#I could write an entire essay about this scene anD I WILL

[moltenapian]

> assuming the dom is a man

> assuming the dom is doing it because they like to see the sub suffer instead of doing it purely as an exercise in making their sub feel good in the ways that best work for them

Like fr

Not to get too personal on main but I've been pretty seriously SAd fairly continuously over a period of about five years of my life. Without going into details, it's led to pretty serious drives to self-harm. More beneath the cutoff of you want to read, I guess. It's late so I'm going to be very personal.

Drives that have been rewarded by society at large, in fact. Exercising 25 hours a week on less than 1800 calories a day, while it absolutely ruined my body in the long, made me one of the best rowers in my state in the short term. Nobody pulled me aside and told me that it was unhealthy, that I'd hurt myself, that in four years I'd hardly be able to function and certainly not in any high level athletics. No, they just cared I was faster at racing boats than the others.

I sought self harm in a lot of ways, none of which were controlled. Staying up far too late and working much longer hours than I should have. Not eating anywhere near enough in order to maintain my thin figure. All of it, rewarded and encouraged.

Only after some very severe health scares and deep reexamination of my situation did I really truly identify these drives and how they affected me in such an unhealthy manner. I can't get rid of them. After five years of consistent sexual trauma (and otherwise but we don't need to worry about that) those things are rooted too deep to excise.

But now that I'm in a healthy relationship with a partner who is accepting and understanding of my hangups, trauma triggers, and the things which I need to be able to function in a relationship, I've been able to deal with these impulses in a healthy way.

Better to handle that stuff in a scene where absolutely everything is agreed upon by both parties beforehand, safewords are strictly enforced, and nothing gets pushed too too far. Just enough to stop the part of my brain that wants me to hurt to be satiated for a while. My instincts for self harm are almost entirely abated with occasional "rough" sex and bitter drinks (ngl in my experience a very good way to alleviate those feelings).

Anyways, these days I've been sleeping enough, eating enough, and the healthiest and happiest I've ever been in my life. A productive environment to be able to work out those feelings is really invaluable, and I'm glad to have it.

All this goes to say... it sounds like OP either hasn't practiced safe BDSM (which is a very real risk, don't get me wrong) or is simply judging something based on an emotional/moral reaction. Anyways the criticisms really don't hold up, and tbh in 98% of cases competitive sports teams rely on the same dynamics and are wayyyy more unhealthy. I could write a whole essay on this but now is not the time.

This post is stupid as hell and I'm certainly sorry I (and you all) had to see it

not me printing and framing this shit

[frap-p]

eye study

ive been low on energy and inspiration, but i managed to draw again :D

I love how expressive Mizu is.

It shows she isn’t just the “hateful monster” that the people see her as, or as we were led to believe in the first scene with her, but she is more. She is Mizu.

She’s the type of character that the writers could’ve easily made a cold and unforgiving killer, but she’s a very fleshed out and complicated character with a soft heart, but hardened by the life she was forced to live.

Honestly I could write an entire essay about how much I adore the writing, art, and characters.

[harleybird]

"But is it - We couldn't travel with you."

"What? Why not?"

"Because you, sir, are not one of us."

Doctor Who | Dot & Bubble

Bonus Dumbass:

[archbudzar]

what is the sample at the beginning of martyrdom? luv ur music btw

its dialogue from devilman crybaby (ep 2 if i remember right) !

[supemaeve]

Why doesn't Vought want diversity? Wow. These are some real hardballs Maria Menounos. But check your facts. Let's take The Seven, for example. We've got A-Train, he's a black man. We got Black Noir he, uhm, well he doesn't identify with any race, really so, they're covered.

[midnightrings]

So I’ve been thinking a lot about the scene between Hawk and Tim in the latest episode – especially about Hawk’s intentions.

I’ve already seen people discuss whether Hawk’s gift to Tim was genuine or merely a tool to manipulate Tim into doing him a favor.

Tbh, I don’t think the cufflinks are a thoughtless present at all. Giving a person you care about something that once belonged to you is actually very intimate and meaningful. It’s a nice gesture. And Hawk giving Tim something with his initials on is also very much in character lmao (and quite bold). But it was definitely not a planned gift. The cufflinks weren’t even inside the box yet, so Hawk had not thought about giving them to Tim prior  – which doesn’t mean that the gift itself is bad, just that Hawk is an ass.

I think that the main reason Hawk gave Tim the cufflinks, and was overall sweeter and more considerate than usual, was because he knew this might be one of their last nights together. He knew he would have to end things with Tim – because of the interrogation and upcoming polygraph test, but also because he has just learned that Miss Addison was the one who has reported him, all because of the book Tim had given him. On top of that, Hawk has clearly never planned for this to go on for too long, or to build too deep of a connection. So he probably knew at this point that things had to come to an end, and wanted to make the night memorable for both of them.

What I feel like is not completely clear, is whether Hawk had always planned on giving Tim that envelope for Schine. Hawk has only learned about the meeting in New York that evening, and there had also been plenty of time to hand Tim the envelope since he had collected the evidence. Maybe he was hesitant, because this could very easily put Tim in danger, and was simply waiting for the right moment.

