#I disagree but like. that's fine that's what happens when multiple different people experience a piece of media

[allthoseotherworlds]

I think what's actually bothering me about the way some people are talking about the "Isaac Newton is hot" thing is like.

Headcanons aside. I need to know that you understand that asexual people can still call people hot and it doesn't mean we're experiencing sexual attraction to them.

Because I understand and appreciate people's excitement and joy and the ways they might want to read into this line,

But when people say that it's canonically confirming that the Doctor is attracted to men (in ways that imply sexual/ romantic attraction), rather than just that they're choosing to read it that way,

It makes me feel like people are under the impression that anyone who calls other people hot is attracted to those other people.

Which makes me feel misunderstood and frustrated, because it's not that uncommon for asexuals to be able to tell when someone is hot. It's just that sometimes it's easier to avoid actually saying that for precisely this reason-

The fear of being misunderstood.

[verinqueerstake]

We need to talk about the mods for the Queerward Discord server.

Now, let me premise this by saying: I understand that moderating a server of hundreds of people from around the world with differing identities is difficult. I’m grateful I haven’t had that experience. Further, I consider myself friendly with several of the mods. I don’t think I could call most of them “friends” properly, but I do care about their wellbeing and I know that they are in a difficult position.

However, that does not justify the bullying and abuse of power I have seen and heard of from my friends, and I can no longer sit quietly by while these same people continue to have that power, limited as it may be in the grand scheme of things.

I have no receipts, both because I was never planning on making a “call-out post” and because I am choosing to protect, as much as possible, the identities of my friends who have been hurt at the hands of the mods, so you may choose to take what I have to say with a grain of salt, and that’s understandable. But I have to say SOMETHING.

I left the server in April after an incident where a friend with religious trauma (who is still a member of the Church) requested a trigger warning around the phrase “think celestial” and the celestial kingdom in certain spaces. As a queer member of the Church, they have been harmed repeatedly by these phrases. To my understanding, one of the mods was upset by this, so several of them argued with this friend as well as anyone who stood up for them, citing that it’s not fair to put a trigger warning on those things because they’re “essential parts of our religion.” Keeping in mind that this is supposed to be a safe space for people of all relationships with the church, from exmo to convert and everywhere in between. While it is a core belief of the church, it also hurts a lot of people, even people still in the church. I left the server that day.

There have been other incidents, both before and after this. A friend who is a survivor of child abuse stated an opinion about how children are treated in the United States. They were attacked for that opinion by several people, including a mod, and then suspended for reminding another friend that they are a survivor of child abuse, and this very directly affected them. Now, I won’t disagree that the way they stated this reminder could loosely have been perceived as a threat, if you squint, but since they had just been attacked for their opinion and were defending themself, I don’t think it’s fair that they were the only one suspended for this incident. In fact, I don’t think they should have been suspended at all.

And let’s not forget “the box.” It’s a specific channel that people who are “in trouble” but don’t need to be muted, suspended, or banned get sent to so that the mods can gang up on them while they have no friends or support. I don’t remember what the channel is called, because fortunately I was too meek and quiet to ever end up there, but I’ve seen multiple friends who were sent there.

We can also discuss the way the mods contribute to purity culture. Despite the fact that there are adult-only channels, talking about kink, even from an educational and safety standpoint, can get you in trouble—and the more intense the kink, the more likely you are to get in trouble. (Did we forget that kink belongs at pride?) Because despite being a place for people with all sorts of relationships to the Church, I guess the fact that it’s primarily Church members means no one needs safe access to kink education? Other sex ed is fine, to a degree; there’s even a specific channel for it. But kink? Heaven forbid!

And the condescending way certain mods will interact with you even when you accidentally break the rules and immediately correct yourself (this one happened directly to me) is incredibly concerning to me. I genuinely think some of the mods are on a power trip.

I’ve also seen instances of ableism, particularly against people with disorders caused by complex childhood trauma (cluster B, dissociative disorders, etc.). I guess some disabilities just aren’t acceptable (sarcasm).

All this to say: they have a hard job, but some of them are bullies who don’t deserve to be mods. I have seen friends with particularly strong tendencies toward rejection sensitivity who have a literal trauma response caused by the Queerward moderation techniques. That is so beyond unacceptable.

If you love the Queerward server, or if you ARE a mod over there, that’s great, but you should also be aware that there are problems. People are getting hurt by the very people who are supposed to protect them. And I think that goes against what Queerward is supposed to stand for.

[miralines]

Before I say anything, I just want to inform you that I just randomly came across your post browsing the discourse tag for something else. I don't know who you are nor what's happening with ao3 users here. I don't know if you wanted a deep(ish)dive into someone's thoughts and reasons for choosing fics based on kudos and hits ratio, but 100% ignore if you didn't! Sorry if I am intruding by doing this!

I come from multiple giant fandoms and when there are multiple fic choices with tags and summaries that I like, I do choose to go by kudos and hits ratio. Just to pick which one to check out first. I did notice however, that in smaller fandoms or tags this couldn't be applied because there's not enough fics, so I just read what I'm interested in most.

Why? Kudos signify how enjoyed the fic is to me, because usually the more kudos it has the more talked about it is on other platforms. Why would that be important? It's just that I enjoy exploring content made by others after I'm up to date with a fic. It's really fun to see people talk, theorize, make art and speculate or scream over things that will or did happen. It's giving me an opportunity to find people with similar interests and see what they make overall!

Sometimes though, if fic in a fandom or a tag that's incredibly popular gets hundreds of hits and very few kudos, I choose not to read it. This is based on a few bad experiences I had giving those fics a chance, where something in them made me uncomfortable or hard to read. I don't have any very specific needs when I'm reading fics, I just enjoy reading as a part of enjoying the fandom, so when I see the general readers avoid giving kudos in fandoms where it's very usual to have a lot on fics, I don't want to read that fic for my enjoyment.

I really don't know much about this, I'm sorry! But yeah, I basically use kudos to hits ratio to oriantate myself and avoid something I wouldn't like based on previous correlations I made. I don't know if that's wrong or upsetting for others, but if you find it that way, I would like to know why too and improve! Sorry for any grammatical mistakes I made!

Oh hi anon! I wasn’t expecting anyone to reach out like this, but thank you for taking the time to write out your thoughts! (Also. Please do not feel the need to apologize for grammatical mistakes. I do not believe in ‘correct’ grammar; as long as I understood you, which I did, I think you’re absolutely fine and using language as it’s intended!) (I am. A particular kind of nerd and not policing grammar is something I have Opinions about hence this tangent lmao)

This got terribly long, so I’ve put a tldr above the cut and divided the rest under headers for ease of reading.

Tldr: I see your points with regard to differences between large and small fandoms, and with the specific goal of finding “sub-fandoms” for particular fics. I still disagree that kudos-to-hits ratio is the best way to decide what fics to read, both because it isn’t an accurate metric of engagement and because I dislike the idea of using engagement as the primary metric in the first place. When I use A03, I prefer to sort by what’s recent and use the tags and summary to decide what to read, or to use the (excellent) search function to find what I’m looking for specifically.

I’d also like to note to anyone else reading: I doubt this will be an issue, but if anyone is rude to anon I’m going to turn off reblogs on this post. I know this is something some people feel strongly about, and discussion is fine, but this is absolutely not worth being mean to another human about.

Size of fandom

To begin my more thorough response: This is an interesting perspective– not one I entirely agree with, but I can certainly see how in larger fandoms with a lot more content it would be valuable to be more selective. For context, my main fandom is an obscure storytelling band with under 3k total works on A03, and these days I mostly occupy a niche of that fandom (one specific album) with only 128 works. The largest fandom I’ve been active in currently has 37k works on A03.

I don’t know what your fandoms are, but as some examples of bigger fandoms, Star Trek currently has over 100k works, Supernatural has almost 300k, and Harry Potter has nearly 500k. That is a big difference! I’m currently working on a goal to read every fic in my 128-fic niche (with some exclusion criteria), but in larger fandoms it’s impossible not to be selective. This is all to say– I definitely agree with you that the size of a fandom impacts how a person can and does interact with it.

Fans of fics

Your point about wanting to interact with other fans of a particular fic also makes sense! There was a particular fic series in my largest fandom that had a pretty decent following, and I still have friends from that sub-fandom several years later. If this metric helps you find fics that match your goal of having that experience, I can see how the kudos-to-hits ratio could function as a potentially useful metric, though I still think its usefulness is a bit limited for reasons I’m about to go into.

Kudos-to-hits isn’t accurate

I have two reasons for thinking that kudos-to-hits ratio isn’t the best way to determine what to read. The first is purely numerical. If you’ve been watching this discourse, you’ve probably already seen people discussing how users can only leave a single kudos, but may be responsible for 20-plus hits on a work. This is especially applicable to multichapter works, which in my experience are the fics that are able to develop their own following. If you want to sort fics by engagement, it seems like at the very least, using comments for the ratio is a more accurate measurement.

Using engagement as a metric at all

Secondly, though, I (and I believe, a lot of people) dislike the notion of using engagement as a metric to measure fics in the first place. I think the current discourse is partially due to some regrettable phrasing on the part of the OP of the post I was vaguing– if I recall correctly, they said that they use this metric to determine if a fic is “worth reading”. I think this phrasing was hurtful to a lot of fic writers who may not have large followings or a lot of engagement, but who work very hard on their fics and feel frustrated that this person implied that they aren’t worth reading. I have fics that are personal favorites of mine, but that I haven’t gotten a lot of feedback on.

Of course, this is just part of writing, and it’s an important skill for any writer (of fic or anything else) to learn to handle rejection or just lack of feedback. But I also think that particular post was phrased in a thoughtless way that interacted poorly with pre-existing insecurities (this is part of why I suggested that post was bait– the phrasing seems to me like a perfect storm to make writers upset and defensive, but of course this could also be due to the OP just being a bit careless with their words, and not expecting to have hit quite nerve they did).

There’s an excellent post here on engagement on fics and what a realistic assessment of “successful” engagement metrics are based on professional standards (which includes a stat about how Harry Styles, one of the most popular and successful current celebrities, only gets a 1:30 ratio of likes to views on his social media. I don’t know what ratio you’re using, but iirc the post I was discussing suggested 1:10). Personally, though, I worry about both authors and readers depending too much on statistics, especially in a broader cultural context when it feels like everything is performed, measured, and monetized. Most social media platforms have gone from a place to share with friends to a place to compete for attention and make money and fame off it. There’s a lot of cultural anxiety around that at the moment, which is another reason I think this discussion has gotten so big.

Why I disagree with using engagement

I think this discussion, at its heart, is a debate about what fandom should be, and I feel focusing overmuch on engagement statistics contributes to a fandom culture uncomfortably close to the commercialization of everything else on the internet. I feel that fic should be enjoyed as art (whatever art means) and not as a product. I’m not saying you’re personally approaching fic that way, but unfortunately there does seem to be something of a broader trend towards that, which troubles me.

As a writer, I would hope that when people come across my fic, they give it a chance based on the metatext information I give them in the tags and summary, the quality of my writing, and whether my work matches what the reader is looking for. Judging it based on the numbers feels reductive to me, and makes me feel like nothing about the work or passion I put in matters; just the popularity. My fics aren’t going to be for everyone, and I understand that. If someone comes across my fic and decides they’re not interested, that’s their prerogative. But I hope that potential readers don’t discount my work just because it doesn’t meet a numerical standard that, in my opinion, is extremely arbitrary.

My suggestions for what to do instead

As a reader, I default to sorting by what’s been posted recently, and then using the tags and summary to decide what to read. That’s what those things are designed to be used for, and I think they’re much more informative than the stats. Worst-case scenario, I start reading and then go back to the search. All I’ve lost is a couple minutes.

In large fandoms, this might be an inefficient way to search for fic, and I recognize that. I’d encourage you to try using A03’s (fantastic) search function to find what you’re looking for– you can both include and exclude fandoms, characters, pairings, and tags. I have come across people who don’t realize that A03 has no algorithm, and haven’t realized they need to learn to use the search function. This is understandable, given the state of most of the internet and what these (often young) fans have learned to use before, but I think learning to search and filter is a vital skill to develop. I have no idea if you’re in this boat, anon, but if you are, please check out the search. It is, in my experience, the best way to find what you’re looking for on A03, and can at the very least supplement numbers-based selection.

Conclusion

I don’t think you have a moral responsibility to stop using engagement as a way to determine what you want to read. Frankly, this isn’t that important. I don’t think you even strictly need to stop using kudos as the measure instead of comments, though I think that would be more accurate if you do prefer to sort by engagement. But I do think you could be surprised at the hidden gems you could find if you didn’t limit yourself to only reading fics with high ratios. I don’t know the nature of your bad experiences in the past, and obviously how you use A03 is up to you. But I think there are better ways to decide what to read.

Thank you again for reaching out– you’ve helped me understand the other perspective as well! I really do appreciate your explanation. I hope I’ve been as respectful as you have, and that I’ve helped you understand where writers who share my opinion are coming from. If you’d like to continue talking about this or respond to any of my points, please feel free to shoot me another ask or a message. I hope you’re doing well and that you have a nice day!

[moononastring]

What was your experience like as an OG Elucien? I haven't been around in the fandom that long, but I've seen multiple posts recently about how Eluciens in 2017-18 weren't treated that great by other shippers :(

So I joined the fandom in 2017 after getting into Throne of Glass. EOS had been released at that time and like any normal person who finished EOS and had to wait for the next book at that time, I was having a mental breakdown HAHA. Which is when I realized that I had bought a copy of ACOTAR a few months prior and hadn’t even touched it. Naturally, I knew SJM had drugs in her books so I had to start that series and I became obsessed.

By this time, ACOWAR had already been out which was great for me and I gobbled up the series. Then I joined the fandom. And it was great in the beginning tbh! People were so excited and had so many hilarious shitposts and theories and yeah, different ships were celebrated! People genuinely had fun.

I was a Moriel shipper through and through (which ya know, was toast in ACOWAR lol) and had always loved the idea of Azriel and Elain being really good friends. I had loved Lucien and Elain from the moment he reached for her in the ACOMAF Hybren scene and they were just it for me. I was sold! It honestly surprised me that more people didn't ship them at the time because the aesthetics were immaculate.

But people had different ships and different preferences! And it was totally fine and pleasant and I had so many mutuals that shipped what I didn’t but it was normal, fine! Supportive! We used to reblog each other’s fics and posts, even when we shipped opposite things!! It was really really nice those first few months!!

Until one day…it wasn’t so pleasant anymore. This shift happened where people decided if you shipped Elucien…something was wrong with you. “They are never going to happen.” “Sarah wouldn’t keep Elain with an abuser.” “You’re misogynistic if you ship them.” And all the adorable things Elucien shippers still hear to this day.

And it was never all shippers that said or did this. But it was enough that were nasty and mean. Enough shitty behavior that was normalized and my askbox started getting filled with these nasty anons. But I wasn’t the only one who started seeing this negative behavior and it pushed a lot of eluciens away, which truly sucked. There weren’t so many of us anyway and then many of those that were here then started getting fed up and backed away. It became a thing of “well we’re louder so we must be right” kind of thing from that side which as we all know, is what it looks like now.

There was always some nastiness. However, the difference is that there were people back then who called out that kind of behavior. There was always a reminder that “hey, this is fiction. Chill the fuck out.” There wasn’t as much self-righteousness as there are these days where “my opinion is the only one that is right and if you disagree you’re a pos” lol.

Fandom was fun times and a celebration of creativity. Until everything started getting personal and people turned these fake characters into self-inserts and if you don’t like the way they think about these characters, you’re a garbage human being. At the end of the day, we like what we like about this series and we dislike what we dislike. We can guess, we can theorize but Sarah will write what she writes. We will either be on the same page and continue with the series or we won’t like it and let it go. It's all a guessing game at this point!!

It’s really really really weird to me how much Elucien as a ship gets disregarded lol. They have a soul bond. Everyone loves mates until it gets to them. People want mating bonds for their ships until it gets to them. You can dislike it all you want but don’t be nasty about it because in the end, they’re mates in a series written by an author who loves the mating bond. Who talked about them as a couple as early on as she talked about Nessian and Feysand. No one ever doubted Nessian so I don’t understand the Elucien doubt? All for who, Azriel? Who in every book we see him in still longs for Mor? Elain is as much of a distraction for him as he is for her. But I don’t go into people’s askbox hollering what I think. I don’t fill their tags with my opinion of that ship and what I think of other people’s takes. And trust me, I could. Because some of things I see 🙄 But do you know why I don’t? Because I’m an adult who remembers these characters are fake but the people behind the accounts are real and I know what it’s like to be on the receiving end of shitty asks. It’s not nice or fun or called for.

