#I don't think I'll ever be over it

[respectthepetty]

I'm still thinking about the editing of this sequence of events in Peaceful Property.

For less than three minutes, I truly believed Home was gone, and it was the longest three minutes of my life. I actually screamed when the show cut back to the hallway and Home wasn't there. Three minutes of Pang on the floor speechless and Peach screaming and begging for Home to come back.

These bitches had me.

[sophsun1]

9-1-1 – 8.06: Confessions

[kandismon]

totally lore accurate swanqueen screencap redraws 1/∞

i'm trying to learn how to draw emma and regina and figured just kinda redrawing some screencaps is the best and most fun way haha

bonus:

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[frankencanon]

I'm still reeling from Good Omens 2 — and I'm not talking about the cliffhanger.

No, I'm talking about the plot.

The whole "Something Terrible is Going to Happen" thing with a Naked Amnesiac Gabriel in the beginning made it seem like this season was going to go the same route as season 1 did — Armageddon, take 2.

And then when the season ended I was just so distracted by the kiss and the cliffhanger that it never really processed for me that this entire season was...

Well.

Whereas season 1 was all about stopping the Apocalypse, season 2 was entirely centered around romance, and only romance.

From what I can recall, there were three main storylines driving the plot in season 2:

Maggie and Nina's love story.

Gabriel and Beelzebub's love story.

Crowley and Aziraphale's love story.

Even if it didn't seem that way at first, it was revealed in the end that everything that had occurred had to do with someone's love story.

Naked amnesiac Gabriel showing up at the bookstore? That only happened because he fell in love with Beelzebub and got himself fired, then chose to run away before they could steal his memories of falling in love with them.

This whole season was about trying to find out what happened to Gabriel (love, love is what happened), trying to get Nina to fall in love with Maggie, and Crowley coming to terms with the fact that he is in love with Aziraphale, and then eventually working up the courage to act on that love.

And that's not even mentioning the minisodes — which were basically telling us the story of how Crowley and Aziraphale fell in love!

This entire season was centered around romance, and only romance!

The second season of Good Omens was literally a love story. I can't believe it — can you?!

Thank you, thank you, THANK YOU so much, Mr. Neil Gaiman!

Never before would I have guessed that season 2 would end up like this... I know we're all sad about how things left off with Crowley and Aziraphale, but there's not nearly enough appreciation going around for how we were even able to get to that point in the first place!

Everyone say,

"THANK YOU, NEIL GAIMAN!"

And let's not forget David Tennant (Crowley) and Michael Sheen (Aziraphale) who played these hopelessly in love idiots so well!

[jaeyxns]

Jake ⋆⭒˚.⋆ Tiffany Wonder

[disgr-aced]

just rewatching the clip of Mumbo killing Grian and genuinly I think the only reason it worked was because Grian immediately trusted and believed Mumbo. If it was anyone else, he would have been suspicious.

But that's his best friend, his ally, the man who spent his entire series proclaiming his friendship and running around the server demanding that people leave Grian alone, and who he in turn loved so much that he twisted the rules of the world to bring back from the dead. He was part of his team, and one of only two people in the whole series he would feel comfortable turning his back to.

Surely he wouldn't lie to him, no way! And if Grian saw him reach for a weapon, it must have only been to help him get food, right?

Surely the knife in his back is a mistake. Surely his friend, his Mumbo, wouldn't kill him in cold blood.

Never.

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[critter-covenant]

Class is in session!

Idea inspired from this that I've been meaning to draw for the past few days

[adhd-merlin]

(x)

[b1gwings]

I was inspired to make this RIGHT after listening to episode 47. There was something so heartbreaking about this scene.

full, higher-quality images with alt text below the cut!

[azfellco]

Me right now

[welcometogrouchland]

I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry

[sodaequalsbubbles]

Okay this is going to be a long ass negative Dragon Age the Veilguard post. So don’t read if you don't care about negative opinions on this game.