But I also feel that handing Tim the envelope and planning to end things with him were going hand in hand here. It is a dangerous thing for Tim to do, and if they continue seeing one another, the envelope could be traced back to Hawk.

The cufflinks fit both of his motives in this scene: making Tim happy, but also giving him something so he can ask him for a favor in return. Tim would’ve probably agreed to do that favor for him either way – the cufflinks were unnecessary. Interestingly, I think it is because of his present that Tim’s mood changes, as he’s probably wondering whether Hawk had ulterior motives all along.

Honestly, I think that the cufflinks were a genuine gift. They were happy in that moment and Hawk knew that Tim would have to leave soon, for maybe the last time, so he decided to give him a present. He’s probably always intended to hand that envelope to Tim, with or without cufflinks. Maybe there were underlying intentions when he thought of the gift, but I don’t think those were his main motives.

But even if Hawk’s intentions were genuine, it definitely didn’t look like that to Tim. He was crying of happiness one moment, and after Hawk asked for a favor, that happiness is completely gone. He’s asking Hawk if he will see him again, not when, so he probably realized that something was off.

I feel like Hawk genuinely wanted this to be a sweet, memorable night for them. But because he always has some ulterior motives and is incapable of being honest and open, he still ended up hurting Tim, and his actions will most likely have consequences.

[artemx746]

Ethan Nakamura would cry at the Barbie movie and this is the one opinion I will fight someone over

[hecatesbroom]

To be honest I was wondering if you have a top 5 of books 👀

Hii! Now, that's a hard question :') I have so many!! I think if I were to make a top 5, it'd look something like this:

(Limited to English books only because I really wouldn't know how to choose otherwise haha)

The Locked Tomb series by Tamsyn Muir (if I had to pick just one, it'd be Harrow the Ninth, book 2 in the series)

The Lord of the Rings by J.R.R. Tolkien (which he wanted to have published as one big book, so hey, this isn't technically cheating!)

Carmilla by J. Sheridan Le Fanu

The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid

The Kingdoms by Natasha Pulley

I tried to vary a bit in genre with this, and honestly my favourite books change quite frequently, but I'd say the top 3 are pretty stable! (I'm not sure anything will ever be able to beat The Locked Tomb for me anymore haha)

[whom-to-kill-whom-to-let-live]

Some Legato thoughts:

He hates humanity, that’s pretty obvious, he wants all humans to die.

But there is this really fascinating disconnect that happens with him sometimes, where you can kind of sort of see the person he could have been peak through, but just barely.

The two most obvious examples of this I can think of is when he shares one of his hot dogs with a child that seemingly didn’t have a reliable access to food and when he frees those enslaved girls. Two things that he really did not have to go out of his way to do, and by all means shouldn’t care for at all considering his hatred for humanity.

But he still did. 

And by themselves those seem like very good actions, right?

But then you remember that the hotdog had been kept in a bag with a severed head/tongue, and he wanted to use the kid to spook Vash (but then again he didn’t have to give her food to do that, he could have so easily used his powers to control her, we have seen him do it to entire groups of people with ease). 

He violently kills over a dozen people with his powers in front of those slave girls, not because he intended to free them but because the slavers picked a fight with him first (but he spares the girls, none of them are physically harmed at all despite the carnage, and he offers them the closest thing he has to reassurances before he leaves, when he could have just ignored them).

It’s like he almost gets there, but not quite.

[littlegildedswallow]

The women in NBC Hannibal are fucking GOLDEN. Alana, Margot, Bedelia, Freddie (argue with the wall), Beverly, Chiyoh, Reba. I would die for ALL of them.

[chevaliermalfets]

urgh ough you ever read a scene so vivid it's stuck in your head for the next five years

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[tired-momfriend]

I watched something in the dirt today. I am unwell.

[nobodyfamousposts]

Scarlet Lady Top 10 Favorite Characters: Number 10

For @zoe-oneesama

Okay, I realized as I was writing these that there is way way WAY too much to each of these and why to be able to put them all into one post, so I'm breaking them down into individual essays focusing on each one to keep them palatable.

So without further ado....

Number 10: EVERYONE

Yeah, I know it may be cheating but at this point it was the only choice I could make.

I came to regret making this list, specifically because I couldn’t seem to make up my mind as far as who all would be on it. I reread the entire series. I kept switching people in and out as I was reminded of characters or scenes I loved. And I came to a realization that there is no character in the whole of this series I didn’t enjoy to some extent that they didn't deserve some love in this list and I kind of wish I could have added all of them just to give them all some spotlight.

Yes, it is partly because everyone is vastly improved compared to Canon. But as I reread the series, it came to mind that if Canon didn’t exist and I didn’t have the comparison between the characters, I still very much would have loved this series and everyone in it.

