#I don't think this is what they're doing but its fun to think about

[ere-the-sun-rises]

Okay, I'm sorry again Medieval and Biblical Latinists, but this post popped up in my notifs again and the more I look at it, the more revolted I become. Wheelock's love for Republican and legible Latin is possessing me from beyond the grave, so let's go.

"Pro Jupiter, puer, ecce bibendum!" Where the fuck do I even start. The sentence is straight up an incoherent collection of words. The literal translation is "Before Jupiter, boy, lo! about to be drank." What the fuck were you even trying to type??? Were YOU drunk doing this? I thought the Vatican was supposed to be full of monks with nothing better to do. You're shaming your 9th century copyist predecessors.

"Pro" is used wrong. It usually takes an ablative, because "before" is temporal, not spacial - it doesn't usually mean "in front of [object]" so much it means "[in the period of time] before [event]". If you're looking to say something like "by god", then a more natural invocation would in vocative or ablative of agent - "O Jupiter" or ""Ab Jove".

"Ecce" is bizarrely out of place. It should be at the beginning of a sentence because it's not actually a word, it's an exclamation. You wouldn't place "behold!" or "huzzah!" in the middle of a sentence, you heathen.

"Bibendum"? Bibendum??? You can't have a participle in a complete sentence without a normal verb. Participles can't ever stand on their own. If you're using this as a substantive ... why??? Just use the word for whatever this liquid is. Even as a substantive it barely makes sense. It's the equivalent of holding out a cup and saying "liquid" with no further context. Why are you making this so hard and ugly to read???

I don't think the sentence is even salvagable because I cannot figure out what the fuck it was even trying to say. If I had a gun with one bullet in it, I would use it to shoot this sentence. Hang the translator by the nipples unless they're into that.

I can't read most of the second panel, but the last phrase "dubito quin sciat" is clearly meant to stand on its own by the way the punctuation is placed. And that is a damn shame because it's horrific. It reads "I doubt why he would know."

Students, please note that "quin" is an interrogative adverb meaning "why?" The question mark is non-optional. It's literally only a question word - why is it in a passage that does not contain a question???

"Sciat" is weird here. Subjunctives can be used as a clause verb, but scio in particular usually takes an accusative noun to make sense. The word means "to perceive with the senses" but can also be used as shorthand for "to see/to know/to understand".

The sentence would read better as "dubito ut illum sciret" or "I doubt that [he] would see this [thing]."

0/10, broke ass original construction. Lock the translator in a basement with Wheelock's textbook until one or the other breaks.

"Heu, Timothee, mater tua delapsa est ob cutem arienae et P. S. mortua est." Fine, this one isn't technically wrong, but it is brutally literal in a frankly uninspired way.

"Delapsa est"?? Have you no imagination? No creativity? No sense of good Latin prose? Delabor does mean "to fall/to descend" but it also means "to fall to ruin/to be destroyed". A much better (and funnier) word would have been "cado", which means "to fall [down]" too, but crucially also means "to be cut down/to be slaughtered/to die". It would be a way better play on words with the "mortua est" following after.

His name needs to be Romanized. Do you think the Romans had names like Vergilius for fun?? No! It was so the fucking thing could be declined. Fix Timothee's name.

I don't like "ob". It feels wrong, like a skinwalker. It's not meant to be here. It can technically mean "on account of", but it's more prominent meaning is "toward". It should probably be replaced by a dative or ablative of agent/means here instead.

"Cutem" should be cuto, to be dat./abl. of agent/means. An accusative doesn't look right when the sentence's main verbs are passive, since passives are reflexive.

"et P. S. mortua est." Ugly, disfiguring little addendum. Why is it in the same past tense as delapsa? Repetitio is only fashionable in poetry. This is prose - you need variatio. Cicero and I hate it here.

It would read better as "Tua mater, Timotheius, cuto arienae casura est, cepitque morti." - "Your mother, Timothee, fell [by means of] the skin of a banana, and [she] was seized by death."

These panels only get more offensive to the Latin language the longer I look at them. This translator would get roasted alive by any ancient or Medieval scholiast who read this and they would deserve it. Even poets would vomit.

today i found out that if you have library access through ur school, you almost definitely have a copy of the vatican’s latin translation of diary of a wimpy kid and i am currently reading Commentarii de Inepto Puero thank you

[weirdmarioenemies]

Name: Daddy

Debut: Daddy Long Legs

Yeah, I'm going to be saying "Daddy" a lot in this post. Sorry. I don't like him in that way! It's ok if you do, though. He's a very charming fellow!

Perhaps you remember Daddy Long Legs (game), from like 2014! I suddenly remembered it. And I smiled. It is silly! If you don't know, it is an extremely simple mobile game where the goal is to control Daddy's legs carefully, tapping to move each leg at a time. Like QWOP! Remember QWOP? Daddy Long Legs is simpler, but 100% more Creaturetastic!

So. Let's discuss the Creature of it all. Daddy himself! A sort of fuzzy cube, with two very long, sort of fuzzy legs. The description of the game confirms that he is indeed a two-legged spider! And various costume descriptions give us some more delightful insight. For example, he is covered in Wool, specifically. On that note, he likes to sneak around while dressed as a sheep. Would you be fooled if you saw a farm animal slinking around on two legs? You'd probably think "That's Just Chicken". Daddy also has no teeth and can only intake liquid food, just like a real spider! But in his case, this is exclusively yogurt. #DairyDaddy

I think it's great when such a simple game finds a way to add in character and even lore! None of this was necessary at all, and the silly costumes would speak for themselves, but we are instead given the privilege of learning what an endearing, yet pathetic guy Daddy is!

Have you fallen for him yet? He sure has fallen for you! Oh wait, he just fell independently of your presence. But I'm sure it'll be for you someday. Chin up, champ!

As long as I am talking about daddy longlegs, I would love to mention what a wacky name it is. Maybe the name was first given by a baby one to its father. Maybe it even had two dads, and one of them had longer legs than the other, so that was his name! Daddy Longlegs. Gay Bugs Lore! But the real wackiness is that it refers to THREE different arthropods: there are the harvestmen, which to me are the "true" daddy longlegses. Basically an orb with long legs. More leg than daddy, those guys! And not actually spiders! Cellar spiders, though, ARE true spiders, and also get referred to with the funny name. They're living in your basement, right now! Daddies in your area! Lastly, silliest of all is that CRANE FLIES get the daddy longlegs treatment too. I guess I can see it from looking at them, but it's funny seeing them with these two spindly arachnids! At least it's better than people thinking they're big mosquitoes.

Final Fun Fact! Harvestmen, unlike spiders, CAN chew and swallow solid food. I learned this by seeing some eating a discarded apple chunk along with some isopods! A decomposition party!

[foodtruckery]

I've been having crazy Stancest brain rot thinking about an AU where they don't have the portal incident and instead have crazy marathon hate sex instead (Inspired by some amazing art by @CoreArde on Twitter) and I thought it'd be fun to share that with you.

They start off arguing in the lab and then oops they're fucking on the lab floor, and they really should be thinking this through but nope now they're upstairs fucking on the kitchen table and okay maybe now they'll finally talk about it nah, they're fucking in Ford's bed now.

It starts off as rough hate sex getting out years of frustration, but by the time they make it to the kitchen its become insanely desperate and cloying because they missed each other, and their bodies fit so well together, and GOD how could they have not been doing this all time? They're going at it so long that they basically end up passed out in Ford's bed by the end, and Stan's not going to be sitting down for a while after this. He's probably just happy to be sleeping in a bed, but Ford is trying to figure out how he got so far from the initial plan.

Even better if the two of them have been harboring feelings for years and never acted on it, because they get the one-two punch of all the weight of their time apart and processing the fact that OH GOD I JUST FUCKED MY BROTHER (which of course they both wanted to do but still).

I have no idea what would happen after that, but both of them waking up sore, sweat soaked, sticky with cum (some still inside Stan because of course Ford didn't use a condom this wasn't supposed to happen) after having gone at each other like rabbits in heat despite never having expressed their attraction to each other before is a hilarious and hot idea to me. What do you think?

HI THERE ANON. i am so fucking sorry that i left you waiting for so long about this, but i need you to know it's because i was FUCKING OBSESSED with this. like just absolutely beside myself over it, and i refused to respond until i had a chance to sit down and respond PROPERLY.

cause uh YEAH FRIEND i know the exact fucking piece of art (explicit) you're talking about, because it's INCREDIBLE. and in case you didn't know, the artist is over here too and shares some fucking fantastic writing and headcanons also! (seriously, go check out @/cartoonsinthemorning if you haven't. and cart, i hope you don't mind that anon and i both kinda lost our minds about your art over here! i genuinely have no idea what tag etiquette is on this site and didn't wanna bombard you, but you did this. again.)

i'll be honest, anon, this kinda got away from me (fucking shocker) and i am too tired to do any legit editing of it right now, so please forgive any typos or weirdness! i'll try and clean it up before it eventually goes up on ao3. but thank you for such a LOVELY ask because this was so hot, and so inspiring, and i hope i did a little justice to your idea and cart's gorgeous art!

