#I didn't mean for it to get emotional there at the end but yeah

[green-square-anon]

Two things about your primarch daughter posts just to not spam you.

I know you said he tries and all that. But it's so hard not to feel enraged at Dorn. There's being emotionally inept and then there's not trying. He reads like someone who dosen't TRY. He would have seen something. The kind of parent who never tells his child he loves them or he's proud of them? not sure what parental books he would find that didn't mention that and even then he would have to twist the words so hard to mean "actually I should just feed and clothe her, she'll know". I mean a parent child relationship where the CHILD "gives more than she recieves"? I want to slap him. It's the same feeling I get reading those reader or oc inserts where he's emotionally unavailble to his partner and I don't know if you've seen it since it mostly floats around 4chan spaces and 1d4/1d6chan. But that copypasta where someone talks about how others find Dorn boring but to them he's like that quiet family man at work who dosen't engage in watercooler talk and kinda opens up to his sons and I'm just wondering "wtf is his relationship with the mother" since she's never mentioned. Only with someone emotionally neglecting a child instead of a partner it is much worse. With partners I'm just thinking "leave his ass".

Thankfully I don't think he's THAT bad in canon and the fandom has flandarized him a bit. This is the same man who called Sigismund his "most beloved son" and lined the insides of his armor with fur to never forget the humanity of his grandfather or something along those lines.

On the other hand there's this bit in Echoes of Eternity before Sanguinius dies:

Dorn didn’t know what to say, when nothing seemed worth saying. He was not made for exchanges like these. Many thought him cold in these moments, even heartless, but he was neither. It was purely that defeat was alien to him, as was the quality of emotion shining in Sanguinius’ gaze. What was worth saying when no words were necessary? What did one say to a brother you barely knew, who had nevertheless fought beside you from the beginning to the end? Sanguinius had the answer without even needing to consider the question. ‘Farewell, Rogal.’ The Angel rose to his feet, and the holo tracked upward with him. ‘If we do not meet again in the flesh, know that it was an honour, being your brother.’ The Praetorian nodded to the Angel, wanting the right words, searching for them, and not finding them. The silence stretched out. It dragged. Sanguinius smiled, knowing. The hololith blinked away.

(For the people who like primarch x primarch I thinks there's great potential in Dorn having unrequited feelings for Sanguinius but that's a tangent). Yeah the man is emotionally constipated but he does TRY and in the time as well as the responsibility that comes with parenthood I think, can nearly garentee he would have expressed himself (side note but how the hell did he even get laid if he was this cold?)

Konrad. I know you most likely just didn't consider this (god that sounded unintentionally dickish, not like that, just that you mentioned not having considered the mother before) but I am a little gremlin for "LORE". What about handing the kid of to the mom instead of Vulkan unless mommy met some tragic end? In my oc verse (I'm not bringing that up to enforce lore, I'm saying this because these ideas are free for anyone who wants to build of of them) I intentionally made it so that Konrads waifu came from a family that was both large and tightnit (and relatively wealthy) so that even if Konrad went AWOL or just needed help there WAS that support network of uncles/aunts and grandparents to help. Even if the emotional support network on the fathers side was…. litterally noone. Or perhaps Konrad decided their must be primarch/astartes level protection, which would be smart, and didn't trust himself so "Primarch, but not me" was (to him) the best solution? That would be interesting as hell as a concept.

Primarchs + Daughters (2)

Finally finished the damn part two. Been kinda busy here and there with my new job but lo and behold, the one yall asked for. Soon enough, yall find out why it took me a while writing this one for the two main guys I had to add here.

Part 1 - Part 2 - Part 3

Konrad Curze

A’right, I’ll open this one with the fact we all know that this man shouldn’t even be legally allowed to have children. I’m gonna be real for a hot second and admit that I stared at the screen for HOURS not knowing what to write because any poor little girl that is born from this guy will have the dubious privilege of being the most sheltered and hidden secret the Primarch ever kept close. With all those visions of death and inevitable doom mixed with the sudden power rush that fatherhood gave him, it left in its wake a perfect storm for this lunatic to develop a paranoid and obsessive need (NEED) to keep his daughter safe; something hard to achieve when he already knows the essence of his Legion. His fatalistic nature regarding his own future would suddenly clash violently with the Primarch’s new found protective stance concerning his child. It's almost sad to consider that this poor man GENUINELY wished to avoid becoming the monster his visions showed, but knowing that he’ll be balancing in the thin line of one day hurting his precious girl (or worse than that) it'll put him in the hard decision of having to let go of her eventually. He is no Perturabo, for that matter. In the rare and far away moments of lucidity, I can see Konrad choosing to protect the innocence and life of his child by trusting in the last person ANYONE might expect the Night Hunter would seek help: Vulkan. Honestly this is just plain sad, man.

Sanguinius

This is it! The golden boy, yall! We all know the kind of person Sanguinius is, but add a precious little daughter in the equation and all you get is the perfect example of textbook girl dad. No matter how busy this man is, somehow he’ll squish some playtime with his baby and enjoy every bit of it. Seriously, this guy acting like a dedicated father is worth being in a stockphoto image. His baby girl asks him to play tea party? Some astartes will find their Primarch hunched over, awkwardly holding a comically small cup between his thumb and index while his precious princess pretends to pour more tea for herself. The daughter of Sanguinius doesn't go a single day without knowing that her papa loves her a lot and when the man isn’t around, the Blood Angels Legion are close to keep her company to the point that even she calls them ‘big brothers’. No one is safe when she wants to play dress-up. The single problem I see with Sanguinius when raising his little girl is that he sins of being completely oblivious to the more mortal side of his daughter’s needs. He easily gets so wrapped up in his role of The Perfect Angel that he doesn’t realize his tiny princess has boundaries that are being constantly crossed, but since she feels the need to prove that she can be like her father, endures all those problems and refuses to seek help about anything. It becomes a kind of toxic mix considering how much Sanguinius is loved and adored by others, to the point that his daughter becomes like a coveted gem too by relation, making her need to prove her own ‘perfection’ an unconscious action the older she grows. I’m not even gonna touch with a ten feet pole the “fun fact” called the Red Thirst on this one because, let's be fair, that would require for me to write more than 3 pages with ONLY Sanguinius and his daughter in the spotlight and that’s only assuming his baby girl didn’t inherit it. I specialized in visual arts and marketing, not psychology jfc.

Ferrus Manus

It took me a while but after some investigating and more reading I can safely put this man in between the Papa-tier and ‘tough love’ guys. His practical mentality and belief of the strongest are (oddly enough) healthily separated from his parenting skills. This is one of the few Primarch that can see their daughter as an individual of their own and makes sure to be as present as possible in her life but the loyalty of this man to the Emperor is his own flaw. Not in the case that he’ll choose the Imperium before his little girl, but because it’ll put him in the dreading and guilty notion that he’ll always prioritize his daughter despite his oath to serve for the Great Crusade. Most of his brothers (except maybe Jaghatai and Konrad) just assume or don’t even think about the long term future of their daughters or simply presume that they will become a great part of the Imperium’s well oiled structure. Not exactly their fault since they never grew up with anything resembling normal. On the brighter and wholesome side (whiplash change!), this is a man who finds handmade gifts more meaningful and always makes sure to explain the reason behind them mostly out of the enjoyment of watching his little princess look so amazed at her papa’s skills. More often than not, Ferrus’ belief of the strongest would falter a little as he perceives the true fragile nature of his daughter and, even if she share the resilient blood of a Primarch, that isn’t enough to convince him that she isn’t vulnerable but instead of letting the worry fester, he’ll try to teach the girl the art of fighting. That’s where the ‘tough love’ kind of guy I mentioned comes out to light. He will not spare kind words during those moments of teaching, as he wishes for his princess to prevail any difficulty but he’ll make sure to always end any sort of training with “I love you so much that the idea of one day not being there to protect you, pains me beyond any form” to make sure that his harsh actions have a reason behind. Honestly, it's the kind of father-daughter relationship that possesses so many shades that makes its own drama novel. Good thing that uncle Fulgrim is always there to smooth the hard edges that may come in the future and makes up for the lack of spoiling the little girl deserves. Ferrus is not amused by it. Forgot to mention that the Primarch will be even more motivated to take off the metal of his hands, for he has yet to truly feel the warm and soft flesh of his baby’s hand. It's the one feeling he keeps missing and craves so much.

Angron

Oh man, another of the hard ones. Okay, if I managed with Konrad, I can tackle this bitch too. You need to comprehend that we are talking about a guy that has been so intimate with the meaning of pain that it's amazing he’ll be capable of ranging through other emotions that don’t involve fury into that combo too. That being said, this whole shitshow of being the father of a young girl can only be described as sad AND tragic. First off, Angron’s daughter wouldn’t even be allowed to leave her chambers at The Conqueror for obvious safety reasons and having her stay on Terra can’t be an option too, as Angron would rather be death than leave in a silver plate this one single pittance of good he helped to create under the light of the Emperor. That being said, any little girl born from Angron would be terribly isolated and one can’t even blame the Primarch for that as he, despite his disposition, finds his daughter as a genuine reflection of what he could never ever dream to have or be. That sometimes results in him feeling short and spontaneous moments of anger from the impotence of not being able to be close to his daughter, let alone console her with anything resembling compassion. This is a man that is horribly aware that he’s away from one sharp stab of the Nails to his brain to end up killing his little girl in one single swat of his hand. The moments of anything resembling fatherly love are few and very tense, for Angron has to constantly be focused on not letting the pain control his actions and that always looks as if he’s dismissing his child’s love language or actions. What else can I say that most people don’t know already? This is just a sad story waiting to end in tragedy and had it not been for how Sanguinius ended during the heresy, I can see The Great Angel taking Angron’s daughter under his care as the only consolation and promise to his corrupted brother before his demise. After becoming a Daemon Prince, Angron’s only genuine and foggy memory of his little girl is her crying while calling him with heavy despair. Goddamn I almost tear up with this one.

Roboute Guilliman

Look at my big nerd! One of the few guys that actually is humble enough to feel more human than any of his brothers… sometimes. I gotta say it, Roboute has the vibe of what happens when someone incredibly autistic suddenly becomes a parent; expect lots of books to try and be prepared for what entails to take care of a mortal baby. He’ll have a wholeass strict routine of activities and diets that you AND the baby must follow to ensure both of your health along with “fun facts” regarding a toddler’s development that half of the time lack the keyword ‘fun’ in there. Honestly, Euten will be a BLESSING sent, for she’ll be the one railing back the most extreme attempts of her adoptive son to try and raise his little princess like she was just another task of paperwork. Over all his quirks, the Primarch of the Ultramarines is absolutely trying his hardest to be a good father just as the one that raised him, but this is a man that half of the time ends up clumsily trying to spend time with his little girl only for it to backfire as he simply doesn’t understand how to entertain his daughter. Good thing the child will simply be happy to spend time with her papa despite his weird personality. More often than not, some of the astartes will see the young lady at her father’s chambers in a little booster chair beside him, doodling on some papers to pretend that she’s a big girl helping her papa with his very important job. It's probably the most adorable sight anyone can ever get the chance to see. Just like most of his brothers, Roboute isn’t that good at expressing his love towards his daughter with words, so he simply let his little princess be on his lap and hug her as if it will be the last time.

Mortarion

I’ve written enough of this man being a father that you all can get a wild idea of how he will be when confronted with parenthood. Even if he believes himself to be undeserving of anything resembling happiness thanks to his perception of being nothing but a tool of the Emperor, this guy will only need to see his precious little flower and feel like everything in the world can be forgotten, including his ever festering negative emotions. His daughter is the single light of love that he selfilish believes is his right after such torturous upbringing although that mentality rarely affects his princess, as he simply shows nothing but care and tenderness towards her. He may be a nervous trainwreck, fully aware that his Legion and himself aren’t exactly safe-hazardous, but that never has stopped him from doing his utmost best to protect the little girl from anything that may hurt her. Like most of his traitorous brothers, Mortarion would not hesitate to bring entire worlds into devastation if it meant that his family can be safe, even if that’ll end up making a terrible gap to grow between him and those he loves. It's quite terrible and sad to know that, unlike Fulgrim or Angron, Mortarion was the closest to his daughter and showered her with as much genuine love as he could in an attempt to avoid being anything like his supposed father (adopted or creator equally), so when he turned into a Daemon Prince, the festering and rotting resentment that consumes him sometimes simmers down when he remembers the laugh of joy his little princess often released when he would carry her up in his arms. Oh yes, some good ol’ gut-wrenching emotional damage, teehee.

I will not apologize for being a mean bitch by writing sad shit. XOXO

[phantomrose96]

(A Breach of Trust)

[I am putting the rest of the ask under a ReadMore because it IS long [and now super-long with my responses added] but I am biting and chewing this ask I am biting everything it has to say I love this ask I have things to say]

But yes responding to this first chunk! First THANK YOU second I loved writing just the inherent comedy of each chapter being like "[Scene 1] Ritsu spitting blood: I have to save my brother. He's dying. [Scene 2] *Happy domestic montage of Mob petting a kitten and maybe drinking some hot chocolate*" It was a great way to keep some emotional balance in each chapter and also. Funny.

I was crawling the wallllls getting to the makeshift reveal. I think it was about 5 years between coming up with it and getting to the reveal. So I just had to bite my tongue and dodge any suspicion in Makeshift's direction leveraged in the ABoT discord (ABoT discord! BTW! If you want)

I ended up making this to channel the energy somewhere

[Rest of ask under the cut!]

i was nervous for a hot second early on (around when reigen first takes mob in) that it was gonna be the kind of story that would get frustrating because "oh if the characters literally just told each other anything it would all be fine" but i didn't end up feeling that way at all? like yeah a lot of the plot relies on characters not knowing things and technically a lot could have been solved if idk all the characters decided to meet up and sit in a circle to politely explain everything to each other but it never feels like that should happen. even besides them all generally having reasons for lying or not explaining things or not talking to each other it's like. all their decisions feel very natural even when they're bad or unreasonable, and also crucially when the characters do learn things or w/e it usually doesn't fix things (ie when reigen learns mob's real identity and tells mob the truth and it kind of fixes some problems but also adds a host of new ones). in general despite it being a story that hinges on all the characters making bad decisions it rarely gets aggravating bc all the choices they make are understandable and make sense for them -- it doesn't feel like anything is happening simply because the plot demands it. everything is constantly getting worse but that's because the characters are making it worse it's not just Happening. and then the characters have to confront and deal with the consequences of all their actions and learn from them and it's very satisfying

YEAH!!! YEAH YOU GET IT!!!!!!

It is VERY important to me that the story in ABoT is character-driven. There should virtually be no "it happened because the plot demanded it." If it happened, it happened because a character's choice caused it. And if a character made a choice, it was due to their own motivations and not because the plot demanded it.

So, YES, there is this scenario where so much of what is happening comes as the result of each character having, at most, a 20% understanding of what's going on. But the withholding of information, CRITICALLY, cannot be because of Idiot Plot reasons.

Reigen "could" just ring up the Kageyama's and send Mob home, cutting short the first like 2/3 of his and Mob's arc. But he doesn't. And not because he's an idiot. He tried. Mob freaked out. And that was a good enough reason to just delay this until tomorrow, surely. But we watch as Reigen gets to experience was feels like genuine accomplishment, genuine joy, genuine meaning, by helping this kid experience life again. From the very start that's what Reigen wanted--to feel like he mattered. At the beginning this is what drives him to take up the Tetsugami case, despite knowing it can get him killed. (Because maybe Reigen can do something, this time. It's not just another doomed marriage or unsolvable missing person. Maybe he can make a difference. Maybe he can matter.)

