#I could write an entire essay about this scene anD I WILL

[accio-victuuri]

THE Life of Us/Drifting MUSIC VIDEO IS AMAZING 👏🏼👏🏼👏🏼👏🏼

I think one can make an entire essay long post trying to explain what the scenes could mean. I’m glad that XZ was able to meet and work with a director like LIN who was able to execute this. I can only imagine the creative ideas XZ had for this and to have someone understand his vision and bring it to life is special. It’s so obvious the time, effort and money spent on this and we got it for free. The entire album is free to listen to. I just. Everything about this drop is such a slap to the antis who said it will be 9 covers and 1 original song but XZ goes bitch hold my beer lemme give all original songs and high quality music videos. oh wait, let me write some of the songs too. let me put in some details in my life there just to make it fun. how about that?!

which leads me to those said details/references that someone has compiled. i’m gonna share it here. 📝

P1: the person climbing a ladder in the clouds is something he drew before. I’m proud of him cause this idea of his has been realized. this reminds me of jack and the beanstalk!

P2: the books are design related. i’d like to think it’s his favorite go-to books!

P4: Knitting yarn! XZ knits!

P5: this is pretty obvious and recurring theme when it comes him - the little prince 🌹

P6: more of a comparison from when he was designer xz to now. he was wearing something similar.

P7: Life of Us = Life of Pi. Which is explained more in P8. OP mention that the main character Pi said when writing in his diary: "Everything has become chaotic and broken, I can no longer distinguish between daydreams, sleep, and reality.” The movie/book is a story about a young man who survived a shipwreck and drifted on the sea.but the deeper level seems to be a discussion about human nature, animal nature, and divinity. It’s about the struggle between ego, id, and superego.That tiger may be Pi's heart. What is drifting on the sea, for Pi, is me and "I"; and Pi, It seems to be the epitome of every "us". Finally, Pi told more than one version of the story, and he asked: "Which version do you prefer?" In fact, the choice of the story has always been "me".

"Life of Us/Drifting" sings "What is a dream, what is my greatest fear" "What is a dream, what is what I want most" It’s a question about your own heart, and only you can give the answer.

P9: that scene in the movie ET

additional ones, his favorite paper plane making an appearance and a similar shot from the animated film castle in the sky.

and i noticed that one take where you can see some vintage things like the telephone, but i realized that xz is almost the same age as me so these are things we grew up using!

i’m sure there are more details here and not to mention the hidden meanings too. but that is what makes this video so fun to watch multiple times! you can discover something new each time! I hope they release some behind the scenes on how this was created and all that. i think there should be a documentary of sorts connected to this album if i remember correctly. so yeah! so much more in store for is when it comes to this album 😊

[harleybird]

"But is it - We couldn't travel with you."

"What? Why not?"

"Because you, sir, are not one of us."

Doctor Who | Dot & Bubble

Bonus Dumbass:

[archbudzar]

what is the sample at the beginning of martyrdom? luv ur music btw

its dialogue from devilman crybaby (ep 2 if i remember right) !

[supemaeve]

Why doesn't Vought want diversity? Wow. These are some real hardballs Maria Menounos. But check your facts. Let's take The Seven, for example. We've got A-Train, he's a black man. We got Black Noir he, uhm, well he doesn't identify with any race, really so, they're covered.

[midnightrings]

So I’ve been thinking a lot about the scene between Hawk and Tim in the latest episode – especially about Hawk’s intentions.

I’ve already seen people discuss whether Hawk’s gift to Tim was genuine or merely a tool to manipulate Tim into doing him a favor.

Tbh, I don’t think the cufflinks are a thoughtless present at all. Giving a person you care about something that once belonged to you is actually very intimate and meaningful. It’s a nice gesture. And Hawk giving Tim something with his initials on is also very much in character lmao (and quite bold). But it was definitely not a planned gift. The cufflinks weren’t even inside the box yet, so Hawk had not thought about giving them to Tim prior  – which doesn’t mean that the gift itself is bad, just that Hawk is an ass.

I think that the main reason Hawk gave Tim the cufflinks, and was overall sweeter and more considerate than usual, was because he knew this might be one of their last nights together. He knew he would have to end things with Tim – because of the interrogation and upcoming polygraph test, but also because he has just learned that Miss Addison was the one who has reported him, all because of the book Tim had given him. On top of that, Hawk has clearly never planned for this to go on for too long, or to build too deep of a connection. So he probably knew at this point that things had to come to an end, and wanted to make the night memorable for both of them.

