out himself, slamming the door in his face. Spencer turns on his heel to face you, caging you both. “You―” He pants, chest heaving for air.

“Me?”

“You-him-we―”

You’re unfazed, simply nodding at him and his odd behavior. If anything, you’re enjoying this as your lips twitch in a poor attempt to withhold your amusement, trying to cover it with a slurp of your cup. Then again, it’s not everyday you get to see Spencer, face flushed from exertion, speechless as he gasps for breath.

(At least not at work… In the break room specifically.)

It takes a minute as Spencer swallows a few times, but his heart’s erratic and it’s not just from running through the entire building. When he’s got enough air, he blurts out, “Did I do something?”

Your brow shoots up. “What?”

“Did I forget something important? Upset you in some way?”

“No? I don’t think so?” You frown at him, your answers more like questions.

It only spurs him on, and though his tone is frantic and his eyes just as wild as his hair, you’re more intrigued than frightened. Definitely confused.

“Okay, but you know I love you, right?”

“Yes and I love you too but Spence, what’s this about?" Setting down your mug, you look at him like he's grown another head.

Spencer sighs, "I just… you…" He frowns, glancing between you, the floor, and the empty space between you.

Spencer Reid is a man of words. Many, many words, according to all his friends and his coworkers. Mainly knowledge―he's never been great with feelings―but as you gaze at him, patiently waiting for him to gather his thoughts, he wants to melt into the floor. There's not a hint of annoyance on your features, your eyes warm and inviting.

He's so in love with you.

Then like scripture the words come, natural without much stuttering or hesitancy. He recounts the last two weeks. The internship so far, the times you've left Spencer behind for him, the times you just talked about him, like the guy (practically a stranger) is your new best friend. Usually, pretty people make him tongue-tied and you do―god, you do―but at the same time only you make it so easy. Talking, expressing without fear of―

"Pfft―"

―Judgement. Pausing mid-sentence, Spencer gawks as your nose twitches and your blink rate increases. You purse your lips, a hand slapped over your mouth as it threatens to break out into a grin.

"Are you-are you laughing right now?" When he just poured his feelings out to you?

That does it. You keel over, peels of laughter coming like a tsunami, crashing into him and Spencer loves your laugh but not when it's at him.

"I'm sorry! I'm sorry, I shouldn't be laughing," you wheeze, gripping your stomach. Spencer pouts. There's even tears in your eyes. "But you're telling me this is all because you're jealous?"

He stutters, "Well-I-no-It’s just…" He wants to say ‘you're mine’, but as your eyes crinkle he knows there’s no need.

"That's kinda hot."

"Wha-really?" Wide-eyed, Spencer squeaks as you step closer to him, backing him into the door. His hands come up to his chest in a kitten-like manner yet at the same time protective―you'd never hurt him and you both know that―but you admit your initial reaction was poor when he laid his feelings bare.

“Ahhhh Babe, you know there’s no one else for me but you.” Spencer blushes and you chuckle, taking his hands in yours. He let's you. “Also, as adorable as Intern is, one, I think I’d be able to tell if he was hitting on me, and two, he’s not really my type.”

Spencer swallows, “And what exactly is your type?”

“Hmm, let’s see,” Looking him up and down, you step closer, enough that your breath puffs against his chin. You smell like cheap coffee. “Tall, handsome doctors with messy, brown hair―” You lightly tug at one of his stray curls and he bites back a smile.

“―and a cute nose―” Your hand moves to cup his cheek, bringing him down to peck the tip of his nose. It scrunches as Spencer breaks out into giggles.

“―Who can recite classic literature. Who can bake like he belongs on The Great British Baking Show but can’t cook for shi―”

“Okay! Thank you, I get it,” Spencer says, almost completely relaxed now.

“Good,” You nod with finality. “And for your information, I wasn’t trying to make you jealous."

He raises an eyebrow. "So you just abandoned me and talked about another guy for the hell of it?"

Spencer's tone is casual, joking even but you know better. There's underlying bitterness and hurt and your heart squeezes because you did that. "No, of course not. There is a reason behind all that.“

“What could possibly excuse you going above and beyond your job as a mentor―”

“I was trying to set you guys up.”

Spencer deadpans. “Set me up? With him?” Oh god, he knows you’re weird, but he’s never considered you to be outright insane (is it weird he still loves you?).

As if reading his thoughts, you roll your eyes, “Spencer, how many friends do you have outside the team?”

“Not a lot.” No hesitation, but he accepted the fact a long time ago.

“Yeah and that’s okay. But if you’d talk to Intern, you’ll find you two have a lot in common. I know he’s younger than us, but he’s a good kid, real smart,” You give him a meaningful look and shrug, “Not like IQ 187 smart but he could definitely hold a conversation with you.”

Spencer murmurs, pulling you in so you're chest to chest, “This entire time, you were really trying to make us friends?”

You nod, your expression a mix of giddiness and hope that makes whatever feelings he felt before, the confusion and―yes, fine―the jealousy, dissolve like sugar in water. Spencer sinks into you, burying his face into the crook of your neck and inhaling your soap. Of course you had good intentions. Of course you wanted to do something nice for him.

Fuck, he loves you.

“So… we good?”

Spencer huffs, “I hope you realize how much I suffered the past few weeks.”

“I know, I’m sorry.”

“Then yes, we’re good,” He mumbles into your shoulder, “I appreciate what you were trying to do.”

“And?”

His brow furrows and he pulls back, meeting your eyes. “And what?”

“Will you try to be friends?” You look at him expectantly.

Spencer opens his mouth to answer, a definitive no on his tongue, but then you’re giving him puppy-dog eyes and before he realizes it, “Okay.”

Wait, no. That is not what he meant to say.

“Yeah!” You throw your arms around him, and Spencer can’t stop you, grunting as you basically swing him around like a rag doll. But he finds he doesn’t care when you set him back down because you’re happy, happy for him, grinning ear to ear as you babble, “I can already tell you two are gonna be the best of friends! You guys have so much to talk about, all that nerdy stuff. Maybe even debate! And we could play chess and―”

There’s a knock and you both turn, a voice muffled by the door, “Hey, guys? I don’t want to interrupt in case you’re boning, but you didn’t exactly tell me where to wait for you? God, I hope you guys aren’t boning. Please tell me you’re not boning right now.”

You groan, “No Intern, we’re not boning! Right-uh-go ahead and meet me back at the office, I’ll be right with you.” You turn back to Spencer, sending him an apologetic look. “I will see you later, okay? And since you’ve been such a patient and understanding partner,” You plant him one last kiss before patting his cheek, and his eyes widen as your voice lowers in the way you know drives him crazy, your eyes glinting with mischief, “I’ll make it up to once we get home. Bye, love you!”

Before Spencer can fully register your words, you're out the door, cackling as you leave him to compose himself, his face beet red from running the possibilities. By the time he emerges from the break room, you’re long gone.

“Hi, Dr. Reid?”

Spencer almost snarls, cursing under his breath. Just when he thought the day was getting better. He turns back.

Intern stands tall, relaxed and shoulders back, black tie loose and cheap white-collar button up slightly wrinkled. No doubt from working hard and following your instructions throughout the day. Spencer respects the work ethic at least. Meanwhile, the younger man eyes him, and he’s certain it’s not from intimidation but with curiosity.

Spencer doesn’t linger on that. He’s used to it, not being intimidating to others.

He continues, “It’s nice to finally talk to you, one on one I mean. I’m a fan of your work. Seven degrees, huh?”

“Yeah,” Spencer says curtly. Recalling the earlier conversation with you, he stamps down his irritation and tries to extend an olive branch. “How did you know?”

“It’s the internet, sir,” Intern raises an eyebrow, offering an innocent smile.

“Right,” Spencer returns it with an awkward one of his own, “Hey, sorry for... literally kicking you out before. That was completely unprofessional.”

Intern waves him off, “No, it’s cool. I totally get it. I’m flattered, by the way.”

Spencer frowns. “Flattered?”

“Well, it’s not everyday you find out your superior’s jealous of you.”

Spencer blinks, and it takes all his experience as a profiler to mask his embarrassment. “You heard that.”

“The FBI’s got thin walls,” Intern shrugs and steps towards him. “Although I have to say, Agent (Your Last Name) is wrong about one thing.” Stopping short in front of him, for the first time Spencer is close enough to note the moles dotting his face. “They can’t tell that I’m flirting with them.”

He starts down the hall after you, and Spencer’s eyes trail after him as his brow furrows, until realization slams into him and his jaw drops. “Wait, you...”

“Oh and since (Your Last Name) wants us to be friends, I think we could be on a first-name basis,” He pauses to look back at Spencer, watching with a crooked smile as the older man sputters.

“So, you can call me Stiles, sir.”

Then once again, Spencer is left behind, frozen in the hallway as he processes what just happened.

And the next time he finds you and Special Agent Stilinski in the same room, whether it’s crowded or not, Spencer does not hesitate to cling to your side, putting as much distance between the intern and you as he can. Spencer’s grateful you don’t question it.

There may not be anyone else for you, but that doesn’t mean no one will try.

―

AN: ahhhhh thanks anon!! There was a similar request then i saw this tiktok (and listened to this tiktok the entire time) and i combined them. Id also like to emphasize that my version of reader is neutral across the board, race, gender, etc.

Yes, i have a type. No, i will not be taking criticism.

Been hella overwhelmed with classes and work so here’s my way of destressing. Also suggest checking those tiktoks if you wanna understand me :))) also you mean to tell me i have to write the threesome myself?? Bs tbh 😔

watched 15x4 and i was so sad when Spencer addressed Luke as his coworker like no bitch hes your new bro stfu

and i have no doubt that stiles and spencer would be one of the best crossover duos given the chance

#spencer reid x reader #mgg x reader #matthew gray gubler x reader #spencer reid imagine #spencer reid x y/n #mgg fanfiction #mgg imagine #mgg x y/n #matthew gray gubler x oc #matthew gray gubler imagine #mgg fic #criminal minds x y/n #criminal minds x oc #criminal minds x reader #stiles stilinksi x reader

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ironmandeficiency · 3 years

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I saw y'all discussing potential zodiac signs for Pascal's characters, what's your take on the major ones? I personally believe Marcus Pike is a cancer, Catfish's a pisces, Din's a virgo, Whiskey's an aries, Oberyn's either a leo or a libra, Ezra's a gemini or a sag, but I lean towards gemini. Javier's the poster child for Scorpio. Don't know about Maxwell Lord.

pedro character star signs

i’m so sorry it took so long, i was tweaking this so much bc i wanted to make sure i got it right! these are just what i think based on my astrology opinions, i hope you like it! 💕 i added their moon signs for flair bc i can. gonna tag a few friends i think may be interested, hope it’s not an inconvenience

max phillips: aries sun & moon. his ambition and charisma paired with the carefree attitude and optimism are an optimum fire sign duality and despite the fact i shouldn't, i love it so much. he has an inner child that he spoils with the riches of his conquests (good and bad) & gets emotional contentment when he succeeds in achieving his goals. knows what he wants & is quick to make those wants known. you never have to worry about where you stand with him because he will not hesitate to tell you.

javier peña: taurus sun with scorpio moon (the real guy is a taurus & i can see it but w heavy scorpio influence). he has his own structure and routine and will fight to the death to maintain it. very work oriented & does his best to rationalize his emotion-driven scorpio moon with his taurean logic, it's a tossup as to whether it works half the time. has a lot of emotional needs that aren't always met day to day & thats why he smokes and drinks and fucks. but don’t let anything make you doubt his love for you because the only thing stronger than his stubborn streak is his heart and its capacity to love you so damn much.

maxwell lord: libra sun with a sagittarius moon. the charisma? attractive and engaging af. oddly adept at chameleoning himself into whatever social group he's trying to vibe with. will draw eyes no matter what because so many people know him & if they don't already, they sure as hell want to. it takes him a while to learn to balance healthy relationships and his work life but when he does, you can visibly see how much healthier he is because of it. normally tends to his emotions in private but with help, he can start sharing a bit more. more optimistic than he sometimes should be but it could be worse

frankie morales: pisces sun with a cancer moon. his caring and sometimes cautious nature (with a twinge of homicidal tendencies) make him one that you don't just casually fuck with sexually or otherwise. catches feelings very easy & makes a lot of emotionally-driven decisions. these two water signs have a propensity towards codependence & defensiveness when hurt. is at his best when he feels loved and is supported by those he loves. emotions are always fluctuating and there’s some trouble with self-discipline (which is not the same as self-deprecation). because of this, he needs someone who can ground him

jack "whiskey" daniels: his swagger!! his charm!! his generosity!! the protectiveness over people he cares about!! this has the makings of a leo sun. this charismatic sun sign paired with his capricorn moon create a living example of the most balanced "work hard, play hard" you've ever seen. has a tendency to set high standards for himself and others & is a smidge more accepting when people fuck up, wanting to help them be better in the future. his emotions are often repressed in the name of responsibility but when he feels safe, he isn’t shy about them in the slightest. very confident in his skills & one of those that he’s the proudest of is his ability to cheer you up when you’re sad

din djarin: he is the most virgo virgo to ever virgo, a double whammy of it in both his sun & moon placements. very logical, disciplined, and tradition-oriented. knows how to bargain and budget, approaches problems with as little emotional attachment as he can (doesn't always work though), and is selfless af. needs something to keep him from being a worry wart bc otherwise he will spend every waking moment fretting over anything he can find. remarkably well-rounded & somehow the most emotionally stable

ezra: everything about this man radiates aquarius sun + gemini moon and you will never convinve me otherwise. he's just enough of an intellectual elitist (the big words and flowy shakespearian vocabulary) for it to border on unique and fun & annoying as fuck. every aquarian i've met has a quirk that sets them apart from everyone else & ezra's quirk (besides murder) is his vocabulary. it takes him a long time to learn to not talk over people on accident (sometimes he does on purpose just to be a bastard), but you can tell when he’s really trying to be conscious of it.

marcus moreno: now this man is what you call a pisces. a softie with a heart of gold that is constantly being underestimated, he has more power than most think. his silly and carefree nature detracts from the badassery he's capable of so it sometimes catches you off guard when he goes into Badass In Charge™️ mode but it’s there. his moon is also in pisces, which adds to his gentility and desire to be understood by his partner. this man just needs some love dammit, give it to him already!! his empathy makes him the Cool Dad™️ bc missy and literally any other kid get the vibe of “yeah this adult will actually listen to me and value my opinions”

dave: capricorn sun, aries moon. he thrives with people who can handle their own shit competency kink anyone? and doesn’t have patience with those who should know better. his standards are higher than a stoned giraffe, and is at his best in controlled environments. has a strong sense of self & a short list of people he would risk it all for. not as outwardly expressive but he does have a couple cues that you learn over time. also knows what he wants and is very meticulous in how he goes about getting it; there are very few places where he takes no for an answer. is a very good provider but don’t expect him to be mushy when you thank him for things he does for you.

oberyn martell: gemini sun & leo moon. he’s got more charisma than can fit in the ocean and sometimes it gets him into trouble. this man thrives on validation from loved ones. there is never a worry about not knowing what he’s feeling because oh boy is this man expressive. he’s a protector and a provider (and a gossip but don’t let him hear you say that). can and will cause a scene if there’s ample opportunity, he enjoys watching shit go down. will only interfere if it directly impacts him or someone he really cares about but otherwise will just pop the popcorn and pull up a seat. somehow has all the details of everything that ever happens but you learn to not question it.

pero tovar: scorpio sun (but specifically october scorpio) & aquarius moon. he’s highly rational when it comes to emotions but does have a temper. he’s observant af of his environment & the emotions of everyone around him, and chooses his actions carefully based on those. doesn’t confront his deeper emotions as often as he should bc it’s easier to default to Angy™️ and let the rest of the world come to their own assumptions. has no tolerance for lies and other bs, wants the truth and though it makes him seem power-hungry and manipulative, that’s not his intention. it’s just his way of looking for someone he can trust with the most intimate parts of him

marcus pike: this man? taurus sun, cancer moon. has a fear of abandonment that takes a while to quell but once it’s gone, he’s all in. he’s very empathetic and observant af, will know exactly what you need before you voice said need. will feel guilty for his baggage sometimes and the guilt will make him recluse for a short period until he’s reminded just how appreciated he is. does not play around when it comes to affection & is very eager to give and receive it whenever possible

my friends that i think might be interested: @scribbledghost @autumnleaves1991-blog @dyke--grayson @max--phillips @dindjarindiaries @pikemoreno @ohnopoe @pedropasscals @forever-rogue @engineeredfiction @bitchin-beskar

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himbeaux-on-ice · 3 years

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KK deserves more than 6mil for 1 year and there is no way Habs CAN'T match that. It was so low I thought it was a joke of an offer as petty revenge for the Aho one. Literally had a $20 signing bonus tf. With both teams picking up racists this is good PR frankly to excite fans.

Sorry, I actually disagree pretty solidly with almost all of this, but the reasons are complex and lengthy to explain, so I’m going to put it all under a cut.

Listen, I personally believe based on what we’ve seen from him in the playoffs that KK can eventually develop into a $6.1 million dollar player — it seemed like he did well once the team had been put through Ducharme’s mini-training camp before the playoffs that actually allowed the chance to cement his systems, and put up good numbers generally during the run for someone his age. If they can find a way to get that kind of stuff out of him in the regular season, he could very well be worth $6.1 or more down the road. I really truly think he has it in him with the right coaching and the right work put in.

The problem is, owing possibly to how the Habs have chosen to develop him (remember, he came to the NHL pretty much straight out of the draft) and how very young he actually is, he has not yet actually PROVEN that he can be a player of that value consistently for most of a season at any point. I’m willing to put an asterisk on his struggles this year, because it was a weird fucking season and the Habs had a rough go of it in several points, especially down the stretch, and because we’ve seen the ability is there in the playoffs. But given what we’ve seen while he’s been on his ELC, there has been no guarantee so far that a team that signs him to $6.1 million is going to get $6.1 million in value out of him this coming season.

Like, set aside league-wide valuations for a second, and think about what the Habs, based on their budgeting and philosophy and management choices, are paying some of their top foundational players right now in terms of cap hit. Toffoli makes $4.5 million, so will Hoffman. Anderson makes $5.5 million, as does Drouin. Petry makes $6.2 million. Edmundson makes $3.5 million. Jake Allen, a player so valuable to this team that we risked “Price to Seattle” to keep him, is $2.87 million against the cap. Gally, the lifeblood heart and soul of this team who has given his literal blood sweat and tears to it for almost a decade, only makes $6.5 million against the cap. They apparently weren’t even willing to offer Phillip Danault, defensive cornerstone of the playoff run, the $5.5 million he got from LA. With Weber on the LTIR, if KK signed with the Habs at $6.1 million, he would be the third-highest paid player on the active team when you exclude dudes named Carey Price (who is an outlier and should not be counted). I love the kid. I think he’ll be a bonafide star someday. He has NOT earned that kind of payday yet, based on the established scale of how the Habs reward their players.

Based on my amateur understanding of NHL contracts and the market, a reasonable deal with KK from the Habs would have been somewhere in the area of $2-3 million (so, what they pay for players like Lehkonen (2.3 mil) or Byron (3.3 mil) or just signed Armia to (3.4 mil)), for maybe about 2 years. By the time that runs out, he’d be 23 years old and heading into the prime of his career, and you would probably have a better idea of whether he’s made that big next step or not — if he has, you probably just got two years of great hockey out of him at a STEAL, and can at that point sign him for a nice juicy contract that will pay him to that level and lock him up through his prime years (which is what you would dangle to entice him to take the short deal for now). And if when that short deal is up he hasn’t made that next leap, then you either sign him back at what he is worth, or if that’s an impasse, part ways. He has said he wants to help bring a Cup to Montreal, and do it with the core of young guys they’re assembling (and close friends like the other Finns on the team) — with that, maybe some performance bonuses if he really kills it, and the promise of something bigger down the road once he proves himself (plus the knowledge that he might not get higher offers elsewhere because of how he’s struggled) you could probably get him to sign a deal like that with the Habs.

HOWEVER.

Now that he has signed this offer sheet, he WILL get $6.1 million. Not only for this year, but once the one-year deal expires, any extension offered to him by anyone is required to start at that number. Regardless of how he performs. Unless he has the breakout year of all breakout years, this will really screw him over — because if he DOESN’T perform to the $6.1 million level, a team (be it the Habs or the Canes) is not going to want to sign him to a second deal at that pricetag. He’ll have to go hunting as a free agent, or get traded before he expires and become another team’s problem. (Note: I’m not exactly sure if the offer sheet process allows Montreal to match with a contract at the same value but longer term, but that doesn’t really solve the problem of being locked-in at $6.1 million after next season even if they can). I understand why he signed the offer sheet — his career earnings so far total just over $2 million, and of course both he and his agent would jump at the chance to guarantee adding triple that in just one year, with the promise of more of the same on his next extension. I’m sure he probably thinks he’s worth it, or can prove he is worth it. He probably thinks the Habs believe in him enough to match it, too — I don’t think he wants to leave Montreal, but he probably sees this as simply an earlier achievement of what they would hopefully be paying him anyway someday, in his eyes.