And it manifests in what looks like heroics, but in the case with Mob, it drives Reigen to stall... more and more. He knows on some fundamental level it's wrong to be keeping Mob this long, but he can justify it in how this IS what Mob wanted.

And the same extends to the other characters... Tetsuo doesn't tell Reigen about Shigeo Kageyama's link to the Mogami case because he can't bear to admit HE was probably Shigeo's captor. Mob keeps secrets about Mogami because Mob knows he "killed" Reigen's "friend." Ritsu withholds information because it's the only power he has, and giving up information allows other people to stop him. Gimcrack and Slipshod keep quiet about Mob's location because their free lunch would end if they told.

And when these characters make bad decisions instead, it is CRITICALLY important to me that those decisions were the organic result of that character's complexes, goals, misunderstandings, and absent information. It's a train wreck and God Dammit I do everything in my power to ensure each character is their own conductor.

and the Themes. okay first of all i am a huge fan of stories that are like "no, heroic sacrifices are Not the answer, please stay alive so you can actually get better and fix your mistakes and be there for the people you care about", so obviously i adored that. i loved reigen confronting ritsu about this and urging him to stay alive, and i'm also obsessed with how reigen immediately Does Not Take His Own Advice. reigen's self-sacrifice plan makes a lot of sense with his character and given the circumstances it's definitely understandable why he and teru would be willing, however reluctantly, to resort to that, but of course it's not that actual solution because that's the whole point. (shout out to mogami being the one to save him. congrats on accidentally doing one (1) good thing.) reigen, ritsu, mob irt to being imprisoned rather than death -- none of them can just sacrifice themselves and expect that to fix everything and everyone to be fine without them, because that's not how this works. (also i can't wait to see ritsu inevitably be pissed at reigen about him trying to do exactly what he talked ritsu out of and reigen having no excuse except "yes i know, i am a hypocrite, please do as i say not as i do.") the story is dark but it's also so full of hope -- you can live, you can heal, you can move forward from all of this, no matter what you've done or what's happened to you.

YES!!! ANOTHER RESOUNDING YES!!!!

I've talked in the ABoT discord about how Reigen's sacrifice didn't work because it couldn't work. Because, if Reigen intentionally killed himself in order to end Mogami too, and Mob was saved and went home, then that means you DO save what you care about by sacrificing yourself. Which would be fine in other stories, but not this one.

ABoT's message has pretty loudly been "you don't save things by sacrificing yourself. you save them by living long enough to fix what you've broken." And even when Reigen is the one SAYING this to Ritsu... he doesn't believe it for himself. And he does not get to get away with not believing it for himself.

In earlier planning stages of the Reigen sacrifice scene, my plan was to have Reigen's knife slip before he could slice his throat (palms sweaty, grip slipped, parallel to what happened in the struggle-for-the-knife in the original chapter 8 Reigen-vs-Tetsugami scene).

But I thought about that and I said "No, actually." If Reigen fails because his palm slips, that suggests this COULD have succeeded, and Reigen just botched it is all.

So instead, the scorching fire around them (the blaze Reigen set) has dehydrated him to the point that his sweating has stopped. He is salty dusty skin and dry lips and his grip on the knife handle is perfect (anti-parallel to the first struggle for the knife scene). His execution is perfect. Reigen sacrifices himself perfectly.

...And then it's Mogami, who is well-practiced at controlling a maimed possessed body, who snatches back control and cauterizes the wound shut. Mogami (the antagonist of this story) cannot be defeated by self-sacrifice.

There is no "if only Reigen did it right" ambiguity. There is an absolute statement about where the themes stand.

(And yes, I'm sure Ritsu will have only positive emotions about what Reigen tried to do once this is made clear to him. :))

one of the other themes i found most interesting was the theme of lies and people trying to act like something they're not, and how that factors in to all the characters' stories. of course mogami is right there (and the parallels between him and reigen in how they both lie to mob for different reasons are super interesting) but i was particularly thinking a lot about reigen, teru, and ritsu and the different sorts of false lives they live -- reigen the con man playing the part of the confident, powerful psychic, constantly lying about his abilities and his accomplishments; teru keeping up the appearance of being totally in control and untouchable, surrounding himself with friends he can't stand and a girlfriend he doesn't care about; ritsu trying to maintain his reputation as the perfect, model student and constructing increasingly elaborate lies to convince his parents that he's doing fine.

i was thinking especially abt the parallels between reigen and teru -- their identities as liars are both emphasized, literally having teru saying "i was lying. i lied to you. i'm a liar" and reigen saying "i lied to you. i've been lying the whole time. i'm a liar" in the same chapter. both of them have grown accustomed to being alone and having a life that's more an expertly crafted facade than anything with substance, but both find in their respective kageyama brothers someone who they genuinely care about -- and they both doom these relationships from the beginning because they can't let go of the facade they're used to keeping up and their desire to feel important/superior. teru continues to be the same smug, uncaring asshole he's designed himself to be even after he starts to see ritsu as a friend, and because of this ritsu remains antagonistic towards and distrusting of him; reigen pretends to be the "21st century's greatest psychic" with mob even when he's starting to care about mob and want him as a permanent fixture in his life, causing things to fall apart when he reveals the truth. they both say the right things to point mob/ritsu in the right direction, but the way they act does the opposite: teru tells ritsu the dangers of what he's doing and reigen tells mob that they should call his family or the police, but at the end of the day, no matter their good intentions, teru likes feeling superior to ritsu and reigen likes having mob depend on him, and so they're not actually going to do anything that would upset that balance. (and, of course, they reassure themselves with the knowledge that it's not their fault, ritsu and mob just won't listen to them! which isn't technically untrue, but nonetheless frames the situation in a way that ignores their own role in it.)

Aaaaaaaaaaaa honestly I don't even think I have anything to add here because your analysis is already so 🤌🤌🤌. They are Liars they are Liars living through a Mask they are Liars who Say one thing and Do another they are Liars who convince themselves this Lie is fine.

all the characters are so good but my favorite has to be ritsu his whole storyline is fantastic. from the start i was enjoying the fic a lot but it was when it started to really get into ritsu's story and his whole deal that i started being like "oh yeah this is the good shit." seeing him go further and further down his self-destructive spiral, constantly digging himself deeper as he hurts himself and the people around him more and more, is so fascinating and painful. and then seeing him get better and start actually wanting to live as he talks to reigen and later teru! and then in the confrontation with mogami when he decides once and for all that he wants to live and remember and try to find a way to fix his mistakes rather than forgetting them or giving in to them! just. he is thirteen years old and he just has all this rage and grief that he's been holding onto and repressing for so long and he finally gets the chance to do something with it, something he can do to find his brother at the low low price of bleeding himself dry, and so he throws himself into that, tearing himself to pieces and not caring who else gets hurt in the process, until he reaches rock bottom, what should be the point of no return -- but it isn't, because teru saves him, because reigen convinces him to try to stay alive, because mob is waiting for him, because he has people who care about him and he's just a desperate, hurting kid and no matter how badly he's fucked up he can still come back from it. just Such a compelling and painful and beautiful character arc

Thank you for stating exactly the reason I loved writing Ritsu's arc so much 😭😭😭😭😭😭😭🥺❤️

When I was about 13, I got really into Naruto and I really liked Sasuke's character. Even seeing him now makes some inner part of me point and go "It's Sasuke!" Brooding, stoic, over-achieving, entrenched in family trauma, is swayed over to the darkside because of the rage and grief he's been sitting on.

And because it's Ninja Fantasy World, Sasuke gets to do this and be really cool the whole time.

Ritsu is... actually just a 13-year-old, with psychic powers which he didn't even want after his brother vanished. He IS smart and he IS a model student and he IS powerful but... he's scared. He's scared, and he's 13. He NEEDS to be smarter than everyone (he's not, and he knows this, and it's scary) and more powerful than everyone (he's not, he knows, he's scared), because he knows that anyone with power over him can control him. And he's at his wit's end being controlled.

So he needs to be COMPLETELY in control and have COMPLETE power. And every instance that proves to him he's actually weak, actually clueless, actually being taken advantage of drives him to panic.

And he finds antagonism on all sides... Teru who loves to pick apart and mock Ritsu for every weakness he has. The spirit horde who eat him within an inch of his life. Isa trying to shut him down. His parents trying to control him.

No one is helping him with his grief... No one is finding his brother... No one is saving him... He does not want to keep living like this. And "no longer living" isn't even an option with how heavily his parents rely on him.

So what does he do. He's so alone. He doesn't have a single soul on his side. Every day is torment. ...And then he has this opportunity that shows up like "if you hurt yourself real bad, kill yourself doing it maybe, you can solve the very thing that ruined your life"

So of course he does it. He grabs onto it like a hot stove or a live wire because he's been wanting to hurt himself, and now he can do it in pursuit of the very thing which will save his brother and fix everything. The risk of dying isn't even a risk. It's an escape. He can do this and he can BECOME more powerful and he can GAIN control and he can USE and MANIPULATE whoever he wants (namely the people who've proven again and again they'll hold him down and force obedience out of him).

Of course he spirals. Of course he hurts people...

And then he finds rock-bottom. Teru chews him out and abandons him. Ritsu flips on Gimcrack and exorcises him out of paranoia (Teru turned on him, Gimcrack probably betrayed him too.) He NEARLY kills Reigen under that same absolute fit of paranoia and fear. ...And then he finds his brother. His brother. Alive.

And grabbing his brother shreds his hand. It does not fix him. It does not save him. It maims him.

And now Ritsu is nothing. Not powerful. Not in control. Not certain. He's someone who just hurts people. He's someone who destroys. He drives everyone away and they're RIGHT to leave him because of how horrible he's been. He can't save his brother, and his brother won't save him. ...So Ritsu wanders back to Reigen. The only person who seems to have a semblance of direction in this whole thing. Broken and beaten, Ritsu joins Reigen because he does not know what else to do.

But there is an up from rock-bottom. As much as Reigen and Ritsu are just The Worst to each other, it's actually that childishness in Reigen that starts to work on Ritsu... This is not a typical adult, using adult-speak and adult-authority to make Ritsu comply. Ritsu can't even fall into his typical masked-up behavior against an adult because Reigen is a fucking nuisance and an irritant and Ritsu, for all his "maturity", riles easily.

This is... really just Some Fucking Guy. A loser, at best. But it's someone Ritsu's brother cared about, and who Ritsu knows gave kindness to Mob where Ritsu couldn't. And it's someone who isn't forcing Ritsu to do anything. Reigen is, in fact, letting Ritsu make these decisions to change on his own. Teru comes back with an apology. Ritsu is staring at the chance to do better, and the chance for some future that doesn't involve killing himself.

And he gets to make that decision against Mogami.

And--here's the thing--Mogami was WITH Ritsu for so much of Ritsu's spiral. He knows what sort of kid Ritsu is. So he "knows" Ritsu will accept what Mogami has to offer...

But when "makeshift" vanished was exactly when Mogami got Mob back, aka exactly when Ritsu went to Reigen. Mogami did not get to see Ritsu's healing. So he got to be blindsided by Ritsu's ultimate decision.

and ritsu's dynamic with teru is just. so good i adored every single scene they had together. first of all they are so fucking funny. they're just these two psychic middle schoolers who both suck so bad and just cannot stop trying to murder each other on the soccer field and i love that for them. ritsu's terrible decision-making reaches new heights every day and teru's just standing there watching him and being right about everything in the most annoying way possible. literally the worsties ever <3

I have, consistently, referred to them as "the two worst middle schoolers ever". Like "you're a horde ghost and you're stuck doing the bidding of the two worst middle schoolers ever."

With huge consistency, the scenes I find funniest end up being Ritsu Teru scenes. Because they are, in fact, The Worst.

but more importantly on a serious note i am obsessed with the complicated mess that is their relationship and the way it and the reader's perception of it change as the story goes on. when they first meet things are seemingly pretty straightforward (mostly. i have thoughts which i will talk abt in a second): teru is the one causing the conflict between them by being shitty, and ritsu's just responding to it relatively reasonably. ritsu's the protagonist, the good guy, whereas teru is a morally gray asshole. them working together is a matter of necessity, with ritsu only going along with it because he needs teru's skill and power on his side and teru presumably having his own secret, self-serving motivations. standard stuff; we all know how this goes.

except then the story keeps going, and it gradually becomes apparent that things are far from this simple. it slowly becomes clear that despite teru's arrogance and callousness, he does have ethical standards and lines he won't cross -- whereas ritsu gets more and more unfettered as time goes on. it also gradually becomes obvious that teru does genuinely care about ritsu and see him as a friend (probably the closest thing to a genuine friend teru has), even if teru himself is pretty shitty at being a friend -- leading to the incredibly striking moment when ritsu himself realizes this, and his main takeaway is just that he has power over teru. by the time they have their second soccer field fight, teru has proven himself the more morally upstanding one, which is pretty wild considering the first thing we ever see him do is beat the shit out of a near-defenseless thirteen-year-old for annoying him. of course, he still isn't supposed to be fully in the right -- one thing i really appreciated about the story in general was that the conflicts between characters are rarely as simple as "this character was Right and this one was Wrong," but rather a matter of all the characters making mistakes at one time or another and then having to deal with the consequences and make amends. ritsu and teru's relationship is a prime example of that with how "ritsu made his own decisions and those decisions were Very Bad" and "teru treated ritsu poorly and never actually did the work to make himself someone ritsu could actually trust or would want to listen to" are facts that coexist and both get addressed. the second fight is a masterpiece of a scene in basically every way, but one of my favorite aspects is how teru is desperately trying to reach out to ritsu but is hit with the truth that it's too late for that, that he should have been doing this the whole time, that all this is partially his fault. and in this scene, he fully accepts that, gives in and decides that ritsu is right: it's too late to make amends, it's too late to save ritsu. but it doesn't end there, because this is not a story in which things are simply unfixable, and so instead teru comes back, decides to make the hard choice and try to fix things instead of turning his back on ritsu for good. during the fight, teru says he wants to help ritsu, to sacrifice for him, and ritsu scoffs at him and rejects the idea -- but then teru actually does it. he puts his money where his mouth is and reaches out to ritsu and offers his own psychic energy to save ritsu's life, along with apologizing to him and offering his help to find mob. like i dunno what else to say that's not just summarizing every scene they have together but god i love their dynamic and its arc. i really hope they manage to become actual friends now because god knows they could both use more (read: any) of those. the text exchange they have at the end of the most recent chapter is delightful i love that they bond by insulting reigen i think that's great for them.

Yes yes yes yesssss. It definitely felt like the most ambitious thing early on in ABoT, where I had early-story Ritsu and early-story Teru, and I wanted, somehow, to pull off "they basically swap moral grounds by their second fight."

It's easy enough to just SAY "Ritsu spirals and does progressively worse things. Teru starts to take objection to these more and more until he's the one who thinks this whole thing has gone too far."

And, harkening back to earlier, this kind of plotline has to be deeply rooted in their characters. There is no "Ritsu becomes evil just because" and there is no "Teru becomes good just because."

So they needed to be consistent in their own characters, but evolving under the pressures of the story. Ritsu I talked a lot about early up, how deeply he fears not having control, how much repressed frustration he has over the ways everyone in his life has failed him. And he's never allowed to speak up, or god forbid lash out, because it is his JOB to be the surviving child. Perfect, mature, composed.