First of all, I should have never looked at the veilguard art book. I shouldn't have looked. WHY DID I LOOK THROUGH IT ughhhhhhhhhhh.

Before I just felt disappointed about this game. But now it's a genuine bitter sadness after seeing all of the art book.

I had a feeling that this game was probably frankensteined together, because datv felt so half-baked with chunks of story missing from it. Honestly parts of the game gave me the same sensation as when you skip a cutscene or speed run an area, it felt so off sometimes. So I knew there was probably a lot of stuff that was removed or altered until it was unrecognizable, but I didn't realize how bad it was. We were actually robbed. BioWare stabbed us in the middle of an alley way, made off with our wallets, and stepped on our hopes for this game on the way out. (Dramatic I know, but you get the point)

And before people start saying that it's unfair to criticize this game from its concept art because, "it’s just concept art and ideas. A lot of those concepts don't end up making it to the final game. Especially with the development of a triple a". I know that, but veilguard doesn't feel like they just cut out some characters, levels, game mechanics, etc. etc.

It feels like a whole separate game was cut out, and we were left with the glued together scraps of what could’ve been.(Sorry for the poor screenshots, it was difficult to find online scans for the art book )

What? The South of Thedas was actually going to matter instead of being nuked? Who was chosen as the Divine, and maybe even the rulers of Orlais and Ferelden were going to have more impact on the story? Yeah probably.

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The agents of Fen'Harel were originally going to be a part of the game like it was hinted at in the end of Trespasser. And constantly be sabotaging your plans to stop Solas. And instead of elves giving the biggest possible meh response, to the fact that the ancient elven gods were back and trying to restore their empire, by destroying the current world. They actually react as one should in this situation lol.

And many end up joining Solas ( and probably Elgar'nan, and Ghilan'nain as well). Because it kind of makes sense for enslaved, oppressed, and abused people that have been suffering for centuries to throw their lot in with those that promise to free them.

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Another cut idea made it seem like the first act of the game was going to start with your party sneaking into Tevinter, to get ahold of the red lyruim idol from DA2. But Solas and his agents are one step ahead, and he takes it before you can. Then turns the idol into the purified lyruim dagger he uses in the ritual at the actual start of the datv. (Better than Varric just telling you where the dagger came from, ah this game really loves telling instead of showing.) So that probably means the scene of interrupting Solas's ritual was going to be further along in the story. Instead of Rook just being air dropped into this mess, with even less of an explanation than the concept art lmao.

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Rivain was going to be a trading post, kind of sleazy and a melting pot of different Thedas cultures. Instead of an endless sandy coast with ruins strewn about.

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The real Tevinter was going to be seen. Its opulence, pride, and strength built off the backs of slaves and magic. Because believe it or not, outright ignoring slavery in Tevinter is worse than showing it. Instead of giving us the chance to confront it, and put a stop to it like the Shadow Dragons, Maevaris Tilani, and Dorian have been trying to do for years, the game just outright acts like it’s not happening basically. Making me feel like no one in the game gives a damn about these people that are suffering. Pretending it’s not there doesn’t change anything.

A little section in the book shows that we maybe could have started a slave revolt in Tevinter as well.

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Whoever was left behind in the Fade after Inquisition, was going to appear when Rook gets trapped there.

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Isabela was intended to be an advisor, perhaps alongside Morrigan and Dorian (like Leliana, Cullen, and Josephine were in DAI). And provide you a ship, and a captain for your journey. Instead of being a glorified WWE announcer for a fighting ring. She was also going to have a proper outfit; unlike the absolute mess we got in game ugh.

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In the concept art there was more politics. Such as gaining allies from opposing sides, like the Qunari and Tevinter.

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There were also perhaps plans for more divisive and conflicting sentiments within the companions. And events where they could betray you depending on choices made in the game. (Real conflict and consequences, in my Dragon Age?!)

