#I could share it if anyone wants

[you-me-we-04]

My pitch for the community movie is that it is centered on a wedding, specifically Abed’s wedding. The catch is no one knows who he's marrying. Abed uses a Mr. Big style nickname, so the group has no clue who this person is. The whole movie could be about getting the gang back together for Abed’s wedding day. The two main plots are the gang trying to locate Troy so he can be Abed's best man and the gang trying to work out who Abed is marrying so they can do the whole shovel talk with them. This would be a great way to bring in a ton of fan-favorite characters without having to set it at Greendale since they’re all here for the wedding.

 Along with this, it could kinda push the whole Abed fucks thing, since the group could discover that back in Greendale Abed really got around a lot more than the thought (hell maybe throw in a joke that he and white Abed actually slept together). The group would then come to believe that Rachel is the person Abed is marrying and after falling to locate Troy and some type of fight happening due to the group trying to give Rachel the shovel talk (even if I don’t really like the trope of “Long term friends finding out that they never really understood/knew each other” could work really well here) 

The gang including Pierce’s Energon pod (shove a bow tie on that pod) comes together to make Abed’s wedding memorable and prove that they do value their friendship; Jeff and Britta try to see  who can throw Abed the best Bachelor party, Annie falling into the wedding planner role and fighting with the actual wedding planner, something happening with the baker so Shirley steps up to make the wedding cake stuff like that. 

As they are seated for the ceremony we find out that Rachel is the best man (maybe they made a successful sitcom together? and worked out they work better as friends) and of course, the other groom is Troy (and him hiding from the group was his way of bringing the group back together as his wedding gift to Abed was a reunion episode)  At the reception warp up any major storylines ie Jeff and Annie or Jeff and the Dean. Jeff gives a toast and makes the Jeff Winger Speech to end all Jeff Winger Speeches. It's a party and everyone is having a great time. 

Then cut to a quiet moment between Troy and Abed, Abed thanking Troy for this reunion episode even if he thinks it's more like a movie, (If you wanted to make it bittersweet you could do an whole speech about how Abed is okay with this potential being a one of reunion since that what makes it special and sometimes people ((tv shows)) are just the friends you need at that point in your life and you can have years of laughter and joy from those friends but even if you outgrow/end those friendship ((TV shows ending natural or being canceled)) it doesn’t ruined the time you had together and sometimes bring those friendship back can taint the original memories ((needlessly rebooting tv show past their prime)) it okay to miss those friends but it's impotent to move on, we can value those old friend while still making new and different friends,((find new shows with new ideas that we love, that doesn’t mean we like the other shows any less)) that just a part of life) 

 Abed gives Troy his gift, it's a film script Rachel and him are working on about a group of misfits who come together to save their community college from an all powerful evil and on it there is a note that says “write with us?” with Abed asking Troy to join them in writing it since the script needs heart and Troy has the biggest heart out of anyone he’s ever met. He agrees and we get a Troy cries/handshake/kiss moment. It ends with a group hugging and the cast dancing to Roxanne or the opening theme in a cute post-credit bit (in or out of character)

[starry-bi-sky]

wolfpack. aka: if not friend, then why friend-shaped?

"Hey-- uh, Danny?" There's an almost imperceptible tremor in Tucker's voice.

Danny doesn't look up from what he's doing, his pencil scritching across his notebook as he tries to do another quadratic formula question. "Hm."

"What's -- uh -- what's with the dogs?"

He looks up now, and finally sees where Tucker is -- standing in the doorway of his room with an ashy look on his face and a skewed, nervous smile. He's got a white knuckle grip on the doorknob. Sam is wide-eyed behind him, and using him as a partial meat-shield.

Danny looks down to the two giant ghost wolves sprawled next to him lazily. One large green one with his head in Danny's lap, letting him use him as a prop-up for his notebook. Another equally large black one splayed against his hip, sleeping on her side with her head tilted inward to his calf.

Automatically, a grin tilts across Danny's face, and he lifts his notebook up to scratch behind the green one's ears. He opens a lazy eye, one that is bloody red with a ring of yellow around the pupil, before slipping it shut and leaning his head into Danny's touch. "This is Sirius and Procyon," he says, and reaches down to scratch Sirius' belly. "And they're not dogs, they're wolves."

"Great," Tucker says, his voice suddenly much smaller and faint, "Love that distinction."

Sirius makes a great big groan, and Danny's grin widens, his heart swelling with fondness. His hand slips away from her belly, and before he can put his notebook back down, Procyon pushes his head up his lap until his ear is against his stomach, demanding pets now too.

Sam peeks her head up from over Tucker's shoulder, "I think what Tucker's asking here is what are they doing here, Danny."

