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lizzylucky · 4 months ago

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Draxum hadn't accounted for the fact that when he gave four hatchling turtles the DNA of a human being in order to give them greater intelligence, he would effectively be making himself a surrogate father to actual children, with wildly different needs.

When he sent his gargoyles to obtain a sample of DNA from Big Mama's prized warrior, the intention was to create his own. They were to be the prototypes for an army of simple creatures with just enough heightened intelligence to learn combat and follow commands, that he might defend Yokai kind with.

Instead, he quickly discovered the integration of human DNA had been a little over successful in allowing his test subjects to learn and think and feel in a civilized manner, going so far as to override some of their natural instincts as turtles that would otherwise allow them to learn to care for themselves. He had to feed them, by hand, with bottles.

Like infants.

They were easily distraught by unfamiliar things, and quickly became dependent on Draxum in every sense of the word. They babbled, they cried, they explored things with their hands, their tails, their mouths.

It was an unplanned adjustment needed to be made, but no matter. If anything, learning to understand the new hybrid emotions of these turtles would allow Draxum greater advantages when they grew enough to safely learn combat. Preferences, likes and dislikes, needs, diet, and so on, all became more complex areas of study.

Even a couple years in, he found himself continually surprised. Brain scans had shown that the turtles were more intelligent, still, than anticipated. They, truly, seemed more human in mind and function than anything else, with only some base instincts and behaviors left to influence their personalities. They retained many reptilian traits, but overall had the bipedal anatomy and function of humans and some Yokai. It had been an infuriating discovery at first, but Draxum had to admit that over time he became fond of it.

Each turtle had developed his own personality. The eldest, for example, had a love of plush toys, and showed a fierce protective instinct over the others. The youngest, Draxum had learned, was contrastedly reckless and excitable, not nearly so reserved or gentle as the first. Additionally, he was, decidedly, to be kept away from any and every writing utensil unless under strict supervision (unfortunately, this was learned a little too late, as was evidenced by the clear markings left in several work benches). Then, of course, were the slider and the softshell, who had the most bizarre relationship. They were constantly fighting with each other, but utterly inseparable, and each showed an incredible and unique curiosity, constantly exploring and watching and studying, with concentration filling their eyes in ways Draxum had never seen in other children so young.

Embarrassingly, it took another couple years before Draxum realized he couldn't simply refer to them by their species' names. It certainly was effective, but they were not the mild, simple creatures he had once expected them to be, and he knew that they never would.

Now, they were vocal, playful, inquisitive... energetic. By the gods, were they energetic. They never stopped moving, never stopped talking, never stopped eating, never stopped wanting or needing.

...This is why Draxum never had children of his own. It took all the time and energy he had to spare, and then some. Although it would be a lie to say he wished they were any other way.

They had so much capacity to learn, and with their emotional propensity could one day come to understand exactly why Draxum was doing this, which he knew would be an edge in their combative styles.

As he introduced them, slowly, to more of the world's culture and knowledge, he felt, in a new way, that their very existences were revolutionary. A perfect, synergistic unity between two entirely different families of genetic material, with numerous enhanced abilities. And they were children. They maintained all the properties of regular children, but had so much more in store! Such grand destinies! They would be, inarguably, the greatest warriors of their time when they were grown. They would be the compassionate, skillful heroes of all Yokai, the first of a new generation of super mutants, and the key to overcoming the evils of the humans who had overtaken the surface and posed such threat to all who lived below.

It was with great reluctance that he allowed himself to accept, however, that not all of mankind was evil. There were many forms of art, beautiful in different ways, there were some rare people filled with kindness, inventions that utilized resources in ways Yokai kind had never thought to. Perhaps he had been a little stubborn in his ways, a bias cementing over time that blinded him to some of the beauty that did yet exist in such a species.

Make no mistake, humans were a threat. Innocent families lived in fear, in hiding, of the governments and ruthless sciences designed to invade, to blaspheme the name of knowledge, with no regard for the safety of this people.

Draxum could live with being an outlaw to the Yokai if his experiments would lead to their salvation. He may be their villain in today's papers, but in history books he would be a hero.

Still, he wished to amend some of his practices. Even if only to his turtles, he would be known for his ability to change and understand. He would be fair, and he would be truthful.