Ritsu takes this WILD leap into something insanely dangerous which he has no understanding of, nor power in. Teru IS his first big painful wake-up call with how summarily Teru curbstomps him. Ritsu goes home desperately wanting to quit.

He pushes through it, afraid and knowing he has so little power and control. Then there's Teru, exacerbating this. Because he loves to point out how weak, clueless, and not in control Ritsu is. He jabs and he teases and he chews Ritsu out and he knocks Ritsu down because Teru cannot pass up the chance to prove he's better.

So... of course Ritsu eats up the first opportunity he's given to improve his power over Teru. Gimcrack offers to train him--Gimcrack who's far more supportive of Ritsu than Teru ever is--so of course Ritsu accepts. Every single tick of power in Ritsu's direction is security. And Ritsu is consistently rewarded. He learns to manipulate, and it rewards him with control. He pushes Teru away and it rewards him with independence. He lets the whole horde possess him and it rewards him with power.

And then there's Mezato in all this, threatening to rip away his control. But he can beat that out easily with possession. And if he possesses people, why should he care? Possession feels nice, to him. That's not even a fraction of a fraction of the pain he's been through. He can do this to other people, because possession is POWER.

And, ahhh, possession was such a great thematic vehicle to spin the Ritsu-Teru face-heel-heel-face turn around.

The first cracks we see in Teru's demeanor are all, subtly or not, around possession. When Ritsu almost blasts the possessed woman (Ritsu, panicked, uncertain how to handle things) Teru tackles him and screams at him. (Killing a possessed woman? Teru oh Teru why might that terrify you?)

So Teru DOES have morals. He does have limits. But of course, his first exercise of this is tackling and SCREAMING at Ritsu for fucking up. Just another tick mark in Ritsu's check list of feeling powerless and antagonized.

And the next time, when Ritsu offhandedly mentions he's had his parents possessed for the night while he and Teru were at the meat warehouse... well it's out of focus, since Ritsu is our POV character and he doesn't notice, but Teru freezes. Teru questions this. Teru, instead of letting Gimcrack phase him through the wall (and he was resistant to letting Gimcrack touch him to phase him in in the first place) Teru instead blasts a hole through the warehouse wall.

But... Teru has a plan. When Isa catches Ritsu in the call center, Teru confiscates Ritsu's spirits and (behind his back) blackmails them into never accepting a command from Ritsu to possess someone. (Teru is also a control-freak, and rather than try to talk to Ritsu directly about not possessing people, he just uses manipulation and threats to make it happen).

So now, Teru can relax, surely :). He invites Ritsu along for the movie. He's mocking and insufferable and cruel to Ritsu but, hey :), that's just Teru proving his place in the hierarchy. He... actually does want Ritsu there. He actually does help Ritsu (cauterizes his wound without asking). (It's still power-plays. Still power-plays all the way down which Ritsu hates.)

And Teru... incorrectly... starts to entertain this idea that Ritsu also thinks what they have is friendship. And after the ice cream thing, is when Ritsu leans into Gimcrack's offer to learn how to start being manipulative like Teru is.

So Teru notices NOTHING is wrong for a long time, because now Ritsu is faking it. He doesn't notice until it is much too late. And, frankly, it was ALWAYS too late for Teru to take the moral high road. And some part of Teru realizes this because what he sees in Ritsu, he realizes, is what it looked like to watch Teru from the outside. Teru was ALLOWED to be manipulative and horrible because Teru, himself, always knew he would stop before crossing a real moral line. (Not that Ritsu knew this.) And now he's staring at Ritsu, a true threat who won't listen to reason and who CANNOT reliably be expected to back down before a line is crossed.

And... to THROW this in Teru's face in the FORM of Ritsu letting every spirit from his own horde possess Ritsu during the fight, giving Ritsu the upper hand.

I always knew, for this second fight, the tables would need to be a lot more evenly matched, with Ritsu coming out ahead more often than not. But I also don't like "some character is morally questionable now, and for some reason that's made them stronger than the master character who pulverized them earlier."

But POSSESSION. The motif that all this conflict is hanging upon, used as a boon on Ritsu's side to smash Teru into the ground, to physically and MENTALLY rattle him to the point that he's lagging on Ritsu's attacks and incapable of subduing Ritsu until Teru puts aside his psychic powers all together...

AND JUST... Teru all the while being forced to realize he IS not blameless in this. That every horrible, callous remark he made to Ritsu was not directing Ritsu to the right path or proving himself cool and powerful. They were all instead only cementing Ritsu's hatred of him.

And Teru does not want to accept this at first. He wants to think he did the right thing, ultimately, and it was RITSU who rejected him. And this is where the scene with Slipshod comes into play. Slipshod, who is shown again and again being good at pressing people's buttons. Slipshod is the one bully bigger than Teru in all this, and behind his dumb demeanor is he really really good at knowing how to get a rise out of people. He does it to Reigen while possessing Mezato. He does it to Ritsu while possessing his mother. And he does it to Teru, for fun, because he loves to rub Teru's face in the mess he created.

Which, on the plus side, was the wake up call Teru needed to recognize how consistently horrible HE had been. How much of Ritsu's spiral (and now, imminent death) happened because Teru gleefully pushed him toward it.

Teru's one and only friend.

After Teru swore off friends and loved ones, because they can be used to hurt him.

So it is a big moment, and a big decision Teru makes, when he chooses Ritsu. chooses apologizing. chooses making himself vulnerable (VERY LITERALLY, with how the power transfusion drains Teru to nothing). Teru chooses to care.

And ultimately, it's not even that Teru went from the bad moralless one, to the moral one. He always had these morals. He had these uncrossable lines since day one. But he hid it behind his horrible antagonistic demeanor and the cracks did not come through until he realized he lost control of Ritsu. Teru's ACTUAL heel-face turn comes in him realizing how awful his demeanor was and making amends for that.

i'm actually not done talking about them though because it's finally time for that tangent about teru and ritsu's first fight on the soccer field now because i just reread it while writing that last section and it's so interesting actually. like okay, like i said before it does set teru up as the problem -- in that scene teru is very much the aggressor; he's being a complete asshole for no goddamn reason, with absolutely no compunctions about beating the crap out of some random kid, and ritsu is the scrappy underdog determined to fight back despite not really having the means to. but then there are the moments hinting at more complexity to teru -- him literally stopping the fight to teach ritsu to use his barrier, giving ritsu the makeup after the fight, and of course his decision to spare ritsu in the end. and then on ritsu's side, he almost actually kills teru -- the only reason he doesn't is that teru manages to break free. (awful awful au idea: ritsu actually does kill teru here. would that be fucked up or what) something that stood out to me when rereading it is that despite teru repeatedly saying he'll kill ritsu, and ritsu's internal monologue being very convinced that he's in mortal danger, teru's reaction to ritsu actually almost killing him -- "you really are trying to kill me. we're done", etc -- seems to imply that his threats were more him just talking a big game, expecting ritsu to give in and surrender eventually, and he didn't actually intend to kill him until ritsu gave him an actual reason to. especially interesting to me is the bit where teru asks ritsu if he really meant to kill him, because ritsu's narration and teru's actual actions are kind of at odds -- ritsu tells teru he meant to do it because he thinks him scaring teru is what's making teru hesitate, and that he needs to make teru think he's dangerous in order to get him to leave ritsu alone, but teru's actual response is the opposite, attacking ritsu more fiercely because "there's no reason for [him] to hold back". in general the scene very cleverly sets up the core difference between them: teru is pretty awful but does have firm moral standards, whereas ritsu is desperate and willing to do just about anything if he thinks it's the only option. also the parallels and contrasts with the second soccer field scene are excellent -- the role reversal with the strangling but also how when ritsu does it both the initial act of starting to strangle teru and the fact that he doesn't end up killing teru are both unintentional on ritsu's part, but when teru does it it's a very intentional choice both to do it and to not go through with it; "we're done" said by teru the first time when he's preparing to kill ritsu and then the second time after he's decided not to. have i mentioned that this fic is good because this fic is good. i'm running out of ways to say that

YES!!!!!! ANOTHER RESOUNDING YESYES YES.

I have slightly pre-emptively answered this question by mentioning it above but Teru demonstrates this hypocritical "rules for thee but not for me" because, internally, Teru knows HE will always stop before the line is crossed.

BUT RITSU DOES NOT KNOW THIS. THERE IS NO REASONABLE EXPECTATION FOR RITSU TO KNOW THIS.

So Ritsu, and we the audience, do NOT know this during the first soccer fight. Teru is going to kill Ritsu is a very reasonable conclusion to draw from the way Teru goes all out on Ritsu. Ritsu is terrified. Out of his depth. He's panicking. This kid is going to kill me and he has every reason to believe it.

We don't know, unless (like you) you look at the smaller details, that Teru is not intending to kill Ritsu. He's talking big. He's trying to force submission in Ritsu. He's not trying to kill.

But Ritsu does go for the kill. Because it is the single break he gets and it's perhaps his only chance to survive (he thinks), and he does, IN FACT go for the kill.

Teru breaks free and he does... even give Ritsu the chance to clarify if that was an intended kill-shot. Teru is giving the chance for Ritsu to essentially say "Sorry, accident, don't escalate to trying to kill me." But Ritsu misreads the room, like you point out, and this is when Teru gets serious.

Strangulation, in the first fight and in the last fight. Exactly as you say. Accidental, by Ritsu, the first time, and accidental in letting Teru live. Intentional, by Teru, the second time, and intentional in letting Ritsu live.

"WE'RE DONE" ECHOED. TWICE. In their first fight and their last. With entirely different meanings.

okay those were my big points but i also had a bunch of smaller thoughts so here's just. a list: - i just think it's really funny that teru saves ritsu by punching him in the chest with psychic power on not one but two occasions. literally their dynamic in a nutshell. (also. the way during the time at the mall ritsu responds by being like "did you cauterize me" really gets to me for some reason. he sounds so offended. like you can't just cauterize someone's wound maybe he liked bleeding all over the place you don't know!) (actually wait that thought is also very funny considering what happens with mogami and reigen later. you really can't just cauterize someone's wounds that's very rude. they worked hard to be that grievously injured) - okay so the burger scene. first of all generally a great scene second of all obviously it's a parallel to the scene with mob and the milk (reigen saying "have mine too" and all that) but also i love the parallels to the scene with isa in the coffee shop (also a great scene btw. have i mentioned this fic is good). they're both scenes in which ritsu has a loud emotional breakdown in a public restaurant (love that that happens twice. ritsu honey can you maybe not) with a major focus on ritsu's insistence on letting himself suffer and refusing any kindness he's shown, but they show ritsu at very different points in his story and have very different outcomes -- isa can't manage to get through to ritsu, but reigen can. ritsu refuses the croissant till the end, but he eats the burger. (sorry to add another side note but i love that that was a very serious sentence i just typed about a very emotional character arc.) also the symbolism in the fact that in the coffee shop scene, ritsu's explosion of psychic powers freezes and then spills his hot chocolate, rendering it undrinkable, but then in the burger scene when he blows up the ceiling the dust explicitly doesn't get on the food, so he can still eat it. good shit - i'm trying to avoid going through every single line or joke i liked one by one but i will say. the "this--" "reigen." "reigen" jokes were both incredibly funny on their own but the fact that they're like 30 chapters apart is what really kills me. the dedication. i saw the second one and was thinking "didn't that joke happen before. when was that. wait was that literally all the way back with tetsuo". countless plot events and several irl years may pass but reigen will never catch a break - the "FUCK OFF" tag reigen made being the one that they exorcise mogami with. perfect - love that ritsu is indirectly responsible for teru's girlfriend breaking up with him (good for mei honestly. sure teru wasn't actually cheating but his ass deserved to get dumped) and i like to imagine that teru never lets this fact go. he's not particularly upset about the breakup but he WILL bring up that ritsu ruined his relationship at every possible opportunity purely to annoy him

I THINK YOU MAY PERHAPS BE THE FIRST PERSON TO RECOGNIZE THE DOUBLE-CAUTERIZATION, and the intentional joke in Ritsu, the first time, declaring "Don’t… perform psychic medical procedures on me without my permission, okay?!" Like sorry bud, this is not the last unauthorized psychic medical cauterization Teru's gonna perform on you.

But not every unauthorized medical cauterization can be a win. Turns out when Mogami does it it's kinda mean >:(. But also necessary, for a not-dead Reigen, so actually thanks Mogami.

ABSOLUTELY THE "HAVE MINE TOO" INTENTIONAL PARALLEL BETWEEN THE MILK SCENE AND THE BURGER SCENE. I'm always glad when someone notices the repeat phrasing that ends both those scenes.

And aaghhhhh I could write a whole other essay about the symbolism that food plays with Ritsu's plotline, but in the smallest nutshell how it tends to represent someone reaching out with care and how often Ritsu rejects it. One public restaurant psychic outburst rendered the offered food unconsumable and the other one intentionally points out the way the food (burger) avoided the destruction :')

THANK YOU YES. "This--" "Reigen." "Reigen." as a repeat joke tickles me so much. Just Some Guy energy. Could've played the most pivotal role all night but he'll still end up somewhere next day where someone needs to figure out who he is. Reigen is here too, btw. His name is Reigen, btw.

Fuck Off tag was delightful... It started as an inside joke for a very early comic that @sandflakedraws drew (and then later redrew), of the (chapter 5 or 6) Reigen Tetsugami confrontation. The ineffective tag Reigen sticks to Tetsugami's cheek has, in katakana, "fuck off" written on it. Hilarious enough joke for me, years later, to incorporate it into the story.

Re: the girlfriend thing. I've joked before "if I had a nickel every time evil spirit possession was mistaken for an affair in ABoT I'd have 2 nickels. Which isn't a lot but it's weird it happened twice." But yeah, Ritsu, you asshole. You cost your bro his girlfriend.

i could just keep going but at this rate i'm going to be going back through the entire fic and just talking about every single scene so i should probably stop before this gets any longer. basically what i wanna say though is that the fic was very good, thank you for writing it, it has given me brainworms. once again i am so sorry for the length of this ask

THANK YOU!!! I think I just spent like 2 hours writing this response because, as you can see, I REALLY LIKE talking about this stuff haha!!

[suprababka]

How you first met & how they asked you out on a first date (part 1)

Featuring:

• Saitama • Genos • Speed-o'-Sound Sonic

[Garou & Metal Bat & Amai Mask: part 2] [Flashy Flash & Zombieman & King: part 3]

A/N: Merry Christmas! Thank you everyone for reading what I do and supporting me, it means a lot. I always do my best to make you guys happy because I really appreciate all of you. As some of you can remember, I've already mentioned a few times my first post with headcanons, and here it is! Finally, after all this time, I can present it to you as a gift for Christmas!🎄💫🎊🎉

(I hope I didn't mess anything up, and I'm sorry for being a bit late! I really wanted to publish this post sooner but couldn't. We don't celebrate Christmas in my country btw) Unfortunately, I had to split up post into 3 parts :((( Alright, let's see if you guys like my headcanons! :) (I low-key cringe at them tbh)

And dear anons, who requested headcanons, do not worry! I remember about you and will post everything, I just wanted to have a logical "begining" for hcs, you know?

Thanks for all the likes, comments, reblogs and following me! I really appreciate your feedback and support, guys!🥰🫶

You can check my masterlist too see more of my other works.