He shrugs, scratching under Procyon's chin. "They kinda just showed up. I tried sending them back to the Zone, but they keep returning." And they were weirdly intent on just following him around, which is the only reason he gave up on returning them. They weren't causing trouble, and they knew how to hide around the living. Plus, he just loves dogs. "So now I have two wolves living with me."

This, oddly enough, did not do anything to calm Sam and Tucker down. Tucker's mouth purses into a thin line, and he presses the sides of his palms to his lips in prayer. "How have your parents not found out about this?"

Danny wordlessly raises his hand, and his sleeve slides down to reveal a thin chain bracelet hooked around his wrist. He whistles sharply, and both Procyon and Sirius jerk their heads up to look at him, ears pricked up and eyes alert.

Silently, he points to his wrist and rattles it twice, and in unison both wolves stand up and pounce. Instantly, they turn into a respective, opaque black and green mist that swirls around the bracelet and forms into two, flat wolf charms.

Both wolves are posing in the stereotypical wolf howl, with little stars indented on the sides. Procyon's charm has the Canis Minor constellation engraved on it, while Sirius has the Canis Major.

Danny faces Sam and Tucker, and points at his wrist. "Like this."

[nevarroes]

[smiuffzo]

didnt plan on posting this today originally but decided that it actually fits really well with the beginning of the spooky season, so!

a fake doai movie poster inspired by posters for movies 'a short film about love' and 'on the silver globe', both by andrzej pągowski! and just for fun i also made a version with a shoddy polish title, how authentic am i right

[writer-room]

Isn't it fun how everyone saw what terrified them most, but Nya's was so "unbelievable" that she broke out instantly? She was shown the one thing that was supposed to terrify her, make her spiral. But of course it wasn't real. It's Jay. If there's one thing she never once doubted, its that Jay is absolutely smitten, so of course he'd never forget her. What a silly thing to think, to be afraid of. She went through so damn much for this boy, and him for her, and we know how she is. Wouldn't it be petrifying if all that work, all that emotional turmoil, that clawing for love, could be forgotten just like that? Its quite a feat, really, that she can finally be confident in knowing such a fear is irrational.

It was easy to break free from such a place. It was only ever meant to scare her, and she has nothing to be afraid of. Right?

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[pixelfun20]

Me, watching Tiktok light on fire trying to convince me that "You can only ever love one person!!!" in response to me saying that Mikasa can move on and marry and still love Eren:

[giyrut-girlie]

Like actually laugh out loud

[kyouka-supremacy]

(˶ᵔ ᵕ ᵔ˶)

[iii-of-ender]

i hate when a book has genuinely cool worldbuilding and characters and plot and then the author ruins it all by assuming i care about shitty romance they’re pushing into relevance

[satisaranea]

so anyway when anyone holds the belief that the career kids were evil and were natural born killers you are equally dehumanizing them like the systems of training they were put in. you are adultifying children who were brainwashed and forced to learn the ways of slaughter for sake of glory. we could talk about their parallels to war also, but the main thing here are these are children taught that in order to appease their district they must kill ruthlessly and without second regard for anyone else in th equation. their win and their path of success only, even if in the end they're still cannon fodder like all other victors. like how many time does it have to be said that the careers are VICTIMS. not villains like they're portrayed as by the narrative.

[louroth]

"It takes guts to grow up like you did-- thousands of years simmering beneath every kind of oppression man could think of."

"With the sky kissing the crown of my head, knighting me with space to roam and the bravery to explore it [...] Big, open fields of barley and rivers like slivers of silver, marbling my veins."

"And yet you prefer...?" "After all that life?" a breath, a laugh, caught between teeth. "Something cultivated by your own will-- the work, the dread, the sought resolution-- it is far grander than the possibility, the dream of it."

art by @fooltofancy (just. fantastic. look at them. !!!!)

[cryptidorchid]

I’ve seen a lot of people call out Scott’s lack of care for Jimmy’s life in Third Life. (Usually, this is part of their explanation for why they think flower husbands is toxic) And I think these points are interesting but kind of miss that the lack of care is reciprocated by Jimmy.

In Scott’s case, the moments I see pointed out the most are the two times Scott treated Jimmy dying like it was a spectator sport. Like when Jimmy got attacked by the enderman or Jimmy played the Tango’s lava minigame and Scott was like “I’m just here to see if Jimmy dies” and when he told Grian that “once our husbands die, we can be free.” 

I will play devil’s advocate for a moment here and say that in all of these moments, regardless of what Scott was saying about it, he took action to try to keep Jimmy alive. In the first two instances mentioned, he gave Jimmy advice to help him survive and in the last one with Grian, he suggested Jimmy should stay in the bunker so he could be safer. But I will admit that Scott acts very apathetic about Jimmy dying.