--- Ford isn't entirely sure how it had started. His memory, his perception of time, his ability to follow a linear order of events -- all if it is less than reliable at the moment, so he can't entirely blame himself for losing track of things here and there. But the jump between trying to wrestle his journal out of Stan's hands to trying to wrestle Stan out of his dingey jeans is a jarring transition to lose in the dull static that's been edging around his awareness for weeks now. 

Not jarring enough to stop him, though. 

He thinks, vaguely, while he's blindly tugging at Stan's denim, that there's a concerningly high likelihood that he's hallucinating. His head is swimming in so much caffeine and adrenaline that he doesn't even feel the rough concrete of the lab floor under his knees -- maybe that isn't where he is? Maybe he'd nodded off without realizing. Maybe he's going to come to with another lapful of polaroids and a new humiliating tattoo. 

Maybe, maybe, maybe -- he can reckon with a probability model later. For the first time in what feels like months, the stability of his perceived reality is not actually at the forefront of Ford's mind.

Pressing in on him harder than the doubt, harder than the disassociation from his physical body, and harder than the threat of the creature lingering in the depths of his subconscious is anger. It feels like a beacon in the muddled, fuzzy mess inside his head, something bright and real and his. It's searing through him, slicing away all the frayed edges of his paranoia and doubt like a hot blade through so much butter. 

Ford clings to the sharp edges of that anger and feels more alert than he has in weeks. 

He can't remember how their bickering had taken this particular turn, but if he's liable to lose his eyes and his life in the next few days, Ford will be fucking damned if he squanders the opportunity. He knows he's made a mess of things, that he's made the sorts of mistakes that can't and frankly shouldn't be forgiven. 

But he also knows with blinding, white hot certainty that he's only here, now, because of Stan's mistakes.

Ford may not deserve absolution, but he does deserves this. 

Laughter cuts through the lab, rough and mocking, and Ford's attention finally falls, properly, on Stan. He has a bruise blooming on his cheek and a snide smirk twisting his lips. He's also on his back, his jeans and a threadbare pair of boxers bunched in Ford's fists and pulled so low he can see the tight curls of his pubic hair and the root of his cock. 

"What's wrong, Poindexter?" Stan asks, mocking, and it's only then that Ford realizes he's paused halfway through stripping his twin's lower half. The bite of the cold concrete under his knees still feels far away, but the rough material in his palms, and the heat of Stan's body so close to him are sharp, clear details. "No hands on experience with a dick that ain't your own? Afraid you might actually be bad at somethin' for once?" 

Ford narrows his eyes, feeling the hot point of anger cutting through him, steadying him, and he jerks Stan's clothes hard enough that he gets the material past his knees in one tug. Stan laughs at him again, but it stutters into a little 'oof!' when Ford flips him onto his stomach. 

He doesn't care that Stan's pants are still caught around his calves and his boots. He doesn't care that Stan hisses something that sounds like pain when he's yanked onto his knees and dragged backwards several inches across the concrete. He doesn't even care that, once upon a time, he'd dreamed of this, of crossing this line with the only person he'd ever really loved in any way that mattered, and it's nothing like the softer, sweeter picture he used to imagine. 

Stan's hips are soft, and the skin gives easily under the iron grip Ford has on them, holding him in place as he grinds against his ass. Even through his slacks, the heat of Stan's body is intense, addictive, and he grinds forward again, harder, watching the friction rub a pink  patch against his skin. 

Stan, shameless and selfish as always, pushes eagerly back against him. Ford has barely done anything beyond rocking the outline of his cock against his hole, but he can hear Stan panting against the ground, can see his hands curling into fists. He remembers how many times Stan had called Carla McCorkle "easy" in high school and thinks, now, that the easy one had been his brother. 

"You gonna keep humpin' me, or are you gonna fuck me?" Stan demands, rocking as firmly back as he can with the bruising grip Ford has on him. 

"What makes you think you deserve that?" Ford bites out. It would serve Stan right, he thinks, if he got himself off exactly like this, no different than grinding against a particularly firm couch pillow. Just a conveniently warm object for Ford to release some tension with. 

Stan looks back over his shoulder and flashes teeth at him. It isn't a smile. "Oh, I get it. Cold feet? Well, we can just chalk it up to one more thing ya promised and then backed out of as soon as you actually had to make a choice. Good to know some things never change, Stanford."

He's being goaded, and Ford knows that. But the anger boils in his chest, and he thinks, why should he care about what Stan does or doesn't deserve from him? This is about what Ford deserves.

And what Ford deserves is to have his dick so far up Stan's ass he'll be able to feel it in the back of his throat. 

"Do you ever shut up?" he snaps while he releases one of Stan's hips to yank his slacks open. The bruise of his fingerprints already forming against Stan's skin thrills him, almost to distraction, if it weren't for Stan laughing again. 

"'Course not," he says, shifting his center of balance to dig into the pocket of his dirty red coat. The little packet he tosses over his shoulder bounces off his own ass to land by Ford's knee, the word LUBE printed in large, bold letters across the front. He should be surprised to see it, and part of him is. The word "easy" comes to mind again. 

Ford rips the packet open with his teeth. 

"F-Fuck!" Stan curses, turning his forehead against the ground when Ford presses his slick cock into him a moment later without warning. 

Ford grabs him roughly by the waist when he twitches forward and yanks Stan back until his ass hits the open fly of his slacks. He makes a choked sound at that and turns his face into the crook of his own arm when Ford pulls back and rocks hard back into him. 

"What's wrong, Stanley?" he parrots. He pistons his hips at a punishing pace, watching his cock pumping in and out of the greedy, grasping ring of Stan's hole. "Nothing to say?" 

Stan makes a noise that's too muffled by the sleeve of his coat to understand, so Ford reaches down to take a fistful of his stupid mullet instead. The hitching gasp that escapes his twin when his head is forcefully jerked up makes him groan. "What was that? Come on, Stanley, use your words." 

"F-Fuck off," Stan says, his voice strained, almost whining. 

"I see you haven't gotten anymore eloquent since you left," Ford scoffs around the breathlessness in his own voice, feeling the anger and pleasure coiling harder in his gut. "What was it you said? Good to know some things never change." 

When he pulls Stan's hair again, just because he can, Stan moans. And when he shifts his hips, driving in just as hard at the new angle, Stan shouts. With his own knees bracketed on either side of his, Ford can feel the way his thighs tremble when he clenches around his cock, and he can feel the sweat beading up under his palm where he's digging darker bruises into Stan's side. 

Ford feels like he's on the edge of delirium again, consumed by every sound Stan makes, every twitch of his hips, every ounce of his heat. He thinks, a bit wildly, that Stan may have been made for this, made to take his cock, for how well he does. 

It isn't until Stan jerks under him, going hot and tight around his cock and making a strangled noise in the back of his throat, that Ford realizes he may have said part of that out loud. That Stan came over it. 

He groans low in his throat and thrusts half a dozen more times into Stan's clenching hole before he comes as well. 

It's quiet for a few minutes other than their ragged panting, but it's Stan who eventually reaches back and swats at Ford's hand until he lets go of his hair. He takes the hint and pulls out, watching with no small amount of satisfaction as his come trickles down Stan's thighs. It strikes him suddenly that he wants to follow the wet trail back up with his tongue. It's enough to make his cock give a feeble, appreciative twitch. 

He isn't sure if he's just terribly distracted or if he loses time again, because when Ford next lifts his head, Stan is on his feet, pants pulled up around his waist but still open, and he has his journal in hand. This might be more jarring than the last transition he'd lost. 

"What are you doing?" he demands, shoving himself back onto his own feet. He doesn't bother to tuck his cock back in, and he spots the moment Stan's eyes flick down. It's brief, but he'd seen it. 

"What does it fucking look like I'm doing? I'm taking your stupid diary and disappearing like you begged me to," Stan says. His voice is still a little raw, and Ford has a moment to realize how much he likes that, before the words catch up. 

He scoffs. "Oh! So now you want to actually help?! Is it always this easy to fuck the sense into you?" 

Stan's expression does a few things Ford doesn't understand before his brows ultimately slam down and he turns his back, storming towards the door with Ford's journal still in hand, and Ford himself hot on his heels. "You're fucking unbelievable, Stanford, you know that?!" 

"Me?! You're the one who came all over my lab floor and then decided he was ready to be reasonable!" 

Stan jams his thumb against the call button for the elevator several times in quick succession, despite the car already being on their floor and the gate sliding open. "Most people would just say thank you when someone agreed to help them out, but not you! What does Stanford Pines have to be grateful for? We're all just fucking lucky to get a task from ya, huh?" 