Eluciens have been getting the shitty end of the stick for years. I admire the Gwynriels who actually bother to reply to the crappy takes/posts and stuff but as I’ve learned over the years, it’s not worth it. I personally don't bother because I truly don't give a single shit and I encourage others to go about it the same way lol. I’m just happy to see more people who ship Elucien and all that they have to offer! They’re my comfort ship and it makes me so happy to see the love. I miss the pleasantness that I had at the beginning of my fandom experience but I have also learned to cater my feed to what I enjoy so I can keep having a good time. It sucks but hey, at the end of the day, it's May 2022 and Elucien are still mates so 🤷🏻‍♀️

[firesnap]

There were a couple interesting things about the post that escaped our little corner of fandom and, now that things have calmed down, I kinda wanted to talk about it.

Don't reblog this. It's just me, in the most self-indulgent and egotistical manner possible, babbling about the experience of having not even the most controversial thing I've ever said be inescapable for two days.

1. I actually hide my follower count, but my notifications made me curious, so I looked last night. I gained such a huge influx of followers over the past couple of days. Way more than a post that has 1200 notes on Tumblr should warrant. I don't know what to do with that information. Obviously some Twitter crossover there, but like, bizarre because most of them did zero interaction beyond following.

2. The amount of people who assumed, based on one post, that I only watch c!Crime. Like, I have watched most of the Egglore. I've watched all of Techno's streams. I have watched Eryn's lore and soooome of Tubbo's and some of Foolish's and all of Quackity's and a huge chunk of Sam's and Eret's. It's just so funny that the assumption is "if you think this part is better and are pointing out a consistent trend then it's because you've never watched anything else." Nah. I have. I was half watching/following CPK's just the other day too. Hell, most of the time, even if I can't watch the stream, I go and read update accounts for what happened in a stream (even if it's just casual RP).

3. So there's an interesting thing with Tumblr posts where you still have to have some sense of brevity -- a one off text post isn't going to get into who I watch and the issues I have with other storylines. There's just no way to cover the points every single person wants you to make and have it still be viable on your dash. Like this post is getting too long right now and I'm going to put it behind a cut. But Tumblr was built to be more of an open exchange so that makes it okay to make multiple posts or engage in dialogue with the inbox about points you couldn't hit or could only mention. When a post is removed the Tumblr environment you lose that and get a lot of "but what about's" that are things you've likely discussed.

4. Despite what weird gossip and discourse I read, no I didn't get any particularly nasty anons or hate. I got a lot of messages and that's why my inbox was closed. I'm bad at answering messages on the best days and the amount I was getting caused a bit of anxiety. Most were incredibly polite (even the ones annoyed and disagreeing). I will say I closed my inbox before things on Twitter went wild so who knows what it would have looked like.

5. There is no ill will between me and the person who put the post on Twitter. I saw that a couple of times and wanted to be clear there. I knew it was there thanks to a bestie and because I saw, using a blank twitter I have for following artists, a mutual on Tumblr retweet it. I never once asked for it to be taken down. They reached out to me when the post got a couple thousand likes to make sure things were fine.

6. Yes, I went to dinner with some friends and came back to a dozen messages about Antfrost. No I do not think it was about that post and tweet. It'd be funny even if it's not as impressive as the person who got vagued by Techno so hard that Techno became a lorehead just to talk about their post. Also, most of my mutuals are lovely people.

7. Yeah, I still stand by what I said. The dsmp has more unfinished storylines than finished ones and the lack of organization means people end up clinging to past tried and true formulas for making content. Yes, a living server means storytelling is different but anyone that's done an RP knows that doesn't mean you just have dozens of unfinished and abandoned plotlines and quests. Yes, I do think c!Crime are some of the only people on the server to start storylines and actually finish them and, as a result, people attach to them looking for content or guidance. No, I don't consider the Eggpire to be part of that group that finishes shit because "in two weeks" never happened. L'Sandburg and all that was "in the future after the finale" and then the finale didn't happen. I have lots of issues with how that was ditched. That doesn't mean I think the content that was produced isn't good. It's honestly just the most glaring case of pacing and fallen plot lines impacting what's a really good idea.

8. All of the comments about how "cc's don't owe me content/this is disrespectful" drove me up the wall. Yeah, no one owes a person shit. TV shows and movies don't owe me being made either. Authors don't owe me finished books. But if you're marketing your ability to entertain me, through stories or RP or music or whatever, I reserve the right to critique what you're trying to sell me.

9. It's interesting how many people don't consider the dsmp and its streamers to be a product and that, because it's not as blatant as a Marvel film, it's somehow immune to normal complaints. Like, I do agree that it's non-traditional media, but no one is out here streaming for free. Once you agree to be on a giant RP server that's known for RP, it's very hard for me to go "oh they're amateurs" because I know it's a career choice. They're professional streamers/entertainers. Every streamer, every single one that streams full time, is trying to sell you something. Even the smaller streamers (not even getting into how dsmp has skewed people on what a "small" streamer is) are trying to sell you on supporting them by doing content they think you'll stick around to see. Hell, I've seen people make "lore" a subgoal and if that isn't the most blatant example that the dsmp is a product then I don't know what is. Them having fun or doing it because they enjoy too is just a nice byproduct that changes nothing.

10. I agree my language can be inflammatory. But, you know, a lot of the times that's because it's a joke or a bit about how dramatic our corner of fandom is about everything. It, uh, does not translate well when it's exposed to other people.

I'm going to get some coffee with friends right now but, sometime later today, I'm going to reenable anon messages. I like the back and forth exchange. Be polite.

It's been a fun few days but, man, I'm ready for some Niki and Wilbur lore now.

[luckgods]

Why all the white guys in whump?

I got Inspired by a post asking that question, and here we are. Warning: long post ahead.

I think it’s due to a combination of factors, as things frequently are.

The preference for / prevalence of white male characters in fandom is well-known and has been examined pretty thoroughly by people already.

What’s worth noting for discussing this tendency in whump in particular is that the ‘whump fandom’ itself is not a ‘fandom’ in the traditional sense of being made of fans of one single source narrative (or source setting, like a particular comics fandom, or the Star Wars extended universe) with pre-existing characters. Although subsets of traditional fandoms certainly exist within the larger whump fandom, a lot of whump is based on original, ‘fan’-created characters.

So, given the tendency of ‘traditional’ fandoms to create stories disproportionately centered on white male characters due to the source material itself being centered on white male characters (and giving more narrative weight to them, characterizing them better, etc), if we say hypothetically that the whump fandom is split say 50/50 between ‘traditional’ fandom works and original whump works, you’d expect to see a higher number of works focused on white men than the demographics of the ‘traditional’ fandom’s source work would predict, but not as extreme of a divergence between the source material & the fanworks as the one you’d see if whump fandom were 100% based on popular media.

However, that doesn’t quite seem to be the case. Whump stories and art remain focused on overwhelmingly male and frequently white characters, which means that the tendency of the fandom to create stories disproportionately centered on white male characters cannot be ONLY explained by the source material itself being centered on white male characters (and giving more narrative weight to them, characterizing them better, etc).

And, having established the fact that whump writers & artists presumably have MORE control over the design of their characters than writers & artists in ‘traditional’ fandoms, we have to wonder why the proportions remain biased towards men, & white men in particular.

—

The race thing is pretty simple in my opinion. Mostly, it’s just another extension of the fanbase’s tendency to reflect the (predominantly US-American, on tumblr) culture it exists in, which means that, in a white-centric culture, people make artworks featuring white people.

There’s also the issue of artists being hesitant to write works that dwell heavily on violence towards people of color due to the (US-American) history of people of color being violently mistreated. I’ve actually seen a couple of posts arguing that white people SHOULDN’T write whump of nonwhite characters (particularly Black characters) because of the history of actual violence against Black bodies being used as entertainment, which means that fictional violence against Black people, written by white people, for a (presumed) white audience, still feels exploitative and demeaning.

I'm not going to get into all my thoughts on this discussion here but suffice to say that there's probably an impact on the demographics of whump works from authors of color who simply... don't want to see violence against people of color, even non-explicitly-racialized violence, and then another impact from white authors who choose not to write non-white characters either due to the reasons stated above, or simply due to their personal discomfort with how to go about writing non-white characters in a genre that is heavily focused on interpersonal violence.

Interestingly enough, there’s also a decent proportion of Japanese manga & anime being used as source material for whump, and manga-styled original works being created. The particular relationship between US-American and Japanese pop culture could take up a whole essay just by itself so I’ll just say, there’s a long history of US-Japanese cultural exchange which means that this tendency is also not all that surprising.

—

GENDER though. If someone had the time and the energy they could make a fucking CAREER out of examining gender in whump, gender dynamics in whump, and why there seems to be a fandom-wide preference for male whumpees that cannot be fully explained by the emphasis on male characters in the source text.

I have several different theories about factors which impact gender preference in whump, and anyone who has other theories (or disagrees with mine) is free to jump in and add on.

THEORY 1: AUTHOR GENDER AND PERSONAL EXPERIENCE.
 Fandom in general is predominantly female, although these days it might be more accurate to say that fandom is predominantly composed of cis women and trans people of all genders. However, pretty much everyone who isn't a cis man has had to contend with the specter of gendered violence in their real personal life. Thus, if we posit whump (and fandom more generally) as a sort of escapist setup, it's not hard to see why whump authors & artists might willfully eschew writing female whumpees (especially in the case of inflicted whump), because (as in the discussion of people of color in whump above), even violence towards women that is explicitly non-gender-based may still hit too close to home for people whose lives have been saturated with the awareness of gender-based violence.

THEORY 2: SICK OF SEXY SUFFERING.
 Something of an addendum to theory 1, it's worth noting that depictions of female suffering in popular media are extremely gendered (in that they specifically reflect real-life gender-based violence, and that said real-life violence is almost exclusively referenced in relation to female characters) and frequently sexualized as well. There's only so many times you can see female characters having their clothes Strategically Ripped while they're held captive, being sexually menaced (overtly or implicitly) to demonstrate How Evil the villain is, or just getting outright sexually assaulted for the Drama of it all before it gets exhausting, especially when the narratives typically either brush any consequences under the rug, or dwell on them in a way that feels more voyeuristic and gratuitous than realistic and meaningful. All this may result in authors who, given the chance to write their own depictions of suffering, may decide simply to remove the possibility of gendered violence by removing the female gender.

THEORY 3: AUTHOR ATTRACTION. 
I'll admit that this one is more a matter of conjecture, as I haven't seen any good demographic breakdowns of attraction in general fandom or whump fandom. That said, my own experience talking to fellow whump fans does indicate that attraction to the characters (whether whumpers, or whumpees) is part of the draw of whump for some people. This one partially ties into theory 1 as well, in that people who are attracted to multiple genders may not derive the same enjoyment out of seeing a female character in a whumpy situation as they might seeing a male character in that situation, simply because of the experience of gendered violence in their lives.

THEORY 4: ACCEPTABLE TARGETS.
 The female history of fandom means that there's been a lot more discussion of the impacts of depicting pain & suffering (especially female suffering) for personal amusement. Thus, in some ways, you could say that there is a mild taboo on putting female characters through suffering if you can't "justify" it as meaningful to the narrative, not just titillating, which whump fandom rarely tries or requires anyone to do. This fan-cultural 'rule' may impact whump writers' and artists' decisions in choosing the gender of their characters.

THEORY 5: AN ALTERNATIVE TO MAINSTREAM MASCULINITY.
 Whump fandom may like whumping men because by and large, mainstream/pop culture doesn't let men be vulnerable, doesn't let them cry, doesn't let them have long-term health issues due to constantly getting beat up even when they really SHOULD, doesn't let them have mental health issues period. Female characters, as discussed in theory 2, get to ("get to") go through suffering and be affected by it (however poorly written those effects are), but typically, male characters' suffering is treated as a temporary problem, minimized, and sublimated into anger if at all possible. (For an example, see: every scene in a movie where something terrible happens and the male lead character screams instead of crying). So, as nature abhors a vacuum, whump fandom "over-produces" whump of men so as to fill in that gap in content.

THEORY 6: AMPLIFIED BIAS.
 While it's true that whump fandom doesn't have a source text, it's also true that whump fans frequently find their way into the fandom via other 'traditional' fandoms, and continue participating in 'traditional' fandoms as part of their whump fandom activity. Bias begets bias; fandom as a whole has a massive problem with focusing on white male characters, and fans who are used to the bias towards certain types of characters in derivative works absolutely reproduce that bias in their own original whump works.

—

I honestly think that there is greater bias in the whump fandom than anyone would like to admit. Maybe I'm wrong, but it seems as though whump fans avoid introspection and discussion of the issue by bringing up the points I talked about in my previous theories, particularly discomfort with depictions of female suffering for amusement.

However, I think that, as artists, we owe it to ourselves and one another to engage in at least a small amount of self-interrogation over our preferences, and see what unconscious or unacknowledged biases we possess. It's a little absurd to argue that depictions of women as whumpees are universally too distressing to even discuss when a male character in the exact same position would be fine and even gratifying to the person making that argument; while obviously, people have a right to their own boundaries, those boundaries should not be used to shut down discussion of any topics, even sensitive ones.

Furthermore, engaging in personal reflection allows artists to make more deliberate (and meaningful) art. For people whose goal is simply to have fun, that may not seem all that appealing, but having greater understanding of one's own preferences can be very helpful towards deciding what works to create, what to focus on when creating, and what works to seek out.

—

GENDER ADDENDUM: NONBINARY CHARACTERS, NONBINARY AUTHORS. 
Of course, this whole discussion so far has been exclusively based on a male-female binary, which is reductive. (I will note, though, that many binary people do effectively sort all nonbinary people they know of into 'female-aligned' and 'male-aligned' categories and then proceed to treat the nonbinary people and characters they have categorized a 'female-aligned' the same way as they treat people & characters who are actually female, and ditto for 'male-aligned'. That tendency is very frustrating for me, as a nonbinary person whose gender has NOTHING to do with any part of the binary, and reveals that even 'progressive' fandom culture has quite a ways to go in its understanding of gender.)

Anyways, nonbinary characters in whump are still VERY rare and typically written by nonbinary authors. (I have no clue whether nonbinary whump fans have, as a demographic group, different gender preferences than binary fans, but I'd be interested in seeing that data.)

As noted above with female characters, it's similarly difficult to have a discussion about representation and treatment of nonbinary characters in whump fandom, and frankly in fandom in general. Frequently, people regard attempts to open discussions on difficult topics as a call for conflict. This defensive stance once again reveals the distaste for requests of meaningful self-examination that is so frequent in fandom spaces, and online more generally.

—

TL;DR: Whump is not immune to the same gender & racial biases that are prevalent in fandom and (US-American) culture. If you enjoy whump: ask yourself why you dislike the things you dislike— the answer may surprise you. If you create whump: ask yourself whose stories you tell, and what stories you refuse to tell— then ask yourself why.

[ficforthought]

On being SO DONE with M*sha, a rant a decade in the making!

After giving this some thought I'm going to go ahead and give my opinion on Misha and yesterday’s situation in public for the first time ever. I was going to just post on Twitter but since this has been 12 years in the making I have exceeded the number of tweets I can put in one thread! There’s A LOT in here, so my summary is also long. I'm aware that I will lose followers over this, I'm not looking to offend anyone but it will inevitably happen. I wish anyone leaving all the best as fellow human beings.

TL;DR - having kept quiet for so long I’ve finally reached my limit and it’s all come bubbling out. I’ve never been a fan of Misha, I’ve been ambivalent for the most part, but have never criticised him in any hateful way, that's not who I am, but after all these years of putting up with his bullshit, attention seeking and troublemaking I am DONE. Deleting his tweet containing the word Wincest and replacing it with an APOLOGY just to pander to his Minions and save face is the straw that broke the camel's back. He has consistently pushed his ship on not only fans but on other actors (despite Jensen's discomfort, and him having repeatedly made his feelings known on it), he has stood by while his Minions/Hellers have harassed, victimised, doxxed and sent death threats to people based on their FICTIONAL ships. He has pandered to their gatekeeping, constantly demanded attention in obvious and not so obvious ways, and to the best of my knowledge never criticised their actions even though he's aware of it in a very real way. Some of his Minions have now taken their shit into The Boys fandom and created negativity for Jensen before the guy has even got a foot through the set door, and how is that supporting one half of your ship?

Misha has claimed to be a victim of targeted harassment from Wincest/brother fans (not only shippers) yet his fans have said and done the most despicable things on his watch, all in the name of what he must think is entertainment, or even his idea of a ‘joke’.

Any respect I had for the man based on his humanitarian work has gone because I can only take so much hypocrisy. He and his pandering because of a desperate attempt to be woke and wholly inclusive (which is actually impossible, no matter how good intentions are) are beyond pathetic. Whilst I have never seen why people think he’s so great I have friends IRL and online who genuinely adore the man, yet they have been shocked and upset by his contempt for half of the fandom that made him somewhat famous. It's disgusting and I'm not scrolling by any more. Misha, I hope to never see you on anything J2 related in future because none of us need that kind of negativity, *especially* not J2. Be gone, foul fiend!