And so it was that he told the turtles the nature of their existence. Perhaps he muted some of the details, to protect their minds until they had more understanding, but he would not lie to them about their DNA. He told them of Lou Jitsu, and their human genetics, and he begrudgingly allowed them access to the culture of the humans. He would let them choose their interests unbiased.

In the process, he came to know of some of the revolutionaries of human history. Though he wasn't particularly inclined to believe there were no evils involved, he was intrigued by the strange moral code that the humans boasted from their different time periods. The turtles, as well, were fascinated by the stories of war heroes and generals, seamstresses and inventors, artists and royalty.

Initially, when it came time to redesignate his turtles, Draxum had been inclined toward the names of those whose legacies persisted in the humans' culture even today- perhaps a president for the slider, a scientist for the softshell, a great general for the snapper, and an artist for the young box turtle. It seemed, somehow, clandestinely right; carefully considered to exemplify each of their personalities.

And although he had begun to get used to the possibility of names like "Monroe" and "Edison", his indecision on the matter seemed to be working against him. He was taking too long, and the boys were growing smarter.

It was a day in August, later that year, that he found his two youngest arguing over a Renaissance book, oddly enough. The elder two took to a game of knocking "secret patterns" on each other's carapaces, which he dismissed before he could allow himself the confusion that came with wondering why a five year old would want to knock on a spiked shell for fun.

After breaking up the fight and confiscating the book (which, as it turned out, the youngest only wanted because it had pictures in it, much to the chagrin of the other, who insisted that reading it was much better than just looking at the pictures), Draxum found himself idly flipping through pages of rustic images and rudimentary ideas, developed by people with strange names.

Maybe he was simply too tired to consider it properly, but, feeling defeated in his endeavor, he chose four names at random and assigned them to the young turtles, deciding it had been long enough.

It took a while to get used to, but soon "Raphael", "Leonardo", "Donatello", and "Michaelangelo" truly fit.

Over time, the boys grew... ravenous. They devoured everything- food, information, technique. They were learning quickly everything Draxum taught them. They practiced with Huginn and Muninn, leapt up, around, over, and through everything in the lab, and took special interest in action-filled films.

And Draxum grew fonder. He wasn't entirely surprised, of course; it's natural to develop some sense of sentimentality when caring for anything this long. Even if they had been the simple minded turtles he expected, he knew this was inevitable, to a degree.

What startled him was the sudden sense of fear that came with watching them train. The alarm that made his heart beat harder when one of them fell from somewhere high or any time they ran simple drills with weapons not blunted and made from wood.

He subtly began to intensify their defensive strategies, taught them where they were most vulnerable so they could protect those spots, insisted on perfecting their abilities to parry, block, and dodge before anything else.

And, over time, he found himself training them less often than before, thinking, "I must preserve their innocence and prolong their childhood experiences". After all, it was an essential part of development, was it not? If it were tarnished too much, they might become unwise or unjust as warriors. And, really, Raphael was only 8 years old, and he was the eldest; they were much too young to be exposed to the harshness of what their combative training was really for.

He told himself that, time and time again. He told them that, making certain they understood that their training was not a game. It wasn't untrue, certainly.

Really, he just wasn't ready. He wasn't ready to admit to what extent he cared about them, because it was too much. It was more than he could ever have been prepared for. It was more than that passion to protect Yokai kind ever was, and if he ever realized that, he might become the compromise to his own purposes, to the very reason these turtles exist this way to begin with, and then what? What was he to tell them, why was he to train them, who did they exist for if not the inhabitants of the Hidden City?

No. He couldn't do that. He simply would not allow it, not when so much was at stake.

And yet...

More and more often he desired simply to watch them. He was growing weary with worry, and with that tight feeling that arose in his chest each time one of his boys so much as frowned.

Raphael loved to carry his brothers on his shoulders. And he prided himself on being the big brother, in every way. He liked repeating instructions Draxum gave to the others, and tended to play caretaker anytime someone was sad, or had a bruised knee. He often played the "bad guy" in their made up games so the younger ones could "win", he was the mediator in big decisions, like what book they should read before bed, and he seemed always ready with an armful of stuffed animals when he wanted to express affection. So strong, incredibly strong, but soft spoken and sweet.