Ford crowds into the elevator with him before Stan can try to pull the gate or call the doors shut behind him. He punches the button to take them up himself, before making a grab for the journal, snarling when Stan leans back and holds it up above his head. 

"You're the one who threatened to destroy my work twenty minutes ago, Stanley! Why would I trust you with it now? Hell, I can't figure out why I trusted you enough to bring you here in the first place!" 

"Oh really? You can't?" Stan sneers, leaning in close. And when Ford takes a step back, Stan follows, backing him into a corner of the car. "I don't think you fuckin' trusted me to do shit, Stanford. I think you were all outta options cause nobody else could stand to put up with you anymore." 

Stan doesn't so much as hit a nerve as he takes a sledgehammer to it, and as soon as the elevator dings, Ford shoves him as hard as he can out into the study. Stan yelps when he stumbles, nearly tripping over his own feet, and it's only knocking into a cluttered desk that keeps him from falling on his ass. 

Ford doesn't give him any time to right himself, storming in after him and grabbing him by the front of his jacket. Stan flinches, like he'ex expecting a punch, but Ford yanks him in and crushes his mouth against his instead. 

There's a dull thump that Ford only realizes was the journal being dropped when he feels both of Stan's hands on his shoulders. They curl briefly, grasping at him, and Ford feels his mouth starting to go soft and slack. But as soon as he presses in, runs his tongue along that loosening seam, he's suddenly being shoved backwards. 

If he weren't so damn confused, Ford would probably appreciate the picture Stan makes, lips slick and pants open, leaning back against one of Ford's desks. 

"What are you doing?!" Stan demands, like he's the one who doesn't know what day it is, and keeps losing track of events. 

"I would think even you could figure that out after what happened downstairs, Stanley."

Stan flushes, visible even in the low light of the study, though Ford isn't sure if it's embarrassment or anger. The scowl on his face doesn't help clear things up, either, though the fact that he isn't actually looking at Ford is...telling.  

"That ain't happening again," Stan states, and there isn't anything convincing about the way he says it at all. But when Ford steps forward, Stan sidesteps him and the desk. He makes a wrong turn in the dark, in a house he isn't familiar with, and flinches when Ford flips on the light in the kitchen he's walked into.

"I don't know how you expect to leave and hide my journal after leaving it in the study," he points out, frowning at the back of Stan's head. 

He isn't surprised when Stan whirls on him. He is, however, stunned still when he realizes Stan's eyes are wet. 

"What the fuck do you want from me, Stanford?!" Stan shouts, his voice cracking over his name, and it makes something feel like it's cracking inside his chest. 

Ford has to wet his lips when he finds them and his throat dry. "...I told you what I wanted," he says.

"Yeah, you did! And when I finally agreed to do it, you threw a fucking fit about it! And now you're pissy because I'm not?! What do you want?" 

The anger sparks sharply inside him again, and Ford grasps at it like a lifeline, willing to bloody his hands for that bite of stability. 

"You tried to burn it! My life's work! And you only decided you would help me after we--"

Stan cuts him off, looking towards the cabinets while he raises his voice and waves his hands. "Jesus Christ, I'm sorry about the fucking lighter, all right?!"

Ford frowns. He takes a step forward and, still without looking at him, Stan takes a step back. It's the elevator all over again, but this time Ford is pressing in, backing Stan into the cabinets. He grabs the counter on either side of his hips when he tries to side step him again. 

"Stanley, look at me," he demands, frowning harder when Stan sets his jaw and stars determinedly at his shoulder. "Stanley--"

"What do you want, Ford? Just...just fucking tell me and I'll leave, all right?" Stan says, his voice tired and soft as he reaches up to rub a hand over his own face.

He wants a lot, honestly. And hasn't that always been the problem? He's always wanted -- to be normal, to be respected, to be the best, to be special. 

To be wanted. 

To be enough.

To fix things. 

"You," he realizes, watching Stan jerk his head up. His lashes are still wet, and Ford can't stop himself from reaching up and pressing his palm to Stan's cheek, skimming his thumb gently under one of his eyes. 

When he leans in to kiss him again, Stan makes a small, wounded little noise under his mouth, but he parts his lips for Ford's tongue this time. Stan's lips are chapped and he tastes vaguely of stale cigarettes, but Ford is still struck by how soft and sweet he is. 

More than anything else that had happened that evening, this is the moment that Ford knows he should suspect most of all. The way Stan relaxes between him and the counter, the almost tentative way he lifts his tongue to meet his, the careful fingertips touching the edge of Ford's coat and brushing against his loose tie. It's tender in a way Ford didn't think either of them were capable of, and it should be setting off warning bells and red flags in every part of his mind. 

It isn't. 

Ford is more certain of  the reality of this single moment, the gentle slip of Stan's lips against his own, than he's been of anything in a long time. 

And then Stan sighs between them and murmurs, warm and hopeful, "Ford," against his lips, and he's done for. 

It doesn't matter that they just fucked, that Ford's come is probably still drying between Stan's thighs -- he can't keep his hands off of him. Ford is suddenly frantic and desperate in a way that he hadn't been downstairs. He needs to relearn the new, wider shape of Stan's shoulders and pecs. He needs to feel out every new scar and take stock of all the old ones he remembers Stan collecting for him as kids. He needs to be surrounded by him again, soaking in the warmth of him. 

Ford doesn't deserve absolution, but he thinks he may be able to find something close to it in the low, shaky way Stan moans his name. 

And there's familiarity in the way Stan grabs at him in turn, tugging at his jacket and tie and surging into another, harder kiss. Ford thinks he may not be the only one looking for expiation. 

Then Stan drops to his knees between him and the cabinet, and Ford stops thinking so much. His cock is still out, and Stan wastes no time in getting his fist around the shaft and his lips around the head. He suckles and swirls his tongue, and Ford shoves the beanie off of his head to get his hands in his hair. 

"Stanley," he gasps, stroking his fingers along his scalp and fisting the strands between them. 

Stan moans around him and shuffles closer, sliding the seal of his lips further down the length of Ford's cock. All he can do is groan and try to keep from rocking his hips as more of him is greeted by the warmth of his mouth and the wickedness of his tongue. 

He keeps waiting for Stan to reach his limit, to back off and give himself room to breathe. He doesn't. He keeps leaning in, keeps taking him, and then Ford feels his cockhead slip into Stan's throat, sees his lashes are wet again, and he has to put one hand on the counter to keep himself steady. "Fuck, Stanley, you're so good at this."

Stan makes a horribly sweet sound around the girth of Ford's cock and reaches up to hold his hips as he swallows, and Ford is suddenly afraid he's going to embarass himself.  His hips twitch despite his best efforts to keep them still, but Stan simply relaxes his jaw and his throat and tugs a little to encourage him to do it again. He does, of course, how could he not? 

Despite the heat clawing its way through him and the pleasure mounting dangerously high, Ford almost feels outside of himself again. The picture Stan makes, with his eyes damp and heavy lidded, his lips wet and stretched around Ford's cock, his hair fisted in Ford's fingers and his own clinging to Ford's hips -- it's lewd, debauched, and so horribly sweet that it makes Ford's chest hurt. 

Stan gasps raggedly when Ford pulls him off. "I was go-gonna...I mean you can--"

Ford kneels down to kiss him, tasting stale cigarettes and himself, cock throbbing over the rough state of Stan's voice. "Not done yet," he manages, before tugging Stan onto his feet. 

They lose clothes and time on the journey upstairs, tripping over the steps and Ford's discarded pants, and stumbling into his wreck of a room. If Stan notices the state of things, he doesn't comment, mouth latched onto Ford's shoulder and hands all over his back and hips. 

The back of Ford's legs hit the bed and he sits hard on the mattress. Stan doesn't hesitate to crawl up into his lap. He'd lost his boots in the kitchen and his jeans and boxers somewhere on the way to the stairs, giving him ample opportunity to rub his bare cock against Ford's. 

Cursing, Ford rolls his hips and only belatedly remembers to reach up and tug the hideous red coat off of Stan's shoulders. 

"Oh, fuck, hold on. I think I have another one," Stan says, panting softly as he digs into the pockets of his coat. Ford takes the opportunity to run his hands across Stan's thighs and ass, squeezing whatever skin he can until Stan makes a triumphant sound and pulls another little packet of lube free. 

Only then does he let Ford toss his jacket aside and tug him further up the bed with him. He doesn't protest when Ford takes the packet from him, lowering his head to work open mouth kisses up Ford's throat instead, and he rolls his hips distractingly while Ford fights to get the damnable thing open. He ignores the snickering against his skin in the process. 

It stops anyway, hitching into something warm and startled when Ford sinks two slick fingers into him. 

"Oh, fuck," Stan breaths, reaching up to grab Ford by the shoulder, holding himself steady. "Y-You know you don't have to do that, right? Pretty loosened up already."