OK, so to the too long part. Please be aware that these are my opinions as a fan of the show, of Sam and Dean, and J2, not only as a shipper. I can separate canon and fanon, and can view canon from a gen or shippy PoV. Whether you agree or disagree with my opinion let me be clear that I do not condone constant bashing and hate of a person or character so this isn’t the start of a regular thing for me. It's possible to have an opinion and not show the same vitriol that has been following this man around for years, and that’s what I’m doing. I've not posted this to prompt more negativity, it's simply to get it off my chest and make it clear how I feel. I stand by my philosophy of ship who you want to ship, enjoy it, but don't force it on other people and don't be a dick about it…hmm, that kinda sounds like familiar behaviour, though, does it not?!

I have ABSOLUTELY NO ISSUE with other people liking Misha, Cas or Destiel when it’s for the love of the characters and the ship. What I *do* have an issue with is people who are the true definition of a Heller. I don’t see that as a generic term, don't be ignorant and think I do because I know the difference between actual ship fans and the crazies, both ships have ‘em and I want no part of either of their venom. If you are reading this and class yourself as a Heller then you are part of the problem so run along and as you are all so fond of saying, 'get help' and take your bestie king with you.

I’m stating my opinion in what I feel is the most mature way I can, because unlike many people on SM, I am an adult and can act accordingly, with forethought and without resorting to temper tantrums and bullying of other people to get my point across. I am able to tell the difference between reality and fiction, I don't tar everyone with the same shipper brush and I don't expect everyone to agree with my opinion, but as we know opinions are like arseholes, we all have them and sometimes they stink. Unlike some, for the most part in life (online and offline) I *do* stand by what I say and don’t backtrack or delete things to appease the masses. I have spent a lot of time writing this out to be as clear as possible without being intentionally hateful. Bear with me jumping between actor and character where relevant, at this point they're conjoined. I will say this before I go any further, it doesn’t end well for Misha, I don’t mince my words and if you don’t like seeing facts and opinions laid out, this isn't the post for you.

I’ll say right off the bat what most of you have surmised - I’ve never held Misha (or Cas) in high esteem but I have never *hated* on him. I have shared mild criticism of his actions and opinions on Cas over the years but never, I feel, in any way that has made me feel I have something to apologise for. I have said several times I've been unhappy about Misha crashing con panels, taking attention away from J2 when at those cons *most* people paid their hard earned money to see the STARS of the show they love, first and foremost, and anyone else is a very nice bonus. The odd appearance here and there crashing a panel is fine (and Misha isn’t the first or last person to do it), maybe take up a few minutes then leave, but when someone commandeers an entire panel, that's just not on. It's not only selfish, rude and attention seeking but also disrespectful to other actors, fans and to the organisers who work hard to make sure everything ties in to give us the best con experience we can have. Everyone gets their turn on stage, there's no need to try and hog any more of the limelight, Veruca Salt style. Oh, and if you’re reading this and not getting that reference, (a) you shouldn’t be on my blog because you’re far too young, (b) look it up, and if you still don’t get what I’m saying… well then please refer to point (a). Thank you, kindly!

There was a time in Kripke's era where Cas was - I feel - intentionally used as a pawn by the writers to divert *canon* from the ‘questionable’ relationship between Sam and Dean, i.e. Wincest focus. Prior to that people (other fans) lightened up and just accepted the fact that Wincest had been there since day one in terms of the writing of the show and the fandom. All the cast and crew knew - J2, Kripke and JDM in particular - and made light of it, never judging, never shaming and often encouraging it because they understand it’s a fun part of fandom. Wincest was present enough to be part of the not so subtle subtext, as I said people just accepted it. Kink tomato was alive and well, so was ‘don’t like, don’t read’ and we all just scrolled over things we didn’t like without turning everything into a personal vendetta and excuse for bullying others who didn’t share our views. When the angels came into the plot I think most of us Wincest fans gave the Dean/Cas innuendos the small laugh they deserved and then turned back to the focus of the show which was the brothers, as it had always been intended. Misha, however, milked those moments as much as possible which was amusing at the start but got old *very* quickly, not just for fans (shippers and non shippers alike), but for other actors, in particular Jensen who is on record MULTIPLE times showing his dislike for Destiel. He told people outright that's not how he was playing the relationship between the two characters and CATEGORICALLY said "Destiel doesn't exist" but did it end there? No, it did not because neither fans or Misha let it go, in fact Misha only pushed more, goaded fans into flogging the same dead horse as much as possible. He’s never stopped, not even when there was so much discord in the fandom, a huge wedge was driven into it because of ships, which IMO he heavily contributed to.

Fast forward to over a decade later (a decade, seriously man, let it fucking go!) he didn’t even stop when Destiel did partially go canon. I have never doubted that Cas loved Dean (Sam, too) because in SPN lore angels are made to love, even rebellious ones. I, along with many others, liked that about Cas because who doesn't love a rebel, especially one rebelling for very good reasons, and because of those two wonderful men? Sam and Dean allowed him to see beyond what he'd been brainwashed to believe his entire existence. The fact is that although the nature of that love changed for Cas, it never did for Dean and was CANONICALLY UNREQUITED because Dean was incapable of loving anyone else as much as he loved Sam. All that mattered to Dean, even when he saw other characters as "family" was still Sam…ALWAYS Sam, every step of the way. Again for those who have too much Misha shaped wax in their ears, that’s canon. Whether people choose to see that love platonically or romantically is up to them, soulmates don't always have to be romantic, either way, brotherly love won out above all else on the show. No amount of Misha screaming ‘hey look, Destiel!’ changed that, but it sure didn’t stop him trying, did it?

So now that the obvious has been stated, here's something else we all know - never once in all of the years on the show did Misha drop rallying of the troops to his precious, ego stroking ship. Never once (that I am aware of) has he called out his Minions and Hellers on their continued harassment of everyone involved in the show and other fans despite the fact that they have bullied, victimised and wished bodily harm, rape and death on people who don't see their ship and because didn't get the ending to the story that they wanted. Not once has Misha shown any remorse for the trauma his "fans" have caused, and I’m taking REAL trauma, here, not the kind Twitter stans see as ‘triggering’ - people have been driven to close SM accounts, attempted, and in some cases succeeded in taking their own lives. These Minions have openly mocked Jared’s struggles with depression and anxiety, and Misha - who claims to be friends with J2 and be supportive of them in every way  - has stood by and let it all play out, knowing full well some of the goings on, if not the full extent of how toxic these people are. We know he sees things being said online, and I have absolutely no doubt he spends time online searching his name for things that are relevant in some way to him in an effort to insert himself into a current conversation, or even start one so that attention is on him. Gotta stay relevant, somehow, right, Mish?

He has actively encouraged bullying by his actions of enabling the behaviours above, both by the flogging of the aforementioned dead horse, AND by not objecting to unacceptable behaviours. Remember when Minions and Hellers were slating J2, particularly Jared, for not posting on SM about BLM and other topics? Yeah, he didn’t ask them to stop doing that, either, even when he was tagged in things along the lines of ‘If Misha can post why can’t J2?’ etc. There have been some token protests, con vids I've seen have show his 'objections' which IMO have been done in a very tongue in cheek way, meaning that those people who needed to be pulled aside and told to change their ways just carried on, because their evil overlord didn’t explicitly explain it in terms a three year old could understand that bullying and forcing your opinion on others is WRONG. Not all of his cult are young and impressionable, not by a long shot, but many of the more vocal and vitriolic ones are.

As a father himself I wonder what Misha would do if he found out that his kids were behaving in ways his Minions are? I’m aware they’re young, but kids are cruel and bullying doesn’t just happen online. Even at whatever age they are, would he laugh it off the way he appears to have done with all of this fandom toxicity? Not bloody likely! I wonder if he’s as desperate to gain the approval of his family, friends and colleagues as he appears to be for that of his Minions/Hellers? I would certainly hope so, but that question can only be answered by Misha, himself, and I can and will not presume to speak on someone else's behalf on things in their personal life. For the record I would never presume I know what J2's answers would be on anything, however I do feel that after 15 years I have an accurate gauge on what kind of people they are so would be confident that any opinion I had on a matter aligns with their morals and ethics. As much as J2 have shared of themselves with us - willingly and under no pressure to do so, I might add - we don't *know* them, but we know enough to have an informed opinion. I can’t say the same for Misha because based on the behaviour he’s repeatedly displayed, things I've heard about from other fans as well as people I know IRL who have had direct dealings with him through cons or GISH (including some very actively in the early days when it was GISHWHES) he just hasn’t seemed like a person I wanted to follow on SM. I’ve never watched any of his solo panels, though I have watched ones with both or one of the J's, mostly being left irritated because of his behaviour. Watching the J’s put up with that shit is painful, and it’s a testament to how good they are as actors that they managed to hide at least some of their disdain for as long as they did. Microexpressions give them away, particularly Jensen, and they certainly have faces I have spent many years watching closely. Beautiful faces to go with beautiful souls, both of them! <3

I have precisely ZERO interest in Destiel as a ship, very little interest in Cas as a character anymore (though I did like him in the early days,and his relationship with Jack in late seasons) so I have absolutely no reason or desire to follow anything Misha does. That said, I've obviously been peripherally aware of some things he's been involved in because of friends, from things I’ve seen on SM and general fandom stuff. Despite the things I've already mentioned about his behaviour, up until now I have been able to maintain a level of respect for him as a person because of the humanitarian and charity work he's done. He seems like someone who really does want to change the world for the better and I am in full support of that fact, so much so that I have supported TWO campaigns relating to him. I bought one of the Super Good t-shirts for the campaign he did with Michael Sheen (a true angel!), the SPN/Good Omens x-over to help homeless charities, and I chose the design with text only and not artwork of Michael and Misha on, basically because I didn’t want to be wearing something with Misha’s face on it and I make absolutely no apology for that, whatsoever. I also bought Alex's #TheEndHasNoEnd shirt, which some of the profits went to Random Acts who do great work, so again, despite not liking Misha I still willingly contributed for a cause bigger than me, and to support Alex, who I absolutely ADORE. I'm aware that Stands aren't popular with some of the fandom, however since most of the cast of SPN are happily affiliated with them then I don't feel it's my place to either judge, or to discuss topics I know next to nothing about. But I digress, as a decent human being I have shown support tangentially to a man who I don't care for out of respect for the work he does outside the fandom. Telling you this isn’t to paint myself in a good light - I don’t need your approval, I’m a big girl, unlike some I don’t need constant validation! - only to provide background on how I’ve actively *not* hated on Misha.

Now though, any respect I had for him has come to an abrupt end, the events of the past 24 hours has seen to that. Whilst I have been annoyed at his behaviour in regards to shipping, I don't feel it's ever gone this far, or at least not that I've seen first hand. This man has, IMO, contributed to so much toxicity in the fandom by way of things I've mentioned before, he's claimed - without actually saying the words - that Wincest fans weren't interested in him as a character when he came onto the show, and hasn’t felt included because of the fans’ love of the brothers. Um, hate to break it to you, love, but when you come onto an established show that is about two people, and you’re a *guest star* you can’t expect everyone to love you. Some characters we as individuals do fall in love with straight away (Bobby, Charlie, Crowley and Rowena are good examples for me), it takes time to establish a dynamic, so if that’s how he felt then it was incredibly naive of him as an actor to expect instant acceptance from anyone. Also, why wait until after the show finished to bring it up AGAIN … oh wait, yeah, that would be to step back into the limelight in a way intended to garner sympathy from Minions and INTENTIONALLY piss off bro fans and Wincest shippers alike? How fucking self centred, desperate and disrespectful do you have to be to shit all over the finale of a show that for the most part accepted you and kept you in paid work for 12 years? Well, Misha Collins levels of all of those things, obviously.  

So, on the topics of self centred, desperate to stay relevant, attention seeking and being oh so needy, the tweet yesterday from Amazon mentioned Castiel. He wasn’t tagged in it, so I refer to my earlier comment about searching online, because how else would he have possibly seen that? It’s possible someone sent it to him, I appreciate that, but if we go off past behaviour it’s not any stretch at all to believe that didn’t happen. So, once again, having seen the tweet he took it upon himself to - oh so predictably - turn it into something relating to Destiel. When I saw it I immediately rolled my eyes and thought ‘here we go again’, but then also had a little smile because I really liked the fact that he explicitly mentioned Wincest, therefore seeming to accept that his poor old dead horse wasn’t the only one in the race. I actually mentally tipped my hat to him then because it appeared that he’s matured enough to acknowledge by name the ship that predates his inclusion on the show. Great, I thought, this is a positive thing in a sea of negativity surrounding the man and his sunken ship, because what followed was Wincest trending in the US (it may also have been other countries as well but I had to sleep!) … largely due to the fact that Hellers were responding to it, calling him out on mentioning the dreaded ‘W’ word. I’ll repeat that because it’s been a rare occurrence up to that point… the Minions were actually disappointed with their overlord for mentioning another ship. We all know what they think of it and I for one, don’t give a flying fuck about their opionion. Ship and let ship, it’s all fun (or meant to be) so we have different tastes, that’s life kiddiwinks, deal with it. I mean, you really don’t have much of an example set for you when your king has proven several times over to be one of the biggest obnoxious brats out there, but just give it a try for your own sakes, yeah? Awesome, good on you, besties!

An unexpected development - to my joy and that of other Wincest shippers - them doing that got the topic trending, only *kept* trending by the fact that were all coming online asking why it was trending. Wincest shippers barely lifted a finger, we just flooded each other’s timelines with lovely content and basked in the Hellers - and Misha - shooting themselves in the foot, which was awesome. But did the vitriol stop? No. Did he get the attention he so clearly craves? Yes. Was it in the way he wanted? Fuck no, so poor, emotionally wounded baby backtracked after seeing that his name was trending alongside Wincest because that’s *so* not what someone narcissistic to do it in the first place, wanted.

Now here’s where I could easily have just moved on with an unusually fond chuckle, giving him an ironic pat on the back and a ‘thanks, Misha’ for being the one to instigate hours of fun, but once again his despicable behaviour made that impossible. It’s been more than obvious for many years that he cares more about what his fans think than anything else to do with the show and the fandom in a larger sense, but to delete the tweet and APOLOGISE for daring to be so insensitive to the snowflakes’ delicate sensibilities for mentioning Wincest in the first place was absolutely disgusting. Stating , “I used a term that I had never really given any thought to other than, "that's a thing?! Yuck." is not only complete and utter bullshit, it’s pandering of the highest order.  

We all know he has referred to Wincest on multiple occasions, so to say he hadn’t thought about is a flat out lie, which IMO is an insult to everyone, not just Wincest shippers. Does the man have no self respect at all, why would you contradict yourself in the face of such overwhelming evidence? Instead of either ignoring all the people calling him out, or addressing it with another tweet saying ‘yeah, that happened’ or something similar he chose, I repeat, CHOSE the route of claiming he didn’t realise he was being offensive to people who felt ‘triggered’ by him using the word Wincest. He basically shat all over an entire ship and large sector of the fandom in an attempt to appease his own fan base which consists of a lot of children (or those that act like children) who have no idea what RL is like.

Once again, he’s reinforced the idea that if you shout loud enough at someone just because you don’t like something they said, they will back down and apologise for something even when there’s nothing to apologise for. If he wants to be such a role model then he could easily have pointed out that a fictional ship doesn’t condone RL incest, any ACTUAL trauma people have suffered because of RL situations, and made an effort to make sure people understand that. He COULD have used it as an opportunity to do some good in the fandom by encouraging people to build bridges, to accept that people are entitled to their beliefs and that sometimes we see things differently but that doesn’t mean we shouldn’t treat others with BASIC HUMAN DECENCY because of it. Instead he YET AGAIN chose to show that he cares more about what Minions think of him, keeping them onside to constantly stroke his unbelievably fragile ego in everything he does.

It is my understanding that Misha is big on (or claims to be big on) putting positive energy out into the world, treating people with respect, helping others and accepting people for who they are, not who you want them to be… all this after YEARS of consistently practising what he preaches only when it suits him. He sends out a message that it’s perfectly OK to bully, to spread hate, to draw attention to yourself at the cost of others, to throw colleagues and friends under the bus and at the same time use them to further your own agenda and get hits for your YouTube channel. Is this really the legacy he wants to leave? Is this an environment he wants his own kids to grow up in as well as future generations? Is this what he thinks is a valuable contribution as a human being? JFC, the arrogance, hypocrisy and the need for constant validation this man exhibits is nothing short of cringeworthy… actually it’s beyond that. It’s deplorable behaviour, it’s not new, and he will continue to act like this for as long as he’s being enabled and this harmful cycle needs to end.

I have friends IRL and online who are (now, possibly, were) big Misha fans, who have supported him from either the beginning of his run on the show, or since they started watching, and this is how he repays this behaviour? He’s willfully alienating decent people (including multishippers) all to make himself look good by being seen to do everything he can not to offend people. Spoiler alert, you DID offend people, you continue to do so time and again and we’ve had enough. I can’t imagine how exhausting it must be to be such a perpetual people pleaser, but let me say it’s not doing you any favours in any way, shape or form.

