#I could do screenshot redraws like this

[crowcrate]

The girlies!! &Silver <-honorary girlie I think

Also team chaotix because the idea was too funny and I couldn’t help myself

[mytardisisparked]

When Mulder runs off to do something stupid and you just KNOW she's going to kill him later (after she saves his life).

Ref pic:

[apollorobin]

even though i could talk for hours and hours about this, i'm going to try and stop now bc i'm too paranoid about annoying people lol. here are a last batch of silly screenshots from the play/behind the scenes!!! <3

^ the repeat and graduate buttons at the end, aaaa i love how in the play they put their hands on the same buttons rather than the individual ones in the game. hajime puts both hands on top of his friends' after this btw

^ komahina behind the scenes! middle one they aren't in costume (obviously, idk why i'm pointing that out lol) they are so SILLY! gundham's actor was filming all of this

^ soudam in the first one then kaz and hajime and chiaki AAAA i love them all. SCREAMING

^ they look SO CONFUSED lol this was in trial 2, talking about the beach house shower room window

and last but certainly not least.....

GRAB HIM BY THE AHOGE!!!!!!

if you've tolerated all of the videos i've posted today then thank you!! like i said i'm worried about annoying people but if anyone wants to hear more then please message me bc i can talk talk talk forever! this has been so much fun to watch, definitely gonna rewatch some time :) <3

[justladders]

[To the tune of 'Gaston:']

"Killing Children I find quite exhilarating"

"Why won't he die, that Af-ton!"

HAAHHAHAAAAA IM FINE

Me giving myself an excuse to comb through old Disney movies: villain pose doodles ✨

[cold-neon-ocean]

You're such a good artist and you've convinced me about Baatar being horse-coded. I'm curious what horse!Baatar looks like.

First off thank you so much you're so sweet ;; <3

Second, I'm so glad my horse-coded Baatar propaganda is working, you have no idea how long I've been ready to answer this.

Let us begin with our steed in question: - Lightly smokey copper bay warmblood: [ selle francais x holsteiner ] - Long star on his face and dainty little amounts of pastern white - Roached mane with minimal forelock so he looks like a velociraptor - 100% constantly at the ready to kick someone in the fucking face - Well known for whipping people in the face with his tail He'd absolutely be a sporty warmblood very much crushing the 5 star eventing scene. He's bougie and sensitive and ornery. His best discipline is cross country he's got the speed, stamina, and agility, second is show jumping as he sometimes gets a bit cramped in smaller indoor arenas, and then dressage. He isn't bad at dressage he's just prone to throwing a fit when something upsets him, like he will yank the reins out of your hands if he gets annoyed with your direction or if someone's phone starts ringing he'll stop dead and look around to see who it was so that they'll feel embarrassed lolol. And as good at eventing as he is it takes him like 45 minutes to wake up so if you don't prepare early, you WILL be late.

He's the sort of horse that makes you question who owns who in this situation because if his needs aren't perfectly met he will yell and scream until someone comes to attend to him.

Bonus: Custom embroidered blanket because he will still serve tactical fashion even as a horse and also he hates getting dirty.

[normiematsu]

READING TAGS AND SCREAMING!!!!!!! HUHHHH THANKS........ BUT MY AGGIE SECRET SAUCE.... is....................

idk i didnt think it was secret sauce but here's my brain's setup when im working there. for linework it's just the pixel pen at 1 px size and then im just slapping down my lines quickly and by believing in my line confidence putting that arm to WERKKK. when im doing lineart my goal is always to express everything i need with as few intentional strokes as possible

colors im just eyeballing if i'm being real even if im referencing another photo, no eyedropper tool to start with. if things look good together it works for me. vibes first and understanding of color theory second. except for this thing i learned in college and never stopped thinking about, i think this technique is genuine secret sauce. this pic is from andrew loomis' book creative illustration but in general u can find more examples similar to this by looking up subsurface scattering

i use the basic round brush @ different softness levels for coloring everything bc i am too boomer brained to figure out where that one fun textured brush is that a couple of u guys use. posing isn't aggie specific i do this everywhere but keeping it loosey goosey and gestural 24/7 bc im not anatomy's bitch when it comes to drawing cartoons online. thinking abt my little barbie dolls having so much energy in their line of action it's like they drank a case of red bull before i started. do u guys want to call next time or smth for realtime "words" of "wisdom" its hard to explain over text☝️🤓

[pineappical]

I’m literally obsessed with how you draw Ted and Trent they’re sooooo ✨ can I ask how you learned to draw anatomy bc I’m in love with how you do it

THANK YOU!!! also ive never taken any classes/lessons for art so most of what i draw is just a whole bunch of "fuck it we ball" and VERY heavily referencing images ive collected by roaming pinterest (cringe) and whatever..