Prepare for possible OOC!

(Sorry if there are any mistakes!)

And, most importantly, enjoy!!!

Both of you go to the same store, so yeah, you pass by each other pretty often

(Genos even starts thinking you stalk his sensei)

And one day there is a limited sale

You get to the shop just in time to see that the last napa cabbage on sale is left

You extend your hand to take it as you feel someone's arm grabbing the cabbage

... and of course it's a bald man who you frequently run into

You look into each other eyes, both hands on the poor vegetable

Spark, emotions, passion... a-a-and he goes away with the cabbage without a care in the world

(Alright, maybe with a care to buy everything before the sale ends)

The only thing you can do is to just hum disappointed and look at the back of the retreating man

And come to think that you romanticized every encounter with him!

When you finish grocery shopping and walk out of the store, you meet Saitama with bags full of goods

It seems he has been been waiting for something... or someone, for example, Demon Cyborg

Giving one last look at him and at the cabbage in his hands, you begin walking to your house

Suddenly you hear a man clearing his throat and a "Hey, you wanted the cabbage, didn't you? Sorry, I took the last one. Here, I splitted it in half so both you and me could have it."

You turn around and see him extending the part of the vegetable

"And maybe you can be my other half?"

You're surprised to hear these words and blink for a few moments, thinking you misheard him

Saitama stares at you right back with a poker face, so maybe it's a prank after all?

"Are you joking with me right now?"

In return Saitama blinks with surprised eyes and shakes his head, reassuring that he is serious

"Well, how about we learn each other's name first and then see how it goes?" you answer, smiling and taking the half of the cabbage

And that's how you find out Saitama's name and agree to a first date

You begin walking back to your house and can't help but turn around to glance at Saitama

Then you see two figures coming up to him... from the bush

(And there is a big bunch of napa cabbage in the bush?)

You immediately recognize Demon Cyborg and... King?! Or is it someone who looks like him?

Soon you hear men talking

"How did it go, sensei? Did my tactic with cabbage work?"

"Yeah, Saitama bro, tell us. I hope you used phrases from mang- phrases I recommended to you?"

Chuckling, you continue going back home to the sound of Saitama's irritated voice, "Huh? I don't even know what you're talking about! What are you two doing here?"

"Helping you with your love interest, Saitama-sensei!"

"I said I could do it by myself! And I did it!.. Wait, why is there a bunch of cabbage in the bush?"

"I bought all of this for you, master! With only one cabbage being left, the chance you would talk to Y/n were higher than-"

"Wait-wait-wait, how do you know her name?"

"I scanned her face and found a lot of information about her."

"Genos, you can't do that!"

"If it can help you, why not? For example, I noticed that Y/n always buys napa cabbage, so that's why we needed to buy most of them, except for one."

"Wait, we? King, were you in this from the very beginning?"

"Maybe?" *nervous giggling*

Yep, dating Saitama is definitely gonna be interesting

Bonus:

Saitama has a problem, besides not having a worthy opponent to show him an interesting fight

And this issue is... his emotionlessness

Of course he can feel something like irritation, disappointment, a pang of hope, ardor from gambling, etc.

But it's not something deep

So he is confused when he gets this weird feeling in his chest every time he sees you

And the fact that he remembers your face and recognizes you speaks volumes

He also starts to think of you from time to time

That's strange

Soon enough he realises that he likes you

And just accepts this rather calm

(thanks to his nonchalant demeanor)

He's also too lazy to think about dating someone, getting to know them, going out somewhere, spending his money on something...

Nah, it's not for him, so his feelings for you will fade away eventually

Spoiler: they won't, it only gets worse

Alright, so he should just walk up to you, ask you out, get rejected and go on with his life peacefully

Sounds like a plan

"So, Saitama, you're quite pensive today, what's on your mind?" King asks while kicking his friend's ass in a game

"Eh, there's just a girl that I like. I thought it was temporary, but I guess I was wrong. So yeah, I gotta ask her out."

King is both perplexed and shocked: is this really Saitama? Saitama who isn't wasn't looking for a relationship? And he acts like it's something usual?

Ah, it's Saitama, he is always cool as cucumber, right

"I see. So, how are you gonna talk to her? And who is she, by the way?"

"Well, I don't know her. We just keep running into each other. I will just go and ask her out. If she rejects me, then I'l just live on. If she agrees on going on a date, then I... I guess I will deal with it on the spot."

"Huh, in that case you should think about your words to impress her. Something like "It looks like destiny keeps bringing us together, huh?", or "I know we don't know each other, so why don't we fix that?", or "I keep running into you, I think it's because you're magnetic.", or..."

"I agree with King," Genos suddenly says, watching Saitama play videogames with the S-Class hero, "I also believe that lucky coincidences such as choosing one product, accidentally bumping into her, standing next to each other in line can increase the chance of success. Though, sensei, I know you don't need any of that, she should feel honoured to be considered as a romantic partner for you. If she is not, then she doesn't deserve you and isn't able to see your greatness, master."

"Yeah-yeah..." Saitama answers to both men

(he didn't listen to them)

So when he takes the cabbage right from your hands and hears your disappointed hum, he feels like a jerk (just a little bit)

But on the other hand, it means that you'll probably reject him and he can go back to his usual life, right?

In that case, he can't let the chance slide

While he is waiting for you to appear, he decides to apologize and give you the half of the cabbage after all

Maybe it will irritate you more and make you dislike him?

Oh, and in addition he should say something romantic-alike, so you'd definitely say no to him and he could continue his peaceful li-

You agree to go on a date with him

Oops, everything goes NOT according to the plan

But, surprisingly for Saitama, he doesn't feel sad or troubled with the outcome

On the contrary, he's excited and feels like it's easier for him to breath now

Wow, it's something new

And strange, but in a good way

Genos is always busy with Saitama or away on missions, at S-Class hero meeteings, at Dr. Kuseno's place, etc.

So he doesn't have time to date, not that he's interested in it, getting stronger and taking revenge on The Mad Cyborg is his top priority!

(Saitama and Dr. Kuseno are his top priority too of course)

Though, you unintentionally managed to catch his eye

How? Genos doesn't know

Once he just noticed you feeding a stray cat when he was going to Saitama's place

After that he started seeing you there again, again and again

Until one day he decides to walk up to you

Why? Genos doesn't know

And he just stands there, staring at you and the stray cat

You glance up to him and can't help but feel intimidated by Demon Cyborg

"Uh, excuse me, can I help you?" your voice comes out like a begging for mercy

He looks straight into your eyes

Even though his gaze is intense, you feel yourself getting lost in his eyes (as cheesy as it sounds)

There is something capturing about them, they are so cold yet so humane

"No, I just noticed that you regularly feed this cat," suddenly the young man speaks

"Ah, yeah, I do," you answer, breaking eye contact and returning your attention back to the cat, "Isn't he cute?"

All what you get in return is a simple "Yeah"

The S-class hero definitely wants to hear more of you

Why? Genos doesn't know

How can he continue your conversation without asking stupid questions? Or what if you want him to back off? Why does he care about any of this, anyway?

Young man catches himself overthinking for a first time in a long time

(silly boy doesn't understand that he always overthinks everything, especially anything related to his sensei)

Genos comes back to real life when you stand up, say goodbye to him and go… wherever you have to

He stands there, processing what just happened and deciding that there are some things that matter more than this

After a minute he walks away to Saitama's place

If only could he understand how wrong he was, not realising that it was far more than just a simple conversation

Because Genos starts seeking for any opportunities to run into you, to talk to you again, making your conversations longer and longer (and he is successful in this)

Even Saitama notices it and start teasing him about his crush

Genos denies it of course

But sensei doesn't believe his student and points out to young boy's attraction

(Saitama is desperate to get Genos spend his time somewhere else, besides his home)

"Just go on a date with her and see how it goes. If both of you don't enjoy it, then I guess I was wrong. But if everything goes well, why not take your chance? It's not like you will lose anything... Well, except for money."

"Sensei, I... I must write it down!"

In all seriousness, Genos listens to Saitama's advice and decides to go for it

The next day after this conversation he spots you feeding the stray cat yet again

When he walks up to you, he notices that you didn't have much to offer

"Ah, sorry, sweetie, I thought there was more leftover food in the package... Don't worry, I'll buy the new one and give you more food next time, okay?" you talk to cat, petting him

"Then it's a good thing I brought some… just in case," suddenly you hear man's voice and immediately recognise it

"Ah, Genos! It's good to see you again."

"Likewise, Y/n-san," he answers, feeding the cat

(and the corners of his lips are slightly raised??)

"Going to your sensei's place, huh?"

"Actually, no," he stands up, looking at you seriously, "I wanted to know if you would like to spend some time with me."

"You mean now?"

"Not necessary, I would like to book one evening with you to get to know you better."

"Can I clarify something first?"

"Of course, what is it, Y/n-san?"

"Are you inviting me on a date? Sorry for being straightforward, I just want to know your intentions."

Genos.exe stopped working

Really, your question leaves him dumbfounded

Why is he like this? Genos doesn't know because he always finds reasoning for everything

Well, looks like everything besides this

"To be honest, Y/n-san, I want to understand my feelings towards you and I believe learning more about you will help me with that."

As for you, you are perfectly aware of your fondness towards young man

And of course you agree to a date-not-date with him

(on which Genos realises he actually likes you)

Bonus:

"Are you really going to just sit here and glare at me?" after losing another round in some PSP game, Saitama looks up from the screen and sees a young boy who has been attentively watching his sensei for… the past two hours

"Yes, I need to document your every movement, sensei."

"But not when I'm just playing. It's useless."

"I wouldn't say so..."

"Don't you have some better things to do? I don't know, go to some meetings or... flirting with that girl... or whatever."

"Flirting with a girl?"

"Yeah, the one who feeds the cat."

"You got it wrong, sensei. I'm not romantically interested in Y/n-san."

"Ah-huh, sure. You totally don't look at her when we pass by with hearts in your eyes."

"I physically can't have hearts in my eyes."

"Figuratively. Just admit it, she caught your attention. You don't pay attention to others. So it means something, doesn't it?"

"Sensei..."

Seeing confusion on his student's face, Saitama immediately feels a glimmer of hope that Genos will start spending his time somewhere else because of... certain "Y/n-san"

"Just go on a date with her and see how it goes. If both of you don't enjoy it, then I guess I was wrong. But if everything goes well, why not take your chance? It's not like you will lose anything... Well, except for money."

"Sensei, I... I must write it down!"

"No, that's not what you should do..."

"To be honest, master Saitama, I think you are right. I have underestimated the effect that Y/n-san has on me, so I agree that I need to get to know her better. Thank you, sensei."

"Uh, well, no problem... but you didn't have to bow."

The next day Genos spends on throughly planning asking you out

(yeah, he likes to think everything through)

So, we all know that Sonic lives in the forest

And he has a special place with a lake and waterfalls where he likes to spend his time and think about... well, everything

Escape reality, you know?

Sonic even believes that he's the only one who knows about this magical spot

Just imagine his face when one day after the intense training he goes there and sees someone in the lake

Disappointed, he decides to make an exception and leave this person alone

Soon he'll come back and his spot will be free, right?

Well, yeah, but...

This keeps happening every time he tries to unwind under intense waterfall pressure

Of course Sonic sees this as competition

He needs to complete his training faster and reach the lake before this person appears? You are on!

And he manages to do that

Proud of himself, he relaxes under streams of waterfall

But there is one thing Sonic didn't think through: you weren't aware of your competition

So, you go to the lake to spend your time here as usual

(you don't notice a young man sitting on the rock in the waterfall)

You unpack your things, lay a blanket and get undressed, staying only in a swimsuit

Suddenly you manage to barely notice something or someone moving in the bushes

Soon you realize it was a man

Not wasting your time on thinking, you immediately grab your stuff and start running away

Your heart starts beating even faster when you hear him calling you and chasing after you

It gets even scarier when you catch a glimpse of this man chaotically jumping from a tree to tree with unbelievable speed

You keep running until you bump into something and fall

Rubbing your bruised area, you open your eyes and see the same young man in front of you

And he is... naked???

"Aaaaah! Don't touch me!" you scream, crawling away from him and throwing tiny sticks at him

"Hey, stop doing that!' Sonic brushes off all of your attempts to defend yourself, "I won the competition and came here first, so it's my turn to spend time here!"

"What?"

"You heard me. You were at MY lake every time I came there! So I took it as a competition and today I won! I came here first!"

"Your lake? There is no sign saying it's a private property! Since when it's your lake?!"

"I discovered it first."

"What's not how it works!"

"Whatever. I came here first, so I have every right to be there alone."

"And I have every right to be there too! Since it's a public place in the forest!"

"But I left you alone every time you were here!"

"Well, you didn't have to! Or you could put something on, you know!.. Wait, "every time"?.. You were watching me? Pervert!!!"

"What? No! I went back to my place!"

"... Just cover yourself already!" you find your blanket and throw it at him

Taking your blanket, Sonic wraps it around his waist

"Listen, man, if you don't want me coming here, just say it and let me go. I don't want any trouble..." you stand up and wipe away all all the dirt

He is about to exclaim, agreeing with the condition, but... he examines you and your body

You are... rather cute... beautiful... lovely!

Suddenly the thought of never seeing you again makes him sad

"N-no, it's not like that..." he whispers, looking away and trying not to blush

(he miserably fails to cover the pink colour on his cheeks)

"J-just... Uh.."

Why does he feel nervous suddenly?

Meanwhile you stare at him, taking in his every feature

He has beautiful loose wet hair and a sporty body which is covered in scars and in drops

And his face is so cute!

But let's not judge a book by its cover, right?

"You can come here whenever you want to..." Sonic finally speaks

"... Thanks? But isn't it the opposite of what you wanted?"

He's silent for a moment, "It doesn't matter. I just want not to be disturbed. That's all."

"I can understand that. Well, how about we just distribute the time according to which we will spend time on the lake?" you try to find a solution to the problem

"... Yeah, that makes sense. But maybe, uh... Youcangivemeyournumber so we could inform each other?"

"Ah, what did you say?"

"I said... Let's exchange our phone numbers?"

"Good idea, it's more reasonable than what I suggested."

And just like that Sonic dictates his number to you, says goodbye and runs away, disappearing in the woods

"Uh, wait! My blanket..."

But it's too late, he's nowhere to be seen

(don't worry, he returns it next time you see each other)

You'd think that this is how your relationship develops: quick meeting and texts turn into long ones

But Sonic is faster than that

So he awkwardly asks you out a couple days after this… "incident"

Of course you say yes, why not?

(or should I say "who wouldn't?")

Bonus:

For the rest of day Sonic isn't himself

His thoughts always come back to you, to your sweet voice, to your cute face, to your capturing eyes, to your alluring lips that he badly wants to ki-

Wait, what?

He is Speed-o'-Sound Sonic, the fastest and the most skilled ninja in the world!

So why does he feel like this?

Why he wishes you'd be here with him and watch how he trains?

Why he wants to amaze you?

Why he smiles like an idiot re-reading your sms "Hey, it's Y/n :)"?

Why he wants you to text him more? To be with him under a waterfall? To show him your kindness again? To spend more time with you?

Why he craves your presence and attention so damn much?

These thoughts live rent free in his mind 24/7

He even dreams about you!

The next day it gets worse

He feels like he's a obsessed maniac

(poor guy just wanted to interact with someone and be accepted as a normal person: he doesn't realize how lonely he is)

And maybe he has a crush on you?