Cause and Effect Exist

It's important to have a setting in which the characters and their actions make sense for the world they live in. When the setting is supposed to be modern day earth, we need the people to be able to show that they are capable of surviving in it on a day to day basis without being so massively incompetent that they would do something like accidentally ingesting poison. Or forgetting how to breathe.

I would think it would be obvious, but sometimes Canon makes me wonder. Which is never a good look for a show that is supposed to have some level of seriousness and involve superheroes.

Here’s the thing Canon can’t seem to get: when a majority of the things that go wrong in a plot are because of everyone having to be stupid to make the plot work, you have a problem with the writing. Changing the material in a story so that younger people can enjoy it does NOT mean dumbing down the characters and throwing in arbitrary lessons with no real reason to them. Even if the show itself is geared towards kids, you can’t treat the audience like they’re stupid.

In Scarlet Lady, the people aren’t stupid.

Silly, yes. Wrong, often. Overdramatic, definitely. But while they may make stupid choices sometimes, they aren’t so dumb that anyone should have concerns about their ability to function at a higher level than an overcaffinated 2 year old.

They’re fooled initially the way many of us would be with a biased story that hits the news first. Oblivious to the problems in a situation that they logically wouldn’t have much direct insight into. Prone to making mistakes and incorrect judgement the way that anyone would. That's normal. That's expected.

But they’re not so incapable as to forget things that happen right in front of them between one day and the next. Or even between one scene and the next.

Things carry over. We see cause and effect. We see consequences—bad and good. And those consequences extend not only for the episode or season but for the entire series.

Aurore KNOWs Alec cheated her before and maintains a tight control over him and prevents more of his antics.

Adrien and Alya maintain a cold attitude towards Lila for some time after her reveal as a liar. And it even remains a point against her as used by Chloe as herself and as Scar to discount what she says.

The boys of the class remember Adrien’s “love letter to Marigold” and try to win him her merch because they’re bros like that. 

Adrien himself remembers the instances of his dad being a massive prick and instead of being surprised and “sad boi uwuwu” each time it happens like it’s supposed to be a surprise that the massive prick would choose to be a prick, he very clearly moves through the stages of grief to the point of a sort of acceptance that involves planning around and even for him.

Gabriel’s horrible parenting and general lack of concern for Adrien or his wellbeing as he ends up a casualty of various akuma attacks was played off for laughs when such incidents occurred. Then they were brutally called out against him in the Finale as a way to counter his claims of doing everything for Adrien’s sake. And the big reveal of the Birthday Scarf…utilized in the last way anyone would have wanted.

And Chloe is perhaps the biggest example as her antics ARE NOT forgotten or ignored by anyone. The classmates still interact with Chloe and are relatively nice to her, but they don’t just forget that she’s treated them horribly. They don’t act surprised when she does anything horrible. Nor does anyone just laugh it off or excuse it as “just who she is”. We see follow up to her behavior—the class fully expecting her to cause trouble and actively try to plan around it. People calling her out on past behaviors. And even bigger consequences as time goes on. Such as Adrien breaking off the friendship. And a blink and you miss it fridge logic moment in Ikari Gozen when you realize that when they said she was banned from all future Gabriel-involved competitions, they meant it.

The fact that by the time the big reveal happened that Chloe was Scarlet Lady, no one was shocked.

Story-wise, this is showing the passage of time and the effect the events of the story are having. It’s showing that there is lasting impact and that what happens to the characters matters.

Meta-wise, this is Zoe rewarding us for paying attention.

Continuity exists in Scarlet Lady. Time exists. The people exist. When anyone does anything, you get the sense that they aren’t operating in a vacuum. The things they do matter. There are consequences. There is an impact. And if there is an impact in the story, there will be an impact on the audience.

Which leads to…

Character Depth/Character Growth

Usually in TV shows of this nature, if there ARE character arcs for the side characters, they only occur over the course of a single episode devoted to focusing on them before moving on elsewhere. 

Canon didn’t give us that much at all in favor of having every episode that should focus on other characters learning and growing instead forcing Marinette to be wrong in some way and learn an arbitrary lesson that often would have better served for someone else.

In Scarlet Lady, the arcs we get are impressive for all that they’re relatively unobtrusive. They aren’t big. They aren’t world-ending. And the thing is, most change in life isn’t. It can just FEEL that way.

Like the way it felt for Kim when he first found out Ondine liked him and then had his confession to her screwed up.

And the way it felt for Kagami when she lost that first match against Adrien.

Then there’s the way it felt for Chloe when she was dismissed by her mother, had her popularity go downhill, and ended up losing her Miraculous.

…or the way it felt for Adrien when he discovered his dad was Hawk Moth.

The reactions we witness are in a great part due to actions outside of the characters’ control, but are ultimately a result of the experiences they have had and the ways they have changed as a result.

The question becomes: are the characters that we meet at the beginning pretty much identical to how they are at the end? Is the world?

The answer in Scarlet Lady is no.

Whether because the characters themselves change or our perception of them does, we can see that they have all undergone some sort of events that create a difference between the start and end points.

Not all of them HAVE to undergo some big emotional arc. Not all of them NEED to. But the characters still mostly go through some sort of growth by the end that I feel make them stronger and healthier people.