Leonardo adored Raphael. Just as Raphael did Draxum, Leonardo liked to imitate and repeat instructions. He tended to take charge in many of their childish endeavors, and had a propensity for dramatics and heroism, often pretending to rescue his brothers. This seemed to irritate Donatello to no end, unless he was also playing the hero, and often times he was. The two were usually glued to the hip, though Leonardo liked to make a point to tell all his brothers about everything that went on, and would take a movie night with the three of them over a one on one outing with Draxum any day. He was exuberant and joyous, and very driven by the concept of justice.

Donatello, similarly, seemed to care very dearly about maintaining a bond with all three of his brothers, but he was peculiar, often more reserved and enjoying his alone time. That child read and read like he might never get a chance to again, and he absorbed what he read like a sponge. Quite a few times Draxum found him pulling apart whatever he could get his hands on, and though an effort was made, there was no hiding place the boy couldn't discover in his quest for Draxum's tools. In spite of his quizzical, sometimes stoic nature, Donatello was sensitive, and very thoughtful. He would spend hours talking about his books and his ideas- some of which were very clever- and he was expressive in secondary ways- sitting nearer his brothers even without interacting, crafting things out of paper as gifts. Even the little heart-shaped mark on the back of his soft shell seemed a fitting part of him- he wore his heart on his sleeve, so to speak, and didn't even realize it.

And Michaelangelo. There was an innocence and joy and goodness about the smallest turtle that had struck Draxum. Even when he was younger he always wore a smile and liked to see the good side of things. And he idolized his brothers. With him had grown his creative inclinations, filling every colouring book, drawing on every wall, and absolutely plastering the other turtles with stickers. They were a pain to wash off, but Draxum couldn't bring himself to mind it, especially given the elder three always loved their baths. Ironically, it seemed Michealangelo did not, enjoying it only under specific circumstances. Heat, bubble bath, and bath toys had quickly become a necessity. So too did bath crayons, the need to express himself coming through even when bathing. Everything about the ornate box turtle was bright and colourful.

Draxum... loved them. Dearly. Every facet of their personalities and growth. Every unique trait and behavior.

It was terrifying. He couldn't afford to love them. He couldn't afford to see any more goodness in the humanity they showed. He couldn't afford to change his goals right now.

So he continued disregarding the feeling, trying to reason that everything he did for them was to nurture their instincts as warriors, as science experiments, as specimen.

But a pained scream one day, different from any of the ones he heard when they were frightened as infants, when one of them tripped and fell, when a spat led to hitting, sent his heart into his throat and had him racing through doorways with more urgency than he had felt for anything before.

He had demanded an explanation, panic translating to perceived anger, and three of his boys looked up with teary eyes. Three, but Donatello remained curled up on the ground, wailing his little heart out without ever looking up, and it was one of the most heart wrenching, painful sounds Draxum'd ever heard.

Raphael sat not far from the smaller boy, looking over his shoulder seemingly at nothing, at Donatello, then up at Draxum and back again. Both Leonardo and Michaelangelo burst into frantic, panicked explanations, none of their words coherent enough to understand through their tears.

When Raphael stood, exposing red-tipped spikes on his shell and pointing frantically to Donatello's, it didn't take long to figure out well enough what had happened.

It became quickly a very long day. All four turtles were distraught, and though Draxum had more than enough first aid knowledge to address the situation, bile had threatened to rise the very moment he pulled out the suture kit.

The cuts were deep, and jagged. And poor Donatello cried the entire time, even after a numbing agent had been applied.

Draxum had never thought that in depth about Donatello's soft shell. Not like that. He chose a softshell for the experiment because it would provide greater flexibility, greater agility. It gave an advantage that the hard-shelled turtles did not have.

Now, here... The soft carapace, spongy and leathery and bloody...

It was an accident. Of course it was, Draxum never doubted that. He had to assure that none of his boys were in trouble, no one was in trouble, no one had done anything wrong.

But for the first time he had to be honest with himself. For the first time he couldn't deny how much he cared about the turtles. His turtles. His boys.

He wouldn't, either. If this was what it was, if this was something that could happen again because he insisted on making them into warriors, into fighters- if this could happen on purpose, if this could happen worse, if this could happen with malice and hatred in mind...