^like that for example

its mostly a trial and error and some drawings never even survive the hard sketch part but it honestly just boils down to drawing the same guy over and over and over for like. 50-70+ drawings now HELP?

[kalloway]

late night (but technically early morning) post?

yes indeed

having some ‘first meeting’ thoughts about Miriam & Faust lately and I really wanna play around with ideas for it when I get a chance 👀

never thought they’d become a pairing I actually high-key want to make canon (even if it’s only outside the AU) but here we are :’)

[hasnomoxxie]

Could you tell us more about Dan from Levity Rises?

YOU DO NOT UNDERSTAND HOW LONG I'VE BEEN WAITING FOR SOMEONE TO ASK ME AB LEVITY RISES

I recently updated the designs for them so I'll talk ab them all if you don't mind :]c

I'll add the most information on Dan though just for you bbg!

I do plan on making a few screenshot redraws (and potentially an intro animatic because an awesome person actually made a theme for this au)

THE MYSTERY TWINS ⇆ THE ORIGINAL MYSTERY TWINS

Stanley and Stanford Pines take on the roles of Dipper and Mabel! Stan's curious and is the more mystery focussed one whereas Ford is more energetic and active than his base counterpart.

Stanley is an adventurous young boy, looking for the next interesting trip to go on, initially thinking spending the summer at Levity Rises was going to be a waste of time. Though after arriving and finding the scrapbooks alongside the anomalies happening across Levity, he and his brother quickly became obsessed with finding out the secrets of the Rises, as well as who the mysterious Smile Pup(swapped with bill cypher) is.

Ford (often going by 'Six' or 'Sixer) is a happy go lucky and optimistic young child who is alot tougher than his base counterpart was at his age. Since it's typically only just been him and his brother, so he's eager to make the best of his summer by meeting new people, though he hides his polydactyly with gloves he changes frequently.

DIPPER ⇆ STANLEY

Dipper takes the role of Grunkle Stan in this au!

Owner of the mystery shack, Grunkle Mason- or (Big) Dipper to people around Levity Rises- is the resident faux scientist of the town. His personality is more eccentric, tending to get hyper fixated on paranormal paraphernalia, to the point in where he does lock himself away for periods at a time.

Not much is known about his origins, he just kind of always existed on the outsidea of the town, but after opening the shack to the public, people quickly accepted his presence due to his quirky personality.

MANLY DAN ⇆ SOOS

Dan actually takes the role of Soos in this au, being the resident handyman of the mystery shack! Though often the lines blur between his role and Wendy's from the original. Wanted to keep it flexible yk?

Dan's a real dude's bro, pretty dim witted and blunt but often chill and level headed- Unless he's challenged- dude's competitive as hell, it's actually crazy. His mother, dubbed 'womanly wendy', is the toughest lady in town, owning a diner, aptly named 'Wendy's'.

Dan enjoys working at the Shack as it's one of the few places that'll let him freely experiment with his logging with the nearby trees for his own projects and adding fixtures onto the shack, which Dipper is pretty thankful for since he can focus his efforts on other things. It's also because of this reason that Dipper puts up with Dan's outbursts and semi airheaded personality. So it's safe to say, he's there the majority of the time.

Stan admires Danny alot and the events of 'Into the bunker' happens with Dan in place of Wendy. This does mean Stan had a passing crush on Danny during the episode, but even afterwards Stan kind of puts him on a pedestal. Ford enjoys Dan's company often being called 'little man' and playfighting on occasion. The twins act like his little hype men and he enjoys hanging with them.

As for Soos in this au, he initially built the mystery shack and is frequently seen around Levity Rises taking on odd jobs and making people as happy as they can be, though it's implied that he hasn't found his true calling yet.

LAZY SUZAN ⇆ WENDY

Lazy Suzan takes the role of Wendy in this au! Hazy Jane is a part time worker at the mystery shack, and is stan's first crush upon arrival to the Rises. She's a bit of an odd soul with a less than perfect memory, but is incredible at making a homely environment for the shack. Despite that, she can be extremely co-dependent in some situations, especially with her boyfriend. Otherwise she's earnest and does her best at her job. The events of 'Soos and the real girl' occur with Jane instead of Soos (and Rumble instead of GIFanny). Despite wanting to help, Stan is incredibly pouty throughout the episode.