Nooooooo, he can't have someone something distracting him now, can he?

...

In the end of day (literally) he admits his feelings for you

However, he can't just confess to you straight away, right?

He needs to take steps

For example, he should start by asking you out first

But how?

Should he casually suggest spending time together?

Or maybe just send you a text?

Or leave a note somewhere?

Or maybe he should show you some of his tricks and wow you that way?

Well, considering how you tried to run away from him... it might be not the best idea

And since he wants to talk to you in person, then the only option left is to have a conversation with you and ask you out

Now he has another problem: what should he say?

"Go out with me."

No

"I thought it'd be great to spend some time together one evening. What do you say?"

No

"Heeeeey, watcha doin', girl? Wanna hang out with me?"

No

"Y/n, I know I came off as someone weird or creepy, but I promise I'm not. Our first meeting wasn't quite what you would call normal, but maybe let's change that?"

Nope, but he's onto something

"Hey, I'm not a pervert and want to go on a date with you. How does that sound?"

No

Ugh, why is it so hard to come up with anything good?

Maybe he should just go with the flow and the right words will find their way?

Yeah, sounds like a plan

(little he knows he's gonna mess everything up)

When it's time for him to approach you and start a conservation, he feels like he's going to puke from nervousness

But it's too late to back out

"Hey, Sonic! How was the training?"

"Hey... Uh, good. And you?"

(he was thinking about asking you out instead of training)

"Me too, the weather is nice and the water is warm."

"G-good to know..."

"Alright, see you around, Sonic!" you wave him goodbye, starting to go away

"W-wait!" he suddenly exclaims, pointing at you... and blushing?

"Huh? What is it?" you stop, turning to him

"I... I... I'm not a pervert!"

"O-okay, glad to know so? I mean, I kinda figured that out, despite, well, you know what..."

"But I want to- Around you I- What about-"

"What?'

Taking a deep breath, he finally asks, "Do you remember how we first met?'

"Of course, it was just two days ago..."

"Let's repeat that!"

"Whaaa- No, let's not!"

"I mean... Let's, uh, start over?"

"What exactly do you mean by that?"

Feeling embarrassed, he sighs, "I want to take you out..."

"Eeeeh? So what's why you have a katana? To kill me?! Please, don't..."

"What? No! I wanted to know if you'd like to go on a date with me... But I guess I messed up... So forget it."

"That's a shame, because I'd like to spend some time with you."

"Really?!"

"Yep."

"You're not joking?"

"Nope, I'm not. Well, unless you are."

You can tell by Sonic's facial expression he didn't expect such turn of events

"I'm serious! I'll send you the information!"

"Okay!" you smile, giving him thumb up

"Bye!" after saying that, he disappears

"Bye?.." you say to nothing (again)

Though, you kinda feel relieved to be left alone since you need to calm your racing heart down and stop yourself from jumping out of happiness

As for Sonic, he spends a lot of time, trying to calm down and reassure himself that his dream wish came true and he's not dreaming

(yeah, Sonic is a blushing mess around you)

[flowery-laser-blasts]

STRANGE MAGIC DRAKGO AU

First of all thank you @cocoa-night for letting me know the name of this movie. I saw a snippit of Dawn and Bog a few months back on instagram but I couldn't find the title. The second I watch this? BAM! I'm instantaneously sucked into the whole story. I don't care if people say it's a bad movie or cringe, it makes me happy.

This is a lot so if you're interested in the AU...

Designing these two in the style of the movie proved to be very difficult in the end. I'm still very unsure about these colours and details since it became pretty busy, however, I have left it as is for now and maybe in the future I might redesign it! I thought it was important to implement a bit of each other's colours in their outfits. A bit of blue in Shego's green Rajah butterfly wings and I wanted to capture the green reflection of the Scarab in Drakken's outfit, but the show's style rarely shows very shiny objects so I ended up with green accents in the collar and ends of gloves and boots. Note that these designs change a LOT in my sketches because I'm more 'free' with drawing and don't fully stick to things unless I fully render out things.

THE STORY: It basically follows the same storybeats as the movie but with some added lore I made of my own. Please don't expect a fully written fanfic. This is somewhat inbetween rough notes and script.

Kimberly, the Princess of the Faerie Kingdom, has been preparing to take her place on the throne ever since the day she was born. Under the strict eyes of Miss Go, her Governess, Kim has been leading up to the most important day of her life: choosing her husband and future King of Faeries at the Spring dance. However, Kim has other plans. During lunch periods Miss Go and Kim would often take a stroll in the Castlegarden, where she would listen to her Governess' past adventures as Shego; adventurer, world explorer, kick-ass Faerie extraordinaire. "Whatever would make you quit that exciting life and be stuck in this place?" "Well, for starters: having a roof above my head and three meals a day is nice. A warm bed--" "You've become soft haven't you?" "Do you want extra homework Kimberly?" "No ma'am." "That's what I thought. Let's get back inside. It's almost time for your dance practice." Kimberly never received a 'real' answer to her question but something must've happened in Miss Go's past... Right?

"Sooo... the spring dance huh." "What's with that?" "Oh just... You having to choose a partner for life, that's uh- That's a big deal, huh?" "Yeah, no. I don't think so." "What?" "I'm not going Ron. I am so done with this boring castle! I want adventure! I want to see the things Miss Go has seen!" "Danger, homelessness and poverty?" "The WORLD RON!" "I mean... I guess--" "All I have to do is distract Miss Go long enough during the dance and I can finally be free!" "That woman is like a bloodhound... Unlike Bonnie. Man, I tell you Kiki. I've seen ladybugs in love but that girl has it bad! I passed by her today and she didn't even comment on my 'fashion sense' like usually, all because Brick was weeding the farm!" "Wait, Ron. Rewind; What did you say?" "My fashion sense, you know, my pants and shirt never match--" "No before that!" "Ladybugs in love?" "That's it Ron! Love makes blind, maybe blind enough for us to run away!" "I mean, I don't think I've ever seen Miss Go show any emotion other than anger-- wait 'us'?" "Well, duh, of course! You and me together Ron. You're my best friend since forever! Besides Miss Go may act cold on the outside, deep down I know she has a warm heart." "Well if you say so... But what guy would be brave enough to even try greeting her?" "Easy, general Barkin. You tell him that Miss Go has a crush on him!" "But she doesn't???" "Easy Ron: Love potion... now here's the plan." And thus Kimberly's plan, after Ronald wrote it down on a piece of parchment, was put in action: - Step 1. Get General Barkin to go for Miss Go. (Maybe they even fall in love right? That way we don't need a love potion to begin with!! Right!??! I DON'T WANT TO GO TO THE DARK FOREST! MOM TOLD ME I SHOULD NEVER GO THERE!) - Step 2. If General Barkin's persistence doesn't work: Love potion. Kim said that we could get some from the Sugarplum Faerie, but I heard that she's just a legend but you know how Kim is; she's headstrong. I love her for that but this is a bit dangerous, isn't it? I'm not going to let her go by herself though! She says she's found old documents in the archives of the castle, but are those even real? What if it's just a tale?? - Step 3. Put some of the love potion in Miss Go's tea? Food? How does this even work! I've never seen it in real life! Can you overdose on it? Argh Kiki why are you doing this to me!!

"Wh-what? The Dark forest?! Miss Go, we all know that no one is--" "I'm joking Princess. Of course I'll come to the dance. Someone has to make sure that you find the right man to marry. The kingdom's fate is at stake." The night before the Spring Dance, Kimberly and Ronald met at the edge of the kingdom, ready to go into the unknown of the dark forest.

"You got all the ingredients Ron?" "Boy do I! It took me a few hours but I found everything we need for a love potion!" "Spankin! Alright, all we've got to do now is get to the middle of the Dark Forest and then in the Kobold King's cast--" "K-k-k-k-k KOBOLD KING? KIMBERLY, THIS WON'T END WELL. I THOUGHT- YOU KNOW, SUGAR PLUM JUST DIDN'T WANT TO PARTICIPATE IN SOCIETY ANYMORE AND STARTED LIVING IN THE DARK FOREST... IN A COZY COTTAGE... THAT WE CAN WALK INTO FOR A VISIT? MAYBE GET SOME COOKIES?" "Ron, please. I need you to be serious and focus. Tell me: Are you in or not? I won't be mad at you if you want to go back, but I need to know now." "...I--" Ronald took a deep breath. "Yes, of course I am." "Thank you Ron."

Once in the forest, Kimberly and Ronald snuck around. They evaded giant centipedes and weird looking frogs. Luckily for the duo, they found the way to the Kobold King's Castle with the help of a chipper cockroach that tried to get Ronald's roadtrip snacks. Meanwhile in the castle, King Drakken was having an argument with his mother who, once again, brought in a suitor for her son. "Mother for the SO MANIETH TIME. I. DO NOT. WANT. TO GET HOOKED UP WITH A TOTAL STRANGER!!!" "WELL YOU NEVER LEAVE THIS CASTLE EITHER. IF YOU'RE NOT OUT THERE LOOKING FOR A GIRL, HOW DO YOU EXPECT THEM TO FIND YOU, HMM? I'M GETTING OLDER DREW, I DON'T WANT YOU TO WITHER AWAY LIKE A SHRIVELED UP WALLFLOWER AFTER I'M GONE" "Mother, that won't happen--" "FOURTY YEARS, DREW, FOR FOURTY YEARS I TOOK CARE OF YOU, RAISED YOU WITH MY OWN TWO HANDS AND WHAT DO I GET AS THANKS? A GRUMPY GROUCH THAT DOESN'T WANT TO GIVE HIS MOTHER ANY GRANDCHILDREN." "Oh for the love of--, if you want to take care of something: get a pet!! Love is just an obstacle if you look at the bigger picture." Drakken waved his mother off as his two minions, Fissi and Killi, ran in; telling him about the spies that sneaked into the forest.

Kimberly and Ronald managed to break into the dungeon and found the Sugarplum Faerie. After they got the love potion, they helped Sugarplum to escape but because of her very, very loud singing, the Kobold King arrived. "What do we have here? Two nimwits tresspassing my domain!?" "HEY! DON'T CALL THE PRINCESS OF THE FAERIES A NIMWITT-- Oops.." "RON!" "GIVE ME THAT POTION!" Ronald struggled against the grasp of the King. "KIKI, CATCH!" Ronald thew the flask of love potion in the hopes that the princess would catch it. However as she dove towards it, it broke onto the dungeon floor. The impact caused half of the potion to splash onto Kimberly's face. Enraged, the King tossed Ronald aside and ordered Fissi and Killi to cleanup the mess before more damage could be done. Kimberly's eyes unfortunately fell upon the tyrant's face "AND AS FOR YOU PRINCESS-- why, are you looking at me like that?" IMPORTANT NOTE: FOR THIS AU TO WORK, PLEASE BE MINDFUL THAT I SEE THIS AS A TEENAGE GIRL CRUSHING ON/FALLING FOR A FAMOUS CELEBRITY AND IT'S COMPLETELY ONESIDED, LIKE IN THE MOVIE. I DO NOT SHIP KIM AND DRAKKEN. Anyway, Drakken gets the absolute creeps and locks both Kimberly and Ronald up in each a seperate cell. The King was determined to make an antidote but had to admit; this accidental fiasco proved to be bountiful. With the princess as a hostage, Drakken would have the upper hand in demanding that the Faeries would surrender their kingdom to him as an expansion of the dark forest. This was almost too good to be true! Drakken told a few of his soldiers to go to the King of the Faeries and let his demands be known: Hand over the Faerie Kingdom if you ever want to see your daughter back, alive. Luckily for Drakken, Kimberly was very helpfull in gossiping about the kingdom... maybe a bit too much. Soon enough he had too much information. He didn't want to hear endless tales about, for example: Hank, the royal baker, who's cupcakes were the buzz of the town.

From the moment she got up until lunch time, Miss Go managed to evade General Barkin's advances as she made her way to Kimberly's quarters. As expected, she didn't find her there. Going to all of Kim's regular spots, she noticed a crumpled up parchment… Ronald's notes. "Those brats… When I get my hands on them--!!! I might need to find a new job." Miss Go set out to get to the Castle of the Kobold King, hours before his army arrived at the border of the Faerie Kingdom... From this point on, I'll refer her back to Shego as we're outside of the kingdom.

Drakken was going over his plan of attack as Shego crashed into the King's throne room, causing him to shriek and hide behind his desk. "Alright, cough up. Where's Princess Kimberly." "I could take you to her... If you surrender yourself to me, wench." "Fat chance dungbeetle." "HNG! WHAT DID YOU JUST CALL ME?!?" "Get that mulch out of your ear, saves people time in repeating themselves!"

Drakken and Shego fought tooth and nail until both of them were out of breath. That's when they noticed a familair voice. "Not again... It's been HOURS!" "Is that?" "I told her to stop talking about the castle... So she started singing instead." "Did she." "Love potion? Yes." "Oh no." Drakken sighed, "Come along... watch your step."

"YOU ARE A SICK, SICK MAN!" "WHAT?! THIS IT ISN'T MY FAULT!! THAT BUFFOON PRACTICALLY AIMED THAT LOVE POTION STRAIGHT THAT GIRL'S HEAD" "YOU'RE STILL TAKING ADVANTAGE OF THE SITUATION" "I'M WORKING ON AN ANTIDOTE IN THE MEANTIME!" "How long until it is done?"

Drakken and Shego spoke to the Sugarplum Faerie who gave Fissi and Killi a list of ingredients to gather. Meanwhile they went upstairs along wtih Drakken's mother to see the dininghall decorated in red hearts and all that hoopla.

"I have nothing to do with this." Shego looked him up and down, "Yeah, I can tell." "I don't know whether to take that as an insult or not." She shrugged. "Take it however you want it."

Hours passed and eventually both Drakken and Shego lost their patience. Both of them demanded to know the status of the antidote. Sugarplum told them that the antidote was inside the dungeon all along. "WHAT!? WELL WHAT IS IT?!" "YOU KNOW WHAT IT IS!" "Well what is it??" Sugarplum smirked and started to play out the tragic lovestory of the lovesick King who tried to forcefully win over the heart of a lake creature who was, unbeknownst to him, already in love with another.

"Ha...hahaha." "What's so funny Kobalt King?" "Even with that love potion, I am just too hideous to love, aren't I?" Shego felt a bit of empathy towards the King. He probably didn't notice it himself, but the few moments when the moon shone onto him through cracks of the darkened castle, he would faintly glow in a beautiful, almost mesmerizing azure blue shine. It almost made his wings and exoskeleton look like a finely polished gem. "ARE YOU EVEN LISTENING TO WHAT I AM SAYING?" Sugarplum's yelling snapped Shego out of her thoughts. Thinking about the story, Shego realised something: "Wait, do you mean that... urgh... 'true love' is the cure to all of this?" "Bingo! A love potion is fake, nothing about it is real. But true love, nothing can break that bond!" "...and 'in the dungeon'... Ronald! Argh!! Those two kids--" "WHY DIDN'T YOU TELL ME?!" "You locked me up and blamed all your misfortune on me! I tried to warn you but you NEVER LISTEN!" "Fissi, Killi.. Just... Just take her away and let that brat-- I mean; Let Ronald into Kimberly's cell. He might be able to wake her up from her delusional state." Drakken's henchmen took the Sugarplum Faerie and left the room. Shego turned to follow Fissi and Killi but hesitated at the door. Looking over her shoulder, she saw the King standing near the window. She took a deep sigh and walked over.