What I feel like is not completely clear, is whether Hawk had always planned on giving Tim that envelope for Schine. Hawk has only learned about the meeting in New York that evening, and there had also been plenty of time to hand Tim the envelope since he had collected the evidence. Maybe he was hesitant, because this could very easily put Tim in danger, and was simply waiting for the right moment.

But I also feel that handing Tim the envelope and planning to end things with him were going hand in hand here. It is a dangerous thing for Tim to do, and if they continue seeing one another, the envelope could be traced back to Hawk.

The cufflinks fit both of his motives in this scene: making Tim happy, but also giving him something so he can ask him for a favor in return. Tim would’ve probably agreed to do that favor for him either way – the cufflinks were unnecessary. Interestingly, I think it is because of his present that Tim’s mood changes, as he’s probably wondering whether Hawk had ulterior motives all along.

Honestly, I think that the cufflinks were a genuine gift. They were happy in that moment and Hawk knew that Tim would have to leave soon, for maybe the last time, so he decided to give him a present. He’s probably always intended to hand that envelope to Tim, with or without cufflinks. Maybe there were underlying intentions when he thought of the gift, but I don’t think those were his main motives.

But even if Hawk’s intentions were genuine, it definitely didn’t look like that to Tim. He was crying of happiness one moment, and after Hawk asked for a favor, that happiness is completely gone. He’s asking Hawk if he will see him again, not when, so he probably realized that something was off.

I feel like Hawk genuinely wanted this to be a sweet, memorable night for them. But because he always has some ulterior motives and is incapable of being honest and open, he still ended up hurting Tim, and his actions will most likely have consequences.

[artemx746]

Ethan Nakamura would cry at the Barbie movie and this is the one opinion I will fight someone over

[hecatesbroom]

To be honest I was wondering if you have a top 5 of books 👀

Hii! Now, that's a hard question :') I have so many!! I think if I were to make a top 5, it'd look something like this:

(Limited to English books only because I really wouldn't know how to choose otherwise haha)

The Locked Tomb series by Tamsyn Muir (if I had to pick just one, it'd be Harrow the Ninth, book 2 in the series)

The Lord of the Rings by J.R.R. Tolkien (which he wanted to have published as one big book, so hey, this isn't technically cheating!)

Carmilla by J. Sheridan Le Fanu

The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid

The Kingdoms by Natasha Pulley

I tried to vary a bit in genre with this, and honestly my favourite books change quite frequently, but I'd say the top 3 are pretty stable! (I'm not sure anything will ever be able to beat The Locked Tomb for me anymore haha)

[whom-to-kill-whom-to-let-live]

Some Legato thoughts:

He hates humanity, that’s pretty obvious, he wants all humans to die.

But there is this really fascinating disconnect that happens with him sometimes, where you can kind of sort of see the person he could have been peak through, but just barely.

The two most obvious examples of this I can think of is when he shares one of his hot dogs with a child that seemingly didn’t have a reliable access to food and when he frees those enslaved girls. Two things that he really did not have to go out of his way to do, and by all means shouldn’t care for at all considering his hatred for humanity.

But he still did. 

And by themselves those seem like very good actions, right?

But then you remember that the hotdog had been kept in a bag with a severed head/tongue, and he wanted to use the kid to spook Vash (but then again he didn’t have to give her food to do that, he could have so easily used his powers to control her, we have seen him do it to entire groups of people with ease). 

He violently kills over a dozen people with his powers in front of those slave girls, not because he intended to free them but because the slavers picked a fight with him first (but he spares the girls, none of them are physically harmed at all despite the carnage, and he offers them the closest thing he has to reassurances before he leaves, when he could have just ignored them).

It’s like he almost gets there, but not quite.

[giliath]

GALE

[hauntedwoman]

this is my roman empire

[littlegildedswallow]

The women in NBC Hannibal are fucking GOLDEN. Alana, Margot, Bedelia, Freddie (argue with the wall), Beverly, Chiyoh, Reba. I would die for ALL of them.

[chevaliermalfets]

urgh ough you ever read a scene so vivid it's stuck in your head for the next five years

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[tired-momfriend]

I watched something in the dirt today. I am unwell.