But even if he DOES perform up to that level, if he remains on the Habs that creates another massive problem crunching up against the salary cap: Nick Suzuki and Jake Evans are both RFA’s at the end of the 2021-22 season, and THEY will be looking for their “grown-up” contracts at that time, the SAME time KK will need to be signed again. Nick is probably going to develop into the better player between him and KK (look at where he already is right now), so even if KK performs excellently next year as say 2C, Nick looks like he will be even better at 1C — and if I’m Nick’s agent, I’m definitely starting my contract negotiations with what the Habs would be paying KK as my absolute lowest starting figure, if not higher. Jake probably has more of a 3C/4C upside, but if KK struggles and plays at a 3C/4C performance level and Jake does that well or better, then if I’m Jake Evans’ agent I am definitely putting my starting figure for negations right around $6.1 million, because I can argue “well, you’re paying Kotkaniemi that much, why not my client?”. Romanov is due up for his post-ELC RFA deal after next year too — because he’s more of a defensive defenceman who isn’t expected to score much, he likely can’t command the kind of figures that an offensively productive centre does, but you still need to have enough cap space to actually sign the guy for what he’s worth; Romanov is eligible for arbitration in that negotiation, so lowballing him too hard could get complicated and contentious fast. And all of this isn’t even including factors like depth players on one-year deals who will need to be replaced or brought back after this year, etc.

Accepting/matching this contract creates a dozen new problems the Habs didn’t have before at all. It carries massive risk and could cause problems for the cap and for roster construction even if KK takes off like a rocket and lives up to the figure on the sheet. I didn’t even touch on the absolute hell the fanbase and media will put him through if he is in Montreal on that kind of payday compared to the rest of the team and fails to live up to it. Alex Galchenyuk only made $4.5 million while he was here and struggling. Look how that turned out for him. You’ve seen how people get when Carey has a rough patch, how the $10.5 million gets brought up and thrown around, and that’s with Carey goddamn Price. I have been around this fanbase long enough to see what happens when people don’t feel you’ve lived up to your pricetag. It gets nasty. Think whatever you’ve seen hurled at Mitch Marner this year, then multiplied by a factor of “fanbase whose expectations have been disproportionately raised probably beyond what’s realistic by the miracle playoff run” and “the Montreal hockey media eats people alive even in good years”. He has been lucky so far in his struggles because he’s still young enough to be cheap. And I’ve still seen plenty of people already writing him off anyway.

Make no mistake: I love KK, I love what he brings to the team, I love how he fits in with the rest of the young core and their dynamics, and I really believe he has the potential to break out into a formidable 2C lowkey-superstar. And I was really, really looking forward to hopefully watching that growth and achievement happen with the Habs, as part of the super exciting future that has been building here. I will be heartbroken if this leads to him leaving, genuinely. My biggest worry with having this bright and shiny new core was always that I would have to watch it get torn apart and turn sad just like the last one.

But now that this contract, right now, at this point in his career is going to be the price of keeping him? I don’t know if matching it will be what’s best for the team as a whole, or even what is best for KK. I don’t know if Carolina actually gives a shit about him as a player enough to use and develop him right if they keep him, or what their end goal here even is other than definitely very literally getting petty revenge for the Aho thing, just look at their Twitter (I think the idea of this as DeAngelo counter-PR has become a bit overblown as an explanation, because surely they MUST know they could end up holding the tab for this and all the risk of it in the end, and that this will die down eventually, so either they’re incredibly stupid or there’s some other benefit here).

And regardless of which way everything goes, I can’t think of anyone I trust less to make the best choice for everyone involved than Marc fucking Bergevin.

#long post #sorry not trying to be mean just literally don’t agree with this at all #habs #Jesperi kotkaniemi #wnylanderthals #asks #montreal canadiens

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sanstropfremir · 3 years

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would love to hear ur thoughts re. these street woman fighter's performances and who you would personally vote as the "better dance crew" in how they interpreted each other choreos and the song.

this was for their first elimination round (ep4) and it was interesting to hear from the judges + why they gave the points they did. (i'm not entirely sure if you're watching the show's episodes. they are roughly 2 hours long. so if you would like more context, pls let me know! i wrote brief comments underneath each one as well as the winners [spoilers ahead!]. assuming you are not: for this mission, each crew is paired with another crew and they have to choreograph one of the soloist songs. songs were "split" into two parts: part one [would be one song] and part two [another song]; one crew would choreograph one part and follow the other's crew choreograph for the other part.)

1. boa - eat you up (want choreo) + better (ygx choreo). dance crews: ygx vs want

https://www.youtube.com/watch?v=gCfK_qWAhM0&ab_channel=MnetTV

winner: ygx. boa gave 151 pts to ygx and 49 pts to want (the biggest gap in points between crews), sharing that although want choreographed eat you up, ygx was more cohesive (pointing to how want wore hats and it was messy). additionally, ygx had better stage presence and was able to capture the camera more. also, because ygx is the only crew to have a b-girl and use it in their routine, the judges applauded want for doing the best they can.

2. cl - doctor pepper (wayb) + hello bitches (prowdmon). dance crews: prowdmon vs wayb

https://www.youtube.com/watch?v=GEEpZ9SrvaE&ab_channel=MnetTV

winner: prowdmon. judges shared that doctor pepper's routine is a trademark of wayb and that they should have been the standout. however, they felt like prowdmon did it better.

3. hyuna - crazy (4minute) (coca n butter) + i'm not cool (hook) + lip and hip (hook). dance crews: hook vs coca n butter

https://www.youtube.com/watch?v=e1ikpPKEA30&ab_channel=MnetTV

winner: hook. the two dance crews are VERY different in terms of style. coca n butter is described to be more hip-hop while hook is definitely more reflective of the current/newer trends. (when hook was first introduced in the show, they were known as the crew who was famous only for tiktok dances.) the judges shared that hook was more fun and interesting, given their stylistic choice of wearing the pink wigs. whereas it seemed for coca n butter, they felt like something was lacking (they showed something but it didn't feel they did.)

4. jessi - what type of xx (lachica) + nununa (holybang) + gucci (holybang). dance crews: holybang vs lachica

https://www.youtube.com/watch?v=vtZzI11oyqc&ab_channel=MnetTV

winner: lachica. (this was the only battle where both crews came in v close pts. whereas for the other crews, there were huge point-gaps.) judges had a hard time choosing, sharing that for lachica they were more detail-oriented while holybang had better teamwork.

imo, i agree with the judges' choices. though i would have to say i think wayb did their routine (doctor pepper) better than prowdmon. they stood out to me then, but when it came to the second part (hello bitches), prowdmon was better. i loved lachica's performance - it was v clean + reminded me of something a kpop group would do (which like, the crew largely works with kpop acts like chungha, boa's better, etc. so it makes sense).

this was LONG. thank u if u do read it and post! i miss the kingdom "era" when u would post weekly reviews. the two are v different but this new mnet competition show is the only one i'm invested in. i'm not sure if it's big internationally? i know it is v popular in korea right now. while i've only seen i-fans talk about the show as it relates to chaeyeon (want) because she's an idol. - swf (streetwomanfighter) anon :]

omg this is so long and well organized, forget me writing reviews anon you should do it!! i'm not currently watching the full episodes but i've been catching the few clips that pop up in my youtube recommended occasionally, so i definitely don't have all the context but i'll take a crack at it!

ok so my assumption/from what i can tell, they have a bit of leeway to alter the competing group's choreo as needed to better suit numbers and formations. i also went and found the individual versions of these because why did they make them so small on the split screen, don't they know i'm old and wear glasses. also: MNET FOR THE LOVE OF ALL THAT IS HOLY STOP MOVING THE FUCKING CAMERA. WE DO NOT NEED SCROLLING VERTICAL BOOM SHOTS OF THIS. just keep the same lens at eye level it's really not that hard. this is like, one of the worst possible ways to shoot dance it is SO annoying. ok i'm done bitching about that let's go.

1. boa - ygx vs want i agree with the big point gap on this one, and i think want made a couple of choices that were not cohesive enough, and obviously they also got set up to fail by ygx. actually i think both groups made choices that were not particularly good, but ygx had more of the skills to back up what they were doing than want did. breaking is very difficult and requires a lot of upper body strength and a higher centre of gravity, which are two physical traits that are less common in women. personally i wouldn't have tried to break to better because although boa songs do have more of a beat than other idol music, it's still not at all the right type of music for breaking. it's gotta be fast, breakers rely on speed, because it's all about momentum; they're literally throwing themselves around the stage. here's the final from battle pro 2019 for example. the music is basically beats only; heavily lyric based music, like idol music, is bad for battling in general because there isn't a lot of consistency. i have more to say about this but i'm getting off track. basically by choosing to handicap the other team (because they don't have a bgirl at all) they shot their own bgirl in the foot because the song is too slow to properly show off her skills. i applaud want for making bold choices, like the hatwork and attempting the breaking, but ultimately when combined with their styling the performance looks disjointed. also they have some formation cohesion issues that make it look a bit like they'e struggling to keep up, even with their own choreo.

2. cl - prowdmon vs wayb i agree with the judges, i think prowdmon bodied the wayb choreo. i actually thought that was their choreo at first. they have the best presence that i've seen of all the groups and the performative "hard bitch" attitude fit in with their genre setting. wayb had several mistakes and synchronization issues that in my opinion made them look sloppy in comparision to prowdmon, who were sharper and had two more people to put into formations. 3. hyuna - hook vs coca n butter ok personally i don't like either of these choreos, but i'm agreeing with the judges here, i think hook's was the mildly more engaging. i can tell that they're very young and do mostly short form tiktok content because i see a lot of eye catching moves, but i don't see a lot of strong connective tissue between those moves. they have good ideas but they also really struggle with putting people into formation and balancing it out well. it doesn't help that they're a seven member crew going up against a four member one, so they have three extra people to figure out what to do with. there's a lot of empty space where there are members waiting in position for a group formation. it also doesn't help at all that they (mnet) appear to just be rawdogging the songs together without any kind of mixing, which is a huge detriment to groups that have to choreograph for two in their section. i'm not cool and lip and hip have two totally different feels and kudos to hook for at least trying to get them to at least visually be cohesive when mnet is go girl giving us nothing sonically. coca n butter has much more of an old school hip hop style, so putting these two up against each other was (probably a random lot draw) an interesting choice. personally i would have been more interested to see hook against want with the boa tracks and ygx against coca n butter with the hyuna tracks. however, i think the reason why coca n butter's stage felt like it was lacking is because they tried to emulate hyuna, without having the stage presence or the weirdness of hyuna. it feels like they're trying too hard and there isn't really any personal character in the piece, versus with hook, who embodied hyuna's weirdness a little more authentically and took a completely different direction. 4. jessi - lachica vs holybang lachica took this one easily, although their formations were a bit wonky for nununana, they covered it fairly well and i think they managed the best transition between songs (between nununana and gucci). they were sharper with good stage pictures and had a good gimmick with the double fringe on the gloves and hats. holy bang had some issues fitting their extra person into the what type of x choreo, but they did well with their own choreo. however, like with coca n butter and hook, because lachica took a new visual spin, this felt too derivative of jessi, so it wasn't that interesting for me to watch. i do think they are one of the groups on the stronger end of skills and presence. --- as far as visually what performances i liked the best, since would this even be a writeup by me if i didn't talk about design, here's a quick breakdown:

prowdmon - got some rudimentary setpieces, got a theme, got some fun variations on a uniform look; excellent for what i assume was limited budget capacity and also it's a dance crew show.

lachica - great continuity of effect in costuming with the fringe, and using the gloves as a mouth/lip effect was one of the most interesting choices of these routines.

hook - the pink wigs and the black latex on the checkered floor was a nice gimmick that was a bit of a nod to hyuna's weird without being too derivative. i'm not expecting a whole lot because these are dance crews but i think this was a decent amount of styling effort.

want - they made a bold choice with the hats and even though it didn't quite pay off for them i still respect it.

coca n butter/ygx/holybang/wayb - ygx and wayb did basic hip hop type styling and while it's absolutely fine, it's just boring. holybang went for a directly inspired jessi look, and although yes bodysuits, overall it wasn't that interesting either. coca n butter get props for doing a costume change and actually incorporating that into the choreo but it feels too much like it's trying to be hyuna weird with the caution tape strapped over their tits and asses.

---

as a final note/question to you, my lovely invested swf anon, what's the format of the show? are there stages like this every episode to review? if these were from the fourth one only, is there anything worth me reviewing in the first three? i'm not particularly interested in the aggressive competitive nature of the show and editing so i don't particularly want to watch the full two hour episodes, but if you think it's worthwhile for me to review stuff then i will. otherwise if there's a set structure (like with kingdom) i can seek out the stages specifically and review them if i know what i'm looking for.

#street woman fighter #swf #swf reviews #i dont really know what the international reception is. the very few people ive seen talking about it on twt #have been insane kpoppies disrespecting boa. so not the best ifan showing so far #am i back in my review era already???? we shall see #(while i still have like EIGHT different asks left. if you wonder why im taking so long to get to some of them. that is why)#(OH plus the first half of the stylings post. and the fabled fave choreos post. so many things in my drafts rn)#(but also please dont stop sending me questions it makes me very happy. the gerbil in my brain is just slow)#dear anon who just asked me about red lights and kink. mwah you are welcome to slide into my dms anytime you like #wait by putting kink in the tags did i just invite a bunch of pornbots onto this #whatever lmao #might need to start a new organizational tag for this because it's only kpop adjacent. thoughts for later #text #answers #ngl these group names are gonna drive me insane. why are all dance crew names so fucking weird

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popculturebuffet · 4 years

Text

Tex Avery Birthday Spectacular!

Hello all you happy people! And welcome to a celebration of the only cartoon director I knew as a kid and one of the finest whose ever lived, Mr. Tex Avery.

Avery is a legend in the animation industry and rightly so. Starting out at a few other studios, and loosing sight in one of his eyes due to some tomfoolery at one, Tex was annoyed with the restrctive enviorment and eventually found his way to Termite Terrace, the animated shorts wing of Leon Schislenger Productions, aka the future Warner Brothers Studios and the makers of Looney Tunes. And his impact on the franchise is vast, cannot be overstated and I only learned about just how much recently: The man created Daffy Duck and Bugs Bunny, created the prototype for Elmer Fudd, and created the design for Porky we’re all far more familiar with.

Eventually though while he was happy there, his career when ended when he eventually got into a squabble with Leon schsinger over the ending of “The Heckling Hare” and left soon after. Given he got a four week unpaid suspension for it , a bit extreme given all he’d given the studio, I can’t blame him. He instead went over to MGM who badly needed his wacky energy, and thus got to go as nuts as he wanted, with creative control a better budget and the result was his peak and classic characters like Red and my personal faviorite and personal boy: Droopy. I will try and do a birthday thing for him next month, we’ll see if my rather packed schedule will allow for it. Point is I watched the guys cartoons a lot as a kid between looney tunes and his shorts being repacked for the Tex Avery show in the late 90′s, and until recently I had no idea the depth and scope of his career: The guy gave looney tunes it’s standard fourth walll breaking and made it a huge part of the industry, and he was the one to hlep htem break out of being a Disney knockoff and into what we know today. The guy has my utmost respect so today I honor him as the first animator to get one of my birthday specials: As is my standard ten shorts, my patreons get to pick one each (I now have two but she start’s next month so her benefits will too) if they so choose (Kev opted out of the porky pig one next week) and I went to my friend blah for a recomendation as he’s an avid fan of the golden age of animation and thus usually has a really good choice up his sleeve. Now that’s out of hte way join me under the cut for some shenanigans as old tex would want it that way.

1. The Gold Diggers of 49 (1935)

This was Tex Avery’s first short with warner and the first of his I could find, not ot mention his first time working with Chuck Jones and Bob Clampett, who he’d mentor and go on to be the heart and soul of Looney Tunes and define the characters Tex created. And since this is more significant than his earlier work i’m coutning it as his first. And as a start it’s.. ehhhhhhh.

I don’t blame him for it though. Most don’t hit it out of hte park their first time up to bat, and frankly the deck was stacked against him. He was saddled with Beans the Cat...

No one brak no one. He was part of an attempt by warner to create a new star as part of a Little Rascals/Our Gang style group of kids debuting in the short “I Haven’t Got a Hat”. This short is notable not for Beans, who no one cares about, but for the debut of Looney Tunes first star: Porky Pig. Porky was just one of the various characters but the only one audiences really liked. It took some time for Warner to get the hint though, hence Beans starring here and Porky playing his girlfriend’s father.. and also now being much older than him for some reason.

So instead of being a Little Rascals ripoff bean is now a mickey mouse ripoff, as the short gives me mickey mouse vibes.. but without the things that made those shorts actually good and feels mostly built on studios trying to make what they think audiences will like. There’s sparks of waht Tex would become.. but just not enough wiggle room for him to make something special. Also porky looks and sounds weird in this one and Bean’s girlfriend has a REALLY annoying voice. Oh and two horrible Asian stereotypes, because it was acceptable at the time but lord was it never okay. Then again I should be at least mildly greatful none of the shorts had blackface.. because tex apparently REALLY had a problem with that, something I obviously didn’t know as a kid as they edited it out but given most of his MGM shorts have “blackface edited out of x version”, yeahhh.... I may like the guy, quite a bit and feel those gags weren’t done out of malice.. but it dosen’t make them okay, they were never okay and he should’ve done better.

2. I Love to Singa (1936) Thankfully our next entry is 800% better, as we get a classic from my childhood and probably multiple childhoods. Admittedly part of the reason this one stuck in my head is the title song, sung by a young jazz singing owl whose dad doesn’t like that he sings Jazz instead of classical, enters a contest and nearly looses singing classical to please his dad only for his dad to intervene and finally accept his son. It’s a wonderful story of acceptance with some decent gags, beautiful animation and one hell of a title track that will probably never leave my head. The song is really what makes this short and sometimes that’s okay. Also just to note so someone else doesn’t: This short was a parody of the Jazz Singer one of the first talkie’s.. and also a film that uses blackface and whose 80′s remake bafflingly also uses blackface for some reason. Yes really.

3. Tortoise Beats Hare (1941)

One of Tex’s only four Bugs Shorts.. but given 3/4 of them are certified classics, and one of them involving a horrible stereotype.. to the point it’s part of the rightfully infamous “Censored 11″ and the ONLY one involving Bugs Bunny.

So as I said, Tex has a bad history with casual racism, and while it was the style at the time and I don’t THINK he was actively malicious towards black people.. it doesn’t make some of his work any less harmful. The rest of his bugs work though is remembered for the right reasons: his first appearance, and early classic we’ll get to next.. and this standout everyone who saw it as a kid or an adult fondly remembers.

You all know the premise: Bugs finds out, in an utterly brilliant wall shattering bit at the start where he reads off the crew names and then the title, that this picture will have him beaten by a turtle and taking offense to that challenges the guy. This is honestly one of the few Bugs shorts where he’s the out and out villain of the picture. He’s doing this race purely out of ego, yells at Cecil whose perfectly nice in this one, and in general is the bully set up for a fall he’d later be famous for taking on. But it works, both because this si early in bugs career so it’s entirely in character, and because Mel just really sells the obnoxiousness while still being funny.

This short also has one of Tex’s trademark setups as this is essentially a prototypical droopy cartoon: A meek, goofy voiced protagonist whose shorter than his large obnoxious enemy and who torments him by showing up every where he’s going to be and casually doing it. Cecil even does so using an army of fellow turtles with Droopy later using a similar trick in one of his shorts. As a big Droopy fan i’m clearly not complaining and while Droopy would do it better, this short’s still a classic for a reason with tons of great bits and is a fun break from the usual bugs setup, though in full fairness the usual bugs setup is still solid gold so take that how you will.

4. The Heckling Hare (1941)

Originally I was going to have Daffy in Hollywood in this spot as I thought it was on Max, it was not, so I swapped it out with his final bugs cartoon. For the record his first, and Bugs, is being saved for Bugs birthday this summer. And honestly i’m glad I did because this was 7 mintues of pure joy that has another setup that Tex himself and other Looney Tunes animators would resuuse: Bugs being pitted up against a far dumber antagonist. One who often still fully deserves it but allows him to just have fun for several minutes at this dumb bastard’s expense. It works well here, with tons of clever gags, my faviorite being the two doing dumb faces with each other only for bugs to stop and pull out a sign as seen right above.