You’ve got the big life-altering changes like Lila and Sabrina.

You’ve got the little changes like Nino and Ivan.

You’ve even got the most minuscule, beginning stages of change in Chloe.

You’ve got growth that creates such perfect setup with Mylene when she starts off scared and traumatized by how things went with Stoneheart then is the one who confronts him in the end. And the parallel between the finale and the beginning when she returns him to normal by kissing him just like they did in that first episode to change him back then, too! (Just….GOD, I CANNOT GET OVER THIS!)

You’ve got them reaching out and making friends and relating to people they hadn’t before.

And by the end of it all, we get characters who feel like people rather than props.

They don’t all have to change. They don’t necessarily need to go through an entire emotional arc and back again. They just need to be part of the world they’re in.

Nino doesn’t just pop into existence when Adrien or Alya need someone to interact with. Kagami isn’t just a non-horrible or non-evil love rival for Adrien or a stepping stool for him to “practice“ at being in a relationship before it’s time for him to try the “real thing” with his endgame pairing. Luka isn’t just a decent guy who is the only actual form of support for the female lead and yet only lacking that precious “male lead” title or all around just not “Adrien enough” to fill the role.

Adrien isn’t just a “sad boy” meant to be a main love interest, Villain’s Morality Pet, and the one everyone idolizes and chases after just cuz he’s the male lead and that’s how you show he’s desirable I guess. Marinette isn’t the atlas keeping the story alive because no one else is apparently capable of learning lessons and changing, or even just the bare basics of functioning as individuals. Chloe isn’t just there to be horrible for no reason and get away with it so she can continue to be horrible until the writers suddenly need her to be sympathetic.

And the rest of the classmates aren’t just some Greek chorus there to fill the background.

We see them interact. We see them making jokes or jabs. We see them even…*gasp* having different opinions!

And on something as major and life-controlling as feelings about the “Hero of the City” no less! Why, that’s the sort of thing that would break up friendships and determine who you can sit next to at the cafeteria! The horror! The scandal!

And…oh hey. This puts the characters in different groups. It links them with characters other their Canonically designated pairings and groups. This lets them disagree on things and not need to vilify any of them. This creates implications that add depth to the story and to the people in it.

The characters can disagree without being enemies. They can be wrong without having to be evil. They can make mistakes without having to be stupid. And they can change and grow—both for better and worse.

And we see both and in different ways. SO many different ways.

Adrien goes from excited and impulsive to buckling under the forced responsibility and weight of a partner who hinders more than she helps.

Lila goes from selfishly bad and self-serving to selfish but friendly with better direction of her talents in a less self-serving way.

And Chloe just goes from selfish and bad to selfish and worse..

I mean, it says something that the combination of Lila’s growth and Chloe’s fall from grace resulted in Hawk Moth being unable to use Lila as a tool for his Heroes Day plot like he originally intended.

The key is that whether they necessarily grow or become better people, these characters are still IMPACTED by the events around them and AFFECTED as a natural result of the world they live in. 

You can’t help but feel for them in some way as a result. It’s part of why I love them.

The other part of why I love them is a bit more epic though…

Crowning Moments of Awesome

If there’s one thing I love, it’s seeing characters be awesome. I love it when characters get to be awesome. I would love to see more of it. Especially when the ones involved are characters you wouldn’t normally expect or get to see have a chance to shine.

And it’s when you see these characters be awesome that you really get the sense that yes, this character would work as a hero.

Seeing Max help against Robustus. Seeing Kim help against Odine. Alix stepping in during Pharaoh, calling out her brother’s fan fiction, and helping the heroes escape the security system at the Lourve. Alya stepping in during Copycat to clue Chat in to what’s going on and later keeping Anansi distracted to keep her away from Chat while he’s trapped. Rose kicking Nightmare!Chat in the face to defend Marinette even when she’s on the run from her own nightmares in Sandboy. Luka leading groups twice to stepping in and helping the heroes deal with akumas. Nathaniel standing up for Marinette and Sabrina when they’re accused in Rogercop and then helping the heroes in Reverser.

These little moments of support make such a big different and really make it make sense that the heroes would trust these people with magical jewelry to help them in battle.

And the little moments of characters being petty or strong or smart or turning the tables or just showing off what they’re capable of. Even without superpowers.

Adrien getting petty revenge for Nino and finding a tactic to counter Gabriel in the future.

The Police Force in Rogercop just saying “Nope” to obeying an obvious akuma. 

Zoe manipulating akumas twice to help the heroes. Her two Reasons You Suck Speeches to her mom and Bustier.

Every instance of payback that Tikki gets against Chloe.