Misha, you are *not* a role model, you’re *not* someone to look up to when you can't live up to the ideals you preach. You’re spitting in the face of people who have supported you even after some questionable things in the past, who gave you the benefit of the doubt because we’re all human and we all make mistakes. The key to growing as a person is not to keep repeating the same mistakes over and over, understanding *why* what you said and/or did was a mistake and making a concerted effort to make changes. I don’t ever see you doing that, you will continue down this path of only caring about Minions under the guise of caring for people in general. You are transparent, you are sad and despite the fact I’ve never particularly liked you, I didn’t speak up because I didn’t want to get involved in the drama. Well now I have spoken up and I’m saying you’re a disgrace, you have no respect for other people and nobody is fooled anymore. If it hadn’t been this tweet it would have been something else, but I for one am glad it happened so soon after the show ended so we can finally be rid of the limpet-like behaviour. It’s over, let it go for the sake of what dignity you might have left, for the sake of your family and friends and for the sake of anyone who isn’t capable of seeing through your ‘it’s a joke’ mentality.

You have been weighed, you have been measured and you have been found wanting. Fuck you and the horse you rode in on, Misha.

For anyone who made it to the end of my ramble, thank you. This has been a cathartic exercise and I’m drawing a line under it now, I don’t think I could possibly make my thoughts any clearer. I urge you not to get caught up in any petty squabbles with his Minions, let’s celebrate J2 and other cast and crew members who have shown us all respect and who I am proud to call part of the SPN family. There’s always one member of the family who needs to be frozen out for the good of everyone else.

[morimakesfanart]

Sindria's Prophet #17

[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16]

[AO3]

*In this house we stan string theory and multiple dimension theory *Also, this chapter gets a little preachy, and delves more into my interpretation of the series so to make up for it I made a lot of art.

~POV Sinbad~ "If you're willing to talk about the future, does that mean you are finally ready to explain about those calamities you mentioned in Balbadd?" When Ja'far cut in he was in a rush; he didn't want to miss this chance. Sinbad had underestimated Ja'far's concerns; he had been too preoccupied with the Prophet. All the same, "I don't know if this is the time for that conversation. This is Mori's first meal with everyone after all." Wait. He knew that look. Ja'far wasn't actually asking to have that conversation now. He was pressuring Mori so she would have to agree to tell them soon. "I'm fine. I made a promise and I intend to keep it. As long as everyone else is willing to talk seriously for a few mins, I don't see the problem." Mori was wearing the same stern expression she had the morning of the coup in Balbadd. When Ja'far had cut in with his request he could have tried to sound a little nicer but it didn't warrant the cold response Mori gave in return. There had been rising tensions between Ja'far and Mori since Balbadd, but both seemed to get along most of the time. "Wait really? You're agreeing this easily?" Ja'far's shock also spoke for the King. She obviously didn't want to talk about the Calamities even when she promised to tell them, so why now? "A promise is a promise." Mori almost felt like a completely different person compared to the coy way she was teasing them all just moments ago. "Besides, this will just continue to be a point of contention until I explain."

--- King Sinbad was finally eating with his Generals and Prophet, but this was nothing like he had planned. Mori sat straight with both hands on the table interlocked. "The 1st of the 2 calamities occurs in about 2 years. As you know, there's a few countries that currently have rising tensions." Which countries? The Kou and Riem were prime contenders since they were already Empires causing trouble for other countries. There was also Magnostadt which has been becoming increasingly hostile to other nations, and seemed to be encroaching on the Kingdom of Actia. "In 2 years, 3 of them are going to go to war. A massive amount of black Rukh will be released, and the same type of magic used to make the Dark Djinns will be used to make a humanoid monster the size of a mountain." Of course, Al Thamen would be involved. "The amount of black Rukh it will have will make it a Medium for opening a black spot and letting Ill Ilah connect to the world which is Al Thamen's ultimate goal. Once Ill Ilah connects it will destroy all of the white Rukh in the world -bringing death." It sounded just like what Falon had described as her plan all those years ago. The same thing that happened in Parthevia a decade ago is going to happen again in only 2 years? "The Medium is destroyed before that can happen thanks to all of the current Metal Vessel users and assimilated Household Members coming together to destroy it. The world is saved but in the process one of the Magi will have to commit one of the ultimate taboos of this world. That taboo is what will eventually lead to the 2nd Calamity. If King Sinbad and the Metal Vessel users of the Seven Seas Alliance, which were the last to arrive, can show up sooner then that taboo and the 2nd Calamity might be something that can be fully avoided especially since I already know the Medium's weakness." It was clear that Mori knew more. Sinbad would have to talk to her about it later; he wasn't sure how much he wanted to talk about this tonight -they were supposed to be celebrating and getting to know each other light heartedly. However, there was one question he couldn't hold back from asking. "What is this taboo?” Mori sighed like she had expected that question. She looked to the ceiling. "Honestly, I didn't want to think it was a taboo when I first learned it, but after seeing what happens I get it now." She looked back at them. "I hope you can accept me not telling what it is. I don't want to even try to explain the 2nd Calamity because I'm not sure how without explaining the taboo. You see, the taboo involves information, so if I explain it to you I will be committing the taboo myself. I can only hope that the world isn't endangered because I know it." The air in the room felt thick. All of the Generals were waiting for his decision. Sinbad tried to read the Prophet's expression. It was serious, and determined; it seemed like fear and remorse were hiding right under the surface. What information could be dangerous on its own? "Alright," he agreed. "We don't want to take any unnecessary risks. However, if we are unable to prevent the taboo from being committed you will explain the 2nd Calamity." Mori attempted a half-hearted smile. "I was already planning to do that." She glanced around at the Generals. "Are there any other questions?" Sharrkan grumbled. "This is all really complicated stuff." "Yeah. Pretty scary, huh?" Pisti agreed. Drakon and Hinahoho were sharing a look while thinking.

"You still haven't told us where this is going to happen." Ja'far decided he would ask the next question. "Are you withholding that information on purpose?" Mori's expression was blank. "I'll tell you the countries involved after King Sinbad returns from the Kou Empire. I don't want to influence how the negotiation goes by giving him too much information he wouldn't normally have. I'm doing this for Balbadd..." Mori withholding vital information was the entire cause of Ja'far's distrust of her. "You took too long to tell us what was going to happen back in Balbadd, remember? If we know what their next target is then we can stop it before it ever happens." "The 1st Calamity has nothing to do with Al Thamen." "What?” that question was asked by all except the Prophet. Mori explained, "That country has refused contact with them and been building towards this for the past 10 years all on its own. All of the Black Rukh that has been accumulated there is like a trap waiting to be set off. The people currently in charge are not people who would be willing to accept change, or to listen to the arguments of the people here." That definitely narrowed it down. Riem was already having meetings with them, and it was only a matter of time before they formed an alliance. They already had the peace treaty with the Kou, and King Sinbad was about to go negotiate with them for Balbadd. That only left Magnostadt as the center of the conflict -the country they knew had increasing disparity between it's upper and lower classes. Mori was staring at him. He wasn't the one she was actually hiding this from. Since it didn't seem to be an avoidable Fate, she was preventing Yam from learning the Fate of her home country for as long as possible. Mori was trying to be considerate. "How is that possible?” "If they aren't behind it then how could such a thing happen??” Mori gave a sad smile. "It would be so much easier if all of the bad things in this world really were all caused by that organization. I had wrongly thought that was how this world works in the heat of the moment back in Balbadd, but I know better. I've read this world's Fate after all. Even in this world it is a mistake to hold onto the hope of total altruism too strongly." It almost felt like she was calling them all naïve with that last statement. She looked down at her hands. "Sentience, experience and free will make us all imperfect. All people are shaped by their past and everyone has a vice. There will always be people who think they are above everyone else, people who think they are right because of their feelings, people who think that they deserve something just because they want it or that they can do something because it is available to them," she looked back up and made direct eye contact with her King, "people that think that their luck or privilege is a sign that they were chosen by Fate, that they are the only one who can do something because they are special and that that means they are righteous and their failings mere stepping stones when in reality they are all normal people just like the rest of us." ///She knows nothing about being a Singularity. There's no greater proof of being chosen by Fate!/// Since the Fall of First Sindria, Sinbad had been hearing a voice periodically. It was like stray thoughts -many were opinions he didn't really have. The fact that the voice felt the same as him in this made a pit form in his stomach.

Mori gestured at him and continued. "Even his Majesty being a 'Singularity' is only something rare. You aren't the first, and you won't be the last. You know I can read the waves of Fate as well, so it's obviously not the type of thing that you or Al Thamen makes it out to be. There is no 'chosen one.' No one is immune to human fault or failing. 'Fate' is the history of how all of our decisions affect each other.” It was like she was reading his thoughts. There were other Singularities? Mori could also read the waves but- The waves in the room were over flowing. This was greater than when Mori changed things in Balbadd. They were far off topic now, but this was more important. ///She doesn't understand anything. I've read Fate!/// Those stray thoughts hated Mori and how she was changing things since the beginning even though when Sinbad read the waves around her he liked the direction they were going. Her waves wouldn't stop him from reaching his dream. If that voice was this against what she was doing then he had to know more. "Mori, please tell me, what makes you so sure? You say you've read Fate; how can you say there isn't a grand plan? Can you really deny that the Rukh guide us?" Would they have to agree to disagree? Was this something he could afford for the Prophet of his own country to not see his way? She watched him and the Generals as she thought. "There is a 'plan,' but it isn't absolute. I read more than one 'Fate' for this reality. If Fate was already fully decided then in Balbadd Judar would have defeated all of you instead of being crushed by Ugo, and Cassim would have married Princess Kougyoku instead of dying, but that didn't happen, now did it? When I read Fate, I read how it was changed from it's original design by the people of this world. And as I've already said, I couldn't be here if everything was already decided.” ((these are things that are said to be in the og draft of Magi, but got changed when actually making the scenes)) They had been changing Fate's course before Mori arrived? Was that even possible? Mori wasn't the type to lie out right over something like this. Between her demeanor and the waves, he could tell she wasn't lying. He had to know where this new path was leading and asked an obvious question. "Isn't it just as likely that those 'changes' were supposed to happen?" Mori scowled at that. "Anything is true somewhere. There are infinite realities where any Fate is true. Every moment infinitely more form to account for every possibility -every decision, and unexpected change, even an asteroid coming and destroying the planet. If you can imagine it, it is reality somewhere." Sinbad had read Fate in the waves, of course he knew about there being other possibilities. Were there really other realities where he had followed one of the other paths? Mori didn't wait for him to comment. "There's no way to know which destiny or Fate we are following until it's already happened. Being able to read the waves has helped me narrow it down to 2 or so of the Fates that I read for this reality, but it can't account for everything. Since I can't read my own Fate I can't know how my presence will affect things." Mori continued, "When I read this reality's Fate, I learned how it functions on a fundamental level. Everything is made up of Rukh and is dictated by the Rukh and magoi. The Great Flow of the Rukh 'guides' the living but it is also affected by the wants and desires of the living. It sees all those wishes and creates opportunities for people to realize those dreams based on how many want that dream to become real. But it's still up to the living how they react. The Great Flow creates opportunities and makes suggestions, but it can't make your decisions for you. And" Mori paused while looking for the right words, "and the more magoi directed at a certain wish the more likely the Great Flow will try to help." Mori waited for them to absorb the meaning of her words. That meaning made Sinbad nervous. If she wasn't lying... Drakon broke the silence. "That would mean that someone with

a lot of magoi would have a greater affect on the Great Flow." "It does." Mori confirmed. Was that really how the Great Flow of the Rukh worked? How Fate worked? Mori stayed silent again, reading them as much as they were reading her. The waves were still high. Yam was the next to comment. "I know the amount of magoi a person has defines how strong of a magician they can become, but it sounds like those born with a lot of magoi also have an amazing privilege when it comes to the Great Flow." "Exactly." Mori agreed. "The people that Fate seems to favor aren't chosen by Fate or particularly special. They are born lucky just like those born rich." She paused. "All Dudgeon Capturers have an above average amount of magoi. A Djinn won't select a King that doesn't even have enough magoi to use their power. The more Djinns a person has, the more magoi they need to have. King Sinbad, you were born with a rare ability, and the equivalent magoi of a large city or small county -even before all that Rukh merged with you in Parthevia. If you didn't, there would be no reasons for the Djinns to cut you off from trying to capture more Dungeons." "What?" Sinbad's question slipped out of him in an airy gasp. He knew he had more magoi than average, but this would make him no different from those that grew up as royalty thinking that they were inherently better than their poor subjects. He wasn't sure if he could believe her, but the waves of Fate had never lied to him. The Prophet's waves were overwhelming the space, encouraging him to believe her. It was obvious how this information would change things. King Sinbad had more than the waves, he also had a sharp intuition. There was something hidden in her words. Some truth about his future that she hadn't told them yet. Even if he had been intentionally given these privileges by Fate, Mori had already stated that his decisions were his own. When Mori had said there were people that conflated their privilege with a righteous roll given by Fate it definitely included him. But if he wasn't chosen by Fate, if they had been changing Fate all along, then what was what happened in Parthevia or Riem? Mori's voice pulled him out of his thoughts. "Not being chosen by Fate and everyone having free will is a good thing if you ask me. It means when someone chooses to do right by others it is because they chose to, not because someone is forcing or directing them. I like to think that everyone thinks they are doing the right thing, and only act out against others because of strong emotions and ignorance. The cure for most negative emotions is a stable environment ((including medication for those who need it)) and the cure for ignorance is education. These are things that Sindria and the Seven Seas Alliance are able to provide. "All of you are using your privileges and talents to help people, and to bring peace to the world. Regardless of whatever mistakes you made in the past, this country and the current state of the world are a direct result of your choices. These choices you've all made are even more admirable because you made them on your own. Isn't that why so many have sided with Sindria already? It's also one of the main reasons I chose to become Sindria's Prophet in the first place. With your help, we can greatly reduce the disparity of this world and raise the quality of life for everyone." Her smile was soft and confident. Mori's waves overtook his own.

The King had a thought that shook him, but it was Hinahoho that asked it, "You didn't just tell us some of the taboo information, did you?" "What? No." Mori was shocked by that question. "His Majesty and others would have figured this out all on their own in about 5 years -not to mention those that already know it." He could try to deny it, return to the path he was on, but he would know deep down that she was right. And apparently, he would figure this out in the future anyway. There was no reason to hold himself back then. He could see that now -there was no going back. This was one of the changes he had felt in her waves from when he first met Mori. ///How can she say such foolishness?? This woman must die before she ruins everything!!/// A chuckle slipped out of Sinbad. That voice really did hate his Beautiful Prophet. His waves were changing. He was changing. But he still had the same dream: to create a world without war or poverty. Mori's goal was to remove disparity. Even their goals worked well together. Why had he been so sure that being a Singularity made him some special chosen one? When had that started? It was members of Al Thamen that had told him that. They were the enemy yet he still believed their manipulation so completely. Sinbad knew why deep down. If he was chosen by Fate then his actions would be righteous and the awful things he experienced were stepping stones. Like a child learning to take responsibility and step out of the shadow of their parents, in this too he would have to take ownership for his place in the world. He would be thinking about this a lot in the coming days. All of this information was invaluable. Why did Mori choose to follow him if she knew all this? There was no way she didn't know how he viewed himself and the world before this conversation or the mistakes he had made. Was it thanks to opportunities that the Great Flow gave him that he was able to seduce her to his side? No. Mori already knew what was going to happen. She knew the future more clearly than what the waves could show. She knew him and his methods as well. She knew that the Kou Fleet had been on it's way. That meant Mori would have been deciding where she wanted to go and weighing her options from the beginning. Mori made her decision, gave him a slow drip feed of what she was capable of, and made sure each request he had of her was given a price. She wasn't just withholding her help due to a lack of trust; she was leading him to make the best possible offer. She knew that he would try to bring her to his side if he knew her value. He had played into her hands not the other way around. Why didn't this realization upset him? This new information wasn't going to stop him from achieving his dream. In fact, now that he had a better idea of how the Great Flow worked he could consciously use it to his advantage. He got what he wanted and it was mutual -not simply Fate. They both wanted this. This was making him excited. The smile on her face was one he recognized. He had worn it when he was young whenever he had convinced others to his side. Mori was cut from the same cloth. She had agreed to have this conversation not just because of Ja'far's insistence; she was after the opportunity to clear up his misunderstanding about Fate. ((plz ignore that I forgot to draw my freckles in most of the shots and am too lazy to fix it.))

[arcadialedger]

Please note that I am most likely leaving this platform. I am done being abused. But first? We need to have a discussion. A discussion about hate and bullying in fandom.

All online-- I encourage you to read my story below. Reblog and spread awareness. The Dragon Prince fandom especially -- I implore you read my words, every single one of them. The short of it is that I am done. 

This all began with losing and being blocked by a friend because I shared something they disagreed with. I don’t care what you feel about my initial reaction to this (which I’ll explain below) -- I’ve apologized for not handling the situation correctly. But I will not be shamed for speaking my mind and standing up for myself.

Because no human being deserves to go through what I have endured since last summer.

Following the “callout” post made about me by one of, if not the largest blogs in this fandom, I received hundreds of threats, harassment messages, and death threats. Messages and posts telling me to kill myself were also prominent, on a multiple times a week basis for awhile.