It’s also an approriate capper to our warner made Tex shorts for the day, as this would be the one that got him fired. He and Schisnger argued over it and he got suspended as I mentioned and I found it again a bit fucking extreme. So did Tex and after a handful of shorts elsewhere, he’d move over to MGM, whose cartoons would ironically be bought up by warner. They needed a shot in the arm to compete with Disney and Warner and Tex was happy to provide hte needle filled with nonsense. And the results.. are pure gold.

5. Dumb Hounded (1943)

I’ll admit as a kid I didn’t know Tex’s MGM shorts were theatrical, or any shorts but somehow I knew they weren’t looney tunes. Besidds obviously having hteir own show they just had their own tone and pacing and style. While the Looney Tunes aren’t bad, at all honestly, Tex’s work here was in a class by itself with MGM gladly giving him a higher budget and even more creative freedom. And the results speak for themselves and one of those results is one of if not my faviorite classic cartoon character. And since I might not be able to get to his birthday with one of these next month, though i’m certainly going to try march is just VERY VERY FULL. Anyways point is our happy hero was introduced here. And given i’m frequently depressed and often withdrawn, not that you could tell from my reviews here, I related to this depressed bulldog who always won anyway despite being an outsider, finding love, sucess and always beating a much larger, much more assholish antagonist. But Droopy is good on his own merits as his shorts are just that funny.

This was true from Day One as dumb hounded is fucking perfect: The Wolf that Avery always used in his cartoons escapes from jail and is hunted by bloodhounds including our boy, who charmingly introduces himself with “You know what, i’m the hero”. From there it’s a simple setup but a great one as Droopy finds the guy.. then chases him from here to enternity with one amazing gag after another. Simple, utterly hilarious and the dawn of a legend, with the ending having Droopy go a bit nuts after getting his reward money before returning to his usual demeanor “You know what? I’m happy” So am I bud, so am I.

6. Red Hot Riding Hood (1943)

Yup same year. Tex hit the ground sprinting. This one is his signature MGM toon and for good reason. Using his usual forth wall breaking style, both the wolf and red riding hood rebel when it opens with a typical telling, so it changes to a 40′s nightlife setting: Grandma lives in a penthouse and is man hungry, Red is a fanservicey night club act and the Wolf is a sexually harassing asshole who chases after here and has some over the top reactions to her that are iconic in some’s mind.

The short is gorgeously animated with Red’s dance sequence and Wolfie’s reactions being the highlight and the short isn’t as bad as it could be as the wolf is treated as a scumbag for hitting on her and generally being a creep. SO the first two thirds aren’t bad with nice touches like the narrator clearly improvising the new story. It’s just badly hampered by the last half where Grandma sexually harasses Wolfie and it just doesn’t work. This double standard stuff annoys me and “haha get it it’s funny when a woman stalks a man” isn’t funny. Wolfie stalking her really isn’t that funny either it’s just not you know an entire third of the film. So a classic for a reason.. but one that really has degraded with time. Still worth analyzing and what not, just not great.

7. Who Killed Who? (1943)

Yes still. It was a good year. This is another one off like Red Hot Riding Hood and as is tradition since the Tom and Jerry one, my patreons each get to pick one and Kev selected this one. And this.. was a great choice.

Seriously I could not stop laughing with a great gag a minute, WAY too many to mention, a classic ending, and just nothing but net the whole time. I don’t have much to say really.. but because this one’s just good. The whodunnit genre hasn’t really gone away, it’s cliches are welll known even today and this is a lovely parody of it that hits the ground running after a live action intro and runs right through the wall across a lake and straight into droopy “You moved.”.

The only real observation I have other than “This is fucking awesome watch it immediately” is that the villian looks exactly like the Phantom Blot. Who knew the Phantom Blot was a live action guy with a weird haircut the whole time huh? Seriously this one is a masterpiece, an instant faviorite, and I highly recommend it.

8. Screwball Squirrel (1944)

As you can probably guess by how I lead it in this one is not very good. It is tex TRYING to make a bugs or daffy type character again and somehow failing at it. He created them, he did plenty of shorts like theirs with other characters and got how the cat and mouse antics of the old theatrical shorts worked.. so I have no idea how this one happened.

I’m really not overselling it: The short is about Screwy, who hyjacks it from a cute widdle bunny clearly parodying bambi.. who he beats the shit out of, then decides to get things going asks a dumb dog to hunt him, then insults him to provoke him to attacking him. He then spends the entire short tormenting the poor dumb bastard who again HE PROVOKED. It feels like a poor imitation of dumb hounded, as while Bugs clearly outclassed the dog there, he’d die if he lost, so while he was punching down, he clearly didn’t have a choice and you can’t honestly blame him. Here, Screwy is fine, he just wants someone’s head to fuck with and spends a whole short torturing him. We don’t even get catarsis as while the dog does catch him at the end via weird gag, they end up deciding to beat up the bunny instead.

His voice is also just the worst, just utterly grating and making me wish an anvil woudl fall on HIM instead. Screwy would return for some other shorts but I have no idea why. This was easily the weakest of these ten shorts and I will probably not return to the guy next year.

9. Bad Luck Blackie (1949)

This is one i’d forgotten till I got a ways in. It’s also weirdly one of the only MGM Tex shorts on HBO Max as this was included in the Tom and Jerry collection for some reason, the dog in it clearly isn’t the tom and Jerry verison of spike... though the dog Droopy fought a lot was indeed called spike. Yes that is confusing, no I don’t know why MGM thought this was a good idea.

As a result though I have been saving giving out about this till now but seirously , put the tex avery shorts on HBO Max. Their on Blu-Ray, their on boomerang, especially Droopys. I do not get why they aren’t on here. I’m tired of them holding things out for the boomerang app when not everyone subscirbes to that. Let me have my morose dog dammit.

That giving out aside i’m glad this one caught my eye via i’ts weird name as it’s another masterpiece. It also does what one Tom and Jerry short I reviewed, the one where tom’s a millionare, earlier this month failed to: properly make it’s antagonist loathsome enough to deserve the parade of abuse he gets. With that one Tom is tourturning jerry for like 30 seconds, but Jerry torments him for most of 5 minutes.

Here we get about two minutes of our lead kitten getting torremnted by a mean bulldog. It’s not only still a bit entertaining to lessen the horror just enough to be watchable but not enough to make the bulldog likeable, but it makes what happens for the rest of the short oh so fucking satsifying. While the previous short today really didn’t get the karmic ballance neded for a good classic screwball comedy short this one overwhelmingly does.

Our kitten gets some help in the form of Blackie, a professional black cat who agrees to turn the tables, sauntring across to a wonderfully catchy tune. any time the little guy whistles. The result from there is 5-6 nonstop minutes of comedy genius, as Tex finds new and creative ways for the cat to come out of nowhere, and even shakes things up to keep it intresting towards the end iwth the dog getting the whistle.. only for it to still not work out, and for our little kitten to get his revenge at last by painting himself black after the bulldog paints blackie white. As should be obvious by now, it’s really good, showing Screwball Squirrel was the exception not the rule. In general Tex was this good during his mgm and when he was at his peak we got gems like this. Truly sensational, watch it if you have max it’s under the tom and jerry section for some reason.

10. T.V. of Tommorow A decent one I remember seeing as a kid. Not much to say though, it’s mostly a bunch of gags about “future” tv’s based on their viewer’s needs. Some good stuff.. not as good as most of what was here today but still better than the worst of it and still very memorable and part of a memorable tetralogy i’ll probably come back to when I do Tex’s birthday again next year. Not a bad note to end on though.

Overall these shorts show just how strong a creator tex was, gleefully taking convention and ripping it to tiny pieces. As i’ve mentioned many times i’ll be coming back to his work next year.. and probably be watching a hell ofa lot more in the time between. Might even do a second special on him in between birthday ones. We’ll see how this does. The Tom and Jerry one sadly wasn’t quite the hit I hoped.

Until then I have many other reviews. And since Today (This review is late) was supposed to be the 90′s tom and jerry movie but that turned out not to be on Max for some reason. I still plan to cover it some day i’ll just have to find it and buy it first. But tommorow if I have the time i’ll be continuing the Lena retrospective with an intresting little side trip. So until then, i’ts been a pleasure and you know what? Thanks for reading.

#tex avery #droopy #bugs bunny #porky pig #the gold diggers of 49 #cecil turtle #tortoise beats hare #the heckling hare #tv of tommorow #dumb hounded #red hot riding hood #who killed who #red #spike #bad luck blackie #screwy squirrel #screwball squirrel #owl jolson #I love to singa

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adamarinayu · 4 years

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Can you tell us more about your author au, back in action au, and Notre duck au? Sorry if I'm asking for a lot but I just saw them on your AU list and they caught my interest 😅

Haha sure! I haven’t worked on any of them in a while but here we go! It’s a bit long, especially the Back in Action section....

In the Author AU, Donald is an author who works under a pseudonym, so that he and the triplets can have some normalcy in life while also being able to support them comfortably. He’s the author of a best selling series, which is the Paperinik series (maybe in this AU it’ll be called Duck Avenger, idk).

He began writing the PK stories during highschool, and they were published as shorts regularly in a small magazine. Of course, being a teenager, it began as a fantasy- it was how he vented his frustrations. Gladstone, of course, figured it out, as did Della, but Scrooge had no interest so no one else outside of Donald’s closest circle (that is to say, Mickey, Minnie, Daisy and Goofy) knew. It soon grew to be a hero story, rather than a story about vengeance. At this point there are no nephews in the story.

After highschool, his story got picked up by a publishing company and Uno was his agent. He ended up including the character ONE based off of Uno, which Uno is equal parts amused and exasperated by (”Honestly, I thought you said you wanted to be anonymous.”). The two don’t officially become friends, however, until a couple of years later, when Della went missing. Donald had taken a surprisingly dark turn in the story which would have resulted in killing off the main characters, at which point Uno decided to intervene and talk to him. With Uno’s support and growing friendship Donald rewrote the story, keeping the darker tone but ending it on a higher note with all the characters alive and happy.

Donald also gave PK a family of his own, having him be a single father to three children (hinted heavily at them being adopted, after PK saved them as eggs), a decision which forever changed the direction of the books from being about a duck who fights because it’s all he’s good for, to being about a duck who fights because he has something worth fighting for. He and Uno obviously become very close over this time.

Gladstone reads every book that comes out. He always wins a free edition but insists on buying it, as his way of helping Donald out. He uses the tone of each book and the events that happen in them to determine whether or not he needs to come and kick a little sense into Donald.

Donald ultimately concludes the book series after Della comes back, with the story having a happy ending all around. Which definitely includes ONE getting a physical body and joining the family. Unsurprisingly he and Uno get married. Scrooge and the kids find out he’s the author of PK after Scrooge announces his studio bought the movie rights to the film lol. Della and Gladstone are just like “wow seriously, you guys didn’t see the writing clear on the wall?”

The Back in Action AU is basically, PK was a TV show and Donald was the titular character, PK. His co-star was Uno, who lent his voice and face to the character ONE (the names of all the characters in PK are changed, ofc, their real names are the actors’ names now, except for Uno and Xadhoom). The entire cast (yes, including Angus Fangus) were a pretty tight-knit family, of a sort. So while Della and Scrooge were adventuring (as he had left the adventure life behind, feeling as if he wasn’t contributing or seen as an equal among the group) he became part of a family of his own. Daisy also played PK’s love interest, though the two of them are actually more like Best Pals. They went to highschool together so. Daisy wasn’t in the main cast and was just a recurring character, as she had a main role in another series.

The triplets in PK were just babies, but PK wasn’t their primary caretaker. They were more like background characters, but occasionally PK would get roped into babysitting them and having to balance watching the children and saving the world because “oh god even if I stop the Evronian invasion if any of their feathers get singed my sister will kill me!” (Note, PK’s sister was only seen in photos and was a blonde, like in the original comics. You can hear her voice now and then though)

Donald was close with everyone (oh the bloopers he and Angus had.... and of course the Evronians, something ALWAYS went wrong with their costumes!) but Uno became his best friend (and his almost-more). The series was the most popular thing on TV for a while, and Gladstone and Fethry were so proud of their brother cousin and so sad that Scrooge and Della were missing the best moments of his life. Gladstone and Fethry are much more involved in Donald’s life than Della and Scrooge are in this AU. That isn’t to say they don’t all love each other very much, it’s just Della and Scrooge’s interests laid elsewhere.

Anyway, every series hits its end, and more often than not it comes much faster than planned. PK ended a whole season sooner than expected, due to the sudden buyout of their studio and the new owners choosing to shut PK down in favour of one of their own shows (couldn’t afford both at the same time, and their own show had a smaller budget). So the series ended on the cliffhanger of PK losing ONE and (Lyla’s character), the Evronians being defeated and PK choosing to hang up his cape because of just how much that final battle cost him. It was an ending that angered many people, extremely upsetting especially knowing that it hadn’t been the planned ending of the series.

The entire cast and crew split up, most still staying in acting but a few leaving. Donald went back to adventuring with Scrooge and Della while Uno went back to Italy with his brothers (Due and Tre, the former of which played a major part in 2-3 episodes) to work in their father’s lab. They ended up falling out of contact (not by their own choice, just due to the nature of their jobs). Then a few years later Della went missing and Donald was left caring for her three children- it was a bit ironic, perhaps.

In the 10-12 years Donald was taking care of them, a “sequel” movie and a spinoff came to be with different actors and stories, but neither were well received because they lacked the “spirit” and charm of the original series. Especially the spinoff, which was animated in a very Saturday-morning style.

The triplets don’t really know about the OG PK, only knowing it by the spinoff, or that their uncle used to be a big name actor. However, 10 or so years later it’s announced that PK is coming back.... with the original writers and actors (except for the kids). Including Donald Fauntleroy Duck, the actor who played the titular PK. They are shook.

The original children who played PK’s nephews were unavailable (”We were like 2 during all that, we really don’t care”) and, besides that, had already aged out of the roles (the comeback was a Ten Years Later kind of deal, and it had been more like 14 or 15 since the end of the show, so the original kids were already mid-late teens. Therefore, when the director discovered Donald was now caring for his three nephews (convenient that there were three) he suggested they play the role of the triplets. Donald left it up to the triplets, under the stipulation that they would have minor roles (as the triplets always did) and this wouldn’t interfere with school.

They actually made a whole new role for Webby in the show! Because the triplets agreed on the condition that Webby gets to join them. And that’s how Webby began to play the triplets’ younger sister. The director decided to take a page out of Donald’s real life and wrote PK’s sister out (this was also partially because the actress had died) so PK was now being a full-time father to his kids who had no idea who he really was.

But then Donald finds out that not only is Lyla there, not only is Angus there... so is Uno. Uno and both of his brothers. It’s quite a reunion. And of course everyone expects Donald’s most emotional reunion to be with Daisy, but no. It’s Uno. And Uno is the one he ends up on the front of a magazine with lol.

Also yeah they get married :3

Man I think I may have overspoke about this one XD But I really enjoy this one what can I say jkkghfdsjlk

Notre Duck!! That’s another one I enjoy though it isn’t as in-depth as the last. So basically Everett came to Earth, and it’s kinda like.... a Duck version of medieval times. He came here for inspiration, then ended up building Uno, who became like a son to him. However, when other flesh-and-blood ducks realized he was an android, they became fearful and called him a monster, and tried to attack and run him out of town.

After that, Everett hid him away in a tower attached to a church, where no one but the church staff would go. He didn’t want to lose his android son. But Uno watches the world below his tower change, dreaming of a day when he could go out there too.

One day he meets Donald, who is a street performer with an association to Scrooge McDuck, a king in a neighboring kingdom. Donald finds out very quickly that he is an android and doesn’t judge him for it, instead encouraging him to leave the tower because “life is about the adventure.” This, of course, does not sit well with Everett, who forbids Uno from leaving the tower or seeing Donald.

Donald is wanted by the lord of the city, who wants to use him against Scrooge (and earn favour with his own king). There’s no creepy old men lusting after young women and no slurs being used casually so.

Also anyway this actually spawned from me imagining Uno to the song Out There so yeah.

#Ask #DT17 AUs #They're all DUno

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tsuki-sennin · 3 years

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Mina-san, bonne lecture~! (Tsuki recaps his feelings about Kamen Rider Saber, a personal essay.)

So, Saber... what a wild ride it's been, huh? Just a quick heads up, this is very long and rambling, and also contains spoilers for everything in Saber. It's fine if you don't wanna read all this, but I just wanted to get my thoughts out there.

TL:DR, Kamen Rider Saber's an undercooked hot mess I absolutely adore, warts and all.

Speaking as objectively as possible, it's a 6/10. Probably closer to a 5 than a 7... it's not great: All the different plot elements are cluttered and weirdly paced; character focus is disjointed and clearly biased toward certain characters, leaving great ones like Kento and Ogami, interesting ones like Kamijo and Hayato, and underdeveloped ones like Sophia and especially the Shindais in the dust; not to mention its balance of comedy and drama is off, and while both are very effective, there's a lot of mood whiplash that can take you out of the story. I also feel like a lot of the easily avoidable character conflict could've been easily resolved, even in universe, by simple conversations. Be careful Fukuda, I think Inoue might sue you if he finds out you've been biting his style and doing it worse.

Rider shows have a very frustrating tendency to drop cool form ideas and not do anything with them, and I don't think it's ever been more the case than with Saber. There's a similar argument to be made with the majority of Heisei Phase 2 after Gaim, but wow. The suits are expensive to make without just straight up recycling everything, I get that, but man, I really wanted to see more Wonder Rider forms. How come Touma got all the fun, eh? Of note are the Blades King of Arthur forms (which look amazing by the way), Espada's Jaaku Dragon forms (one of which I even drew last night), even the non-elemental random Wonder Ride Books all have awesome design elements that go tragically unused. Even if the other Swordsmen just kinda have the ones they do get to use slapped onto them, that's at least something. Touma also just straight up only uses Diago Speedy twice and never again. You have cool props guys, don't waste them like that!

Speaking of waste, Espada, goddamn. Since most of the Wonder Ride Books are Story Type and he needs one very specific Story Book to transform, he doesn't get much of... anything, really! No Wonder Rider forms like Blades, Lamp Do Cerberus being exclusive to Ganbarizing, only getting to use the Ride Gatriker like once, he even spends the second and third arcs as a completely different Rider, then once he comes back he doesn't get a King of Arthur-granted upgrade or even a Necrom Espada form. ...at least, not yet anyway. I'm holding out hope for Espada x Necrom and the eventual Saber V-Cinemas. Extra Rider stans, we will be well respected someday.

The Unreal Engine CGI used for fights in early Chapters was pretty good but wow it feels disconnected and they really drop it quick. I feel like if the animators had more freedom to use as many forms as they want, we'd have gotten a lot more mileage out of the books beyond... decoration basically. I actually really liked the CGI sequences, they felt creative and were fun to follow along with.

The soundtrack is pretty great on its own and conveys what it needs to, but they seriously overplay the orchestral themes. It honestly feels kind of... stock at times. I think my favorite parts of the score are when it winds down, since it feels a lot more natural and lets the cinematographers and actors speak for themselves.

As awesome as I think Falchion's design and the Mumeiken Kyomu are, The Phoenix Swordsman and the Book of Ruin comes up short as its own standalone thing. You'd think 30 or so minutes of non-stop action would be awesome, and it almost is? It's as good as a typical episode of the series with a higher action budget, but it kinda drags on a bit too long; and although I think Emotional Dragon looks cool, it feels a bit tacked on. Coming off of the incredible Zero-One REAL×TIME, it doesn't give you much room to breathe, which Rider films are typically great at handling. I also thought the resolution for the kid's subplot was kinda forced. He does an okay job at acting considering his age and doesn't overstay his welcome, but I really don't see how 20 minutes of violence and action is enough to convince him to be brave enough to go play with the other kids. 5/10, it's closer to a 4 than a 6 and I think that maybe Zero-One should've stood on its own if they really had to push back Kiramager Bee-Bop Dream because of the pandemic.

Alright, with all that said... As imperfect and undercooked Saber was, like Ghost I can consider it a personal favorite, 10/10. Call it a guilty pleasure if you want, but holy hell it's just the show I needed. Takuro Fukuda has a talent for creating fun, wonderful characters and utterly fascinating worldbuilding and concepts. It's a shame he doesn't utilize them fully, but hey!

The action and fight choreography are pretty top notch as usual. Lots of beautiful shot composition and set pieces, and plenty of great angles to help keep up with the extra busy action. I love watching the suit actors perform and they deserve all the respect in the world for their hard work in those hot, sweaty, and heavy costumes. Their visual design is also top notch, with lots of unique and fascinating forms and cool weapons I desperately want to play with despite being broke, all with spectacular finishers and hype jingles with the voice of Akio motherfucking Ohtsuka calling them out. A real feast for the eyes. Not a single bad suit among them, yeah I said it, fight me.