He is, to be fair. His hole is still soft and loose and fucked open. But Ford enjoys petting his fingers against the tender muscle and stroking them inside anyway. He likes watching Stan bite his lip and push himself back onto his hand. When he slides a third in after the first two, Stan's thighs tremble on either side of his own, and he makes a low, throaty sound. 

When Ford curls his fingers just right, Stan yells and grips his shoulder hard enough to hurt, and it makes warm satisfaction curl in his middle. So he does it a few more times, alternating between spreading his fingers and rubbing the tips against Stan's prostate until he's squirming in his lap. 

"I-I'm gonna come if you don't knock that sh-shit off," he gasps, slumping a bit when Ford chuckles and slides his fingers out. 

"I think I'd like that," Ford says, squeezing his slick fingers against Stan's thigh. 

He snorts and straightens back up, finding the discarded lube packet to squirt the remainder onto Ford's cock. "Yeah, I bet you fucking would," Stan agrees, but there's no malice in his voice, just warm amusement. 

His fist is warm and wonderful when it curls around Ford's cock, spreading lube, and then Ford is being held steady, Stan adjusts himself on his scuffed knees, and there's nothing else to do but hold on as Stan lowers himself into his lap. 

It feels as good as it had earlier to be inside of him, and Ford squeezes the thigh under his hand tightly, fighting against the need to buck his hips. Stan is panting softly, his head tilted back and a pretty, pink color is crawling up from under his t-shirt to flood his neck and face. 

Ford groans and leans forward, finding a nipple through his thin shirt to get his teeth and tongue against.

"F-Ford!" Stan gasps, fumbling the hand not clawing at his shoulder up into his hair, and Ford sucks hard on the firm nub,  rubbing spit-soaked cotton against it with his tongue until Stan rocks in his lap. 

Fuck, he likes that, the way his name sounds in Stan's voice, especially warm and rough after fucking his throat earlier. 

He squeezes Stan's thigh and his hip, giving him a little tug, and that's all the encouragement Stan needs before he's bouncing on his cock. Ford has that thought again -- that Stan was meant to be filled by him, that they're a perfectly matched set. But it isn't just feeling good and hot while Stan fucks himself in his lap. It's feeling like he's been missing something and he finally has it, like he's finally complete again. 

He's missed this, Ford realizes. 

Not the fucking his brother part. He'd fantasized about that for years but it still feels like a dream that it's happening, like something that's too good to be true. 

But being able to put his arms around him? To be this close to him again? 

Ford rocks his hips up, hard, and Stan says his name. He wraps his fingers around Stan's cock, and he gasps his name. He bites the same swollen, pink nipple through his shirt, and Stan shouts his name. 

He snaps his hips up to meet him a few more times and rubs the sensitive glans under the head of Stan's cock, and then there are teeth digging into his other shoulder and his fist and stomach are being striped in Stan's come while he shudders and jerks overtop of him. 

Stan goes easily when Ford rolls them over and pins one of his wrists to the bed. And despite the way he squirms and how his spent cock twitches and leaks, blatantly overstimulated, he hooks his ankles behind Ford's back and urges him on. 

"C-C'mon, give it to me. Fuck, just like that, Sixer!" 

The nickname hits him with all the subtlety of a truck and all the heat of a volcanic eruption. 

He doesn't even remember coming so much as he remembers every synapses in his brain trying to fire at once. Coming back down to reality is a little clearer, with his head spinning and pulse racing as he flops onto his back, but it still takes several long minutes before he feels fully cognizant again. 

Something makes the bed shift, and he looks over to see that Stan has rolled onto his stomach. Ford wonders if he looks half as fucked out as Stan does, with bruises blossoming across his body, his shirt rucked halfway up his stomach, and come staining his ass and thighs. Ford realizes Stan still has his socks on, and he can't figure out why that makes something twinge, hot but exhausted and halfhearted, in his gut. 

"Gonna...gonna get up in a minute," Stan says, his voice slurring and his eyes already closed. Ford watches him rub his cheek against one of Ford's pillows, and the soft sound of snoring follows soon after. 

The reality of the situation starts to settle in shortly after that, and Ford stares wide eyed up at the ceiling as if he'll find some sort of answers there. Unsurprisingly, there are no secrets etched overhead for how to reckon with the fact that he had just fucked his brother, twice, while the fate of the world was still very much hanging in the balance between his fraying sanity and Bill's looming threat. 

".....Fuck," Ford murmurs.

When the adrenaline finishes seeping out of his system, Ford expects to crash. The exhaustion certainly climbs back into his bones, but he's surprised to find himself still clear headed. Focused. 

The sound of Stan sleeping soundly beside him is as soothing as it is mocking, but he doesn't want to separate himself from it even though he knows he needs to get up. There's soft, gray light starting to creep in through the windows, and distant birdsong calling for the start of the day. He needs to readjust, to come up with a new plan, find some way to explain to Stan what's going on so they can buy themselves a little more time. 

Against all odds and his better judgment, there's a tiny, optimistic voice in the back of his head reminding him that there's strength in numbers. He isn't surprised that it sounds like Stan.

[becausebuckley]

michelle's buddie fic recs: week 47!

...plus a very special non-buddie fic!! an excellent reading week, once again. the 911 fandom has so many incredible writers!

this is a mix of fics with all ratings, so some include NSFW content. please take a look at both the ratings and the fic tags before reading! some might also contain spoilers for season 8.

if you come across something you like in this list, remember to show some love to the author by leaving kudos and a comment!

and i need you more than want you (and i want you for all time) | dykeries/@buddiesbian| 25.9k | E

Buck and Eddie's relationship changes over a series of phone calls. Along the way, their family finds its way back home to each other. there's something about phone calls for buddie that just hits so hard... doesn't matter if they're sex calls or emotional calls. this fic is so good, i devoured it!!

ball games | thesquinky | 8.4k | T

buck takes eddie to that lakers game, after all. buck and eddie at the lakers game!! kiss cams!! i was crossing my fingers someone would write a fic exactly like this and it did not disappoint <3

been there, done that (once or twice) | kaistinlove/@kaistinlove | 21.6k | E

the one where Buck wants to make a boudoir album and enlists Eddie's help as a photographer. i clicked on this SO FAST when i saw it!! so good so hot so perfect

DIAZ | mandolare/@confessionseddie | 3k | E

Buck wears the wrong jacket. buck needs to always wear the wrong jacket imo <3 so lovely!!

hold me like water | singomuse7 | 6.3k | T

Eddie's not the most oblivious person in the world and instantly understands what that closet joke meant, and instead of crashing out and blowing his life up about it, he gives Buck sensible advice and breaks up with Marisol. Cue 6k words of gay crisis during madney's wedding. i love love love this fic's eddie so much <3 so good!!

i belong with you, you belong with me (you're my sweetheart) | Distressed_Ladybug15/@cadiebug | 1.4k | GA

For a second they just stand there, staring into Chris’ room, then Buck tips his head back and to the side so he can meet Eddie’s eyes. “Hi,” he mumbles, voice hoarse and overused from work. i needed a little hurt/comfort like this a couple of days ago and it hit the spot perfectly <3

jee- yun's big day | rainbow_nerds/@rainbow-nerdss | 6k | GA

“So, Jee,” Mommy says. “You remember how we visited Daddy at work before?” Jee-Yun nods. “Captain Bobby says you can come to work with me for a whole day!” Daddy looks excited, and Jee thinks about it. Daddy’s work is pretty fun, she thinks. Captain Bobby cooked some really yummy pasta, and Uncle Buck is always there, and so are Aunt Hen and Uncle Eddie. THIS FIC. this fic is the non-buddie inclusion of this week but honestly i don't even care, i need everyone to read it immediately. the loveliest cutest jee ever, and such a lovely ensemble of characters around her <3

make a spark (break the dark) | prettyunhinged | 4.9k | E

Eddie is gay. Tommy sucks. Buck and Eddie frot about it on the couch. this fic is how i realised that there's an ao3 tag especially for eddie's couch and honestly, she deserves it <3 so hot so buddie so good!!

my home is your body | coldbam/@coldbam | 16.6k | E

Buck and Eddie have vastly different nights at Pride. Then very similar summers. this was a reread and it still hits so very hard. the ultimate buddie fwb fic!!

my man says he loves me (never says he loves me not) | colonoscopys/@colonoscopys | 9.7k | GA

croakett: I don’t know what to do tubbalubb: me neither He stares at the screen. Is this the correct time to bring up Buck’s abs? buddie online friendship AND irl friendship?? sign me right up wow i love this!! they're so silly and they love each other so much <3

please, please, please | bookinit/@bookinit02 | 8.7k | E

buck doesn’t touch eddie anymore. eddie’s losing it, a little bit. honestly eddie i'd lose it too. this fic combines pining and getting together and touch-starvation so basically if there was a venn diagram of my favourite fic tropes this would be right in the middle <3

red + white + boom | onlythemessenger | 3k | T

Unexpected fireworks catch Eddie off guard after a bad week. Buck and Bobby help him through the aftermath. bobbyeddie friendship my most beloved <3 love how this fic portrays them!!