"Wowwww... you.... uhhhh... You planning on blowing this whole thing off?" "Hm? Yeah. Guess you can call this a revelation, I suppose." "What do you mean?" "This whole 'wanting to take over everything'. I guess I did it because I wanted to become powerful. All these years I wanted to hold power over those who have wronged me in the past and to show sweet, beautiful Amy that I could be worthy of her love. I now realise that I just felt lost. I wanted to control everything but--" "But you can't control everything. Sometimes you just need to let go and focus on yourself. Trust me, I know everything about that. My older brother? Total control freak that hovered over all of my siblings and I. That's why I left home." "It suffocated you... That must've been a difficult decision to take for you..." "Yeah..." "Sooo... Now you are a babysitter for the Faerie Kingdom's Princess." "Governess. I saw the world for a while and after that I grew a bit bored. I wanted something more stable so... teaching. It used to be my passion. But soon Kimmie will be engaged, married and then I'll move onto the next thing." "Well, if you need a place to crash. I can keep a cell warm in my dungeon for you." The both of them laughed. "Come let's stretch our wings." "Great idea!"

The two of them flew out of the castle into the night sky and passed by all sorts of folliage and creatures until Drakken dove into a large bramble.

They enjoyed the flight and most of all; each other's company. That was until Drakken noticed the Faerie Kingdom's army. "Uh-oh... I... forgot about that." "Urgh. Just-- Just wait here. I'll go talk to them. They might shoot you on sight." "Nothing I can't handle... But I might-- er... Go check on Princess Kimberly and Ronald. If you hear singing--" "I'll stall time." Shego took off "Wait!" "Hm?" "...Be careful. That's all."

Drakken got to the dungeon via it's secret entrance and found Ronald and Kimberly, holding each other in an embrace and outside of her cell. "AH GOOD! Great to see you are back to normal... Right?" Kimberly looked over, startled at first and then cringed, remembering everything she did. "Yup!SureAm!Let'sGoRon.HaveYouSeenMissGo?" "She's at the entrance. Come with me before things escalate any further." The three of them ran up the stairs. "Let me get this straight: You're a good guy now?" "I wouldn't necessarily say that, but in this case: sure." "What changed?" "What do you mean?" "Well you went from "I AM GOING TO TAKE OVER THE FAERIE KINGDOM!" to "I'm letting both of you go." What changed? Why don't you want to take it over anymore?" "I suppose that controlling others isn't truly what I want." "What do you want?" "... I think--" "Ron this is so not the time to become a therapist." Kimberly interjected as she pointed out the massive Faerie army with at the front General Barkin.

"For the last time General. I am NOT your ANYTHING." "But-- But Miss Go. What we have--" "Nothing. NO-THING." "That damned monster has brainwashed you hasn't he?! I heard the tales about him kidnapping Sugarplum for his selfish reasons!!" Drakken felt a surge of anger coming over him as he dove headfirst towards Barkin. "I AM NOT BRAINWASHING HER. IF SHE SAYS NO, THE ANSWER IS NO. DON'T YOU DARE TO DECIDE WHAT'S BEST FOR HER!!" The two fought, which gave a misunderstood 'signal' to their allies to charge into battle. Shego grabbed Kimberly and Ronald, moving them out of harms way before looking for Drakken and Barkin.

Out of the corner of her eye, she spotted a faint blue shimer in the light of the sunrise. The Kobold King was backed into a corner and with General Barkin's sword at his throat, he admited defeat. "My Hero!" Shego squealed out in joy. "Miss Go! You've broken free from this despicable creature's spell!" Barkin practically tossed away his sword, spreading his arms to receive, what he thought was, a warm embrace from his green Faerie in distress; instead, he received a sucker punch that send him straight into the chasm mere meters away from her and Drakken. "That was terrifying." "You almost dying?" "Your acting." Drakken and Kimberly called off both of the armies. Telling the full story, though excluding some embarassing details for everyone's sake. The Faerie army retreated, turning around to head back towards the Faerie Kingdom, leaving the Kobold King, the Governess, Princess Kimberly and Ronald to part their ways.

"I'm glad that everything got resolved in the end. See Kim? We don't need a love potion!" "That reminds me, why did you want that love potion? Weren't you two already, well, you know... On the right track?" "Oh it wasn't for Kim! It was for mhmpfff--" Kim quickly covered Ron's mouth with her hand, turning beetred. "Kimmie..." Shego crossed her arms looking at the Princess. Kim sighed.

"I want to see the world. Just like you did! I don't want to marry some random guy just so I could rule the kingdom." "You are still young," Shego smiled and brushed Kimberly's redhair behind her ear, which reminded her of her own mother. "you can see the world in due time. You will marry once you're ready and I'm pretty sure you've already found your king." Ron choked on his spit hearing that, laughing nervously. "AHEM MAYBE- MAYBE IT'S TIME TO GO BACK?" his voice cracked. Both Kimberly and Shego laughed at the boy. "Yeah, let's. Kobold King, my apologies for all the troubles we have caused you." "Ah- well... it wasn't all that bad. If it weren't for you two sneaking in, I wouldn't have met--..." "..." "Yes?" "Yes?" "Met-- individuals, such as yourselves, to show me that things aren't all that bad and that love is, mayhaps, a beautiful thing." "...Am I the only one here that thought he was going to say Miss G--OOF!" "Ron!" "It was nice to have met you as well Kobalt. You aren't as bad as they say." "Heh.." "...Farewell." The three Faeries walked off, crossing the bridge. Leaving both the castle and the Kobold King behind. Drakken bit his lip. "...Actually" "Yes?" Shego turned around. "Feel free to visit whenever you like." "Oh. Okay." "Miss Go?" Kimberly had a small smile on her face, "I have learned a lot from you. Ever since I was little, I've seen you as my secondary mother. I'll be good on my own now, besides; I think you might have found your king as well." Shego felt a lump form in her throat as she listened to the Princess' words. She touched her cheek and felt warm tears on her fingers. "Stay out of trouble Princess. I know where to find you." "I'll try my best." Kimberly beamed and hugged her Governess one last time.

"What are you doing Drew?" the King's mother held her son's hand. "What I should've done with Amy: Letting go." "No, you should've told Amy about how you felt. But that's in the past. Now you tell her how you feel." The King turned around to see the green Faerie standing in front of him. Taken aback, he tried to step away but his mother blocked his path. "Tell her. Right. Now!" "Ahem... I-- Erm... it's..." "...Yes?" "I think I-- might, have... I have fal-- fall-- What I mean to say is I lo--" Shego placed her finger on his lips hushing him. "Maybe I should take it from here." she smiled. He hummed in agreement against her touch. That night along the border where magical flowers grew, the Kobold king and the green Faerie danced along to the spring dance's melody that was carried over by the wind. Flying above the Primroses that bloomed between light and shadow.

The end.

Hope you enjoyed reading all of this! :)

[capesnjapes]

YES. I have so many thoughts about this comic in particular - it is as close to fully canon Batjokes as we've gotten I think (Europa & a few others like Knight too, def) if only because of the emotional beats they have in this story that are SO particular to this story. It's the end of the world and they're together. He finds Joker almost instantly, too, as mentioned above; they will always find each other. The Joker saves Batman in this one, too! More than once! And there's SO many lines & moments that are just literally just... essentially saying that yeah. They're together. It's the end of the world, and it's just them. Bats could have left Joker's head dangling right where it was but he didn't. He immediately took it with him, no hesitation. The Joker is honest and direct with Bats - and very descriptive throughout this comic, which I really love. You get a full picture through his narration of what happened, and he repeatedly tries to tell Batman about like. His full and complete feelings for him, but of course it's the Joker, so it comes out all funny. I think there's a really fantastic part of this arc, too, where we see Lex Luthor having completely whiffed his whole deal with Supes by actually fully killing him, and how it was the worst thing that could have happened to Lex emotionally (and how he didn't mean for it to happen at all!) but also obviously for the larger world. It's sort of like a parallel to Bats/Jokes, where it illuminates & highlights the importance & significance of their relationship. Kill your boyfriend and the world ends, literally (yikes). Lex spends the rest of his limited days trying to somehow bring Superman back and fix things, and fix himself & his totally broken heart. It's so well written. Bats keeps Joker's head with him at all times, carefully held in his arms protectively, which is like. Idk. It's so good. It's just so good. *Screams* like a banshee when it looks like Omega is gonna stomp him to death and he can't stop him from doing so. Also Robin Joker? It's so good:

And Bats saves Joker like... so many times in this it's ridiculous. He's actively, fully protecting him in this one because Joker is a friend (and more). This page alone when Omega threatens to re-write all of Batman's personality and his memories:

LIKE. This is! Perfect??? The ending, too, where the Joker *finally* tells Batman Some Things is special too:

Like, he knows that Omega is not Batman, because Batman and Joker have a very specific, very special thing and Omega totally blew that to pieces (and thought he'd killed Joker! Dismissively, too! Jerk!) This is a REALLY long post but this comic is SO good for all the reasons @mydarlingbat said above and if you're a batjokes fan and you haven't read it, oh my god please give it your time! It also has a supremely happy and poignant ending about the nature of Batman via the Joker.

BATMAN / THE LAST KNIGHT ON EARTH #1

Lemme just say that i adore . . . I love this comic so freaking much. It's such a wonderful read. Such a heartfelt story. I really want to talk with you guys about this particular scene here. Theses panels really got me thinking. The reason I love this particular scene is that Batman always find his way back to the Joker even when he's not trying to, he just does. I just fancy the fact that the viewer sees the painting beautiful. It's a beautiful sight. The way he blows the red sand off the lamp makes you think it's gotta be the most beautiful thing he's about to discover, and to Batman it really is. I truly feel this way. Because after he says 'what the' He just continue to bear his gaze at the Joker, taking in the sight. He stares at the joker like it's the most beautiful thing he's has ever laid eyes on. The funny thing the batman didn't know the Joker would pop his eyes open, which startle him.

Then we get a very clear picture of the Joker eyes, and god are they beautiful. It's almost letting us see the Joker as oddly beautiful, and Batman's alone. There's no one to tell him he's wrong. There's no one to judge him. It's just him and the Joker, and he feels more free to be as he pleases. The truth is there's no true reason to actually stare at the Joker. He could have moved it. Shook it. Said something, threw it. Got rid of it, but no he takes in the sight, and the reason I don't think batman's sad, because he's already frowning before he makes it to JOKER. Batman lips goes downward. I'm not saying it's not possible, but it's very unlikely.

[superkooku]

Have you listened/watched epic? And if you have what’s your thoughts?

Personally I think it’s a good thing to show to a friend new to Greek mythology. I just finished watching the last saga and I have to say I loved it, beautiful. Sad it ended tho :(

It might not be very accurate but I love the hardwork the cast put into it and so I love it very much

My thoughts on Epic the musical

So yes, I know about Epic. I even participated in the secret santa thing and am what we may call 'a winion'.

I just finished watching the livestream too ! I especially loved seeing the cast members were reacting to the sagas (Luke Holt was so funny in this 🤣. Also, Jorge carrying Mico like a baby in 'Just a man' and Mason being extra the whole time... so many gems in that livestream)

Since Epic is finished AND I have animatics of the Ithaca saga, I'll use this opportunity to make a more in-depth review of the musical. Instead of separating it in "good" or "bad", I'm reviewing it criteria per criteria.

The cast

Like I previously said, I LOVE the cast chemistry. They're all so fun and lively. I follow some of them separately, like Janani or Troy Doherty, and they're just delightful. Especially Troy as Hermes, he always manages to make me laugh. Every single time 😂.

Also, he gives me a bit of Mettaton vibes since he's extravagant, always over the top and a bit self-absorbed (the Hermes persona, I mean, not Troy Doherty himself). Maybe that's why I like him so much :3

And of course, there's Jorge, mr. Jalapeño, the man with the plan. I love how both passionate and humble he is, how he takes the time to thank everyone and just how much of a bundle of positive energy he is. I know it's an internet persona, but what I can see from him is some hopefully really nice guy in real life too.

Anyways, awesome cast chemistry, everyone made me laugh and they're all having a good time.

The music

This music is so beautiful 🥰. All the motifs, the emotions, the instruments, the voices ! If I had to rate Epic from the music alone, it would be 5 stars. I'm not saying this in a professional angle or anything, it's my personal feeling.

Seriously, I don't really have that much to say about the music because, to me, it's just that good. I love the variety, how different instruments synch themselves and, yeah.

The characters

Annnnd that's where the blind positive praise stops, unfortunately 😂.

Don't get me wrong, it's not awful either and there are good points. My favorite Epic characters are Hermes and Athena.

The rest ? It's mixed. In order not to make this too long, I'll focus on only some of them.

The story is very character-driven so I won't really delve into it in detail.

Odysseus : he's a good protagonist, especially in the first act. His dilemma is interesting, he has a strong personality and I like that he is just a broken man and not some mighty overlord... except in the Thunder and Vengeance sagas. I feel Jorge exaggerated the monster message a bit too much, imo. Odysseus is supposed to be a witty liar, a warrior of the mind. Not someone like Achilles who solves problems by fighting or fights gods like Heracles, much less freaking Poseidon.

Poseidon : okay ! I liked him in the first act, because FINALLY Poseidon isn't a surfer dude. He's a terrifying force of nature that was angered by mortal hubris (though the hubris thing isn't explained by Epic). In Get in the water, he kept his intimidating side. Because he's, yk, the king of the oceans, one of the most powerful Olympian gods. But his defeat partially ruined him for me 😂. It just doesn't make sense. Why is Odysseus afraid of Scylla and even tip-toes around Hermes, who is friendly, when he can stabby-stab Poseidon ? Why didn't Poseidon counterattack? So many questions.

Zeus : my problem with Zeus is easier to explain. Again, he was awesome in the first act, less so in the second. What I loved initially is how regal he was. Powerful, intimidating, kingly, but not evil either. He warns Odysseus of the gods' will and of fate, which always realizes itself in mythology. In Thunder Bringer, he's fine. His lustful and flighty side is shown, but we could interpret his intervention as avenging Helios and punishing the ones who ate the cows, instead of "Zeus is evil". But in God Games ? He's so pettyyyyy and childish. Where is the kingly attitude ? This "Beast Zeus" should come against Kronos or Typhon, or maybe when Athena and the others threatened his position. Not after a freaking game ! He just strikes Athena with thunder because she won fair and square. At LEAST Luke Holt absolutely killed it, so it's cool to listen to.

Penelope : she's underdeveloped :( . Okay, her bond with Odysseus was respected, they're adorable together. On her own ? Eh, she's fine. Which is a shame because she simply didn't have enough room to exist outside of Odysseus. Also, the fact that she doesn't interact once with her son is criminal imo.

I do have some other issues with characters like Circe and Calypso (basically they're declawed compared to the Odyssey), whereas I'm completely fine with others like Eurylochus, Telemachus or every god except Zeus and Poseidon. Though they're not perfectly accurate either but I don't have problems with them.

The crew in general is also underdeveloped, so I didn't feel much for them (until discovering the scrapped Elpenor and Perimedes songs/lh). They played their roles correctly.

I hated the suitors (that's a positive in Epic) and laughed when Antinous died. Though I wished they were more pathetic and less threatening. Musically it'd be worse but story-wise more fitting.