Here's the design line up as well as initial notes I made when redoing them!

Hope this answered your question about Dan :]

RAUGH THANKS SO MUCH FOR ASKING THOUGHHHHHH

(EDIT)

SOMEONE SUGGESTED A BETTER SWAP FOR BILL, I JUST HAD TO ADD IT!

(EDIT EDIT)

I'm fixing wording and stuff so it's easier to read soz :p

[eshtaresht]

how come trippy eye drawings I did in the middle of a literal field on regular paper with falling apart brushes and cheap acrylic paint receive 5 times more notes than digital realistic portraits I spent like 30+ hours on

[jadenvargen]

If I want to study someone's art or style, how do I do that? Like where do you even start when looking at an illustration that they made 😭thank you!!!

Here’s stuff i think about. i don’t do that many style studies, so idunno how helpful it is! pls sound in tha comments if anyone has tips:) 

Pinpoint what stuff you like, and focus on that. Focus on technique rather than exact replication, for example ( just first thing comes to mind) if you like rostov’s disco elysium cover art and want to study it, don’t just repaint the image, find what’s key in the style. looseness, maybe? then, instead of copying the image with your technique, try to apply the same looseness. (feat. shitty 5 min sketch plz dont judge example of how i normally approax paintings, versus a study. ALSO not to say u CANT do this it's just how i would study, myself. )

That being said, don’t force yourself to make art decisions that feel unnatural to you. a lot of the time artists make decisions based on their weaknesses as well as strengths. I do very shaky, hatchy lineart because my hands are very shaky. I focus on painting what I* feel is important and fun. 

Instead of copying a style from a picture, look at a variety of pictures and find technique. For example a lot of people redrawing a screenshot in “sailor moon style” or “ghibli style” will draw… let’s say, an old man, looking like a usagi because that’s the screenshot they looked at, instead of watching what stylistic choices for example takeuchi made when stylizing an old man. So the “studies” end up homogenous. I personally find it unproductive to replicate a painting for purposes of study, but like focusing on individual elements. say you like egon schiele, replicating whole paintings at a time IMO isn't gonna do much, but maybe you can set out on a series where you sketch copy his hands or feet from different paintings, and then try stylizing your own hands the same way? Or maybe your fave artist draws moonlight like a blue stream, or a red one? Try applying only that light to your paintings.

You could also color pick or look at the colors they make and paint whatever you want with those same colors, to understand how they work together and what can be done with them.

Also, if you can, look at their influences! Everyone learns art by seeing others art. Chances are they saw art they liked and picked from there what elements they enjoyed. Looking at the inspiration can help make some of the techniques more obvious.

Basically focus less on copying(not that copying is bad- but not always helpful for studying), and more on what you like. If you find what you like, you can work from there and try to think about your own art from the same perspective.

IDK if this helps as i said, feel free to add onto^_^

[bananaactivity]

Sooooooooo MBAV x SCREAM (1996)???? Anyone???

Scream 1996 is not only my fav Horror movie but my favorite movie in general. I love this movie it’s great. So why not combine it with a show that I love also! MBAV is definitely not my fav show but it is one I like to make art of.

Character Swaps:

Billy Loomis= Ethan Morgan

Sydney Prescott= Sarah Fox

Stu Macher= Benny Weir

Tatum Riley= Erica Jones

Randy Meeks= Rory Keaner

I actually really like this Au idea… I’m definitely making more art for it. In a weird way it makes sense ya know??

Rory’s the goofy horror buff, Erica’s the sexy bestie, Ethan is also a horror buff but in wayyy more self righteous way, Sarah is uptight and vampires are always a sex allegory so that makes sense that she would be a “prude”, and most fittingly Benny is the goofy overacting friend who goes with wtv his bestie wants just for the lols.

I think I like this AU more than my Descendants AU I dunnoooo. It’s just a lot of fun fr.

I think that it’d be the same plot as Scream 1996 ignoring the other movies because that’s what I’ve been doing my whole life. I know some of the later movies are really good but I decided long ago I’d never watch them so boohoo.

I’m sure if I think about it hard enough I could fit some characters into other AU roles but I’m mostly gonna be doing screenshot redraws of the main 5…

Enjoyyyy and ask questions if you’d like!

[katzske]

Thoughts on Earthspark Season 2 (first half)

Spoiler Free:

I must admit I’m dissatisfied.

The animation and rendering definitely looks cheaper. Sometimes it feels like frames are missing, animations not polished, scenes not fully rendered. 2d and 3d poorly blends. It’s quite noticeable unfortunately. Characters also do the TFP Megatron stare now.