this mortal coil (shuffle) | eirabach/@eirabach | 20.1k | M

Maddie was never supposed to be Buck’s mother. Eddie was never allowed to be his anything. But three minutes and seventeen seconds later, here they are. this fic hurt but in the best way. love maddie here in particular <3

this world turns over | dottie_weewoo/@dottie-wan-kenobi | 4.8k | T

Before Buck stands up fully, Eddie reaches out with his good hand to pet Christopher’s hair, pushing a few strands out of his face. “Goodnight, mijo,” he whispers, getting only a mumble in response. A soft smile steals over his face, his eyes moving from his son to Buck. “Hey, Buck?” domestic and wonderful <3 this was a lovely morning read on the bus earlier this week!!

we are bound | EiraLloyd/@unlifeira | 7.2k | T

Every human was born with a prophecy. That was the deal, or so they taught at school. But Evan knew better. He wasn’t born with a prophecy. He’d asked and asked and asked, but his parents shrugged every time, and eventually, Evan stopped asking. Why bother when he already knew the answer he’d get? i love the style and structure of this fic so so much, it's gorgeously written!! a true treat <3

you're looking like you fell in love tonight | devirnis/@devirnis | 1.1k | GA

There’s an arm slung across his waist, a head on his shoulder, soft hairs tickling the underside of his jaw. He breathes in, the cobwebs of sleep slowly dissolving in his brain, and he smells — Eddie. i did fall in love tonight and it was with this fic <3 so so lovely!!

[idontlikeem]

hi! i'd like to talk about losing. you don't have to read this if you don't want to, but i wanted to write it, and guess what, it's my blog. i just like this team a lot and i'm feeling a little maudlin about my guys and a little sick to fucking death of the shit i'm seeing all over kingdom come from 'fans'. so here we are.

So You Became A Fan Of A Living Legend But The Hockey Team Is Bad: a commentary.

look. this is not the most fun i've ever had watching hockey, and i'm quite sure a lot of people feel the same way. the penguins are bad this season! they were bad last season too, but there's something very special about the extent to which they are shit right now. and those are not fun games to watch.

but here's the thing: who cares.

like, idk. there's so much god damn negativity surrounding this team and its performance right now, and i'm guilty of contributing to it as well, because yeah of course i'd rather watch a team win in decisive fashion most nights. of course i'd rather dream about may and june and the stanley cup. of course i want to watch that happen again for my favorite players. like, duh.

but. it's probably not going to. not if these players get what they want, which is to play together on this team until they're ready to retire.

and you know what? that's fine. if they're fine with it, who on earth am i to not be?

i think we all have the same reaction when we see idiots online saying things like 'sid doesn't deserve this trade him to a contender'. and that's because we are smarter and more refined fans who understand that what sidney crosby DESERVES is to select how and where and when his career ends. is it on a team that sucks? then that means being here is more important to him than getting that fourth cup. staying with geno and kris and the penguins as a whole, never putting on another NHL logo, is more significant to him personally than another victory. and isn't that special? isn't that worth celebrating?

of course we know all of that because we're better at being fans than the uncles online who are writing weird fanfic in their heads. but. guess what that comes with:

losing.

and losing badly, in the case of this season.

i am here to tell you that sitting and bitching about it helps no one. right now, what we have to watch and celebrate is our favorite players still playing at a high level. they're still doing cool stuff on the ice. and they're doing it TOGETHER. this is what they wanted. so your options are either to hate it and sit in negativity about it each and every game, OR readjust your mindset and learn to enjoy what we have while we have it.

we are watching myth-making happen live. we are watching living legends play hockey. this is a privilege and an honor and it's not something most fanbases get EVER. and we have two! can you believe it?

there are things i would have rather seen done differently over the last couple of years. as far back as 2019 there were moves i disagreed with and changes that could have been made that perhaps could have extended their window. and of course the 2022 series against the rangers, that was a very good team that got hit by injuries at the absolute worst possible time, and probably that was their last chance as a core to compete. it's frustrating to watch that stuff happen when you have no control over it.

the pittsburgh penguins were high-end competitors and contenders for seventeen years straight. that's insane and unheard of in this league. they're not anymore. and the price you pay for almost two decades of dominance is...being bad. when you're competing you trade prospects and draft picks for win-now players. sometimes those work out, most of the time they don't. with the amount of winning this team has done, even the trades that didn't work were worth it, because it meant they were trying.

there are no fanbases who are going to feel bad for penguins fans right now. that's also why we're getting so much attention from the national media. people aren't used to this team being as bad as it is, and people like watching downfalls. that's fine. most of those fans have never watched their team win, and most of them never will. so if their joy is coming from sidney crosby's team being bad....well, love and light, you know?

and we shouldn't feel bad for ourselves either. this is what happens. this is how it goes. this is the price for the band staying together.

i dunno, guys. this is a disjointed rant. it's just so effing hard to be kicked in the nuts everywhere you go with unrelenting negativity. it's on twitter it's in the articles and yes, it's here too. but if you can't be a fan of a team when they're bad, then i'm sorry but you're not a fan of the team (or certain players), you're a fan of winning. and NO team wins all the time every year. that's not how sports work.

we are lucky. at least, i feel lucky! don't you? gosh, sidney crosby scored his 600th career goal tonight. evgeni malkin is over 500 goals on his career. can you believe that? it's amazing to watch.

and it's going to be over in less than two years. do we really want to waste it by wishcasting something that's not going to happen instead of enjoying what we DO have?

if the media bums you out, don't listen. don't read the articles. don't go on twitter. dry your tears on the stanley cup banners that sid and geno hung up—there are three to choose from!

[all-pacas]

OK, follow-up to this post about Cameron's apartment's, let's look at Chase's. Because set design is fun!

We never see Chase at home in early seasons: the closest we get is in Human Error, the end of S3, where Cameron is visiting his place. We never actually see inside, and it's not even clear if this is like, his front porch or just the entrance to the building; he's a former rich kid so it could be either, but I assume the latter, because he's a trust fund brat but not own an entire townhouse rich.

The next time we hear anything about it is in The Itch:

CHASE: What time you done? We could try that new sushi place next to my house. CAMERON: Why don't we stay at my house tonight? CHASE: We always stay at mine. CAMERON: That's what I mean. We used to split it. What happened? CHASE: I don't know. Closer to work. CAMERON: By five minutes. And my house doesn't look like it was decorated by a drunk rugby player.

(I am fascinated by this line and all its implications. It is not decorated by a rugby fan but a drunk rugby player. What does that look like besides probably atrocious.)

Sadly, we never see this apartment. The next time we see him at home it is in the last episodes of S5. He appears to have moved in with Cameron; since this apartment doesn't match her old one and isn't plastered in sports posters, she either gutted and redecorated the apartment or, I think more likely, they got a place together (we first see them "at home" once they're already engaged). We first see it in Under My Skin:

And then we get several good looks at it (including the bedroom) in S6:

(the last two photos are a bit awkward but useful for layout: cameron exits the bedroom and is directly opposite the front door, meaning the bedroom is to the right of the hallway arch; meanwhile the front door is behind chase and you can just see the TV to his left, making it the final wall of the living room in the s5 set.)

Finally, at the end of Teamwork, we get a nice view of the living room/kitchen from the windows: it appears the kitchen might have an alcove to the left for a dining set (although when we've seen them eating, it was on the couch — relatable).

Chase stays in this apartment — same layout and architectural details — through S8, although once Cameron moves out he completely redecorates, which is fair. This is also interesting, because it shows he has a completely different style than she does; Cameron's apartments are all decorated the same (beige Pottery Barn-core), but Chase has a more… well, masculine aesthetic, he likes darker colors and more color in general.

We very, very briefly see his apartment in After Hours, when 13 calls him:

It appears Chase is lowkey a nerd: he's reading a book on the Crusades, he has a stack of books on his nightstand, and the top one appears to be a goddamn diary. Incredible.

We next see it in Chase: from the first shot we can see it is the same apartment as before; from the second we see the ensuite connected to the bedroom (and that he's gotten rid of the bookcase that used to be against the wall).

Finally, Park briefly stays with him in Gut Check, and we find out that a) the apartment has at least two bedrooms (and likely two baths, given the en-suite), and b) the redecoration did continue:

(why the hell does he have four TV remotes on his coffee table????) I actually like the orange couches (and the implication that Chase threw out every single one of Cameron's decorative tchotchkes), but it's a different vibe for sure.

Because we actually get so many different looks at the place, it's pretty easy to make a map of the layout; the apartment looks something like this:

This post is so pointless. However, I do not apologize.

[idkimjustexistingsblog]

Ok So this show is literally called arcane. It's about the magic in this univer and what kick started and all of that fun stuff.