The crossover specials are soooo good too.

-I went over my feelings on the Zenkaiger crossover episodes in a separate post (good luck finding that btw), but to sum it up, they were great character moments for Zox and the Shindai siblings with lots of great screwball comedy and some good old fashioned meta humor.

-The Ghost crossovers are great little side stories all about how Daitenku Temple somehow had the Ghost Ijunroku Wonder Ride Book? I genuinely have no idea why it was there, or how Makoto had the Specter Gekikou Senki, and as far as I remember neither of their origins are explained. Did Luna or Tassel hand them off to them and told them to wait for a sword guy? And why do these generic French Revolution Gamma villains working for Danton get their asses handed to them so easily by Kanon, who literally just became a Rider? I thought that Makoto deciding to adopt all the Kanon clones into his family was both hilarious and adorable though; considering all the crap they went through, I think it was a good ending to this plot. Gimme Espada x Necrom already Toei/Bandai/Fukuda/whoever I need to yell at, give Kento things to do, I beg you.

-I haven't actually seen Super Hero Senki since it's not available for subbing yet, but apparently there's a Journey to the West plot starring the Taros and Ohma Zi-O and I want to see that so badly.

Tokyo Ska Paradise Orchestra? Yoohei Kawakami? A match made in heaven, that's what they are. All of their themes are absolute bangers. All of them. Almighty, Kamen Rider Saber, Sparks, Taju Rokou, all excellent and empowering pieces. Rewrite the Story, Will Save Us, and The Story Never Ends are all amazing inserts done by the cast, and it makes me wish we had even more of them to help break up the monotony of the score.

The characters are what easily make this show such a great watch though. For the most part, they have great personalities and chemistry, consistently fun and interesting scenes, well acted and... sometimes well-written development, and deeply investing personal stakes.

Narrating it all is the delightfully eccentric Tassel/Viktor, portrayed by Romanesque Ishitobi "TOBI" of the Paris-based Les Romanesques. I was utterly confused by his presence at first, wondering why there needed to be a narrator when the story would've been perfectly fine without it. He even got a special spot in the opening despite having no stake in the plot despite seeming to live in Wonderworld, who the hell is this guy? But then I thought "OH MY GOD, HE'S THE MAIN VILLAIN USING TOUMA AS THE HERO IN HIS OWN TWISTED STORY, THE BASTARD". I thought it'd be some subversion of expectations, true form, "That Was His Mistake!" shit. Trust me, it made a lot more sense in my head. I'm very happy that they didn't do that, as I grew to love having male Yuuka Kazami as my narrator, and when he was shown to be actually important by being friends with Yuri my mind was blown. And doubly so when I realized just how deeply necessary to the plot he really is.

Rintaro/Blades is up there as one of my all time favorite secondary Riders, since his curiosity is always consistently funny and adorable, his forms are all gorgeous and impressively designed, his relationships with Mei and Touma are absolutely sweet and compelling to see unfold, and his arcs about becoming willing to call out those he views as family and coming to terms with his feelings of inadequacy and both moving past and using them to strengthen himself are always great lessons to pass on to kids. ...even if they took like 10 goddamn episodes to be conveyed in what could've been 5, but hey, Takaya Yamaguchi does a stand-up job all throughout. Rider veteran Eitoku's refined, almost logical movements with the Suiseiken Nagare absolutely beautiful to see in action, and his final form having the same white and blue color scheme as Zooous's base form is an amazing touch I don't see appreciated enough.

Mei Sudo's also absolutely wonderful, serving as the perfect emotional core of the story, responsible for most of the funniest lines, sweetest character moments, and some of the most deceptively compelling drama. Asuka Kawazu brings the perfect energy for such a dynamic and well rounded character, and absolutely nails her scenes of quiet turmoil. As much as I would've loved her to become a Rider, I don't think she really needed to. She's already done so much to help, and as cool as it would've been to see her pick up a sword and fight alongside them as Espada, Calibur, or Falchion she's already endeared herself to me as one of my favorite supporting characters in the whole franchise.

I can't get enough of my homeboy Kento Fukamiya/Espada. Like Rintaro and everyone else for that matter, he also suffers from Saber's pacing issues; and like his predecessor Valkyrie from Zero-One, he doesn't get a proper upgrade aside from his Wonder Combo, instead becoming an anti-villain using a completely different powerset and shifting the Raimeiken Ikazuchi out of focus for the Ankokuken Kurayami, and I feel there's a serious missed opportunity to see him use Jaaku Dragon with Alangina. However, Ryo Aoki's performance is probably among the most easily praiseworthy in the whole cast, managing to convey both Kento's kind and knightly stoicism as Espada and his emotionally unstable despair as Calibur perfectly, in conjunction with Yuji Nakata's experienced and expressive stuntwork.

Ren Akamichi/Kenzan's a dark horse favorite for sure. I remember back when Saber was first picking up, people hated this breezy mad lad for being such a simple character at first. Overly concerned with strength? Black and white world view? Annoyingly energetic? Agh, real-feeling character flaws, I hate them, get him away from me! But then y'all came crawling back. Eiji Togashi's apparently a bit of a rookie actor, and it really shows with some stilted delivery and the way he sometimes bobs his head when giving his lines, but man he improves dramatically as the series goes on. His inexperience ironically ends up really selling his character development, and his unexpectedly beautiful relationship with Desast is special evidence of that. The Fuusouken Hayate's three modes and Satoshi Fujita putting them to excellent use through his stellar acrobatic movements are also really cool.

Why did Luna have to be a child for so long? Does Wonderworld not age whoever inherits its power? Well since Luna randomly becomes an adult in Super Hero Senki and some of the final episodes, I guess so? Miku Okamoto does a fine job for a kid actor, but she's basically done all the heavy lifting for the whole series and doesn't give Mayuu Yokota enough time to get a feel for her character as an adult. How did she choose Touma to inherit the power anyway? Does she just subconsciously decide to trust him with it upon seeing how kind and passionate about storytelling he is? Well if that's the case, why didn't Kento get at least some of that power too? He's just as important to the merchan- I mean Luna-chan, isn't he? Why did Tassel pick her over someone who isn't a literal child who'd be understandably terrified about basically becoming an embodiment of storytelling?

Sophia also kinda suffers from the same problems. Rina Chinen's voice is very pleasant to listen to, but she doesn't really do much beyond serving as a source of exposition and support. I think her dynamic with Mei's adorable, and given her kindness I can certainly understand the respect Northern Base has for her, but she doesn't really contribute a whole lot. If she could use the Kurayami and become Calibur all this time, then why didn't she take it from Kento and Yuri and do so earlier when Kento decided to go back to being Espada? I know she's not much of a fighter and as the closet thing the Sword of Logos has to a leader after Isaac's death I'd understand not wanting to put her at risk, but considering Storious is destroying the world, and she's very evidently kicking a lot of ass in the first part of the final battle even in the basic Jaaku Dragon form, I think it would've helped a lot, just sayin'. Tassel at least has the excuse of being unable to interact with the real world, but Sophia obviously didn't just be put in charge of Northern Base just because she's a pawn in Isaac's plans right?

Ryou Ogami/Buster is also a victim of the disjointed character focus. I have no problem believing he's an excellent father and fighter thanks to Yuki Ikushima and Jiro Okamoto, respectively, but he feels a bit flat and simple in comparison. His rivalry with Desast is randomly dropped, his wife doesn't even show up until the final episodes, he's kinda sidelined in terms of action a whole lot. I imagine that must've sucked for the Rider Dads out there. He does get to star in his own manga, and that was pretty good, so I guess I can't be too mad.

Tetsuo Daishinji/Slash fares better though. Hiroaki Oka, being a Kamen Rider fanboy himself, manages to make him among the most relatable characters in the series. Not only are his hyperfixation on swordsmithing and anxiety played surprisingly believably, Hirotsugu Mori letting him cut loose is extremely cathartic and hilarious, and you really feel for him when the Onjuuken Suzune becomes the first victim of Calibur!Kento's sword sealing.

Yuri/Saikou's another dark horse favorite, for me at least. "Oh great, Avalon guy's got even more merchandise to sell, I wonder what his Sword of Light is- it's himself. Well... that's different." I admit, I didn't like him at first. He felt like he was there to fill out character dynamics in the absence of both Rintaro and Kento, I thought his gimmick was too silly even if his design and jingles were bangers, I didn't particularly care for his power set. But then XSwordman came around I totally got it. He's an endearing, hard-working man trying his best to catch up on all the cool shit he missed, unafraid of experimentation, ready to throw down at a moment's notice, serving as a wonderful bit of consistent support for our heroes, a truly knightly individual, an absolute Chad. and goddamn does he make me worry. Tomohiro Ichikawa, I salute you good sir.

Even if they fall short compared to the rest of the cast, the Shindai siblings are at least cool enough to not wanna write out entirely. They kinda devolve into comic relief after they become allies, something that villainous Riders from Chase onwards are very prone to doing, and it's especially awkward in their case because I think that they kinda get off scot-free for obeying the obviously sinister and crazy Isaac for so long, as well as driving a wedge between a lot of people and threatening children in Reika's case. I think their sibling dynamic is nice though, even if Fukuda recycled it from Makoto and Kanon and has some... questionable possessive undertones as a result. It's cool how they're basically foils to Touma and Rintaro though. The dispassionate and methodical Reika/Sabela is beautifully played by Angela Mei and her moments of emotional depth are fascinating to watch. Her Rider form is a thing of beauty, and its use of literal the Eneiken Noroshi's smokescreens and Yuki Miyazawa's precise and deadly stinging strikes are a joy to watch. And while Ken Shonozaki's not given the best direction as the undercooked plate of 7-Eleven fried fish that is Ryoga/Durendal, he manages to sell him as an experienced and hardened warrior with an awkward side that's especially evident in the Zenkaiger specials. His goddamn RWBY weapon that is the Jikokuken Kaiji is absolutely sick, I'm a sucker for transforming weapons and its combination of time and water powers is really cool, especially with Yasuhiko Amai's deliberate and forceful acting in the suit.

Daichi Kamijo/the Second Calibur, for as brief as his story was, was a pretty cool starter villain. Hiroyuki Hirayama brings this poor bastard to life in a genuinely touching way. I love how as Calibur he goes full force on his creative use of Wonder Ride Books for attacks, and his debut as Jaou Dragon got my blood pumping. His end is also deeply tragic, and I really felt for him when he realized just how badly he fucked up. Hayato Fukamiya also does wonders for the backstory, and while he also doesn't get much to work with, Mitsuru Karahashi makes his regrets and love for Kento feel genuine.

Legeiel and Zooous are both very intimidating and entertaining villains. On top of being just the right balance of goofy and threatening, Kairu Takano and Koji Saikawa's stage presences are both very strong, and their mixture of camaraderie and in-fighting is extremely believable. Zooous's rivalry with Rintaro feels incredible to see through to the end, and although Legeiel doesn't get quite the same treatment, Elemental Dragon had such a cool debut that it more than makes up for it. Their final fights are also absolute spectacles. I don't think their sympathetic angle works even close to as well as it does with MetsubouJinrai or even the Gamma, but I get it, power corrupts, and you probably feel a lot of sadness and regret for things you've done when you die unless you're a right bastard.

Isaac/Master Logos/Solomon is kinda generic. As wonderful as Keisuke Soma is, he doesn't get much dimension to work with. The result of that is while he nails being as smug and punchable as possible, he feels almost... comically generic. Genta Umemori from Shinkenger was full of personality! He was also basically some guy, but he was fun, he felt connected to the rest of the cast! Meanwhile the only real time we get to see Isaac's depth is when we see him crying over his failures. I almost appreciate him being unapologetically evil though, since I've seen way too many shows where redeemed villains get off scot free for way worse things, and some where they outright demand you to sympathize with them despite them doing nothing to warrant it.

Bahato/Falchion surprises me by not just being a movie villain whose actions affect the main plot, but also being a movie villain who actually gets to appear in series as a recurring threat! ...and it's not a particularly great showing on his part, sadly. Masashi Taniguchi does a wonderful job with what he's given, but his character feels like a retread of Eternal without any of what made Katsumi Daido a compelling and frightening villain. I'd like to believe Yuri when he says that he used to be a good person and a hero to the people, but I can only hear so many anime villain monologues about the pointlessness of life and the beauty of destruction before I can never take them seriously again. ...I think that's his biggest problem, actually. I thought he was an overall uninteresting and generic villain in the movie, and the cartoon nihilist he's shown to be in series is only a small step up. He still feels like filler. If only there were a far better written and much cooler villain who takes on the Mumeiken Kyomu after his de--

Desast is probably one of the finest anti-villains I've ever seen in recent years. On top of an absolutely badass character design and the excellent combination of Kazuya Okada/Danki Sakae's suit work and Koki Uchiyama's stellar voice acting, his story being so thoroughly intertwined with Ren's makes their shared journey and bromance a borderline Shakespearean tragedy. His struggle for identity despite Storious treating him as nothing more than a failed experiment and the Sword of Logos treating him as a mere monster really gripped me, and the way he uses what little time he has left to encourage Ren into blossoming on his own is absolutely beautiful. I think his enmity with Ogami is criminally underexplored in series, considering he killed several of the previous Riders and how Ogami's in desperate need of screentime.

Then there's our main villain, Kamen Rider Storious. Robin Furuya brings an incredible amount of charisma to this character, expertly portrayed as both a sinister, manipulative bastard , and as a lonely, tragic figure that arguably makes him feel even more villainous. Speaking as a struggling writer myself, it's easy to feel stuck in the idea of "fuck it, who cares, maybe everything is predestined", but I can't imagine what it's like to know that as the truth and carry it with you for all that time. All of your grand ideas have roots from your experiences, and you're not the only one who even could have those experiences. It's easy to just fall into despair and give up trying, but would that make you happy? Sure, Storious is sadistic, he may be fulfilling his goals, he may be ungodly powerful... but it's not enough for him, is it? All of his friends are gone, one of them even at his own hand, he probably doesn't have any idea what to do after he destroys all the world's stories, Touma even reached his full power before he did, and his downfall is so predictable that even a blind person could see it. He even seems to welcome it, what's up with that? But then I realized... OH MY GOD, HE'S THE MAIN VILLAIN USING TOUMA AS THE HERO IN HIS OWN TWISTED STORY, THE BASTARD. He's so far gone, he's so desperate to stick it to the Almighty Book, he's willing to twist the archetype of the Hero's Journey so hard, it snaps in two. What I think is interesting is that he's ironically trying to chase the trend of "edgy superhero story" that became super popular in the 21st century. The Boys, Brightburn, Kamen Rider Amazons, The Sentry, No More Heroes, Magical Girl Site, even mainstream comics from DC and Marvel... Surely Storious must've seen the cruelty and tragedy these stories are filled with, but he chooses to go through with trying to force the world into this direction anyway. Did they, along with seeing the ever-popular tragedies of legendary playwrights and bleak satire of the twentieth century fuel his despair?

And yet... there's one who stands in determination against his ideals.

Our hero, Touma Kamiyama, the titular Kamen Rider portrayed by Syuichiro Naito and Kousuke Asai, he speaks to me on a personal level. There're plenty of jokes to be made about his procrastination in early chapters, his godless fashion sense, and him doing the funny run up the slope, that's all fine and dandy, but I rarely feel so connected to a character the way I did Touma. The struggle to create, find companionship, live your life, reach out to others... these're things a lot of people struggle with, and of course you see them depicted a lot in media about creators, but Saber gets to the root of what the greatest thing about storytelling really is. Giving people hope, while using the pain of the past as fuel for the future. Sure, Storious may be right about how every story has been done as far back as human civilization gets, he may even be right about how any spin or creativity humanity has is outright predestined. It should be pointless to even try, right? That's where Touma Kamiyama disagrees. He didn't spend all that time fighting and creating just to give up at the idea of predestination. His novel writing-fueled creativity in his early training, his devotion to his friends that let him surpass Kamijo as Dragonic Knight, his compassion for the Primitive Dragon that let him combine their powers to destroy Legeiel as Elemental Dragon, his resolve that let Xross Saber dethrone Solomon, and his passion for the craft of storytelling that let our heroes channel their wishes into Wonder Almighty... all stemming from the belief imparted onto him by his predecessor that "Hope lies beyond your resolution." And that you decide how your story ends. He may not be the greatest Rider to some, he may be as lame as others think he is, he may not even be my favorite, but I have no issue calling Touma Kamiyama... Kamen Rider Saber, one of the all time greatest carriers of the Kamen Rider name.

The final chapter's definitely not as great as some other Rider finales, but goddamn. Primitive Dragon consciously choosing to save Touma is so sweet and such a great emotional payoff, I loved jamming out to the opening theme while our boys lay the smackdown on Storious. Wonder Almighty's a fitting final bit to close the main series out with, if not exactly a great one. I think the cover is great, and the book's body is a lovely shade of candy apple red, but I really don't like how its pages are just the covers of the other books copy-pasted onto onto the pages, that feels lazy. Maybe if it were a panorama of all the books' characters, I'd like it a lot more as a symbol of how unified the Swordsmen are, but eh, what can you do? On a related note, does this mean all the "last episode extra final forms" of the Reiwa Era are gonna be named after their series's opening? That's a neat idea.

I felt a lot of feelings seeing all those video messages of Rider fans all across Japan talking about their favorite stories, and how their passion and fond memories help reshape the world. Mei's monologue at the ceremony about is also really touching and- IS THAT A HUMAGEAR!? :O

Y-yeah dude, it is! Wow, where have you guys been for the past 48 episodes?! Are you guys doing okay? How come you're like... the only one here? Is the technology of Hiden Intelligence only really that prevalent in that very specific metropolitan part of Japan and they're just not coming around much over here? Is it like Dragon Ball where anthropomorphic animals are just vibin' with humans while the heroes are off kicking ass? Apparently he's played by Hasegawa Keiichi, who wrote this episode and had the award ceremony named after him. ...is Hasegawa Keiichi a HumaGear in this universe then? Did he set up this award ceremony in Touma's honor? If so, why is it named after him? Did reading one of Touma's books lead to his Singularity? I know this is just a cameo, but... god, I have so many questions that probably will never be satisfactorily answered.

Overall, if I had to compare Saber to anything, it'd probably be Sam Reimi's Spider-Man trilogy. It's awkward, stupid, overwrought, undercooked, illogically written, scattershot, cheesy as fuck, and has a tendency to squander its otherwise fine execution; but the sheer passion for storytelling, sense of spectacle, deeply fascinating characters, and belief in the ideals set forth by the cast, crew, and fans are absolutely admirable. Improvements would certainly make it an overall better experience, to be sure, but there's something deeply captivating about how wonky this series is. Seeing everybody get their happy ending after all they've been through felt extremely gratifying though, and I may have to wait another for the epilogue to and then wait for Revice, but... man. I'm hella proud of our awkwardly-emoting, fashion disaster novelist and all of his heavily flawed friends for carrying the Kamen Rider name on to the future. Here's hoping Revice will keep it going.

Alright, that's everything I wanted to talk about. Sorry this was so long and ramble-y, I had a lot to say. I'll probably be liveblogging Revice as episodes of that come out, so... look forward to that, I guess. See ya.

#kamen rider saber #long post #tsuki talks #personal #kamen rider #whew #ok bye have a nice day

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unexpected-nightview · 4 years

Note

I see that you post a lot from the lost tomb 2. I'm currently watching ultimate note and I watched the first half of the reboot version (as soon as they went in the warehouse I kind of lost all my interest). Is the lost tomb 2 worth watching? 💗

👀!!! Welcome to the Daomu Biji Cinematic Universe Hell!! One of us one of us one of us! 🔥 ksksks Short answer : yes! Long answer : I’m obviously biased (for multiple reasons really), but I’ve found myself having a great time with all the adaptations. True, some have better quality than others, but if your goal is to have a better picture of what is going on in general, I would say go for it and give it a try! Just...don’t take it *too* seriously. And if you see something that contradicts UN or Reboot....don’t think too much about it. Go with the flow ksksks I’ll leave a few ramblings in case you are interested (no spoilers I promise)

TLT2 is a bit of a wild ride. Has a higher budget than TLT1 for sure, but the pacing is a bit all over the place? (tomb-research-tomb-research like in UN but the “research” parts are a bit slower?). TLT2 manages to be creepier than UN (which is sad bc in the books, the story that UN covers had the scariest/most unsettling moments).

NOW. About the story. I’m not going to give you spoilers but just tell you that the last 2 arcs of the series are....bonkers. Mayhem. They might feel like you are having a collective hallucination. If you decide to watch TLT2 and find yourself losing interest, I beg you to continue just for the 2 last arcs. I still have virtually no idea of what was going on but I had a great time bc of how utterly stupid and confusing everything was. (And then I began to read the books and got annoyed but still!).