Draxum wasn't unused to physical affection, by now. All four boys adored hugs, although Donatello was usually more reserved about them. Now, Donatello clung like his life depended on it, sniffling and whimpering, having cried so long he had no more tears. Draxum clung back, idly smoothing over the edges of the bandages, holding the frightened, exhausted turtle to his chest, cradling.

He did so until well after Donatello fell asleep. He couldn't bring himself to put him down. He accompanied the others to bed, assuring them once more that things were alright, and then simply stood in the walkway, holding his boy tightly.

He couldn't do this. He couldn't go through with it. They were children, every bit as innocent and deserving as the Yokai he wished to avenge and protect. He could train them, prepare them to protect themselves, but he could never send them into battle, ask them to put their lives on the line, much less demand it.

How could he?

It took months of processing, of agonizing his way through the healing process with Donatello, of watching the other boys proving their humanity, their curiosity, and their innocence time and time and time again. His mind was constantly at war with itself, his heart constantly in turmoil and distress, worsened by the turtles' confusion at his sudden change in behavior.

What was even worse was that they would.

They would absolutely sacrifice everything they had for his approval, and for what they understood as "right". He could see them, easily, being willing to submit their very lives to a greater cause if he asked it.

But was he "right"? Even if this experiment had gone exactly as planned, was he right for ever considering putting these turtles into the station of a warrior? Even if they had remained turtles in mind, if they never expressed complex emotion, if they could not speak, if they did not have distinct and colourful personalities, would it have been right?

Was what he saw in them now what they would have been at heart, regardless of circumstance?

Or was it the humanity, that he stole from Lou Jitsu?

Perhaps... perhaps it was time to learn. To consider the root of his motivations.

He couldn't do this to them.

How could he?

#rottmnt #rise of the tmnt #rise donnie #rise leo #rise raph #rise mikey #baron draxum #rise draxum #rottmnt fanfiction #whump #blood mention #rise lou jitsu #lou jitsu #(only mentioned)#to be honest with you I wrote this on a whim and i don't even really know why I felt inclined to #but I really like it #maybe i just needed to get some thoughts and feelings out #and I think this'd make a REALLY cool AU idea #would anyone want to see more?#if there were interest I think this'd be a lot of fun #lou jitsu stayed with big mama in her Battle Nexus and never met Draxum face to face #Draxum kept the turtles and He's A Good Dad Actually By Accident #he slowly learns to love the turtles like a real father and even to appreciate a bit of humanity through them #and when he finally realizes that he starts questioning his beliefs and morivations #he decides not to make the turtles his warriors because they're his KIDS #and the idea moving forward is that he would find Lou Jitsu and learn about humanity #Lou in turn would have developed a hatred for yokai because of his Bad Times as an unwilling warrior #and we get a whole mess of changed roles and bizarre moral conflicts #threw in the Raph Accidentally Hurt Donnie's Soft Shell When They Were Kids trope #that's a good one hehe

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vegaseatsass · 5 months ago

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My Stand-In Episode 10

Just a few scattered notes of things I have on my mind.

I have been very very very obsessed with the moment where Joe breaks up with Ming after Ming's mom went in on them. See, originally I took Joe at his word: He's tired. He's tired of the constant melodrama, the neverending battle just to exist. Ming and his family already killed Joe once, he just wants some quiet contentment and to not feel like he's fighting for his life every time he holds his boyfriend's hand. Honestly, I really loved that, that their breakup this episode wasn't a contrived fight full of blame and accusation, but was simply Joe realizing he's too exhausted and walking away.

But then it hit me like a load of bricks, that no, actually. Joe didn't end things in that moment because he wants peace and quiet. He left before Ming could hurt him again. He left because he didn't believe Ming would stand up to his mother or his family - or more like, he didn't want to let himself start hoping he could, and get disappointed. Since the funeral, Ming has been giving Joe everything he ever wanted Ming to give him and more (I mean if you don't count "respecting his boundaries" as something Joe wants but 1. Ming is kiiiinda starting to get there by the end of this ep lmao? 2. I'm talking about everything Joe wants to feel from Ming on a visceral level, more than what would make his relationship safe and sane). Ming has been telling Joe over and over again that he loves him, showing Joe over and over that he chooses him, showing Joe at every turn that Tong is nothing to him. No matter how much Joe or Ing push Ming or test Ming, Ming just keeps coming back and reaffirming his commitment to Joe, adapting to who Joe is now and offering him anything and everything he can give, sincerely, determinedly vowing to put him first. Joe has been trying so hard not to let himself want it or believe in it, but by the time they're in that meeting room with Ming's mom, he is back in honeymoon mode with Ming, truly starting to believe he gets to have the kind of relationship (two-sided. equal. where Joe is taken care of and spoiled and chased, not just the caretaker and spoiler and chaser) it used to feel too greedy to dare hope for.