So let's start with the kick off of the arcane and what the little multiversity showed us about it. The two multiverserse are one where the explosion in the building went difrent and the other is where they didn't stop Victor. Let's just focused on the first one rn.

I think that vi and jinx are actuly incredibly important in the start of arcane being developed, and that is becuse they're the one that kind of decied if the hextex survives or not. Jinx and vi are their where Jace studies and than they stex the hex tax and acedently cuse the explosion in one time line vi dies that causes a series of events where powder dosent look more into hextech and what is left gets destroyed leaving the arcane alone but in the one on the show not only did powder take most fo the heteech but she experiments and build with it. This dosent even tuch shimmer and how the underground also built and devolped some form of the arcane with that.

Between jinx and the whole shimmer industry zuan becomes a Stapl in the devolpment and growth of arcane just as much as pullover dose. You see this with how Victor helped treat those with shimmer as well as how jinxedls glitch due to the interaction with shimmer she has( also cool detail of ep9 i interpreted is how when ekko talks jinx out jinxes is clicking with ekko and I think jinxes know and inderstan the is rewinding time to save her) in the end this show is called arcane becuse it explore the magic with in the universe. Though it wasn't as noticeable in season one becuse the magic was still getting devolped as the cities developed.

In the second season you don't get to see just hextex and shimmer, but the black rose as well. That introduces us to what ima call witches. This si important becuse it's a build up for spin of series following Zeeland the black thorn, which. Alot of people were interested even before the series (of my information is right. I also think the director stated this isn't the last project for this universe or LOL this is just the end of the series or smth like that) since season one devolped hextech so much and poeple because so reliant this shows part of the cycle of how it all falls apart, and the danger of being reliable one thing. Witch than look into why it's falling apart and the damaged is caused. If you really want go back what probly started hextex to dissolve like it did was Victor being reanimated. That probly put the sit strain cussing it all to happen.

In the end this show is about the arcane the magic and just what it dose, and who caused. But with all peicedls of society to understand one part of it you must understand all of it so they build up with the steps of the society starting with two sisters on two difrent sides. But on the end this story was nevry truly just about them its about what they started without knowing, and what Jace and ekko worked hard to finsh. Thinking about it jinx and vi never understood their importance they were to caught up in their own drama, but jace and ekko they were faced with their importance and what they had to do or else. For Jace it was showing him his greatest fear destruction, becuse he was the only one who could stop it. For ekko it was showing what it could be, what he could do, but he had to save things first. Witch is perfect becuse Jace as much of a dubel dagger it is alwasy wanted to be the head and face of invasion pushing it forced becuse he knew he could, well ekko just wanted to help where could, happy with supporting cast. And after seeing the arcane in its rarest form they knew how to stop it. Well the sister finished of their drama that alwasy engulfed them.

Jace and victore are probly never going to make an apparent again, but I think they still probaly in the arcane. Well their are bits of proof the jinx did in fact make out alive, but just left the city. this is a show about magic, and the cycles of life.

In the end the cycle came to one last end and it began to start a new. One that won't be easy seen by how salvuc was added to the council. And one what would undoubtedly end just for evrything to start over like Kaitlin speech, but they will try and they will fight, becuse that is what's right. And I also truly don't think jinx, Victor, or Jace is dead

I will fight evryone who think it's poorly done becuse it isn't. You can say you dkt. Like it for what ever reason, but you can not say it is poorly done

Also.im probly not done but I am for today

Ok i keep adding this to the post I reblog, but now ima make my own post

Hello I'm idkimjustexsitujng and welcome to my fucking ted talk this contains arcane spoiler,and misspelling, please enjoy

Arcane is beautiful it is bitter it is realistic it highlights what is it to be human, to try and strive for better to get stuck in a cycle and not escape. It cycle through evrything well conveying just what it's doing. The animation is beautiful and amazing and they convey so much with so little. The animator the righter they are all amazing.

I hear they're getting hate from the second season (I have not seen it personally), but all the things they do all the unsaid thing left make arcane even better for me

Finishing the series showed me just how much arcane did to keep it all human. How Victor and Jace talk about it in the final(?) Episode summed it up beautifuly for me. Humans are complex self sabotaging creatures, and theirs so many things and ideas out their And in difrent shows that try and show what makes a human human, and I think arcane unconsciously (or extremely consciously given the hours of detail they put into this beautiful masterpeice) succeeded in that. They showed us that humans are animals who are not just in it for surviving but for ceriousituy, not only do they focused on surviving they foucuse on surviving wellbuilding luceries to make life easier, the look analyzie and take what around them and think what if. They show us just how humans observe the world around and add it themselves how they keep those small thing living. The cycles each and evry chacter live through and repeats ( powder deing twice as I say but it's not just powder it someone loving their family so much they they give life its self for them becuse they beilive in them). How humans can grab the smallest sign a trait that their mom did or freinds did and keep them( lines mom used to put a peace sign on her head and in the first season during jinxes fight with ekko where we see powder doing the same symbol just like her mom.) How evryone has their own idea on the chapters and just like them evryone has their own ideas of us. And they final episode shows that with poeple discussing if jinxed sacrifice was in her character devolment or not.

I don't think jinxes sacrifice was a good thing, though. Personally, I don't like her going into that so soon after she git talked out her own suiced. And i read on a post that jinxes decided to live to honor the sacrifices already made (specifcly by isha) she was given hope one more time. I think she had a plan on getting out. That's my hope at least

I defebitly have more to say but this ramble just off the top of my head and please tell me euat ypu think agree, disagree. random or not. I feel and think so much rn I wanna hear what evryone else has to say.

[stagefoureddiediaz]

KR has been sat over there saying things like Eddies going to go dating and have mixed results and the show is doing some experimental things and we’ve all been nodding along and analysing and thinking about trauma responses and the fact that they’re doing an alternate reality episode and they’ve actually killed Buck (temporarily) and expecting to see a steady increase in signs pointing to Buddie. They know that - they know we think its still a bit further to go so they’ve double played us and are actually going to pull the trigger on Buddie earlier and then have them work through their trauma etc - together!!!

[spinjitsuburst]

watching secrets of the forbidden spinjitzu while i get some stuff done and i like to think wu's overly harsh vibe at the beginning of the season is him trying to reclaim SOME sense of authority after his ninja literally had to raiSE HIM FROM A CHILD GFDHKJGKJ

[eastbluecrewed]

things you can't get back

aka i've been waiting so patiently to see kidd get his ass beat by shanks (affectionate)

[odessa-castle]

I'm bouncing around a larger post about Nishiki and the mortifying ordeal of being known, but in the meantime I'm thinking about Nishiki and Kiryu and how the clothes make (or don't make) the man. Like, beyond my visceral horror that Kiryu begged Nishiki to pick out a safe and boring suit for him in Y0 and then said he was envisioning something purple with gold stripes.

I'm thinking about Nishiki's incredible sensitivity to image and his need to control how he's perceived. I'm thinking about Kiryu's inability to let go of the past. I'm thinking about how KIryu dresses like who he thinks he is, and Nishiki dresses like who he thinks he wants to be.

There's some interesting incidental dialogue between Nishiki and Kiryu in Y0 while they're en route to the men's suit store. I wish it wasn't so easy to miss, because there's a lot to unpack here. (I'm just transcribing the English in-game subtitles here; I don't speak Japanese so I have no idea how loose vs. direct the localization is in this part.)

NISHIKI: …now that I think about it, you've been dressing like an old man since we were kids. KIRYU: Have I? NISHIKI: Yeah. The few times we got to pick our clothes, it was always like, "you're choosing THAT?" NISHIKI: I wouldn't say you're a plain guy…You'd pick shirts with weird prints though. KIRYU: Guess I forgot all that. It's weirder to me that you haven't. NISHIKI: Well, confession time. You're why I started caring about fashion. I swore I'd never go out dressed like you. KIRYU: Come on, I'm not THAT bad. [we have already discussed why kiryu is, in fact, that bad.] NISHIKI: [laughing] Aww, did I hurt your feelings? NISHIKI: Well, this time you've got me with you. I'll see my bro gets taken care of. KIRYU: Heh. What an honor. NISHIKI: Leave it to me.

Nishiki doesn't bring up Sunflower Orphanage much; when he does share memories of his childhood, those memories are kind of painful (see: "do orphans not get to dream?"). Kiryu's surprised that Nishiki remembers how they dressed as kids, but it makes sense that wearing a limited selection of hand-me-downs stuck with Nishiki so strongly. His clothes announced his poverty, and they weren't even his -- he had to share them with the other orphans, so what he wore showed he belonged to yet another stigmatized group. And I'm sure people picked up on those visual signals, especially other kids. Kids can be vicious, and appearance is an easy and immediate target! We don't know for sure how young Nishiki interacted with his peers and teachers, but given what the Morning Glory kids go through in Y3 (and given, like, everything about Nishiki), he probably didn't have a great time.