The Iron Triangle dynamics are really enjoyable here too! Altho I would argue that TLT2 Pangzi suffers more from the thirdwheel syndrom when they are the 3 of them together? So I found myself enjoying more when it was 1-1 interactions rather than the 3 of them (not sure if that make sense?). But! Still enjoyable and TLT2 Pangzi is a great Pangzi! If you started with Reboot and UN, you probably will find that TLT2 Wu Xie is more...”traditional Main Lead”/more censorship palatable than the other two? He is more morally “good”, more knowledgeable, more “perfect”. Sometimes Wu Xie is allowed to be bratty and witty, and those moments are fun! But, yeah. It’s possible to feel that he is a different character than his UN counterpart? (It still works great in the general context of TLT2). Now. Xiao Ge. This might be his most “normal” version so far? Even when he keeps pulling the disappearing acts, he is still more approachable, talks way more I think? Great work from Cheng Yi (it’s a joy to watch) And Yes. Pingxie, pingxie~ (nice combos with Pangzi too!). And YES. Dramatic Zhang Ass still applies in TLT2. For secondary characters : - Xiao Hua : my favourite version so far. If you think UN Xiao Hua is already shady wait until you see TLT2 version. - Sunglasses : barely there. I think he has a bit of winkwinknudgenudge with Xiao Hua but if you are expecting UN HeiHua, you might get a bit disappointed. - Xiuxiu : is....there...I suppose? UN is frustrating bc they built her character and then underuse her. But in TLT2 she has no character or whatsoever? Her whole story is how she is supposed to take over Granny Huo and I still have a bit of a hard time to believe she was even considered able to take over to begin with? (but then again, this is DMBJ so we can’t expect to have full fleshed female characters...).

- Uncle Three : IDK why but it’s my favourite version. You see him and believe that whatever bs he is being accused of, might be real. Shady Uncle Three is shady~

- A-Ning : best one yet (tied with Time Riders A-Ning). UN was great too but I wasn’t too sold on the idea that she was supposed to be this well-seasoned mercenary-ish? And she is more complicated character wise (inner turmoil, you can feel the effect Wu Xie has on her on the long run etc). But then again...she does have more screentime. So that might be it?

-Cox : same actor, same VA (me thinks?), different hairstyle. In TLT2 he is more of an asshole and actual danger than in UN.

#not sure if that helped or not ksks #but basically my point is #if you want to watch them without taking it TOO seriously #then go ahead #bc it can be a great time!#OH #I forgot to mention #Wu Xie getting all sweaty during a dream about Xiao Ge?#yeah...that happens slfjsklf #also I will not recommend you to give Mystic 9 a try at somepoint #bc it has the greatest characters of all the series #cofcofBAYEcofcof #but that's totally what I'm saying ksksksks #if you give TLT2 a try let me know!#the lost tomb #tlt2 #nonnie #blabla

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thewalkingfanfictions · 5 years

Text

Impromptu Cuddles

"Imagine having to share a bed with Spencer during a case, only to wake up in his arms."

~IMPROMPTU CUDDLES~

Part One // Part Two // Part Three

Description: During a case, Spencer and the reader are forced to share a room with only one bed. Cute fluffy shit happens.

⚠Warning⚠: Mentions of a really bloody case, probably some cuss words. Unless repressed romantic feelings are a problem for you, then nothing else, I don't think.

Genre: fluffy fluff with a tiny bit of angst if you squint your eyes and tilt your head exactly fourteen degrees to the left.

Pairing: Dr. Spencer Reid (Criminal Minds) x non gender specific Reader

A/N: guys, this was supposed to be a one shot, and somehow it turned into nearly seven thousand words. How. I don't even know where I was three quarters of the time, but I love it anyway. I'm breaking it into two or three parts so it'll be easier to read, enjoy! (Also, not my picture, credit to whoever made it :))

Words without A/N: 2006

Masterlist

<—————————————>

"Alright, team, let's head back and get some shut eye," Agent Hotchner sighed in defeat.

We had just found the fifth body. This one just a little boy, barely five years old. The unsub had been on a non-stop murder spree for the last week and a half, and he didn't seem to have a preference point for his victims.

Nobody was safe from this monster. His first victim had been an elderly Nigerian lady, and his second was a body builder from California. He was just killing whoever, or whatever he could get his hands on. Not just humans was he after. We'd found carcasses of dogs and cats, all the way up to cows decorating his path like some messed up Hansel and Grettle bread trail. All with the same or similar COD.

We had been following his path of carnage all around North America and we still couldn't get a lead. Most of us hadn't slept in over forty-eight hours and none of us were in any position to keep working. So Hotch finally decided to step in and get us one night to rest so we could be in tip top shape for the next days of continued hunting. Or, closer to that than we were now, at least.

Right now we were in some little rag-tag town called Prairie, or something of the like. We'd been to so many places in the last week they had all started to blend together.

"The only Hotel I could find on such short notice is a little place called the 'Budget 8 Motel', they've got eight rooms currently open each with either a medium or a twin sized bed. They've got a point six five star rating and do not provide breakfasts, but do have small kitchenettes in the rooms themselves. Oh– fascinating, did you know that the origin of the star rating scale didn't come into prospect by motel owners until well into the-"

"Spence... we got it."

"Oh yeah, yeah, sorry..." Why do people always cut him off like that? Personally I find his rambling to be absolutely adorable. So what he has verbal diarrhea at times, it was better than swallowing all of his feelings and thoughts and letting them eat him from the inside like the rest of the team did. And I almost always learned something new every time. It was good information to know none the less.

I swear the entire ride I could feel his eyes on me. Every once in a while I would glance up at him out of the corner of my eye and catch him quickly looking in some other random direction.

All of us (except Rossi, who would be meeting us at the hotel) had been crammed into one of the suburbans, and with seven people, it was a squeeze.

Hotch was in the drivers seat with a pregnant JJ in the passengers, which meant that the other four of us had to squish ourselves into the three seated back seat. Morgan was up against the window on the right side with Emily pushed so hard up against him that she was practically in his lap. Then was poor Spencer who, despite his dislike of touching people, was trying his hardest not to be shoving Emily any harder into Morgan, which in turn meant he was heavily pushed against me. He was trying so hard not to squish either of us that he was practically folding himself into a profiler taco.

We soon pulled into the car park of the little Inn. If the inside looked anything like it did on the out, we were in for some fun. Heavy sarcasm intended.

It was already dark out and the one street light that decorated the car park was incredibly dull, and flickering dangerously. There were four other vehicles parked around the place, each more menacing looking than the last. The large rectangle garbage bin was overflowing onto the cement and the smell was absolutely rancid. We hadn't even gotten out of the vehicle yet. We all just sat there for a moment staring at it. Tonight was going to be fun...

"Alright," Derek clapped his hands, "I'll go in and get us our keys. Be back in a sec." He opened the door and spilled out of it rather unceremoniously, pausing before walking stiff legged towards the door.

"Finally, some room to breath!" Cooed Emily as she scooted over into Morgans previous sitting space, giving some wiggle room to Spencer and I.

I sighed heavily and flopped back against the seat, closing my eyes and counting the seconds until I could go curl up in a ball and sleep. What I hadn't realized, was that I had fallen asleep right there.

I was awoken by a quiet voice speaking in my fac, and soft warmth across my top.

"Hey, (name), come on its time to get up, you can sleep once we get to the room," a soft voice hushed.

Sighing, I opened my eyes to find Spencer's face above mine, one of his hands on my shoulder gently shaking me back to life. Glancing down i noticed a jacket layed over me like a blanket, how had that gotten there? I grumbled slightly but didn't object as he helped me from the back seat and to the ground. He helped me gain my bearings as we walked towards the office, filling me in that everybody else was already in there talking to the guy behind the desk, Rossi had shown up, and there had been some complication with the rooms that he had only just caught wind of as he was leaving to come wake me up.

It was unbelievably cold, I watched out of the corner of my eye as Spencer shivered slightly, but when I tried to hand him back what I quickly realized to be his jacket, he waved a dismissive hand and laid the jacket over my shoulders. I sent him a thankful smile and listened to him talk, just kind of humming along, not really paying attention to his words, just listening to the sound of his voice.

We entered the office and we both automatically went quiet, listening to what was transpiring between the office manager and the team.

"And you're sure there's no other rooms? Or at least some with double beds?" Came the deeper voice of Morgan

"Nope, sorry, all full," this voice was higher pitched, but still distinctly masculine. It held boredom and irritation.

"I don't think you realize, we are federal agents, we've been chasing a psycotic serial killer for the last week and a half, and we are all very tired. So I'll ask you again. Are you absolutely certain that there are no more rooms available?" That had to be JJ. And she sounded homicidal.

"I... I'm so-rry miss but... there.. There's no ex-tra rooms, I'm sorry..." She scared him into stuttering! If I didn't feel like I was about to pass out I probably would have laughed!

"You guys'll just have to... have to double up?"

Spencer and I looked at each other over their conversation questionably. Finally walking into the room, we were greeted by the sight of a very angry looking JJ, an Emily who looked like she could pass out right then and there, three agitated and exasperated BAU operatives and a tall chubby kid who couldn't have been more than fifteen, who looked like he was about to piss himself.

"What's going on?" I asked in a groggy voice that honestly didn't even sound like mine to me.

"Turns out there is only half as many rooms as we thought were open so, yay, we all get to bunk up!" Morgan said sarcastically in a very humorless tone.

''But there was eight. Who gets to be partnerless?" Asked Spencer, who hadn't left my side since we came into the place.

Of course, we all already knew the answer to that one.

Hotch was the boss, and he had been working quadruple time trying to catch this prick, I'm positive that he hadn't slept in at least three days, if not more, and by the look of his disheveled state—one of which he rarely ever showed—he probably hadn't.

Nobody bothered to say any of it, though, all silently agreeing on it.

At some point during our telepathic conversation I had started leaning on Spencer, needing all the help I could get to keep from falling over. And, to my surprise, he didn't get all awkward and huffy. He actually turned slightly so that I was leaning more against his side than his shoulder, trying to make everything a bit more comfortable. Once I actually realized what I was doing I straightened up some and mumbled slightly through a yawn,

"Mmsorrymmm," when I looked back over at him to see if I had made him uncomfortable, he almost looked upset. Oh, I had been making him uncomfortable, but he is so warm I kinda wanted to lean into him again. I bit the inside of my cheek slightly, trying to keep from doing exactly that.

I barely had the energy to lift my head up from staring at the floor. When I heard the tail end of Rossi and the kid behind the counters conversation, I internally groaned. Our rooms were on the second floor, and they didn't have an elevator. I sighed and slowly began trudging after the waddling JJ. Slowly we climbed up the stairs, the thought of a warm bed gave me a bit of a second wind after a while though. Climbing a bit faster Morgan and I were the first to reach our doors.

We both stood there a moment looking at our surroundings. Everything, and I mean everything was decorated with an unhealthy layer of graffiti, dulled slightly by the thick layer of dust that coated it all too. The smell of mold and the other dark things that hid in the crevices of the walls was almost suffocating. This was really the only place open?

Hotch and Rossi and the rest arrived at the top whilst we were looking. They seemed almost as disturbed as Morgan and I were. While the others stopped in front if us, Aaron kept walking, picking a seemingly random room and calling out a half hearted "g'night" over his shoulder as he closed the door behind him.

"Let's decide this now so I can go to sleep," Morgan spoke. His voice groggy with sleep and sounding almost irritated. "Who's sleeping where and in what room." His question had sounded more like a demand, and when Spencer stepped forward, obviously thinking it would be he to stay with in the room with Morgan, Derek quickly looked over to Rossi who was leaned up against the wall. "I call you," he demanded and headed off to a random room.

Spencer almost looked hurt. But when JJ and Emily went off to their room and it was just us two left, his features lifted slightly. Then tightened down into nervousness.

"Guess its us then," I mumbled, already aiming for the door to the room that Spence and I would be sharing. I heard him mumble something inaudible back and follow after me.

I twisted the key in the doors lock and shoved against the door with my shoulder. I stumbled inside and went straight towards the little bed in the corner of the room. The room was one of those two room things that had the living room, bedroom, and kitchen all in one and the bathroom out to the side somewhere.

The bed was an oddity in itself. It looked to be something like a hybrid between a twin size and the next size up. Just a bit bigger that a twin, and it looked older than I am. I was right. The inside of the building did match nearly perfectly with our first view of the place from the car park.

#Spencer Reid #Spencer x Reader #Bed Sharing AU #Fluff #Spencer being the adorable bean he is #Cuddling #Spencer Reid x Reader fluff #Spencer Reid x Reader Cuddling #Spencer Reid x Reader Bed Sharing AU #I swear #This was supposed to be a oneshot guys #Its over seven thousand words now #What happened #Impromptu cuddles #impromptu cuddles part one

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visualssometimesetc · 4 years

Text

Ready Player One: A Review

(channeling my inner geek once again after a really long hiatus; will comment mainly on the book)

After almost a year, I picked up this dusty, slightly yellow paperback from my drawer of untouched reads to ease myself into the habit of perusing pages again.

Considering this to be Cline’s debut novel, and one aimed at teenagers/young adults, I must say I was skeptical. Especially due to the latter fact. Growing up, I devoured many worlds conjured and targeted at the T/YA base that when I grew older and tried getting back into them again, many storylines couldn’t sustain my interest. But this was different.

It is America, 2045. The world at its peak of crumbling shambles, virtual reality pivots the new normal. Young and old alike can be any avatar they choose in the OASIS, a world created by the highly-worshipped game genius James Donovan Halliday. A literal “escape from reality,” OASIS provides so many possibilities one can only dream of when they log out and peel off their visors and haptic suits, devices required to access the simulation.

Reality and online simulation becomes so intertwined, many don’t leave it. Students are schooled online. Credits earned in the OASIS pays for your mortgage in real life. People dress up their avatars instead, leaving their actual selves in deep abandon. After the death of Halliday, a worldwide Easter Egg hunt commences. Starting all users out with a slew of clues to unlock the First Gate, Gunters (egg hunter = gunter) would have to get past a total of three gates and find the Egg to eventually be awarded James’ entire multibillion fortune and infinite reign over the OASIS. Only one would stand to inherit it all.

We follow Wade Watts, your average teenager who studies Halliday’s facts, interests and life to a T in a bid to clear Gates, win the prize money and get out of The Stacks (think Slumdog Millionaire, but Americanised).

Maybe it was the many references to 80s pop culture, where James grew up in and with which the clues centred around, that drew me in. Though unrelatable, its vibes was always something I dig, especially the music. The book covered almost every aspect you could think of that encapsulated the 80s: movies, music, games. I’m no gamer, but it did spur an impulse to hunt down old-school arcades I would occasionally sneak into during secondary school (or high school) days. I remember wearing a sweater/shirt over my school gear to avoid those shopkeepers from snooping about as my friends and I play and got hammered by the games. Oh, fun times.

Each chapter was short with no more than ten pages long, something I appreciated greatly because I usually read on public transport and I absolutely hated starting a chapter and not finish it by the time I reached my destination. I would rather not start on it and instead, phub. Cline’s understanding of his target audience (short attention span people like myself) was on point. It won me over within the first few chapters.

Ready Player One is also highly realistic, what with VR assimilating itself in our current day and age, contrasting with real issues like world hunger and excessive energy consumption, it sure is a dog-eat-dog life on paper and in real time. There’s no escaping it, really. But this also made it relatable, subtly (maybe not Cline’s intention) pushing the message of doing more than just mindless consuming to his readers. Art3mis, Wade’s love interest, is one such character, doing her best to outbid Parzival (Wade’s avatar in the OASIS) and find the Egg to end the world’s problems.

All novels typically have this in common - character development. While not very significant, I felt that it was not needed, because Cline had already established their personas well enough when he introduced them to us. Clans who worked together to crack clues and advance on quests together were aplenty but the rare few mentioned by Cline. These gunters in particular, all had distinct personalities, their own agendas for wanting the Egg, which was something I dug as well. Different people, varying characters, vying for the same prize in healthy competition.

And what’s a good story without the antagonist? A popular clan, the Sixers, controlled by infamous tech company Innovative Online Industries (IOI), which vows to gain full access to the OASIS and ‘revolutionise’ the world tries getting its hands on recruiting Parzival after he clears the First Gate on his own. Do you think he accedes to their request? What happens after that? Read it on your own...

After finishing the novel, I was hyped up, though just as much as I dreaded watching the film. I ignored my urge to Netflix as I was still thumbing through the book. You know how many film adaptations would let you go “Oh no no no... (shakes head),” and I would be lying if I said I didn't feel the same after watching this film adaptation. I would say though, The Stacks, the casting of Aech and the OASIS, were ON POINT. EXACTLY how I pictured it. But of course, it’s Steven Spielberg. The soundtrack too, 💯. All things considered however, I am a sucker for following things to a T, or almost to it. You can most definitely hear my inner monologue as I viewed the movie. About 40% of the screenplay was re-adapted.

But as I researched deeper into the whys’ of the re-adaptation, I understood and put most of my case to rest. Apart from copyrights issues, some parts would be too draggy if re-enacted. My only two complaints would be: 1. I wished they wrote Art3mis, Daito and Shoto to be more like what was conveyed in the book. I felt that their personas did get diluted. 2. The Gates aren’t actually that easy to open. Yet, I understand that as this is a movie, there was only so much that can be done within the stipulated time frame and budget. I did appreciate however, that the storyline was logical (not gonna point fingers here) and the actors’ performances were pretty solid in the movie.

This about sums my review on this great book! I’m not too sure if I’d be keen to take up Ready Player Two soon however, after having read the synopsis. Some stories are best told and finished in just a single novel, just like some series should just end on a good-enough note of just a few seasons. But who knows, Cline might just prove me wrong yet again.

Book: A surprising 10/10! 🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟

Film: 7/10 (still worth your time, perhaps watch before reading the book for an unspoiled, unbiased, higher rating)

Thanks for braving this lengthy review, I hope this review encourages you to pick up this book 😊😊

#ready player one #ready player 1 #ready player two #book review #bookblr #bookaddict #read a book #movie review #book recommendations

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7-wonders · 5 years

Text

Lost In the Shadows

Summary: As a naturally curious person, the odd mannerisms of your elusive new boss pique your interest, making you determined to figure out who, or what, he is.

Word Count: 6.5k

A/N: It’s a vampire Michael fic! I really hope you guys enjoy; feedback is always appreciated, and if you loved this I would love if you’d give it a like, comment, and reblog. Enjoy!

There’s something strange about your new boss.

Being one of the longest-tenured employees at Kineros Robotics, having worked in the R & D department for a whopping three months, you were initially relieved when Ms. Venable had told you about the sudden arrival of a new owner. You loved your work, and could think of no better job than getting to conduct experiments on new technologies to help paraplegics and researching artificial neuron studies, but the two men that hired you made it really hard to not think about quitting at least three times a day. Jeff and Mutt, the two coked-out oddballs who somehow managed to co-found a Fortune 500 company, had annoyed or harassed nearly every employee of theirs to the point of quitting within their first three months of work. You’re an anomaly, and if the pay and benefits weren’t so good, as well as the research opportunities, you would have long been out the door with the same people that you were hired with.

The announcement of a new owner was initially a welcome change to the company’s personnel. Maybe this owner would be able to put Jeff and Mutt into their places, and make them realize how to conduct themselves as the founders of such a prestigious company. Hell, maybe the new owner would even allocate some new funds to your R & D department so that you can finally purchase the new, state-of-the art projector that would allow you to create lifesize, 3-D, virtual models of your various research projects that you’ve had your eye on for a month now. Even Ms. Venable, the always stoic secretary whose only emotions seem to be apathy or disdain, manages to crack a small smile when she tells you the news. The long-gossiped about arrival of a new boss seems to be just the thing that will help boost employee morale and allow you to actually get some work done instead of having Jeff and Mutt pester you to see if you can build them a realistic sex robot (a request that you’ve denied multiple times).

Things seem like they’ll be great, and for the most part, they are. Jeff and Mutt hardly cause distractions for you now, and they approve almost any budget request you put on their desks. However, the constant look of fear that caused their eyes to dilate and widen, combined with the welcome lack of cocaine in the building, had you questioning what has gotten into the pair. Employee retention has never been higher, but so many of the newer employees walk around in a dazed stupor, only answering you if you snap your fingers in front of their faces or repeat their names. The common factor in all of this is, of course, your boss; the only question is, who the hell is your boss?