Everyone in the Finale. Just…EVERYONE in the Finale. The characters who manage to avoid akumatization by either spotting the flaws in the illusion or refusing to give in to fear and even protecting others. Nora smacking any akuma that enters the home. Claudie pulling off Power Mom and ordering Max to stop attacking the city then helping to calm him down. Prince Ali and Juleka freeing Rose by kissing her! Chris, Ella, Etta, and Manon saving Mylene! Mylene saving Ivan with a kiss in a direct callback to how they first got together in Stoneheart! (Yes, I am still stuck on that!) Ondine saving Kim! Lila and Sabrina saving Alix! Luka facing Riposte alone and unarmed and then Kitty Section saving Kagami! ALL of the Heroes making a final comeback to help take down Hawk Moth for good! Just—AAAAAH!

How could Miraculous have peaked with this in Season 2 when this is Grand Finale material? Because there are few things more awesome than getting to see ALL the characters the heroes met and befriended and helped throughout the course of the story stepping up at the final battle to help take the Big Bad down!

Like…can we just take a moment to appreciate how everyone gets a chance to stand out in some way? Not all of them necessarily good, exactly (looking at you Andre). But still stand out and be memorable. Even characters who didn’t originally get much focus. Especially characters who were originally functioning as cardboard cutouts to fill a scene.

Anyone remember Aurore? How for the FIRST akuma in the pilot of the series and one who is quite frankly the most interesting and noteworthy, we don’t really get to see her again except in the background.

In Scarlet Lady, we got to actually look in to the contest and how she lost as well as the aftermath. She wasn’t some arrogant showoff who deserved to lose to the “sweet down to earth rival”, she was a girl who legitimately tried her best and had valid reason to be upset. Seeing her get revenge on Alec for cheating and humiliating her on live TV was well worth it.

Or how about the Photographer? Just there to take photos of Adrien in the park for a photo shoot or be the school photographer, but otherwise has no personality and is only remembered for his weird “spaghetti” line.

In Scarlet Lady, his role is two-fold. He acts as a sort of supporter for Adrien in his crush. Taking really good pictures of him being happy with the girl he likes. Taking more class photos at the behest of this girl for the sake of a friend who missed out on the class picture. And then there’s his OTHER role as a sort of antagonist to Chloe. He becomes one of the only ones in the early seasons willing and capable of dismissing her tantrums.

They’re both given more character. They get moments to stand out and BE awesome. So is everyone.

EVERYONE. From the classmates and big named characters we see regularly to the side characters who only appear once or twice. They all get some good scenes and focus that give them their own identities. All of them are memorable. None of them can really be ignored or forgotten. And part of what made making this list so difficult was that I found myself getting attached to pretty much everyone as I came across each of them that I couldn’t quite make up my mind.

Everyone in this fic has done something to make me happy and warrant my approval. Even the characters I normally wouldn’t like at all had their moments to shine and elicit an “okay, that was cool” from me.

Thus I grant this spot to everyone. To all the characters I don’t get the chance to mention. To all the ones I like albeit somewhat less than others. To all the ones I know are horrible but can’t help but like regardless. To all the ones I fought with myself for THREE MONTHS over which one would get this spot.

I love all of them.

[hp-hcs]

i didn’t realize the riddle brothers were a "buy one get one free" type of deal, but alright — simp! overprotective! yandere! riddle brothers x gn! oblivious! bullied! slytherin! reader

requested by 🎀!

2.5k words, not to brag 😌

i love writing the bros’ interactions with each other as like, actual sibling-core yk? they r just so cutie patootie

the reader's patronus makes an appearance in this, but i tried to make it as accessible to everyone as possible, so it's never explicitly stated what animal it is. it is implied that it’s able-to-fit-under-a-table sized though

also this is totally just pre-slash nothing that interesting happens

warnings: couple mentions of blood, mild descriptions of wounds, implied violence, implied bullying, murder

not edited!! this is my first like, really long fic so constructive criticism is welcome!

•••••••••••••••••••••••••••••••

A well-timed shove to the small of your back sent you tumbling down an entire flight of moving stairs. 

You groaned as you hit the bottom, sprawled out on your back on the cold stone floor. You laid there for a moment, winded. You could hear the occupants of a nearby painting titter at your gracefulness (or lack thereof), so you rolled your head to the other side to give them an award winning smile and an unabashed middle finger. 

You could hear them all grumble about kids these days and how I never would’ve treated my elders this way. You just rolled your eyes at their pettiness. 

“Uh…what are you doing?” A decidedly alive voice interrupted your momentary satisfaction.

“Ah- evening, Riddle!” You said cheerily as soon as you recognized the speaker, scrambling to your feet and dusting off your uniform. “Nothing! Just…tripped. Couldn’t see very well in the dark, that’s all.”

Tom blinked, his lips twisted into a frown. “.....Fine. But don’t let me catch you out of bed past curfew again. You’re a Slytherin, for Salazar’s sake. Act like it.”

And that was it. Tom turned on his heel and continued down the hall without another word. Tom Riddle: prefect, teacher’s pet, and obnoxious hardass extraordinaire—he just...let you go, with no threats of detention or loss of house points. 