That being said, time was taken to revisit old models of characters and give them a new appearance. (4 i’ve noticed) It makes sense given a lot has changed during one year time skip.

The writing often feels either like exposition dumping or naruto filler episodes. I was never at the edge of my seat even during the climax. I ended up skipping through episodes due to the lack of relevant plot information.

Something ES managed to maintain were carefully composed shots that make great still images. While that’s nice for screenshots and redraws, I also feel like it’s the only unique aspect of ES’ animation style that remained. The rest, as previously mentioned, has lost quality.

Character Details I’ve noticed and want to talk about (spoilers ahead)

half of season 2 part 1 is filler. optimus trailer episode, great america with cosmos, a pachycephalosaurus-truck fighting mushrooms, hashtag taking ten years to dispose of hard drives…. each episode did have a few minutes of either cute or important moments. but the majority is a waste of time.

I was hoping that we would learn more about the decepticons. now that they’re free, what are they up to? how are their dynamics? how did season 1 finale change their perception on things? would they try to convince the terrans THEY are the good guys? nothing like that though.

There is no satisfying character development for starscream. ES Starscream was perfect to explore a more neutral version of him, who does not do bad things out of pleasure, but due to necessity; following his desire to be free. In the show he mentions he wanted to get rid of his oppressors (in his eyes autobots and humans), but a real “bruh” moment was when he told Hashtag the only reason he opened up to her last time was to tell her “take care of yourself first”. It completely disregards the fact he came to help in the season 1 finale after reflecting on Hashtags words. It also aggravates me that the writing could have been a very easy fix. “hey i’m not being selfish by destroying this town. im doing this for the decepticons, we have lived under the control of the autobots and then of humans. this needs to stop, we deserve freedom and i will do anything it takes.”

the show managed to establish some friction between starscream and shockwave but for deception standards it was very tame. overall i think it was written okay; he purposely let the Terrans escape with the fragments, and he bailed on Starscream once he went bonkers. I hope that he gets to be a Decepticon leader in the second half; i don’t think we have seen that in any TF TV show before. i also like that his antennae and eye color give away his emotions now.

i feel like the autobots are treated even worse than the decepticons this season ngl. they merely exist; and when they do have the spotlight it’s often for comedy.

why the fuck did shockwave not wait for hashtag to just dump the hard drives and leave. if someone walked up to me yelling “give me your trashbag” as i’m trying to dispose of it i’d be weirded out too lol.

i hope the chaos terrans don’t return. aftermath imo was, plot wise, redundant. spitfire at least was interesting and had an impact.

i wish there were more interesting fights like in season 1 instead of, oh no they’re hitting the trailer with sticks, oh no we are an abomination of dinosaur and vehicle for what feels like 15mins straight. i miss seeing soundwave slay.

[duffledunce]

Screenshot redraw again theyre fun n easy which r my favorite traits of an activity

Progress pics under cut cos i remembered to save em this time 😎 also just some thoughts as whale

I made their chairs diff lengths cos i thought itd be cool if they could like. Adjust to the height of the passanger. It kinda just looks like i dont know perspective tho lol. I tried using color to further illustrate the mood but i think i could do better. I think next time ill do more thoughtful color blocking in the early stages so theres a more cohesive idea behind the color arrangement, i definitely didnt need to have such a neon underpainting it was just a force of habit thing since i always start my paintings w one cos usually i do more happier/lighthearted scenes

[genericpuff]

oh boy it's that time again

when rachel posts 'video progress' of her work and we proceed to dissect it like a frog in 9th grade science class

like ok first the caption of "is persephone the chicken and hades the egg" makes no fucking sense except to anyone who overthinks it and goes "wait is that a reference to the popularly-perpetuated version of the myth where persephone went down to the underworld willingly and hades didn't actually exist???" because if it is ima scream lmao

but MORE IMPORTANTLY-

Here's the transcript of what she's saying in the video:

"I think I've always wanted to write Hades' and Persephone's story because obviously I really like them. It's like very much a chicken and egg situation because I think in the beginning I thought that I was going to use a very abstract black and white style, and I realized it wasn't very enticing or fun for me, um... and I started drawing these very like vibrant characters and as I drew them I understood more about the story the more that I explored the art style, um and I guess an example of that is, y'know, Persephone is like a very bright color um, and the Underworld, is a very dark dark blue, and so when she says she really sticks out so it's just environmental uh processes like that that really helped inspire the direction of the story."