For such a dramatic change in the productivity of Kineros, you’re expecting a much larger authoritative presence than what you’ve seen. Indeed, this new boss is extremely elusive and never in the office. What’s striking to you is that there was never any official memo. No note, no email, not even Ms. Venable was able to gossip about who this boss was, simply for the fact that she couldn’t find out any information. Luckily, you’ve managed to become acquaintances with many of your coworkers, something the purple-clad secretary has never been able to accomplish. The details, while scarce, are enough to form a vague image in your head.

According to the dazed employees whom you now work alongside, the boss is a man called Langdon. No word on whether it’s his first or last name, because apparently he’s so intimidating that any question a person may have flees their mind at the sight of him. In fact, people forget most aspects of their encounters with Langdon, thanks to two possible reasons. The first is, of course, that he’s just so damn frightening that everyone’s brains develop some sort of short-term memory amnesia in an attempt to forget about what they just saw. The second which, from general consensus seems to be the more plausible, is that his beauty is so blinding that it’s impossible to remember what the conversation was about when one is staring at “those cheekbones!” Kineros has always seemed to have shallow assumptions and vapid materialism woven into its very core, so it’s not too surprising to hear that everyone is so dazed because they’ve got the hots for Langdon.

Langdon, it would seem, is the only topic that employees know how to talk about lately. Frankly, you’re sick of it. You don’t really care who the boss is, what he looks like, or where he is that’s so much more important than the business he now runs, so long as the company’s running and your paychecks are being deposited into your bank account on a regular basis. If he really wanted to make sure that Kineros was running smoothly, he would show his face around the office more in order to quell the rumors and prevent you from having to stop disoriented coworkers from applying two sources of the same charge and nearly blowing up the labs for the third time in a week.

It’s late on a Friday, which means that nobody, save the janitor and security guards, is in the building. While everyone else employed here bolted for the doors the second the clock hit five, you were just getting started with your more-important research. You like working when it’s blissfully quiet and you can move around while you think, pacing back and forth as you run over calculations or decide which millimeter difference would help your machine to work more efficiently. Lately, you’ve often found yourself in the labs until the security team has to ask you to leave so that they can finish their rounds. With all of the commotion over Langdon’s appointment, it’s been difficult to get much work done during a traditional work day.

You’re sitting at your desk, random pieces of paper cluttering the workspace around you as you attempt to work out the schematics for a new prosthetic hand you’re designing that would be controlled by a patient’s brain, when the sound of shoes clicking across the shiny floor has your pencil stopping in its tracks. It’s a foreign noise, especially at this time of the evening; both the custodial and security staff wear heavy boots, the footsteps of which you could recognize from a floor away. These are different--lighter, yet confident. The hairs on the back of your neck stand up before the door to the lab opens, and you tense before taking a precautionary sip of tea and slowly turning around.

The tea was a bad decision, causing you to nearly choke as you lock eyes with your unexpected visitor. You’re sure that you’ve never met before; surely you would remember someone as ethereal as this man? His face looks like it was crafted by the most renowned Renaissance sculptors themselves, all sharp angles and delicate features. His blonde hair flows to just past his shoulders, and his cold blue eyes (accented with a dark red eye shadow that’s perfectly applied to the inner corners) watch you with an intensity that makes you shiver. He’s dressed in all black, a stark contrast to the white decor of Kineros. A silk scarf hangs loosely around his neck, ornate rings decorating his slender fingers. Your eyes linger on the metallic talon ring that sits on his index finger, which looks sharp enough to easily slice through anyone or anything.

Although his delicate features give him the look of an angel, there’s something much darker that clouds his face like a summer storm. You’ve never felt as intimidated by someone’s mere presence as you do in front of this man, and you realize that this can only be the mysterious Langdon. He smirks as he watches you scramble out of your chair, amused at your clumsy reaction to his sudden appearance. You feel intensely scrutinized as he looks you up and down, his lip curling as you nervously tap your fingers against your leg.

“It’s--uh, nice to finally meet you, Mr. Langdon,” you stutter, mentally smacking yourself for how unprofessional you look and sound. You weren’t exactly expecting visitors tonight, hence the messy bun you pulled your hair into and your bare feet, heels having been kicked off as soon as your coworkers left.

Langdon takes calculated steps towards you, stalking closer until your heart is thumping wildly at the abrupt proximity. You don’t know it, but the scent of your blood as it rushes just under the surface of your delicate skin has his eyes imperceptibly fluttering in near-ecstasy. He’s been around for a long, long time, and tasted some of the finest blood that the world has had to offer, but it’s extremely rare for someone’s essence to sing its siren song to him in the way that yours does.

“(Y/N) (Y/L/N),” he drawls, voice lilting and higher-pitched than you would have expected. It’s tantalizing, sweet, and teasing, everything that you would expect from this man. “A pity I have not been able to visit here sooner, but I have had...other matters to attend to, as of late.”

You find your head bobbing up and down at his excuses, realizing that you would quickly do anything that this man asked of you if it meant you got to hear him say your name again. The sound of your phone chiming, an alarm you had set to remind yourself to get up from your desk and get something to eat if you still hadn’t left the office (at least nobody could ever say that you underperformed at your job), snaps you out of the daze that Langdon’s presence had put you in. You narrow your eyes, refusing to let this man charm you into submission like everybody else at this company.

“What, did you buy another company just so you could arouse some more suspicion as the mysterious, elusive commander-in-chief?” Your breath catches in your throat, the words escaping before you can even think otherwise.

Langdon stares at you for a long moment, and you’re already bracing to pack up your belongings and leave before security has to drag you out of the building. Then, something unexpected happens. A slow smile spreads across his face, one that shows off his (oddly sharp-looking) teeth.

“Witty and a genius, then.”

“Hardly, but thank you, Mr. Langdon.”

“It’s Michael,” he divulges, and you get a warm feeling in your chest that only a select few are privy to this information.

Langdon--no, Michael, you remind yourself--glances over your shoulder at the rough sketches of your next projects that clutter your desk.

“Artificial neural pathways? That sounds like quite the endeavor.”

“It will be, but it’s an endeavor I’m excited to take on. We’ve only used artificial neural pathways in order to enhance computers, but why not use them to help people? They’re made to mimic human functions; if I can figure out a way to target specific areas of the brain and make them small enough for successful implantations, there’s no telling what we could accomplish. Think of all of the traumatic brain injuries that would be healed with these! We could, potentially, eradicate diseases like Alzhiemer’s and dementia.”

Michael, for whom empathy is not an emotion commonly felt, finds himself listening intently as you explain your ideas. Your face lights up as you talk about this passion of yours, making his chest clench almost painfully. He didn’t come here tonight to ‘meet’ some of the people under the Cooperative’s hierarchy, he came here to feed. The entire damn reason for showing up suddenly at Jeff and Mutt’s thirtieth-story office was to collect part of their payment that comes along with selling their souls, like allowing Michael to take over the company, further his plans for the end of days, and have free reign of a hunting ground that was teeming with blood of all different types and tastes.

There’s multiple reasons why Michael doesn’t allow himself to get attached to humans. For starters, their lives are all too short compared to his, and all too irrelevant. How can they expect to make any sort of a meaningful mark on their dull world when they have, at most, a few decades to live? Pathetic creatures, Michael’s always thought whenever he watches them; a predator stalking his prey. They’re so easy to fool, to charm and glamour until they’re basically baring their necks to him, begging him to feed from them. Humans are pliable, minds easily molded by any force stronger than a slight breeze.

You were meant to be nothing more than Michael’s next meal. The beginning of his hunt was so routine, it was almost comical how easy it was to waltz into your lab and work you into a daze. Your damn phone alarm had ruined it all, had snapped the spell that he had put you under and allowed you to face him head-on. As soon as your little backhanded insult reached his ears, he knew that he couldn’t go through with it. His kind is, unfortunately, prone to enhanced feelings. In addition to their physical abilities becoming heightened with the transformation, their emotions are as well. It’s one of their very few weaknesses, and one that may have just saved you from your death.

If it were any other day, any other person, any other occasion, intense rage would course through Michael’s body and the victim would be dead before they could even blink. Today, though, he’s slow to anger. Whether that be because he had just fed three days ago or because he’s actually enjoying this hunt, your remark catches him off guard. You have a fire within you that Michael hasn’t seen for some time. Even if he doesn’t cloud the mind of a human, they’re usually so taken by his beauty that they couldn’t even think to say anything remotely disparaging. He admires it, that fight, and it’s enough of a hesitation for that admiration to make him doubt his choice for today’s meal. After you explain how you plan to develop neurons that would save a person’s brain from the slow decline of disease, Michael knows that he can’t kill you.

Michael could, of course, still feed from you without killing you. Although it looks like the obvious option from an outsider’s perspective, it’s only feasible when the source is a willing party in this dark tango. He’s had a few of those partners in previous decades, but has been without one for the last twenty or so years. When hunting, like Michael is, there are only two options for what to do with one’s prey (after all, consuming a human in their entirety was lethal, the dead blood dragging his kind to their own deaths). Either the victim’s supply is drained for macabre leftovers, or they’re compelled to forget the entire experience.

Small-scale compulsions have no lasting effect on the compulsee, but forcing a person’s mind to forget hours upon hours of prior events leaves them in what’s basically a trance. They become sleep-walkers, only this is a dream they can’t wake up from. With their glazed eyes and one sentence answers to any questions that may be asked of them, they’re temporarily shells of their former selves as their minds try to comprehend and make sense of the sudden gap in memories. Michael can’t do that to you, can’t watch your brilliant mind be muddled just so that he can get a quick meal. Hell, he would just kill you, but something in him balks at the mere idea of such an act.

You stifle a gasp when Michael’s suddenly inches away from you, hand ghosting across your cheek and talon ring dangerously close to nicking your skin. His cyan eyes burn into you, as if he’s sifting through the deepest crevices of your soul. He smiles again, but this time it’s softer, like he knows something that you don’t.

“A pretty little thing like you shouldn’t be here this late at night. Go home, (Y/N),” Michael whispers, head tilting while he watches every minor movement that your muscles make. Your brow furrows at his abrupt instructions and you tense, not willing to let this near-stranger tell you what to do.

“But I’m not done yet, and why should I even--”

“(Y/N),” Michael almost coos, eyes searching yours as he gets your attention and pins you to your place. You want to move and escape his grasp before berating him for his actions, but you can’t seem to even blink, much less look away from his gaze. “Go home.”

His words carry a different power this time around, and you start to gather your coat and bags as soon as he lets go of you.

For tonight, Michael will reduce himself to hunting on the streets, finding some vagrant to satiate his needs. He won’t kill you, not until he figures out how you managed to unknowingly find a weakness of his and exploit it to avoid your death. For now, though, Michael releases you from the building and watches you until the door closes behind you, making sure your stubborn mind actually heeds his compulsion. Even when you’re out into the cool night, you can still feel the piercing gaze of Michael’s chilling eyes on your back, closely watching your every move.

There’s definitely something strange about your new boss.

////////////////////////

For the next two weeks, you’re constantly on edge at work as you try to keep an eye out for Michael. You’ve attempted to figure out how he got you to leave so suddenly on that night, tried to find some logical explanation for the strangeness of that evening, but you just can’t. You’re a woman of science, one who finds solace in facts and figures. All of the collected data in the world couldn’t explain the enigma that is Michael Langdon.

The computer has become both your best friend and your worst enemy as of late. You’ve searched almost nonstop for some sort of an explanation, with nothing to show for it except for a few Reddit /nosleep boards with their made-up horror stories. It’s useless, you’re starting to feel, and you’ve spent far too many hours perusing the internet instead of focusing on your work. A direct consequence of this action, you’ve stayed late at work nearly every night that you’ve found your mind wandering. What had originally seemed to be a self-inflicted punishment, however, is starting to feel like a piece of a much larger puzzle.

Michael starts to become a familiar face around Kineros on the evenings that you’re working late. While he may just be an extremely productive night owl, it’s still a little odd that he’s only ever around during the later hours of the night. When you had asked Jeff and Mutt about it after your first encounter with Michael, they had both stuttered aggressively before unconvincingly telling you that “he makes his own hours.” You weren’t buying it at all, and their behavior towards the matter only made you more suspicious. Why did you only ever see this man in the late hours of the night?

The odd work habits were the main red flag, but others just kept popping up as soon as you realized that things were not quite right. You couldn’t help but notice that every person who shared the same dazed demeanor you had seen on countless others since the change in personnel had one other thing in common: they had all come in contact with Michael. You’d be working late, see one of your coworkers in the kitchen while you were both grabbing another cup of coffee, see Michael on your way back to the lab, and the next day that coworker would be walking around like a zombie. You’ve tried to convince yourself that there’s no correlation between the two situations, but the only other option would be some sort of poisoning that happens after-hours. Obviously that’s impossible, considering you haven’t been affected like the other employees have.

It’s childish and fanciful, the theory that’s placed itself in the forefront of your mind. However, what other conclusion could you come to that would explain the strange and unusual things that you’ve seen and experienced lately? Michael, this young, ethereal man who was able to have you completely under his spell with just the utterance of your name, managed to take control of a Fortune 500 company in a day. The odd mannerisms that others around you have displayed only began when Michael showed up here, not to mention the ever-present glass of what looked to be red wine nestled snugly between his fingers. You only ever see him at night, and he appears so suddenly and quietly that it’s as if he’s a ghost. Everything about him seems like a rose dipped in poison: beautiful, but deadly.

You’ve seen Michael helpfully calibrate your neutron spectrometer with simply a glance at the machine and some skilled handiwork. Even a professional repairman, with their specialty tools, would have required at least a week to get it to working condition. He even lifted the 300-pound piece of equipment like it was the weight of a newborn kitten, briefly making you think that it wasn’t nearly as heavy as you thought it was. That was quickly disproven when you tried to lift it after he left and couldn’t even move a corner of it.

You’re not some 15-year-old child anymore, which is what will make this conclusion so humiliating if it actually is wrong. You know what the realm of possibility is, and that even most things that belong outside that realm are still rooted in logic. That you would believe yourself to be the protagonist of some teen supernatural novel is almost ludicrous. You’ve eliminated all other possibilities, but Sir Arthur Conan Doyle himself once said that “once you eliminate the impossible, whatever remains, no matter how improbable, must be the truth.” With all that you’ve seen, and all that you know, there can only be possible truth.

Michael Langdon is a vampire.

It’s not a conclusion that you’re proud of, but it’s the one that you’ve got. Nevertheless, the plan that you’ve formulated will either make or break you, and your career. You know that you’re the only Kineros employee in the building tonight, since Jeff’s ‘birthday’ (third one this year) warrants a massive party at his house that all employees are invited to attend. Most of your coworkers won’t turn down the opportunity to indulge in some of the finest drugs that the West Coast has to offer, and you’ve asked around enough to discern that you’ll be the only one here tonight. Since it’s a Thursday, Michael should, if what you believe is correct, be stalking the halls tonight in search of his next meal. Theoretically, predator will become prey.

You’re sitting at your desk, legs propped up on the table while you twirl a scalpel between your fingers. Although you could have already set your plan into motion, you’re hesitant. What if it doesn’t work? What if you just turn out to be some fool with your head in the clouds, making yourself bleed for no reason? Worse, what if it does work and you end up getting yourself killed? It’s now or never, you decide, and with a deep breath you dig the tip of the scalpel into the pad of your finger.

Michael’s head snaps up the moment that he smells the blood being spilled from four floors below. It’s impossible for his head to not be clouded with your scent whenever he’s in this building, the rich aroma so intense that he can practically taste it on his tongue. Now that your skin has been cut, you’re all that he can think about. He’s been desperate to control himself, has sensed your ever growing suspicion since your first encounter two weeks ago. He can’t let himself slip up, not after he’s been so careful for so long. The injury that you’ve sustained, however minor it may be, changes everything.

The door is flung open with such force that it rattles the hinges, your head snapping up at the disturbance. It’s been maybe 30 seconds since blood started beading at the tip of your finger, and it’s such a small amount that you’ve been preparing to injure another part of your body that will produce more blood. Michael stands mere feet away from you, looking positively ravenous. His chest is heaving as he takes deep breaths, and his eyes are locked onto your finger.

“I knew it,” you mutter in disbelief, brandishing the scalpel in front of you as a pathetic weapon. Dark veins have appeared like cracks under Michael’s eyes, which are now a startling shade of red and black. It’s obvious that he can sense your fear, can hear your heart beating wildly in your chest, when he smirks and shows off his pointy fangs.

“It was only a matter of time before you figured it out, hmm?” Michael teases, voice sounding even more exquisite than it normally is. “You’re not like the other employees here, oh no. You’re smart, and self-aware. You’re able to believe in things that seem to be outside of the realm of possibility, no matter how insane it may seem.”

“Stay back,” you warn when Michael starts to take a few steps closer, still staring at the blood that has welled on your finger.

“You think that little knife of yours could stop me?”

A loud gasp is the only noise you can produce when Michael is gripping your wrist in less than the blink of an eye. He forces the scalpel out of your hand, and it falls to the ground with a clatter. You can only watch as his tongue wraps around your injured finger, sucking and licking the blood and prodding the wound to produce more. Your knees grow weak as you watch the shockingly erotic scene play out in front of you, Michael moaning around your finger. He only pulls off when the blood flow stops, your cut clotting quicker than Michael can agitate the wound.

“I taste good to you?” You ask, watching him intensely as you snatch your hand back from him.

Michael licks his bottom lip, where some of your blood has pooled, before smiling ferally and nodding. “Absolutely divine, pet.”

Anger flares at the pet name, but that’s really the least of your concerns right now considering a fucking vampire is ready to devour you.

“You want more?” Michael nods enthusiastically. “Then you’re gonna have to sit down and answer my questions.”

“And what makes you think I won’t just drain you right now?” Michael drawls, quirking an eyebrow at your demands.

“You won’t,” you say confidently. “If you didn’t kill me that first night you showed up in my lab, there’s no way you’ll kill me now.”

Michael locks eyes with you for a long moment, a shiver wracking down your spine as you stare into those dark red eyes. You honestly don’t know if he actually would kill you, and you’re praying that you guessed right. Finally he nods, sitting in the seat that you occupied mere minutes ago. You let out a breath that you didn’t know you were holding, hopping onto the desk to give yourself some illusion of dominance in this situation. He’s annoyed that you’ve flipped the tables on him, but that annoyance turns to rapture when you dig the scalpel into the fleshy part of your palm just enough to bring a drop of blood to the surface.

“Answer my questions, and I’ll cut enough to let you drink. Deal?” You wince at the pain of the blade piercing your skin, but push it to the side as you wait for Michael to make his decision.

“Yes, fine! We have a deal.” You remove the blade from your hand and wipe the blood against a cloth, making Michael groan at the waste.

“Oh hush, you haven’t even answered my questions yet.”

“Just what would you like to know?”

“First: how are you a vampire?” Michael leans forward in his seat, teeth glinting as the light hits them.

“Ah, but I am so much more than just a vampire.”

Michael then proceeds to tell you the Sparknotes version of his story, which spans almost 400 years. How his father, the fucking Devil, created him with the goal of ushering in a new era for Hell to reign on Earth. The idea was that an immortal Michael would be able to live among humans and constantly change and observe, like a chameleon, collecting information and discerning when the right time to end the world as it is known would be. Unfortunately, immortality comes at a price. In order to live forever, with enhanced abilities and as young as he is now, Michael must feed from the blood of humans in order to retain his youth. One life benefiting another, although you don’t really see how senseless killings would benefit anybody but the killer.

“If you can’t survive without the blood of humans, then why are you so obsessed with ending the world?” You ask finally when Michael’s finished telling you his history.

“It’s not so much ‘ending the world’ as it is weeding out those who are not fit for survival. Only the strongest shall survive, and the strongest will be given the honor to serve Satan and his creatures.”

“Cultivating your food source, then?” You snort at the sheer ridiculousness of his plan.

“We won’t have to kill when everyone is willing to offer themselves. Think of it as a blood drive. Only a couple of pints every few weeks, which is what they would sacrifice to remain alive and in good health.”

“Why do you believe you’re so much better than everyone else?”

“Because I am,” Michael says as if it’s the most obvious answer in the world. “I’m the Antichrist, (Y/N). I possess powers that your mind couldn’t even fathom. I could level an entire city with just the snap of my fingers, could bend you to my will with a simple glance.”

“That’s how you were able to get me to leave the building that first night,” you realize, Michael nodding in agreement.

“Very good, pet. It’s also why so many of your fellow employees look as if they’re sleepwalking,” he mocks, giving you half a mind to dig the scalpel into the side of his neck. “Don’t even try it. That silly little wound would barely harm me, let alone kill me.”

“Great, you can read minds too?”

“Yet another one of my numerous gifts.”

“This is...a lot to take in.”

“Obviously. It’s not every day that you meet a man such as myself.” Michael licks his lips, staring at the beating pulse point on your neck. “Now, I believe you promised me some of your blood after I did what you asked of me?”