And then Ming's mom reminds him of how easy (Joe thinks) it will be for Ming to pull the rug out from under him again, and send it all crashing down. Just like in his first life in honeymoon mode, when he realized Ming was here for Tong and not him, that this relationship that was making him feel so whole and safe was all a lie.

Like with something as big as breaking with a family that will never accept his sexuality, Joe has no instinct to "test" Ming or give him an ultimatum. I don't actually think it's with real disappointment in Ming himself that Joe gives up on Ming choosing him before Ming even gets the chance to try. I think Joe is probably completely sympathetic to the choice he expects Ming to make, and intellectually, doesn't begrudge it of him, the way he would (or should) begrudge so many of the actual terrible things Ming has done to him. But it still hurts so much to have reality force its way into their bubble, and remind Joe that even Ming trying his absolute hardest can't protect Joe from feeling that crushing loss again. So he takes himself away from the situation before it has the opportunity to hurt him again.

Idk if I'm getting at why I'm so obsessed with this, but there's just something to me about how happy Joe must have been feeling at Ming's side, to need to proactively remove himself from the situation to avoid getting his heart shattered like those mugs. Like "I'm tired" means "I can't do these high-lows anymore. I can't feel this good and have it taken away again." This is exactly why he's been trying so so so hard to freeze his heart around Ming: So he's not vulnerable to the particular kind of hurt he never recovered from in his first life.

And I just find it very moving that the source of that hurt this time isn't Ming making disastrous choices. It's something neither Ming nor Joe has control over. And Joe knows that! But it still hurts too much to hope and want things.

Meanwhile, Ming is like: Hope and want whatever you want, beloved. I am now Mr. Makes Shit Happen. I can do anything as long as you're alive in this world.

Which is another thing I've been thinking a lot about. Sol and Ming both trying to make themselves into these superperson supershields so things will be Different This Time, and smacking up against some natural end limits to their abilities. For Sol, no matter how hard he turns himself upside down trying to make himself into someone Joe can pick instead of Ming, the attraction will never be there, and Ming always WILL be there, reminding Joe of his feelings for him. For Ming, the limit on his absolutely determined devotion to Joe is his family. And Sol and Ming, both trying so hard to be bigger and more than they are, when they come face to face with their limit still refuse to back down. No matter how laughably futile it is.

To me, Ming standing there looking all tiny at the bottom of the stairs with his dad looming at the top is the equivalent of how manically out of his element trying to do the impossible Sol was in episode 9. But just like Sol, Ming can't stop now. No matter what happens in episode 11, Ming has to try to fight this impossible fight. Neither of them is willing to leave anything on the table after losing Joe once before.

Idk I wonder if they will have to work together before the end hahaha... we'll see.

I had more thoughts but this is once again a monster post so I will end by simply reiterating how amazing and hilarious I think it is that Tong tried to get Ming to pay him HUNDREDS OF MILLIONS OF BAHT for the privilege of removing the only source of happiness from his life. Like come to the meeting room, Ming! Let's make a deal where you go back to being depressed and alone, and give me all the money I want! Surely this will work out in a way where we can both walk out satisfied! The lion the witch and the audacity of this bitch <3 <3 <3 <3

#my stand in #my stand in the series #my stand in spoilers #dear diary #why does it take me so many words to express such simple thoughts and feelings #i don't feel like i even got across what i wanted to with sol and ming though which is that they're both so tiny #and like inadequate for their own purposes #trying to puff themselves up and make themselves able to fill so many more roles #do so many more things #anything it takes #than they'll ever be capable of. it moves me #ming practiced making instant noodles over and over....#mingjoe

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