(despite her expanding on the "chicken and the egg" bit it still doesn't make sense imo lmao)

But what we're seeing isn't S1 LO, it's actually from S3 of LO:

But um... you notice anything interesting about the screenshot I just showed you?

That literally looks NOTHING like what we see in the final panel. At the VERY least I think this goes to show how overcooked it becomes in post-production, when they add the canvas layer and hypersaturate the shit out of the colors, but even the blending technique just isn't matching up?

A lot of what she's doing in this video also feels very... non-existent, like she's brushing her pen around but very little is happening so it feels more like her just putting down random brush strokes to try and make it seem put-together but really she's just kind of pushing colors around and/or doing nothing. Especially when, again, what she's painting here looks nothing like the final picture (so at best it's a lot of wasted work??)

And knowing what we know about the assistants drawing the characters separately so that Rachel can rearrange them in the final episode layout... I don't wanna call foul play here, but this feels like yet another attempt on Rachel's behalf to make her process seem more involved than it is by simply redrawing a scene for the performative aspect of it all. It's like the "sketches" in the books looking way too 'clean' for the final product and giving the impression that she just sketched over the final panels to make them look pretty enough for print.

I also wanna mention that for some reason she's drawing this on her iPad when she owns a Cintiq. It could be because she was drawing this while abroad in the US for her conventions last fall, but despite clearly being ahead of schedule, she still wound up drawing the final episode the night of-

Oh yeah and btw there are like a million clipping layers for what looks like just a simple drawing of Demeter. And this lines up with our previous theories about her using like 128549021809 layers for literally one character.

And aside from all that her commentary, as always, is very nothingburger, just a bunch of word salad. Like she's literally trying to explain LO's color theory as "well Persephone is bright pink and the Underworld is dark blue so she sticks out! That's all you need to know!"

IDK, I'm not coming to any sort of ironclad conclusion based off this one video, but it does feel like yet another desperate attempt to prove that she does work on LO and doesn't just leave it all to her assistants to do at the last minute. But like... she's kind of screwed in that argument either way, because even if she draws the majority of panels in LO, that just further proves the argument that she's stopped trying.

[barblaz-arts]

Hello!

I would like to start with the fact that your art style is amazing, same goes for the design of the characters. (They look yummy tbh)

I have been wondering if you ever got some kind of art block, if yes what did you do?

If you see this, I hope you have a great day.

Thank you!

Most of the time, when I wanna draw but cant quite know WHAT i wanna draw, I redraw stuff. Like, screenshots. Or old drawings. Or even memes. Those are especially fun for drawing expressions I might not usually draw. Or I take scenes from fics I like or fics I've written and draw them. It helps that I get to move my pen with only half the brain power needed to picture what I want drawn.

But sometimes when I really cant overcome it, I usually just wait it out. Do my other hobbies like read or write or churn up another meta analysis. You cant force yourself to overcome that block sometimes and that's ok.

Oh but sometimes tho! Something that works unintentionally is when I'm like really really upset. I dont like to show it much, bcuz I understand that I'm getting old and I have a significant amount of followers that I dont wanna be a bad example to... But I can have quite a temper on me and can get really petty. But instead of exploding, I try to draw with those feelings.

Like, a while ago, I got really upset about stuff with an AI art fraud. And im just like, you know what this person can claim they're an "artist" all they want, but they still havent even shown a paper drawing as concrete proof. all just excuses and shit. The next moment I drew this, just to reassure myself that I'm an artist and I know what being a real artist is. That unlike AI frauds, I can show I dont need a computer to draw. All I need is a pencil and paper and I'm good.

(Then I proceeded to draw more than I usually do on paper because of that lmao)

And then when Youtooz came with an announcement that they're gonna release four figurines, half of which was 2 versions of Alastor and NO sign of Vaggie, I drew four Vaggies. Yes. I drew all this angry. Until yunno. I got so happy over how nice this ended up looking instead.

And then the last art I posted with the Harem Hotel AU? That's been in my drafts since november but I only got to finish it recently because I got upset over all the people in my notifs leaving hate comments about Vaggie lmao. Just told myself that they can claim to be objective critics who arent misogynistic, but at the end of the day all they could do is leave mean comments on twitter. Meanwhile, I can create! It's borderline horny gay shit, but hey! At least I'm doin' something productive! I can show female characters like her are are worth so much love to the point of making art!

Just. Idk. Maybe next time you feel negative feelings and shit, use art as the outlet for that negativity. Make something out of it. It doesnt have to be pretty, but hopefully it could make you feel good.

Or you know. Like I said, just wait it out.