Huh. 

~~~

Tom, having just returned from a full night’s shift of prefect hall duty, flopped face-down onto his bed, his cheeks aflame as he let out a muffled shriek into his pillow. 

His brother, in the process of getting dressed for the day, paused at the scene in front of him. 

“Dude, what’s your deal?” 

“L/n,” Tom said by way of explanation, kicking his feet as he shrieked into his pillow again. “They acknowledged me. And they know my last name.”

“Most people know our last name, Tom,” Mattheo rolled his eyes.

“No- you don’t understand,” Tom said emphatically. “L/n is like…the cutest person to ever exist. And they’re so sweet, and smart, and funny, and-”

“And terrified of us?”

“Well…”

Mattheo rolled his eyes, putting his hands on his hips. “You talk about them too much. It’s getting insufferable.”

Tom just scowled and flicked his fingers to cast a wandless spell that straightened Mattheo’s tie and neatened his uniform. “The way you dress is insufferable. Slob.”

Mattheo stuck out his tongue at his brother before ruffling Tom’s hair to purposely mess it up. “Dick.”

“Idiot.”

~~~

Mattheo glanced up at you as you hovered uncertainly by the corner of his desk. 

“Can I sit here…?” You mumbled shyly, your cheeks flushing as the pretty dark-haired boy in your year smiled up at you.

“Course!” He grinned brightly before realizing that might have been too enthusiastic of a reply for eight in the morning and quickly tried to cover up his slip. “Uh…Y/n, right? I’m Mattheo.”

“Yeah, I know who you are.”

Mattheo’s stomach dropped.

Fuck, that’s not good.

“You let me copy your homework in third year for that essay on the properties of wormwood, or whatever.” You said offhandedly, like it wasn’t batshit insane to remember that pointlessly tiny detail. “Thank you for that, by the way. Potions sucks ass.”

Before Mattheo could even think, the words left his mouth. “I could tutor you if you want.”

You looked at him oddly, but grinned after a second. “Yeah, sure. That’d actually be really helpful. Snape hates me, man.”

“Really? Even though you’re in Slytherin?”

“Mhm, his baseless nepotism only extends so far.”

Mattheo barked out a startled laugh as your deadpan humor caught him off guard. You just grinned at him in response, causing the tips of his ears to immediately burn bright red.

He cleared his throat awkwardly, ducking his head in embarrassment. “Um…do you wanna meet in the library after school today? For our tutoring session,” Mattheo hurriedly added. 

“Sure, alright.” You shrugged. “See you there.”

He beamed, giving you that stupidly adorable grin once more. “Awesome! Yeah- yeah, cool. Awesome. See you there then.”

~~~

You were still shit at potions.

It had been six weeks of tutoring, and you’d learned pretty much nothing. Although, that wasn’t an issue on Mattheo’s part, but rather on his annoyingly hot older brother’s. 

Tom Riddle was surprisingly funny. For someone who gave off almost exclusively stoically austere bastard vibes, he enjoyed cracking jokes and enlisting your help in pulling pranks on his brother a bit too much.

It became your routine. Every Tuesday and Thursday after school, you would meet the two brothers in the library, waste like three hours joking around and getting absolutely no work done, and then going back to your dorm and ranting to your roommate about how fucking cute they are and how you would gladly pay for the opportunity to make out with one- no, both of them. 

(Your roommate is so fucking tired of hearing about the Riddles. You’d better buy them a latte and a cake-pop as an apology.)

~~~

You struggled to get up, your legs giving out. You cursed under your breath, putting a hand to your forehead as it throbbed in pain. 

It came away sticky with blood. 

This wasn’t going to work, you realized belatedly. With what remained of your strength, you were able to reach out and grab your wand, murmuring a quiet, “Expecto Patronum.”

A spectral creature formed in front of your eyes, remaining motionless as it stared at you. 

“Go find Riddle,” you mumbled to the Patronus, your eyelids growing heavy. 

You barely registered the wispy glowing animal immediately bounding off at your instructions, your vision doubling before your body went completely slack, the wand slipping from your fingers and hitting the tile floor with a clatter. 

~~~

Mattheo doodled mindlessly in the margins of his parchment as his brother droned on and on about the properties of willow bark in potions and really, this is important, Mattheo. Pay attention.

“Why isn’t Y/n here yet?” Mattheo asked his brother for the third time. 

Tom rolled his eyes. “I don’t know, Matt. Just like how I didn't know when you asked me five minutes ago. Maybe they just don’t want to see your stupid face any more, huh?”

“What if they’re in trouble? Or hurt?” Mattheo worried, chewing on his thumbnail and ignoring his brother’s insult. “They’re never late, Tommy.”

Tom wrinkled his nose at the use of the dumb (albeit endearing) nickname Mattheo gave him when they were children, but the sinking feeling in his gut at hearing his brother’s distressed tone didn’t help to ease the niggling worries at the back of his mind of maybe they are in trouble.

As if on cue, Mattheo shivered as something icy cold brushed against his ankles. He glanced down. A glowing spectral creature nudged his leg, looking up at him expectantly with unnervingly empty eyes. 

A Patronus. 

Y/n’s Patronus.