In Jimmy’s case, he’s less verbally apathetic but his actions seem strange for someone who should want Scott to stay alive. Like that time where Grian and Scar let their enderman free to attack Scott and Jimmy scolded Scott for killing the enderman because it upset Grian and Scar. And even when Scott was being attacked, Jimmy’s response was just yelling that he wasn’t the one who looked at the enderman and then watching as Scott gets attacked. And there was that time when they found the enchanting table outside of Renchanting and Jimmy (correctly) guessed that it might be a trap so he told Scott to mine it.  For the second one, Jimmy says it’s because he’s just died so he doesn’t want to die again which would be fair, except neither of them have any motivation to mine the enchanting table in the first place, so the reasonable response would be “it might be a trap so neither of us should mine it”

Which made it really weird when the Dogwarts confrontation happened and suddenly, they’re all protective over each other. Suddenly, they’re like “Jimmy, don’t go near the scary red name!” and “Scott, what if they sacrifice you on their altar?” 

What? Where did this come from? At least in Scott’s case, I can guess it was because Jimmy’s now a red name so if Jimmy dies, it’s permanent. I don’t know what was up with Jimmy in that moment.

And, as far as them continuing to be protective after that? On Scott’s end, he was pretty consistent and explicit about wanting to keep Jimmy safe after that (except for him being weirdly happy about the idea of being a widow, don’t know what was up with that). 

On Jimmy’s end, after this, as far as I can tell, he went back to using Scott’s green life as an excuse to ask Scott to take risks. He finds a cake unexpectedly in his house, thinks it might be a trap, and asks Scott to eat it and tell him if anything bad happens. When they're in a fight with Dogwarts, Jimmy tells Scott that he should "get in there" because he’s a green name. Honestly, I don’t think these are that bad because Jimmy was on red and Scott was on green, but it is a big difference from him burning the Dogwarts banner over just the possibility that they might try to kill Scott (and it implies that Jimmy sees Scott's life as disposable which while pragmatic, is not very kind). Anyway, my main point is that I can’t remember Jimmy ever really being worried about Scott’s life outside of the one moment with Dogwarts.

In conclusion, neither of them seemed to be super concerned about the other one dying (Scott said it. Jimmy acted like it) until Jimmy went to red. Which I think mostly had to do with the fact that they both knew the other had more lives to spare. They really lived their lives like “me and my husband who couldn't care less if I live or die.” My dysfunctional faves.

[thetarttfuldickhead]

So it’s later in the evening and the cooking’s all done and Ola’s out and about in the restaurant, saying howdy to all the boys —

— and there is Jamie, nifty in blue and his ICON cap and pleasantly buzzy from all the drinks Dani mixed, and Ola doesn’t exactly corner him, but he stops by and, “Ah, you must be Jamie! I’ve heard so much about you!”

Jamie blinks a couple of times at that, trying to imagine all the times Sam might have talked to his extremly supportive dad about him, and succeeding only far too well. “Oh. Uh, yeah. I mean… I’ve, uh. I’ve tried to do better, so. But. I guess. Uh. Yeah.” And he shrugs a little, unhappily, because he really doesn’t know what to say to this gentle giant of a man whose son he terrorized for six unfortunate months a couple of years back.

Ola just looks at him, frowning but not in a nasty or angry way. Cocks his head to the side. “Yes. Samuel’s told me.”

Jamie makes a face at that but before he has time to say anything else – offer any apologies – Ola plows on: “He’s told me about his very good friend who’s been such great support to him in this last year, in spite of him not having much support of his own.” He pauses, making sure that Jamie is hearing him: “I’ve been glad to hear he has such good friends. Samuel has been very fortunate.”

“Oh.” Jamie blinks again. And again. His eyes are wide. A slight shine to them, maybe. He looks away from Ola; away from Sam, happily (and inexpertly) (but still succesfully) flirting with Simi by the bar.

And Ola puts his arm around Jamie’s shoulders and it’s warm and it’s heavy, but it doesn’t weight him down; it grounds him. “Tell me, Jamie,” Ola rumbles, as he gently guides Jaime to one of the stuffed benches by the wall. “What do you think about—“

(And if Sam looks up from his conversation with Simi and if his eyes stray to the men on the bench… he’d smile, yeah, soft and aching and pleased with the way Jamie – seemingly unconsciously – is leaning into Ola’s touch, listening and grinning and gesturing wildly as he answer whatever questions the older man asks of him. Sam sees them, and he smiles.)

[kitkatsgalore]

in a world soaked in orange sunlight, you shone so bright the backlight paled in comparison ☼