Messages from people who were well aware I have struggled with being suicidal. Due to one of their favorite Dragon Prince blogs speaking out against me, they thought it was okay to suicide bait me.

And it worked. I already struggle with hating myself, am already insecure, and being flooded with these comments which, while I made mistakes, did nothing to deserve, drove me to try and take my own life after years of progress in my mental health.  

Mind you, this is like a 200 follower to 4k follower power dynamic. Which yes, plays a role-- because when you have a large following and influence, you have power. Yet the person behind this had the gall to claim Tumblr clout isn’t real.

People blocking and condemning others instantly at your word? Is power. If people read your words and are influenced, or have their minds changed, or buy or don’t buy something, etc.-- you are an influencer. You have power. And when you’re one of the largest blogs in a fandom, you have a LOT of power.

So take responsibility. 

I was hurt because I lost a friend who I had chatted with for months, did a podcast with, and was generally not only one of my favorite blogs but the center of my experience in the Dragon Prince. I may not have been perfect in my words, but when I was asked why I was quiet/ inactive, I explained how I was hurting, anonymously. I was understandably in pain and upset. I had been cut off for just having a different opinion on a matter, for thinking differently. Even though it was within their rights to block and do so, it felt wrong and it weighed on me.

Is that such a crime?

The callout post and previously described abuse followed, lasting for months until later in the year (this began in June, or around then). It also included screenshots of tweets, when this user does not have Tumblr, and they have stated to have screenshots stored up on their computer of my various posts and interactions. This is creepy behavior, and freaked me out. I felt like I was being stalked, “evidence” being filed away for the very purpose of being used against me. 

I eventually talked things out with the blog per recommendation of my therapist, and thought all would be fine. For a little while, it was. I largely stayed off of Tumblr to heal. Once in awhile I would have a rough, tearful night because something reminded me of what I lost, but I would make it through. Overall, I was making progress.

Then? My Twitter got hacked by one of the people sending me hate. For what had turned out to be much. And after they tweeted some purposefully incriminating and bigoted things to make me look bad, I came home from a weekend in the mountains to a shitstorm.

Twitter has a love hate relationship for me and I barely opened the app unless actively chatting with a friend. So when I saw 700+ notifications, I was surprised. It had never happened before.

I began to scroll through, and when I saw what had happened, I ran to the bathroom and threw up.

I had lost over half of my followers and a solid 60% of previous Twitter mutuals had blocked me. But worst of all, I had hundreds of hate tweets directed at me replying to the hackers tweets. Messages had been sent in DMs and accounts blocked, followed, and unfollowed as well.

If you have never felt that loss of agency-- that sickening feeling of words you never said next to your profile-- be glad. Because it is traumatic. I value my words. I value what I have to say. And having that taken from me was worse than anything I had been through here on Tumblr, outside of the suicide baiting (the most direct attack to me and my emotions/ insecurities throughout this entire ordeal). Further, this hacker had clearly stalked my tweets based on some of their comments. 

Hundreds of tweets bashing me, calling me aphobic slurs (knowing I am asexual mind you, as it was in my bio), making fun of my appearance and targeting all of the insecurities which lead to my first suicide attempt in high school, and taking/ editing images of my face and mocking them. This all culminated in a doxing threat-- a doxing threat which made me feel unsafe on a campus I had already been sexually assaulted on. I was once again, after starting the healing process, thrusted back into the darkest time of my life and spiraled into anxiety and depression. I cried a lot overwhelmed by it all, had difficulty sleeping, and felt sick. I started fall semester and couldn’t concentrate on school. I was a mess.

I had once again been condemned, this time for something I had no part in. I tried to example what happened but nobody listened. I had been hung without trial. People were understandably confused, and my entire reputation on the platform, and my page, became a mess of lies, misunderstandings, and more.

If you don’t know the feeling of already hating yourself and being insecure, and having these beliefs reinforced and spread by hundreds publicly across the internet? Of already feeling lonely and unwanted and having the one space you thought you had taken from you? Consider yourself lucky. 

I had a lot of voice actors and creators following me-- accounts I interacted and greatly cherished my mutual with. A handful of them unfollowed, understandably. This online hate mob was sending messages to people demanding they unfollow me, including some of these creators. They had no idea what to make of this mess or what was real and true and just didn’t want to deal with it. Most of the others just stopped interacting with me. @aaronwaltke (tagging so those who don’t follow already click and do so, because he is absolutely fantastic-- he’s a writer for ToA)  who had followed me on the platform, graciously wished me peace with the entire situation after I checked to make sure he had not been subjected to messages or hate, either from my hacker or other accounts. His was the greatest compassion I got on Twitter, before I ultimately ended up just having to delete.

I lost podcast deals because of this with Adrian Petriw, Aaron Ehasz, and Justin Richmond. I do not blame them one bit and would have done the same in the confusion not wanting to get dragged into anything. 

Only to have one of the friends I lost who helped start this interview these very people on their own podcasts. A slap in the face. A zine I had bought to support them came to my door, with the front page proclaiming to “spread a narrative of love.”

I was never granted that chance. That compassion. I had the vultures sent after me with no mercy. And anyone who has been through online abuse and systemic harassment knows just how much it feels like they’re slowly but surely picking at your flesh ( a metaphor I used in one of my old, since deleted posts discussing the situation, and still find accurate), wearing you down until you have no strength left.

Make no mistake, my story is not a one off situation. Many share the same tale of abuse and being driven off of platforms that once gave them great joy. These attacks are coordinated, systemic, and common hobby for these people-- who largely claim to be loving and accepting of all. They are a cyberbullying phenomenon which has risen with the presence of fandom on the internet. And I want to make clear, with current discussions of “cancel culture”, I mean nothing political in that statement. Some might call my experience cancel culture, but I don’t.

It’s just bullying. It’s just hate. These people get off on ruining people’s lives.

And my life was greatly set back and ruined. I had a stain on my past in fandom I could never be rid of. I had to shut down my podcast, took time off of all social media, and most of what I had built, most of my growth, was taken from me while those who incited and/ or spread hate thrived and continued to grow and find success. That was the greatest sting of all. 

I asked the one previous friend who hadn’t blocked me, but had just stopped interacting with me (which I understood and respected, and also greatly respected her perspective, help, and support though this situation in which she largely unfortunately ended up in the middle) for help after explaining everything, and got nothing. They didn’t seem to care, and just blocked me on all platforms. Once in awhile, I would find I was cut off from yet another old friend, or a blog that I had never interacted with before but clicked into, interested. It hurt being cut off, unable to fully interact with the fandom, but I could move on.

That pain would never go away, but I made clear I did not blame them for the actions of those who abused, harassed, and threatened me. I also made it clear they did not owe me anything, including unblocking. 

I just wanted to move on peacefully, but those with the power to enable that did not wish to help. I slowly, when I felt ready, began to be more active on Tumblr again, and once again the hate started up. 

Sometimes when I was hurting, I expressed my pain and loss to my followers just to reach out, because I was sad. I had no idea how to rebuild from all that had happened. This got me more hate an accusations of emotional manipulation and gaslighting. I had no idea what to do, and got trapped in a cycle of needing to talk about it, and getting hate and backlash, but not knowing where else I could turn. 

My doxer came back into my asks, ultimately making me switch schools, and refueled the drama. Speaking up about this got me more backlash-- mostly accounts reblogging (one with tags saying “fuck you”, despite not knowing the full story, and commenting and then blocking me so I could do nothing to respond or get it off of my page. I deleted all posts of the matter, as requested by these people (who validly pointed out they were in the main fandom tags, which I hadn’t thought of and understood), and hoped to move on.

But it hasn’t stopped. I have been beaten down and emotionally bruised for months. I have had my life and safety threatened, my education and by extension life path altered, and lost work (podcast) opportunities due to this-- alongside the irreversible emotional damage from trauma and abuse. My mental health issues and insecurities-- which I have been very open about to destigmatize the subjects and encourage conversation-- were actively targeted to inflict the most pain possible. 

And I can’t even talk about it, without enduring more hate and accusations of “playing the victim”.

Death threats, suicide baiting, doxing, months of bullying and harassment to the most vile degree, which a lot of these people don’t know about because they don’t even bother to read my words. Yet I’m playing the victim. 

And the accusations of bigotry and being hateful hurt, because it couldn’t be further from what is in my heart. I believing in love and acceptance of all. I don’t know how many are religious here, but I found God after my first suicide attempt and that is what his word has taught me. 

I’ve been through too much in life to tolerate this, for lack of a more eloquent term, bullshit. I know what abuse and victim blaming looks like when I see it. And in my 20 years of life, I have gone through too much: constant ridicule and bullying, suicide attempts, sexual assault, major spinal surgery, to just be stomped over and not stand up for my right to basis human decency. 

I refuse to put up with this, so unless I get an apology and some semblance of justice for everything I have been through, I am leaving. I will not participate in a space run by hate and toxicity. I will never claim to be perfect, and I have apologized for my mistakes and wrongdoings. Now, hold those who did this accountable. If you’re reading this you know very well who it was, and I am not naming them for those who don’t. Because at the end of the day I still send nothing but love and wish no ill will towards them.

But I’ll be damned if I don’t expect accountability of one of the greatest influencers in the fandom for their complacency in abuse, threats, suicide baiting, and and absolute ruining of my life and online experience. They enabled this and were well aware they had the power to stop it-- to ask their followers to stop-- and did nothing. They didn’t care-- about a human’s life and well being. 

@dragonprinceofficial, are you aware that this is what many of the fans of your show, which preaches love and an end to the cycle of vengeance, do to others? That this is happening in your space? If you stand at all by the values you preach, condemn it. @staffTumblr/ @supportTumblr-- shame on you for allowing this abuse to happen and ignoring my reports. Shame on you for permitting these people to operate in your platform and for being okay with hosting hate. People have been driven to suicide on your website-- I am one of the lucky ones. 

If you care at all about humanity and stand against this behavior, reblog and spread awareness. Share my story so I may not happen to anyone else. Tag @dragonprinceofficial until they notice and speak out. 

This is my story, and so many others. Make sure it doesn’t happen ever again. No human being deserves to be treated how I was. Everyone deserves compassion, decency, and respect. And everyone deserves a place in fandom. Do better. If you want to reach out to me DMs are open, as well as my email, which is attached to my account. Until this change happens and I am given the support/ help needed to safely function on this platform, this blog will not be active outside of that. 

Thank you all of the many accounts who have supported me, and I am working on getting back to all who have reached out! Your love means the world. You know who you are, and I don’t want to tag in case people come after you for showing me kindness. I am sorry if this is goodbye, to all that have enjoyed my blog. I enjoyed it for a long time  too. I loved sharing my passion for stories, culture, having a space where I could analyze and discuss my favorite things.  I loved getting to share what I had to offer with the world, having fun and posting jokes with my unique sense of humor. I loved interacting with intelligent people/ fellow fans and discussing my favorite stories, offering each other new insights and growing together. I loved the many, many kind and wonderful people who reached out to me in a variety of ways and provided support and friendship.

In the end, it just isn’t worth all of this pain and trauma, and I know when to put my foot down. I don’t want pity, I don’t want apologizes, and I’m not a martyr. I just want my story to make a difference-- to spur positive change in fandom culture/ spaces.  I will be tagging all fandoms in which I have seen this kind of abuse present as well, to reach as many as possible. 

Be safe, and be kind.

- The Arcadia Ledger/ Ryn/ Katie, signing off.

[canisitsnotlupus]

Gods, no. I didn't mention mixed breeds at all (so many communities would rip me apart for this, and this was when we found MDs and were considering them *instead* of the mixed breed idea for a brief period, unless we could find one that allowed it, which we never mentioned anyway). I usually led with my experience with Border Collies/ that community (as in, working them and showing I had experience with active dogs that needed a job) and worked up to asking about carting/drafting. It was a universal no, from being vague-accused of abuse for wanting a dog for drafting work, to being told they aren't bred for that anymore and not to look for it. It was literally why we eliminated the dogs from our farm ideas because the many people I contacted, the ones that got back were instantly 'no.' We went back to thoughts of a farm dog purpose mix for the purpose because we weren't finding it. I get this, I do. It's somewhat the same with herding dogs and breeders. But when the people that *do* have the internet and webpages and active FBs are telling me not to pursue this, it doesn't happen.. that's pretty much shutting a door. But the thing is, this door is still largely inaccessible: the clubs I found (another reply) one has an event coming up this month, a spring draft training thing, and that's it. The other had one last month. The second one has multiple events listed, but no other trainings or drafting events. CVA I didn't see a list about other events, so I might have missed it, but as someone without a car, that is disabled, and has to save for this.. I need to plan. It's just not possible unless they're being more open, and they're not. But I get the older people thing. It's the same with working BCs. But having to be 'in the know' and on the ground and talking to people and trying to network when you can't even get a question answered about the dogs is.. not accessible, welcoming, etc. It left an extremely bad taste in my mouth. (And like you said, do NOT get me started on the health testing. BMDs are a breed I wouldn't touch without heart testing, personally, and being in berger-garde with proof of longevity in the lines, which GREATLY limits the breeders twice over). The last thing, the argument they are still a working breed. I just am going to say we agree to disagree, because a handful of dogs doing a sport is still not work to me no matter how you slice it. And if we have to be 'directly involved' to have a single opinion on this, when I AM directly involved in herding communities, farmdog communities, etc. and not seeing them.. I think I'm allowed to make the educated comment that they're not working in those regards. I *actively* cling to any breed I see posted in those communities that aren't your typical collie-type, etc. I would have flipped my lid seeing a mountain dog posted, but I never do. And even you are saying they're largely pets, and more so than Swissies, just sort of proves my point? I am saying it's fine because they are *great* pets and companions. That's a different thing outside of work. But they're not like doing a BC in a mix, which is still largely, by far, a working dog. A handful of dogs doing a sport based around a historic purpose is great. But it's still a sport, and it's still not accessible if I have to jump through these multiple hoops JUST to find these people because they're not making it easy to be found, at all. But really, I asked people in the breed and was told exactly what I said. So there was no further reason for me to pursue it at all when I did *exactly* what someone in my position was supposed to do trying to learn about a breed and got shut down.

If you're going to claim that certain breeds don't or can't work, you might want to actually participate in that breed's culture or similar before making that judgement.

Berners do not have a working/show split. The conformation dogs ARE the working dogs. And up this way, most of the swissy sports that aren't being directly provided for by the swissy club... are being funded by berner people, malamute people, or newfie people. Not really uncommon to work your swissy next to a berner because they mostly had the same jobs.

Like I'm not going to deny that the berner is more pet-y than the swissy, that's by design because swissies are mastiffs as well as being mountain dogs vs berners are more herdy mountain dogs. But they shared the same purposes with very little difference outside of size and coat.

Come to mountain dog events before saying mountain dogs don't or can't work. Might learn something.

[razorblade180]

Company

Zhongli:Aether, I require advice. Relationship advice.

Aether:!? Why come to me?

Zhongli:Should I have chosen to go to Childe?

Aether:No no, you did the safe thing. Honestly I can’t think of anyone in Liyue to give the most sound advice on these things. Except maybe Ningguang.

Zhongli:.....

Aether:*eyes widened* Oh my goodness it’s about Ningguang!?

Zhongli:Very observant of you. We are to meet up later for dinner. Though I’ve talked casually with her and countless others before, I fear I may somehow...squander this opportunity to connect with someone; it has been awhile.

Aether:You don’t have to pull at my heart strings like this. Now I feel nervous. But uhhh, you sure about Ningguang? Like have you thought that through?

Zhongli:I don’t know what you mean. Ningguang is a fine, respectable woman that’s dedicated to her craft. The Jade Chamber was a testament to that.

Aether:Yeah, it was. It’s as great as she is smart. That means I don’t think you’d be able to keep up being a regular funeral parlor employee. You’re going to slip up, Rex Lapis.

Zhongli:Hmmm I have thought about this. Part of being a human should include sincerity. If I am to connect with her, then it is only right that I be honest with her. However, it is unwise to open with news like that so soon. But I am sure she won’t be as surprised as common folk.

Aether:.....Zhongli, I don’t think you- actually, *pats back* I say you go on that dinner and pose a hypothetical question about Rex Lapis being alive. I think that will make things clear to you.

Zhongli:I suppose that would be better than speculating. Very well, I shall try.

Aether and Paimon:(He really doesn’t see it.)

[Half an hour into dinner]

Ningguang:Hehehe, I must say Zhongli, you continue to be quite the interesting character. If only we weren’t so busy, then we could do this more often.

Zhongli:I imagine in terms of schedules, you have hands fuller than my own.

Ningguang:True. Though I made the Jade Chamber once before, the time and effort it is taking to bring back my pride and joy isn’t going much faster than the first time it was made. I’m a patient woman though. I wouldn’t be good at what I do if I wasn’t one.

Zhongli:Well said. Say, Ningguang?

Ningguang:Yes?

Zhongli:I was discussing matters with a friend earlier today. Nothing factual, more so hypothetical and thought provoking.