~~~

They followed the Patronus down the deserted hall, the animal occasionally pausing to make sure the boys were both still following it before bounding forward again.

The Patronus stopped in front of a bathroom door, giving them both that same unnervingly hollow-eyed stare of expectancy.

Tom gulped and pushed open the door, fearing that he might find the worst.

He did.

~~~

Your eyes cracked open slowly, and you winced at the multitude of stinging and stabbing pains that wracked your body.

You had to blink a couple times for everything to come into focus. You were in a small room with white walls and white flooring, and the gentle dawn illuminated the quiet space with soft rays of light. The steady beep of a vitals monitor faded into the background as you stared down at yourself.

You weren’t wearing a shirt, for one, or even a hospital gown. Pretty much your entire upper torso was wrapped in bloodstained gauze. The jagged edges of a brutal slash across your chest peeked out of the top of the dressings, and you had to close your eyes and hold your breath for a moment to keep from throwing up. Once you’d calmed back down, you opened your eyes, startled to see that you weren’t alone.

Mattheo had pulled up a chair to the side of your hospital bed and crossed his arms on the mattress, using them as a makeshift pillow. His dark lashes fanned across his cheeks, his breaths slow and even. He looked so peaceful and...unguarded in his sleep. You reached down to brush a loose curl away from his forehead.

“Having fun?”

You startled, jerking your hand back. 

Tom leaned against the doorframe of your room with an amused expression, quirking an eyebrow and wiggling his fingers in a wave.

“Shut up,” you hissed back in a whisper, your cheeks flaring red. 

Tom’s amused grin only grew at your dark blush as he invited himself into your room fully, closing the door behind him.

 “Your secret’s safe with me.” He jokingly winked, tapping the side of his nose.

“You’re insufferable.”

“So I’ve been told.”

“What am I doing here?” You quickly changed topics, refusing to even look down in Mattheo’s direction. 

Tom sighed, any amusement on his face rapidly vanishing. “You sent us a Patronus, thank Merlin. Pomfrey said you would’ve bled out if you hadn’t.”

You had no memory of casting the Patronus charm at all, but you trusted Tom’s recollection of events better than your own jumbled and spotty one. “Bled out?” You questioned, your heart hammering in your throat as your voice climbed an octave in anxiety.

Tom nodded, his face carefully schooled into a blank and neutral expression. “You were hit with the Sectumsempra spell. You've been out for three days now.”

Your brow furrowed. “Malfoy got hit with that last year though—and was in and out of the infirmary in less than a day.”

“Snape knew the counterspell and found ‘im just in time last year,” Mattheo mumbled sleepily, his eyes still closed as he tuned into the conversation at hand. “But whoever hit you with it just left you there to die.”

“Charming.” You mutter under your breath.

“Regardless of what happened in Malfoy’s instance,” Tom interrupted briskly. “You were on the brink of literal death. So I’ll ask you this one time and one time only. Who did it, Y/n?”

~~~

“I brought you a cookie from the Great Hall,” Mattheo grinned widely, climbing into your hospital bed next to you and unwrapping the napkin in his hand. “And the notes from today’s Charms lesson, but those’re boring and we both know you won’t actually read ‘em.”

“Aww, you know me so well.” You teased, breaking the cookie in half and handing him one of the pieces.

Mattheo cupped the cookie fragment in his hands like it was a priceless treasure, staring down at it in unrestrained awe. 

You just shook your head at his antics and brushed the odd reaction off.

~~~

You woke up this morning and just felt like shit. You were nauseous, and dizzy, and felt borderline faint. Tom’s voice, usually soothing and comforting to hear, sounded like nails on a chalkboard right now. He rambled on and on about the delicate process of making the temperamental Felix Felicis potion. 

“Tom,” you interrupted, your voice scratchy and quiet. “Can we take a break? Please?”

He blinked, surprised at being interrupted, but nodded slowly. “I suppose…? Why?”

“Don’t feel good,” you mumbled, setting your textbook down and rubbing your eyes. 

“I wouldn’t expect you to,” Madame Pomfrey said brusquely as she bustled around your hospital room, shooing Tom out of the way to stand by your bedside. 

(Poppy Pomfrey remains the only person who can and has shooed Tom Riddle III and lived to tell the tale—and all without a single ounce of fear.)

“I’ve raised your dosage so that you can be out of here in time for your N.E.W.T.s.” Pomfrey elaborated upon seeing your confused look.

“Fantastic.” You mumbled dryly, grinning sleepily up at Tom as he grabbed onto your hand and interlaced your fingers together. He ignored the way his heart skipped a beat in favor of letting you hold his sweaty palm.

“Go to sleep, L/n,” Tom muttered under his breath. “Potions can wait.”

~~~

Tom lay in your hospital bed beside you, running his thumb over your knuckles. “Please? We promise we won’t do anything.”

“Yeah,” Mattheo chimed in from the other side of your crowded bed, one arm tossed over your waist as he rested his chin on your shoulder. “Or at least, nothing we’ll get caught for.”

You sigh, tired of their ceaseless pleading. “Alright, alright, fine. I’ll tell you who it was.”