Kiryu frames his childhood as poor but loving, and places much more emphasis on the latter. There might be some rose-colored glasses at work there -- let's look at the flashback where Kazama tries (and fails) to violently dissuade Kiryu and Nishiki from joining the yakuza.

KIRYU: I owe you everything, but this isn’t about that. [...] We’ve looked up to you for all this time. Your car. Your confidence… The way everybody bows to you. We idolized you. I want that life, too. Is that so wrong!?

Nishiki doesn't really speak in this flashback, but like, Kiryu uses "we" enough for us to draw some obvious conclusions about Nishiki's own motivations. That being said, I don't think Kiryu's being dishonest or disingenuous when he describes his childhood as happy, and himself as well-loved. He's not ashamed of his upbringing, and he doesn't hide where he came from. Nishiki seems to have the inverse view. It's not that he doesn't love (at least some of) the people he grew up with, but what comes up first for him is what he didn't have. He didn't have money. He didn't have respect. He didn't have a cure for his little sister. He didn't have a lot of choice, right down to the clothes he wore.

(There's a whole other essay here about why Kiryu's and Nishiki's perspectives diverge on this, but I'm trying to limit the scope of this post. Suffice to say that, while I don't think game canon gives a timeline, I do think Nishiki was a little older when his parents were killed -- old enough that he actually remembers them, at least.)

The same mindset fuels Nishiki's interest in fashion. Yeah, part of it is that he's ribbing Kiryu, but I think it goes deeper than Kiryu wearing ugly shirts. Nishiki doesn't want people to look at him and see what's missing. Fashion isn't a means of personal expression for him, really. It's a message. It's the interplay of knowledge and resources and presentation: knowing what clothes read as successful and trendy and expensive, being able to afford those things, and convincing people that your successful important outfit makes you a successful important person. And he's not wrong about the social dimensions of fashion.

NISHIKI: Try sporting a suit that runs 500 grand for once. Trust me, you’ll see the world in a whole new light. KIRYU: Fashion’s not my thing. Besides, Kazama-san never wore flashy clothes. NISHIKI: You do realize he’s the family captain, right? Number two in the whole Dojima operation? You get to that level, you can wear whatever you damn well please. But for the rest of us, “flashy” is part of the business. KIRYU: So that fancy new car you bought was just “business”. NISHIKI: Yeah, and that fancy lighter of mine, too. Which you still haven’t given back. KIRYU: You want to play the rich guy, quit being so stingy. NISHIKI: But you get what I’m saying, right? People see the expensive car, the designer jacket, and the gleam of that little Dojima pin, they pay attention. A yakuza’s only as good as his image. [...] Take your buddy today. These squeaky-clean idiots, borrowing money just to blow on tits and booze… Nobody in this town gives a crap about substance. What you see is what you get.

That's our first take on one of the major themes of the game: what does it mean to be yakuza? Again, there is truth to what Nishiki's saying here, particularly in terms of the ethos of the eighties. I'm not an expert on the bubble era, but the worldbuilding in the game speaks for itself. People hail taxis with 10,000-yen bills. You punch money out of punks during random street battles. Nishiki keeps a personal bottle of high-end booze at a bar he's visited twice, mostly because he "can’t stand being taken for a bum." The act of spending is important, not what you're spending it on.

Nishiki's outfit in Y0 is perfectly suited (heh) to that outlook. And look, I might be inviting controversy here, but in context, I think it's a werq. Yes, it's loud. But the silhouette -- squared shoulders, single breasted, thinner peaked lapel -- is right on trend for the time period, and it fits him well. The colors look good on him. The bold pattern (no, it's not animal print) under the solid maroon is a risk, but he pulls it off. And excess aside, he knows when to pull back on the accessories. It's bright and confident and memorable, and boy would Nishiki like to be all of those things.

Also -- and importantly -- Kiryu would never go out dressed like that. Because we can't talk about Nishiki and Kiryu without talking about Nishiki's Mt. Fuji-sized inferiority complex. Mastering image doesn't just make Nishiki stand out; it makes him stand out from Kiryu. Let's go back to the beginning of the game.

NISHIKI: I’ll admit, though, you’re finally starting to look the part. You make a pretty convincing yakuza. You’re done with collections today, right? KIRYU: Yeah. NISHIKI: Good. That should put Kazama-san’s mind at ease a bit. KIRYU: Heh, dunno about that. But he always knew all I could do is fight. You’re the one who’s good at the dance.

Nishiki then calls attention to the "rags" that Kiryu's wearing, which...is not an unfair assessment. (TUCK IN YOUR SHIRT, KIRYU. HEM YOUR PANTS.) As the two of them walk around Kamurocho, Nishiki offers Kiryu plenty of hot tips, from meeting girls to making big bucks to cozying up to the brass. But even when Nishiki's opining on his area of expertise, there's a competitive edge to it. "You asking me to pick out clothes for you means you admit you have terrible taste," he tells Kiryu on the way to the suit shop. Kiryu tells him to shut up, but there's no actual hurt behind it. Kiryu doesn't really care that his taste in clothes sucks. Fashion isn't important to him. Most of the things Nishiki knows so much about don't really matter to Kiryu. And that makes Nishiki feel more insecure! Because if Kiryu rolls out of bed looking like a yakuza, if Nishiki's image counseling sessions aren't helpful or meaningful, if Kiryu can skip the dance and get to the top on the strength of his fists and convictions, then who cares about Nishiki's 500 grand suit or his hourlong hair care routine? If image isn't what makes a yakuza, what does that make Nishiki?

At the end of Chapter 6, Nishiki tries to look out for Kiryu again -- this time, by granting him a merciful death before the Dojima Family drags him to the Hole. It's one of my favorite scenes in the game. Nishiki's crying too hard to aim the gun properly; Kiryu tells him to man up and shoot. Finally, Nishiki collapses.

NISHIKI: Can’t do it… How could I shoot you!? Without you, I’ll always be nothing. Can’t make it as a yakuza… No. I wouldn’t even still be alive now if I didn’t have you beside me! I’m just… If you’re not with me, I’m useless! Nothing means anything!

Mastering image hasn't granted Nishiki anything of substance. At the end of the day, Nishiki's playing dress-up, and he knows it.

And I'm almost certainly getting into overthinking-this territory now (if I haven't gotten there already), but I kind of like the spin this puts on Nishiki ripping his expensive suit off in Chapter 14 when he decides to fight the Dojima Family at Kiryu's side. Like yes, ripping off your outer layers to get at the naked (so to speak) truth -- your irezumi, and what it represents -- is just Yakuza Storytelling 101. It's decisive, it's kind of dumb, it's great, it gets me hyped every time. But I like that Nishiki's honest answer to "what does it mean to be a yakuza?" isn't about looking the part. I am genuinely trying not to end this paragraph by saying that Nishiki must become like a dragon, but like...you get where I'm going with this.

Of course, Nishiki's back to playing dress-up in Y1/Kiwami. I'm not the first to call the Patriarch Nishikiyama look a glow-down (though I like the patterned white tie). Like, fashion-conscious Nishiki would look good in a Hedi Slimane/Tom Ford-esque skinny black suit. But he picks a silhouette you'd expect to see on a much older man, torso-swallowing pants and all. The slicked-back hair doesn't help. He's just so transparently trying to look bigger and broader and older, and he doesn't pull it off. Big Bad Patriarch isn't a good look for him, in any sense of the phrase.

A final thought: Kiryu's clothes, and Nishiki's commentary on them, are the subject of their first conversation in Y0 -- and of their last. Kiryu's costume progression in Y0 is a pretty obvious commentary on his journey, to the point where Kiryu and Nishiki explicitly call attention to the color connotations in their final exchange. As a Dojima grunt, he wears black, and it doesn't look good on him because "brutish thug who keeps his head down and does what he's told" isn't a role he's comfortable with. He wears white when he works in real estate, but the change in color isn't enough to sell anyone on his transformation into a civilian. Although it's a little rich for Oda "Red Clown Shoes" Jun to chide someone for not wearing a proper suit. At the end of the game, Kiryu's in his classic grey suit, and well, the game spells it out:

KIRYU: I’m not feeling black or white these days. This is where I’m at right now. I chose it myself. I’m making it a fresh start. NISHIKI: Fine, fine. See if I care! Wear it the rest of your life!

Nishiki, dismayed, tells Kiryu that the grey suit already looks dated, but for Kiryu, "fresh start" doesn't mean "on trend". His image might be out of step with how other yakuza view themselves, or want to be seen, but if he's always going to look like a yakuza, he might as well stake his claim on what being a yakuza means. Still, it's telling that, even as a young man, Kiryu looks like a throwback to an earlier era. As the series progresses, the games hammer this home more and more. How many antagonists tell Kiryu that he's out of touch with the modern world, that he represents a version of the yakuza that no longer exists, that it's time for him to make way for the next generation?