Ningguang:Oh? Do tell. *sips drink*

Zhongli:My friend holds suspicions over Rex Lapis’s passing. Those suspicions gave way to the idea of the Geo Archon being alive. How would that make you feel?

Ningguang:Me? Well...I’d be as stunned as anyone else if it were true. After all, he fell from the sky right down in front of me.

Zhongli:Ah yes....that did happen didn’t it? (In hindsight, that may have landed on her on anybody for that matter.)

Ningguang:The idea of him being alive would raise a lot of questions easily. Though if you’re asking how I’d feel....I’d be happy to know such a being was still among us. Rex Lapis was quite generous and fair.

Zhongli:*smiles* That’s nice of you to-

Ningguang:But I’d also be upset that I sacrificed my Jade Chamber and Liyue was thrown into chaos over a faux death. I put everything I have into that place and being a voice to the people. To have gone through such an experience that wasn’t because of natural causes, I can’t say I’d be pleased by such knowledge.

Zhongli:Oh...I see. (That makes sense)

Ningguang:Then there’s Ganyu. She’s felt so at odds with who she is and what to do next since his passing. Seeing her lost like that pains me a bit. I doubt even she would be okay with Rex Lapis’s death being fake. Hehe, she’s a nice girl but I’m sure she’d have words with him.

Zhongli:Ah, so you would believe if he were alive, it was Rex Lapis himself that faked his death and not some outside force?

Ningguang:Of course. He’s Rex Lapis. A plan like that could only be full proof with his approval, or we would’ve intervened. I may sound a little bias, but I can’t imagine anyone containing him by force. Our Lord of Geo was far too strong for that. Unless multiple Archons were ther perpetrators, then he organized is own death; and sense the land is ravaged with warring archons right now, I don’t think they had a hand in it. They aren’t known fighting quietly.

Zhongli:(Truly...the word clever isn’t enough for her.) So you’d be angry and resent Rex Lapis? I...can understand that completely. His actions would come off a bit...much. *frowning*

Ningguang:.....

[Earlier]

Ningguang:Hello Traveler. It’s been awhile since we-

Paimon:Do you like Zhongli?

Ningguang:*red* E...Excuse me!? Wha-

Aether:Because I can tell he really likes you. Like a lot. Do you like him back?

Ningguang:I....find him charming. *blushing*

Aether:So yea?

Ningguang:Why have you come to ask this!?

Aether:...*bows*

Ningguang:Traveler?

Aether:Zhongli is a good person, but I’ll be the first to say he’s a bit of oddball. There are ways he goes about problems that I don’t necessarily agree with and he tends to rub someone the wrong way sometimes when he’s being helpful. Still, he’s a really kind individual and I can understand his actions even if I disagree. If you really like him then I hope you can see those merits too.

Ningguang:This is...sudden. Why do you feel the need to tell me this? And to bow as well, please, rise.

Aether:*relaxes* I just felt like it needed to said. That’s all.

[present]

Ningguang:...I never said I’d resent Rex Lapis.

Zhongli:Hmmm?

Ningguang:Our Lord of Geo, he’s done countless things; knows countless things. To fake is death would mean he had reasons. I know without a doubt those reasons, whatever they might be, still had Liyue and it’s people in mind. So why I personally may be upset if such a hypothetical were to be true, I also think I’d understand it; and forgive it in time. Rex Lapis, he’s kind hearted. What ever the reason, I know I could accept it. However, I wouldn’t let him off the hook. I’d make sure he continues helping people in whatever way he can. That includes helping fix the Jade Chamber. *smiling*

Zhongli:So that’s your full answer? Hmm, interesting.....*trembling* Ummm Ningguang?

Ningguang:*takes his hand* Yes?

Zhongli:If...you need assistance with the chamber, don’t hesitate to ask.

Ningguang:I won’t, thank you. (Honestly...how could I resent you when you’re this nervous?) Oh yeah, you’re gonna have to breakdown the news to Ganyu.

Zhongli:Hehe, I guess we’re done speaking in hypotheticals then?

Ningguang:I find it cute you thought we ever were.

Aether:*watching tables away* Well, guess that solves that.

Paimon: All’s well that ends well! Paimon was worried for a bit, but you’re such a bighearted softie that you basically told Ningguang what was up.

Aether:What are you talking about? All I said was Zhongli is a man with good intentions, even if they are a tad selfish. Sigh....no one wants to feel alone. Especially in a world that’s constant changing and you can’t help but be different. Finding love makes everything feel not so bad.

Paimon: Paimon couldn’t agree more!

Aether:Well now that one dinner is going well, might as well have one ourselves right? We have menus.

Paimon:Actually.....Paimon has to pass sadly. Chow down for the both of us though! *disappears*

Aether:Paimon!? But...you never miss a chance to eat. Where’d you-

???:Excuse me, mind if I join you?

Aether:*turns around*......*red*

Amber:*red dress and curly hair* I was told by someone a certain traveler would be at a table for two, looking for company?

Aether:Would this someone be a certain little floating companion that is always scheming something?

Amber:You know... I think so. *smiles* So, mind if this nervous outrider who may be a tad overdressed for this restaurant keep you company?

Aether:*smiles* I wouldn’t mind at all.

[silentfcknhill]

FAVORITE SHOWS IN POSTERS

Well, we’re back for another installment of this tagged meme, this time for TV shows! I also stole this from/was indirectly tagged by @jcmorrigan. My taste in shows also differs a bit from my taste in movies, as I tend to like a lot of comedy shows with not as many horror ones. I’m not into shows as much as movies overall, but there are some that I am very passionate about so I picked twenty again. So, here we go for part 2, in order:

1. Avatar: The Last Airbender/The Legend Of Korra (2005-2014)

I'm including these as one show since they take place in the same universe and tell a continuation of the same overall plot. Altogether this is probably the best piece of media to ever exist, including movies. It has so many great characters and villains especially and some of the most epic sequences, charming humor and heartwarming moments ever. I've never met a person who didn't like these shows, even people who normally don't like cartoons. My dad, who is biased against animation? He loved it. My mother? She loved it, watched it with her multiple times. My grandmother? Loved it. My ex-boyfriend? Loved it. My best friend? Loved it. I dare anyone not to, and I'm so glad it's making a resurgence since it's on Netflix for a new generation to enjoy.

2. Black Butler (2008-2014)

I never was big into anime growing up and only really started watching anime when I was like 16 and above, but this is one of the exceptions because holy shit is it ever dark and epic. I'm not sure I'd really recommend it for kids, it's more of a teens and young adults kind of anime and that's probably why it's so good, because it isn't afraid to explore dark and mature topics and do it with all of the intensity and gravitas required to do said topics justice. It has lots of great characters, and the story of demons who make deals with children who have a dark side is fun to watch play out.

3. Seinfeld (1989-1998)

My dad was a huge fan of this show so I watched it growing up since I was a toddler and it became a classic for me. I've watched thw hole show through at least 8 times, and I'll never stop because it never gets old or boring. It's also my only comfort show when I'm having a panic attack because of one time a few years ago when I was having a drug-induced psychosis episode and watching it calmed me down, so now it's like the opposite of a trigger and whenever I'm having an episode or something I watch it to bring me back to reality. For that reason it's more than a show to me, it's a medical treatment and I'm forever grateful to it.

4. The Good Place (2016-2020)

The big four shows made my Michael Schur all made it on this post (The Good Place, Brooklyn Nine-Nine, The Office and Parks And Recreation), either in the main list of the honorable mentions, but this is my personal favorite of the four. It's so funny, quirky, relatable and basically tailor-made to suit my interests. Not only is it an entertaining and wholesome show, but I think watching it helped me come to terms with a lot of things like mortality, ethics, philosophy, religion and my relationships with other people. It gets  alot of different viewpoints across and if you're a very analytical and philosophical person like me you'll probably enjoy seeing it all play out. Not to mention, every single character is 'favorite character' material. It's rare you find a show with no filler characters in the main cast, but I genuinely can't choose who is best.

5. Brooklyn Nine-Nine (2013-?)

Another of Michael Schur's shows, this one is just barely under The Good Place and to be honest it was tough to pick my favorite between the two because they're both equally funny. I know it's kind of controversial right now because of the whole law enforcement thing, but I actually think they do a good job of handling social issues in the show and remaining respectful of real-life systemic problems. As for the characters, this is another one of those shows where every single character is gold and I think that tends to be a trend among Schur's shows in general. He produces damn good comedy, and damn good characters. I can't wait to see what they bring next.

6. Rick And Morty (2013-?)

This is unfortunately one of those cases of 'great show, horrible fandom' and for that reason I don't get involved in the fandom even though I love the show. It's a shame because it really is a great show, so funny and, again, such good characters. I think it's a lot more accessible than the fandom likes to claim, so I'm hoping more people will give it a chance and not get put off by the intellectual elitism of the fandom because it does have some of the most entertaining and batshit crazy episodes ever, poking fun of some of the staples of science fiction in media while also poking fun of itself the whole time. Unlike the fandom, the show doesn't take itself seriously and that's enjoyable nowadays.

7. Orange Is The New Black (2013-2019)

While this show is a comedy, it is also a lot of other things and it's probably made me ugly-cry just as many times as it's made me laugh. Well, maybe not as often, but those few scenes (if you've watched the show then you know the ones I'm talking about) made me hysterically sob hard enough to be worth like fifty minor sads. But I didn't even mind because the show is just that good, and it makes you /feel/ something in a real way. Probably because of just how real it gets in terms of telling stories that happen all the time in the real world, sometimes with inevitably tragic endings. But these things do happen every day, and it's important to shine a light on that. It's not just representation for LGBTQ+ but also for POC, the neurodiverse, the poor, and many more. Give it a watch to broaden your perspective!

8. Big Mouth (2017-?)

This is probably the grossest show I've ever seen but by god is it ever funny. Maybe it's because I have an immature sense of humor or something, but I love this show. It definitely won't be everyone's cup of tea and I don't recommend you watch this show with anyone else around because it will get awkward. I think part of its appeal to me is that everyone I talk to who likes it considers it so relatable to their lives growing up but for someone like me who grew up on the autism and asexual spectrum and who was physically an early-bloomer by years, nothing about this show is relatable to me in any way so it makes it all the more crazy and bizarre watching how the people around me must have experienced things. Did y'all really have these experiences with puberty in middle school???

9. Dexter (2006-2013)

I recently heard that this show is coming back for a reboot soon and I'm so excited because this is my absolute favorite drama/thriller show, as evidenced by the fact that it's the highest one on the list so far that isn't a comedy. I love the idea of having a protagonist who is sort of a villain (or at least morally dubious), and the idea of a serial killer who only kills bad people is particularly satisfying for some reason. Maybe because he's the vigilante we all deserve and want in this unjust and evil world of modern times? Idk but the very premise of this show set it up for big things and aside from the ending I think it delivered consistently.

10. Once Upon A Time (2011-2018)

This show took us on some journeys, and you can't deny that. Sure, maybe it didn't always finish what it started and didn't always end in the most satisfying way, but part of its charm is that you didn't care because the experience was just so much fun. They took characters and stories that have been told to death and somehow managed to put a unique and unexpected twist on them, and that alone is admirable. Good twists, good villains, and pretty much every cliffhanger known to man will keep you hooked on binge-watching every episode.

11. RuPaul's Drag Race (2009-?)

A bit different than the other entries on my list in that it's not fiction but a reality competition show, but I couldn't leave Drag Race out because it's just so fucking iconic and perfect. Even when you disagree with the judges or can't stand a certain contestant you'll still be having a good time. It's got the personalities you love to love, the ones you love to hate, and the comedy that's completely meme-able. I mean just how much has this show contributed to pop culture and the internet? More than most of us, henny. I've watched every single season, even the international ones and all of the spinoffs. This show will probably be on for another thirty years when Ru is throwing shade from a hospital bed and I'll still be watching.

12. House (2004-2012)

Some people hate on this show, and I don't get it. I love House. Yes, he's an ass. That's the point. He's supposed to be unlikeable, and that's why I like him. Maybe because I always love the rude, sarcastic, misanthropic jerkass-genius characters for some reason. And I also love procedural shows, so it's a win-win. I also work in the healthcare field so it appeals to me for that reason too, because obviously the whole premise is outlandish which is what makes it funny. Of course it's not realistic for a hospital, so just enjoy the absurdity and don't get too hung up on the details of medical accuracy and professional ethics and you'll be fine.

13. The Office (2005-2013)

The third of Michael Schur's show and the last one that made the main list (sorry Parks And Rec, I love you too but there was just so many good shows to choose from and I saw you last so the nostalgia isn't as strong!) I don't think I need to hype this show up any, it's already a classic and you can't even turn around online without getting hit in the face by a dozen Office memes. You'll have to pry this show and it's relatable characters (especially Michael Scott) from my cold, dead hands.

14. All Hail King Julien/The Penguins Of Madagascar (2008-2017)

Like Avatar/Korra, I also consider this as one show for the sake of this list because it also takes place in the same universe (Madagascar, specifically) and I just couldn't choose one over the other because they're both so perfect. They're funny and I love all the characters (it cut out the weaker links of the Madagascar film series and just focuses on expanding the standout side-characters like King Julien and the penguins). It also delved into some lore, particularly the first show, and even though I didn't also agree with the directions it took (you may have seen me get salty about the ending because I cared too much), I can't deny how much I love it.

15. Bones (2005-2017)

One of the other scarce non-comedy shows on this list, it still has it's funny moments. It's also, like House, another procedural show that involves some medical stuff, but this time on a more scientific and forensic level which is even more interesting. It's nice to see a lead female with Asperger's, too. There's a lot of cop/law enforcement shows where they try to solve crimes, but this one is the best, and I'm saying that as a fan of CSI as well. Don't fight me on this, I'm right. Oh yes, it's corny, it's campy, it's cheesy, but I love every minute of it. Don't watch if you have a weak stomach though.

16. The Simpsons (1989-?)

We all grew up with this show, don't lie. It's been around longer than most people on tumblr have even been alive. Should it have ended seasons ago? Hell yes. But that doesn't take away what the first like 20 or so seasons gave us (there's a lot of argument about when the show jumped the shark, for me it wasn't until much later than the popular consensus). The characters are amazing, but the secret to the show's longevity is that they always return to status quo and there's comfort and nostalgia in that. Bart will still be in 4th grade when you're out there pushing 90. This show is persistent. This show is eternal. This show will outlive us all.

17. Ash Vs. Evil Dead (2015-2018)

Sorely underrated. This show is hilarious, gruesome and campy as hell and I love it. I don't think you necessarily have to watch the Evil Dead movies beforehand in order to get the plot of the show, although it would probably help. In my opinion this show ended way too soon and I'm hoping someday we'll get a comeback because Ash is the reluctant, self-absorbed hero we all need and it's 2020 so at this point there really might actually be a demon-zombie apocalypse and who's gonna save us then if not for the impulsive womanizer with a chainsaw for a hand?

18. Malcolm In The Middle (2000-2006)

Another show I grew up with, I don't think it gets as much credit as it deserves. It has some damn funny episodes and great characters, and it did a lot of the popular sitcom tropes before they were 'cool'. Some other great sitcoms, The Middle in particular, took a lot of influence from this show and it helped pave the way for the future of sitcoms at a time when they were about to make a comeback. If you want a good show about the real experiences of growing up, this is a much more accurate representation of the highs and lows of being an awkward tween from a dysfunctional home.

19. A Series Of Unfortunate Events (2017-2019)

Unlike most people I actually liked the movie version from the early 2000's, and I read the books growing up so I was excited when I saw there was a live action television adaptation of it on Netflix because I felt like they cancelled the movie franchise too soon. I was interested to see how new actors would handle the roles, and I was not disappointed. I wouldn't say I liked either portrayal of the characters better or worse, they both added their own twist to it and this show is a great and loyal adaptation to the books, probably because the author was so heavily involved. He knew just when to stick to the books and when to improve upon what he had done with the benefit of hindsight. This show is basically the books, but remastered.

20. Winx Club (2004-?)

Sort of an odd one out on this list, but I really love this show even as an adult and it may surprise you to learn it is still going on and the most recent season came out last year. They take big breaks sometimes in between seasons, but it's still going strong and in multiple countries. The only thing I don't like about watching this show is all the different and inconsistent dubs since the original show is Italian and each dub only goes for a couple seasons so by the time you get used to one set of voices/names for the characters oyu have to abruptly switch to another, but it's still worth it for the beautiful animation and cool characters (especially the villains!)

Honorable Mentions: 

13 Reasons Why, America's Next Top Model, American Horror Story, Arrested Development, Bates Motel, Battlestar Galactica, Black Mirror, Care Bears, Chernobyl, Courage The Cowardly Dog, Criminal, CSI, Duck Dodgers, Goosebumps, Kenny Vs. Spenny, Kim Possible, Kingdom Hospital, Lazytown, Lost, Making A Murderer, Mayday, Mindhunter, Modern Family, Monster High, Obsession: Dark Desires, Parks And Recreation, Prison Break, Project Runway, Queer As Folk, Queer Eye, Salem, Schitt's Creek, SCTV, Spongebob Squarepants, The Emperor's New School, The Good Doctor, The Haunting Of Hill House/Bly Manor, The Middle, The Pretender, The Walking Dead, The X-Files, Through The Wormhole, Unbreakable Kimmy Schmidt, Unsolved Mysteries, Yugioh

Tagging: @bullet-farmer​ and anyone else who wants to!