The story

Overall, it's fine. Most of the best points come from the Odyssey itself, the one change I liked the most was having Odysseus and Poseidon meet (not the way it ended though).

Also, story-wise, I prefer act 1 over act 2, because it's less over the place and more grounded.

But emotion-wise and music-wise, forgetting about the Odyssey, act 2 wins the cake.

Those were my thoughts on Epic :3

I tried not to judge it too much according to the Odyssey and some of my friends are more demanding on that plan (for perfectly legitimate reasons btw). But it's hard to separate Epic from the wonderful work of Homer and it's lacking in some areas.

Still, this journey was very fun, I love all the passion Jorge, the singers and the animatic artists put in, there are a lot of good things about it (I can't mention everything). I don't want to rate it because it's too rigid of a system. I listen to the songs on loop and, ultimately, I'm thankful Epic exists :)

I may come back to this post and reblog stuff if I have new relevant thoughts to add. I'll probably rank the sagas in another post.

[number-one-shadisper-shipper]

I really love the Sonic movies and their whole found family dynamic❤️❤️❤️❤️ I've seen some great headcanons about them, and I wanted to make some of my own!

Wachowski Family Headcanons: ✨Movie Night✨

Movie night has always been a tradition at the Wachowski house. Tom and Maddie did it, and once they got Sonic it became an even more special time. Now Sonic is super excited to share all his favorite movies with his two new bros.

They have to buy a new TV since Knuckles punched Sonic through their old one when they first met. The whole family goes to the nearest bigger city since Green Hills is too small to have a good electronics store.

Knuckles has no knowledge or interest in technology so Maddie takes him window shopping at the nearby stores

Tails is so excited when they step into Best Buy. He's never seen this much tech in one place! Tom has to remind him not to take anything apart before they buy it.

Sonic immediately runs off to look at all the new video games

The salesman keeps trying to sell Tom the more expensive and "fancier" TVs. Tails is able to see through all the fancy talk, points out the actual specs, and calculates what will give them the best bang for their buck. Tom has no idea what he's talking about but buys the one Tails points to.

They finally get it home and set up. Knuckles is still confused as to what exactly a "TV" even is. It shows things that aren't really there? Is it like a some sort of window? A portal? Tails's in-depth technological explanation does not help. Sonic finally explains it as a "magic wall mural" and he's relatively satisfied.

Time to pick a movie! Sonic wants to watch "Speed" or one of the "Fast and Furious" movies for the millionth time. Knuckles wants to watch an action movie once he hears there's fighting in them. Tom and Maddie are a little worried those might be too much for Tails. Everyone agrees to watch one of the Disney movies Maddie picked up.

They pick Lilo and Stitch (partly because of the ironic parallels of adopting a funny little blue alien with a fear of water, and just getting back from Hawaii after Rachel's wedding)

Everyone curls up on the couch or on blankets on the floor. Even Ozzie comes to join in the fun. Tails and Sonic use him as a pillow.

Maddie brings in some fresh-popped popcorn (and grapes for Knuckles). Tails is a little skeptical of the new snack, but one bite of the buttery goodness and he's obsessed. He and Sonic keep stuffing handfuls in their mouths and throwing kernels at each other. Soon both the couch and the floor is covered. Knuckles tries a few bites. He says it's okay, but swears it's better with grapes.

All the boys love the movie and think it's hilarious, although some of it goes over Tails's and Knuckles's heads due to their limited understanding of Earth culture.

Sonic finds the scene where Stitch almost drowns a little triggering, although he doesn't say anything.

Knuckles's favorite character is Cobra Bubbles. Sonic's is of course Stitch. Tails relates a worrying amount to Jumba the mad scientist.

Tom and Maddie were prepared for Tails to get scared or emotional over the movie, after all, he's still really young. He ends up being fine and really enjoys it, although he points out all the inaccuracies with the spaceships and technology.

But none of them were expecting Knuckles to start choking up at Stitch's "This is my family. I found it all on my own. It's little, and broken, but still good. Yeah, still good." speech. He denies crying and claims he was only sniffing because he got popcorn butter on his nose.

After the movie, everyone stays cozied up in their blankets for a while talking and eating more popcorn. Tails falls asleep and Tom and Maddie decide it's time for bed. They carry Tails up to the boys' shared room in the attic, but Sonic and Knuckles insist on climbing up themselves even though they're both so sleepy they can barely walk.

Sonic falls asleep the moment he hits the bed. Tom puts Tails in bed, and he and Maddie tuck all the boys in. Knuckles actually allows himself to be tucked in for the first time since they got there. Maddie even gives him a little kiss on the forehead. She swears she hears him mumble something about "Ohana means family" before they go downstairs and no she's not crying why would you ask

Thus marks the end of another wonderful Wachowski Family Movie Night!

Alrighty there you go! Thanks for reading!

[goldentigerfestival]

Since I'd been talking a lot about JP Vesperia (primarily Yuri and Flynn and the heavy changes that surround them, and because I'm highly passionate about them in their original context), I wanted to compile some more jarring if not outright glaring mistakes in the localization (or what were likely intentional changes, because I can't look at some of these and just call them "mistakes"). I'm not going to mention every little change throughout the game, so smaller things I'll mostly be leaving out (namely things that don't really affect characters or context). I primarily just wanted to give some insight on some of the bigger parts.

Some of the changes seem to have been mistakes in translation itself (not just localization, but misunderstanding what was being said in general; such as, there's an instance I mention of that between Patty and Don), so I've got some mentions hanging around for clarity purposes as some scenes didn't make much sense, likely because of this.

Vocal tone with Yuri was the most prominent issue that got me making this, and the context that was changed being right after if not equally next to that (most often also with Yuri but also Flynn).

This is something that has been bothering me for a while and I've been wanting to share this stuff with people interested in seeing the game with its original context. Generally speaking, the plot and story themselves are on point. The majority of the differences surround Yuri and Flynn respectively, so there's going to be a lot of mention of them throughout.

I've also posted video clips of my favorite scenes and the heavy changes, so consider those a supplement to this and vice versa.

Part 2.

Part 3.

Part 4.

(Other) GTF Favorites.

I'd like to preface this by mentioning the chief director and producer of the game itself has also spoken about localization inaccuracy issues, so that's something to keep in mind (it's in Japanese, but you should be able to use the offered post translator).

I'd also like to preface this by mentioning that in the original, Yuri is more playful and relaxed/casual (generally but including with Flynn, which the dub pretty much entirely changed until arc 3), but also gentler and softer. He has a very large variety of tonal behaviors/tonal "moods" that were pretty much nuked from the dub.

Basically, to get the full experience for Yuri, I can only really recommend playing the game in JP audio. Obviously you won't get the actual context because all you'll have is the dub context, but that's also partly why I'm making these posts - to cover the contextual changes while the video clips cover some of the tonal changes (because lbh I don't expect anyone to actually go watch the entire game in JP with subtitles unless you're as insanely dedicated as I am, and I'm largely doing it out of my love for the original Yuri and Flynn and my disdain for how the localization treated them).

As a heads up, there won't be many skits in here because I'm going through a specific YT playthrough for these screenshots. Specific skits won't always come up in the playthrough in question, and I can't find a whole list of skits in JP anywhere online. I don't have all skits unlocked in my own save either yet (you can unlock all skits with Grade which I have yet to do in the DE), so I can't use that to compare all skits right now.

There are plenty of small changes here and there that I won't be including in these posts because there are some sentence changes that aren't impactful but do exist. I just don't want to be here for a year covering the random changes that don't matter much. I'm also not going to include details of a lot of honorifics because I'd be here all day, but there is one one major instance that I mention later on.

For reference if anything wants to actually watch the game in JP with the subs (it goes until just after Hypionia), most of the references come from here. Since in some cases the subber just reused localized text even when the context wasn't the same, I did bring some of those up in these posts too. These were subbed before the DE version came out. I used screenshots with subs where possible to make it easier to follow along.

I have a lot of passion for JP Yuri and I hope I can pass on some of that passion to others. 🙏

Apologies in advance if some of these sound cranky. If I sound cranky about some specific changes, it's probably because I am.

---

Since I talked about the whole, Raven being shady and Yuri therefore not being grateful to him incident that the localization for some reason butchered and made Yuri sound like a generally ungrateful or just outright dumb person who doesn't understand gratitude, I'll summarize that one again here:

Yuri has a skit with Estelle originally talking about how he can't find himself being grateful to someone like Raven for showing him how to sneak out of the castle. Basically, Raven is shady and he's not sure he should be grateful to someone like that, and is confused as to why Estelle would be so grateful when she doesn't even know him (because in his mind, he isn't sure he wants to trust a guy with those vibes). The dub just kinda... makes him sound like an ungrateful jerk and not so much because he's not sure he wants to trust Raven. It doesn't really sound like it's an issue of his with Raven specifically but more that he just generally doesn't feel grateful for the aid (and that in general one shouldn't feel grateful for aid like this), which gives off a really wrong impression of him that doesn't hold up throughout the game. Yuri wasn't wholly ungrateful for the gesture itself, but because of who it came from (and I imagine a weird peppy guy in jail is good cause to be skeptical).

We start off we a classic "Yuri, you idiot!" that was changed to "come on already!".

Yuri's response to Estelle mentioning he'd been in the knights doesn't actually give a time frame for how long he'd been there (the dub made up three months, but there was never originally even a time frame given).

Here when Yuri asks Estelle why she can't just leave, her response indicates she actually does know why. The dub made it more ambiguous, which could be easily misinterpreted as she really doesn't know, so I'm dropping this one here.

For some reason the localization seemed to have Estelle responding to Karol directly about the ace always performing their attack last ("I don't think so"). What she was referring to was the tiny monster that walked by, asking for confirmation that that monster was not the eggbear they were looking for (I wasn't gonna fight with the video to get a better screenshot without the annoying YT red bar in the way so the monster is in the corner mid-movement lol). Not sure if that was a genuine mistake, but it was an odd one.

(Also, side note and not putting an image here because it's more general, but Yuri refers to Karol as "Karol-sensei" which was translated in the localization to "Captain Karol". Basically, Yuri calls him "sensei" because that's a teacher/professor, and he's making a play on Karol's knowledge and being their "teacher" about monsters/maps/etc.)

I'd say this is more along the lines of overexaggerating and not overreacting, but this line was literally changed to "haha" in the dub. The whole point wasn't that Yuri just brushed her comment off or found it funny. At this point he still literally thinks she's exaggerating about her lack of knowledge out in the world, her excitement, etc.

Not the only instance you'll find of the dub just changing entire sentences to something meaningless as if they ??? didn't know what it meant (they actually changed Patty saying an entire sentence to "aye"). In some cases they added entire sentences that weren't even there...

Even though I can kind of see where they went with the dub here, the point was supposed to be that Flynn actively thought he would be happy for Yuri to go outside the barrier and see the world.

The dub changed this to Flynn saying that he, in the now, is happy that Yuri is outside the barrier, but then says he got a little less happy when he saw the wanted poster, indicating he was previously happy but got less happy, yet says in that moment that he is happy.

It's a weird case of (past/present) tense usage for the most part, but they also removed the fact that Flynn is literally saying "I thought I would be happy" (thus expressing he'd been wanting Yuri to see the world outside the barrier and would've been happy to find out he did). The reason he's not finding himself happy is because of the wanted poster and the crimes listed on it, following up that his honest happiness for Yuri (ultimately because of the poster) was a lie.

This also means they removed Flynn expressing the honesty of his happiness for a positive concept for Yuri, which, given all the changes toward Flynn in the dub, already now takes away from the fact that he'd been actively hoping for good things for someone and we're left with this more sarcastic take on him being "happy".

Obviously his happiness wasn't really a lie because most of the crimes were falsified (primarily the ones that would make him actually mad, because Flynn has had to have been aware this whole time that Yuri has committed small time crimes for the past few years now), but at the time, the focus on this conversation is that Flynn thought he'd be happy at a time that Yuri left the barrier; meaning he'd been hoping for it prior to it happening.

I'm also mentioning it because it's the very first in a whole line of changes the dub made to their relationship (and it's their first in game interaction ffs) and to Flynn himself as he's perceived as a character. The original is much more expressive of how important they are to each other in a lot of various ways.

Inserting the JP audio version of the following scene with Flynn here.

And... the following one from there.

This was changed to "damn, we if lose our balance...". I know they did it because Yuri had just fallen over, but I'm including this one because the context isn't... really the same thing?

This dub change is a bit odd to me. They had him saying something along the lines of "she is a princess after all" in the dub, regarding the council backing her.

The original context is more like, the council is backing her and he's hearing it directly from Ioder and he probably doubts Ioder would lie like that or about that, cementing that yes, she truly is, like he suspected, a princess, but it's almost still a bit odd to know. It's sort of like, he knew/had suspicions but hearing it directly from Ioder just confirms it for certain.

The dub just made it sound like well yeah, it's obvious they'd want to back her, she's a princess... but Ioder is a prince, so that doesn't explain why they're not backing him. She is a princess after all, so of course they'd back her... but what's stopping them from backing the prince?

Another weird one for me. In the dub Yuri says that "even the Commandant was a little in over his head", when he actually... really wasn't? All he did was step in. Things got bad enough that he had to, but he wasn't in over his head. Not sure how or why the dub ended up with that.

An example of the dub having a habit of just adding in random lines that didn't actually exist (and in this case the one added didn't even contextually make sense. This was no thank you from him, this was literally him making Yuri do something for him because he was going to ask Flynn for a favor and ended up with Yuri in the cell instead).

Another super weird one in the dub. They had Yuri saying Flynn was "too" late, implying he hadn't made it in time, but he did. He made it just before the battle started, but the original context only says he's late, not too late (which makes sense given that they were ready to fight but hadn't started yet).

This was changed to Yuri just mentioning there was one way they could get out of there without actually saying what it was, and Judith saying if he thinks it might work what's the harm in trying it out. Not sure why they changed Yuri literally telling her his plan, so... again, a super weird change that I don't get why they didn't just keep the context the way it was.

Third image was changed to "someone get me away from this psycho", which... I also don't get why they put that there unless they just wanted so much flavor text that they wanted to change the whole "they're in a fight and he's telling her not to come over here because he's pissed at her because they're fighting" part of the fake fight they had going on.

Not one I have a huge problem with, but definitely good examples of them going out of their way to change just... perfectly normal stuff that literally has no reason to be changed? Some of it is flavor text and some of it feels over the top for me. Stuff that makes me like... why would you change that when there was no reason to? Could be more of a personal pet peeve of mine, but I just don't like unnecessary changes when there was nothing wrong or odd about the original text and doesn't at all come off odd in English. Unfortunately Vesperia got littered with those.

I didn't feel like getting a whole video for this, but basically Judith gives a little laugh instead of just the more upset/distressed(?) sound she made in the dub. Feels more fitting imo to keep up the "lie" Yuri started for her. The dub makes it seem more like she feels guilty, versus here she's giving a little forced giggle to go along with it. Again, a change I'm not sure why they put in.

Ngl I get completely different vibes from these. The JP comes across more as concern, rather than... treating them like they're some mob on the loose...?

Once again, this gives off negative vibes toward Flynn as a character imo.

Here Judith gives more of a reason for coming with them, which they changed in the dub to "with the circumstances being what they are, this is just how things turned out". Reasonably, she didn't have to stick around after they ran from Dahngrest, but here she gives a quick "reason".