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The Inquisitor probably was going to have more involvement in the story.

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You could ride a GRIFFON while hunting dragons.

So yeah, the art book brought more sadness than curiosity out of me. I will now go into the salt mines, to mourn the game we could’ve gotten instead.

[benevolenterrancy]

Hi I have caught up to you on having feelings about Zhuzhi-Lang. He's a good boy! 🥺 Good snake boy! 🥺 I had the thought, after Zhuzhi let SQQ leave after SQQ yelled at him... what if they Stole Him. What if.

(Also have you read/been recommended anything by corduroyserpent yet? Big writer of Zhuzhi-Lang fics, including a very cute de-aged Zhuzhi-Lang and some zhushen)

Justifications of bride-stealing!

(AND HE'S THE BEST BOY 😭 I LOVE HIM SO MUCH, SO MUCH!! have some further au thoughts because this has contaminated my brain...)

What I think would actually happen if they stole SQQ? Absolutely nothing good for anyone, LBH would Lose His Fucking Mind xD as a more interesting answer though, I like the idea that Shen "Pedantic Nitpicky Asshole" Qingqiu's primary point of argument is that he is not a bride so he cannot be "bridenapped" regardless of demonic tradition or intention!

This eventually leads to them all completely avoiding the Maigu Ridge incident because TLJ realizes that, somehow, SQQ doesn't realize the depths of his son's feelings for him and decides to put all his efforts into being a wingman for his nephew instead because he finds the entire thing absolutely hilarious and rather satisfying after his own sad romance. Obviously someone like SQQ would do much better with his good, loyal nephew than the disappointing offspring of that disastrous relationship!

As for ZZL he just has to assume that LBH must not be treating SQQ anywhere near the way he should be (and like... he isn't wrong at this point, there is a non-zero amount of torture and terror going on here) if SQQ doesn't see himself as being tied to LBH in any way. And if he's not attached to LBH then there's absolutely no reason he shouldn't make his own efforts to seduce SQQ! After all, if LBH isn't valuing SQQ properly then obviously ZZL has to step up because someone as kind as SQQ deserves the best!!!

[thesadchicken]

Only moments ago, the room was silent. Now there is the sound of footsteps, and there is nothing else. Spock knows the weight of those feet on the ground; he would know it blind and deaf. It is him, here in the foreshocks of ending.

But Spock also knows it is only a dream. He does not open his eyes. He is too tired and age-worn to be chasing phantoms. They never stay, Spock knows this better than anything. He has had such visions before. If he tries, he can almost convince himself that he hears the distant echoes of a beloved mind. Parted from me and never parted. He has had that dream before, too.

And yet there is a tremor at the edge of Spock's consciousness, his telepathy that has grown weak over almost a century of disuse—there, it moves again, trembling, like leaves in the wind. The bond that once lived there, now a house overgrown with ivy. Could it be? Or are these the last lingering longings of an old fool?

He thinks, I will not try. He does not wish to break himself at this moment, just as his long night begins.

He tries anyway. He always does.

A touch. A touch. His thumb tracing circles over a wrist, the steady pulse he finds there, those fingers clasping his own—the touch, of hands and palms and minds, so painfully familiar, he would know them anywhere, he would know them blind and deaf. He has died and he has been resurrected by these hands, these hands that hold him now, that hold the entirety of him, Spock, everything he is, and he opens his eyes.

Blinking, like a newborn, into the dawn. Never and always touching and touched. Hazel eyes that know him, brighter than the sun, this simple feeling. He remembers it all: a life well-lived, a life lived together. Jim, without the shadow of a doubt, beyond logic and beyond reason, Jim Kirk. He is here, and Spock is dying, and there is nothing else.

There are words between them, but they are not spoken. They are only felt. Spock feels. He feels everything. Then he feels only one thing, and he feels it so loudly that he can hear it burning brilliantly through their bond as the sun rises on the last day.

At the end of all things, you.