“Wait!” What sounds like a growl rumbles from Michael’s chest as he rolls his eyes. “Why didn’t you kill me, that first night I met you? It’s pretty obvious now that I was meant to be your meal then, so why did you decide not to? Aren’t I a liability now?”

“You are,” Michael admits. “You could, theoretically, run to the press and spill my secret. But you won’t. I don’t know you that well, true, but something in me knows that you won’t.”

He’s right, and you hate the fact that he is. Even if you were to tell the media, would they even believe you, or would they just think you’re crazy? Michael hasn’t killed you yet, but it’s entirely likely that he would end your life if you tried to tell anybody. Vampire or not, you’re not a snitch. His secret, unfortunately, is safe with you.

“Alright, fine, I wouldn’t tell anybody. That still doesn’t answer my first question, though. Why didn’t you kill me on the night we met?” Michael hesitates, the first sign of any emotion other than a confident arrogance or intense hunger.

“I--vampires are prone to heightened emotions. What you would feel as a normal emotion, we feel that tenfold. I was so close to completing the hunt and draining you, but your alarm snapped you out of the daze I had you in. When you made fun of me for never being around, it managed to make me laugh. You didn’t know it, but you had bought yourself some time. After you explained to me your plans, and I saw the brilliant mind you possess, there was no way I could kill you. You’re the first human I’ve talked to for almost a decade that’s made enough of an impression on me to avoid becoming prey.”

“I thought you were going to end up firing me after I said that,” you joke, placing the scalpel down now that you know you’ve made it impossible for Michael to kill you. “Well, a deal’s a deal.”

Michael’s eyes widen, and his fangs nearly pierce his bottom lip, even as he’s smiling. “Is it alright if I bite you? It’s been so long since I’ve had someone willingly let me feed from them.”

He closes his eyes and shudders, the mere thought of getting to bite you already exhilarating.

“Um...yeah, I guess?” The speed at which Michael moves is dizzying. One moment you’re staring down at him, and the next he’s got your back pinned against the desk.

“I’ve had to cut back on my hunts here in an attempt to keep you from figuring things out, but now that the secret’s out, that won’t be an issue.” He breathes deeply, nose nuzzling against your neck. You gasp when he lightly nips your pulse point, licking the heated flesh thoroughly.

“I won’t, like, become a vampire or anything, will I?” Michael smirks up at you, red starting to make its way back into those blue eyes.

“There’s a very specific process to become a vampire. You have nothing to worry about, pet.”

“This is so fucking crazy, I can’t believe I’m going to let an actual vampire bite me,” you mutter, nervously laughing as Michael brushes the hair away from your neck.

“I should warn you that many people find immense pleasure from being bitten.”

“Why’s that?”

“When connected to a pulse point, my heartbeat begins to sync with that of whomever I’m biting. This connects us, basically, and is very pleasurable for both parties.”

“Hmm, so exaggeration is also a vampire trait,” you quip, staring up at Michael. “Just get it over with, please.”

You refuse to close your eyes or look away, not wanting to show that you’re actually scared of the situation. Michael leans over you, heavy weight pressing you down against the glass desk. It’s a little shocking when he starts off by gently kissing your neck, nipping and sucking like every person who’s ever given you a hickey before has. When his hair starts to tickle your face, you lean your head further to the side. Michael looks up from his position, and you’re startled to see just how rapidly red floods into his eyes and black veins pop out above his cheekbones. He smirks, shooting you a playful wink before letting his head drop back into the juncture of your neck and shoulder.

You yelp when he first bites you, two pinpricks that feel like a liquid fire easily slicing your skin and allowing Michael to drink from you. His hips keep your lower body from squirming, hand locked in your hair and arm on your shoulder to prevent your thrashing. A question of whether Michael’s fangs act as straws, or if he simply allows the blood to pool into his mouth, enters your head. However, all thoughts are quickly pushed aside when the near-agonizing pain suddenly turns to a blinding pleasure.

Michael moans at the same time as you, but it hardly registers over the sound of your own pumping blood roaring in your ears. You can suddenly feel everything; blood running through your veins and being drained by Michael, how his velvet coat feels against your bare wrists, and even how painfully hard he is against your thigh. If this were any other time, you’d laugh in his face and make fun of him to the point where he would love to kill you. Now, though, you’d be a hypocrite, for your own arousal pools between your legs. You’re extremely grateful that you’re unable to move, or else you’re pretty sure your hips would be bucking up into his.

All of your senses are clouded by Michael. The sight of him, eyes closed and teeth clamped over your neck as he drinks deeply from you. The sounds of him, consuming your blood and loudly moaning at the same time. The feel of him, pressed up against you much in the same way a lover would position themselves. The smell of him, that rich copper that you now associate with blood and something earthy, something you only smell when you’re around a precious antique. Even how you can practically taste what he’s tasting, can see the allure in your own sweet, yet tangy, blood.

All you can think of, all you want, need, is Michael. Michael, Michael, Michael. You chant his name like a prayer, hands itching at the need to wrap around his lithe form and pull him even closer to you. The intense pleasure is all-consuming, and you realize that you would gladly let him drink you to death if it meant your last moments would be spent in ecstasy.

Michael isn’t a new vampire, and knows all of the signs when it’s getting to the point that his victim is going to start losing too much blood. He can sense your heart beating faster, breathing quickening as your legs weakly kick from under him. It’s incredibly difficult, but he manages to pull away. He can’t resist his base urges, leaning in to collect the last few drops of blood from your puncture wounds before sitting up between your legs and licking his lips clean. You scramble up, lightheaded and so aroused that you’re pulsing between your thighs.

“That was--that--wow,” you stutter, clutching a hand to your neck. You cringe slightly at the feeling of your own heart beating beneath your fingers, Michael smirking and delicately cleaning his fangs with his tongue.

“Such pretty noises you make, pet. Not to mention just how delectable you taste. Best that I’ve had this century, surely.”

You silently curse when you feel your cheeks heating up, Michael smiling widely at the blush on your face.

“Are you done now? I’d like to go home now,” you discreetly shift your thighs, trying anything to stop feeling so hot and bothered.

“I get the feeling that you’re just as desperate for more, just as I am.” When he reaches down and palms himself through his slacks, you blanch and jump up.

“Goodnight, Michael.” The man in question stands, gleefully watching as you shakily gather your things.

“Goodnight, (Y/N). Rest assured, this is not the last time we will find ourselves in a situation such as this.” Somehow, you don’t doubt that at all.

///////////////

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#michael langdon #michael langdon imagine #michael langdon imagines #michael langdon x reader #vampire!michael #american horror story #american horror story imagine #american horror story apocalypse #ahs #ahs imagine #ahs apocalypse #michael langdon au

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johannesviii · 5 years

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Top 10 Personal Favorite Hit Songs from 2019

The last list, for now. It’s been a wild ride.

Not the best of these lists, but some really refreshing stuff charted that year, and what was good was super good. And also, here’s a barely elligible #1 that nobody seemed to care about for some reason.

Disclaimers:

Keep in mind I’m using both the year-end top 100 lists from the US and from France while making these top 10 things. There’s songs in English that charted in my country way higher than they did in their home countries, or even earlier or later, so that might get surprising at times.

Of course there will be stuff in French. We suck. I know. It’s my list. Deal with it.

My musical tastes have always been terrible and I’m not a critic, just a listener and an idiot.

I have sound to color synesthesia which justifies nothing but might explain why I have trouble describing some songs in other terms than visual ones.

In 2019, my finger was fixed, I dropkicked depression in the garbage bin (with a little help from Eurovision because it was super good and full of hilarious shit), got married, and went on a roadtrip on Vancouver Island (BC, Canada), and that was my first real travel in 13 years. Met a lot of great people, seen amazing places, trees, bears and whales. And planes are also part of the adventure when you’re not used to them (you can watch movies on little screens from your seat now?? I had no idea. I watched so many movies). It was very exciting.

I also saw VNV Nation live in February, for the third time in six years. This time I had enough budget to buy a tshirt. I wasn’t expecting that concert to be even better than the previous two. At that point the new album had only been out for a couple of months and we still knew the lyrics of most of the new songs and Ronan’s face was constantly broadcasting a kind of “...........how” expression (face it guys, we like you. A lot). And they finished with All Of Our Sins and let me tell you, half the club was ready to start a revolution by the time that was over. Super intense.

Ok. 2019 albums! First, let’s talk about some negative things. Coldplay released Everyday Life at the end of the year. It was... uh. It was basically how I stopped loving their new stuff. That’s a very sad conclusion (for now) to this saga. This is exactly what I feared would have happened after Viva La Vida, aka them trying to go back to their earlier sound - except in the meantime we’ve got three fantastic albums with songs full of energy and joy. So I’m not too mad about this, just disappointed.

Within Temptation released Resist, and it wasn’t very good either, but I appreciated the general aesthetic of it. More SF-themed albums in symphonic metal, please. NF released The Search and while I’m still not a fan there’s a song on it that would have been #1 on this list if it had been elligible, so that’s something. And Carly Rae Jepsen released Dedicated and it was super good so why isn’t she getting new hits. Why. It feels unfair. Oh, and Avantasia made Moonglow and that’s the first time I’ve cared about their stuff in like a decade or so. Ghost In The Moon is super good, check it out.

But the big event of the year music-wise, as far as I’m concerned, was the return of two bands I thought we had lost forever. Of course My Chemical Romance reformed, but they don’t have new music yet, so the main event for this post is the return of Tool with Fear Inoculum. It’s not even their best album, but having a pretty good new Tool album in the year of our lord 2019 wasn’t at all something I was counting on. Of course, the hardcore fans are still as insufferable as ever (insert the “you need a pretty high IQ” copypasta here), but it didn’t spoil my enjoyment of it. Come on! Their first album in 13 years! 80 minutes of hypnotic heavy rhythms and weird shit, an album that trolled me when I opened it by playing a music video while I was looking somewhere else (yeah I jumped), and they even managed to land a track for one week on the US hot 100! Again, Tool! On the hot 100! in 2019! Unbelievable. Are we starting to return to the good timeline? I certainly hope so.

Unelligible songs, now. The Search by NF would have topped this list super easily. Might be one of the songs I listened to the most in 2019, actually. Now That I Found You by Carly Rae Jepsen, again, should have been a hit, and I beg you to watch this music video if you’ve never seen it. The 1975 released the super unexpected People, which was still good, and also Frail State of Mind. And most unexpected of all, three artists I didn’t care about at all teamed up and made absolute gold: I Think I’m OKAY, by Machine Gun Kelly, YUNGBLUD and Travis Barker. That would have been the second slot on this list if it had been elligible. Or maybe the first, even? Not sure. I’m just so happy this kind of angry but uplifting music is starting to become popular again. I just love everything about this song.

Here’s a short list of honorable mentions!

Roi (Bilal Hassani) - I don’t like this song a lot, but I do like it, I’m glad it was our song for the ESC 2019, and Bilal is a very nice and endearing person, and everyone who disrespects him on twitter is free to come fight me in the pit, where I’m still waiting with that tambourine from my 1992 list.

Con Calma (Daddy Yankee, Katy Perry, Snow) - You already know I liked the original Informer a lot, so I’d be lying if I said I wasn’t pleased to hear this clone of it on the radio.

Breathin’ (Ariana Grande) - Here’s the usual “if I had better taste this would be higher” honorable mention.

Summer Days (Martin Garrix) - In the absence of any new hit song from Macklemore this will do in a pinch.

Circles (Post Malone) - The fact that everyone seems to adore this and I’m over there saying “it’s ok I guess” probably means I will never love Post Malone nor understand the hype about him, and that’s okay, I can live with that.

High Hopes (Panic! At the Disco) - Still elligible. Still good but too borderline annoying to make the list.

How Do You Sleep (Sam Smith) - This year Sam Smith pulled a Viva La Vida and decided to stop making boring music all of a sudden and I’m LIVING FOR THIS. I certainly hope they continue in that direction.

And now, the list.

10 - La Grenade (Clara Luciani)

US: Not on the list / FR: #55

The only semi-filler on the list. I still like it a lot. Don’t have anything to say about it, though.

9 - Panini (Lil Nas X)

US: #40 / FR: Not on the list

Wasn’t too impressed by this at first and it took a while to grow on me, but the chorus is a nice little earworm, and “hey panini, don’t you be a meanie” has a tendency to pop in my head when I read hateful comments on the internet now. And Lil Nas X is just too endearing to be ignored. We’re so lucky to have someone who became famous so quickly and instantly decided to dress like a Jojo character and have the geekiest music videos possible and still be super nice and humble. We don’t deserve this guy.

8 - Dance Monkey (Tones And I)

US: Not on the list / FR: #6

I’m super glad the US are finally getting on the hype train in 2020 because this is a ton of fun. If the voice was juuuuuust a little less grating this would be even higher. Impossible to get it out of your head and somehow in this case that’s a good thing.

7 - Dancing With a Stranger (Sam Smith & Normani)

US: #14 / FR: Not on the list

As I said in the honorable mentions, Sam Smith pulled a Viva La Vida and decided to stop making boring music all of a sudden and I couldn’t be happier about that. This song is still a bit too calm for my taste most of the time, but when I’m in the right mood, it’s just fantastic.

Again, I hope Sam Smith continues in that direction, because if you had told me a couple of years ago that I would start to like their stuff one day, I would have laughed out loud.

6 - Bad Guy (Billie Eilish)

US: #4 / FR: #16

Duh.

I’m not as enthusiastic about When The Party’s Over as a ton of people are, mostly because, well, it’s a slow emotional song with little to no colour in it and by now you’re already aware I tend to have next to zero interest in that kind of songs. Bad Guy, on the other hand, is half hilarious half scary in equal doses, and even if I’m not super fond of the weird outro, it’s still a fantastic, weird as shit song, and I’m really glad Billie Eilish exists. Can’t wait to see where she goes from there.

I’m super glad this song didn’t come out when I was a teenager myself though. Come to think of it, I’m not sure I would have survived if the musical landscape from 16 years ago had been as depressed as it currently is. Thank god music is slowly getting more energetic again in 2020. Let’s stay on that track.

5 - Hey Look Ma I Made It (Panic! At The Disco)

US: #61 / FR: Not on the list

I follow several music critics on youtube and over the course of 2019, I’ve seen undiluted vitriol and hatred against this song (Spectrum Pulse even made a list of his “worst hit songs” of the decade and put this one at #10! TEN!!). And... I don’t really get where it’s coming from? Maybe I’m too literal-minded to see what the problem is with a sarcastic song saying “look I sold out and now I found success again! And it’s not that great!”. I just think it’s a lot of fun. Thank god Todd put it on his best list, at least we can agree on one thing for once.

It is hilarious that after putting so many Fall Out Boy songs on my lists, the one that I love the most from Panic! is the sellout song. Not sure why this was huge while the even better Say Amen wasn’t, though.

4 - Sunflower (Swae Lee & Post Malone)

US: #2 / FR: Not on the list

I usually don’t get the “chill” songs that tend to be successful these days but this one, unlike most Post Malone songs (bar Circles), has lovely pastel colors and a cloudy texture and it’s a really good vibe. It took several months to grow on me but it sure did.

In about ten years, people will listen to Sunflower and be submerged by nostalgia, mark my words.

3 - Old Town Road (Lil Nas X)

US: #1 / FR: #1 (see, everyone agrees for once)

Everyone on the planet already wrote a thinkpiece about this song and yet I’ve only seen maybe one out of five mentioning, just in passing, that the entire song is based on a Nine Inch Nail track from Ghosts I-IV, superbly re-used to make a weird and insanely catchy country hip hop song out of it. Ghosts has been one of my go-to albums to listen to while I’m painting for about ten years now. I’m saying all this because hearing a track from Ghosts on the radio for months was absolute bliss for me, especially in a new and improved version.

Thank you Lil Nas X for everything you’ve been doing and I wish you a long and successful career. You deserve it. I love this and I love you.

2 - Bury A Friend (Billie Eilish)

US: #73 / FR: Not on the list

Hello again, Billie Eilish.

This song is absolutely terrifying and that was before I even saw the music video. This is the soundtrack of your nightmares right there. I’m not even sure it deserves to be so high on the list, but frankly I’m too terrified to care. Maybe Old Town Road should be higher. I don’t know.

Also you have to know that when I’m super tired I go into echolalia mode and automatically repeat words or entire sentences that my brain considers interesting, like “potiron” (pumpkin) or “dramatique” ; and recently, my brain decided “when we all fall asleep, where do we go?”, sung exactly like it’s sung in this song, was its new favorite sentence. So. Hearing yourself saying that to an empty room while you’re drawing or folding clothes or cleaning plates is not a very pleasant experience, and it makes this song extra scary to me.

And now, here’s the last #1 of the last one of these lists (for now), and I’m glad to announce it closes this series of posts in a super fitting way.

Check this out. It’s so perfect in every way.

1 - Walk Me Home (Pink)

US: #99 / FR: Not on the list

Nobody seemed to care about this song over the course of 2019, and it's barely elligible, and I still have no idea why. The music reviewers I follow only either talked about it super briefly when it came out, or not at all. The rare ones who were making top 100s at the end of the year instead of top 10s usually put it somewhere in the middle of their lists. And yet it’s the elligible song I’ve listened to the most.

If you’ve been reading this series of posts for a while now, you probably already know exactly why it’s here, but here’s a quick recap.

The second album I ever bought in my life was Pink’s Missundaztood in 2002, and I loved her music a lot:

I was still really fond of her stuff in 2007:

Then she started to become less interesting and I basically ignored her apart from a brief blip on my radar in 2017:

Meanwhile, in 2012, fun. made some of the best songs of the entire decade before vanishing instantly, and I’ve been mourning them ever since:

And in the middle of last year, here I am, listening to the radio, and suddenly I hear something that sounds exactly like a fun. song, except I’ve never heard it before and it’s sung by a female singer, and, most importantly, it’s 2019 and fun. broke up more than six years earlier. And I’m like, what’s going on. This is so good. What the hell. What is this.

And I hear it a second time weeks later, and I google it, and I discovered that 1) it was Pink singing this, which made it my favorite Pink song in literally more than ten years, and 2) it was, indeed, written by one of the guys from fun., among other people who’s influence is less obvious.

I guess the main lesson from 2019, between newcomers making great music based on dead trends, old groups reforming, and this song, is that nothing’s gone forever, and things you used to enjoy can come back at the most unexpected time and in the most unexpected form.

There’s always, always gonna be new music to love, and it’s just a question of time.

Quick note

And with this, these lists are over... for now.

I don’t regret making them even if they were a ton of work, because that was super useful for a lot of different reasons.

They helped me get a better understanding of my own life’s chronology. That may sound stupid but I tend to link events to the music I was listening to at the time, and putting all that music in chronological order helped a lot.

I rediscovered a ton of songs I had completely forgotten about, and a lot of new ones. My playlist is much richer now and I’m happy about that.

I also discovered a few artists I knew nothing about.

It forced me to analyse two depressive episodes in my life and just because everything was now in exact chronological order, it accidentally helped me pinpoint what caused both of them. Better and cheaper than therapy. Impressive.

It made me realise how important some bands and artists had been in my life, and I relistened to some of their catalogue while making these lists. For some it was really obvious (Indochine, Placebo, Mylène Farmer, My Chemical Romance among some others), and for some others (Moby, Linkin Park, Mika in particular), it was a real surprise.

It made me realise that Placebo might have been huge in France but weirdly enough not that huge in the UK nor in the US. It’s especially striking when you look at their wikipedia page in English then in French and realise how detailed the French one is compared to the English one. Can’t believe Sleeping With Ghosts was a n°1 album here and basically nowhere else. That was the band where that discrepency was the most obvious but it wasn’t the only one like that. Really puts stuff in perspective.

It also helped me realise how cyclical popular music is. 1) trends tend to die near the end of every decade and the worst year is usually somewhere between the 8th and the 9th year. 2008 and 2018 tend to confirm this. 2) For the same reason, some new & interesting stuff appears at the beginning of every decade, and reaches its high point of quality between the 2nd and 4th year of the decade. 3) Basically I’m saying we’ve now passed the lowest musical quality in recent memory and 2022-2023 will have some exceptional music.

See you in December 2020. I have no doubt there’s a ton of great music coming up in the near future.

#Johannes’ bad not good pretty terrible music lists #music #long post #the last one #I can't believe this is over #I loved making these lists #spider tw #eye contact tw

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forgottenlivesobverse · 4 years

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Q&A with Aditya Bidikar

Today we have a Q&A with Aditya Bidikar, writer and comics letterer, whose Forgotten Lives story ‘Valhalla Must Fall!’ features the Graeme Harper Doctor and begins like this:

‘Nimh lives. Nimh watches.