"Wear it the rest of your life!" is a funny little in-joke, yeah, but...it's a little sad when you think about it, isn't it? Kiryu gets new outfits from Y3 on -- and in every game, he ultimately puts the suit back on and heads to Kamurocho. It's exactly of a piece with how Kiryu views being yakuza. We, and he, can debate the exact extent of his retirement from the Tojo Clan's affairs, but the yakuza isn't a career for Kiryu, it's a set of beliefs he carries with him. He wears the suit the same way he wears the dragon on his back: as an indelible part of his self-image.

[finalgirlminamurray]

remember when halloween 2018 (or as i like to call it, halloween h40) came out and people were making those flowchart-style diagrams explaining the various halloween timelines? i like when people try to do that for the texas chainsaw massacre series because it is a fool's errand. you cannot divide that series into distinct specific continuities because there aren't any. there's a good argument to be made that every single film in that series takes place in its own completely separate timeline because it so often does not bother to meaningfully connect them beyond the single recurring character of leatherface.

i've mentioned before that tcm2 is my favorite sequel and the only one i actually like and will accept as a canon sequel to the original film, and part of that is because despite the complete 180 in tone it does, it's the only one that bothers at all to be a sequel. i think it's the only one that makes sense as a continuation of the first movie - the only glaring continuity errors are confined to the opening scroll text, which you can take or leave as part of the films' canon. (by this i mean the first movie's opening implies that the sawyers' crimes were discovered after sally's escape, while the second film explicitly says no evidence was found. also it retcons sally's last name to be "hardesty-enright" instead of just making lefty's last name also hardesty, for whatever reason.) there's one newly introduced member of the family but you can infer why he wasn't there in the first movie, and the one who isn't there this time has a good reason to be absent (he's died.) one of the main characters in this movie is a relative of the first film's final girl and his involvement in the plot is explicitly connected to what happened to his niece and nephew. the events of the first movie clearly happened in this universe. low bar, i know.

this could be attributed to this being the only sequel also directed by tobe hooper, although the original film's screenwriter did not return, and him having more of a vested interest in continuing the story of his own work. most of the original film's cast did not return for this one (can't say i blame them), but they work with that pretty well. i do think the film ends in a way that pretty decisively puts the brakes on any possible continuation from there, which could be attributed to hooper not really wanting to do a sequel in the first place and trying not to get asked back for another one. (i agree this was not a film that should ever have had sequels, much less become a full-on franchise. but you can tell that upon having to do it they were just like fuck it, let's have fun. hence the tone.) not that that stopped the studios from valiantly trying again and again to profit off of this title.

which might explain why the later sequels are so particularly weird. they don't really have a lot to go off of, i guess. i think part of the problem is that this is one of the few slasher films where the villain is actually a group of people, not a single recurring killer or identity various killers take up. they do have a silent, masked slasher who can be played by whichever new stunt guy you get for each film, but what about the rest of the family? it's always felt important to me that there isn't anyone outside of this isolated little unit in the first movie, but sequels keep inventing totally new characters out of nowhere with no explanation as to where they've been in previous installments. doesn't matter - we're in a new continuity now. tcm3 does not logically follow in any real way from tcm2 or tcm1. it's not a sequel despite the number in the title. it's a reboot.

(i've kind of come around on tcm4 aka tcm: the next generation. i used to think it was the worst sequel but now i think i get what it's trying to do a little better, although it is a pretty stupid movie in a lot of ways. some people have described tcm2 as a deliberate parody of the first film but i think that applies way better to the next generation, seeing how it follows a lot of the same plot beats but done in a more outlandish and parodic way. also, hey: same screenwriter as the original, returning this time as director.)

then the remake made a shit ton of money and kickstarted a new direction for 2000s horror (great. thanks for that.) and got a prequel that also actually made sense as existing in the same continuity as the film it was a prequel to. (again it probably really helped that they were able to get most of the cast back. no need to invent new family members when you still have all the same people playing them.) then in 2013 we got a sequel that promised to Finally be a Direct sequel to the original movie and...it made no sense as one. they try to pick up right where the original left off but right away there are once again a whole bunch of new characters who definitely weren't there in the first movie suddenly appearing in the house, including a baby whose existence is crucial to the plot.

(i'm sure everyone knows about the bizarre timeline decisions of this one, namely the main character ostensibly having been born in the same year as the events of tcm1 but only being about 18 years old during the main events of texas chainsaw 3d, despite it seeming to take place in the modern day. however there is an explanation for that! originally the film was supposed to take place in the early 90s when a character born in 1973 would have been that age, but studio meddling forced them to reshoot it to be 2013. you might notice that any mention or depiction of the exact year the opening scene takes place seems conveniently obscured in this film, implying that it is yet another alternate timeline where the events of tcm1 occurred sometime in the 1990s. this also serves as further demonstration that 1. studio executives are the dumbest people alive, and 2. people really don't care that much about the first movie. more on that later.)

leatherface 2017 is an attempt at a prequel that also makes little to no sense as a backstory for its titular character; i wouldn't be surprised if it started out as an original screenplay that got retrofitted into a tcm movie. there are no new sawyer relatives invented for this film (i don't think), but it does seem strangely insistent on keeping its leatherface away from the family for as much of the film as possible, making it feel especially like it didn't actually want to be a tcm movie. (the twist of the titular character's identity is clearly meant primarily to be surprising and not to make sense, but i can only say: there's no way that the original film's leatherface grew up apart from his birth family for that long and also used to be a "normal"-by-neurotypical-standards, verbal kid. different continuity.)

then in 2022 we get yet another attempt at No Guys Seriously For Real, This is a Direct Sequel to the First Movie, and i should have known things weren't looking good when it was announced this was actually getting dumped on netflix in february but my expectations plummeted to rock bottom when that teaser came out that thought the most relevant part of the movie to sell to people was a "canceled" joke. jesus. tcm:tng i'm sorry, this is the clear worst sequel. (if it was just that one dumb joke it might not be, but there's so much more that's awful in this movie - whatever.) anyway continuity-wise i guess this isn't completely disconnected, there is clear acknowledgement that the events of the first movie happened, but it's really not relevant to the main plot at all, when you get right down to it. pro tip: if a slasher sequel advertises the return of the original film's final girl, she will most likely not be in the film for more than five minutes. there's some implied backstory about leatherface running away to this neighboring town and being taken in by the lady who runs the orphanage, but honestly this could easily be yet another different continuity where leatherface is the adopted son of a kindly old lady (who still has a confederate flag in her window, jfc, i think this is the first time that imagery has ever been used in this series and it's associated with a character who's supposed to be sympathetic??) who was keeping a lid on his murderous tendencies before she died. points for effort i guess but i don't think it deserves much.

i really don't know why this series in particular is like this. most horror franchises will have their movies clearly follow each other and exist within the same continuity, sometimes with a reboot or two if they've gone on long enough (see: halloween having at least three different timelines, but all clearly branching from the same source.) if it's supposed to be an anthology series, they'll just...say that. i've heard it said that this series works best when viewed as variations on a theme, like the original film's events are an urban legend of sorts being told and retold around the campfire and every version is different because everyone remembers it differently or makes up their own. i do like that and think it makes the franchise make more sense but i know most people watching these movies aren't thinking about it like that, they're thinking of them all as sequels to the same movie, with the remake and its prequel being the only ones clearly existing in their own separate continuity.

it's a little sad to see how no one making official movies in the series seems to really care that much about the ostensible source material. maybe i'm biased because it's the film my brain latched onto the hardest when i started really getting into horror, but i think this movie is so interesting and there's so much there to explore with the little we're given about these characters and their dynamics and what they do and why they do it, and even if you can't really dive into all that in a movie you could at least use what's already there for your sequel and most of them just...don't. like they don't seem to have watched the original movie even before writing a sequel to it, just going off their own vague memories about that one scary movie about a guy with a human skin mask and a chainsaw. i know i shouldn't be expecting any more from a slasher franchise on its 9th installment but...whatever. it is what it is. this was never supposed to be a franchise in the first place. at least i can shout into the void about my thoughts and feelings on here.

(i think i read somewhere that the filmmakers were actually forbidden from referencing cannibalism in the script for texas chainsaw 3d and if that's true...oh boy. talk about missing the point. if you feel like something significant is missing in the later films in this series that's probably part of it.)

[carnivalcarriondiscarded]

never underestimate the power and joy in thinking about your own Guys doing normal people things. my brain is awash with delight

[crescentfool]

does anyone else want to stick these two in the same room together or is that just me... i simply think they are adjacent in vibes... (+a bonus thing???)

get u a fictional guy that makes you feel like this... seeing these guys just evoke a Similar Kind of Brain Chemical and Response. Help Me.

also have bonus yosuke doodle featuring the same brushes used here...! from january 23rd, lol.

[kyouka-supremacy]

Well.

[toxifoxx]

truly at the end of the day its all about receiving validation