Both boys leaned in close.

You sigh again and roll your eyes at their overprotectiveness. “Alright, it was-”

~~~

Tucker Thompson and Devin Dobbs: Gryffindor Sixth Years Found MURDERED at Hogwarts! Dumbledore: “No comment at this time.”

You tilted the newspaper so Madame Pomfrey could read the article over your shoulder as she replaced your IV bag. 

Pomfrey just sighed and rolled her eyes. “I don’t understand how Skeeter is still employed at the Prophet.”

“Cause shock value will always hold weight in the media?” You answered dryly around a mouthful of depressingly plain infirmary wing toast. “And Skeeter’s good at nothing if not coming up with bullshit shock value titles.”

“That may be true,” she began, snatching the paper from your hands. “But patients shouldn’t be reading about such dark subjects, and certainly not while under my care. And don’t talk while eating. I rather like your company, and would hate to see you choke.”

You rolled your eyes at her suffocatingly motherly behavior. “So are they? Thompson and Dobbs; they’re really dead?”

Madame Pomfrey hesitated.

You let out a relieved breath of air that you tried (and failed) to hide behind a cough. “That’s…terrible.”

She narrowed her eyes and studied you for a long moment, her fingers mindlessly worrying the deckle edge of the newspaper in her hands. “It was them, wasn’t it? Your boys.”

“My boys?”

“Yes, yes, Riddles one and two. Your boys.”

“Oh- we’re not…”

She raised an eyebrow, pursing her lips as she tried to hold back a laugh at the utter obliviousness of teenagers. “Do they know that, dear?”

You spluttered out a half-assed rebuke to her statement, but Pomfrey quickly interrupted you.

“They’ve been staying here for hours every day for the last month. They want more than just your friendship, hon.”

“No way. We’re just friends.” You insisted firmly. “That’s all.”

Madame Pomfrey rolled her eyes. “Uh huh. Friends. Keep telling yourself that.”

You stared after her, open-mouthed in bafflement, as she rolled up the Prophet, tucked it under her arm, and turned around without another word—leaving you with zero reading material and a million questions.

•••••••••••••••••••••••••••••••

you have to love how pomfrey could not give less of a fuck that the riddles murdered two students as long as she gets her ot3 absolutely iconic behavior

[evavertun]

could write an essay on the tragic irony of that scene (where mel is talking to jayce over Viktor who is dismantling jinx’s bomb) but like… in brief??

people are saying she’s being classist or ableist in leaving viktor out of the conversation and while that dimension to the power differential between them is definitely there (and I could write a whole lot on that too!) i just don’t think it’s the main reason why that conversation goes the way it does.

mel doesn’t speak to viktor because she is suggesting the goddamn militarisation of hextech. viktor is a principled scientist.

rewatch the scene closely. mel watches both jayce and viktor at first. while explaining the situation. while Viktor is dismantling the bomb, while giving the council’s opinion. but she stops engaging with viktor as soon as he asks her:

- V : “wait what are you suggesting?”

this is where she stops talking to him. because what she wants is the goddamn militarisation of hextech. to use on the undercity where viktor is from, no less. mel says straight up:

- M: “we should prepare our own countermeasures.”

it is right there. i don’t understand where the ‘manipulation’ conversation is coming in with this scene when she isn’t even attempting to speak around the violent measures she is willing to support. mel is being quite upfront about it. to me this was mel’s most ‘ambessa’ moment. it makes perfect narrative sense that in the episode following this one we meet ambessa and get to see mel’s relationship to martial law and Noxus’ kinds of state sanctioned violence that far exceed the brutality we have seen even piltover direct at zaun.

mel knows she cannot speak to viktor about this because… and i don’t know how many times I can say this… it’s a blunt proposal for the godamn militarisation of hextech.

of course she anticipates viktor’s reaction because she’s intelligent enough to know that his reaction is that of any principled scientist. before anyone can get a word in edgewise we see viktor immediately, vehemently trying to shut the idea down:

- V: “absolutely not. That is not what we created hextech for.”

jayce brings up heimerdinger here too and says he would never do it which is so telling. heimerdinger was a council member, yes, but he is first and foremost a scientist who adheres to science’s ethics and academic rigour (albeit to a pedantic degree because he has no real concept of human life spans).

in this scene viktor is rightfully much more pissed off at jayce. that he even considers the proposal is a testament to just how much more absorbed in mel’s world of state politics he has become as opposed to viktor’s one of science. after mel has left viktor scoffs and says:

- “Ridiculous. You cannot be considering this.[…] We’re scientists. Not soldiers. We agreed hextech is to improve lives not take them.”

a large part of what is so tragic about the machine herald storyline is that these tables have entirely turned. of the many, many mel and viktor parallels i think it’s often overlooked that it’s mel who becomes increasingly opposed to endorsing war and militarisation, ultimately killing her own mother, the symbolic figurehead of both, while it’s viktor who ends up creating the very thing he was insulted to even think of with hextech. an army that can’t die… used by ambessa no less.