[hp-hcs]

i didn’t realize the riddle brothers were a "buy one get one free" type of deal, but alright — simp! overprotective! yandere! riddle brothers x gn! oblivious! bullied! slytherin! reader

requested by 🎀!

2.5k words, not to brag 😌

i love writing the bros’ interactions with each other as like, actual sibling-core yk? they r just so cutie patootie

the reader's patronus makes an appearance in this, but i tried to make it as accessible to everyone as possible, so it's never explicitly stated what animal it is. it is implied that it’s able-to-fit-under-a-table sized though

also this is totally just pre-slash nothing that interesting happens

warnings: couple mentions of blood, mild descriptions of wounds, implied violence, implied bullying, murder

not edited!! this is my first like, really long fic so constructive criticism is welcome!

•••••••••••••••••••••••••••••••

A well-timed shove to the small of your back sent you tumbling down an entire flight of moving stairs. 

You groaned as you hit the bottom, sprawled out on your back on the cold stone floor. You laid there for a moment, winded. You could hear the occupants of a nearby painting titter at your gracefulness (or lack thereof), so you rolled your head to the other side to give them an award winning smile and an unabashed middle finger. 

You could hear them all grumble about kids these days and how I never would’ve treated my elders this way. You just rolled your eyes at their pettiness. 

“Uh…what are you doing?” A decidedly alive voice interrupted your momentary satisfaction.

“Ah- evening, Riddle!” You said cheerily as soon as you recognized the speaker, scrambling to your feet and dusting off your uniform. “Nothing! Just…tripped. Couldn’t see very well in the dark, that’s all.”

Tom blinked, his lips twisted into a frown. “.....Fine. But don’t let me catch you out of bed past curfew again. You’re a Slytherin, for Salazar’s sake. Act like it.”

And that was it. Tom turned on his heel and continued down the hall without another word. Tom Riddle: prefect, teacher’s pet, and obnoxious hardass extraordinaire—he just...let you go, with no threats of detention or loss of house points. 

Huh. 

~~~

Tom, having just returned from a full night’s shift of prefect hall duty, flopped face-down onto his bed, his cheeks aflame as he let out a muffled shriek into his pillow. 

His brother, in the process of getting dressed for the day, paused at the scene in front of him. 

“Dude, what’s your deal?” 

“L/n,” Tom said by way of explanation, kicking his feet as he shrieked into his pillow again. “They acknowledged me. And they know my last name.”

“Most people know our last name, Tom,” Mattheo rolled his eyes.

“No- you don’t understand,” Tom said emphatically. “L/n is like…the cutest person to ever exist. And they’re so sweet, and smart, and funny, and-”

��And terrified of us?”

“Well…”

Mattheo rolled his eyes, putting his hands on his hips. “You talk about them too much. It’s getting insufferable.”

Tom just scowled and flicked his fingers to cast a wandless spell that straightened Mattheo’s tie and neatened his uniform. “The way you dress is insufferable. Slob.”

Mattheo stuck out his tongue at his brother before ruffling Tom’s hair to purposely mess it up. “Dick.”

“Idiot.”

~~~

Mattheo glanced up at you as you hovered uncertainly by the corner of his desk. 

“Can I sit here…?” You mumbled shyly, your cheeks flushing as the pretty dark-haired boy in your year smiled up at you.

“Course!” He grinned brightly before realizing that might have been too enthusiastic of a reply for eight in the morning and quickly tried to cover up his slip. “Uh…Y/n, right? I’m Mattheo.”

“Yeah, I know who you are.”

Mattheo’s stomach dropped.

Fuck, that’s not good.

“You let me copy your homework in third year for that essay on the properties of wormwood, or whatever.” You said offhandedly, like it wasn’t batshit insane to remember that pointlessly tiny detail. “Thank you for that, by the way. Potions sucks ass.”

Before Mattheo could even think, the words left his mouth. “I could tutor you if you want.”

You looked at him oddly, but grinned after a second. “Yeah, sure. That’d actually be really helpful. Snape hates me, man.”

“Really? Even though you’re in Slytherin?”

“Mhm, his baseless nepotism only extends so far.”

Mattheo barked out a startled laugh as your deadpan humor caught him off guard. You just grinned at him in response, causing the tips of his ears to immediately burn bright red.

He cleared his throat awkwardly, ducking his head in embarrassment. “Um…do you wanna meet in the library after school today? For our tutoring session,” Mattheo hurriedly added. 

“Sure, alright.” You shrugged. “See you there.”