[dysphxtric]

Mental Illness - My Mental Health Story

TW: Depression, Anxiety, Self harm, Suicide, Sexual Harassment

“You should smile more.”

“It could be worse.”

“Just don’t think about it.”

These were the phrases I heard throughout all of my elementary and high school years. There was never a time when my peers and teachers, would not mention some bizarre, ignorant statement revolving around mental health. Not to mention, my family also contributed heavily to the stigmatization of mental health issues. Essentially, my family approached the subject of mental health with extreme hesitation, they refused to talk about how it affects people of all age, gender, ethical background (etc.) Every time I would say “I’m feeling lost” my family would automatically dismiss my frantic worries and it was not any different when I went to school. My peers would continuously remind me that my pain was not valid and that I need to stop being so sensitive. My primary parental figures, my mother and brother did not have the adequate knowledge or tools to be able to hold space for me. I would frequently hear my mom say, “I could understand someone suffering from PTSD feeling upset or sad but you’re so young and healthy honey, you have nothing to worry about” or the old classic “Someone else has it worse than you”. Whether I was at home or at school, I heard the same ignorant statements spewing out from what felt like everyone. And I could never comprehend what was the point of these falsely “encouraging” statements and why profusely use them? These kinds of statements do not uplift, nor do they empower those struggling with mental health issues, if anything it makes it extremely debilitating when your emotions are not acknowledged nor validated. One cannot expect to simply brush away another person’s emotion, thought or feeling as though it means nothing.

With that being said, growing up, I lived in a dysfunctional household alongside my mother, my older brother, and my grandmother. My mother would always be juggling work, schooling, and her dating life. My brother was very reluctant about staying home so he would always vanish after school, hang out with friends, party hard and engage with various street substances. Now my grandmother? It was not long after she immigrated that she began to immerse herself within the Jehovah’s Witnesses ideology and “religiously” strayed away from us as my mother likes to say. My mother was never fond of religious practices that were not “orthodox”. My grandmother wanted to indoctrinate my mom, brother, and I into joining her religious little club but failed which resulted in countless fights, yelling matches, and multiple dents left in our walls. The back and forth with the yelling was what scared me most in my childhood even if it was over something as small as not closing the cabinet door. I think it was around this time period I experienced violence/ trauma at home and truth be told I was extremely stressed and anxious all the time as a kid. My mother would cover the punched indents by taking magazines and sticking pages onto the indent. Often times my stomach would turn as I looked at the pages covering the area where my brother punched the wall with brutal force. Moreover, I felt impending sadness because all I ever wanted was for everyone in my family to be able coexist and not argue. I was trying to keep the peace between everyone, yet I was always the one that got caught in the middle of everything whether I liked it or not. I would get blamed a lot for trying to mend things for everyone. Even though all I wanted was the best for all my family members.

Fast forward to my pre-teen/ teenage years. By this point, my brother and grandmother were no longer living under the same roof as my mother and I. My brother was living with his ex-girlfriend while working as a security guard meanwhile my grandmother was living in her own little subsidized apartment preaching the word of Jehovah. At that particular time, my mother and I lived in a marvellous urban semi-detached house in a peaceful neighbourhood. My mother’s boyfriend had moved in with us and for the most part I was really happy because at least it was not just me and her.

My mother’s boyfriend lived with us while I was going to school. He was a really nice, caring and warm-hearted individual although I could never understand why my mother argued with him so much. I once told him “You should propose to her, I can see you two together forever” to which he replied with a welcoming smile.

But eventually just like with all good things, there comes an end. The inevitable breakup my mom went through was very bitter and I had to be there for her. Afterall, I was technically the only child that was around to emotionally comfort her. Ironically, the breakup occurred during the time I was being bullied in school. And it was difficult to be fully present for my mother while dealing with a lot of negativity at school. I had been experiencing cyber bullying on MSN by a bunch of peers calling me “weird”, “ugly” and “different”. To make matters worse, the group of kids that bullied me online ended up following me everywhere I went for recess which posed as a big obstacle for my well being. I had to eat inside the portables when teachers weren’t around or inside the girl’s bathroom stall just to avoid being teased. I never felt like I had a safe space to myself where I could be vulnerable and open up. Not to mention, it was a difficult time and there was practically no one I could confide in. I didn’t have a social circle of supportive friends, after all I was an antisocial person. Fear washed over me as I worried about disclosing my unpleasant experience to my mother because she was already dealing with so much, the heartbreak, the bills, work problems (etc.), it was then and there that I decided to lie instead of telling the truth. Ultimately, lying became my cooping mechanism to deal with the ongoing pain.

I kept up the lying for a long time in order to make it seem like everything was okay. I lied to everyone from family members to school peers to the teaching staff to principals to counselors.

For the longest time, lying sheltered me from all sorts of unnecessary questions. No one could really tell whether I was truthful or disloyal because I was able to make it sound believable. When I was a teenager, I continued to go down the same destructive path by being dishonest with myself and others. Many times, the thought of suicide crossed my mind and when I started to think about it and plan/coordinate the intricate details it did not hit me that something was very wrong, and I needed urgent help. A big part of the problem was that I was so used to downplaying my pain, given my family circumstance and stigmatization I experienced growing up with. There is no denying that I would engage in negative self talk convincing myself that I deserved the pain and suffering for not being likeable enough or for not being smart enough.

Sometimes I think that is the thing… people do not understand that I lied because that was what I was required to do in order to survive my childhood. I, myself do not tolerate lying and I think it is a form of betrayal and if I were to be completely honest, I would have NEVER lied to my mom had it been safe for me to express myself authentically in my household.

I did not live in a household where it was safe to speak my mind freely and disagree with my mother. Disagreeing was always the last thing I wanted to do, disagreeing meant I got the belt, my devices would get confiscated or that I was going to get grounded. They say, “Honesty is the best policy” and I do not disagree however, it is not as black and white as one may think. In my situation, lying was not only an adaptive coping mechanism but it became a survival mechanism to keep me safe from harm/threat.

I did not have very much individuality growing up. I felt as though having an opinion of my own was bad. In order to perpetuate this fixated mindset that I had, my mother constantly deemed certain attributed behaviours or thoughts as “good” or “bad”. So, say you were upset about a recent breakup with your partner, my mother would scoff and say, “You know life isn’t just about love right?” and play it like it means nothing to the person affected by the situation.

The first time I ever felt depressed was when I was 13. At that age I did not understand why I was feeling what I was feeling. All I knew was that there was something wrong with me. It did not help when I was being picked on by my classmates telling me “Go die”, “You belong in a ditch ugly bitch.”

The moment when things started getting out of hand was when I was first started my Art and Family Studies class in the same semester. In both classes I was placed into groups amongst other students. In Family Studies I had to be in a collaborative group that would divide responsibilities and tasks accordingly. When it came to cooking, my group consisted of four snobby, rich yet immature peers who were unwilling to help and contribute in any shape or form, I had to become the bigger person and sure enough I took all the responsibilities on myself. Though, it was not a smart move. But I was super shy and felt anxious to do anything different least to say speak up and advocate for myself, so I did what I had to do which was prepare meals, clean, and wash the dishes. At the end of the day, none of my peers thanked me, the only thank you I got was getting groped while washing the dishes and getting laughed at.

After what happened I ran to my best friend in tears to tell her what happened just to find her say “It’s not that bad, you’ll be fine” I felt like my blood was going to boil and I was about to start fuming. I stood thinking “Huh, that is so weird, is this how you comfort a person after being sexually harassed?”

Not to sound all grim but that experience showed me that no one really cared about me. No one cared that I got groped or how I felt in that moment. Let alone not even my “best friend” who was supposed to fulfill her role and be there for me. All I wanted was comfort and to be heard out. I could not even tell my mother about this experience until I turned 21 because of how ashamed I felt carrying around that experience and not having the ability to open up and mourn what happened that day and to be able to heal that damaged part of myself. I carried that incident with me for 7 years in silence because I was scared of being honest.

That specific experience was very detrimental to my mental health. Everything began to spiral out of control, I sprawled into a dark depressive state. I began to have intense panic attacks, insomnia, forgetfulness (etc.) After a certain duration of time, I had thoughts of suicide lingering at the back of my head. I questioned my worth, my identity, my culture, my everything.

The bullying and name calling persisted and became so intense that I ended up missing weeks of school time. Some of the boys in my Art class found it funny to make fun of my last name and call me “Prostitute”.

One day in the early springtime, my Art teacher noticed the marks on my wrists as I was painting and had not said anything until I made it to my last period class. I was called down to the guidance counselors office and was interrogated with questions.

“It has come to our concern that one of the staff members noticed cuts on your arms.”

I sat in silence trying hard to contain my anxiety.

“Are you struggling with depression or low mood? Is everything okay at home?”

It came to the point when I got so tired of lying about my pain that I admitted “Yes, I am struggling, I need help”. I dived into the bullying occurrences, the cat calling, my low grades, my self-esteem, the groping, my home situation (etc). After that, I was told that my mother would have to be called down to the school for “safety” reasons even though my counselor promised not to disclose any personal information to my mother. My greatest fear was that I did not want my mom to know that something was wrong.

Of course, my mom came to my school. She was told everything that had happened. I met her at the counselor’s office just to find her wailing in distress “You are such an embarrassment” and “Your counselor told me what you did, how could you do this?”. When the counselor gave us resources for help, my mother grabbed the papers and shoved them into the trash, got up and yanked me out the office.

The next three days that followed, my mother withdrew into her room not saying a word to me. I felt really uneasy and upset. She had her right to be alone but locking herself away from me and avoiding communication altogether? Didn’t make much sense.

I felt extremely guilty for not opening up to my mother sooner. But instead of choosing to be compassionate and caring she chose to resort to anger. She furiously blamed me for being “quiet” and “not trustful” which all landed on my shoulders again. It was “my” fault I thought.

Bottling this up resulted in a full-blown mental breakdown. I could not focus or concentrate because of everything building up. It came to the point where my mom had to choose between living in a toxic community or starting fresh elsewhere.

And even though my mother kept subjecting me to her harmful stigmatizations, the transition from my old school to my new one helped me greatly. When we moved away, I gradually started to feel better emotionally, mentally, and spiritually. Very quickly, I ended up adapting to my new high school where I finally made friends.

One thing I cannot deny is that there definitely was a silver lining to all of this. Although I went through severe bullying and torment at school and home, I managed to reclaim my power and through that I discovered my inner peace after being extracted from my toxic high school. The new school that I ended up attending completely changed me and inspired me to become a more authentic version of myself. It was almost as though I did a complete 180°

My new peers and teachers were enthusiastic, open-minded and caring. The new community I was surrounding myself in was a very positive one that broke down stigmas and encouraged deep understanding and acceptance. My mind was blown when I found that it was easier to conversate with girls and guys at my new school, I was gradually becoming confident and more vocal, and I liked the feeling of not hiding myself away from the world. It felt rejuvenating to finally be heard and seen by others.

Slowly but surely, I began to partake in various activities at my school. I joined the Poetry Club which I would have never considered joining had I stayed back in my old school due to fear of how I was perceived. Ultimately, I started caring and nurturing myself more. My new friends supported me, and teachers began to openly listen to my stories and encouraged me to write. When I started writing, I realized that I could use this medium to cope with my depression and anxiety. The acknowledgment made a major difference in my life like never before.

If it were not for the transition from my old high school, I would have not made progress in developing into the woman I am today. I know that I am not my pain, I am not my mistakes.

Do I still struggle and have bad days? Yes, of course. Just like any human being I have my days when I am not feeling the greatest however, I am more open to learning about how to engage with my mind, body and soul in order to soothe myself during turbulent times. I still have that inner critic however, I have been engaging with activities such as bike riding, painting, drawing, and reading to help occupy my mind which as a result has reduced the time that I spend ruminating. Occupying myself has worked magic, I am now able to reduce and control how much time I spend self-loathing, criticizing, and judging myself. Rather than judging every thought, I’ve learned to slow down and observe.

If you stuck along until the end of my story, I want to thank you for reading through my experience. My hope is that my story can shed some light on the myths and stigmas surrounding mental health, especially within the Eastern European community. I want you all to know that you are ALL valid and I wanted to be able to share my story so that my readers know that they are not alone.

[lifblogs]

Let me begin by saying that none of this is against you, but is an argument as to why I disagree with the article.

NECESSARY EDIT: Thank you for looking this up!

TL;DR: I disagree with the article, but psychology is a very tricky subject and results of treatment/experiences vary greatly across the board.

The problem is, that article is talking about exposure treatment, which is a good treatment, but as mentioned in the article, it has to be done in a clinical setting. I don’t see why it’s bad for someone to see trigger warnings and then avoid that content if they’re not ready, are having a bad day, or haven’t worked on it in therapy.

I have C-PTSD, and I have done exposure therapy with one of my traumas, and it has been effective. But that doesn’t mean I’m ready to see it all the time. A trigger warning (which, tbf, I have some triggers that can’t be warned because of how odd/rare they are) can give me the decision to avoid the content altogether if I’m not ready, rather than just stumbling upon it, which is fine and good, imo.

To me the article seems to have a mean streak and thinks we should be triggered with books or movies and TV per se just because it will happen outside of reading and in real life. Those are two different situations. I learned content warnings for TV years ago out of general curiosity, and now I can judge if a certain episode with more warnings feels like something I can handle at that point. I should be allowed that agency, especially when trying to enjoy media. And outside when triggered? Grounding techniques, my little stuffed frog I use as a stress ball, things like that. Even in that way I have a chance to protect myself. The article talks as if we should let ourselves be triggered just because we will at other times, and honestly, that’s a lot of the bs I hear from people who don’t work with patients in therapy or who haven’t delved that deep into the realm of mental health (odd, given what the article’s about).

They also mentioned raised anxiety, and to me, I’d rather have a little raised anxiety (the anxiety levels they discussed a change in were minimal) than be triggered altogether, which can cause flashbacks, body memories, panic attacks, nightmares that night, reckless behavior, and suicidal thoughts. One seems worse than the other, right? They seem to discuss PTSD as if it’s a mere anxiety issue when being triggered is involved. It’s not.

They also discuss PTSD feeling central to our identity and that trigger warnings reinforce that. Sure, yes, different traumas can feel central to our identity, but that involves many factors: how long the trauma event was, how strongly it changed our behavior, the severity of the trauma response, the time that has passed between the trauma event and the current, and if helpful therapy is part of the treatment. For years I felt that my multiple rapes were central to my identity, and I felt that outside of the trigger warnings. I do not feel that now. Right now I need to be warned for guns or else I will have some sort of breakdown. It does feel a little central to my identity right now since it hasn’t even been a year since the traumatic event. However, a trigger warning is not what makes it feel this way. This is a part of me and that’s okay, and I’m not sure trigger warnings are actually doing harm here with all people.

I think it should also be said that there were possibly raised levels of anxiety because the trigger warnings used in the tests were incredibly vague. I once almost walked out of a GSA meeting because another student just vaguely said, “All trigger warnings,” but when someone asked him to clarify, my anxiety left, and I decided I could handle what I was hearing.

They also seem to argue negatively against the belief that words are harmful. Of course they have the ability to be harmful. How else do humans get across thoughts and ideas? Are all thoughts going to be happy and cheerful and without fault? And, how else is propaganda spread? Humans naturally invented words and language, and it’s something that can greatly help us and does every day, but can also harm us depending on what we’re seeing on TV (particularly news of violent events), who is speaking to us, or what situations are being described. These things differ from person to person. For instance, I can handle reading a scene depicting sexual assault, but someone else in my shoes might not be able to do the same. To say words don’t have the ability to be harmful also just takes away the meaning of words. If they think like this then why even write an article? Words aren’t harmful… words don’t have power… words don’t have meaning… why use words to convey our ideas?

Now to this belief that it seems trigger warnings mean people with PTSD are vulnerable. Hmm… seems a bit off to me because a trigger warning could honestly just help someone who maybe doesn’t like certain content or is having a bad day and maybe needs a scene that is more uplifting at the moment. However, I will admit this does get dicey if we go back to my explanation/rant/whatever-it-is of words having meaning. Trigger as in triggering does seem to be exclusively used with people who have PTSD. I will say that in DBT it is used to describe something that triggers an emotion. Which, then, we all have things that trigger emotions, so perhaps despite their focus on violence trigger warnings can be helpful to other people as well. I know I basically went in a circle with this one, but in my defense it’s past midnight. Anyhow, I can see how it might perpetuate the idea that those with PTSD are vulnerable, but I think that’s something between those warnings and the individual themself. Like I previously stated, trigger warnings can be used by people to avoid things they just might not like.

(I also greatly note that this article does not mention eating disorders and how trigger warnings for those with eating disorders can be greatly helpful. In this instance, a trigger warning could mean the difference between someone’s obsessive thoughts surrounding food and their body starting anew, or them purging of bingeing of starving or hurting themselves, and them scrolling past and continuing their regular recovery/struggle.)