The dub changed this to "I'll bet he is". They were just told he's the current magistrate in Heliord, and all Yuri says here expresses he's letting it sink in and realizing exactly why all this is happening here. It's not a huge story beat or anything that gets changed, but it's an example of changing things that don't need to be changed as if trying to play things up in a way that... doesn't feel necessary to me? In this case the situation is kind of dawning on Yuri as he realizes how bad this situation could be/why it's like it is, but in the dub it comes across as more just unimpressed and "of course he'd do that".

An unfortunate, classic moment of them changing how much Yuri believes in and trusts Flynn. They changed this to "gotta run, Flynn!" and he just... leaves. I'm sorry but in what universe does "leave the rest to you" equal "gotta run"???

This one is one of those cases where the localization text was super awkward and wonky, and worse, they actually voiced it that way (like "we have guild's job to deal with". Yes, they actually voiced it that way too on top of everything else grammatically wonky with the entire conversation that they didn't bother fixing when the DE came out).

Also here, they changed what Yuri says about Cumore and Flynn. "I don't know how I could explain this to Flynn" doesn't, at least to me, carry the same weight as Yuri actually feeling ashamed (in the dub he says "what a shame", but does not express shame, versus him saying "how pathetic" and expressing shame in feeling pathetic) and saying he can't even face Flynn because Cumore got away. The thing is, Yuri does tend to posture, so when he fails at something, it hits him pretty hard.

And let's be honest, this just hits way harder than "he will get what he deserves".

Interestingly, Yuri could also fall into the category of viewing himself as sinful later on, which I talk about in my favorites post and the usage of "crime" and "sin" within the JP context.

Not particularly important, but just another (more mild) case and example of how the dub just randomly changed tone/mood/wording for no reason.

Another case of Yuri being more aggressive in the dub than he actually was. Here, all he says is just a plain statement. In the dub, he has an attitude about it and says it in a tone that's more insulting that Ioder didn't know about Heracles.

This isn't the only case of dub Yuri acting aggressively toward Ioder when he wasn't supposed to be and we'll get to that, but Ioder is another similar case of the dub making Yuri unnecessarily vocally rude (despite that Ioder is very polite toward Yuri).

(I left out the subtitles because all they did was copy the dub's localization, which kinda defeats the point of this post LOL. This will be the case going forward for any same circumstances.)

This one's a more interesting tidbit to me and less of a harmful change (i.e. I find that a lot of if not most changes relative to Flynn do more harm than good when compared with the original context). Basically it's saying "sweet mask and sharp eyes", implying Flynn's sweet face is a mask and saying it contrasts with his sharp eyes. I could get into a whole rant about why I love that in relation to some side material, but even in the game itself, there's the knight Flynn with his sweet, polite side and his real side that only shows when he's around Yuri (basically, who Flynn has to be for his job and who he actually is as a person, which he only gets to be around someone who knows the real him).

I'd guess this got changed in the dub because they weren't sure how to word it, though there's no mention of "heartthrob" here at all and instead actually says "sweet mask" as if, again, to say his sweetness is just a mask. It's actually a very interestingly accurate representation of his character - how he tends to not be himself when he's being "knight Flynn", and how that sweet face is contrasted by the look in his eyes (which they say, you know, eyes are the windows to the soul, so this would imply the sweet face is the mask and the eyes are the real Flynn. And of course, this Flynn is implied to show himself in his sparring with Yuri in Aurnion, where sword fighting is the best way to express himself. This isn't to say Flynn being a nice person in and of itself is a lie, but that his overly polite, respectful, kind knight side is a sweet mask contrasted to the man who loves to fight and has a sharp look in his eyes)

For now, we'll be back at Mantaic in the next post (due to image per post limit).

[hermitsdump]

I wish all jujutsu kaisen fans a very media literacy and manga reread

[q-uuestion]

The character arc lore could have had

[highraccoon]

it's so fun when the people who took everything from you claim to be the real victims. like, y'all want to dump a years-long friendship in a dumpster fire just cause you're in a romantic relationship and that's the only thing that matters to you, go fucking ahead. but don't pretend to be the victim when you were the one who destroyed it.

you don't get to take literally everything from me and claim that you were the real victim when the only thing you didn't take was the skin off my bones.

[hauntingblue]

Kaido lore?!

[ibijau]

considering that saturdays are usually a little hard for me emotionally, maybe posting the last ficlet + finishing the main story of svsss on the same day was, like. a questionable decision.

[after-nine-at-the-oasis]

E X C U S E M E ? ? ? ?

AAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

OKAY FIRST OF ALL KANANNNN :'DDD that entire conversation killed me <3

Second of all I WAS SCARED IT WAS GOING TO END THAT WAY

AUOOUAGH Y'ALL W H Y DID YOU DO THIS TO ME 😭😭😭😭💔💔

LIKE IT WAS VERY POETIC AND POWERFUL AND ALL AND ALSO AHSOKA'S THEME 😭😭😭😭😭💔💔💔💔❤️❤️❤️ BUT STILL

Be honest did y'all just say "We need a way to get them out of the way for the sequel trilogy. . ." XD

ALSO WHERE IS MY EZRA AND HERA HUG

AND SPEAKING OF AAAAAHHHHHHHH CHOPPER AND EZRA :'DDD I'M NOT OKAY Y'ALL

Okay but like there's no way they're just gonna leave them there

Like it would be super poetic and an oddly calm and melancholy end to their constantly on the move and undergoing trauma lives but like. . . no way xD

WHEN I HEARD THE BIRD CALLS!!!! I WAS LIKE. YES!!! PLEASE!!! PLEASE BE IT/HER!!

AND IT W A S S S !!!

WHOOO YEAHH XDD THANK YOUU!!!

We deserved that so much frankly <3

Also you can't have an Ahsoka series and not have Morai (I believe that's its name) appear at least one xD

Anyway I love her/them <3 (her being either of them lol)

And lastly. My brother legitimately said "Maybe it's Anakin like Mufasa in the sky" and we joked about it for a minute

AND I'D SEEN A GIF OF HIM IN THE POST PREVIEW SECTION OF TRENDING

SO I WAS SUS

AND IT W A S!!!!

SLFKGHDKJGS XDDD

THAT WAS AMAZING

Anakin: come on Ahsoka do you know how long it's gonna take me to get back to the Afterlife where everyone else hangs out?? FOREVER GIRL. Getting yourself stuck in other galaxies and such smh

xDD

I saw a post talking about how she finally forgave and accepted herself for still loving him and like. yeah. He helped her set herself free from a lot of her guilt, and he can tell that :')

I like to believe she could kind of see him <3

Not quite, but almost :')

Anyway, THAT WAS SO AMAZING HOLY CRAP!!! SABINE USING THE FORCE WHOOOO, EZRA MAKING A NEE LIGHTSABER AND TALKING WITH HUYANG :'DDD, WHERE WERE ZEB AND KALLUS- HERA AND EZRA REUNITING :'DDD 10/10 HOW DARE YOU <333

I LOVED IT SO MUCH <333

[sanriovin]

steamy shower sex with simon.

the man's just come home from a deployment which took you away from him and him away from you for a whole month. a whole month of both of you having no sexual contact with each other, no calls, no photos, no nothing.

so just imagine the desperation and the raw need between the two of you as he stepped foot back into the place that finally felt like home after so many years of trying to find it, dropping his bag to the wooden floor, not even bothering to take his shoes off as his arms found themselves wrapped tightly around your smaller body, holding you close, so close.

"missed you, lovey." his voice was deep, low, as usual, yet his tone was softened, into one of vulnerability, love, desire, and need. one that he only ever used towards you. only you were deserving of hearing and seeing his true emotions, which were hidden behind a cold mask to others.

you insisted he should take a shower, clean himself up from the messy deployment, ease his stiff, aching joints, slowly ground himself back into the domestic side of his life, even if it wouldn't last forever. not yet, at least, one day, maybe.

however, simon didn't want to be alone yet, no, not after he just came back to his sweetheart. so in the end, the two of you ended up showering together. it started as a normal shower, which slowly escalated into more.

which is how you found yourself, in simon's big, well-trained arms, his scarred fingers pressing tightly into your thighs, back against his muscled chest, as he fucked up into you, his fat cock stretching out your pulsing, clenching walls with a slight new found difficulty from how long he was separated from you. but, that just means he has to get you nice and stretched out, doesn't he?

the running water did little to conceal the groans and low moans from him, and the higher, louder moans and whines from you. your head was leaning against his shoulder, eyes barely open, as his tip repeatedly pressed against your sweetest spots inside you, making you feel dizzy from the unwavering pleasure.

rutting his hips up into you, his grip on you tightened, as he slowly lowered his head, whispering into your ear amidst his noises of pleasure and relief. "feeling good, pretty girl? getting close? i can fucking feel you clenching around me so hard. you wanna cum, yeah?"

he was teasing you with his words, as he soon began to simultaneously bring your wet pussy down onto his dick while fucking up into you, but you knew he was just as wanting as you were in this moment.

your moans grew louder in noise, stirring him on to do the same, his groans and grunts of your name and dirty words growing louder and more rushed. your wetness was dripping down his cock, slipping down his bare, marked skin, leaving a trail which almost immediately got washed off by the running water in the shower.

the glass was steamed up, a white sheet of condensation hiding your two bodies away from the outside. the air was getting hotter and thinner, which, along with your current states, didn't really help much. but, none of that mattered in the moment. what mattered was that you were with simon again, getting one of the best sex experiences in your life.

"g'nna cum, wanna cum, pleasee, 'leasee!" you cried out, turning your head, trying to capture simon's lips in a long-awaited kiss. you could see his eyes moving to look down at your lips, as he lowered his head down, capturing your lips in a wet, messy kiss, one with tongue's meeting, fighting for the dominance, which undoubtedly you had lost quickly.

"you wanna cum, huh?" he muttered out, his pace constant, not speeding or slowing down. "wanna cum so desperately? then do it. be a good girl for me and make a fucking filthy mess."

and that was all it took for you to snap, your body jerking and trembling as the tension in your lower abdomen snapped, mind blank, save for simon's name, as your orgasm hit you so intensely, squirting so hard as your body shook from it. your pussy clenched and twitched so much that that in itself was enough to bring poor simon to the breaking point.

holding you down tightly on him, which was definite to leave many loving, reminiscent marks of what had happened, he let out a lusty, heavy moan, burying his face in your shoulder, as hot spurts of his cum shot into you, intertwining with yours, creating a sticky mess between the two of you as it began to dribble out, getting flushed away through the shower water.

it took you some time to gather yourselves; to catch your breaths, come back to reality, to ground yourselves from the orgasms you had just experienced. simon slowly let you down, turning the shower off, looking down at you, as you slumped against him, barely managing to stand on quivering legs.

"well, that shower was pointless, wasn't it?"

but he wouldn't trade these moments for anything in the world.

(author's note: wrote this on a whim, not too proud of it 🤞)

[sharkylass]

ALRIGHT, I ASKED FOREVER AGO, BUT WHO WANTS TO HEAR ABOUT MY ISA LOOPS AU??

Heads up this contains a lot, and I mean A LOT of spoilers for In Stars And Time. Including: = Act 6 spoilers, including main mystery and secret encounter = Minimal Act 5 stuff = And a bunch of extra stuff that happens through Act 3 and 4. SO BASICALLY ALMOST EVERYTHING, FINISH THIS GAME COMPLETELY BEFORE READING (ESPECIALLY THAT ACT 6 ENCOUNTER, IT WILL LITERALLY BE THE FIRST THING I MENTION UNDER THE CUT)

With all those warnings out of the way-

IN REPETITION AND CHANGE

Initial Concepts:

I feel it's important to show these sketches because they were the first ideas I ever had. I wasn't even entirely sure I wanted to make an AU at this point, I didn't even know how I'd approach it. But I started sketching and it's been on my mind since- SO! Isa is stuck in the timeloop. I know what his wish is and he DOES have a Loop equivalent! The grumpy dandelion guy is Roboro (it/they/he). Their name is a very small play on Ouroboros and they call Isa "Seedling". However, this post is not about them, as I'm gonna talk about it and Isa's dynamic in a separate post. In short, Isa is his normal loud self up until Act 3, right? They beat the King, they reach the end, and whoops, the loop isn't broken. So now, what happens is that Isa starts getting his brains out. He starts thinking more analytically and tries to problem solve.

The more stuck he gets in his head, the less he's able to perceive his friends as real people, and more like them holding him back. Because even if Isa explains that he's smart, that they shouldn't be surprised if he says something, shock of all shocks, reasonable- They'll forget it the next loop.

So Isa is stuck with trying to portray his confident, loud, supportive facade- Which is fine! It wouldn't be the first time! But it progressively gets more and more frustrating, as he tries to find answers and simply looses the energy to pretend to be stupid.

TL;DR: Isa in the timeloop, unlike Siffrin, becomes more distant and cold rather then something more akin to Sif's mania.

NOW, MORE ART!!!

KILL KILL KILL:

I imagine Isa didn't have this encounter the same way that Sif did. Yeah, frankly, Isa is pissed with the sadness- But that's not why he goes through with this.

In this moment, Isa is trying to kill two birds with one stone. He's trying to get through this quickly, as well as reassure Mira that they can do this! If he shows how strong he is, then she'll feel safe right???

Poor Isabeau forgot that whenever he shows that he thinks ahead, he scares people. How could he forget that? How could he forget that he's inherently---

Family Quest:

I still think Odile is the one to call out to him (same with sus quest).

The hangouts I'm still figuring out, cause I don't think they'd too similar to base game- But, fun fact, at the end of this run, everyone agrees to keep travel together!

Isabeau brings it up, can't hurt if you can fix your mistakes right? And everyone agrees. The relief on Siffrin is the most palpable thing Isabeau has ever seen.

In this moment they love you. In this moment they all love you. In this moment---

Death Screen:

He loops back anyways. (This is one of the initial concepts that I ended up animating. This line in particular is when he reaches the end)

Act 5 Tarot Card:

NOW TO SEE MORE OF HIS PASSIVE AGRESSIVE SIDE

Thanks to @the-bitter-ocean for prescribing tarot cards to Isa (THEY ALL FUCK SO HARD) and for the RAW ASS LINE

If interacted with in act 5, predictably, Isa tears it apart. He doesn't need the divine judgement upon him, he's faced everyone's perception his entire life.

However, he tears it methodically. Tears it once in even pieces, twice, three times, and one of the pieces once more. In a way he isn't even getting his emotions out, it's like he's actively trying to tear it apart so it stops nagging him, like he wants to shut it up. Though, the Judgement card symbolizes rebirth, absolution and inner calling. In Act 6 he'd be able to look at it and find comfort and confidence in the card.

Act 5 Mirror:

And lastly, I have the Act 5 mirror picture. I haven't quite figured out how to make the normal ones work yet, however, I couldn't let go of the idea that Isa would not want to be in the picture.

The idea of seeing himself at all makes his head hurt and his stomach squeeze. The memory haunts him as he stands to the side and says the word. He didn't think the mirror would catch him.

AAAAND THAT'S ALL THE ART STUFF FOR NOW!!

I still have quite a bit of it to post, especially about Roboro, but I'm gonna leave it here for now.

I still gotta figure out the hangouts and potentially the dagger equivalent- but I have ideas for Bad Touch, the glass equivalent, and some extra little things that didn't happen in Siffrin's loops.

I needed to yap about this, because I've been slowly stacking up ideas and writing and I needed to share it at some point- If anyone read all this and has questions and stuff I fully welcome 'em!!