He beamed, giving you that stupidly adorable grin once more. “Awesome! Yeah- yeah, cool. Awesome. See you there then.”

~~~

You were still shit at potions.

It had been six weeks of tutoring, and you’d learned pretty much nothing. Although, that wasn’t an issue on Mattheo’s part, but rather on his annoyingly hot older brother’s. 

Tom Riddle was surprisingly funny. For someone who gave off almost exclusively stoically austere bastard vibes, he enjoyed cracking jokes and enlisting your help in pulling pranks on his brother a bit too much.

It became your routine. Every Tuesday and Thursday after school, you would meet the two brothers in the library, waste like three hours joking around and getting absolutely no work done, and then going back to your dorm and ranting to your roommate about how fucking cute they are and how you would gladly pay for the opportunity to make out with one- no, both of them. 

(Your roommate is so fucking tired of hearing about the Riddles. You’d better buy them a latte and a cake-pop as an apology.)

~~~

You struggled to get up, your legs giving out. You cursed under your breath, putting a hand to your forehead as it throbbed in pain. 

It came away sticky with blood. 

This wasn’t going to work, you realized belatedly. With what remained of your strength, you were able to reach out and grab your wand, murmuring a quiet, “Expecto Patronum.”

A spectral creature formed in front of your eyes, remaining motionless as it stared at you. 

“Go find Riddle,” you mumbled to the Patronus, your eyelids growing heavy. 

You barely registered the wispy glowing animal immediately bounding off at your instructions, your vision doubling before your body went completely slack, the wand slipping from your fingers and hitting the tile floor with a clatter. 

~~~

Mattheo doodled mindlessly in the margins of his parchment as his brother droned on and on about the properties of willow bark in potions and really, this is important, Mattheo. Pay attention.

“Why isn’t Y/n here yet?” Mattheo asked his brother for the third time. 

Tom rolled his eyes. “I don’t know, Matt. Just like how I didn't know when you asked me five minutes ago. Maybe they just don’t want to see your stupid face any more, huh?”

“What if they’re in trouble? Or hurt?” Mattheo worried, chewing on his thumbnail and ignoring his brother’s insult. “They’re never late, Tommy.”

Tom wrinkled his nose at the use of the dumb (albeit endearing) nickname Mattheo gave him when they were children, but the sinking feeling in his gut at hearing his brother’s distressed tone didn’t help to ease the niggling worries at the back of his mind of maybe they are in trouble.

As if on cue, Mattheo shivered as something icy cold brushed against his ankles. He glanced down. A glowing spectral creature nudged his leg, looking up at him expectantly with unnervingly empty eyes. 

A Patronus. 

Y/n’s Patronus.

~~~

They followed the Patronus down the deserted hall, the animal occasionally pausing to make sure the boys were both still following it before bounding forward again.

The Patronus stopped in front of a bathroom door, giving them both that same unnervingly hollow-eyed stare of expectancy.

Tom gulped and pushed open the door, fearing that he might find the worst.

He did.

~~~

Your eyes cracked open slowly, and you winced at the multitude of stinging and stabbing pains that wracked your body.

You had to blink a couple times for everything to come into focus. You were in a small room with white walls and white flooring, and the gentle dawn illuminated the quiet space with soft rays of light. The steady beep of a vitals monitor faded into the background as you stared down at yourself.

You weren’t wearing a shirt, for one, or even a hospital gown. Pretty much your entire upper torso was wrapped in bloodstained gauze. The jagged edges of a brutal slash across your chest peeked out of the top of the dressings, and you had to close your eyes and hold your breath for a moment to keep from throwing up. Once you’d calmed back down, you opened your eyes, startled to see that you weren’t alone.

Mattheo had pulled up a chair to the side of your hospital bed and crossed his arms on the mattress, using them as a makeshift pillow. His dark lashes fanned across his cheeks, his breaths slow and even. He looked so peaceful and...unguarded in his sleep. You reached down to brush a loose curl away from his forehead.

“Having fun?”

You startled, jerking your hand back. 

Tom leaned against the doorframe of your room with an amused expression, quirking an eyebrow and wiggling his fingers in a wave.

“Shut up,” you hissed back in a whisper, your cheeks flaring red. 

Tom’s amused grin only grew at your dark blush as he invited himself into your room fully, closing the door behind him.

 “Your secret’s safe with me.” He jokingly winked, tapping the side of his nose.

“You’re insufferable.”

“So I’ve been told.”

“What am I doing here?” You quickly changed topics, refusing to even look down in Mattheo’s direction. 

Tom sighed, any amusement on his face rapidly vanishing. “You sent us a Patronus, thank Merlin. Pomfrey said you would’ve bled out if you hadn’t.”

You had no memory of casting the Patronus charm at all, but you trusted Tom’s recollection of events better than your own jumbled and spotty one. “Bled out?” You questioned, your heart hammering in your throat as your voice climbed an octave in anxiety.

Tom nodded, his face carefully schooled into a blank and neutral expression. “You were hit with the Sectumsempra spell. You've been out for three days now.”

Your brow furrowed. “Malfoy got hit with that last year though—and was in and out of the infirmary in less than a day.”

“Snape knew the counterspell and found ‘im just in time last year,” Mattheo mumbled sleepily, his eyes still closed as he tuned into the conversation at hand. “But whoever hit you with it just left you there to die.”

“Charming.” You mutter under your breath.

“Regardless of what happened in Malfoy’s instance,” Tom interrupted briskly. “You were on the brink of literal death. So I’ll ask you this one time and one time only. Who did it, Y/n?”