‘Time passes. Nimh exists, alone. She watches the ocean rise and recede in the space of a thought. She watches the little ball light the sky and the sky dim as it goes down. Since Nimh gained consciousness, it has taken her all of her time to understand that the light and the little ball are connected. They move quickly, and she has to concentrate to observe them, but she has since reasoned that one causes the other.

‘She begins to pay attention to other things that move quickly. Sometimes the ocean stands still, and it changes colour, and she feels a kinship with it. She directs her thoughts towards the ocean, but she doesn’t know if it hears her.’

FL: Tell us a bit about yourself.

AB: I first discovered Doctor Who through the novelisations, because my school library had a nearly full collection, which is why I'll always see Doctor Who as a prose phenomenon that happens to have a TV show attached to it.

I learned to read from comics, and I learned to love reading through Doctor Who, so I think those two things will always be a part of my life, though they may wax and wane in importance.

FL: What attracted you to this project?

AB: For one, getting to write the Doctor – I've never written a story with the actual character, and that was something I wanted to do at least once. Secondly, getting to create a new Doctor from scratch, with all the things I liked best about the Doctor, was irresistible.

FL: Each story in the book features a different incarnation of the Doctor. Tell us about yours.

AB: While my Doctor has a smaller speaking part than the other main character, my story is absolutely driven by the Doctor's actions, and that was my main mode of characterisation. This is a Doctor that thinks and plans ahead, while trying to reckon with the consequences of their actions. Outside of this story, I like to think of my Doctor as someone who has projects across space and time that they cultivate and check in on from time to time.

FL: These Doctors only exist in a couple of photos. How did you approach the characterisation of your incarnation?

AB: Initially, my Doctor was going to be male and bearded, like the original Harper photograph, and I was planning to characterise him as a slightly cold space wanderer with hippie ideas, to go with the era of stories mine is based on. But then I saw Paul's illustration, and I knew I needed to work with that, so my Doctor is now much more genial and playful, and of ambiguous gender. As for the dialogue, I went with the voice in my head, which sounded a bit like Sylvester McCoy, except far more chilled-out and 60s-influenced.

FL: What's your story about?

AB: One of my favourite things about Doctor Who has been the fact that other than probably Raymond Cusick, most people who worked on it creatively got to own their work – especially the writers – which is why we have so many unauthorised ‘spin-off’ properties, like Faction Paradox, Iris Wildthyme, and even Chris Cwej. That's a definite contrast to American superhero comics, where creators were constantly shorted on what they deserved, whether legally, or by force, or via outright cons, and their contributions became corporate intellectual property.

My story is a commentary on that, wrapped up in what was my primary image for the story – ‘Doctor Who in a Jack Kirby universe’. As I mentioned in the previous answer, that was originally going to be characterised as ‘Doctor Who as the Silver Surfer’, as a response to the recent ‘Silver Surfer as Doctor Who’ comic from Marvel. But the work-for-hire nature of comics, and the resultant regurgitation of more-or-less the same stories, but bigger and with a higher budget, and their numbing effect on culture at large – these were the things I became far more interested in, particularly since the apocryphal quote ‘The Kirby tradition is to make a new comic’ became a cornerstone for my treatment of the idea.

FL: What were your main influences?

AB: My primary influences were the Doctor Who novels I've read over the years – especially some of the Missing Adventures / Past Doctor Adventures that synthesised the Doctor they were using with a more modern point of view on the past (particular favourites in this ilk are The Man in the Velvet Mask and Managra).

Other than that, there were of course the Kirby comics, but also things that people like Alan Moore and Grant Morrison have brought to bear on the comics that came after.

This story is very much in those traditions.

FL: Who would be your ideal casting for a pre-Hartnell Doctor?

AB: I like the idea of a female pre-Hartnell Doctor, and since she's already played the character once (though in a parody) and was apparently considered for a hot minute back in the 80s, I'd love to see what Joanna Lumley would do if she were to play a pre-Hartnell Doctor in the new series.

FL: What other projects are you working on at present?

AB: I've been working on a long-form sf comics series for the last year or so that might be of interest to Doctor Who / Faction Paradox fans, but I think it'll take a few more years to come to fruition. In the meantime, I'm writing shorter comics and prose stories that should see publication sometime next year.

Apart from the writing, I'm lucky enough to work with some of the best current comics creators on some excellent comics, which I highly recommend you buy.

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scoutception · 5 years

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Ranking the 5 animes I’ve recently watched

Long story short, I’ve been taking a break and watching anime, something that I’ve only really experienced in small doses before, though in general I don’t really watch a lot of stuff nowadays (to my memory, the only anime I’ve watched in full is Danganronpa 3, so I’ll go ahead and say it gave me an aversion to it all). As the title says, I’ve gone through 5 so far, so I’ve decided to just type up my personal rankings and thoughts. If I had to say anything important before starting, it’s that 1. everything I list here is a very enjoyable and worthwhile watch, and I would definitely recommend giving any of them a try, and 2. this is just a personal ranking, and so it’s very biased. I might, for example, think whatever is number 5 is technically better than whatever is number 4, but still prefer number 4 for any number of reasons. I’m at least going to try to point out when that’s the case, but it’s still something to keep in mind. I’ll also be including information like number of episodes, what streaming platforms they’re on, which I’ll admit mostly comes down to Netflix, Hulu, and Crunchyroll, and whether or not English dubs are available, or only subtitles. Other than that, let the rankings begin. 5. Little Witch Academia

Number of episodes: 25. Language options: dub and subs available. Streaming availability: Netflix. Little Witch Academia originated as a short film released in 2013 as part of a training program for animators. It was only about half an hour long, but the fun cast and beautiful animation gave it a lot of charm, and enough popularity to spawn a second short film in 2015, the Enchanted Parade, which lasted for closer to an hour. Then, in 2017, it got a full series on Netflix, produced by Studio Trigger, which did away with any continuity from the short films, but kept the general concept. Little Witch Academia follows Atsuko “Akko” Kagari, who, after witnessing a magical show hosted by the witch known as Shiny Chariot, dedicated her life to becoming a witch, despite not coming from a family with magic in its bloodline. Despite managing to enroll in the academy of Luna Nova, dedicated to training witches, Akko finds the reality of it isn’t anywhere near what she expected; Chariot is ostracized by most of the magical community for portraying magic in a flashy, illusionist manner considered embarrassing, Luna Nova’s education is much more focused on tedious, small scale magic than what Akko had come to expect, the world at large considers Luna Nova and its magic to be weak relics of the past, something even its staff can’t argue well against, and worst of all, Akko is incompetent at magic to a downright abnormal degree, even for her normal origins, incapable of so much as riding a broom. Despite the constant demoralization, Akko receives help from one of the academy’s professors, Ursula, who puts Akko on the path to unlock the secrets of the Shiny Rod, Chariot’s personal wand, found by Akko on her way to Luna Nova. This isn’t exactly the most original series out there, and if you’ve watched pretty much anything involving non evil witches and magic schools, you’re not going to be too surprised. The main strength, writing wise, is the fun cast. Akko herself is a pretty entertaining main character, being very excitable and passionate, enough to keep likeable even with her many, many missteps throughout the series, but the rest of the cast is pretty good too. Characters like Sucy, Akko’s roommate obsessed with poison, mushrooms, and picking on Akko, the delinquent Amanda O’Neil, the mute technological genius Constanze, and Akko’s alleged rival, Diana Cavendish, who, though very haughty, has a lot more depth to her than you might expect, help hold the series together very well. Most of the series is pretty goofy and lighthearted, which helps keep it from feeling too cliche. Starting with the second half of the series, though, it gets much more story based, which might be a bit jarring for some people, but still manages some surprisingly sad moments. This is all helped by the great animation, as Trigger can always be counted on to provide, and the dub is good overall, with Erica Mendez especially perfectly capturing Akko. Overall, this is a fun watch, but it’s really not much special, so I can’t really put it anywhere other than dead last. If you want a fun, lighthearted romp that isn’t stuck to only 13 episodes, this is a good one to try. 4. The Pet Girl of Sakurasou/Sakura Hall

Number of episodes: 24. Language options: subs only. Streaming availability: Crunchyroll, Hidive. Firstly, don’t let the very questionable title give too many bad impressions. Sakura Hall, as I’ll be calling it, was originally a series of light novels by Hajime Kamoshida, with 10 main novels being released. The anime, produced by JC Staff, actually only adapts the first 6, though it ends rather conclusively regardless. This is also probably the most obscure anime on this list. Sorata Kanda is a rather unremarkable high school student attending the Suimei University of the Arts High School, forced to live in the very abnormal mixed gender dorm of Sakura Hall. Sakura Hall’s other residents consist of Misaki Kamiigusa, an extremely talented, and extremely weird and energetic, animator capable of creating anime almost entirely on her own, Jin Mitaka, the scriptwriter and childhood friend of Misaki, who is cool, mature, and has an almost chronic playboy streak, Ryunosuke Akasaka, the extremely reclusive, but talented computer programmer who mostly communicates through texts, and Chihiro Sengouka, Sakura Hall’s extremely irresponsible supervisor who prefers to leave the students to fend for themselves, outside of the occasional words of advice. Sorata is only stuck in Sakura Hall due to his refusal to abandon a stray cat he rescued, and intends on escaping Sakura Hall however he can to escape his roommates and return to normalcy, a plan that’s certainly not impacted by him picking up 6 more stray cats along the way. One day, a new resident moves into Sakura Hall: Mashiro Shiina, a relative of Chihiro and extremely talented artist, on a level only Misaki and Ryunosuke can match, who is also very unemotive and almost completely incapable of caring for herself, not helped by some rather odd thought processes (she’s almost certainly autistic, but they never actually clarify that). Sorata and some of the other Sakura Hall residents thusly become Mashiro’s caretakers, and are soon additionally joined by Sorata’s friend, the workaholic aspiring voice actress Nanami Aoyama. Sorata’s previously tedious life becomes defined by his struggles to find a direction to his life, his attempts at caring for and understanding Mashiro, and the various problems of the rest of the Sakura Hall residents. The main writing strength, is, again, the cast of characters. The characters are all very enjoyable, even the designated average guy, Sorata, and they all have their share of struggles, hidden depths, and development. The first half of the series is, for the most part, plain wacky, and while it does delve into serious moments more than a few times, it’s also prone to plain breaking the mood, either by starting them suddenly, or just as suddenly interrupting them with a gag. It’s enjoyable on its own, but it can be a bit hard to get into. The second half of the series is a big change of pace, becoming much, much more focused and serious, and for the better. Bitter topics like resentment against those who can outperform others simply through natural talent, and the risks of overworking, and the slippery slope mentality against accepting help that it can generate, are frequently brought up, and it does not shy away from how brutal reality can be. It’s never dark to the point of creating apathy, though, and it overall captures a very bittersweet portrayal of nearing the end of one’s teenage years, and preparing to become an adult. The animation is pretty good, and the voice actors all give memorable performances. Overall, this was probably the hardest series for me to get into at first, but sticking with it is very worthwhile. I can’t really say much about it, if only because I don’t want to risk getting into spoilers, but it genuinely is great. I was even considering placing it higher than number 4, but the next three things were stiff competition. 3. Gurren Lagann/Tengen Toppa Gurren Lagann

Number of episodes: 27. Language options: dub and subs available. Streaming availability: Netflix, Crunchyroll, Hulu, Funimation. Here’s what I would bet is the second most popular anime on this list, and was more or less one of the grand finales to the golden age of Studio Gainax, directed by one of the co-founders of Studio Trigger, and is perhaps most memorably one of the series where Gainax didn’t completely mess up the budget by the end. Simon (pronunced see-moan) and his self appointed big brother Kamina live in an underground village, with Simon living a monotonous life digging tunnels so the village can expand, in hopes of finding artifacts and being awarded better dinners, while Kamina constantly causes trouble in his attempts to breach the underground and reach the surface. Simon is insecure and self deprecating, thinking he’s only capable of the job he already has while Kamina is extremely boisterous, charismatic, and capable of seeing the potential within Simon. The way to the surface is finally opened for the pair by the appearance of a giant mecha called a Gunmen, which are piloted by the beastmen, who control the surface and are out to exterminate any humans they come across. Simon and Kamina are saved by the appearance of Yoko, a human who lives on the surface, and a miniature Gunmen discovered by Simon, which Kamina dubs Lagann. Making their way to the surface and capturing an enemy Gunmen Kamina names Gurren, Kamina decides to take the fight to the beastmen themselves, and drags Simon and Yoko with him, starting what can only really be described as a rollcoaster ride of giant mechas, drills, and general insanity. The series honestly starts only about average, but starting about episode 7, the scale just starts going up and up, and doesn’t tend to slow down. It goes for bigger and bigger heights, making for some amazing action scenes, and doesn’t get desensitizing like some things would. The cast of characters is great, between characters like Kamina, being lovably boisterous and encouraging, Simon, who gets some fantastic character development, Yoko, the sniper who despite seeming just like designated fanservice has some great development herself, Viral, the recurring beastman commander who just can’t keep up, and Lordgenome, the absurdly manly leader of the beastmen, and that’s just listing a few. The animation is great, the soundtrack is very memorable, the dub is one of the best out there, especially with Kyle Herbert as Kamina, and the writing, despite just seeming like big fun robot show, makes a surprisingly great story. I unfortunately can’t go much more indepth without definitely wading into spoilers, but it doesn’t take too long to start paying off. Overall, if I had to try to rank without bias, this would actually be number 2 on this list. It’s a great ride, and one I can recommend pretty much without question. 2. Fullmetal Alchemist: Brotherhood

Number of episodes: 64. Language options: dub and subs available: Streaming availability: Netflix, Crunchyroll, Hulu, Funimation. Here’s what’s certainly the most popular anime on this list, and what would be my number 1 without bias. There’s actually two Fullmetal Alchemist animes, with the original 2003 one going very off track from the manga and becoming its own thing, while Brotherhood, made in 2009, stays faithful to the manga. Fullmetal Alchemist follows the Elric brothers, Edward and Alphonse, in a world where the art of alchemy allows its users to transmute materials for purposes such as reshaping them into new forms, and operates on a principle of equivalent exchange, with every transmutation made relying on something being taken away. After being abandoned by their father, Van Hohenheim, and losing their mother to a plague, Ed and Al attempted the forbidden practice of human transmutation in an attempt to bring her back to life, only to fail, with Ed losing his left leg and right arm, and Al losing his entire body, forcing Ed to affix Al’s soul to a suit of armor. His missing limbs replaced with automail, a type of prosthetic, Ed becomes a government employed alchemist for the nation of Amestris, ruled over by Fuhrer Bradley, in hopes that he and Al can find a Philosopher’s Stone, an artifact said to be capable of eliminating the equivalent exchange requirement of alchemy, in hopes they can reacquire their natural bodies. Since things can’t ever go so smoothly, they end up involved in a massive conspiracy led by one known as Father, who commands Homunculi, artificial humans, who are themed after the seven deadly sins. By far the longest anime on this list, it’s also easily one of the richest. Almost every episode does something to move the plot along, and introduces a lot of important plot points fairly quickly, which helps keep the story interesting. There are many storylines going on, but all of them are both interesting and relevant, helped by the downright amazing cast Fullmetal Alchemist has to offer. From colonel Roy Mustang, out to become Furher to help atone for Amestris’ crimes, to Ling Yao and May Chang from the country of Xing searching for the secret of immortality, to the Ishvalan named Scar, out to avenge his people, who were the victims of a war of extermination waged by Amestris. As for characters closer to the main plot, Ed and Al are both great protagonists, with plenty of development between the two, and their interactions with Winry Rockbell, their childhood friend and mechanic, make for some great scenes. The antagonists are also great, with quite a few defying how one note themed villain groups like them can be, like the shadowy abomination Pride, the sadistic rat that is Envy, the independent Greed, and especially the extremely intimidating Wrath. The animation by Studio Bones is great, as is the soundtrack, and the dub is fantastic, helped by almost all of the cast from the 2003 anime reprising their roles. Voices like Travis Willingham as Roy Mustang, Christopher Sabat as Alex Louis Armstrong, Chris Patton as Greed, and Ed Blaylock as Fuhrer Bradley especially are fantastic. Overall, this is one of the best shows I’ve watched, period. I recommend it very highly, and almost wish I could confidently declare it number 1. 1. Rascal Does Not Dream of Bunny Girl Senpai

Number of episodes: 13. Language options: subs only. Streaming availability: Crunchyroll, Hulu, Funimation. Firstly, again, this is not something to judge based on the name. Secondly, yes, this is where all the bias on this list comes from. This is anime is actually only about a year old, so it’s surprisingly recent, and is also by far the shortest of all the series I’ve listed here. Rascal is based off a series of light novels by the same author as Sakura Hall, Hajime Kamoshida, and was produced by CloverWorks. Like Sakura Hall, the anime doesn’t completely adapt, only going through 5 of the 9 novels currently released, with a movie, of all things, adapting the 6th. You may or may not have heard of this anime while it was airing, but regardless, I’m here to spread the word of it, cause it’s a special place for me. One day, while browsing a library, high school student Sakuta Azusagawa notices a girl wearing a bunny suit walking around, not being acknowledged by anyone other than himself. The girl turns out to be Mai Sakurajima, an actress on hiatus that attends his high school, who has found she’s recently become invisible to an unknown number of people outside of their school. Sakuta identifies it as “Adolescence Syndrome”, a mysterious phenomenon that occurs due to the unstable psyches of adolescences, which causes physical effects on the world based on their biggest causes of stress. Sakuta has seen the effects of Adolescence Syndrome himself, with it causing physical harm to his sister, Kaede, and causing her to become a recluse, and somehow causing Sakuta to be scarred as well. Hoping to learn more about the phenomenon, as well as just hoping to spare Mai from a similar fate, Sakuta decides to solve the mystery of her syndrome, as well as those of other girls in each story arc after. The premise is pretty unique by itself, and it uses its potential very well, thanks to the grounded writing and great cast of characters. Sakuta is not your typical protagonist: he’s blunt, blatantly perverted, and more than willing to verbally pick on people with little to no provocation. He’s not even close to a bad person, though; he treats the friends he already has at the start of the series, and everyone else he proceeds to grow closer to, much more respectfully, and when the chips come down, he’ll do crazy things for other people with no hesitation. He’s one of the most refreshing protagonists I’ve seen in a long time, and has most of the best lines in the series. The rest of the cast is also great, especially Mai, the other main lead. In fact, the main focus of the series besides the Adolescence Syndrome cases is Sakuta and Mai’s relationship, which is very well written, to the point of being my favorite part of the series. It avoids so many stumbles a lot of other series can run into: the relationship is started up early, nobody manages to threaten their feelings, and any misunderstandings, current or even just potential, they take steps to work though. Even when she’s willing to jab at and mess with Sakuta, Mai is always affectionate and transparent with her feelings, and becomes progressively even more so as it goes on. It’s also just, a refreshing change of pace compared to most relationships in anime. The other main focus, the Adolescence Syndrome cases, are just as well written. Despite exaggerated situations like becoming invisible to people, or even causing a time loop, there are few times they’re played for laughs. The series takes it all very seriously, mostly because of the kind of factors that lead to the syndrome appearing. Things like an oppressive school atmosphere, where standing out causes scrutiny, and most decide to just follow the leader to avoid consequences, or the fear of your only friendships being damaged over minor reasons. While more positive than Sakura Hall, it takes the same care to show just how damaging issues like this can be. Even Sakuta isn’t above it: he’s rumored to have send some of his classmates to the hospital once, and despite being completely false, it’s ostracized him to the point that he considers himself lucky to have 2 whole friends, and he’s just accepted the mindset that fighting against such an atmosphere is pointless. There a lot of emotional moments throughout the series, especially the last three episodes, and it earns them all. It even shies away from fanservice most of the time, even despite the very title of the show (the bunny girl part was actually only the title of the first light novel, but the series just kept it for the whole thing) The animation isn’t too wacky due to the tone and grounded writing, but it has an appealing artstyle, and the voice actors do a great job as well. Overall, this is an anime that’s genuinely very good by itself. Even so, what is it that makes me so biased towards it? For one thing, it just hits some emotional soft spots a lot of other stuff doesn’t personally manage, through stuff like, once again, Sakuta and Mai’s relationship. The very interesting premise and general grounded nature also wins it a lot of points. But, ultimately, it’s not something I can really put into words. Might be because I watched it on a very weird day. Regardless, this is one I would definitely want everyone to give a chance, and here’s hoping the movie gets a DVD release soon. And with that, there’s to end to my rambling. Again, I would recommend everything I’ve put here to most people, but especially the top 2. I’m planning on watching some more anime, so I may make another ranking like this soon. Otherwise, till next time. -Scout

#anime #bunny girl senpai #the pet girl of sakurasou #fullmetal alchimist brotherhood #gurren lagann #little witch academia

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