My last statement a la before the parentheses is taken to the extremes with certain groups of peoples, of course, especially younger self-identifying leftists who grew up in a conservative household or community. But, tbf, that might be a different discussion entirely.

At this point I am not sure what else to say, but I would like to reiterate in plainer words that the changing anxiety levels present before reading a text when using trigger warnings was minimal. However, with further digging, it seems research from psychological clinics still argues this point: some say trigger warnings are helpful, others harmful. I will say, just a cursory glance as the author quoted in my original post shows she is making an incorrect statement. A cursory glance will not show that they are harmful, but that they are perhaps good.

Psychology is a hotly debated field, of course, because different treatments might see varying results, and the main goal is to improve quality of life, and what works for that will look differently with different patients. For instance, CBT therapy is harmful to me as someone with borderline personality disorder, but DBT isn’t. Meanwhile, DBT might not do anything for someone suffering from generalized anxiety disorder.

For me, I still see a bit of some mean tones and sentiments within the article and feel more comfortable saying trigger warnings are helpful.

“…but if you research trigger warnings, even the most cursory research will show you that they don't work. That in fact, trigger warnings are more likely to be damaging to people with PTSD and trauma.”

— Leigh Bardugo

1. It would seem like they don’t work because people will either ignore them, or they’ll see the trigger warnings and somehow decide to read anyway (possibly hateread) if they find their trigger in the warnings and get triggered.

2. As someone with PTSD and who knows others with PTSD, where? How? In what way are trigger warnings worse for us? How does that even make any sense? So I’m worse off for my friends telling me when a work has a gun in it so I avoid it and avoid having a horrible time? The hell? I’ll do more research, I guess, but what?

[bamf-jaskier]

A long ramble of thoughts about the history of chaos on the continent and why Fringilla’s use of forbidden magics is pretty neat

So one thing not too many people knowing about the Witcher is that magic is called Chaos for a very specific reason: it is the opposite of Order. In Sword of Destiny, Borch tells Geralt that Chaos is the aggressor and Order is endangered and needs protecting. Chaos is what mages/elves/witchers/sources/etc can channel in order to produce magic. 

It's important to note that magic DID NOT EXIST before the conjunction of the spheres so it's pretty strongly implied that before the conjunction Order and Chaos were one and the Conjunction split them apart, leaving Order vulnerable and Chaos in the hands of living beings to manipulate. When the conjunction happened, no race (humans, elves, werebubbs, etc) knew how to use magic but eventually most of them found a way to use chaos. 

What is interesting is that we are told that Witchers/Mages/Elves all see magic differently but we are never told how. It is mentioned briefly that mages "pervert" magic by the Elves but we don't know what perversion of magic looks like to the elves because it is subjective to their own worldview. However, looking at the earliest human tribes on the continent, the Dauk and the Wozgor we can get some idea of the difference between human magic and elf magic. Both groups were very influenced by ritualistic group magic as well as worship of the gods. Many of these gods such as Melitele are still worshipped. 

The Dauk were more into fertility and harvest, think early Beltane Midsummer stuff, while the Wozgor primarily worshipped Lilit with Blood Sacrifices. So we see humans are in a group-mentality when it comes to magic and summoning, they pull power from the earth and pool together their magic to create spells. At this time, elves and humans were not considered enemies so group-magic and more nature-esque magic is accepted by the elves. This is also supported by the dryads and elves seeming to prefer druids who still use magic group-magic today.

So now we start to get into when the philosophical schism on magic happened. Clearly, at some point, humans started working on less "group/nature magic" and on more individualistic magic. By the nature of chaos it is consuming so as more humans began working on individual magic, they became more power hungry. I had a theory that it was human's use of individualized magic that led them to leaving the nomadic tribe mentality and instead moving to more Nordling-Like culture where they live in one place and fight with other tribes, eventually building cities, colonizing, and in general taking the standard course of human history. So now humans have magic. And they have POWER. 

So you get mages who are fighting for their tribes, their groups and eventually kingdoms like Novigrad begin to form. Now the Brotherhood was formed in the 8th century by the Novigrad Union which was a group of druids, mages, and priests who signed a non-agression pact to stop the raids and warfare that were so common for centuries. However, the Union fell apart due to difference in views on magic while the Brotherhood stayed together. 

The Brotherhood is now sort of the ruling party on the continent, it's the only power really left after the Union. It's not its own Kingdom so it can technically be considered neutral. This puts a lot of responsibility on the Brotherhood and the Northern Rulers are overwhelmed by the number of monsters. Previously, humans were so focused on killing each other they couldn't really organize and do anything about the monsters but now that society is developing it's a real problem for trade and travel. so they create the first Witchers in Rissberg. However, once they find out that the Witcher don't have the same magic aptitude as mages, they are discarded as failed experiments.

This is where is gets interesting again for me. Because Witchers actually can cast magic as strong as mages, they elect to use signs but Witchers can pool their magic together in order to cast more powerful spells. So what was the difference between mages and witcher that had the mages deem Witchers as failures? I am theorizing that Witchers channel chaos whereas mages manipulate it. 

The way I describe it in my fic is that Witchers act as a conduit for chaos, think of it like sucking up magic into a straw, the Witcher is the straw, they bring chaos in it's purest form into the world. Then, once the magic is in our realm, they shape it into the spell or form they desire. It's similar to how elves and ancient humans used magic. This is why the elves don't call a Witcher's magic a perversion but a mage's magic is. 

I'm theorizing that Mages on the the other hand bring magic in through almost a mold. When a mage summons chaos, that chaos can only be used for the very specific purpose that they want in that moment. It ties into their philosophy on willpower. What you desire is the magic you have. So a Witcher could begin to cast an Aard and then halfway through change the sign into an Igni and it would work fine. However, a mage can't begin to cast a portal and then change it into a lightning bolt. But this is also the reason mages are so powerful, their magic is specific. It is decided and the willpower behind it makes it a stronger spell.

NOW FINALLY we can begin talking about forbidden magics. So I'm not going to get into the First and Second Ages of the Witchers but just know that Witchers are now off on the continent doing their own thing and monster hunting, creating their own culture, etc. The Brotherhood does NOT care for this. They can see control slipping from their fingers so they and they are worried other mages are going to experiment the same way they experimented to create Witchers but this time they will make something even more powerful. Something that could topple their power. 

The Brotherhood begins to ban magic that could be used to manipulate the natural order. The main three banned magics of the Brotherhood are Goetia (demonology), Necromancy and Ancient Magics. Now demonology was actually practiced by the Wozgor and many think that Lilit was actually a demon they summoned. Necromancy and Ancient Magics both have the potential for abuse but not more so than any other form of magic. However these are all powerful magics. But it's not just BANNING magic that creates censure with the brotherhood. It's the stringent guidelines of how to perform magic even though we KNOW there are multiple ways to channel chaos. The Brotherhood also creates a system with the court that also creates censure because courtly expectations now place an emphasis on respectability and governance and how you should hold yourself, etc. Being a mage becomes a lot more restrictive and a lot less experimental.

So we have to ask ourselves, what does Fringilla do that causes her to be considered abhorrent, In Tissaia's words: "I will defend our way of life, The Brotherhood, The Academies, the order that we have built up over centuries, you've rejected it all Fringilla" 

So here's what we KNOW Fringilla has done: Forced Mages in Servitude until they decide to serve the White Flame (of course Fringilla says it isn't servitude but Triss disagrees), Practice Necromancy, Demonology, and Fire Magics She specifically says the phrase "most of us came from Aretuza and Ban Ard" so here's what we have to consider, how did Fringilla get them there, she can't have kidnapped everyone and as well if u know some spoilers from the book then there are plenty of mages that voluntary work for Nilfgaard. 

Fringilla works with ANYONE who has chaos, not just people deemed worthy by the Brotherhood. In addition, she works will all magic, no limitations. In many ways, Nilfgaardian magic is returning to ancient magic. If you watch the battle at Sodden, the mages perform a lot of life-force spells. I have a theory that those types of spells are MEANT to be performed in groups and since they aren't, the mage withers and dies. 

Also, listen, in another world Nilfgaard could be the hero. If they didn't show Nilfgaard being generally evil like killing everyone and sacrificing mages and stuff they actually have good reasoning? Cintra is objectively terrible. They literally almost killed off an entire race? The Genocide of the Elves is very much brushed over and honestly Cintra should have been overthrown ages ago. Also Nilfgaard has policies of cooperativity and community and honestly if they didn't so morally bereft acts their society has a lot of potential. 

Fringilla is returning magic to how to was pre-brotherhood where it's groups of loosely defined mages doing what they want. She is also trying to break of the individualistic mindset of most mages which I think is interesting because it goes against the very soul of how mages perform magic. It's like Tissaia said, Fringilla is rejecting centuries of tradition. In any other world, Fringilla would be the Katniss to the Brotherhood's Capital. If Nilfgaard wasn't cast as so brutal they would literally be considered a revolutionary force trying to oust a genocidal dictatorial system (Cintra). Granted, many people have compared Nilfgaard to either being a Roman Empire or Soviet Russia analog, both brutal totalitarian or imperial regimes which probably is part of the reason Nilfgaard is so brutal. I am suggesting that in another universe, Nilfgaard could be instead of an imperial-religious-type regime a more revolutionary force. 

Perhaps an AU where Nilfgaard teams up with Cintran Rebels and arrives at the city to help Cintran Freedom Fighters tear it down and then allows Cintra to rebuild on their own terms. Basically, I’m talking about the overthrow of the monarchy system present in most of the continent. 

I would really like to see an AU where Fringilla is a revolutionary figurehead trying to work to establish a democratic system in a monarchal society while going against centuries of magical tradition. I think with the addition of magic and complexity of politics not the continent there’s just so much to think about here. 

[maivalkov]

I have seen not long ago a post about "spain's dark side" so...your opinion about that? (I kinda have a feeling of knowing why himaruya came up with that and, if I am right, I am not sure if I like it. It's not that I don't like the dark side thing, but if the reason is what I think, then I don't fancy it)

Great question! Please excuse the length of this response in advance, and if I go off on any tangents. To directly answer your question: I have a horrible feeling that Dark Spain is inspired by the Spanish Black Legend/La leyenda negra, and I don't like that at all. You've really hit on an important topic here, so I'm going to extend this discussion. I call this upcoming piece: Why I don't like Dark Spain and why we, as fans and creators, need to be mindful of how we enjoy our beloved series.

Side note before we begin: I'm going to be talking from a writer's perspective, since this is what I mostly do. My opinion is just that, nothing more. Some will agree with me, others won't, and that's okay. If you're happy with the terms, let's crack on.

Part 1: "Dark" characters I'm not against 2P or "dark" versions of a character if it's required for a particular setting. Let me show you what I mean, using some fic plots I just pulled from my head: Example one: You've got this gritty, fantasy gangster city plot. You use a real city as your location, but the characters are human. Antonio's the leader of a huge criminal organisation and therefore he will do incredibly bad things. It's trigger warnings ahoy. Is this portrayal okay? Sure. (read on before you hit that reply button) Example two: You're writing a horror fic. Antonio's a sexy merman who's more likely to decorate his cave with your entrails, than serenade you on a beach. Is this plot fine? Absolutely. It's dark af, but you're writing sexy merman horror. It kinda’ comes with the territory. Did you see how I wrote "fantasy" and "human" in bold? And did you see that I used Antonio, not Spain? There's a reason. I personally believe in this: When your story uses Hetalia characters in their human form (i.e: Antonio is just Antonio, he does not represent Spain), there's much more freedom and flexibility. I've read many excellent works with darker themes who use real locations alongside human versions of the characters, and do so brilliantly. They're wonderful stories, and they don't cause harm. They're fiction. Fantasy. Fiction. Did I mention fiction? On the flip side: When we are writing the characters as country personifications, who represent the people and the history, we must take proper precaution. The same applies to writing about historical events. (To be continued down below.)

Part 2: Dark Spain

As someone who's been in fandom 10+ years now, my problem with Dark Spain is this: a number of creators back in the old days seemed to agree with my Black Legend theory/concerns, and yet they willingly made content for it. Not everybody did this, but I certainly saw some who thought "wow dark crazy Spain because Inquisition", applied it to certain ships because "ohh angst leads to romance, what a plot" and that is wrong on so many levels. If you know the Spanish Black Legend, then you know how bad this is. It's an incredibly difficult topic because it is, in the simplest sense, massive propaganda designed to seriously damage a country's image. I welcome Spanish input on this, but personally I think using this as some edgy portrayal of Antonio in your fics is insulting. Don't bloody well do it.

(Please note that the fandom is MUCH better now, but it doesn't change the fact it has, and could still happen. I used past tense for a reason, as I do think things are improving.)

Russia is another character which suffers this treatment, and I do think we have a responsibility to be considerate. Many countries have done awful things, mine (the UK) included, and yet our characters have escaped receiving this Dark persona. It's not fair, it really isn't. It's a poor judgment call on Himaruya's behalf if my theory is true. If I'm wrong, then this argument is void. Either way I feel like Himaruya should've specified how and why Dark Spain came about. Part 3: Historical writing

Here's where it gets interesting. I'm not saying "don't write historical hetalia fanfiction", and I never will say it because historical fiction exists. You can go in your local bookshop and boom, people are making real money off it.

I'm not one of those lucky sorts, but I am contributing to that genre myself. Despite lots of magic, fantasy and general artistic license, my story Gatito can be considered historicaI.

It's set in England, 1569. Spain and the Netherlands are two of the main characters, and yes, their conflict is referenced. It coincides with the timeline, and all the while I write them as personifications, I can't pretend that tension between them doesn't exist. If I did, that'd probably be even more insulting to their history, and no doubt confusing for the reader.

The main plot is a daft mash of Arthur misusing his magic, a vile fictional man from Antonio's court who wants his head, and poor Netherlands and Portugal get wrapped up in the drama along the way.

The Dutch conflict is featured, but not the plot. The event is occurring right in the middle of a fictional disaster which Antonio is trying to overcome. It's acknowledged, but it's on the side, to put it simply.

I use human names (Antonio and Abel) and explore that situation from an emotional, human perspective. I do not claim that Abel is a victim, and no one thinks he is either. Personal HC time here: I don't think any of the characters look back at their history and think "wow, poor me". Everyone's made mistakes, and they've all played a role in hurting someone else. My history teacher once told me this: The more you look, the more you see. There's many sides to a story, and even to this day, I doubt historians have truly, faithfully documented events so that it's fair on every nation involved. That's why we need to try and learn history from multiple perspectives, and why when writing hetalia characters during a historical event, we should show the reader as many viewpoints as possible. If you don't, then... well. I frown at you. More on this in part 4.

Part 4: Conclusion/advice

I won't pretend to be a saintly figure in the fandom, and this rant is a bit of a mess, but I hope you get what I'm on about. Thank you if you're still reading.

I'm going to finish with a bit of advice that has helped me have a positive time, and allowed me to create works for a series I really love:

1- If your story is historical, and you purposely want to paint a country in a bad light, think before you do. Don't slander another country for the sake of your comfort character or ship. If your story is set during a battle then yes, they can moan about the opposition, but don’t go hardcore. You know what I mean.

2- Research, research, research.

3- You want to write a particular character. Their human name is unconfirmed, or you don't know a part of their history, but you want to write about it. What should you do? Talk. I had this very dilemma regarding Portugal's surnames, and I just asked Portuguese mutuals on Tumblr for help. I received numerous valid responses in under an hour, and I felt better for it. 10/10 highly recommend.

4- If you've gotta' write Dark Spain: Keep. It. Fictional. If you don't believe my theory behind it, cool, crack on. But if you agree with me, then yeah, I've said it enough. Respect the country.

5- DO explore history. It's fascinating.

6- If you write historical hetalia and you feel that something might be misunderstood: PLEASE USE DISCLAIMERS, END NOTES ETC. I write number 6 from experience. There is a scene in Gatito where a significantly stressed Antonio attempts to summarise the Dutch conflict. He's being blamed for countless fictional issues, and rather than think things through, he blames himself for Abel's pain as well. He does it on a purely emotional basis. Have you ever had that really bad day, and things keep getting worse? Someone comes along and says "you did x y z and I'm mad", and rather than argue your side, you accept it?

That's Antonio in that scene. I know it is, because that's how I intended it to be read. His answer is flawed, to say the least, but in his human heart, he can't help it. I used the end notes as a warning/apology/explanation for this scene. I don't want it to be misinterpreted, and I don't want to disrespect Spanish history.

7- If someone does comment/ask about a sensitive, historical part of your work: don't rant. And don't get offended. I believe we all need to talk more. Have conversations about HCs, how we would write/imagine different scenes, and use it to improve your work.

8- Have fun, and be sensible. Thank you again for reading, I hope this helps to some extent. I know I've thrown my opinion out here, but if you strongly disagree with me, don't @. Move on, embrace what you believe, and everyone's a winner. (This really should've been number 9 on the list haha.)