~~~

“I brought you a cookie from the Great Hall,” Mattheo grinned widely, climbing into your hospital bed next to you and unwrapping the napkin in his hand. “And the notes from today’s Charms lesson, but those’re boring and we both know you won’t actually read ‘em.”

“Aww, you know me so well.” You teased, breaking the cookie in half and handing him one of the pieces.

Mattheo cupped the cookie fragment in his hands like it was a priceless treasure, staring down at it in unrestrained awe. 

You just shook your head at his antics and brushed the odd reaction off.

~~~

You woke up this morning and just felt like shit. You were nauseous, and dizzy, and felt borderline faint. Tom’s voice, usually soothing and comforting to hear, sounded like nails on a chalkboard right now. He rambled on and on about the delicate process of making the temperamental Felix Felicis potion. 

“Tom,” you interrupted, your voice scratchy and quiet. “Can we take a break? Please?”

He blinked, surprised at being interrupted, but nodded slowly. “I suppose…? Why?”

“Don’t feel good,” you mumbled, setting your textbook down and rubbing your eyes. 

“I wouldn’t expect you to,” Madame Pomfrey said brusquely as she bustled around your hospital room, shooing Tom out of the way to stand by your bedside. 

(Poppy Pomfrey remains the only person who can and has shooed Tom Riddle III and lived to tell the tale—and all without a single ounce of fear.)

“I’ve raised your dosage so that you can be out of here in time for your N.E.W.T.s.” Pomfrey elaborated upon seeing your confused look.

“Fantastic.” You mumbled dryly, grinning sleepily up at Tom as he grabbed onto your hand and interlaced your fingers together. He ignored the way his heart skipped a beat in favor of letting you hold his sweaty palm.

“Go to sleep, L/n,” Tom muttered under his breath. “Potions can wait.”

~~~

Tom lay in your hospital bed beside you, running his thumb over your knuckles. “Please? We promise we won’t do anything.”

“Yeah,” Mattheo chimed in from the other side of your crowded bed, one arm tossed over your waist as he rested his chin on your shoulder. “Or at least, nothing we’ll get caught for.”

You sigh, tired of their ceaseless pleading. “Alright, alright, fine. I’ll tell you who it was.”

Both boys leaned in close.

You sigh again and roll your eyes at their overprotectiveness. “Alright, it was-”

~~~

Tucker Thompson and Devin Dobbs: Gryffindor Sixth Years Found MURDERED at Hogwarts! Dumbledore: “No comment at this time.”

You tilted the newspaper so Madame Pomfrey could read the article over your shoulder as she replaced your IV bag. 

Pomfrey just sighed and rolled her eyes. “I don’t understand how Skeeter is still employed at the Prophet.”

“Cause shock value will always hold weight in the media?” You answered dryly around a mouthful of depressingly plain infirmary wing toast. “And Skeeter’s good at nothing if not coming up with bullshit shock value titles.”

“That may be true,” she began, snatching the paper from your hands. “But patients shouldn’t be reading about such dark subjects, and certainly not while under my care. And don’t talk while eating. I rather like your company, and would hate to see you choke.”

You rolled your eyes at her suffocatingly motherly behavior. “So are they? Thompson and Dobbs; they’re really dead?”

Madame Pomfrey hesitated.

You let out a relieved breath of air that you tried (and failed) to hide behind a cough. “That’s…terrible.”

She narrowed her eyes and studied you for a long moment, her fingers mindlessly worrying the deckle edge of the newspaper in her hands. “It was them, wasn’t it? Your boys.”

“My boys?”

“Yes, yes, Riddles one and two. Your boys.”

“Oh- we’re not…”

She raised an eyebrow, pursing her lips as she tried to hold back a laugh at the utter obliviousness of teenagers. “Do they know that, dear?”

You spluttered out a half-assed rebuke to her statement, but Pomfrey quickly interrupted you.

“They’ve been staying here for hours every day for the last month. They want more than just your friendship, hon.”

“No way. We’re just friends.” You insisted firmly. “That’s all.”

Madame Pomfrey rolled her eyes. “Uh huh. Friends. Keep telling yourself that.”

You stared after her, open-mouthed in bafflement, as she rolled up the Prophet, tucked it under her arm, and turned around without another word—leaving you with zero reading material and a million questions.

•••••••••••••••••••••••••••••••

you have to love how pomfrey could not give less of a fuck that the riddles murdered two students as long as she gets her ot3 absolutely iconic behavior

[unexpectedbrickattack]

Hiding the rest of this HUGE comic behind a readmore for ur sanity

Hes got the keenest eye for these things!

Now that this is hiding behind a readmore i can justify writing an essay in here. Nothing big tho i am just very chatty :)!

Postgame where Peppino still gets visits every now and again from the bosses of the tower. I already drew one for the noise (lmao) but i wanted to draw each of the main four interacting with him in some way.

Pepperman is a refined and well renowned artist. His art is highly sought after and his advice is not taken lightly. He has many MANY fortunes to pull from to make his visions a reality and to influence anyone to do anything. Except for Peppino.

From the very first fight, Pepperman is immediately, overwhelmingly obsessed with this stout little brawler. He is much much more than what meets the eyes. He is initially extremely offput and annoyed that a human so boldly decided to waltz into his domain, and he expects to be able to steamroll and bully this…beast…out of his place of work. He is refined when he wants to be, but he is quick to use his brute strength to get what he wants if only bc he knows he can do it

And so when he decides to fully charge and thrash this little trembling human, expecting him to skitter away the second he gets struck, he is completely unprepared for when he gets launched to the other end of this room. The human looks so incredibly PISSED, like a bull seeing red, and suddenly this little altercation suddenly became a real actual ‘knock your teeth out’ brawl. This human is only like half his height, but his punches and bashes fucking knock the wind out of him.

And like ! To add insult to injury!!! After he wins the fight! He visibly deflates, the adrenaline seemingly wearing off. Hes just this trembling fuckin whelp again !!! Whimpering as he fucking runs back out through the portal to do god knows what. And Pepperman could not be any more fucking intrigued. Like this no name came in, whooped his fuckin ass, and went about his day. Its unreal

While Peppino is running around climbing the tower, Pepperman is in his room losing his mind. Hes obsessed. No one has challenged him in this way. No one has fought him and WON. He is ALWAYS able to bully people into submission either through brute force or with money, and he got his ass handed to him !! He needs to know more. Its quite literally consuming him.

Cut to the final fight, set up for a rematch; and he knows he is going to get steamrolled again but it is SO exhilarating to get another chance to see this humans form up close again. This time he can try to commit everything to memory. Its all such a blur though, and in a quarter of the time it took to end their first fight, its over. He gets to watch the human fight the gunslinger with his bare hands, no gun necessary, and he doesnt even bat an eye at what looks to be a clone of himself. He is a force of nature tearing through every single defense, and when Pepperman watches the actual final fight with the bizarre little pizza man, its like hes caught in a movie. The rain, the storm, the atmosphere. He wishes he could burn the entire scene into his mind.

So when everything returns to normal, he takes the time to travel for days to come and find this little human named Peppino. The memory is still strong and vivid but eventually, details will start to slip his mind. He needs to find this human, convince him to sit and do some still life sessions with him to help cement the humans appearance in his head. He hasnt had to resort to…asking for permission for anything in a loooong time…he bullies people into doing what he wants but Peppino is not your average person, and if he wants something from this man, he’ll have to meet him at his level.

He...can make an exception for Peppino...he supposes.